Five a Side [Import] [Original recording remastered]

1. Sniffin' About

2. Rock & Roll Runaway

3. How Long

4. Real Feeling

5. 24 Hours

6. Why

7. Time Ain't Long

8. Know How It Feels

9. Satelite

10. So Sorry Baby

11. Tastes Like Fish

Editorial Reviews

Product Description
Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase. Includes the Bonus Track "Tastes Like Fish".

Tracks:

The Far Side Of The World
Into The Fog
Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum
Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen
The Doldrums
Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
The Galapagos Listen Listen Listen
Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
The Phasmid
The Battle
Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
Full Circle

Product Description

A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.

Customer Reviews:

Marvelous.......2007-02-12

A marvelous collection of compositions which greatly enhanced this fantastic film. This CD is marvelous on its own. It did not leave my CD player for weeks.

Pretty Good.......2006-12-14

I purchased this soundtrack because I really enjoyed this music while watching the movie. But I was a little disappointed at the CD. Some soundtracks allow you to follow the entire plot like through the music (such as the Pirates of the Caribbean soundtrack). But this CD doesn't provide that. Several of the songs are recurring in the film but are only played once in the soundtrack. I would have liked the soundtrack to reflect the music for the whole film rather than just excerpts.

I give the music 5 stars and the CD 2-1/2 stars.

the music .......2006-11-10

The music is excellent . Flows well Better than the movie score

Good incidental music but not great listening music - except the classical pieces.......2006-11-09

The soundtrack for Master and Commander contains two distinct types of music. First there is the incidental music for the film. These pieces are heavy on the bass side of the orchestra and are often emphasized with bass drums and tympani. This music is very effective and appropriate for the scenes in the film, and I commend the composers for making a soundtrack that so seemlessly and effortlessly invokes the moods and excitement of the visuals. Unfortunately, these pieces are quite moody and slow moving - great as incidental music but not so interesting to listen to as straight orchestral music.

The second type of music is much more enjoyable to listen to. Those that have seen the film know there are several scenes in which people are playing music - for example, Aubrey and Maturin in the captain's cabin performing a cello-violin duet, or the sailors on deck playing sea shanties on tin whistles. The pieces chosen for the film range from Bach to traditional folk music, and are a welcome addition to the soundtrack. The performances are very good (including a cello solo by Yo Yo Ma), and the recording quality is excellent. Deserving special mention is the Boccherini piece (La Musica Notturna Delle Strada di Madrid), which serves as a second unofficial theme song for the movie. The piece itself is presented in its entirety, and there is a callback to the piece in the incidental music as well, which is a welcome ray of levity in an otherwise oppressive piece.

People purchasing this disc run the real risk of being disappointed - the incidental music works so well in the context of the film that you are likely to think (as I did) that the music is itself worth listening to alone. Unfortunately, I don't find this is the case, but the classical music that is included makes this a soundtrack worth having, especially for the Boccherini piece.

Great classical music accompanies bland original score.......2006-09-27

The original music to this film is dull, repetitive, and only offers the hint of good music at certain points during it's lengthy tracks. But what about all the good music you heard in the film? That was all classical music, which was used in the film incredibly well. There are three tracks in particular that save this album. The piece by Corelli is used as something the captain and doctor play together. It is one of the most beautiful pieces of baroque music of which I am aware. A second piece, Vaughn Williams "Fantasia" is the piece heard when the crewmen have to cut the line that might save their friend who fell overboard. It's a tragic scene and accompanied perfectly by the heart-breakingly glorious piece. The original piece of music is quite a bit longer than the version on the CD, but the original version also tends to drag a little in places. All the best parts are on the version of the piece in the film. The third classical piece from the album that saves it is the cello solo by Bach that plays as a theme for the galapagos islands. This solo is performed perfectly by Yo Yo Ma. These tracks make the album worth purchasing. If you already have them, avoid the album because the rest is not very enjoyable. If you wonder about this one, watch the film and listen for the music. It speaks well for itself in the film.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Rimsky-Korsakov: Flight of the Bumble Bee
Bernstein: Scenes from West Side Story
Dukas: The Sorcerers Apprentice
Ravel: La Valse (po choraphique)
Friedman: Tabati usique, Op. 33 No. 3
Rachmaninoff: Moments musicaux, Op. 16 No. 4
Rachmaninoff: Ele from Morceaux de fantaisie, Op. 3
Debussy: LIsle joyeuse
Prokofiev: Sonata No. 3 in A Minor, Op. 28
Bowen: Toccata, Op. 155
Grieg: In the Hall of the Mountain King, from Peer Gynt, Op. 23

Amazon.com

Their story is truly one of the more unusual tales of classical music today. Pop music has produced world-famous examples of all-in-the-family groups (which typically gave way to one or two solo stars as the years passed). And of course there's the Trapp Family singers of The Sound of Music fame. But the sibling pianists known as the 5 Browns are in a category all their own. They've gotten mega-exposure from profiles on 60 Minutes, Oprah, and the like as the first example in the history of the esteemed Juilliard School of Music in which five members of the same family have won admission (scholarships at that!) and studied concurrently. But if this sounds like a P.T. Barnum publicity stunt, make no mistake: Desirae, Deondra, Gregory, Melody, and Ryan are the real thing--musicians of intense dedication and talent. Their debut CD offers different perspectives on this pianistic quintet. It's not surprising that the literature isn't exactly overflowing with arrangements for five pianos--so only 4 tracks here actually have all ten hands busy tickling the ivories (arrangements of "Flight of the Bumblebee," West Side Story scenes, The Sorcerer's Apprentice and music from Grieg's Peer Gynt). The flip DVD side includes videos of their amazing in-sync dexterity for "Flight" and the Bernstein excerpts, plus a charming interview introducing the very down-to-earth Browns. They talk about how they took to the piano, one by one, at a very early age and also point out that they remain each other's best friends, which helps them weather the stresses of the competitive classical performing arts world. Other tracks involve several four-hands settings and some solos (my own favorite is Melody's beautiful rendition of Debussy's gorgeous "L'Isle joyeuese"). We're sure to hear more from this amazingly talented family--whether as a group or as soloists. --Sarah Chin

Album Description

CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire Album in 5.1 Surround Sound and enhanced LPCM Stereo * Video Performances: - Rimsky-Korsakov: The Flight of the Bumble Bee (arr. Jeffrey Shumway) - Bernstein: Scenes from "West Side Story" (arr. Kendall Briggs) * Exclusive interview footage with The 5 Browns This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.

Customer Reviews:

Not all that impressed.......2007-06-01

I can't help but thinking that this is just another group of virtuoso kids that is being used for the fame of another. The music lacks fullness and invention, and tends to be a doubling of a lot of standard voicing. There is some ornamentation, and there's no doubt that each of these kids is a giften pianist, but as a group, I was not all that impressed. Cute group, though.

Fifty Very Talented Fingers..........2006-12-05

I got this CD for Christmas, and I was a little reluctant to listen to it, thinking "Oh what a yawn. Probably Mozart and Bach and--horror of horrors!--Rachmaninoff!" Well needless to say, boy was I wrong! I caught the name 'Bernstein' in the track listing, and although I had never really listened to Lenny's works, I always thought he sounded like an interesting guy, so in went the disc into the player, and on went 'Scenes from West Side Story.' I listened to it once. I listened to it twice. The third time I was hooked. I didn't recognize anything they were playing, but man it was good! It was awesome! The Browns' masterful piano version of Bernstein led me to explore deeper the marvellous music of West Side Story. To this day, after listening to recording after recording of Bernstein's West Side Story suites, the 5 Browns have a timeless rendition. It's positively brilliant. That's the only word for it--for them. They're glorious. Let classical music bore you no more, for the piano has found fifty VERY talented fingers to capture its beauty. Personally I think the very best track is West Side Story, but don't forget about The Flight of the Bumble Bee and the very fun In the Hall of the Mountain King. This is music at the height of its glory. And of course don't miss No Boundaries (note my review: I was the one who raved about The Firebird.) Enjoy, bambini!

The Browns are Great.......2006-08-04

I had vaguely heard of the Browns before I popped their CDs in my player. WOW!! What playing & what great enthusiasm. They obviously have fun making music together and they have the chops to make it exciting for the listener. Especially fun are the excerpts from Bernstein's West Side Story & Grieg's Peer Gynt. The DVD video bits are a nice bonus.

Outstanding Young Pianists.......2006-07-14

I was fortunate to see the 5 Browns in person therefore, it has been enjoyable to listen to the music that they performed in the concert. These 5 siblings are so refreshing and so talented. I recommend this CD to anyone who is looking for a CD that has outstanding piano music performed by 5 very talented young people.

Disappointed.......2006-06-07

BUYER BEWARE! When the CD Cover warns you that the "...audio side of this disc does not conform to CD specifications and therefore not all DVD and CD players will play the audio side of this disc." THEY ARE DEAD SERIOUS. I bought the album, tried it in FIVE different CD and CD/DVD players - NONE of them would play the CD. Fortunately, the retailer who I bought the CD/DVD from was willing to allow me to return it (sounds like they have had similar problems!) The 5 Browns are great artists, however, it is VERY disconcerting that their CD producers/manufacturers are putting these kind of limitations on their product.

Unsung Musicals - The Ultimate Collection

Average customer rating:

Great gems from musicals that dissapeared
some gold mixed with dross

Unsung Musicals - The Ultimate Collection

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Unsung Musicals II (Studio Cast)
Unsung Sondheim
Lost in Boston: Songs You Never Heard From
110 in the Shade (2007 Broadway Revival Cast)
Lost in Boston, Vol. 4

ASIN: B00005K9SG
Release Date: 2001-06-05

Tracks:

Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway

Customer Reviews:

Great gems from musicals that dissapeared.......2004-11-30

Songs from 1987's "Smile" make this well worth the price. The previously unreleased material from the late, great Howard Ashman deserves to have it's moment in the spotlight.

Also, there's Judy Kuhn's beautiful performance on "Starfish", Christine Baranski's vampy turn on "Sherry".

Finally, there's" New Words" from "One, Two, Three, Four, Five". This show has been restaged, by small theatre groups, under the title "History Loves Company". "New Words" is by far the best number of this show and Liz Callaway's voice fills with love as she sings this lullaby.

For a consummate musical theatre fan who's heard it all, this disc is a refreshing look at what has been lost over the years.

some gold mixed with dross.......2003-12-21

Some of these songs desrve to be unsung. But then you get a showstopper like Sherry and you wonder how could this show have flopped? That number alone makes this cd worth purchasing.I also enjoyed Marvin Hamlisch's toe tapping title song - Smile.There are also a few other lovely melodies which makes this cd a nice addition to a Broadway collection.

Inspector Morse, Volume 2 (English TV Series)

Average customer rating:

Good listening

Inspector Morse, Volume 2 (English TV Series)
Barrington Pheloung , Christoph Willibald Gluck , and Antonio Vivaldi
Manufacturer: Blue Plate Caroline
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Television Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

1990s | By Decade | Soundtracks | Styles | Music

General | Soundtracks | Indie Music | Stores | Music

Television Soundtracks | Soundtracks | Indie Music | Stores | Music
Similar Items:

Inspector Morse, Volume 1 (English TV Series)
Inspector Morse, Volume 3 (English TV Series)
The Magic of Inspector Morse
The Complete Inspector Morse
Sherlock Holmes TV Soundtrack

ASIN: B000003RV0
Release Date: 1996-03-05

Tracks:

Inspector Morse Theme - ITV Version
The Warmer Side Of Morse
'Che Faro Senza Eurydice'
Gently Sinister Revelation
Con For 2 Mandolini In G
Sad Echoes
'Mitradi Quell' Alma Ingrata
Gentle Loving
Andante From Piano Sonata In D
Lewis And Morse
Chorale 'Er Kenne Mich Mein Huter
Morse's Sympathetic Ear
Excerpt From Adagio
Tenderness
Terzettino 'Soave Sia Il Vento'
Morse's Second Chance
'Signore, Ascolta!'
Inspector Morse Theme-The Full Version

Customer Reviews:

Good listening.......2000-06-11

For years I listened to the theme music on Inspector Morse and wondered what it was. Now that Amazon makes it easy to track such things down, I know. These three albums (volumes 1, 2, and 3) combine Barrington Pheloung's wonderful theme and background music with Morse's favorites (be warned, we get into some opera here). The three volumes provide an excellent evening of classical music.

Average customer rating:

Don't pick this one...

Yankee Doodle Dandy

Manufacturer: Howard's Int'l.
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Soundtracks | Imports | Stores | Music
Similar Items:

Yankee Doodle Dandy (Two-Disc Special Edition)
George M. Cohan Tonight!

ASIN: B00005Y7L0
Release Date: 1999-06-01

Tracks:

Main Title - Orchestra
Keep Your Eyes Upon Me and Vaudeville Routine - James Cagney, Jeanne Cagney, Rosemary DeCamp, Walter Huston
I Was Born in Virginia - Joan Leslie
Warmest Baby in the Bunch - Joan Leslie
Harrigan - James Cagney, Joan Leslie
Yankee Doodle Dandy/Give My Regards to Broadway [Little Johnny Jones S] - James Cagney, , Chorus
Oh You Wonderful Girl/East Side West Side - Orchestra
Belle of the Barber's Ball/Vaudeville Medley - James Cagney, Jeanne Cagney, Rosemary DeCamp, Walter Huston, Joan Leslie
Mary - James Cagney, Joan Leslie
45 Minutes From Broadway [Rehearsal Sequence] - James Cagney, , Cast
Mary/So Long Mary - Irene Manning, Chorus
You're a Grand Old Flag/War Medley - James Cagney
Over There - James Cagney, Frances Langford
Love Nest/Little Nellie Kelly/The Man Who Owns Broadway/Molly Malone - Frances Langford
Strictly off the Record - James Cagney
Over There/Finale - James Cagney, , Chorus

Customer Reviews:

Don't pick this one..........2003-07-10

A very poor recording of the Yankee Doodle Dandy soundtrack. Sounds as if the person making the recording put a single microphone up against speakers while he or she was playing the video at home.

Average customer rating:

A Salute to American Music

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00000E6PJ
Release Date: 1992-12-01

Average customer rating:

"The First"
MISSGYDER TOTALLY MISGUIDED
Great songs from not-so-great musicals
Poor Production Ruins Good Product
Unsung perhaps, but often wonderful

Unsung Musicals (Studio Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
Similar Items:

Unsung Musicals II (Studio Cast)
Unsung Musicals III (Studio Cast)
Lost in Boston: Songs You Never Heard From
The Drowsy Chaperone (2006 Original Broadway Cast)
Lost in Boston, Vol. 4

ASIN: B0000014TY
Release Date: 1994-02-15

Tracks:

Smile: Smile - Harry Groener
The Bone Room: Postcards - Crista Moore
The First: Will We Ever Know Each Other? - Loni Ackerman
The Vamp: Ragtime Romeo - Liz Larsen
La Strada: Starfish - Judy Kuhn
We Take The Town: Silverware - Lee Wilkof/Timothy Jerome
How Do You Do, I Love You: Her Laughter In My Life - Guy Haines
Welcome To The Club: In the Name Of Love - Sally Mayes
The First: There Are Days And There Are Days - Michelle Nicastro
Smile: In Our Hands - Lynnette Perry
Sherry!: Sherry! - Christine Baranski/Jonathan Freeman
Drat, The Cat!: She's Roses - Jason Graae
Welcome To The Club: At My Side - Sally Mayes/Michael Rupert
Smile: Disneyland - Jodi Benson
One, Two, Three, Four, Five: New Words - Liz Callaway

Customer Reviews:

"The First".......2007-04-15

Greetings,

I am one of the few who actually got to see "The First" -- a musical about Jackie Robinson.

I do not have this CD but wish it had the title song from "The First" ...don't think it exists anywhere. I actually still remember some dialogue/lyrics from it and would like to hear it/read the words again.
I also would like to know if any version or scenes from the play are available to do in a school. Anybody?
Have a nice day!

MISSGYDER TOTALLY MISGUIDED.......2004-07-21

This is not so much a review as a rebuttal; I was the orchestrator for this album, MISSGYDER's assertion of totally synthesized sound is totally incorrect: the charts were played by 4 reeds, 3 trumpets, 2 trombones, tuba, harp, percussion, drums, keyboards, and a string section. I sorry the sound didn't meet the approval of the reviewer labeled MISSGYDER, but I can testify to the reality of the orchestra, the players, and my scores which are at the Library of congress.

Great songs from not-so-great musicals.......2003-04-19

I was given this for my birthday, along with Unsung Sondheim, my favorite composer. I was excited, and a little bit skeptical because I've NEVER heard of these musicals. Once I started though, I was hooked. I want sheet music to so many, they're fun to sing along to, or just to listen to they great singer/actresses they got. My personal favorites are Smile, Sherry, Ragtime Romeo, and Silverware. I recommend this for all Broadway Babies and theatre buffs like me!

Poor Production Ruins Good Product.......2001-05-15

Unsung Musicals is a great idea, presenting songs from shows that didn't get their due on Broadway. However, the production of this CD is very poor, using poorly synthesized instruments and cheesy drum tracks. I could have recreated these sounds using a home software program, they're so bad! The songs themselves are good, but the album is so horrid in terms of listening value that you'd be embarrased to put this in your CD player. I recommend this CD only for students and professionals in the music theatre world as a way to learn songs you wouldn't normally hear, but other than that, I can't recommend it.

Unsung perhaps, but often wonderful.......2001-02-14

Just because a musical was not successful, that doesn't mean that there were no good songs in it (pardon the double negative). These selections may be songs that are not well known from shows in the same category, but some of these are real gems, sung by fine show singers. My favorites are "Smile" (from Smile), "Ragtime Romeo" (The Vamp), "Sherry!" (Sherry!), and "She's Roses" (Drat! The Cat!).

Classical Brass - Eastern Brass Quintet - works by Malcolm Arnold, Gabrieli, J.S. Bach, Hindemith, Charles Ives, etc.

Average customer rating:

A great purchase

Classical Brass - Eastern Brass Quintet - works by Malcolm Arnold, Gabrieli, J.S. Bach, Hindemith, Charles Ives, etc.
Malcolm Arnold , Johann Sebastian Bach , Morley Calvert , John Cheetham , Francois Couperin , Giovanni Gabrieli , Paul Hindemith , Antony Holborne , Charles Ives , Claudio Monteverdi , Johann Hermann Schein , and Eastern Brass Quintet
Manufacturer: Klavier
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B000009K6H
Release Date: 1990-11-01

Tracks:

Arnold: Quintet
Schein: Israelis Brunnlein: Die mit Tranen saen
Calvert: Suite from the Monteregian Hills
Hindemith: Morgenmusik
Monteverdi: Concertato "Qui rise Tirsi"
Monteverdi (arr. Baxter): Scherzi Musicali: O Rosetta
Bach (arr.): Cantata 147: Jesu, Joy of Man's Desiring
Bach (arr.): Sarabande
Bach (arr.): Minuet
Bach (arr.): Fantasie
F. Couperin (arr.): La Tromba; Air Tendre
Gabrieli: Canzona per Sonare No. 2
Bach (arr.): Art of the Fugue: Contrapunctus I
Bach (arr.): Art of the Fugue: Contrapunctus IX
Cheetham: Scherzo
Holborne (arr.): Muy Linda; Pavan; Galliard
Ives (arr.): On the Counter
Ives (arr.): Side Show
Ives (arr.): Slow March
Ives (arr.): Tarrant Moss

Customer Reviews:

A great purchase.......2006-10-09

Very clean playing, a high quality recording with wonderful balance.

Fantastic playing! Great repertoire.

Hey Mr. Producer!: The Musical World of Cameron MacKintosh

Average customer rating:

Hey Mr. Producer!: The Musical World of Cameron MacKintosh
Martin Koch
Manufacturer: Polygram
ProductGroup: Music
Binding: Audio CD

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Soul | R&B | Styles | Music

Soul | Live Albums | R&B | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000023ZUQ
Release Date: 1998-08-25

Tracks:

We Said We Wouldn't Look Back [Salad Days] - Martin Koch
Cats Overture [From Cats] - Martin Koch
Food Glorious Food [From Oliver!] - Workhouse Children
Wouldn't It Be Loverly [From My Fair Lady] - Gillian Lynne, Liz Robertson, Company
Quit Professor Higgins [From My Fair Lady] - Company
Rain in Spain [From My Fair Lady] - Jonathan Pryce, Liz Robertson,
Get Me to the Church on Time [From My Fair Lady] - Peter Bayliss, , Company
I've Grown Accustomed to Her Face [From My Fair Lady] - Jonathan Pryce, Liz Robertson
Introduction (Show Medeley) - Julie Andrews
One Two Three [The Fix] - John Barrowman
Little Shop of Horrors - Wendy Mae Brown, Dawn Hope, Femi Taylor
Somewhere That's Green [Little Shop of Horrors] - Ellen Greene
Suddenly Seymour [Little Shop of Horrors] - Ellen Greene, Teddy Kempner
Day by Day [Godspell] - Company
I Get a Kick Out of You [From Anything Goes] - Laurie Holloway, Marian Montgomery,
Variations [Song and Dance] - Julian Lloyd Webber, , Company
Unexpected Song [Song and Dance] - Bernadette Peters
Nicer in Nice [The Boyfriend] - Jasna Ivir, Company
I Love a Lassie [Lauder] - Scottish Power Pipe Band
Five Guys Named Moe/Is You Is or Is You Ain't My Baby? [Five Guys ...] - Trent Armand Kendall, , , ,
Pick a Pocket or Two - Russ Abbot, , ,
As Long as He Needs Me [From Oliver!] - Sonia Swaby
Introduction - Julie Andrews
I'm Martin Guerre - David Campbell
How Many Tears? [Martin Guerre] - Maria Friedman
Heat Is on in Saigon [From Miss Saigon] - David Campbell, , Lea Salonga, Company
Wedding [From Miss Saigon]
Last Night of the World [From Miss Saigon] - David Campbell, Lea Salonga
This Is the Hour [From Miss Saigon] - Company
American Dream [From Miss Saigon] - Jonathan Pryce, Company

Tracks:

Phantom of the Opera [From The Phantom of the Opera] - Lisa Vroman, Colm Wilkinson
Music of the Night [From Phantom of the Opera] - Colm Wilkinson
Broadway Baby [Follies] - Maria Friedman, Julia McKenzie
Oh, What a Beautiful Morning [From Oklahoma!] - Hugh Jackman
Carousel Waltz/Ballet [From Carousel] - Dana Stackpole, Company
Porch Scene [From Carousel] - Hal Fowler, Barbara King, Joanna Riding, Dana Stackpole
You'll Never Walk Alone [From Carousel] - Joanna Riding, Company
Introduction - Ned Sherrin
Side by Side [Company] - David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin, Stephen Sondheim
You Could Drive a Person Crazy [Company] - Maria Friedman, Ruthie Henshall, Millicent Martin, Lea Salonga
Send in the Clowns (A Little Night Music) - Judi Dench
Losing My Mind [Follies] - Michael Ball
Being Alive [Company] - Bernadette Peters
You've Gotta Have a Gimmick [From Gypsy] - Michael Ball, Judi Dench, Maria Friedman, Ruthie Henshall, David Kernan, , Dean Martin, Julia McKenzie, Bernadette Peters
Introduction - Stephen Sondheim
Duelling Pianos - Andrew Lloyd Webber, Stephen Sondheim,
Poisoning Pigeons in the Park [Tom Foolery] - Tom Lehrer
Jellicle Songs [From Cats] - Brian Blessed, , Paul Nicholas, Company
Memory [From Cats] - Elaine Paige
At the End of the Day [From Les Miserables] - Company
Stars [From Les Miserables] - Philip Quast
Do You Hear the People Sing? [From Les Miserables] - Hal Fowler, Company
On My Own [From Les Miserables] - Lea Salonga
Bring Him Home [From Les Miserables] - Colm Wilkinson
One Day More [From Les Miserables] - Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Za
We Said We Wouldn't Look Back [From Les Miserables] - Cameron Mackintosh

Album Description

Subtitled the Musical Word of Cameron Mackintosh. Import only 56-track collection. A live recording at the Lyceum Theatre in London, in the presence of her majesty the Queen and HRH the Duke of Edinburgh. In aid of the Royal National Institute for the Blind and the combined theatrical charities. Universal.

Rock Music:

Rock Music