Things are changing very quickly these days. You could call it a revolution, you can call it an invasion call it what you will, The Capes alongside like-minded Brits Bloc Party, Maximo Park, British Sea Power, et al. are rapidly catching the publics ear. We call it a rescue.
With all the stealth and superhero qualities associated with the bands namesake, the South London quintet burst upon the scene at a time when the UK music industry had turned a deaf ear to the typically bohemian, sleazy art-rock coterie in favour of sounds coming from northern regions like Manchester and Glasgow. Soon thereafter, however, The Capes and fellow art school chums like Bloc Party, were causing quite a stir.
The Capes sound echoes bands as diverse as Blur, The Super Furry Animals, The Olivia Tremor Control, The Beach Boys to Lou Barlow and XTC, meeting somewhere in between at a huge explosion of buzzsaw guitars, squelchy old analog synths and soaring West Coast harmonies.
Meeting at the ultra-cool Goldsmiths College, a hub of art, music and all things creative, Kris Barratt (vocals, guitars), Richie Gladman (keys, guitars, bvs), and jamming together some tracks in what was to become the embryonic stages of the band. After a little while testing out drummers they brought in an old friend Rupert Phelps (drums) and started gigging. Realising they wanted to give things more sonic depth they soon recruited Cresswells younger brother Nick (guitars, keys, bvs) from another band and here The Capes were formed.
The Capes low key independent single releases on cult UK label Outafocus Recordings led to plaudits, reviews and plays from the like of the NME, The Times, The Independent and ultra cool Rado 1 DJ Steve Lamacq.
This growing buzz led to interest from US indie upstart Hard Soul Records, which delivered the bands debut mini-album Taste to the public this summer, and now bring you their full-length album Hello. Power Pop anthems that flaunt barnstorming guitar riffs paired with Barratts spiky vocals switch up with surfer-veiled honey-harmonied tracks that slow to cotton-candied sunsets boys secretly want to love.
Put it on immediately and see what theyre talking about. The Capes have come to reclaim pop music from the major label monstrosity it has become, and with their freshman album "HELLO" they nail it.
Hello,The Capes,Hard Soul Records,Britpop,Indie Rock,Pop,Rock,Rock/Pop
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Out Of Africa: Music From The Motion Picture Soundtrack
Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002O4X Release Date: 1990-10-25 |
Tracks:
- Main Title (I Had A Farm In Africa)
- I'm Better At Hello (Karen's Theme l)
- Have You Got A Story For Me
- Concerto For Clarinet and Orhestra
- Safari
- Karen's Journey - Siyawe (African Traditional)
- Flight Over Africa
- I Had A Compass From Denys (Karen's Theme II)
- Alone On The Farm
- Let The Rest Of The World Go By
- If I Know A Song Of Africa (Karen's Theme III)
- End Title (You Are Karen)
Amazon.com essential recording
The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulleyCustomer Reviews:
Simply beautiful.......2007-01-11
CD has missing track.......2006-12-03
I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.
Disappointed.......2006-11-10
Worth Buying!.......2006-11-06
Great Album.......2006-11-04
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The King and I (1956 Film Soundtrack)
Deborah Kerr , Yul Brynner , Marni Nixon , Rita Moreno , and Alfred Newman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A7XC Release Date: 2001-03-13 |
Tracks:
- Main Title - 20th Century-Fox Orchestra/Alfred Newman
- I Whistle A Happy Tune - Marni Nixon/Rex Thompson
- My Lord And Master - Rita Moreno
- The March Of The Siamese Children - 20th Century-Fox Orchestra/Alfred Newman
- Anna And The Royal Wives - 20th Century-Fox Orchestra/Alfred Newman
- Hello, Young Lovers - Marni Nixon
- A Puzzlement - Yul Brynner
- Getting To Know You - Deborah Kerr/Marni Nixon
- Garden Rendezvous - 20th Century-Fox Orchestra/Alfred Newman
- We Kiss In A Shadow - Leona Gordon/Reuben Fuentes
- I Have Dreamed - Leona Gordon/Reuben Fuentes
- Shall I Tell You What I Think Of You? - Deborah Kerr/Marni Nixon
- Something Wonderful - Terry Saunders
- Prayer To Buddha - Yul Brynner
- Waltz Of Anna And Sir Edward - 20th Century-Fox Orchestra/Alfred Newman
- The Small House Of Uncle Thomas - Rita Moreno
- Song Of The King - Yul Brynner/Marni Nixon
- Shall We Dance? - Deborah Kerr/Marni Nixon/Yul Brynner
- The Letter - 20th Century-Fox Orchestra/Alfred Newman
- Something Wonderful (Finale) - Chorus/Alfred Newman
- Overture (LP Version) - 20th Century-Fox Orchestra/Alfred Newman
Amazon.com essential recording
Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James HendricksonCustomer Reviews:
FINALLY, KEER AND NIXON BOTH SING.......2007-05-26
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.
The King and I--a distinguished, beautiful score laced with tenderness and sorrow.......2007-04-08
The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.
Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.
As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.
The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.
The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.
This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.
A fine King and I soundtrack reissue.......2007-02-10
I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.
This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.
In short, this is a superb presentation of a fine R&H film soundtrack.
great album.......2006-07-15
a classic.......2006-06-05
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
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Hello Radio: The Songs of They Might Be Giants
Various Artists Manufacturer: Bar/None Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FQVYF4 Release Date: 2006-07-11 |
Tracks:
- Ana Ng - Self
- Pet Name - The Long Winters
- Narrow Your Eyes - David Miller
- She's An Angel - Charles Douglas
- Road Movie To Berlin - Frank Black
- They'll Need A Crane - The Wrens
- Dead - Steve Burns
- Letterbox - OK Go
- Boat Of Car - Recepter
- Don't Let's Start - This Radiant Boy
- Doctor Worm - Jason Trachtenburg
- It's Not My Birthday - Fluid Ounces
- Another First Kiss - Brett Kull
- The End Of The Tour - Hotel Lights
Customer Reviews:
They Might Be Cover Songs.......2006-07-14
worth it.......2006-07-13
1. "Ana Ng" by Self. On first listen this sounded somewhat close to the original, mainly because of the vocals. HOWEVER, this is now my favorite track and is far better than the original. It's done with tons of guitars and layering, and sounds like Self (duh) and a little like some of Brendan Benson's more rockin' stuff. Grade: A+
2. "Pet Name" by The Long Winters. I love the Long Winters, but this track is not as good or polished as their albums/eps. The vocals sound kinda sloppy and off. But it's also much better than the original TMBG track, which I always found annoying. This sounds like some drunken garage-rock REM or Replacements b-side (in a good way). Grade: B
3. "Narrow Your Eyes" by David Miller. Very cool 60's sound on this one--made me think of classic power pop stuff (Who, Raspbberries, mid-Kinks). I've never even heard the original but this is neat, thanks to great guitars and handclappy choruses. Grade: A
4. "She's An Angel" by Charles Douglas. This one's also a really great track that I like more than the original one. Sounds like the Pixies or Lou Reed, and has Pavement-y guitars galore. Nice strange keyboards at the end too. Fantastic, weird stuff that transforms the original catchy oddity into a great spiky rock song. Grade: A
5. "Road Movie to Berlin" by Frank Black. Strange to think the previous Charles Douglas track sounds more like the Pixies than this does, but there it is. Another strong cover that reinvents the original as a country-rock stroll. Not perfect, but I love Frank Black, so this gets Grade: A-
6. "They'll Need a Crane" by The Wrens. My second personal favorite track on here. A complete deconstruction of the song. It becomes an agonizing, bizarre lament that makes the hairs on the back of my neck stick up. The Wrens are such an incredible band. This, like most of their music, gets a Grade A+
7. "Dead" by Steve Burns. The guy from Blues Clues! This one doesn't blow me away, but it's nice enough. Sticks close to the original but with a little bit of a psychedelic/laptop element, if that makes any sense. Pleasant but not essential. Grade: B-
Pass on tracks 8,9,10--none of them hooked me.
11. "Dr. Worm" by Jason Trachtenburg. This is a love-it-or-hate-it song to begin with. I personally find this version endearing and fun to listen to. It sounds folky and playful. Yet obviously some people are going to hate its silly quality... Grade: B
tracks 12 & 13 are okay, but not great.
14. "End of the Tour" by Hotel Lights. This blows the original right out of the water--completely perfect in every way. Hotel Lights have taken a great song and made it completely their own. Sounds mellow, emotional, reminds me of Hotel Lights other stuff, also Kingsbury Manx, and 70's singer-songwriter stuff. Grade: A
Thus concludes my overview of this album--hope it's useful to some of y'all.
Full of suprises, both good and bad.......2006-07-13
While some of the more faithful covers (see: "It's Not My Birthday" and "Another First Kiss") tend to be strictly "just fine," a few of the more deviant covers are the ones that stand out the most. The Long Winters' more upbeat, somewhat racous version of "Pet Name" is terribly fun to sing along, as is David Miller's "Narrow Your Eyes" (listen for the great The Who inspired guitar solo in place of Linnell's accordion solo), and Receptor's "Boat of Car" is suprisingly well done, making the song sound much more interesting, as well as more grimm at times.
As far as the less-than-favorable tracks, This Radiant Boy's obligatory punk cover of "Don't Let's Start" is so lazily performed that it almost sounds more like a parody than a tribute (at least there's already a great cover of "Don't Let's Start" by Common Rotation on their "The Big Fear" album to make up for it). OK Go doesn't do much better either with their cover of "Letterbox." While I commend them for experimenting outside of their usual upbeat sound(the song has a very glitchy and fuzzed out distortion feeling to it, almost reminiscant to Trent Reznor's work), it fails completely engage the listener.
Overall, "Hello Radio..." does exactly what a tribute album should do, and nothing less. Still, I completely recommend that any fan of They Might Be Giants should buy it to at least view (and possibly rediscover) some of their favorite songs from a different perpective.
Not worthy.......2006-07-13
awesome tribute to a great band.......2006-07-13
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Hello Love
The Be Good Tanyas Manufacturer: Nettwerk Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I0QKBK Release Date: 2006-10-10 |
Tracks:
- Human Thing
- For The Turnstiles
- A Thousand Tiny Pieces
- Ootischenia
- A Little Blues
- Scattered Leaves
- Hello Love
- Nobody Cares For Me
- Out Of The Wilderness
- Song For R.
- What Are They Doing In Heaven Today
- Crow Waltz
- When Doves Cry
Amazon.ca
When the Be Good Tanyas released their heralded debut disc, Blue Horse, in 2000, much of the magic came from the discovery of a talented new group whose whole was stronger than the sum of its parts--especially in the unique harmonies and mature songwriting skills. When it comes to their third disc, Hello Love, the subtle delights are all there, from the goose-bump creating vocals of co-frontwoman Frazey Ford on the title track, to the trio's bluegrass-laden instrumentation ("Little Blues" "Crow Waltz"), which provides listeners with an invitation to a Be Goods back porch jam. As is the band's way, there is an abundance of compelling cover tunes, from a Tanya-esque take on Neil Young's "For the Turnstiles" to a revisit of the underappreciated Sean Hayes's "Thousand Tiny Pieces." The originals, however, stand up equally well; highlights include "Ootischenia" and "Song for R." While the trio hasn't managed to outshine their spectacular debut, Hello Love is a CD filled with cross-generational charm and musical riches. --Denise SheppardCustomer Reviews:
Be Good Tanyas: Warm Up & Chill Out.......2007-07-18
Trish Klein's electric guitar flourishes add a nice warm texture to otherwise fairly stark bluegrass and old mountain tunes. These ladies do not veer too far into Cowboy Junkies territory, as they only do one blues based tune ("Out of the Wilderness") which could be good or bad depending on how much you like the Cowboy Junkies. Actually, this 'Wilderness' song sounds (to me anyway) more influenced by Kurt Cobain's tortured rendition of "Where Did You Sleep Last Night" on the great 1994 record, "Nirvana MTV Unplugged in New York". And "Out of the Wilderness" eerily and poignantly segues into a tune about a relative who is also a recovering addict ("Song for R.").
All in all, this is a solid record and on this warm July night, I am chilling out and warming up to these tunes by some very talented Canadian ladies. Two thumbs up!
Voices don't sound any better than this.......2007-07-13
i LOVE the tanyas!.......2007-04-02
The Tanyas "Are Good".......2007-03-10
The Be Good Tanyas Sooth the Soul.......2007-01-23
I've been lucky enough to catch their shows a few times in the U.S and Canada and they just quietly blow me away each time. If you love their rootsy folkin' sound, check out Po' Girl and The Old Crow Medicine Show's CDs, fellow friends on the scene.
The pluck a mean fiddle and strum a sweet guitar and their voices soothe what ails ya...
I hope they continue on and on into purpetuity with all their sweet little children at their sides...telling tall tales and spinning yarns, people from far and wide leaning in to hear their voices mingling, giving us a glimpse of heaven right here on Earth.
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Hello Nasty
Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007TE8 Release Date: 1998-07-14 |
Tracks:
- Super Disco Breakin'
- The Move
- Remote Control
- Song For The Man
- Just A Test
- Body Movin'
- Intergalactic
- Sneakin' Out The Hospital
- Putting Shame In Your Game
- Flowin' Prose
- And Me
- Three MC's And One DJ
- The Grasshopper Unit (Keep Movin')
- Song For Junior
- I Don't Know
- The Negotiation Limerick File
- Electrify
- Picture This
- Unite
- Dedication
- Dr. Lee Ph.D - (with Money Mark)
- Instant Death
Amazon.com's Best of 1998
It's been a dozen years since the Beastie Boys broke, and on Hello Nasty, they show that--though they've grown up, matured, and just gotten older--they're still in touch with the inner brat that always made them so much fun. Turns out that the brat's turned into an ace record collector with choice taste in collaborators, too. --Randy SilverAmazon.com essential recording
On their previous album, Ill Communication, the Beastie Boys expanded their parameters yet again, melding cutting-edge hip-hop with slinky jazz, butt-wiggling funk, weepy classical, and combustive punk rock. Four years down the line, the group's music isn't nearly as organic. They've all but abandoned the guitars and returned to the kind of old-school beats and rhythms that defined their groundbreaking 1989 disc, Paul's Boutique. But Hello Nasty isn't a regression, and it's anything but a cop-out: in addition to resurrecting the best elements from their past, the Beastie Boys have embraced the dopest high tech gizmos of the computer age. Hello Nasty gurgles like galactic sulfur pools, whizzes like a Sega game, and slurps and thumps like the best backward Hendrix loops. Add in a cavalcade of Latin percussion, calliope keyboards, and exotic samples (Stravinsky, Stephen Sondheim, Jazz Crusaders, Rachmaninoff), and you're left with one of the most creative and jubilant hip-hop records to date, even if you exclude witty lyrics like, "I'm the king of Boggle / There is none higher / I get 11 points off the word quagmire" ("Putting Shame in Your Game"). To paraphrase über-critic Robert Christgau, Paul's Boutique may have been the band's Pet Sounds, but Hello Nasty is the Beasties' Sgt. Pepper's. --Jon WiederhornCustomer Reviews:
Solid Beasite Boys FLAAAAVA.......2007-02-10
If you like Rap and/or alternative hip-hop you owe it to yourself to pick up 'Hello Nasty' and enjoy one of the most unique bands in the genre.
***** HIGHLY RECOMMENDED
This CD is sweet cuh.......2007-02-03
Great.......2006-04-06
I used to have this.......2006-02-21
a different sound.......2006-02-20
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Hello, I Must Be Going!
Phil Collins Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IG4 Release Date: 1990-10-25 |
Tracks:
- I Don't Care Anymore
- I Cannot Believe It's True
- Like China
- Do You Know, Do You Care?
- You Can't Hurry Love
- It Don't Matter To Me
- Thru These Walls
- Don't Let Him Steal Your Heart Away
- The West Side
- Why Can't It Wait 'Til Morning
Amazon.com essential recording
If you are considering divorcing a rock star, let Hello, I Must Be Going! serve as fair warning of what you're likely to face once the papers have been signed and the settlements made. Collins got the last word on sundering his relationship with first wife Jill (he actually addresses her by name on the album!), and managed to deliver it to millions of homes via this album, which contains one blistering diatribe after another: "I Don't Care Anymore," "I Cannot Believe It's True," "Do You Know, Do You Care?," and "It Don't Matter to Me." The mood is tempered a bit by a lively remake of the Supremes' "You Can't Hurry Love" and "Like China," a sprightly rocker celebrating new love. Yet as listenable and engaging as it is, Hello, I Must Be Going! has to be regarded as one of the angriest albums in mainstream rock history. Great stuff, when you're in the mood for that sort of thing. --Daniel DurchholzCustomer Reviews:
Phil's best drum song on the first track!.......2007-01-11
Hello, I must be going.......2007-01-07
Very good! Thank you Phil!
over and i over i keep on getting back to this.......2006-12-12
"I don't care anymore" is probably the best whiteboy-style "i don't care about you, girl, even though here I am writing songs about you" songs ever recorded. Minimalist and wonderful.
The motown stuff is fine, and the rest is decent, but that lead track is a keeper.
Fabulous! Collins best album. Energetic and insightful........2006-07-30
Hello, I Must Be Staying!.......2006-02-02
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Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059T4T Release Date: 2001-05-29 |
Tracks:
- Let Yourself Go
- If
- How Long Has This Been Going On?
- My Funny Valentine
- Hanging Around with You (with Jason Alexander)
- The Girl in 14G
- I'll Tell the Man in the Street
- I'm a Stranger Here Myself
- Nobody Else But Me
- Nobody's Heart Belongs to Me/Why Can't I?
- Should I Be Sweet?
- He's Just an Ordinary Guy
- Going to the Dance with You
- On a Turquoise Cloud
- You'll Never Know
- Daddy
Amazon.com
Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David HoriuchiCustomer Reviews:
One of the best ever!.......2007-04-24
Kristen Chenowith.......2007-02-26
Has its moments.......2007-02-19
Great CD!.......2007-01-19
As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.
This woman has what it takes, and then some..........2007-01-12
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Best of the Red Army Choir
Red Army Choir Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RMJ Release Date: 2002-06-25 |
Tracks:
- Kalinka
- Partisan's Song
- Souliko
- Korobelniki
- On The Road (A Soldier's Song)
- My Country
- The Red Army Is The Strongest
- Moscow Nights
- Along Peterskaia Street
- Smuglianka
- Troika Gallop
- Ah Nastassia
- Echelon's Song
- My Army
- Civil War Songs
- Bella Ciao
Tracks:
- National Anthem Of The USSR
- Oh Fields, My Fields
- The Cliff
- The Cossacks
- In The Central Steppes
- Gandzia
- Cossack's Song
- The Roads
- Song Of The Volga Boatman
- Dark Eyes
- Let's Go
- The Birch Tree
- The Road Song
- The Samovars
- Varchavianka
- Slavery And Suffering
Customer Reviews:
Soviet Army Band & Chorus aren't taking any prisoners!.......2007-05-12
Good music........2007-03-09
Magnificent!.......2007-02-27
I'm so glad I stumbled onto this.
Spirited, committed, manly singing. Soul-shaking stuff! The ensemble is incisive; soloists are marvelous. The folk melodies are enchanting. The songs--and the singers--are bound up in the cultural fabric of the Cossacks, Tchaikovsky, Prokofiev, Tolstoy, Dostoevsky...on and on.., Chekhov, Trotsky, Nabakov... This music conveys the great romantic, dignified, boistrous soul of the Russian People. (Loosely speaking. Some members of the chorus were presumably of other nationalities once part of the Soviet Union. And some of the songs are not Russian).
I don't speak Russian, but listening to this makes me wish I did. What a beautiful-sounding language it is.
I loved it!.......2007-02-22
The ultimate collection.......2004-06-15
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Goodbye and Hello
Tim Buckley Manufacturer: Elektra / Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005ITY Release Date: 1989-07-10 |
Tracks:
- No Man Can Find The War
- Carnival Song
- Pleasant Street
- Hallucinations
- I Never Asked To Be Your Mountain
- Once I Was
- Phantasmagoria In Two
- Knight-Errant
- Goodbye And Hello
- Morning Glory
Amazon.com
Before Tim Buckley got carried away with jazz rhythms in the '70s, he made profoundly moving folk-rock albums that showcased his stunning vocal range, thoughtful lyrics, and penchant for occasionally imbuing tracks with surprisingly soulful, non-blue-eyed grooves and infectious jangle-pop melodies. Goodbye and Hello, his second album (recorded in 1967 when he was only 20), runs the gamut. Here Buckley hints at the sensual howl that would blossom in the '70s ("I Never Asked to Be Your Mountain," "Pleasant Street," "Hallucinations"). While he goes into hippie-poet-deep-thinker mode on a few songs, the excellent folk-soul tracks win out. --Lorry FlemingCustomer Reviews:
A great disc.......2006-03-19
You reel you feel you kneel down.......2005-11-13
This album would be worth owning just for the song Pleasant Street, but most of the songs are first rate and Once I Was is a heartbreaker.
so overrated.......2005-03-29
I`d suggest getting the mid-priced two-in-one of this and his wonderful debut album, and then look for Blue Afternoon, Happy Sad, Lorca - well, all the rest, really. Yes, even the much-maligned Sefronia and underrated Look at the Fool.
A LIGHT FROM THE 60s THAT STILL SHINES BRIGHTLY..........2004-01-25
The musicianship on the album is superb. Buckley has moved to a 12-string acoustic guitar, the instrument which was soon to become his main choice. Lee Underwood is along on lead guitar - and I can't say too much about Lee's contributions to Tim's music (and his life - he was one of Buckley's closest friends). Carter C. C. Collins makes his first recorded appearance on congas - another musician who would become a close friend to Buckley, as well as a frequent, welcome accompanist. Jim Fielder is along on bass on some of the tracks. Most of the rest of the musicians, while talented, are studio players brought into the recording by producer Jerry Yester - Elektra recognized Tim's potential, and wanted a fairly slick, commercial recording. It turned out pretty good from all angles - but it would be the last bow to commerciality that Buckley would make.
The album begins with a song dealing with the horrors of war - it was, after all, the era of Vietnam - but in the case of `No man can find the war', the lyrics suggest that the real war is not in the jungle, but in the minds of men and women: `Is the war across the sea? Is the war behind the sky? Have you each and all gone blind? Is the war inside your mind?' It is only when we fight - or at least make an attempt to do so - the battles that rage within us that real peace will come. `Carnival song', the next track (written by Buckley alone) speaks to hypocrisy and truth, and does so more directly than many of the more popular tunes of the day that addressed this subject. `Pleasant Street' (also written by Buckley alone) is one of his finest tunes - `Hallucinations' is just that - the melody, lyrics and arrangement combine to produce a gently swirling maelstrom that draws the listener into the images spun by the singer.
The next track, `I never asked to be your mountain', is in my opinion one of the best things Buckley ever wrote. In it, he addresses his first wife, speaking openly and poetically of the forces that pull two people together and drive them apart. His 12-string guitar thunders out the rhythm on this track, drawing the other musicians along with him into one of the most powerful pieces he ever recorded. At the end of the song, the listener aches to hear Tim cry out `...please come home...' over and over - this is piercing music straight from the heart, which is where all of Tim's songs originated.
`Once I was' follows, a song that speaks gently of love and change - a beautiful song. `Phantasmagoria in two' (which Tim and Lee called `The fiddler'), is a deceptively progressive step in Tim's songwriting - giving free rein to the meaning at the heart of the song, Tim abandons completely attempting to force the words into rhyme. The effect is perfect - Tim's lyrics are so moving, combined with his amazing voice and the melody, that it almost goes unnoticed, form being overshadowed (as it should be) by substance. `Knight-errant' is next - a nod to the romantic attitudes of the era that uses the images of a knight and his lady nicely, if a bit naïvely.
`Goodbye and hello' is Larry Becket's magnum opus - at least among the songs he co-wrote with Tim. It's quite a piece of poetry, with two stanzas existing side-by-side in several places (and sung that way by Tim) - the fact that Tim was able to take this challenge up and write the melody for it says a lot about his skills as well as his determination. This is a tune that, due to its complexity, was only performed live on a couple of occasions. It borders on being overwrought - but it stands nevertheless as a valuable document.
`Morning glory' ends the set - this was covered more popularly by Blood Sweat and Tears - a gentle song that is deceptive in its depth, dealing with the romantic notion (held by the `character' who sings it) that simply by asking a hobo about his life, that life can be experienced by the questioner. The hobo makes his point by his refusal to tell his stories to the singer - and Beckett's lyrics make the point as well, that experience is the greatest teacher.
This is an amazingly good album - a wonderful example of Tim's most `accessible' work - and one which will shine for many years to come. Once you've dipped into the rich well that is Tim Buckley's voice, allow yourself to become adventurous and move on into his jazz explorations (on HAPPY SAD and BLUE AFTERNOON), then on to his more experimental works (LORCA and STARSAILOR, which he considered to be his greatest achievement). It's a journey you won't regret.
One of Buckley's best.......2003-07-01
Average customer rating:
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Hello Dummy!
Don Rickles Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002MSV Release Date: 1995-01-24 |
Tracks:
- Hello Dummy!
Customer Reviews:
Great and Funny if a little dated.......2006-05-11
Awful. .......2006-01-19
One long,but funny routine.......2005-11-11
Just as funny as when we were kids.......2005-09-19
He would never work anywhere Now with this material. Fascinating........2005-07-26
A similar disc you might buy is the live Dean Martin, F. Sinatra, S.Davis Jr. concert at the Sands hotel in the 60s.
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