| 1. What About Me |
| 2. Feelin' It! |
What About Me? Pt.1,Cribs,Wichita,Rock
Average customer rating:
|
Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066B4Y Release Date: 2002-06-11 |
Tracks:
- Overture (Orchestra)
- Not for the Life of Me (Sutton Foster)
- Thoroughly Modern Millie (Sutton Foster and Ensemble)
- Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
- How the Other Half Lives (Angela Christian and Sutton Foster)
- Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
- The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
- They Don't Know (Harriet Harris)
- The Nuttycracker Suite (Orchestra)
- What Do I Need with Love? (Gavin Creel)
- Only in New York (Sheryl Lee Ralph)
- Jimmy (Sutton Foster)
- Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
- Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
- Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
- I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
- Muqin (Harriet Harris, Francis Jue and Ken Leung)
- Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
- Gimme Gimme (Sutton Foster)
- Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
- Final Bows (Entire Company)
Amazon.com
Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth VincentelliCustomer Reviews:
Excellent Musical, But Product Quality - Eh.......2007-07-15
My problem was not with the quality of the cd, but with the plastic case. The cd cases always come cracked. Although it doesn't affect the quality of the cd itself, it's rather disheartening that Amazon charges customers for its poor shipping.
MODERNIZE your music collection!!!.......2007-07-13
A must to add to your collection.......2007-05-18
Delightful.......2006-06-12
YOU WILL LOVE IT.......2006-02-17
Have Fun!
Average customer rating:
|
Disney's Greatest 3
Various Artists Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXKT Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La GorceCustomer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Disney songs are the best.......2006-03-18
Great Disney Music.......2006-02-21
Not as good as Vol 1 and Vol 2.......2005-09-11
Average customer rating:
|
City of Angels (1990 Original Broadway Cast)
Cy Coleman , David Zippel , James Naughton , and Randy Graff Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000272K Release Date: 1990-02-09 |
Tracks:
- Prologue-Theme From City Of Angels
- Double Talk
- What You Don't Know About Women
- You Gotta Look Out For Yourself
- The Buddy System
- With Every Breath I Take
- The Tennis Song
- Ev'rybody's Gotta Be Somewhere
- Lost And Found
- All You Have To Do Is Wait
- You're Nothing Without Me
- Stay With Me
- You Can Always Count On Me
- Alaura's Theme
- It Needs Work
- L.A. Blues
- With Every Breath I Take-Duet
- Funny
- I'm Nothing Without You
- Epilogue-Theme From City Of Angels
- Double Talk Walk
Amazon.com
Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David HoriuchiCustomer Reviews:
Fun Show, Average Score.......2007-02-21
Cleverness personified.......2006-10-16
Fantastic Jazz Musical That's FUN!!!.......2006-04-14
3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)
Great Jazz-Oriented Score.......2005-06-25
Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny
Great cast ... great buy!
I love it!.......2005-02-22
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FWE Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
not your daddy's old timey spiritual.......2004-06-23
Immaculate Vocals of Leontyne Price.......2003-12-31
Great Gospel Stuff.......2001-04-12
Average customer rating:
|
Spirituals in Concert
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GDC Release Date: 1991-03-08 |
Tracks:
- In That Great Getting Up Morning
- Sinner, Please Don't Let This Harvest Pass
- Over My Head/ Lil' David
- Oh, What A Beautiful City
- Lord, How Come Me Here
- I Believe I'll Go Back Home-Lordy, Won't You Help Me
- Ride On, King Jesus
- Swing Low, Sweet Chariot-Ride Up In The Chariot
- You Can Tell The World
- Scandalize My Name
- Great Day
- Oh, Glory
- Calvary-They Crucified My Lord
- Talk About A Child
- Gospel Train
- My God Is So High
- There Is A Balm In Gilead
- He's Got The Whole World In His Hand
Customer Reviews:
"Lord, How Come Me Here".......2007-06-18
And the VERY funny "Scandelize My Name" is also worth the price of the total album!
Alinde O'Malley
WOW!.......2007-03-22
uhm......yeah right!!.......2006-06-21
scadalise my name.......2004-10-29
Broadway takes on the spiritual ..........2004-01-29
I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.
There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.
The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.
And you know what? It all kills the spirituals stone dead. The spiritual is one of those musical forms where less is more and very little is best of all. That's how they started, after all. That's how and why they worked for their original audiences, and that's why they were powerful enough to make the transition from folk song to art song. If you want to hear Battle sing spirituals that are irresistible, listen to the set on her Salzburg recital CD, also with Levine (ASIN B00000E31B). There, the music speaks for itself and speaks with a strength and a beauty that the tracks on this disk never approach.
Average customer rating:
|
What About Me
Quicksilver Messenger Service Manufacturer: Bgo - Beat Goes on ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006ZU6 Release Date: 1997-06-10 |
Tracks:
- What About Me
- Local Color
- Baby Baby
- Won't Kill Me
- Long Haired Lady
- Subway
- Spindrifter
- Good Old Rock and Roll
- All in My Mind
- Call on Me
Customer Reviews:
Why the hefty price tag?.......2006-09-30
an album that produced with its title song an anthem of sorts for its day.......2006-09-02
Certain tracks on this particular album were recorded during the same sessions in Hawaii that produced its predecessor. As a result, the lineup of the band, in essence, remained unchanged on this album with the heart of the group's driving force consisting of two(2) competent lead guitarists in John Cipollina and Gary Duncan, and the infamous piano player, Nicky Hopkins. The rest of the band consisted of David Freiberg on bass, Greg Elmore on drums, and the late Dino Valente as singer and songwriter.
Soon after the recording of these "twin" albums, namely, "Just For Love" and "What About Me", the band's lineup began gradually to change. With the arrival of Dino Valente at this particular time during the group's history, and just in time to inject some much-needed energy, there appeared to be a sudden shift in power within the group and thereupon, a slight change in its musical direction, too. Mr. Valente's immediate background, prior to rejoining the band, had been as a solo artist in New York City. Consequently, the band now began to record an occasional ballad or two sung by Mr. Valente, in contrast to the band's other tracks that reflected San Francisco's brand of harder (and at times, psychedelic) rock. Having had rejoined the band as lead singer, Dino Valente became the group's frontman on stage and, for better or worse, the band's de facto leader, as oftentimes was the case within a rock band at that time when the lead singer and writer of most of a band's songs took the helm.
The title song of this album, "What About Me", was similar in its intensity and stance (critical of society's ills) to another song that Dino Valente had recorded during his days in New York City while he sang as a lone troubadour. The song, "Children of the Sun", likewise became popular, and with time, it grew to become another anthem of sorts for its day. As such, it received its share of airplay on the radio, too, but predominantly in California and on the West Coast. (The song can still be heard on Dino Valente's only solo album, "Dino Valente.")
Peaceful Music.......2006-08-31
Super but not the best.......2000-06-30
Average customer rating:
|
Magical Musicals / Kunzel, Cincinnati Pops Orchestra
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001QGKF Release Date: 1999-09-28 |
Tracks:
- Hercules: Introduction
- Hercules: The Gospel Truth
- Hercules: One Last Hope
- Hercules: I Won't Say
- Hercules: Zero To Hero
- Hercules: A Star Is Born
- Hercules: Go The Distance
- Aladdin And the King Of Thieves: Party In Agrabah
- Pocahontas: Just Around The River Bend
- The Return Of Jafar: You're Only Second Rate
- The Return Of Jafar: Forget About Love
- The Return Of Jafar: I'm Looking Out For Me
- The Return Of Jafar: Nothing In The World
- Toy Story: You've Got A Friend In Me
- 101 Dalmations: Cruella De Vil
- Pocahontas: Colors Of The Wind
- Oliver And Company: Once Upon A Time In New York City
- Oliver And Company: Why Should I Worry?
- The Nightmare Before Christmas: What's This?
- James And The Giant Peach: Good News
- Mulan: Orchestral Suite
- The Hunchback Of Notre Dame: The Bells Of Notre Dame
- The Hunchback Of Notre Dame: Someday
- The Hunchback Of Notre Dame: God Help The Outcasts
- The Hunchback Of Notre Dame: Topsy Turvy
- The Hunchback Of Notre Dame: Court Of Miracles
- The Hunchback Of Notre Dame: A Guy Like You
- The Hunchback Of Notre Dame: Heaven's Light
Customer Reviews:
Not impressed.......2003-11-25
Although the orchestration of the songs is well done, most of them simply were not meant to be performed by a chorus; and they sound terrible in that form. If you want some of the songs on this CD, I suggest you look at one of Disney's compilation CDs in the Classic Disney Vol. 1-5 series or the actual soundtracks of the movies.
Inexorable wonder!.......2001-06-23
Average customer rating: |
What Is It About Me
Sandra Manufacturer: EMI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XNV1 Release Date: 2007-05-28 |
Tracks:
- What Is It About Me
- What Is It About Me
- What D'ya Think Of Me
- Les Qu'est-Ce Que C'est
- Silencio A Mi Lado
Album Description
German pressing 5 track single features 2 versions of the title track plus 'What D'ya Think Of Me', 'Les Qu'est-Ce Que C'est' & 'Silencio A Mi Lado'. 2007.Album Details
2007 Single from the Veteran German "Voice of Enigma"
Average customer rating:
|
(Not) Your Standard Spike Jones Collection
Spike Jones Manufacturer: Collector's Choice ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007JR3K Release Date: 2003-04-08 |
Album Description
Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.Customer Reviews:
Great set of wartime rarities.......2003-05-14
Cure for the Blues.......2003-04-25
Standard Transcription Collection.......2003-04-12
Rock Music:
