Up-Down [Import]

up-down [import]

Track Listings

1. Small World
2. Hard to Please
3. Lonely Beach
4. Gimme Some Lovin'
5. One Last Kiss
6. Leaves Are Turning Brown
7. Summer
8. I Love You
9. First Date
10. You Told Me

Editorial Reviews

Product Description
UK reissue of mega-rare album from Dartmouth, MA five piece, originally issued in 1969. 'Up Down' is a beat-garage concept album detailing the highs & lows of a summer vacation romance. Ten tracks including a strong version of the Spencer Davis group hit 'Gimme Some Lovin''. Although The Summer Sounds are one of the best group's of the genre & a number of their tunes have appeared on compilations, this is 'Up Down''s first appearance on CD. Radioactive. 2004.

Up-Down,Summer Sounds,Radioactive,Rock,Rock/Pop
Up Front and Down Low
Average customer rating: 4 out of 5 stars
  • mediocre effort, he's too young
  • From a non-country fan...
  • No longer "just" the son of......................
  • He's too cool for the room (so join the cult)
  • Fresh and emotional interpretations.
Up Front and Down Low
Teddy Thompson
Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD

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  1. Release the Stars
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  3. Sweet Warrior
  4. Easy Tiger
  5. Separate Ways

ASIN: B000QXDCI8
Release Date: 2007-07-17

Amazon.com

Yes, Teddy Thompson's parents are renowned folkies Richard and Linda Thompson. And, sure, he's spent the past few years touring the world with his good friend Rufus Wainwright, who recently wrote a song about their inimitable relationship called "Nobody's off the Hook." But it's Thompson's rich, twangy voice that deserves the spotlight. After turning out two thoroughly underappreciated albums of original material--it would be pushing it to even call them cult favorites--the lovelorn singer-songwriter takes on a dozen classic country tunes on Up Front and Down Low. It's a good fit, the bitter sentiments the inform his own work paired with the sterling melodies of Ernest Tubb's "Walking the Floor Over You" and Elvis Presley's "I'm Left, You're Right, She's Gone." Thompson gives each of the tunes a masterful makeover, polishing them up with an all-star cast of players that includes Iris DeMent, Tift Merritt, and Marc Ribot. Wainwright offers string his own "Down Low" into the mix without breaking the mood. It's the kind of stuff that could represent a breakthrough moment, as long as nobody gets distracted by the fact that he was born and raised in a Sufi commune. --Aidin Vaziri

Customer Reviews:

1 out of 5 stars mediocre effort, he's too young.......2007-07-19

to do country covers. Sure, with his pedigree he gets the finest musicians and broods over his cult following a la Rufus Wainwright, but this wreaks of contractual agreement.

Lean close, Teddy...write your own songs. No you aren't a great songwriter yet and yes, you have issues with Richard and Linda as your parents, but you get no sympathy from this listener.

This album could have been done better by about 1200 country artists just in Tennessee alone.

Maybe you should join Van Morrison on a country tribute tour.

5 out of 5 stars From a non-country fan... .......2007-07-19

I guess this is technically a country album, but he brings a very folk/alt vibe to these songs. The result is just beautiful. Really, from start to finish. The emotion carried in his voice is so very moving. Just so soulful and touching.
If country isn't your "thing" I still say there is a place in any alt-rock collection for this CD. Perfect for a night of missing that certain someone. Perfect for a night of drowning your sorrows. Perfect for that long trip you didn't want to make in the first place. Ah, it's just perfect.

5 out of 5 stars No longer "just" the son of.............................2007-07-19

Richard and Linda Thompson. I first heard of Teddy Thompson on the Brokeback Mountain soundtrack and have purchased all of his CD's. This one is no disappointment. As a country music fan, I love this CD so far, after just 2 listens. Teddy hits all the right notes, metaphorically speaking, and uses just the right amount of great backup vocals and musicians. I am taking a road trip this weekend and can't wait to crank up the speakers and listen to this CD several times in about 6 hours.
Great work, Teddy!

5 out of 5 stars He's too cool for the room (so join the cult).......2007-07-18

When last I considered Teddy Thomp'son, he was building his cult. A very elite cult, because 'Separate Ways seemed to be so special that you could say, well, a lot of people just didn't have ears good enough for it.

Except it wasn't "special." And it wasn't "too good." It was great writing and great music and a remarkable voice, start to finish, without a single dud. I don't know why only a few of my nearest and dearest flipped for it. Maybe because it was depressing, in a wonderfully funny way.

Like this line: "I wish when the phone rang/it wasn't always you."

Not exactly a universal sentiment, is it?

So let's call Teddy Thompson an acquired taste --- until the day one of his songs becomes an unlikely hit and tens of thousands rush back to fall in love with all the great music they so breezily rejected.

And what of the follow-up to "Separate Ways"?

It's no follow-up at all. "Upfront & Down Low" is country. Classic country, if you will: songs by George Jones, Dolly Parton, Merle Haggard, the Everly Brothers, Elvis. Thompson uses a standard backup band, but he adds a string section, courtesy of the arranger responsible for the strings on Nick Drake's CDs.

Sounds like a vanity project? Not in the least. Teddy Thompson --- who didn't hear music that wasn't country until he was 16 --- understands this music completely. And delivers it authentically. But that understates. What happens in "Upfront & Down low" is captured magic, the alchemy of great taste and a compelling voice.

I went to see Teddy Thompson preview this CD in a downtown club. It was one of those rare nights: a small room, no more than a hundred people in the audience, all of them very much on the singer's side. Two violinists, a cellist and a string bass player came onstage first, then a drummer and a slide guitarist, then Thompson. Hard to miss him --- he was wearing a white suit. "I'm from the corporate office of Willie Wonka," he explained.

Naturally he apologized for the tone of the songs: "These songs are depressing. That's what country music is about."

But the songs needed no apology. They were flawless, if not exactly fun, and the title song, which he wrote, just might be the best. That song was, of course, the most depressing. Funny. I can't get it out of my head.

4 out of 5 stars Fresh and emotional interpretations........2007-07-18

Judging by the quality of his two previous solo albums, Teddy Thompson's "son of folk legends Richard and Linda Thompson" tag will soon become redundant: he's a singer and songwriter of very high quality in his own right, with a rich voice and some choice songs that moves easily between pop, folk and rock.
On his latest record, "Upfront & Down Low" he covers country songs of the classic era.
These finely crafted pieces, marked by mournful wit, were penned by writers like Ernest Tubb, Dolly Parton and Boudleaux Bryant and made famous by singers like Merle Haggard, George Jones and Elvis Presley.
Though a first-rate songwriter himself, Thompson only put one of his own pieces into the mix, "Down Low", in which he sings "You're better off dead/ with a bullet in your head/ than comin' back to me..."
He hired the renowned Robert Kirby, the man who distinctively and innovatively scored the prim strings on Nick Drake's albums, to arrange a tidy clutch of cello, violin and viola on the tracks.
"My Blue Tears," also from the album, sounds great with minimal instrumentation, because Rufus Wainwright contributed a "wacky" string arrangement for the piece.
(Just for the record "No One's off the Hook" on Wainwright's new album Release the Stars was written for and about Teddy, who continues to tour with Rufus as an opening act ).
No doubting, of course, that Teddy's choice of guest musicians sets a hell of a seal on the proceedings too - there's his illustrious father Richard Thompson on guitar, his mate Rufus , guitarist Marc Ribot, David Mansfield, Jenni Muldaur, Tift Merritt and Iris DeMent on vocals , Greg Leinz for a start!
But whatever, it's Teddy's excellent choice of material and his very own musical personality that's stamped on these thirteen tracks, encompassing a basic honesty of approach and harnessing a gentle power that's very attractive indeed.

Teddy Thompson
Separate Ways
Release the Stars
Sweet Warrior
Breakin' It Up & Breakin' It Down
Average customer rating: 4.5 out of 5 stars
  • RICK SHAQ GOLDSTEIN SAYS: ?WHAT DO YOU GET WHEN YOU MIX, MUDDY WATERS, COTTON & WINTER? ANSWER:" OLD-TIME COOKING BLUES!"
  • As wonderful as you'd expect
  • Bringin' It Back
Breakin' It Up & Breakin' It Down
Muddy Waters
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PA9Q6E
Release Date: 2007-06-05

Tracks:

  1. Medley: Black Cat Bone/Dust My Broom
  2. Can't Be Satisfied
  3. Caledonia
  4. Dealin' With the Devil
  5. Rocket 88
  6. I Done Got Over It
  7. How Long Can a Fool Go Wrong
  8. Mama Talk To Your Daughter
  9. Love Her With a Feeling
  10. Trouble No More
  11. Got My Mojo Workin'

Amazon.com

Muddy Waters had his second coming 30 years ago, when longtime friend and disciple Johnny Winter and his Blue Sky label returned him--after a series of listless recordings aimed at the rock audience--to the raw, powerful authenticity of his timeless Chess material with a series of powerful albums. Beginning with 1977's acclaimed Hard Again, a subsequent tour produced Muddy "Mississippi" Waters Live, recorded onstage in Detroit, New York, and Philadelphia with Muddy's band, Winter, and harmonica player/vocalist James Cotton. Enough live material remained for Legacy to release an expanded version with an entire second disc of unissued concert material. It seems even that wasn't the end. This collection returns again to those remarkable concerts, featuring Muddy on five tracks, among them a rousing "I Can't Be Satisfied," "Trouble No More," "Caldonia," and the closing "Got My Mojo Workin'." Winter and Cotton are no less powerful, Cotton redoing Jackie Brenston's hit "Rocket '88'" and Winter ripping up John Lee Hooker's "I Done Got Over It" and "Mama Talk to Your Daughter." --Rich Kienzle

Customer Reviews:

5 out of 5 stars RICK SHAQ GOLDSTEIN SAYS: ?WHAT DO YOU GET WHEN YOU MIX, MUDDY WATERS, COTTON & WINTER? ANSWER:" OLD-TIME COOKING BLUES!".......2007-07-14

This cd is a new release of a concert tour in 1977 with Muddy Waters, Johnny Winter and James Cotton. I vacillated for days before I bought this. I have deducted, that listening to the thirty second sound bites, are worthless, especially when making a decision on electric blues. In 30 seconds, the guy might not even be done tuning his guitar! I'm going to attempt, to help you, not to have to go through, the anguish, that I went through, before I made the decision to buy this cd. First of all, you can tell how much these three guys like each other. Since this is a live performance, you hear them kidding each other throughout each song. One guy sings: "Your mother ought to know..." And one of the guys not singing lead, is yelling: "Yea tell em!" or you hear enthusiastic screams like: "Ow!" "Yea" "Do it James!" "Do it Johnny", etc. I personally think James Cotton, and his mind blowing "harp" (For you non-experienced blues neophytes, that's his harmonica! Please make a note of that!) steals the whole show. That magic harp of his, is either screeching, scratching, waling, and always cooking. If I were to try to draw a verbal picture for you, of the type of blues these fella's are playing, I'd say, think about an old black and white detective movie, and you're inside a bar, smoke is slowly circling its way to the ceiling, and in the background you hear the blues. That's the kind of blues on this cd. James Cotton, when he's not blowing the "harp", showcases a voice, that sounds like its seen, a lot of cigarettes, a lot of whiskey, a lot of women, and left it with the blues. This entire cd, is old-time "roadhouse", feeling good, blues. There are 11 songs, totaling just under sixty minutes. This is a classic taste, of old-time jamming, ELECTRIC BLUES, with the "harp", being the pulse, that never misses a blue beat! Buy this!


5 out of 5 stars As wonderful as you'd expect.......2007-06-14

They were only together for one album and tour, but the Hard Again band was the most kickass assemblage of blues talent there has ever been. They simply never played anything, either live or in studio, that was not of extraordinarily high quality. This disc absolutely smokes, and it's a welcome treat that Cotton and Winter each get a couple turns on lead vocals. It's very encouraging that there's still this much great stuff left over after after the two disc edition of Muddy "Mississippi" Waters, because that means there's likely more on the way.

4 out of 5 stars Bringin' It Back.......2007-06-14

Muddy Waters' work on Chess Records from the late 1940s to the early 1970s is truly amazing. He was the most powerful blues artist and one of the best songwriters. Many fans think he was in decline in the mid-1970s when "Breakin' It Up, Breakin' It Down" was recorded. This concert document should dispel those thoughts. It might have taken Muddy longer to build up a head of steam, but when he got rollin', he was as "mannish" as ever. With old pal James Cotton blowing away on harp and Johnny Winter (who ignited Muddy's revival by producing his later records on Blue Sky Records) as his co-stars on the 1977 tour, Muddy was pushed to the heights he regularly reached in his 1950s and 1960s heyday ("Pinetop" Perkins on piano, and Bob Margolin on guitar also shine). The live version of "Can't be Satisfied" - the second cut on the disc - is as strong as any live recording in his career. I saw this band at Constitution Hall in Washington, D.C. and the three stars were on fire and having a whale of a time. When I bought "Breakin' It Up, Breakin' It Down," I thought, "there is no way this recording will be as good as I remember the show." But not to worry, it's all here and hearing it again made me smile at the memories of Muddy, James, and Johnny pouring out electric blues. A rousing "Got My Mojo Working" (the encore) finishes things up nicely. Someone once said, "In Muddy Waters' hands 'the blues' is a misnomer."
Lit Up/Let Down
Average customer rating: 4 out of 5 stars
  • A Great Album. From A Great Band.
  • From the depths of the 80s
  • not worth it
  • 1987 with a twist...
  • these guys rock hard!!
Lit Up/Let Down
Vains Of Jenna
Manufacturer: Filthy Note
ProductGroup: Music
Binding: Audio CD

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ASIN: B000IFRQSG
Release Date: 2006-10-24

Tracks:

  1. Don't Give A Damn
  2. Ceased Emotions
  3. Hard To Be Vain
  4. Lit Up/Let Down
  5. Get On The Ride
  6. Baby's Got A Secret
  7. Noone's Gonna Do It For You
  8. Set It Off
  9. Noone's Gonna Do It For You (Acoustic)
  10. Set It Off (Acoustic)

Customer Reviews:

5 out of 5 stars A Great Album. From A Great Band........2007-07-07

I saw these guys in Cleveland opening for Poison and Ratt, and They were an amazing opening band with a great live show. This album really shows the talent behind the band. It rocks harder and better with each listen.

It's like the 80's all over. So if you like 80's pop metal, then i'd reccomend this album to you.

4 out of 5 stars From the depths of the 80s.......2007-06-07

Vains of Jenna appear as if they've come from the 80s with their wild hair, ripped clothing, and bandanas, but they've been together only since 2005. Considering their style of music is very similar to that of Faster Pussycat, Motley Crue, and perhaps even Guns N' Roses, the look is practically a requisite when mentally picturing the images of these famous bands. Thanks to Bam Margera and his record label, Filthy Note, Vains of Jenna have received more publicity than they would be getting with another unfamiliar label. However, notorious label or not, they're quietly making a name for themselves.

Lit Up/Let Down is untamed, dirty, and fun - this is no surprise since the lineup consists of four young musicians. The songs Vains of Jenna have put together are impressive, but they could be more polished. The vocals aren't exactly beautiful, and the lyrics aren't brilliant, but this is how it should sound if an 80s emulation is the motive (and it is, according to the band's biography). The riffs are grungy and catchy, and the last two acoustic songs are nice endings to the album. Simply put, Lit Up/Let Down rocks. Expect greater things in the future, though.

2 out of 5 stars not worth it.......2007-05-29

sorry - I was dissappointed...weak material. one or 2 strong songs but sloppy playing and not inventive riffs detract.

4 out of 5 stars 1987 with a twist..........2006-12-05

much in the same vein as the best of the Sunset Strip
(Guns N'Roses, L.A. Guns, Faster Pussycat), Vains of
Jenna cleverly mix snarl and attitude with catchy hooks.
"Hard to Be Vain" and "Lit Up/Let Down" are both killer
tracks, and there's no filler to be found...

- cRAIG

5 out of 5 stars these guys rock hard!!.......2006-11-25

i fist heard of these guys in the metal edge magazine,and always looking for some more good music i decided to give them a try.man am i glad i did,this album is awesome, every song is great.the band at times sound a bit like faster pussycat,or old motley crue, and sometimes a hint of guns and roses.The guitar work is very good and the lyrics.give this album a try you wont be sorry,they are a very good band and i cant wait to hear some more from them!!
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Liquored Up & Lacquered Down
Average customer rating: 5 out of 5 stars
  • Great CD!
  • Liquored Two Thumbs Up
  • Awesome! A Southern Rock Must-Have!
  • A Bag of Stale Fritos and alot of Mosquitos...
  • Makes you want to move to Mississippi?
Liquored Up & Lacquered Down
Southern Culture on the Skids
Manufacturer: Tvt
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000508YW
Release Date: 2000-10-31

Tracks:

  1. Liquored Up And Lacquered Down
  2. Hittin' On Nothing
  3. Pass The Hatchet
  4. Corn Liquor
  5. Drunk And Lonesome (Again)
  6. Cheap Motels
  7. Just How Lonely
  8. I Learned To Dance In Mississippi
  9. King Of The Mountain
  10. The Corn Rocket
  11. Damaged Goods
  12. Over It
  13. Haw River Stomp

Customer Reviews:

5 out of 5 stars Great CD!.......2006-08-15

This is my first SCOTS CD and I love it. Gets better with every listen.

5 out of 5 stars Liquored Two Thumbs Up.......2006-03-03

A great mix of rockabilly, country, mariachi and storytelling. IF you like S.C.O.S., you'll love this album.

5 out of 5 stars Awesome! A Southern Rock Must-Have!.......2004-05-04

SCOTS, faves of party-goers for years, have topped themselves with "LU&LD." The band that has often suffered from not living up to the high expectations they generate has created a fully articulated, well-crafted album chock full of polished efforts.

SCOTS, true to its roots, makes party albums. Virtually every song in their repertoire is suited for Saturday night in Chapel Hill, North Carolina -- a night of beer and dancing following a day of BBQ pork. Without losing their raw edge or their insane sense of humor, SCOTS has put a bit of elbow grease into this album, and the results shine.

The title track is probably the best known tune on the album, if only due to its clever use in the "Miss Congeniality" soundtrack. And it's a well-done piece of work, complete with the SCOTS' trademark tongue in cheek. But it gets some worthy challenges as top song from "King of the Mountain," "Cheap Hotels," and "Just How Lonely." "I Learned to Dance in Mississippi" is sure to pack any dance floor, as is their version of "Pass the Hatchet." "Hitting on Nothing" is a chick anthem if there every was one, and "Drunk and Lonesome (Again)" is a sure-fire singalong at many a late-night fraternity house.

One of the premier good-time rock bands, SCOTS set a new standard for themselves with this effort. Check it out!

5 out of 5 stars A Bag of Stale Fritos and alot of Mosquitos..........2003-01-30

Makin' love...ridin' a bike...throwin' a football thru a
rubber tire swing. You do it once-you can do it a million times
over. Same for the SCOTS-still making that tried and true
psych/voodoobilly/surf music since day one, now honed down
and as sharp as a farmer's chicken decapitatin' hatchet. Where
else can you get a peach colored leisure suit and a pair of
Florsheim boots in the same ditty? Oh yeah...and nobody can play
the Danelectro like Rick Miller. Great production, even better

songs. While listenin, you can "let yer dog run he'll be back when he's done...chasin' those critters away." And bassist Mary
Huff's standout "Just How Lonely" will send shivers down any
Patsy Cline fan's spine. Great music, excellent lyrics...not a
dud in the lot. Get yer 8-piece box of fried chicken, a case of
Dixie blackened voodoo beer, prop up yer feet, let out a few
"YEEHA'S", sit back and enjoy...for this is The Real McCoy.

5 out of 5 stars Makes you want to move to Mississippi?.......2002-11-08

Just got the CD yesterday and have listened to it twice. Absolutely a great southern rock sound with hilarious lyrics. NOT what I would call politically correct, maybe that's what makes it so great. I like this one even better than their previous CD "Dirt Track Date" Makes me almost want to move to Mississippi for all the fun.
My favorite cut is the first. "Liquored Up and Lacquered Down"...a bizzare, no make that a "boozare" song about a guy's wife who gets her hair all Lacquered Down before she goes out with him to get Liquored Up. I guess she's a "big hair" girl.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Stars & Stripes: America's Greatest Hits
Average customer rating: 5 out of 5 stars
  • worth money
  • Great Patriotic Music
  • A good choice of tunes with good quality
  • Brilliant!!!
  • Best Patriotic Music I've Found
Stars & Stripes: America's Greatest Hits

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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  1. American Anthems
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  3. Marches: The Greatest Hits
  4. God Bless America: Ult Patriotic Album
  5. The Military Band: Salute to the Services

ASIN: B000000BMS
Release Date: 1997-02-25

Tracks:

  1. The Star Spangled Banner
  2. George M. Cohan Medley: Yankee Doodle Dandy/Harrigan/Mary's A Grand Old Name/You're A Grand Old Flag
  3. American Salute
  4. The Washington Post
  5. El Capitan
  6. Armed Forces Medley: The Army Goes Rolling Along/Anchors Aweigh/Semper paratus/The U.S. Air Force...
  7. God Bless America
  8. Colonel Bogey
  9. National Emblem March
  10. Americans We
  11. Manhattan Beach
  12. Deep In The Heart Of Texas
  13. The Yellow Rose Of Texas
  14. Hoe-Down From 'Rodeo'
  15. Shaker Melody from Appalachian Spring

Tracks:

  1. Fanfare For The Common Man
  2. Overture To 'Strike Up The Band'
  3. America The Beautiful
  4. 76 Trombones
  5. Victory At Sea Suite
  6. America From 'West Side Story'
  7. Liberty Bell
  8. Variations On 'America'
  9. The Stars And Stripes Forever

Customer Reviews:

5 out of 5 stars worth money.......2007-05-24

this cd set is definately worth the money spent. i haven't heard some of the music before but was willing to give it a try.

5 out of 5 stars Great Patriotic Music.......2007-02-21

Beautiful music perfect for feeling patriotic. Received CD promptly and in great condition.

4 out of 5 stars A good choice of tunes with good quality.......2005-06-30

If you like military tunes and marches, this 2-CD is a good choice. The orchestration is good, it is well played and the quality of recording is good. If you like this kind of music, it is a good choice to buy.

5 out of 5 stars Brilliant!!!.......2003-08-11

I have the CD at home and the songs sound fabulous. I've heard the Houston Symphony's version of the Star Spangled Banner many times on TV as this anthem has been used at sign-off (when this was happening). It's as powerful a version you'll hear. Probably the finest patriotic music CD you can find out there.

5 out of 5 stars Best Patriotic Music I've Found.......2001-09-20

Loved the CD! I am buying it to use with a Musical Freestyle Ride for a Quadrille. A horse oriented endeaver. The music will be perfect to bring positive patriotism to fairs and fund raisers for NYC.
One Down, One Up: Live at the Half Note
Average customer rating: 4.5 out of 5 stars
  • Classic quartet on fire
  • Music for musicians
  • Disappointed with the announcer and tunes cut off
  • Hard work but worth it.
  • classic 'trane
One Down, One Up: Live at the Half Note
John Coltrane
Manufacturer: Impulse Records
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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  5. The Complete Village Vanguard Recordings, 1961

ASIN: B000B0QOJA
Release Date: 2005-10-11

Tracks:

  1. Introduction And Announcements
  2. One Down, One Up
  3. Announcements
  4. Afro-Blue

Tracks:

  1. Introduction And Announcements
  2. Song Of Praise
  3. Announcements
  4. My Favorite Things

Amazon.com

Having recharged his legendary status on 2005's spectacular Thelonious Monk Quartet with John Coltrane: At Carnegie Hall, a previously unheard "lost" recording from 1957, the late John Coltrane solidifies his refreshed standing with a new generation of jazz fans with this exciting discovery by his own quartet. Recorded in 1965 at New York's Half Note club, One Down, One Up isn't as stunning a find as the Monk album. Its recorded sound, taken from a radio broadcast, is pretty raw and, whereas the Monk album represents a rare meeting of these giants, there are other live albums from the mid-'60s by the Coltrane four. None, however, are as good as this one, which finds the tenor and soprano saxophonist making magnificent mountains out of modal molehills through his relentless surrounding and reshaping of notes, never coming up for air. You don't listen to epic performances like the 28-minute title track, 23-minute rendition of "My Favorite Things" (his bread and butter tune) and 20-minute "Song of Praise" so much as immerse yourself in them. You simply need to experience them for their rising intensity and spiritual weight, for their earthy beauty, for the band's locking gears: pianist McCoy Tyner's ferocious hammered notes, drummer Elvin Jones' whirlwind figures, bassist Jimmy Garrison's eloquent lines. Thriving on melody, which he would abandon in the sonically assault live final phase of his sadly shortened career, Coltrane keeps listeners in the palm of his hand even as he pushes into unchartered territory. --Lloyd Sachs

Album Description

Coltrane and his legendary band--McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums--regularly played at downtown New York's Half Note in the mid 1960s. The group used the club's flexible set times to accommodate Coltrane's musical suites and far-reaching improvisations. As Half Note founder Mike Canterino said, "I just wanted the music and to let the guys go ahead and do what they want to do."

The importance of these influential performances has grown throughout the years as musicians--especially saxophone players--passed around bootleg and lo-fi copies taken from the 1965 radio broadcast. It was a time when Coltrane was pushing his musical boundaries, and one can hear the evolution of his style on these recordings. As his son Ravi Coltrane says, "You can hear everything that came before and begin to hear where the music was going."

The music captured on One Down, One Up: Live at the Half Note features the songs "One Down, One Up" (perhaps the highlight of the collection), "Afro Blue," "Song of Praise," and "My Favorite Things." The unparalleled performances showcase a band filled with fiery passion and a master at the crossroads of his musical path.

One Down, One Up: Live at the Half Note features liner notes from journalist and author Ashley Kahn, who wrote A Love Supreme: The Story of John Coltrane's Signature Album as well as the upcoming The House That Trane Built: The Story of Impulse Records. Also included is an essay by the CD's producer, Ravi Coltrane.

Customer Reviews:

5 out of 5 stars Classic quartet on fire.......2007-04-14

If you are new to Trane this might not be the place to start but then again, understanding the enormity of his musicianship is part of the essence of knowing Coltrane's music. Personally, I have beeen listening to Coltrane since he was alive and thriving and pushing the limits of jazz. What you will find on this gem is exactly that, pushing the music, jazz music specifically, beyond the usual perceptions. His legendary solos are captured here and one highlight of this disc is the extended version of the lovely and unique interpretation of "My Favorite Things." Coming in at over 22 minutes this beautiful song allows Trane to express the things he couldn't on his album of the same name. The driving drum beats pounded by Elvin Jones, the extended solos and lingering piano work of McCoy Tyner and thumping, solid bass of Jimmy Garrison are perfect companions to the relentless notes coming out of Trane's horn. His improvisation is a lesson in the technique of going out there and bringing it all back home. Melodic yet challenging, Trane's vision is never more eloquent than on this song. Your jaw will drop. The grunts and groans of the musicians, the silence of the crowd probaly from being in awe in the presence of greatness and the erruption of fans apreciation will put you in the Half Note some forty-three years ago. This is the classic quartet at it's height. The extreme "One up ,One Down" opens with Garrison reaching out for your ear as the quartet slowly fills in and goes beyond the limits of comprehension as to how long a song can be stretched. Coming in at nearly 28 minutes any musician can benefit from listening and a casual or rabid jazz can only marvel at the stamina, endurance and intensity of Trane's classic quartet and omnipotent horn. The spiritual quality of Trane's music is expressed in "Song of Praise", which is about as intense as it can get. I can only imagine the concentration, admire the effort from afar, many years since that night in New York but I can feel his energy anew with the release recently of this priceless masterpiece from the vaults. The individual songs each have their own attraction but the complete performance is the way the disc should be appreciated; it is a study in the complex world of jazz outside the paradigm. The announcers voice and breaking up of the music offers a glimpse into the real world of performance where the breaks are barely long enough to wipe the sweat from one's brow; Trane and his quartet must have been sweating profusly and barely had enough time to quench their thirst before entertaining again. If you are a jazz fan you will love this disc. If you are a Trane fan you will experience nirvana listening to him blow again. This is recommended for any serious music fans collection; Trane lives on as his legacy continues to grow.It doesn't get much better than this.

4 out of 5 stars Music for musicians.......2006-12-07

I personally like this tipe of jazz. I enjoy hearing endless variations that are accompanied by some kind of joy de vivre, when one almost feels the energy and music booming from speakers, moving your whole mind and body in the rhytm. After the song is over, you are often lost and it takes some time to regain ones composure. On the other hand, there are people who find this kind of music particularily nagging and painful. They are not willing to give any chance to artist or the song involved, and music just flows past them without touching them.

But something bothers me with this record. It feels like Coltrane is somwhere else, although his instrument is still there and plying. For me, it's like hearing perfectly performed practice for fingering, perfect but still somehow rutinely done. There are flashes, where you can hear Coltrane snap into it, and music becomes more powerfull and gains colour, but this is over in such a short time that this feeling of non-existance remains. Like it has never been there.

Bear in mind that this is the record which you will have to grow into. For which you will have to learn how to like it. It will go one piece at a time, but if you grasp the sense, then the full enjoyment will be prsent, and you'll return over and over again.

4 out of 5 stars Disappointed with the announcer and tunes cut off .......2006-10-29

I was really annoyed by the announcer stepping all over the best parts of some of the solos but even more annoyed that the best tunes are cut off probably only half-way into the tunes. Just when Trane starts stretching out, the announcer comes in and the songs are cut. Get the Village Vanguard recordings first. I saw Pharoah Sanders do a version of My Favorite Things at Blues Alley for over an hour and it was a spiritual experience that will never be equalled. I hate to think of what I missed with these recordings... it's depressing.

5 out of 5 stars Hard work but worth it........2006-08-22

If you like the later, freer, more open works of John Coltrane then you will absolutely love this album. It is hard work though, and not for the uninitiated. It requires a decision to engage oneself with this incredible musician, to open your spirit and allow his music to effect, move and change you. If you are jumping in to John Coltrane for the first time, I do not suggest that you start here. May I suggest earlier works like 'Soultane' or 'Bluetrane' as jumping in points.

5 out of 5 stars classic 'trane.......2006-08-07

the sessions at the half note present the classic coltrane quartet at the height of its powers. this version of afro blue rivals the cut on "live at birdland."
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music