| 1. Big Beat |
| 2. Calley Oh |
| 3. Rich Kid |
| 4. Like I’M Lovin’ You |
| 5. Who Knows What A Love Can Do |
| 6. You Should Be High, Love |
| 7. Who’S Your Boyfriend |
| 8. Music’S All Right |
| 9. Young Girls |
| 10. Music's All Right (Demo) (Bonus Track) |
| 11. Young Girls (Demo) (Bonus Track) |
Editorial Reviews
It takes a brave man to go it alone, in music or in life, and with Tale Of The Tape, Boston-born Billy Squier showed he had sufficient backbone (and material) to put his own name squarely behind his songs. Produced by prog-professor Eddie Offord and featuring top names from the US East Coast rock fraternity (including guitarist Bruce Kulick, later to join Kiss), Tale...was the record that established Squier as a singer/songwriter/guitarist of genuine stature. True, he would have bigger-selling albums, but none more influential, with 'The Big Beat' now topping the list of most sampled songs ever. Throw in numbers as downright potent as 'Young Girls', Axl Rose fave 'Calley O' & radio hit 'You Should Be High Love' and you have an album that laid the foundations for a multi-platinum career that continues to this day. Fully remastered, and featuring 2 bonus tracks: 'The Music's All Right' (demo) & 'Young Girls' (demo). Rock Candy. 2005.
Tale of the Tape,Billy Squier,Rock Candy,Arena Rock,Hard Rock,Pop,Rock,Rock/Pop
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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The Tale of the Tape
Billy Squier Manufacturer: American Beat ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P46PB4 Release Date: 2007-05-01 |
Tracks:
- Big Beat
- Calley Oh
- Rich Kid
- Like I'm Lovin' You
- Who Knows What a Love Can Do
- You Should Be High, Love
- Who's Your Boyfriend
- Music's All Right
- Young Girls
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Tale of the Tape
Billy Squier Manufacturer: Rock Candy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B5KETQ Release Date: 2006-01-23 |
Tracks:
- Big Beat
- Calley Oh
- Rich Kid
- Like IM Lovin You
- Who Knows What A Love Can Do
- You Should Be High, Love
- WhoS Your Boyfriend
- MusicS All Right
- Young Girls
- Music's All Right (Demo) (Bonus Track)
- Young Girls (Demo) (Bonus Track)
Album Description
It takes a brave man to go it alone, in music or in life, and with Tale Of The Tape, Boston-born Billy Squier showed he had sufficient backbone (and material) to put his own name squarely behind his songs. Produced by prog-professor Eddie Offord and featuring top names from the US East Coast rock fraternity (including guitarist Bruce Kulick, later to join Kiss), Tale...was the record that established Squier as a singer/songwriter/guitarist of genuine stature. True, he would have bigger-selling albums, but none more influential, with 'The Big Beat' now topping the list of most sampled songs ever. Throw in numbers as downright potent as 'Young Girls', Axl Rose fave 'Calley O' & radio hit 'You Should Be High Love' and you have an album that laid the foundations for a multi-platinum career that continues to this day. Fully remastered, and featuring 2 bonus tracks: 'The Music's All Right' (demo) & 'Young Girls' (demo). Rock Candy. 2005.Album Details
Digitally Remastered Edition of Squier's Solo Debut Album. It Takes a Brave Man to Go it Alone, in Music Or in Life, and with 'tale of the Tape' Boston-born Billy Squier Showed He Had Sufficient Backbone (And Material) to Put his Own Name Squarely Behind his Songs. Produced by "Prog. Professor" Eddie Offord and featuring Top Names from the Us East Coast Rock Fraternity (Including Guitarist Bruce Kulick, Later to Join Kiss), "Tale" was the Record that Established Squier as a Singer/Songwriter/Guitarist of Genuine Stature. He Would have Bigger-selling Albums, but None More Influential, with "The Big Beat" Now Topping the List of Most Sampled Songs Ever; Throw in Numbers as Downright Potent as "Young Girls", Axl Rose Fave "Calley O" and Radio Hit "You Should Be High Love" and You have an Album that Laid the Foundations for a Multi-platinum Career that Continues to this Day.Customer Reviews:
Tale of the Tape.......2007-04-10
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Tale of the Tape/Don't Say No
Billy Squier Manufacturer: Beat Goes On ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ZXMJK Release Date: 2004-06-14 |
Tracks:
- Big Beat
- Calley Oh
- Rich Kid
- Like I'm Lovin' You
- Who Knows What a Love Can Do
- You Should Be High Love
- Who's Your Boyfriend
- Music's All Right
- Young Girls
- In the Dark
- Stroke
- My Kinda Lover
- You Know What I Like
- Too Daze Gone
- Lonely Is the Night
- Whadda You Want from Me
- Nobody Knows
- I Need You
- Don't Say No
Album Description
UK twofer combines the 80s hard rock star's first two albums, originally issued in 1980 & 1981. Extensive sleevenotes & slipcase. 19 tracks. BGO. 2004.Album Details
Digitally Remastered Collection of the First Two Original Hit Albums from the Former Guitarist of the Band Piper from 1980 and 1981. "Tale of the Tape" was Produced by Studio Ace Eddie Offord (Yes, Emerson Lake and Palmer, Brian Auger and the Trinity) and also features Former Bruce Springsteen Keyboardist David Sancious. It Produced the Minor Hit "You Should Be High Love" which Started the Ball Rolling. Then "Don't Say No" Took a Decidedly Bold Step Forward. With Mack (Queen, Sparks, Black Sabbath) in the Producer's Chair, the Album Sent Squier's Career Into Overdrive with Hit after Hit: "The Stroke", "my Kinda Lover", "in the Dark", "Lonely is the Night". Includes Extensive Sleevenotes and Slipcase Packaging.Customer Reviews:
5 Stars JUST FOR TALE OF THE TAPE.......2007-06-16
[This set is from 2004 so it was first--I know that Tale of the Tape is on CD by itself with Bonus Demos in 2006 and 2007]
Squire's 'Best of" Collections don't give it enough credit. Thanks to BGO (Beat Goes On) Records for giving us this 2 album set.
There is not one wrong track on Tale of the Tape. IF you love Power Pop then you will really enjoy this album.
1. Big Beat - awesome lead-off track
2. Calley Oh - a great song - should have been a Hit Single
3. Rich Kid - good song
4. Like I'M Lovin' You - good song
5. Who Knows What A Love Can Do - Should Have Been a Hit single
6. You Should Be High, Love - Should Have Been a #1 Hit
7. Who'S Your Boyfriend - Great Song
8. Music's All Right - Great Song
9. Young Girls - Great Song
"Don't Say No" is very good also. More great Power Pop but I'm not a big fan of "The Stroke". Still, there are 19 good songs here.
This CD sounds fine and is worth the price.
If You Like Billy Squire.................2006-03-17
"Don't Say No" to this set!.......2005-08-13
Don't Say No (1981.) Billy Squier's second album.
INTRODUCTION:
In the seventies, a young guitarist named Billy Squier was playing in a band called Piper. Unfortunately, the band never achieved any true success, and was forced to disband. However, Squier had no plans of giving up his rock and roll dreams, and decided to pursue a solo career. And in 1980, he released his first album as a solo artist - The Tale Of The Tape. Although it bombed commercially, its follow-up release, 1981's Don't Say No, went multi-platinum and was widely hailed as his best work! And now both albums are together in a single collection! Read on for my review of this twofer.
OVERVIEW/REVIEW - THE TALE OF THE TAPE (1980):
This album was Squier's first post-Piper effort, and he defintiely hadn't found his true sound as solo artist yet. Still, the album is solid through and through, and certainly worth a listen. The Big Beat kicks off the album. It's a pop-oriented rocker, similar in style to INXS. It's not a masterpiece, but it's still a good track overall. Track number two, Calley Oh is a lighter rocker. Although the instrument usase is strikingly similar to that of Tom Petty and the Heartbreakers, the vocals are uniquely Squier. All in all, another good track. Rich Kid, the album's next track, is a rocker resembling High 'N' Dry-era Def Leppard. This is ironic considering they were his opening act on a tour three years later... Another good track overall. With Like I'm Lovin' You, Squier shows us that although he favors hard rock (obviously), he also can make excellent ballads. The beautiful verses must be heard to be appreciated. Who Knows What A Love Could Do is a slow-mid tempo track, and it's got that classic Squier sound. Don't pass this one by! You Should Be High, Love is an excellent classic power rocker, with an Aerosmith-esque sound to it. Who's Your Boyfriend is a mid-paced melodic rocker, and a damn good one too. If I remember right, Squier actually recorded this one with Piper originally. The Music's All Right is a rocker with killer vocals and memorable melodies. The organ usage is excellent. Young Girls has slow and acoustic verses, with a hard rocking chorus. The two styles fuse together well, making this an excellent album closer. In the end, this is a good album, which was sadly overshadowed by the success of its follow-up.
OVERVIEW/REVIEW: DON'T SAY NO (1981):
Here's the album that made Squier a living legend, and it's not hard to see why. Hard rock has seen very few albums in the same plane as this one, and it's easy to see why so many of these songs get played on the radio on a regular basis. Starting things off is In the Dark. This gloomy hard rocker is a tough track to beat. It's only approprite it became a Squier classic. We then move onto The Stroke - The arena rock classic. This was the first Squier song I ever heard, and I fell in love with it instantly. Ultimately, this is the song that gave birth to my interest in Squier's music! My Kinda Lover is one of the album's most unique tunes. The verses in this one sound like "cheerful hard rock (I'm not kidding)", but the chorus has an excellent, Zeppelin-esque sound to it. You Know What I Like gives the listener straight-up hard rock as only Squier could do - and that's a good thing. Too Daze Gone is arguably my favorite track here, it sounds like a bluesy version of Zeppelin's Dancing Days. It should have been a bigger hit! Lonely Is the Night is the most Zeppelin-sounding thing here. Squier's voice is virtually indistinguishable from Robert Plant's. For years, I thought this was a Zeppelin song! Despite its nature as a big hit, most Squier compilations don't have this song. Weird. Whadda You Want from Me is another weird but cool song. Here, power rock meets the sound used by the Beatles in the early sixties (in a good way.) Nobody Knows is a slow and melodic ballad - definitely Squier at his most unique. I Need You is a pretty basic, mid-paced power ballad, which fades into the closing title track. This closer sounds like a cross betweeen Lonely Is The Night (earlier on the album) and Let Me Take You Home Tonight (by Boston.) It closes the album in a good way, too. In the end, this is Squier's best work, hands down.
EDITION NOTES:
With this import twofer reissue, these two classic albums have finally been made easier to get than ever before! If you're just getting into the music of Billy Squier, this twofer reissue is, by far, the best place to start your collection.
OVERALL:
In the end, Billy Squier's first two albums are nothing short of excellent. And this imported twofer gives you these two amazing works of musical art for one fairly low price! If you're a classic hard rock fan and you have the opportunity to obtain this package, do not hesitate to do so. I really doubt you'd be disappointed with it.
Don't Say NO!!!.......2005-07-27
is a awesome songwriter and overlooked singer and guitarist.
If you never saw him in concert you don't know what you missed.
After his song "rock me tonite" video he seemed to have lost
a lot of fans which was unfair. Even the critics bombed him.
It's ashame because all of his albums are good if not great.
If you gave up on him, give me another listen and get these
albums. I also recommend Hear and Now.
FINALLY.......2004-09-04
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Oscar Wilde: Fairy Tales (The Selfish Giant, The Nightingale and the Rose)
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD ASIN: B000050HHY Release Date: 2001-07-17 |
Tracks:
- The Nightingale And The Rose - Stephen Fry/Jack Liebeck/Louisa Tuck/Juliette Bausor/Sally Wei
- My Own Garden
- One Last Song
- The Selfish Giant - Vanessa Redgrave/Jack Liebeck/Louisa Tuck/Juliette Bausor/Sally Wei
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Tale of the Tape
Billy Squier Manufacturer: J-Bird ProductGroup: Music Binding: Audio CD ASIN: B00004SR06 Release Date: 2000-03-28 |
Customer Reviews:
Tale of Tape - A hidden treasure.......2004-05-30
Squire in rare form.......2003-02-19
A hard to find gem.......2000-04-17
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Anywhere But Here (Spec)
Ataris Manufacturer: Kung Fu Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000658SX Release Date: 2002-05-28 |
Tracks:
- Bite My Tongue
- Make It Last
- Clara
- As We Speak
- Blind And Unkind
- Take Me Back
- Lately
- Let It Go
- Alone In Santa Cruz
- Boxcar
- Are We There Yet?
- Anderson
- Neilhouse
- Perfectly Happy
- Myself
- Four Chord Wonder
- Hey Kid
- Sleepy
- Angry Nerd Rock
- 1...2..3...4
- Ray***
- Bonus Track
Album Description
Originally released in 1997 this 2002 release is remixed, remastered and enhanced with a new track 'Anderson'. The punk rock sound echoes Green Day, Ramones & The Vandals. Also includes enhanced video and photo archive.Customer Reviews:
Pound for pound a great album.......2007-02-24
WHAT?!?!?!?!?.......2005-12-11
Oh, this album...it sucks too bad to mention. about a -999999/10 not too bad compared to some Simple Plan but it does suck.
Early Ataris = Good .......2004-09-14
Whatever.......2004-05-19
Ataris at their best.......2003-07-08
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The Life and Works of Pyotr Il'yich Tchaikovsky
Antoni Wit , Gerhard Markson , Kenneth Jean , Michael Halasz , Ondrej Lenard , Philippe Entremont , Stefan Sanderling , CSSR State Philharmonic Orchestra , National Symphony Orchestra of Ireland , National Symphony Orchestra of Polish Radio and Television , National Symphony Orchestra of Ukraine , Polish Radio Symphony Orchestra , Royal Philharmonic Orchestra , Slovak Philharmonic Orchestra , Slovak Radio Symphony Orchestra , Wiener Kammerorchester , Bernd Glemser , Oxana Yablonskaya , Takako Nishizaki , and Vladimir Grishko Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000669V2 Release Date: 2002-07-16 |
Tracks:
- Tchaikovsky In Early Childhood
- Music: Glinka: Overature To A Life For The Tsar
- Enforced Separation From His Mother
- Music: Tchaikovsky: Dumka, Op. 59
- Death Of His Mother
- Music: Reverie Du Soir
- Early Manhood: The Spendthrift Civil Servant
- Music: Minuet From Mozartina
- Dismissive Opinions Of Other Composers
- Music: The Storm
- Journey To A Breakdown
- Music: First Symphony
- Abortive Engagement
- The Advent Of Balakirev
- Music: Romeo And Juliet
- Travels And A Wounded Friendship
- Music: First Piano Concerto
Tracks:
- Reforming The Ballet
- Music: The Rose Adagio From The Sleeping Beauty
- Bizet's Carmen Has A Major Effect On Tchaikovsky's Music
- Music: Francesca Da Rimini
- A Compositional Paradox
- Music: Rococo Variations
- The Struggle Of Despair And Hope: He Decides To Marry
- Music: The Tempest
- The Advent Of Nadezhda Von Meck
- Music: The Sleeping Beauty Waltz
- The Disastrous Road To Matrimony
- Music: Romeo And Juliet
- Marriage, Trauma, And A Fairy Tale Annuity
- Letter To Mme Von Meck
- Music: Romeo And Juliet
Tracks:
- Recorvery And Creativity
- Music: Fourth Symphony
- The Creation Of His Favorite Opera
- Music: Lensky's Aria From Eugene Onegin
- The Return To Compositional Health
- Music: Violin Concerto In D
- He Experiences Distressing Relapses
- Music: Capriccio Italien
- Psychological Disturbances And A Long Fallow Period
- Music: Piano Trio In A Minor
- Sufferings For Mme Von Meck; He Decides To Settle Down
- Music: Manfred Symphony
- Conducting Tours And Domestic Bliss
- Music: Fifth Symphony
- More Conducting Tours, And A Working Holiday In Italy
- Music: Souvenir De Florence
Tracks:
- The Rift With Mme Von Meck
- Music: Sixth Symphony (Second Movement)
- His Obsession With 'Bob' Davydov; Adventures In America
- Music: Fifth Symphony
- Further American Adventures
- A Trip To Niagara
- Music: Dance Of The Sugar Plum Fairy (The Nutcracker)
- A Darker Episode
- Music: Voyevode
- Portrait Of A Conductor
- A Hero's Return
- Music: Sixth Symphony
- The Mystery Surrounding His Death
- Music: First Piano Concerto
Customer Reviews:
A fascinating look at a tortured genius.......2002-08-21
Now we have two more entries in this amazing series, again written and narrated by Jeremy Siepmann: "Pyotr Il'yich Tchaikovsky" (8.558036-39) with a playing time of 4 hrs. 5 min. and "Johann Sebastian Bach" (8.558051-54) with a playing time of 4 hrs. 34 minutes. (Please see my comments on the Bach set on its webpage.)
Was there ever a sadder composer than Tchaikovsky? Siepmann practically introduces us to the child in his cradle and covers his 53 or so years of torment over his music, his sexuality, his impossibly hopeless marriage his strange relationship with Mme von Meck, and above all his music.
To make the recording more vivid, the producers have assigned professional actors the roles of the composer himself (Malcolm Sinclair), the women in his life (Karen Archer and Teresa Gallagher) and the men (Stephen Thorne and David Timson). There are many music examples (drawn, of course, from Naxos recordings), some of them considerably longer than necessary. For example, the "Sugar Plum Fairy" is heard at length to represent all of the "Nutcracker" score when several shorter samplings would have served the purpose better. But this has been true for the entire series, and perhaps the producers will rethink this aspect.
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Life & Works of Verdi
Verdi Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007FPFM Release Date: 2003-04-15 |
Tracks:
- Aida: Grand March And Triumphal Chorus / Background, Childhood And Youth
- La Traviata: Brindisi 'Libiam Ne' Lieti Calici'
- Early Manhood, Civil Strife And The Start Of A Career
- Overture To 'Oberto, Conte Di San Bonifacio'
- Tragedy, Creation, And The Birth Of A True Professional
- Overture To 'Un Giorno Di Regno'
- Failure, Despair, And Rescue: The Genesis Of Nabucco
- Nabucco: Chorus Of The Hebrew Slaves 'Va, Pensiero, Sull' Ali Dorate'
- A Sensation Reported And Recalled
- Overture To 'Nabucco'
- In The Galleys: Fame, Frustration, And A Major Surprise
- Macbeth: Chorus Of The Scottish Exiles 'Patria Oppressa!'
- The Revolution Of Macbeth And A Return To Safer Ground
- Overture To 'I Masnadieri'
- Paris And A Love Affair
- The Revolutions Of 1848
- Overture To 'La Battaglia Di Legnano'
Tracks:
- Composition And Censorship: The Strife-Torn Birth Of Rigoletto
- Rigoletto: 'La Donna E Mobile'
- Verdi The Unsurpassed Psychologist
- Rigoletto: 'Bella Figlia Dell' Amore'
- Strepponi, Busseto, And The Rift With Barezzi
- Escape: Verdi And Strepponi At Sant' Agata
- Il Trovatore: Soldiers' Chorus 'Or Co' Dadi, Ma Fra Poco'
- 'The Bear Of Busseto' Emerges: The Darker Side Of Verdi
- Il Trovatore: 'Di Tale Amor Che Dirsi'
- Verdi's 'Divorce' From His Parents; His Mother's Death, And A Theatrical Fiasco
- La Traviata: 'Dite Alla Giovine'
- Verdi And Women: Strepponi And The 'Dark Lady'
- 'La Travailata': Verdi's Trials At The Paris Opera
- I Vespri Siciliani: 'Quando Al Mio Sen Per Te Parlava'
- Verdi In Rehearsal - And A Review From Berloiz
- Overture To 'I Vespri Siciliani'
Tracks:
- Yet More Trouble With The Censors
- Un Ballo In Maschera: 'Ma Se M'e Forza Perderti'
- A Passionate Patriot, A Reluctant Politician
- A Semi-Official Retirement, Nursed By Disenchantment
- Verdi Welcomes War
- He Travels To Paris For Don Carlos
- Don Carlos: 'Tu Che La Vanita'
- 'Stupendous Triumph'
- Verdi Shaken By Deaths Of His Father, Barezzi And Rossini
- He Meets Manzoni
- An Unusual Opera
- La Forza Del Destino: 'Solenne In Quest' Ora'
- Enter Teresa Stolz, Exit Mariani
- La Forza Del Destino: 'Pace, Pace'
- Strepponi Struggles With Jealousy As Verdi Writes Aida
- Aida: Act III, Nile Scene
Tracks:
- Verdi Bemoans The Corruption
- Manzoni's Death Begets A Masterpiece
- Requiem: 'Rex Tremendae'
- The Return To Shakespeare
- Otello: 'Canzone Del Salce - Ave Maria'
- Verdi The Wagner Of Italy
- Otello: 'Desdemona Rea, Si, Per Ciel'
- A Shakespearian Swansong
- Falstaff: Finale 'Ogni Sorta Di Gente; Facciamo Il Parentado'
- Old Age And Death Of Strepponi
- Verdi The Widower
- Stolz And The Aged Verdi; A Visit From Toscanini
- Te Deum
- The Old Man Dies And The World Pays Homage
- Requeim, Part VII: Dies Irae; Requiem Aeternam; Libera Me
Average customer rating:
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Sidewalk Music: Electronic & Electroacoustic Music
Frank Felice Manufacturer: Capstone ProductGroup: Music Binding: Audio CD ASIN: B0000793SZ Release Date: 2002-11-26 |
Customer Reviews:
No Bleep Bloops Here.......2004-07-15
FELICE ROCKS.......2004-01-07
FELICE ROCKS.......2004-01-07
The BEST Counterpoint Teacher EVER.......2002-12-16
Rock Music:
