| 1. The Panhandler |
| 2. Air Miles |
| 3. Coventry Carole |
| 4. Hollow Victory |
| 5. To Do You (John Lennon Says) |
| 6. Good Reason to **** Me |
| 7. She's Not There |
| 8. A-Anon |
| 9. Getting Intimate |
| 10. Down With U |
| 11. Silent Skin |
| 12. Fields Of Eden |
| 13. Spirit Of Times |
| 14. American Muse |
Editorial Reviews
Japanese edition of the 1999 solo album by Duran Duran's bassist. 14 tracks produced by John himself. Standard jewel case.
John Taylor,John Taylor,Rock/Pop
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Cars
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EUMPBS Release Date: 2006-06-06 |
Tracks:
- Real Gone - Sheryl Crow
- Route 66 - Chuck Berry
- Life Is A Highway - Rascal Flatts
- Behind The Clouds - Brad Paisley
- Our Town - James Taylor
- Sh-Boom - The Chords
- Route 66 - John Mayer
- Find Yourself - Brad Paisley
- Opening Race
- McQueen's Lost
- My Heart Would Know - Hank Williams
- Bessie
- Dirt Is Different
- New Road
- Tractor Tipping
- McQueen And Sally
- Goodbye
- Pre-Race Pageantry
- The Piston Cup
- The Big Race
Amazon.com
Cars is a typical Disney-Pixar animated movie in that it deals with an anthropomorphic character (here, a car) and the heartwarming values of family and friendship. (Alas, we'll have to wait a little while longer for the company to take on greed and selfishness.) The accompanying soundtrack is equally typical in that it's split between catchy pop songs and a score by Randy Newman. The clear highlight of the pop tracks is Sheryl Crow's boisterous, huge-sounding "Real Gone" (her best song in ages). Rascal Flatts also cover Tom Cochrane's 1991 hit "Life Is a Highway," while John Mayer rocks out on "Route 66" (Chuck Berry's elegantly lean version is included as well). For his part, Newman continues his distinguished association with quality animation by supplying a nimble score. It's fun to hear him deploy riffs that wouldn't be out of place on a Quiet Riot album on the bombastic "Opening Race," while the bluesy "Bessie" does George Thorogood with a tuba. The CD's overall Southern flavor is emphasized by the frequent use of banjo and slide guitar, as well as by score tracks cantering about, like "McQueen and Sally." And, as usual, Newman delivers a nostalgic, misty-eyed song--in this case "Our Town," performed by that master of sensitive laid-back charm, James Taylor. --Elisabeth VincentelliCustomer Reviews:
Good, but a little too country/western.......2007-07-17
Fun to drive with Cars!.......2007-07-13
great cd.......2007-07-10
Cars.......2007-06-14
My boys love it!.......2007-05-25
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Donnie Darko - Original Soundtrack & Score
Manufacturer: Sanctuary UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XMF2G Release Date: 2004-10-11 |
Tracks:
- Never Tear Us Apart
- Head Over Heals
- Under the Milky Way
- Lucid Memory
- Lucid Assembly
- Ave Maria
- For Whom the Bell Tolls
- Show Me, Pt. 1
- Notorious
- Stay
- Love Will Tear Us Apart
- Killing Moon
- Mad World
- Did You Know Him?
Tracks:
- Carpathian Ridge
- Tangent Universe
- Artifact & Living
- Middlesex Times
- Manipulated Living
- Philosophy of Time Travel
- Liquid Spear Waltz
- Gretchen Ross
- Burn It to the Ground
- Slipping Away
- Rosie Darko
- Cellar Door
- Ensurance Trap
- Waltz in the 4th Dimention
- Time Travel
- Did You Know Him?
- Mad World
- Mad World [Alternate Mix][*]
Album Description
UK only double-disc features many tracks unavailable on the US version. Sanctuary. 2004.Album Details
2004 UK Two CD Reissue of Soundtrack to the Cult Film that Includes the Origianl Score plus Additional Tracks that were in the Original Film but were Left off the USA Single CD Version. 80's Bands Including Duran Duran, Inxs, Echo and the Bunnymen, Joy Division and Tears for Fears Now Complete this New PackageCustomer Reviews:
Donnie Darko UK Import : BUY IT!!!.......2007-05-12
Delivery: SURPRISINGLY SUPER-FAST by USPS (it only took two or three days standard shipping)
Condition: Still wrapped in plastic.
Music: *tee hee* If you watched the movie, then you know what the music will sound like: it's the movie soundtrack (you know, the awesome soundtrack that both reminds the viewer of the 80's and also creates a haunting backdrop for the movie's themes). Typically here in the US that means only one or two of the good songs and the rest is the score. The UK version? ALL of the good songs and the entire score (that's why it's 2 discs).
Bad part? Not offered in US retail stores (i.e. you can only buy this online or in an Import CD store.
Mad World - the one you are looking for.......2007-01-19
It took 'em long enough, but it was worth the wait!.......2006-11-06
Probably the only negative comment I have is that they included the music from the motivational videos, something that I could have done without.
Thank you for putting this soundtrack out!!
Donhnie Darko Import Soundtrack well done.......2006-08-24
good stuff.......2006-08-10
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Heartland: An Appalachian Anthology
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005KIZP Release Date: 2001-07-03 |
Tracks:
- Short Trip Home
- Johnny Has Gone For A Soldier
- 1B
- Appalachia Waltz
- Soldier's Joy
- Sliding Down
- BT
- Butterfly's Day Out
- College Hornpipe
- Fancy Stops and Goes
- Old Tyme
- Emily's Reel
- Slumber My Darling
- Death by Triple Fiddle
- Amazing Grace
- Song of the Liberty Bell (folk version)
Amazon.com
The likes of Yo-Yo Ma, Sam Bush, Edgar Meyer, Joshua Bell, and Mark O'Connor can be heard on Heartland, a compilation featuring the best tracks from Sony's ongoing Appalachian-themed series of CDs. Individually, these folk and classical stars have little in common, but when they meet to play these new bluegrass-meets-chamber-music arrangements, the results are pure magic. It's hard to pinpoint these Americana-tinged tunes--they could fit in either Carnegie Hall or a grange hall--but they're all great; this is as much Aaron Copland's version of roots music as it is Bill Monroe's. Whether on fast-and-furious breakdowns such as "Death by Triple Fiddle" or on mellow, almost New Agey instrumentals such as "Sliding Down" (featuring Bela Fleck on the banjo), these musicians excel. Guest vocals by James Taylor and Alison Krauss break up the instrumentals, though instrumental virtuosity is the real highlight of this disc. If you like what you hear on this sampler, check out the Grammy Award-winning Appalachian Journey next. --Jason VerlindeCustomer Reviews:
A piece of heaven.......2006-02-01
Great CD.......2004-03-16
A bit of a yawn-er.......2003-04-22
Exquisitely good music!.......2002-05-04
beautifully, even the vocal piece by James Taylor. The album is almost too good to be called Heartland, every piece is a class act. Bravo!
Great Music!.......2001-11-09
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The Prayer Cycle
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000ICMK Release Date: 1999-03-23 |
Tracks:
- Movement 1: Mercy
- Movement 2: Strength
- Movement 3: Hope
- Movement 4: Compassion
- Movement 5: Grace
- Movement 6: Innocence
- Movement 7: Forgiveness
- Movement 8: Benediction
- Movement 9: Faith
Amazon.com
It is with primitive urgency and lustrous clarity rising like flickering embers from a fire that Jonathan Elias's ambitious Prayer Cycle is given voice. Woven together like knotty wool, silk, and fine strands of silvery water, the disparate yet complementary voices of the late Nusrat Fateh Ali Khan, Alanis Morissette, Yungchen Lhamo, Ofra Haza, the American Boychoir, Salif Keita, and others intertwine in multiple languages with the superb English Chamber Orchestra and Chorus. Prayers of supplication, gratitude, and longing build in layers, one on top of and 'twixt and 'tween the other, as movements titled "Mercy," "Grace," "Innocence," "Compassion," and the like. Remarkably, Elias's Prayer Cycle eloquently captures the ecstasy, pain, grief, and sublime beauty of humanity--as he simply and poignantly writes in his liner notes, "The world we live in is both joyous and cruel." --Paige La GroneCustomer Reviews:
soul stirring-true gift of music.......2007-02-24
wonderful.......2007-02-15
this here is some good music.......2007-02-01
Something Old, Something New.......2007-01-17
"Prayer Cycle" is a choral symphony in nine movements, but it is also a piece of world music. The English Chamber Orchestra and Chorus is joined by a stellar array of vocal solo talents. Distinctive western voices such as Alanis Morissette, James Taylor, and Linda Ronstadt are joined by equally distinctive eastern vocalists like Israeli Ofra Haza, Tibetan Yungchen Lhamo, Pakistani Nusrat Fateh Ali Khan, and Salif Keita of Mali. Sadly, Ali Khan and Haza (one of my favorite vocal talents) passed away shortly after the production of this recording, leaving this performance as one of their last collaborations. It is a fitting memorial to two great voices.
Elias' music itself is a wonder. It is both ethereal and earthly, filled with slow ostinato and vibrant treble tones, and it fulfills its title by quietly guiding the ear and mind to a place of introspection, meditation, and revelation. The mix of languages lets us concentrate on the timbre of each voice, from Ronstadt's lyrical soprano to Morisette's anguished and near-tribal clarity, from Ali Khan's woody tenor to Yungchen's flute-like descant. The music is not thematic, but atmospheric, providing no melodies to hum after hearing the piece. Rather, each movement provides a distinct sphere of serenity in which we can slow down, listen, and enjoy the tug and play of the music.
heavenly music.......2007-01-11
The music is ethereal at times, and really does present God as being in all the world. It has a seamless flow, uniting all the songs into one offering. Truly amazing music with a deeply spiritual base.
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Vaughan Williams: The Nine Symphonies
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00011MK74 Release Date: 2004-03-09 |
Tracks:
- A Song For All Seas, All Ships - Andante Maestoso - London Symphony Chorus
- On The Beach At Night, Alone - Largo Sostenuto - London Symphony Chorus
- Scherzo: The Waves - Allegro Brillante - London Symphony
- The Explorers - Grave E Molto Adagio - London Symphony Chorus
Tracks:
- Lento: Allegro Risoluto
- Lento
- Scherzo (Nocturne)
- Andante Con Moto; Maestoso Alla Marcia; Allegro; Lento; Epilogue
- Allegro Pesante - James Oliver Buswell IV
- Adagio - James Oliver Buswell IV
- Presto - James Oliver Buswell IV
- Overture
Tracks:
- Molto Moderato - Douglas Cummings
- Lento Moderato - Douglas Cummings
- Moderato Pesante - Douglas Cummings
- Lento - Douglas Cummings
- Allegro
- Andante Moderato
- Scherzo: Allegro Molto
- Finale Con Epilogo Fugato: Allegro Molto
Tracks:
- Preludio: Moderato
- Scherzo: Prestso
- Romanza: Lento
- Passacaglia: Moderato
- Explorer
- Poet
- Queen
- Allegro Moderato - John Fletcher
- Romanza: Andante Sostenuto - John Fletcher
- Finale: Rondo Alla Tedesca - John Fletcher
Tracks:
- Allegro
- Moderato
- Scherzo: Allegro Vivace
- Epilogue: Moderato
- Moderato Maestoso
- Andante Sostenuto
- Scherzo: Allegro Pesante
- Andante Tranquillo
Tracks:
- Spoken Introduction - The Ambrosian Singers
- Prelude: Andante Maestoso - The Ambrosian Singers
- Spoken Introduction - The Ambrosian Singers
- Scherzo: Moderato; Poco Animato - The Ambrosian Singers
- Spoken Introduction - The Ambrosian Singers
- Landscape: Lento - The Ambrosian Singers
- Spoken Introduction - The Ambrosian Singers
- Intermezzo: Andante Sostenuto - The Ambrosian Singers
- Spoken Introduction - The Ambrosian Singers
- Epilogue: Alla Marcia Moderato (Ma Non Troppo) - The Ambrosian Singers
- Fantasia (Variazioni Senza Tema)
- Scherzo Alla Marcia (Per Stromenti A Fiato)
- Cavatina (Per Stromenti Ad Arco)
- Toccata
Customer Reviews:
A Great First Buy on Ralph Vaughan Williams........2007-06-05
All nine of Vaughan William's symphonies are included here along with four bonus pieces, the Concerto Accademico for Violin, the Bass Tuba Concerto, "Three Portraits from the England of Elizabeth" and the overture for the stage play "The Wasps".
Conductor Andre Previn definitely brings these works to life in a mighty way. The "Sea Symphony" is a real standout with its beautiful choral arrangements and orchestrations. Other standouts are the "Pastoral" third symphony and the dramatic Stravinsky-esque fourth symphony.
Indeed, all of the music here is something special and I'm very satisfied to have this set as my introduction to the music of Ralph Vaughan Williams.
Like other reviewers have stated here, this is definitely a must-have collection and I can't think of a better way to start a Vaughan Williams library than with this.
A small footnote: After listening to the first movement of "A Sea Symphony", it may be quite possible that John Lennon sampled a small section of it for "Revolution 9" on the Beatles' White Album. The section in question occurs roughly 12 minutes into the first movement. It's very brief but it immediately stuck out once it was heard.
Vaughan Williams' wonderful music at last..........2007-04-21
André Previn has chosen some of the very finest of RVWs works to record on this set and for me this is his greatest testament as a conductor. His sheer (and somewhat amazing in itself as a jazz musician) love for RVWs music comes out tops here. A great recording and an absolutely tremendous bargain.
Previn & Vaughan Williams: An Excellent Coupling.......2007-01-10
Can't get any better.......2004-07-19
Comprehensive and Impressive Collection.......2004-04-07
Listening to his second symphony, A London Symphony, one hears typical Vaughan Williams-almost entirely melodic in its conception, with lots of diatonic, modal or pentatonic writing, and a touch of chromatic harmony to flavour the melody. It's beautiful, and the music spans a wide emotional gamut from intense introspection to joyous celebration. Only in the 4th Symphony does VW really open himself to a more contrapuntal and dissonant style, and the consequence is that the composition becomes quite reminiscent of Prokofiev or Schostakovich, the two other great Symphonists of the time. Following the 5th Symphony, however, I feel that VW's artistic output suffers. The later pieces, with the exception of the 7th Symphony, Sinfonia Antarctica-based on music he'd composed for the film Scott of the Antarctic--lack the vigor and excitement of the earlier works. They're more introspective, perhaps as befits an older composer, but they don't speak to me as strongly as, say, the later symphonies of Mahler or Schostakovich. Perhaps it is that VW was resistant to change in his basic musical outlook, but by the 1950's, the diatonic/pentatonic ideas he frequented had become increasingly irrelevant. That VW was brilliant and a master craftsman is unquestionable, but he seemed to need new fuel for his compositional fires and was unwilling to consider the atonality of Schoenberg and his followers, the rhythmic vitality of Stravinsky and Bartok, or even the orchestral colours and dramatic juxtapositions of Gustav Mahler. There are still many moments of brilliance, but as a whole the later works move me less.
All of the performances by Andre Previn and the London symphony Orchestra are superb-no one plays this music better. With 9 Symphonies and four other orchestral works-the Concerto Accademico, the Tuba Concerto, the Wasps Overture, and Three Portraits from The England of Elisabeth-this collection is packed with value, and I can scarcely do it justice in the limited room I have. While the Concerto Accademico seems aptly titled and not terribly engaging, the Three Portraits are a gem of VW's work for television. Its worth the price for the first two symphonies and the Sinfonia Antarctica alone, everything else is just gravy--or perhaps I should say, baked beans on toast! All in all, a terrific deal.
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Elton John And Tim Rice's Aida (1999 Concept Album)
Jimmy Johnson , Juliet Haffner , Regis Iandiorio , Tony Kadleck , Elena Barere , Blackwell, Virgil , and Clark, John Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IFTH Release Date: 1999-03-23 |
Tracks:
- Another Pyramid - Sting
- Written In The Stars - Elton John/LeAnn Rimes
- Easy As Life - Tina Turner ft. Angelique Kidjo
- My Strongest Suit - Spice Girls
- I Know TheTruth - Elton John/Janet Jackson
- Not Me - Boyz II Men
- Amneris' Letter - Shania Twain
- A Step Too Far - Elton John/Heather Headley/Sherie Scott
- Like Father Like Son - Lenny Kravitz
- Elaborate Lives - Heather Headley
- How I Know you - James Taylor
- The Messenger - Elton John/Lulu
- The Gods Love Nubia - Kelly Price
- Enchantment Passing Through - Dru Hill
- Orchestral Finale - Elton John
Amazon.com
Following hot on the heels of their enormously successful collaboration for The Lion King, Elton John and Tim Rice have once again culled their talents to create another Disney contemporary musical, based this time on Verdi's opera Aida. The album, recorded by some of the biggest talents of pop, country, and R&B, features songs from the stage show, which recounts the well-known tale of a love triangle further complicated by slavery, royalty, and the armed forces. John duets to great effect with country crooner LeAnn Rimes, the enchanting Janet Jackson, and the lovely Lulu of To Sir with Love fame. Lush and lively, the soundtrack hits a hoot of a (decidedly not highbrow) high point with the infectious pop of the Spice Girls warbling the merits of undergarments on "My Strongest Suit" ("Always wear underwear/Anytime, anywhere"). Lenny Kravitz funks things up with "Like Father Like Son." Shania Twain's husky emoting makes a fine pop ballad of the brief "Amneris' Letter." "Not Me" chronicles the goodness of love as Boyz II Men coo dreamily, their harmonies nestling into John's sumptuous score. --Paige La GroneCustomer Reviews:
I would order from you again........2007-01-27
Loved it!!!.......2006-09-07
3) It's Elton John
2) I loved all but two of the songs!
1) I usually hate the original broadway cast albums and movie soundtracks. They don't do the songs justice. They usually have chopped up versions of the songs and include unnecessary dialouge.
I'd love to see every musical (broadway or movie) done this way!
I appreciate the b'way versions, but I don't want to listen to them in my car...
good variety and feeling.......2004-06-24
Sour Concepts.......2003-06-29
The 1999 Aida, was not a studio album from Elton, but a preview from what was happen on Broadway. The various artists record contains so many different artists in the record including Tina Turner, Boyz II Men, Dru Hill, and the upcoming Heather Headley. Before Heather made it as a singer, she made it right here in Aida, on this record. The only decent song that was a hit was Written In The Stars, which Elton performed with Leann Rimes. The song was also the last song Elton cracked Billboard's Top 40. Still, there really wasn't a lot of enjoyment within most of the record, and it fell into a sleeper. Considering that Elton is already planning on making another smash musical on Broadway, hopefully he'll do better with the concept record.
When it does come to making it on Broadway, it isn't really anything exciting, unless it truly is a smash, and Aida is a smash on Broadway, just not the record. Still, if you're a die hard fan of Aida, buy this record. Otherwise, it could be a hitless miss.
Living Elaborate Lives..........2002-11-02
Elton teams up with several lovely and talented ladies, in LeAnn Rimes, Janet Jackson, and Lulu. "Written In The Stars" could be a vocal gladiator battle, the way LeAnn and Elton sing it. Janet and Lulu prove themselves as more mellow duet partners.
Kelly Price makes "The Gods Love Nubia" her own, the song is tied up in soul with her voice being smooth as silk. The far too short "Amneris' Letter" shows off Shania Twain's voice to perfection also. Pop culture phenomenon the Spice Girls turn "My Strongest Suit" into the most obvious pop stomper of this set. Another strong point is Heather Headley's solo "Elaborate Lives". A rich ballad, Headley recently embarked on an R&B singing career with the track "He Is". The legendary Tina Turner provides a fiery perfomance, her track being the powerful "Easy As Life" with Angelique Kidjo.
Duds are also present, Sting and Dru Hill's tracks are admitted stinkers. James Taylor, Boyz II Men, Sherie Scott, and Lenny Kravitz also deliver perfomances on the album. This album is well put together, with strong tunes and a short-list of superstars presenting them. A fun buy.
Average customer rating:
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Symphonic Rock
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002T7ZM0 Release Date: 2004-09-07 |
Tracks:
- Come Away With Me (originally by Norah Jones)
- Yellow (originally by Coldplay)
- Here With Me (originally by Dido)
- Millennium (originally by Robbie Williams)
- Hero (originally by Enrique Iglesius)
- What Can I Do (originally by The Corrs)
- Flying Without Wings (originally by Westlife)
- Everybody Hurts (originally by REM)
- Every Breath You Take (originally by The Police)
- Let It Be (originally by The Beatles)
- A Whiter Shade Of Pale (originally by Procol Harum)
- Nights In White Satin (originally by The Moody Blues)
- Candle In The Wind (originally by Elton John)
- Imagine (originally by John Lennon)
Tracks:
- Beautiful Day (originally by U2)
- Champagne Supernova (originally by Oasis)
- Handbags & Gladrags (originally by Stereophonics)
- Why Does It Always Rain On Me (originally by Travis)
- Livin' On A Prayer (originally by Bon Jovi)
- Layla (originally by Derek & The Dominos)
- Stairway To Heaven (originally by Led Zeppelin)
- Bat Out Of Hell (originally by Meat Loaf)
- Run To You (originally by Bryan Adams)
- China In Your Hand (originally by T'Pau)
- Torn (originally by Natalie Imbruglia)
- Bittersweet Symphony (originally by The Verve)
- Good Vibrations (originally by The Beach Boys)
- Bohemian Rhapsody (originally by Queen)
Customer Reviews:
Absolutely Pure & Beautiful.......2005-10-31
Symphonic Rock.......2005-07-25
pleasant easy listening.......2005-07-19
Excellent CD.......2005-03-20
luke.......2004-12-12
Average customer rating: |
Gottschalk: Symphonies Nos. 1 & 2; Escenas Campestres Cubanas; Célèbre Tarantelle
Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q7ZKIO Release Date: 2007-06-26 |
Tracks:
- Andante - Hot Springs Festival Symphony Orchestra
- Presto-Maestoso - Hot Springs Festival Symphony Orchestra
- Tempo Di Tarentelle - Michael Gurt
- Tempo De Danza: Moderato - Darryl Taylor
- Piu Lento - Darryl Taylor
- Danza - Darryl Taylor
- Tempo De Danza: Moderato - Darryl Taylor
- Variations De Concert Sur L'hymne Portugais Du Roi Louis I, RO289 - Michael Gurt
- Ave Maria, RO10 - Melissa Barrick
- La Casa Del Joven Enrique Por Mehul-Gran Overture, RO54b - Richard Contiguglia
- I. Noche En Los Tropicos - Hot Springs Festival Symphony Orchestra
- II. Festa Criolla - Hot Springs Festival Symphony Orchestra
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Liberty! (1997 Television Mini-series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029YF Release Date: 1997-10-28 |
Tracks:
- Song Of The Liberty Bell
- Johnny Has Gone For A Soldier
- Surrender The Sword
- Soldier's Joy
- When Bidden To The Wake Or Fair
- The World Turned Upside Down
- Bunker Hill
- Freedom
- The Flowers Of Edinburgh
- Brave Wolfe
- Devil's Dream
- Song Of The Liberty Bell
Customer Reviews:
OK.......2005-03-17
Great Music.......2004-02-27
GREAT SOUNDTRACK!.......2003-07-04
Finest Music Ever Heard.......2002-03-27
Stirring Americana.......2001-11-10
Average customer rating:
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Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AELD Release Date: 1998-08-25 |
Tracks:
- Sinfonia Antartica (Symphony No. 7): Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante moderato con moto - Largamente
- Sinfonia Antartica (Symphony No. 7): Scherzo: Moderato
- Sinfonia Antartica (Symphony No. 7): Landscape: Lento -
- Sinfonia Antartica (Symphony No. 7): Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo
- Sinfonia Antartica (Symphony No. 7): Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso
- Symphony No. 8 In D Minor: Fantasia (Variazioni senza Tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Largamente - Tempo primo ma tranquillo
- Symphony No. 8 In D Minor: Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo
- Symphony No. 8 In D Minor: Cavatina (per stromenti ad arco): Lento espressivo
- Symphony No. 8 In D Minor: Toccata: Moderato maestoso
- Movement Superscriptions For Sinfonia antartica: Prometheus Unbound: Prelude: 'To Suffer Woes Which Hope Thinks Infinite' (Percy Bysshe Shelley)
- Movement Superscriptions For Sinfonia antartica: Book Of Common Prayer, Psalm 104: Schezro: 'There Go The Ships'
- Movement Superscriptions For Sinfonia antartica: Hymn Before Sunrise, In The Vale Of Chamouni: Landscape: 'Ye Ice Falls!' (Samuel Taylor Coleridge)
- Movement Superscriptions For Sinfonia antartica: The Sun Rising: Intermezzo: 'Love, All Alike,' (John Donne)
- Movement Superscriptions For Sinfonia antartica: Message To The Public: Epilogue: 'I Do Not Regret This Journey;' (Captain Robert Falcon Scott)
Customer Reviews:
Excellent performances of one of our greatest symphonists........2004-04-28
First, the man was a superb melodist. He was not a mere tunesmith, to be sure, but crafted works that are primarily conceived in terms of melodic development, and this makes his work immediately appealing. Second, he was a highly original thinker who used his colossal technique (he had a doctorate in composition and studied with Ravel) for surprisingly modern ends. His music can at times sound like a mixture of Bach and Debussy, but it is always unmistakably Vaughan Williams. He had a penchant for modal counterpoint, and his streams of parallel chords place his work squarely in the 20th century.
Vaughan Williams' unique talent for scoring is evident throughout this excellent recording of his 7th and 8th symphonies. The "Sinfonia antartica" is based upon a film score he supplied for a film about the explorer Robert Scott. It is by turns brooding and wistful--an ideal introduction to this magnificent composer. Symphony No. 8 is a more eclectic affair, brighter in temperament overall, but a rewarding example of the surprises that lurk around every corner of RVW's work.
Was he the greatest symphonist of the 20th century? The jury's still out. He certainly created a body of symphonic work that is second to none in its richness, diversity, and consistency. Mahler, Sibelius, and Shostakovich are usually considered the most important symphonists of the last century, but for those who seek other fare, you can't do better than Vaughan Williams.
Unbelievable Sound Quality.......2002-03-17
Not a bad accomplishment for budget-price label Naxos!
A Tale of Two Eighths.......2001-07-30
The Vaughan Williams eighth symphony exhibits a few interesting parallels with the eighth symphony of the composer whose oeuvre established the "rule of nine" in the writing of symphonies: Beethoven.
Beethoven's Opus 93 strikes some listeners as both "a step backwards" from the rambunctious and expansive seventh (with its electrifying "double scherzo" and achingly intense theme-and-variations slow movement), and a mystification before the grandiose Opus 125. It is something of a look back towards Haydn; it is charming, and elegant, and seems to do entirely without the dramatic musical rhetoric of which Beethoven's third, fifth and seventh symphonies provide ample and potent illustration. It is the sort of thing which "musical progressivists" say we composers cannot do; you can almost hear the phrase spoken, "you can never go back."
Yet, in his eighth symphony, Beethoven succeeds, marvelously and musically; he does, and does not, "go back." Vaughan Williams does something of the same, in his eighth. Even though Vaughan Williams' seventh was composed originally as film music, and then adapted as a symphony in his `cycle' (or perhaps because of this), the eighth seems like a deliberate step away from musical dramtization, and into the realm of abstract, `pure' music, a music which functions on its own, not driven by any extra-musical `program.'
Now, the `point' to which Beethoven does and does not go back, is Haydn; the generation before, and a composer with whom Beethoven had taken lessons. The `point' to which Vaughan Williams does and does not go back, is musical Impressionism, and specifically Ravel. Vaughan Williams had taken some lessons with Ravel; and the `return to pure music' in the eighth is doubly apt here, as part of Ravel's Impressionism is a sort of `romantic neo-classicism' exemplified in "Le Tombeau de Couperin" and the piano concertos.
That Vaughan Williams made his eighth with the Beethoven-parallel in mind, seems to me confirmed in the opening of the second movement. Vaughan Williams' all-winds scherzo begins with too much of a `metronomic' gesture for this to be coincidental. This parallel does not become burdensome, because the `metronomic piece' functions differently in the two eighth symphonies: it is the slow movement in the Beethoven Op. 93, followed by the lovely Menuet and Trio (good heavens! didn't Beethoven realize how passé this was?), while in Vaughan Williams' eighth it serves as a scherzo followed by a richly beautiful slow movement for strings alone (in timbral balance of the string-less scherzo).
Where Vaughan Williams `does not go back' is, about two-thirds into the first movement, where, after some moments of trumpet-&-string doublings which seemed to evoke the sound-world of Prokofiev, the relatively smooth calm of most of the movement yields to the sort of orchestral menace normally associated with Shostakovich. This fury lasts but a moment, and gives way again to the idyllic calm of the opening material, but here is a musical point at which you wonder if it is really possible to `go back' ....
The last movement of the Vaughan Williams' eighth is bright and resplendent. It is almost mis-labeled; `toccata' traditionally means a `touched' piece, a keyboard work with figurations more characteristic of two hands at a keyboard, rather than a large ensemble of single-line instruments. But Vaughan Williams has a history of adapting the idea of the Toccata, as in his Toccata Marziale for band; and my musicological quibble does not get in the way of the piece, which reminds me more of a jubilant carillon.
--Karl
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