John Taylor [Import]

john taylor [import]

Track Listings

1. The Panhandler
2. Air Miles
3. Coventry Carole
4. Hollow Victory
5. To Do You (John Lennon Says)
6. Good Reason to **** Me
7. She's Not There
8. A-Anon
9. Getting Intimate
10. Down With U
11. Silent Skin
12. Fields Of Eden
13. Spirit Of Times
14. American Muse

Editorial Reviews

Product Description
Japanese edition of the 1999 solo album by Duran Duran's bassist. 14 tracks produced by John himself. Standard jewel case.

John Taylor,John Taylor,Rock/Pop
Cars
Average customer rating: 4.5 out of 5 stars
  • Good, but a little too country/western
  • Fun to drive with Cars!
  • great cd
  • Cars
  • My boys love it!
Cars

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Cars (Widescreen Edition)
  2. Cars: Lightning McQueen's Fast Tracks
  3. Happy Feet
  4. Cars Essential Guide (Dk Essential Guides)
  5. Disney Mack Truck Playset

ASIN: B000EUMPBS
Release Date: 2006-06-06

Tracks:

  1. Real Gone - Sheryl Crow
  2. Route 66 - Chuck Berry
  3. Life Is A Highway - Rascal Flatts
  4. Behind The Clouds - Brad Paisley
  5. Our Town - James Taylor
  6. Sh-Boom - The Chords
  7. Route 66 - John Mayer
  8. Find Yourself - Brad Paisley
  9. Opening Race
  10. McQueen's Lost
  11. My Heart Would Know - Hank Williams
  12. Bessie
  13. Dirt Is Different
  14. New Road
  15. Tractor Tipping
  16. McQueen And Sally
  17. Goodbye
  18. Pre-Race Pageantry
  19. The Piston Cup
  20. The Big Race

Amazon.com

Cars is a typical Disney-Pixar animated movie in that it deals with an anthropomorphic character (here, a car) and the heartwarming values of family and friendship. (Alas, we'll have to wait a little while longer for the company to take on greed and selfishness.) The accompanying soundtrack is equally typical in that it's split between catchy pop songs and a score by Randy Newman. The clear highlight of the pop tracks is Sheryl Crow's boisterous, huge-sounding "Real Gone" (her best song in ages). Rascal Flatts also cover Tom Cochrane's 1991 hit "Life Is a Highway," while John Mayer rocks out on "Route 66" (Chuck Berry's elegantly lean version is included as well). For his part, Newman continues his distinguished association with quality animation by supplying a nimble score. It's fun to hear him deploy riffs that wouldn't be out of place on a Quiet Riot album on the bombastic "Opening Race," while the bluesy "Bessie" does George Thorogood with a tuba. The CD's overall Southern flavor is emphasized by the frequent use of banjo and slide guitar, as well as by score tracks cantering about, like "McQueen and Sally." And, as usual, Newman delivers a nostalgic, misty-eyed song--in this case "Our Town," performed by that master of sensitive laid-back charm, James Taylor. --Elisabeth Vincentelli

Customer Reviews:

4 out of 5 stars Good, but a little too country/western.......2007-07-17

My family LOVES a couple of the songs - Sheryl Crow's "Real Gone" and Brad Paisley's "Life is a Highway," but several of the rest are just too mellow or country/western-style for our taste. But there's a pretty good remake of "Route 66," as well as the classic original. All in all, it's worth the money just for those songs.

5 out of 5 stars Fun to drive with Cars!.......2007-07-13

Used Cars Gotta love it! The movie's great and having the music in the car makes it a fun ride!

4 out of 5 stars great cd.......2007-07-10

Great movie soundtrack cd. Lots of good songs and music; if you've seen the movie, you can almost see the action going on with the different orchestral pieces. The kids love the songs. We've only had the cd a couple of weeks but the kids are already singing along with the songs; the kids are 2 and 5.

5 out of 5 stars Cars.......2007-06-14

My son loved the movie and we love the soundtrack. Sheryl Crow's song is great!

5 out of 5 stars My boys love it!.......2007-05-25

I love this CD as much as my boys do. It is so upbeat and fun! We listen to this in the car all the time and the boys love to tell me what scene is happening with each different song. They even like listening to the back half of the CD and describing each part that is going on. I would definitely recommend this for any Cars fan - it's great!
Donnie Darko - Original Soundtrack & Score
Average customer rating: 4.5 out of 5 stars
  • Donnie Darko UK Import : BUY IT!!!
  • Mad World - the one you are looking for
  • It took 'em long enough, but it was worth the wait!
  • Donhnie Darko Import Soundtrack well done
  • good stuff
Donnie Darko - Original Soundtrack & Score

Manufacturer: Sanctuary UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Donnie Darko - The Director's Cut (Two-Disc Special Edition)
  2. The Donnie Darko Book
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  4. Shout: The Very Best of Tears for Fears
  5. Mad World

ASIN: B0002XMF2G
Release Date: 2004-10-11

Tracks:

  1. Never Tear Us Apart
  2. Head Over Heals
  3. Under the Milky Way
  4. Lucid Memory
  5. Lucid Assembly
  6. Ave Maria
  7. For Whom the Bell Tolls
  8. Show Me, Pt. 1
  9. Notorious
  10. Stay
  11. Love Will Tear Us Apart
  12. Killing Moon
  13. Mad World
  14. Did You Know Him?

Tracks:

  1. Carpathian Ridge
  2. Tangent Universe
  3. Artifact & Living
  4. Middlesex Times
  5. Manipulated Living
  6. Philosophy of Time Travel
  7. Liquid Spear Waltz
  8. Gretchen Ross
  9. Burn It to the Ground
  10. Slipping Away
  11. Rosie Darko
  12. Cellar Door
  13. Ensurance Trap
  14. Waltz in the 4th Dimention
  15. Time Travel
  16. Did You Know Him?
  17. Mad World
  18. Mad World [Alternate Mix][*]

Album Description

UK only double-disc features many tracks unavailable on the US version. Sanctuary. 2004.

Album Details

2004 UK Two CD Reissue of Soundtrack to the Cult Film that Includes the Origianl Score plus Additional Tracks that were in the Original Film but were Left off the USA Single CD Version. 80's Bands Including Duran Duran, Inxs, Echo and the Bunnymen, Joy Division and Tears for Fears Now Complete this New Package

Customer Reviews:

5 out of 5 stars Donnie Darko UK Import : BUY IT!!!.......2007-05-12

Just bought this 2 CD import item. Was it costly? Sure: approx. $25. BUT, given that I nearly paid $20 for the US version which DOES NOT include the first CD, it was well worth it.
Delivery: SURPRISINGLY SUPER-FAST by USPS (it only took two or three days standard shipping)
Condition: Still wrapped in plastic.
Music: *tee hee* If you watched the movie, then you know what the music will sound like: it's the movie soundtrack (you know, the awesome soundtrack that both reminds the viewer of the 80's and also creates a haunting backdrop for the movie's themes). Typically here in the US that means only one or two of the good songs and the rest is the score. The UK version? ALL of the good songs and the entire score (that's why it's 2 discs).
Bad part? Not offered in US retail stores (i.e. you can only buy this online or in an Import CD store.

5 out of 5 stars Mad World - the one you are looking for.......2007-01-19

It's here, two versions of Mad World by Michael Andrews, lovely piano intro and Neil Young type vocals. Buy it!

5 out of 5 stars It took 'em long enough, but it was worth the wait!.......2006-11-06

My friends and I have been waiting for this for years--finally, the real 80's music soundtrack for Donnie Darko, arguably one of the best soundtracks out there!

Probably the only negative comment I have is that they included the music from the motivational videos, something that I could have done without.

Thank you for putting this soundtrack out!!

4 out of 5 stars Donhnie Darko Import Soundtrack well done.......2006-08-24

The import edition of the Donnie Darko soundtrack is two discs. One is the actual pop songs, and some classical works, which are all very good and includes the remake of Tears for Fears "Mad World." The second disc is the instrumental score, with two versions of "Mad World," included as well. The instrumental score is very dark and omenous, and the two disc set is a nice collectible piece of music that I highly reccommend. The price is a bit high, at over $30, but if you are any type of a fan of the movie, or a soundtrack collector, this album is for you.

4 out of 5 stars good stuff.......2006-08-10

i wish i could have bought just disc one... because disc two is mostly the instrumental stuff, which is excellent, but i don't really plan on listening to it over and over. disc one is good, although there are a few songs i skip through.
Heartland: An Appalachian Anthology
Average customer rating: 5 out of 5 stars
  • A piece of heaven
  • Great CD
  • A bit of a yawn-er
  • Exquisitely good music!
  • Great Music!
Heartland: An Appalachian Anthology

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Appalachian Journey
  2. Short Trip Home
  3. Appalachia Waltz / Ma, Meyer, O'Connor
  4. Uncommon Ritual
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ASIN: B00005KIZP
Release Date: 2001-07-03

Tracks:

  1. Short Trip Home
  2. Johnny Has Gone For A Soldier
  3. 1B
  4. Appalachia Waltz
  5. Soldier's Joy
  6. Sliding Down
  7. BT
  8. Butterfly's Day Out
  9. College Hornpipe
  10. Fancy Stops and Goes
  11. Old Tyme
  12. Emily's Reel
  13. Slumber My Darling
  14. Death by Triple Fiddle
  15. Amazing Grace
  16. Song of the Liberty Bell (folk version)

Amazon.com

The likes of Yo-Yo Ma, Sam Bush, Edgar Meyer, Joshua Bell, and Mark O'Connor can be heard on Heartland, a compilation featuring the best tracks from Sony's ongoing Appalachian-themed series of CDs. Individually, these folk and classical stars have little in common, but when they meet to play these new bluegrass-meets-chamber-music arrangements, the results are pure magic. It's hard to pinpoint these Americana-tinged tunes--they could fit in either Carnegie Hall or a grange hall--but they're all great; this is as much Aaron Copland's version of roots music as it is Bill Monroe's. Whether on fast-and-furious breakdowns such as "Death by Triple Fiddle" or on mellow, almost New Agey instrumentals such as "Sliding Down" (featuring Bela Fleck on the banjo), these musicians excel. Guest vocals by James Taylor and Alison Krauss break up the instrumentals, though instrumental virtuosity is the real highlight of this disc. If you like what you hear on this sampler, check out the Grammy Award-winning Appalachian Journey next. --Jason Verlinde

Customer Reviews:

5 out of 5 stars A piece of heaven.......2006-02-01

Heartland is a haven and a piece of heaven. I was transported.

5 out of 5 stars Great CD.......2004-03-16

Great violin, appalachian music, brings out your country roots, beautiful song by Allison Krauss, good mix of slow and up beat songs, excellent cd!

3 out of 5 stars A bit of a yawn-er.......2003-04-22

If you are planning to open up a high-end gift shop specializing in handcrafted wind chimes and micro-bakery scone mixes and the like, then you must have this CD playing for your customers. It might have a certain appeal there that it did not find in my living room. Not to say that the musicianship is not utterly outstanding, which it is most certainly. Aside from Short Trip Home, which is why I purchased this CD in the first place, I found the rest of the pieces somewhat vapid considering the caliber of the artists. Again, it has its appeal in an easy listening realm, but this was not what I was looking for.

5 out of 5 stars Exquisitely good music!.......2002-05-04

Didn't expect an outstanding cd, don't know exactly why i got it,maybe because of yo yo and bela, but every piece is played
beautifully, even the vocal piece by James Taylor. The album is almost too good to be called Heartland, every piece is a class act. Bravo!

5 out of 5 stars Great Music!.......2001-11-09

I drive alot commuting to and from my job. This music has served as the perfect backdrop to an lovely Indiana fall! I'm sure I'll recall those colorful images as I continue to listen to this CD through the colorless days of winter!
The Prayer Cycle
Average customer rating: 4.5 out of 5 stars
  • soul stirring-true gift of music
  • wonderful
  • this here is some good music
  • Something Old, Something New
  • heavenly music
The Prayer Cycle

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. The Collection

ASIN: B00000ICMK
Release Date: 1999-03-23

Tracks:

  1. Movement 1: Mercy
  2. Movement 2: Strength
  3. Movement 3: Hope
  4. Movement 4: Compassion
  5. Movement 5: Grace
  6. Movement 6: Innocence
  7. Movement 7: Forgiveness
  8. Movement 8: Benediction
  9. Movement 9: Faith

Amazon.com

It is with primitive urgency and lustrous clarity rising like flickering embers from a fire that Jonathan Elias's ambitious Prayer Cycle is given voice. Woven together like knotty wool, silk, and fine strands of silvery water, the disparate yet complementary voices of the late Nusrat Fateh Ali Khan, Alanis Morissette, Yungchen Lhamo, Ofra Haza, the American Boychoir, Salif Keita, and others intertwine in multiple languages with the superb English Chamber Orchestra and Chorus. Prayers of supplication, gratitude, and longing build in layers, one on top of and 'twixt and 'tween the other, as movements titled "Mercy," "Grace," "Innocence," "Compassion," and the like. Remarkably, Elias's Prayer Cycle eloquently captures the ecstasy, pain, grief, and sublime beauty of humanity--as he simply and poignantly writes in his liner notes, "The world we live in is both joyous and cruel." --Paige La Grone

Customer Reviews:

5 out of 5 stars soul stirring-true gift of music.......2007-02-24

...a very few meaningful words are added to enhance the sound and voice on this eloquent and moving gift of music. It has become my favorite disc to share as a gift of love with friends and colleagues.

4 out of 5 stars wonderful.......2007-02-15

Lovely CD, only problem is the artists all thought they had to do their own prayer cycle, so each piece rises in volumne and crescendo. Not the best for sleep time, but nice for yoga and cooking time.

5 out of 5 stars this here is some good music.......2007-02-01

music is beautiful, the lyrics are gloomy and depressing. luckily most are sung in another language so you don't have to worry about that part.

5 out of 5 stars Something Old, Something New.......2007-01-17

Every now and then, along comes a piece of music that truly moves me. Even more seldom, along comes a piece of music that makes the musician in me sit up and take notice. Jonathan Elias' "The Prayer Cycle" has done both.

"Prayer Cycle" is a choral symphony in nine movements, but it is also a piece of world music. The English Chamber Orchestra and Chorus is joined by a stellar array of vocal solo talents. Distinctive western voices such as Alanis Morissette, James Taylor, and Linda Ronstadt are joined by equally distinctive eastern vocalists like Israeli Ofra Haza, Tibetan Yungchen Lhamo, Pakistani Nusrat Fateh Ali Khan, and Salif Keita of Mali. Sadly, Ali Khan and Haza (one of my favorite vocal talents) passed away shortly after the production of this recording, leaving this performance as one of their last collaborations. It is a fitting memorial to two great voices.

Elias' music itself is a wonder. It is both ethereal and earthly, filled with slow ostinato and vibrant treble tones, and it fulfills its title by quietly guiding the ear and mind to a place of introspection, meditation, and revelation. The mix of languages lets us concentrate on the timbre of each voice, from Ronstadt's lyrical soprano to Morisette's anguished and near-tribal clarity, from Ali Khan's woody tenor to Yungchen's flute-like descant. The music is not thematic, but atmospheric, providing no melodies to hum after hearing the piece. Rather, each movement provides a distinct sphere of serenity in which we can slow down, listen, and enjoy the tug and play of the music.

5 out of 5 stars heavenly music.......2007-01-11

I've been listening to this CD for a few years now, and I never tire of it.
The music is ethereal at times, and really does present God as being in all the world. It has a seamless flow, uniting all the songs into one offering. Truly amazing music with a deeply spiritual base.
Vaughan Williams: The Nine Symphonies
Average customer rating: 5 out of 5 stars
  • A Great First Buy on Ralph Vaughan Williams.
  • Vaughan Williams' wonderful music at last...
  • Previn & Vaughan Williams: An Excellent Coupling
  • Can't get any better
  • Comprehensive and Impressive Collection
Vaughan Williams: The Nine Symphonies

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00011MK74
Release Date: 2004-03-09

Tracks:

  1. A Song For All Seas, All Ships - Andante Maestoso - London Symphony Chorus
  2. On The Beach At Night, Alone - Largo Sostenuto - London Symphony Chorus
  3. Scherzo: The Waves - Allegro Brillante - London Symphony
  4. The Explorers - Grave E Molto Adagio - London Symphony Chorus

Tracks:

  1. Lento: Allegro Risoluto
  2. Lento
  3. Scherzo (Nocturne)
  4. Andante Con Moto; Maestoso Alla Marcia; Allegro; Lento; Epilogue
  5. Allegro Pesante - James Oliver Buswell IV
  6. Adagio - James Oliver Buswell IV
  7. Presto - James Oliver Buswell IV
  8. Overture

Tracks:

  1. Molto Moderato - Douglas Cummings
  2. Lento Moderato - Douglas Cummings
  3. Moderato Pesante - Douglas Cummings
  4. Lento - Douglas Cummings
  5. Allegro
  6. Andante Moderato
  7. Scherzo: Allegro Molto
  8. Finale Con Epilogo Fugato: Allegro Molto

Tracks:

  1. Preludio: Moderato
  2. Scherzo: Prestso
  3. Romanza: Lento
  4. Passacaglia: Moderato
  5. Explorer
  6. Poet
  7. Queen
  8. Allegro Moderato - John Fletcher
  9. Romanza: Andante Sostenuto - John Fletcher
  10. Finale: Rondo Alla Tedesca - John Fletcher

Tracks:

  1. Allegro
  2. Moderato
  3. Scherzo: Allegro Vivace
  4. Epilogue: Moderato
  5. Moderato Maestoso
  6. Andante Sostenuto
  7. Scherzo: Allegro Pesante
  8. Andante Tranquillo

Tracks:

  1. Spoken Introduction - The Ambrosian Singers
  2. Prelude: Andante Maestoso - The Ambrosian Singers
  3. Spoken Introduction - The Ambrosian Singers
  4. Scherzo: Moderato; Poco Animato - The Ambrosian Singers
  5. Spoken Introduction - The Ambrosian Singers
  6. Landscape: Lento - The Ambrosian Singers
  7. Spoken Introduction - The Ambrosian Singers
  8. Intermezzo: Andante Sostenuto - The Ambrosian Singers
  9. Spoken Introduction - The Ambrosian Singers
  10. Epilogue: Alla Marcia Moderato (Ma Non Troppo) - The Ambrosian Singers
  11. Fantasia (Variazioni Senza Tema)
  12. Scherzo Alla Marcia (Per Stromenti A Fiato)
  13. Cavatina (Per Stromenti Ad Arco)
  14. Toccata

Customer Reviews:

5 out of 5 stars A Great First Buy on Ralph Vaughan Williams........2007-06-05

Up until recently, I was only vaguely familiar with the music of British composer Ralph Vaughan Williams. After reading the reviews and noticing the lower than usual price for this set, I thought I'd give it a listen. I'm definitely glad I did as this is some very beautiful music indeed.
All nine of Vaughan William's symphonies are included here along with four bonus pieces, the Concerto Accademico for Violin, the Bass Tuba Concerto, "Three Portraits from the England of Elizabeth" and the overture for the stage play "The Wasps".
Conductor Andre Previn definitely brings these works to life in a mighty way. The "Sea Symphony" is a real standout with its beautiful choral arrangements and orchestrations. Other standouts are the "Pastoral" third symphony and the dramatic Stravinsky-esque fourth symphony.
Indeed, all of the music here is something special and I'm very satisfied to have this set as my introduction to the music of Ralph Vaughan Williams.
Like other reviewers have stated here, this is definitely a must-have collection and I can't think of a better way to start a Vaughan Williams library than with this.

A small footnote: After listening to the first movement of "A Sea Symphony", it may be quite possible that John Lennon sampled a small section of it for "Revolution 9" on the Beatles' White Album. The section in question occurs roughly 12 minutes into the first movement. It's very brief but it immediately stuck out once it was heard.

5 out of 5 stars Vaughan Williams' wonderful music at last..........2007-04-21

Ralph Vaughan Williams was in my opinion one of the very greatest composers of music. Never content with what he had just written, but nevertheless staunch in his principles, over his lifetime he created a series of amazingly vital and original pieces. I could write many pages about these works, so will just say a little about my favorite of all, the incredible Symphony No 8 in D minor. Written at the extraordinary age of 86, the sheer musical inventiveness of this truly unbelievable piece is without equal and I include here all the "great" classical composers such as Beethoven, Brahms and the like. The first movement "Variations in search of a theme" is serious, thought-provoking and modern, yet unmistakably RVW. Its one of the most original first movements ever written ( owing nothing whatsoever to the classical tradition) and though asking more questions than it answers, is a movement even if you have never listened to any of RVWs music before demands attention and absolutely requires you to listen more. The second movement "Cavatina" is one of the most ghostly-beautiful slow movements ever written. The only thing I can really compare it with is RVWs own "The Lark Ascending" though for me this is a far more complex and challenging piece. I have listened to Barber's famous " Adagio for Strings", written at about the same time as this,and for me, this is an even greater and more moving piece - well Barber hadn't written the so-called "Pastoral" Symphony for practice had he ? The third movement is a typically gruff RVW scherzo. I can just see the old geezer galumphing round his garden complaining about his musicians, modern taxation, life in general... It's really funny and whenever can you say that of Mozart, Beethoven , Brahms and company...?The fourth movement is is ...how on earth do you describe this absolutely extraordinary finale. Part village band, part religious apotheosis, this is music truly not of the everyday earth which we inhabit, but something much more glorious, more astonishing... In this movement RVW uses just about every musical instrument known to man - he must have had enormous fun composing it... but the first entry of the celeste is the moment you all need to listen for.

André Previn has chosen some of the very finest of RVWs works to record on this set and for me this is his greatest testament as a conductor. His sheer (and somewhat amazing in itself as a jazz musician) love for RVWs music comes out tops here. A great recording and an absolutely tremendous bargain.

5 out of 5 stars Previn & Vaughan Williams: An Excellent Coupling.......2007-01-10

I have some of these recordings on RCA Red Seal LPs from the late 1960's. I think it is one the best of three symphony cycles in my possession. The other two are Colin Davis/Sibelius and Herbert Blomstedt/Nielsen. Some of my RVW LPs are Adrian Boult and some are Andre Previn. I prefer Previn. Previn really digs into this music. My three favorites: #2 (London), #3 (Pastoral) and #5. It gives me goose bumps being able to listen to them without rice krispies in the background. Kudos to RCA for re-releasing these gems.

5 out of 5 stars Can't get any better.......2004-07-19

If you've ever thought of getting all of the RVW symphonies but haven't, because of cost or what not, there are no more excuses. This is the best set ever. Previn and the LSO had a magical relationship 30 years ago, and no one has ever done these symphonies better. If you find some of them tough nuts to crack, don't worry; RVW isn't easy music, but it is well worth it. It's not supposed to be simple. The only caveat: analog sound. Now RCA was capable of great sound in the 1970's, and the sound is frankly better than the newer RCA series with Slatkin. But if superb digital sound is paramount, you won't go wrong with Handley's set with Liverpool. It's another top notch cycle. Still, I rate Previn tops in this music. RCA is to be commended for releasing this set, as well as the others in the series...check them out!

5 out of 5 stars Comprehensive and Impressive Collection.......2004-04-07

Listen to the bold beginning of Ralph Vaughan Williams' A Sea Symphony, and you've captured the essence of VW at his best. This is the first of 9 symphonies by a composer who is surely England's greatest Symphonist. His essays in the form span the first half of the twentieth century, but include few of its radical elements. Vaughan Williams was a traditionalist throughout, and surely it was that conservative outlook that drew him to the symphonic form in the first place.

Listening to his second symphony, A London Symphony, one hears typical Vaughan Williams-almost entirely melodic in its conception, with lots of diatonic, modal or pentatonic writing, and a touch of chromatic harmony to flavour the melody. It's beautiful, and the music spans a wide emotional gamut from intense introspection to joyous celebration. Only in the 4th Symphony does VW really open himself to a more contrapuntal and dissonant style, and the consequence is that the composition becomes quite reminiscent of Prokofiev or Schostakovich, the two other great Symphonists of the time. Following the 5th Symphony, however, I feel that VW's artistic output suffers. The later pieces, with the exception of the 7th Symphony, Sinfonia Antarctica-based on music he'd composed for the film Scott of the Antarctic--lack the vigor and excitement of the earlier works. They're more introspective, perhaps as befits an older composer, but they don't speak to me as strongly as, say, the later symphonies of Mahler or Schostakovich. Perhaps it is that VW was resistant to change in his basic musical outlook, but by the 1950's, the diatonic/pentatonic ideas he frequented had become increasingly irrelevant. That VW was brilliant and a master craftsman is unquestionable, but he seemed to need new fuel for his compositional fires and was unwilling to consider the atonality of Schoenberg and his followers, the rhythmic vitality of Stravinsky and Bartok, or even the orchestral colours and dramatic juxtapositions of Gustav Mahler. There are still many moments of brilliance, but as a whole the later works move me less.

All of the performances by Andre Previn and the London symphony Orchestra are superb-no one plays this music better. With 9 Symphonies and four other orchestral works-the Concerto Accademico, the Tuba Concerto, the Wasps Overture, and Three Portraits from The England of Elisabeth-this collection is packed with value, and I can scarcely do it justice in the limited room I have. While the Concerto Accademico seems aptly titled and not terribly engaging, the Three Portraits are a gem of VW's work for television. Its worth the price for the first two symphonies and the Sinfonia Antarctica alone, everything else is just gravy--or perhaps I should say, baked beans on toast! All in all, a terrific deal.
Elton John And Tim Rice's Aida (1999 Concept Album)
Average customer rating: 4 out of 5 stars
  • I would order from you again.
  • Loved it!!!
  • good variety and feeling
  • Sour Concepts
  • Living Elaborate Lives...
Elton John And Tim Rice's Aida (1999 Concept Album)
Jimmy Johnson , Juliet Haffner , Regis Iandiorio , Tony Kadleck , Elena Barere , Blackwell, Virgil , and Clark, John
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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  1. Aida (2000 Original Broadway Cast)
  2. Elton John and Tim Rice's Aida: The Making of the Broadway Musical
  3. The Muse: Original Motion Picture Soundtrack
  4. Made in England
  5. A Single Man

ASIN: B00000IFTH
Release Date: 1999-03-23

Tracks:

  1. Another Pyramid - Sting
  2. Written In The Stars - Elton John/LeAnn Rimes
  3. Easy As Life - Tina Turner ft. Angelique Kidjo
  4. My Strongest Suit - Spice Girls
  5. I Know TheTruth - Elton John/Janet Jackson
  6. Not Me - Boyz II Men
  7. Amneris' Letter - Shania Twain
  8. A Step Too Far - Elton John/Heather Headley/Sherie Scott
  9. Like Father Like Son - Lenny Kravitz
  10. Elaborate Lives - Heather Headley
  11. How I Know you - James Taylor
  12. The Messenger - Elton John/Lulu
  13. The Gods Love Nubia - Kelly Price
  14. Enchantment Passing Through - Dru Hill
  15. Orchestral Finale - Elton John

Amazon.com

Following hot on the heels of their enormously successful collaboration for The Lion King, Elton John and Tim Rice have once again culled their talents to create another Disney contemporary musical, based this time on Verdi's opera Aida. The album, recorded by some of the biggest talents of pop, country, and R&B, features songs from the stage show, which recounts the well-known tale of a love triangle further complicated by slavery, royalty, and the armed forces. John duets to great effect with country crooner LeAnn Rimes, the enchanting Janet Jackson, and the lovely Lulu of To Sir with Love fame. Lush and lively, the soundtrack hits a hoot of a (decidedly not highbrow) high point with the infectious pop of the Spice Girls warbling the merits of undergarments on "My Strongest Suit" ("Always wear underwear/Anytime, anywhere"). Lenny Kravitz funks things up with "Like Father Like Son." Shania Twain's husky emoting makes a fine pop ballad of the brief "Amneris' Letter." "Not Me" chronicles the goodness of love as Boyz II Men coo dreamily, their harmonies nestling into John's sumptuous score. --Paige La Grone

Customer Reviews:

5 out of 5 stars I would order from you again........2007-01-27

Product arrived in a timely manner in new condition, still wrapped in plastic. Thank you.

5 out of 5 stars Loved it!!!.......2006-09-07

I'm so impressed with this album for several different reasons.
3) It's Elton John
2) I loved all but two of the songs!
1) I usually hate the original broadway cast albums and movie soundtracks. They don't do the songs justice. They usually have chopped up versions of the songs and include unnecessary dialouge.

I'd love to see every musical (broadway or movie) done this way!
I appreciate the b'way versions, but I don't want to listen to them in my car...

4 out of 5 stars good variety and feeling.......2004-06-24

This is a very good CD. "Written in the Stars" is an extremely emotional song, and it is my favorite on the album. I would like to see the show on Broadway, but I have to say I don't think it can be too much better than this CD

2 out of 5 stars Sour Concepts.......2003-06-29

It takes so much to try to get a musical to make its way upon Broadway. Sometimes you really need to understand how to make it really happen within the passion of the storytelling music. In that case with Elton John, he nearly seemed to make it with Aida. While the music for Broadway always seems to have at least something completely mgaical and a dash of power in it. Sometimes, you really need to understand it, to make it happen, and others don't see it from the start. Although Elton John has had great music for years, at least once in a era, something goes a little flat.

The 1999 Aida, was not a studio album from Elton, but a preview from what was happen on Broadway. The various artists record contains so many different artists in the record including Tina Turner, Boyz II Men, Dru Hill, and the upcoming Heather Headley. Before Heather made it as a singer, she made it right here in Aida, on this record. The only decent song that was a hit was Written In The Stars, which Elton performed with Leann Rimes. The song was also the last song Elton cracked Billboard's Top 40. Still, there really wasn't a lot of enjoyment within most of the record, and it fell into a sleeper. Considering that Elton is already planning on making another smash musical on Broadway, hopefully he'll do better with the concept record.

When it does come to making it on Broadway, it isn't really anything exciting, unless it truly is a smash, and Aida is a smash on Broadway, just not the record. Still, if you're a die hard fan of Aida, buy this record. Otherwise, it could be a hitless miss.

5 out of 5 stars Living Elaborate Lives..........2002-11-02

Aida was Elton John and Tim Rice's baby, providing a concept soundtrack album before even setting the stage on fire, the tracks are generally sweeping show ballads.
Elton teams up with several lovely and talented ladies, in LeAnn Rimes, Janet Jackson, and Lulu. "Written In The Stars" could be a vocal gladiator battle, the way LeAnn and Elton sing it. Janet and Lulu prove themselves as more mellow duet partners.
Kelly Price makes "The Gods Love Nubia" her own, the song is tied up in soul with her voice being smooth as silk. The far too short "Amneris' Letter" shows off Shania Twain's voice to perfection also. Pop culture phenomenon the Spice Girls turn "My Strongest Suit" into the most obvious pop stomper of this set. Another strong point is Heather Headley's solo "Elaborate Lives". A rich ballad, Headley recently embarked on an R&B singing career with the track "He Is". The legendary Tina Turner provides a fiery perfomance, her track being the powerful "Easy As Life" with Angelique Kidjo.
Duds are also present, Sting and Dru Hill's tracks are admitted stinkers. James Taylor, Boyz II Men, Sherie Scott, and Lenny Kravitz also deliver perfomances on the album. This album is well put together, with strong tunes and a short-list of superstars presenting them. A fun buy.
Symphonic Rock
Average customer rating: 4 out of 5 stars
  • Absolutely Pure & Beautiful
  • Symphonic Rock
  • pleasant easy listening
  • Excellent CD
  • luke
Symphonic Rock

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Music of ABBA, Beatles & Queen
  2. Kashmir: The Symphonic Led Zeppelin
  3. Us and Them: Symphonic Pink Floyd
  4. Riders on the Storm: The Doors Concerto
  5. The Royal Philharmonic Orchestra Plays the Hits of Pink Floyd

ASIN: B0002T7ZM0
Release Date: 2004-09-07

Tracks:

  1. Come Away With Me (originally by Norah Jones)
  2. Yellow (originally by Coldplay)
  3. Here With Me (originally by Dido)
  4. Millennium (originally by Robbie Williams)
  5. Hero (originally by Enrique Iglesius)
  6. What Can I Do (originally by The Corrs)
  7. Flying Without Wings (originally by Westlife)
  8. Everybody Hurts (originally by REM)
  9. Every Breath You Take (originally by The Police)
  10. Let It Be (originally by The Beatles)
  11. A Whiter Shade Of Pale (originally by Procol Harum)
  12. Nights In White Satin (originally by The Moody Blues)
  13. Candle In The Wind (originally by Elton John)
  14. Imagine (originally by John Lennon)

Tracks:

  1. Beautiful Day (originally by U2)
  2. Champagne Supernova (originally by Oasis)
  3. Handbags & Gladrags (originally by Stereophonics)
  4. Why Does It Always Rain On Me (originally by Travis)
  5. Livin' On A Prayer (originally by Bon Jovi)
  6. Layla (originally by Derek & The Dominos)
  7. Stairway To Heaven (originally by Led Zeppelin)
  8. Bat Out Of Hell (originally by Meat Loaf)
  9. Run To You (originally by Bryan Adams)
  10. China In Your Hand (originally by T'Pau)
  11. Torn (originally by Natalie Imbruglia)
  12. Bittersweet Symphony (originally by The Verve)
  13. Good Vibrations (originally by The Beach Boys)
  14. Bohemian Rhapsody (originally by Queen)

Customer Reviews:

5 out of 5 stars Absolutely Pure & Beautiful.......2005-10-31

If you buy no other classical music, buy this collection. CD 1 (Relax) is perfect for dinner, quiet entertaining or just soft music while you're working. From "Come Away With Me", to "Whiter Shade of Pale" to "Knights in White Satin"... each piece is it's own movement - and moved you will be... Perfect for a romantic evening. CD2 is more robust, but equally entertaining. "Layla", "Livin On A Prayer", Stairway to Heaven", "Run to You" and "Bohemian Rhapsody" - you owe it to yourself to hear these licks performed by the RPO.

5 out of 5 stars Symphonic Rock.......2005-07-25

It really isn't rock, but it is a very pleasant presentation of popular music, rendered in creative ways by a full symphony orchestra. It sounds like the orchestra had a great time making these CD's.

3 out of 5 stars pleasant easy listening.......2005-07-19

It's not extremely interesting music, but nice background, relaxing and pleasant with full orchestra. Not a bad buy at all!

5 out of 5 stars Excellent CD.......2005-03-20

I received this as a present and at first I wasn't sure if I would like it because I don't like some of the original songs, but there's something about hearing the orchestra play that makes me like all of them. Just try it out.

1 out of 5 stars luke.......2004-12-12

well, if you like elevator music then you should get this cd. if not then dont waste your time, its lame. big time lame. just listen to the audio samples im so glad i didn't waste my money on this piece of crap.
Gottschalk: Symphonies Nos. 1 & 2; Escenas Campestres Cubanas; Célèbre Tarantelle
Average customer rating: Not rated
    Gottschalk: Symphonies Nos. 1 & 2; Escenas Campestres Cubanas; Célèbre Tarantelle

    Manufacturer: Naxos American
    ProductGroup: Music
    Binding: Audio CD

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    1. Dance Suite and Cello Concerto
    2. Stephen Albert: Symphonies Nos. 1 & 2
    3. Carson Cooman: Symphonies Nos. 2 & 3
    4. Romeo Cascarino: Pygmalion; Portrait of Galatea; Prospice; The Acadian Land; Blades of Grass
    5. Julius Röntgen: Symphony No. 3; Suite "Aus Jotunheim"

    ASIN: B000Q7ZKIO
    Release Date: 2007-06-26

    Tracks:

    1. Andante - Hot Springs Festival Symphony Orchestra
    2. Presto-Maestoso - Hot Springs Festival Symphony Orchestra
    3. Tempo Di Tarentelle - Michael Gurt
    4. Tempo De Danza: Moderato - Darryl Taylor
    5. Piu Lento - Darryl Taylor
    6. Danza - Darryl Taylor
    7. Tempo De Danza: Moderato - Darryl Taylor
    8. Variations De Concert Sur L'hymne Portugais Du Roi Louis I, RO289 - Michael Gurt
    9. Ave Maria, RO10 - Melissa Barrick
    10. La Casa Del Joven Enrique Por Mehul-Gran Overture, RO54b - Richard Contiguglia
    11. I. Noche En Los Tropicos - Hot Springs Festival Symphony Orchestra
    12. II. Festa Criolla - Hot Springs Festival Symphony Orchestra
    Liberty! (1997 Television Mini-series)
    Average customer rating: 4.5 out of 5 stars
    • OK
    • Great Music
    • GREAT SOUNDTRACK!
    • Finest Music Ever Heard
    • Stirring Americana
    Liberty! (1997 Television Mini-series)

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    1. Music of the American Revolution: The Birth of Liberty
    2. Early American Roots
    3. The American Seasons
    4. Colonial America
    5. The World Turned Upside Down

    ASIN: B0000029YF
    Release Date: 1997-10-28

    Tracks:

    1. Song Of The Liberty Bell
    2. Johnny Has Gone For A Soldier
    3. Surrender The Sword
    4. Soldier's Joy
    5. When Bidden To The Wake Or Fair
    6. The World Turned Upside Down
    7. Bunker Hill
    8. Freedom
    9. The Flowers Of Edinburgh
    10. Brave Wolfe
    11. Devil's Dream
    12. Song Of The Liberty Bell

    Customer Reviews:

    4 out of 5 stars OK.......2005-03-17

    Good CD, especially if you're a fan of Mark O'Conner. I have to admit that a couple of the tracks seem rather directionless (in a Vaughn Williams sort of way) and I tend to lose interest, but other tracks are fun, even exciting. The production is excellent throughout.

    4 out of 5 stars Great Music.......2004-02-27

    I watched the documentary and heard Mark O'Connor play this piece in a concert and loved it immediately. The music is great to help the battles come alive but great for just listening to anyway.

    5 out of 5 stars GREAT SOUNDTRACK!.......2003-07-04

    Fine CD full of great pieces of music from a great miniseries! Full of patriotism! I highly recommend it! Grade: A+

    5 out of 5 stars Finest Music Ever Heard.......2002-03-27

    I heard this music on the excellent P B S Documentary: "Liberty - the American Revolution" and I knew I had to have it! It is the finest music I have heard, capturing the heart and soul of the American Revolution. The documentary "Liberty" was a masterpiece that was beautiful and moving. So too this music with its most wonderful arrangements and accompaniment. I love it! I could hardly wait to get it in the mail. It framed the documentary (which I also bought) like a great frame compliments a beautiful canvas painting. Superlatives fail me. This music must be experienced by first watching the great series on the American Revolution and then by listening to it apart. This is some of the most wonderful music I have ever heard. It reminds me of the genius of Aaron Copland who wrote the Applachian Spring and Rodeo suites.

    5 out of 5 stars Stirring Americana.......2001-11-10

    This CD stands on its own merits as good music, not simply as music for a TV show. It evokes images of America old and new. O'Connor's violin carries us from the dance hall to the battlefield to the sorrow of lover's lost. Simple melodies twist and turn, rising up from their solid American roots. James Taylor's solemn rendition of "Johnny's Gone for a Soldier"is as true a telling of the grief of the soldier lost to war today as it was hundreds of years ago. Sit in a comfortable chair in the warm light of evening and let it surround you. To know where we have come from offers hope that the magic of freedom and liberty will not desert us in these troubled times.
    Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8
    Average customer rating: 4.5 out of 5 stars
    • Excellent performances of one of our greatest symphonists.
    • Unbelievable Sound Quality
    • A Tale of Two Eighths
    • Best "Sinfonia Antartica" Currently Available
    • Pure music
    Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
    1. Vaughn Williams: Symphonies Nos. 5 and 9
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    3. Vaughan Williams: Symphony No. 2; The Wasps
    4. Vaughan Williams: A London Symphony (original 1913 version) / Butterworth: The Banks of Green Willow - London Symphony Orchestra / Richard Hickox
    5. Vaughan Williams: Symphonies Nos. 3 "Pastoral" & No. 6

    ASIN: B00000AELD
    Release Date: 1998-08-25

    Tracks:

    1. Sinfonia Antartica (Symphony No. 7): Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante moderato con moto - Largamente
    2. Sinfonia Antartica (Symphony No. 7): Scherzo: Moderato
    3. Sinfonia Antartica (Symphony No. 7): Landscape: Lento -
    4. Sinfonia Antartica (Symphony No. 7): Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo
    5. Sinfonia Antartica (Symphony No. 7): Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso
    6. Symphony No. 8 In D Minor: Fantasia (Variazioni senza Tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Largamente - Tempo primo ma tranquillo
    7. Symphony No. 8 In D Minor: Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo
    8. Symphony No. 8 In D Minor: Cavatina (per stromenti ad arco): Lento espressivo
    9. Symphony No. 8 In D Minor: Toccata: Moderato maestoso
    10. Movement Superscriptions For Sinfonia antartica: Prometheus Unbound: Prelude: 'To Suffer Woes Which Hope Thinks Infinite' (Percy Bysshe Shelley)
    11. Movement Superscriptions For Sinfonia antartica: Book Of Common Prayer, Psalm 104: Schezro: 'There Go The Ships'
    12. Movement Superscriptions For Sinfonia antartica: Hymn Before Sunrise, In The Vale Of Chamouni: Landscape: 'Ye Ice Falls!' (Samuel Taylor Coleridge)
    13. Movement Superscriptions For Sinfonia antartica: The Sun Rising: Intermezzo: 'Love, All Alike,' (John Donne)
    14. Movement Superscriptions For Sinfonia antartica: Message To The Public: Epilogue: 'I Do Not Regret This Journey;' (Captain Robert Falcon Scott)

    Customer Reviews:

    5 out of 5 stars Excellent performances of one of our greatest symphonists........2004-04-28

    The posthumous fate of Ralph Vaughan Williams (1872-1958) has not always been a kind one. After his death, his music passed through a prolonged period of being deeply unfashionable. Stodgy, tweedy Vaughan Williams--who could get into that?! But, like Elgar, whose music is also cast in a stuffy, stereotypically "British" light, there is much more to Vaughan Williams than one might think.

    First, the man was a superb melodist. He was not a mere tunesmith, to be sure, but crafted works that are primarily conceived in terms of melodic development, and this makes his work immediately appealing. Second, he was a highly original thinker who used his colossal technique (he had a doctorate in composition and studied with Ravel) for surprisingly modern ends. His music can at times sound like a mixture of Bach and Debussy, but it is always unmistakably Vaughan Williams. He had a penchant for modal counterpoint, and his streams of parallel chords place his work squarely in the 20th century.

    Vaughan Williams' unique talent for scoring is evident throughout this excellent recording of his 7th and 8th symphonies. The "Sinfonia antartica" is based upon a film score he supplied for a film about the explorer Robert Scott. It is by turns brooding and wistful--an ideal introduction to this magnificent composer. Symphony No. 8 is a more eclectic affair, brighter in temperament overall, but a rewarding example of the surprises that lurk around every corner of RVW's work.

    Was he the greatest symphonist of the 20th century? The jury's still out. He certainly created a body of symphonic work that is second to none in its richness, diversity, and consistency. Mahler, Sibelius, and Shostakovich are usually considered the most important symphonists of the last century, but for those who seek other fare, you can't do better than Vaughan Williams.

    5 out of 5 stars Unbelievable Sound Quality.......2002-03-17

    The "Antarctica Symphony" portion of this disk has been called "the best digital recording ever made", and is often recommended for use as a demonstration disk on high-end audio equipment. One listen and you'll understand why...this is truly a sonic marvel.

    Not a bad accomplishment for budget-price label Naxos!

    5 out of 5 stars A Tale of Two Eighths.......2001-07-30

    I think many listeners (and reviewers) will focus more on the seventh symphony; so I leave the seventh to them, although I greatly enjoy this recording of the seventh, and am even modestly grateful that the recited superscriptions are included at the end, where they do not interrupt the sequence of the symphony itself.

    The Vaughan Williams eighth symphony exhibits a few interesting parallels with the eighth symphony of the composer whose oeuvre established the "rule of nine" in the writing of symphonies: Beethoven.

    Beethoven's Opus 93 strikes some listeners as both "a step backwards" from the rambunctious and expansive seventh (with its electrifying "double scherzo" and achingly intense theme-and-variations slow movement), and a mystification before the grandiose Opus 125. It is something of a look back towards Haydn; it is charming, and elegant, and seems to do entirely without the dramatic musical rhetoric of which Beethoven's third, fifth and seventh symphonies provide ample and potent illustration. It is the sort of thing which "musical progressivists" say we composers cannot do; you can almost hear the phrase spoken, "you can never go back."

    Yet, in his eighth symphony, Beethoven succeeds, marvelously and musically; he does, and does not, "go back." Vaughan Williams does something of the same, in his eighth. Even though Vaughan Williams' seventh was composed originally as film music, and then adapted as a symphony in his `cycle' (or perhaps because of this), the eighth seems like a deliberate step away from musical dramtization, and into the realm of abstract, `pure' music, a music which functions on its own, not driven by any extra-musical `program.'

    Now, the `point' to which Beethoven does and does not go back, is Haydn; the generation before, and a composer with whom Beethoven had taken lessons. The `point' to which Vaughan Williams does and does not go back, is musical Impressionism, and specifically Ravel. Vaughan Williams had taken some lessons with Ravel; and the `return to pure music' in the eighth is doubly apt here, as part of Ravel's Impressionism is a sort of `romantic neo-classicism' exemplified in "Le Tombeau de Couperin" and the piano concertos.

    That Vaughan Williams made his eighth with the Beethoven-parallel in mind, seems to me confirmed in the opening of the second movement. Vaughan Williams' all-winds scherzo begins with too much of a `metronomic' gesture for this to be coincidental. This parallel does not become burdensome, because the `metronomic piece' functions differently in the two eighth symphonies: it is the slow movement in the Beethoven Op. 93, followed by the lovely Menuet and Trio (good heavens! didn't Beethoven realize how passé this was?), while in Vaughan Williams' eighth it serves as a scherzo followed by a richly beautiful slow movement for strings alone (in timbral balance of the string-less scherzo).

    Where Vaughan Williams `does not go back' is, about two-thirds into the first movement, where, after some moments of trumpet-&-string doublings which seemed to evoke the sound-world of Prokofiev, the relatively smooth calm of most of the movement yields to the sort of orchestral menace normally associated with Shostakovich. This fury lasts but a moment, and gives way again to the idyllic calm of the opening material, but here is a musical point at which you wonder if it is really possible to `go back' ....

    The last movement of the Vaughan Williams' eighth is bright and resplendent. It is almost mis-labeled; `toccata' traditionally means a `touched' piece, a keyboard work with figurations more characteristic of two hands at a keyboard, rather than a large ensemble of single-line instruments. But Vaughan Williams has a history of adapting the idea of the Toccata, as in his Toccata Marziale for band; and my musicological quibble does not get in the way of the piece, which reminds me more of a jubilant carillon.

    --Karl

    4 out of 5 stars Best "Sinfonia Antartica" Currently Available.......2000-10-24

    The classic recorded performance of Ralph Vaughan Williams' "Sinfonia Antartica" (completed 1952) is Sir Adrian Boult's on EMI from the mid-1960s; a slightly later performance on RCA led by André Previn boasted superior sound but misjudged by prefacing each movement with spoken versions of RVW's epigraphs. (Thus interrupting the musical continuity in a score that depends heavily on a seamless transition from one mood to another.) Bernard Haitink (also on EMI) issued an "Antartica" about fifteen years ago, very close to Boult's in merit, but - in this day of classical-music démorale - "no longer available." Haitink's countryman, Kees Bakels, has "burned" a CD cycle of the RVW symphonies for Naxos, with the Bournemouth Symphony Orchestra, and one entry therein couples the Eighth with the "Antartica" (ordinally the Seventh). As James Day notes in his book on RVW, the "Antartica" calls on the largest orchestra that the composer ever stipulated, with parts for organ, wind-machine, an enormous percussion battery, and wordless soprano-solo with female choral vocalise. The "Antartica" shares with the "Pastoral" and the Sixth the evocation of inhuman nature and of human courage pitted (heroically but vainly) against such nature. Boult grasped this aspect of the work, but the limited capacity of mid-60s analogue recording took its toll on the realization of his understanding. (The vinyl pressings also posed an obstacle. I owned the American Angel pressing as well as an EMI import; neither struck me as adequate.) Bakels, like Boult, sees that this is a grim account, a genuine sequel to the tragic E-Minor Symphony of 1947. Notice how he takes the crescendi in the Prelude, with the great climax at 1.50: It's truly "majestic," as the score says it should be; the ensuing Lento, with prominent xylophone and wordless voices, sounds very icy and haunted indeed. The Scherzo presents the danger of sounding too comical; Bakels avoids this pitfall. Of the symphony's core, the "Landscape" (Third Movement), Bakels makes just the inhuman, implacable, frigid monster that RVW must have had in mind, although the organist (beginning at 8.30) does not achieve quite the hard-edged quality that I recall from Boult. The Eighth Symphony is a less monumental score, but possesses a playful seriousness all its own. The Finale can become a welter of sound, as it did unfortunately in the Boult/EMI; but here it sounds forth in all its polyphonic glory, with the tuned percussion caught with great definition by the engineers.

    4 out of 5 stars Pure music.......1999-07-26

    As with Beethoven each of Vaughan Williams' nine symphonies has a distinct character of its own. the eighth is the most lighthearted one, ranging in mood form energetic to festive to downright comical, with a measure of gentle melancholy thrown in for contrast.The 2nd and 3rd movements- a funny march for winds and a beautifull cavatina for strings- show VW at his best.So what if he does not grab fate by the throat in this symphony? This is music in its best and purest form. The other work on the CD-Symphonia Antarctica- has its moments but it remains essentially what it is: a glorified movie-score.Director Kees Bakels proves again that he is one of the best Vaughan Williams interpreters of this time.

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