| 1. Mentioning no names |
| 2. The sound of breaking hearts |
| 3. Everywhere I look |
| 4. One in a million |
| 5. The boy |
| 6. Let somebody down |
| 7. Manual override |
| 8. The only thing |
| 9. Living in a lonely world |
| 10. Digging for Diamonds |
| 11. Borrowed time |
| 12. Groucho Marx |
This Life,Cats and Dogs,Bullseye Canada,Pop,Rock,Rock/Pop
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Disney's Greatest 3
Various Artists Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXKT Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La GorceCustomer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Disney songs are the best.......2006-03-18
Great Disney Music.......2006-02-21
Not as good as Vol 1 and Vol 2.......2005-09-11
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The Lion King: Special Edition
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CABJ2 Release Date: 2003-09-30 |
Tracks:
- Circle Of Life - Carmen Twillie
- I Just Can't Wait To Be King - Rowan Atkinson
- Be Prepared - Cheech Marin
- Hakuna Matata - Ernie Sabella
- Can You Feel The Love Tonight - Ernie Sabella
- The Morning Report - Jef Bennett
- This Land - Hans Zimmer
- To Die For - Hans Zimmer
- Under The Stars (Instrumental) - Hans Zimmer
- King Of Pride Rock - Hans Zimmer
- Circle Of Life - Elton John
- I Just Can't Wait To Be King - Elton John
- Can You Feel The Love Tonight - Elton John
- Can You Feel The Love Tonight (Remix) - Elton John
Amazon.com
Elton John doesn't seem like a natural choice to write for a Disney musical, but he rose to the task on The Lion King, transcending his usual penchant for the softest of soft rock. Sir Elton's collaboration with Tim Rice (former writing partner of Andrew Lloyd Webber) helps connect the soundtrack to the theatrical lineage of all Disney musicals--so much so that, like Beauty and the Beast, The Lion King was eventually adapted for Broadway. Undistinguished songs like "Can You Feel the Love Tonight?" are far outnumbered by stirring, stately tunes that lent the film so much of its sense of pageant and play. --John SanchezCustomer Reviews:
fun but flawed.......2007-05-07
first off there's hans zimmer's score. his score is both powerful and moving. it brilliantly incorperates elements of local african music (provided and arranged by lebo m) these elements give it a great feeling of belonging not only to the film but to it's setting. without these tribal elements the score would have been far less compeling. one small problem is when the score abandons these elementsl; they're not carried through in all of the music. but its not enough to be a real distraction. the power of the score allows the listener to feel the wildabeast charging or smell the rain falling during the monsoon or experience the brilliance of the circle of life.
SCORE 5 out of 5
the songs had music by elton john and lyrics by tim rice. the following is a song-by-song breakdown.
THE CIRCLE OF LIFE - this is a great opening number with powerful vocals provided by carmen twillie and impressive african-inspired vocals in the beggining by lebo m. with the actual film, this is not only a moving but inspiring piece of cinema. even without, this is a great song that still gives me goose-bumps. this definately warranted its oscar nomination
5 out of 5
I JUST CAN'T WAIT TO BE KING - this is a really fun song by simba and nala along with zazu. its infectious beat and lyrics definately leave u humming. this may not be the most memorable song, but it definately captures the youth and innocence of simba at this point
5 out of 5
BE PREPARED - this is scar's big number so to speak. it features the hyenas in a very dark yet memorable song. the rhaspy vocals and wonderful musical arrangements make this a great piece that is both eery and impressive.
5 out of 5
HAKUNA MATATA - this is the second oscar nominated song, and although its fun buddy type number, it does get old and doesnt really age as well as the rest. this is honostly one of the weakest songs, believe it or not, its good but just cant really hold up to the other stronger pieces.
4 out of 5
CAN YOU FEEL THE LOVE TONIGHT - here it is, 1994's oscar winner for best original song. honostly i feel that the circle of life deserved that award, but here's the song that got it. the film's version is very romantic, especially for featuring a couple of lions, timon and pumba's parts are funny, but it is simba and nala's portion that takes it home. btw elton john's version at the end is a definate winner.
5 out of 5
SONGS OVERALL - 5 out of 5
so if the score gets 5 and the songs get 5, why does the album only get 4? the answer's pretty simple. for the first time since 1989 with the little mermaid, two composers helped on this film. one provided the film's score and one provided the music for the songs. because two composers worked on this, it feels a little incohesive at times. this isn't really noticible within the film but on the soundtrack it definately stands out. elton john and hans zimmer both did a great job and the only really saving factor are the african rhythms that they both used. although this is a great soundtrack, that lack of unity does bring it down.
despite that minor flaw, this is a must-own for any disney fan or music fan in general. this is a great soundtrack that ranks right up there with beauty and the beast and must never be forgotten.
Simply Perfect.......2007-04-09
Great Album!.......2007-03-31
Wonderful, if only for the instrumentals.......2007-02-14
Wonderful Soundtrack.......2006-11-16
The "extras" for this Special Edition include a mild and unnecessary remix of "Can You Feel The Love Tonight" and "The Morning Report," which is included on the Special Edition DVD release. Neither add to the collection, but it is nice to have "The Morning Report" on the disc.
Overall, this is one of Disney's strongest soundtracks. In my personal list, I rank it in second place behind Phil Collins' wonderfully tribal "Tarzan" soundtrack. If you don't already have the "Lion King" soundtrack, I highly suggest that you purchase this special edition copy if you are a true fan of the film or of Disney soundtracks in general.
Highly recommended.
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This American Life: Stories of Hope and Fear
Various Artists Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IONLFY Release Date: 2006-11-07 |
Tracks:
- If I Can Make It There - Jorge Just
- Is This Thing On? - Jonathan Goldstein
- Thinking Inside The Box - David Wilcox
- Infinite Gent - Alex Blumberg
- Miami Vices - Sascha Rothchild
- The Babysitters - Myron Jones
Tracks:
- Fears Of Your Life - Tom Wright
- On Hold No One Can Hear You Scream - Julie Snyder
- Anti-Oedipus - Nancy Updike
- So A Chipmunk And A Squirrel Walk Into A Bar - David Sedaris
- Slingshot - John Hodgman
Album Description
2-CD collection of the smartest and funniest show on the radioThis American Life is one the most popular yet most unusual programs on radio today, airing on public radio stations all across the country. Each week listeners tune in to hear riveting stories that explore the highs and lows of the human condition.
Host Ira Glass and the staff of This American Life selected some of their favorite segments for the This American Life: Stories Of Hope And Fear 2-CD set. Featuring segments by bestselling writer and humorist David Sedaris (Naked), Comedy Central's Daily Show correspondent John Hodgman and many others, this eclectic anthology addresses topics ranging from gender reassignment to karaoke comedy, with over two hours of alternately hilarious and heart-breaking spoken performances set against a hip indie-rock and electronica musical background. Includes music by Thurston Moore of Sonic Youth, Blonde Redhead, Calexico, Morcheeba, Mogwai, Tortoise and others.
Customer Reviews:
Unexpectedly heartwarming.......2007-07-03
mesmerized.......2007-02-12
Radio Documentaries For Long Drives.......2007-02-01
Not the best but worth a one time listen.......2007-01-20
Regular Folks With Amazing and Hilarious Stories.......2007-01-05
The story that really made an impression was Julie Synder's dilemna with cell phone customer support (CD 2 Track 2). She really articulates her frustrations that we can all relate to. I worked as an software engineer and dealt with customer service issues on occasion. It's good to see how sometimes mis-communication and tempers often flair into after-the-fact humor. You definitely see the views from both sides which sheds some light on problems with customer support. But, the problems with a phone company just compounds to the humor with technology issues that you cannot imagine. Believe me, it's laughter after laughter but you soon realize that we can all relate to it.
Another touching but eerie story (CD 2 Track 3) is about a closeted son who takes care of his mother. It borders on the unreal as the interviewer learns about the ordeal with his father than suddenly changes things completely. As you listen, there are intimate details that you feel as if you are in the same room. This is one of the true experience that you lack with TV today. It just seems to be all about the shock factor and nothing about the fact that we are all human. It's wonderful that NPR still has shows out there for everyone to listen instead of being glued to the tube.
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The Pursuit Begins When This Portrayal Of Life Ends
Evans Blue Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PKG7HA Release Date: 2007-07-24 |
Tracks:
- In a Red Dress And Alone
- Shine Your Cadillac
- Q (The Best One Of Our Lives)
- Kiss the Flag
- My Damsel: A Confession To an Adversary
- Pin-Up
- Caught a Lite Sneeze
- Fear
- Dear Lucid, Our Time Is Right Now
- Painted
- The Pursuit
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Crimebusters & Crossed Wires: Stories from This American Life
Various Artists Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TG9WY Release Date: 2003-11-11 |
Tracks:
- Squirrel Cop - A Police Officer Somewhere On The East Coast
- Loser - fiction by Aimee Bender, read by Matt Malloy
- Flight Vs. Invisibility - John Hodgman
- Watching The Detective - Ira Glass
- The Greatest Phone Message Of All Time - Jonathan Goldstein
Tracks:
- Jesus Shaves - David Sedaris
- Say It To Me In Guy Language - Ira Glass
- When The Wall Came Tumbling Down - A Teenager And His Dad
- Everyone Speaks Elton John - Starlee Kine
- Music Lessons - Sarah Vowell
Amazon.com
If storytelling and oral history often seem like endangered species in a culture dominated by disposable infotainment, NPR host Ira Glass could be seen as something of a preservationist, his low-key passion for the magic moments that inform everyday life the driving force behind his successful This American Life radio series. This second series anthology culls its 10 stories onto two discs loosely centered around notions of "Crimebusters" and "Crossed Wires." And while professional writers like Sarah Vowell and David Sedaris (whose bemused take on nationality-diverse French class attempting to explain their various impressions of Easter is characterized by mounting, masterfully constructed hilarity) participate, they are hard-pressed to better the tales of everyday people that are the collection's de facto focal points: a rookie cop's efforts at corralling a household-invading squirrel turning into chaotic slapstick worthy of Sellers or Benigni; a Beverly Hills teen and his father making war, then peace over a spiraling drug problem; Starlee Kline and Mekons founder Jon Langford forming a band of strangers solely through classified ads. Less enamored of their own voices and ideas, those tales of "everyday people" are the collection's true treasures. --Jerry McCulleyAlbum Description
Crimebusters and Crossed Wires is a collection of ten stories, with true tales of (sometimes hapless) crimefighters and investigators of all sorts on one CD, and real-life adventures in miscommunication on the other.From a bungling, squirrel-chasing cop who burns, bloodies, and tears apart a new house in pursuit of the rogue rodent, to a father who resorts to tapping his drug-using teen's phone, Crimebusters and Crossed Wires offers comical and poignant insight. Among the storytellers featured are best-selling writers David Sedaris and Sarah Vowell.
Customer Reviews:
Some of the best This American Life ever.......2007-05-07
Hilarious! Wonderful!.......2007-01-20
PS
Don't take this to the gym with you because you won't be able to do any exercise from laughing so hard.
Truly the best of TAM!.......2005-12-19
Since receiving them, I have listened to all the stories several times (and a few range into dozens of times). Each and every story is worth listening to more than once. The son and father who work out a drug problem by simple "spying on your kid", the lessons learned by being a band geek, and the newest, greatest party/dinner question of all time - it's a collection of stories that are diverse yet centric to life as a 21st century human.
The stories never get old, as I find more in them each time I listen, like petals opening in a blooming flower. I play them while I travel, at work in my office, at home while cleaning and for anyone who has never heard of TAM.
It has now become a topic of office discussion and I've had to buy more copies to give as gifts. In fact, at a recent gift exchange, it was the most sought after present there.
You have to get these CDs! If you're life if full of stress, involves a long commute or you just need a diversion from your everyday life - then here's the CD set you need!
For people who enjoy storytelling. . ........2005-09-25
This American Life Rocks!.......2004-12-20
Most of these stories are on the humorous side, which is really just one side of the show; however, it's still a well-rounded collection. If you are trying to turn someone on to the show, this is an excellent CD to introduce them to it.
The only thing that I didn't like about the CD was the time between Vols. 1 & 2. Come on, TAL...give us more of the best!
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This American Life: Lies Sissies & Fiascoes
Ira Glass Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I725 Release Date: 1999-05-04 |
Tracks:
- Peter Pan - Mr. Jack Hitt (An Interview)
- Drama Bug - Mr. David Sedaris
- Letterman! Cookies! - Mr. Dishwasher Pete
- Mr. Loh's Not Afraid To Be Naked - Ms. Sandra Tsing Loh
- Teen Getaway - Ms. Cheryl Tryku
- Shooting Dad - Ms. Sarah Vowell
Tracks:
- Get Over It! - Mr. Ira Glass
- Hands on a Hardbody - Rob Bindler
- The Test - Mr. Scott Carrier
- Xmas Freud - Mr. David Rakoff
- Apology Line - Ms. Marissa Bridge (An Interview)
Amazon.com's Best of 1999
With the rise of more and more forms of media, the American storytelling tradition has become increasingly fractured. Praise be then for This American Life, a weekly radio anthology of stories that never fail to move even the most casual listener. Lies, Sissies, and Fiascoes purports to be a best-of compendium, but at two discs there's plenty more where this comes from. --Randy SilverAmazon.com
Are you a sucker for a well-told story--one that'll make you hoot with pleasure, drop your mouth in disbelief, tear up with empathy? If that be the case, you're likely already a fan of the brilliant beyond-hip This American Life. If you're not yet familiar with the Public Radio show and its ingenious host, Ira Glass, Lies, Sissies & Fiascoes will tickle your ears and engage your sense of wonderment. Underscored by adroitly chosen musical bits from Jonathan Richman to Liz Phair to Yo La Tengo, The Best of TAL springs into action illustrating the criterion for true fiasco with Jack Hitt's lively narrative of an uproariously bad production of Peter Pan. David Sedaris recounts reeling off insults and complaints in iambic pentameter as a teen bitten by the Drama Bug (which bites "Jews, homosexuals and plump women who wear their hair in bangs" the hardest). Dishwasher Pete tells how he duped the Letterman show, Scott Carrier gives a moving account of how his life unraveled and came back together during the season he conducted interviews with schizophrenics, and Ira Glass sounds off on getting over heartbreak. --Paige La GroneCustomer Reviews:
A few great ones, the rest mediocre.......2004-06-04
For example, "Shooting Dad" by Sarah Vowell is a terrific essay about Sarah's relationship with her gunsmith father. Well-written, funny, sharp and poignant. But compare that with the dreck that follows: "Get Over It!" by host Ira Glass, where he mopes at length about his recent encounter with a former girlfriend. Sarah Vowell once stated in an interview that radio stories are "edited down within an inch of their lives", but Ira's segment -- full of his own deep sighs, his laughter at his own comments, his voice often choked with emotion -- seems to have undergone no editing whatsover. It reminded me of the scene in "Broadcast News" where William Hurt's TV reporter character inserts a shot of himself shedding a tear during an interview. It reeks of "look at me, aren't I so 'real'"; that is, until you realize that it was created with multiple takes.
As for the rest, I enjoyed Sedaris's "Drama Bug" and Bindler's "Hands on a Hard Body", but many of the others struck me as mediocre for one reason or another.
This American Life from PRI is fabulous!.......2003-12-16
Mostly good stories from NPR's radio show.......2003-01-29
The only segments I did not like in this set, in fact, are the first one on each disc; these happen to be the ones that feature the show's host Ira Glass. I found "Peter Pan" (a piece about a small town drama production that goes awry) to be patronizing and overly long; the remainder of the first disc was very funny. Opening the second disc is "Get Over It!", a segment in which Mr. Glass explores an awkward weekend with an ex-girlfriend for whom he still has feelings. Although it has a good ending, I thought that he was just begging for sympathy with this story, and I felt manipulated. It's admirable in a way that Mr. Glass is willing to showcase his private pain for our entertainment, but not if he's going to make it a pity party.
But otherwise I think the compilation is great and I thank him for creating and hosting the show. I recommend it for anybody who's been a fan of the show (and most of you will probably enjoy Mr. Glass's pieces more than I did).
disappointed baby boomer.......2002-11-22
Absolutely compelling and entertaining!.......2002-10-17
Lies, Sissies, and Fiascos is a wonderful blend of sarcasm and sentiment, of tenderness and hilarity. Host Ira Glass's voice is soothing and familiar, and you really can't lose when it comes to anything involving David Sedaris. Sandra Tsung Loh's entry is one that is particularly memorable to me. She tells about how her relationship with her father is enriched when she views him through the most unlikely viewpoint imaginable: that of a local punk rock band, which has idolized her father and thinks of him as some kind of spiritual icon.
I immensely enjoyed listening to this CD, and I will return to it and find the stories familiar, not repetative (as I would with some audio books). Highly recommended.
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In This Life Together
Kindred the Family Soul Manufacturer: Hidden Beach Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AOJ9G2 Release Date: 2005-09-20 |
Tracks:
- It's Kindred (Kindredlude)
- Thru Love
- Turn It Up
- Do You Remember
- The Question (Where Would I Be)
- Woman First
- Let It All Go
- Sneak A Freak
- Message to Marvin
- Ossie Davis Quote (Interlude)
- As of Yet
- Aja's Mom (Interlude)
- Struggle No More
- Definition Edit
- My Time
- In This Life Together
- Husband My Daddy (Interlude)
- Bed Time Story
Customer Reviews:
Thank you Kindred for Keeping Neo-Soul on the Map!.......2007-06-04
In This Life Together . . . . finally family music has exemplary appeal!.......2007-05-15
I Love This Group.......2007-05-12
LIFE AFFIRMING. WONDERFUL. KINDRED is fantastic........2007-03-14
Kindred Soul is all that!!!.......2007-03-08
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Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007Z9QUS Release Date: 2005-05-10 |
Tracks:
- Haunted Heart
- River
- When Did You Leave Heaven?
- You've Changed
- Answer Me
- My Cherie Amour
- In My Life
- The Moon Is A Harsh Mistress
- Wozzeck/The Midnight Sun
- Liebst du um Schit
- My One And Only Love/This Is Always
- Can do Amor
- Psych
- Hard Times Come Again No More
Amazon.com
While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson
\
Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.
Customer Reviews:
Sublime and ridiculous.......2007-06-13
The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.
So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).
Eeeeeeeeeeewwwwwww.......2007-06-06
Better than I thought it would be.......2007-04-10
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.
I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.
To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!
Brava Renee.......2007-04-09
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.
Art is always new. .......2007-03-10
I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.
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This Beautiful Life
Big Bad Voodoo Daddy Manufacturer: Fontana Interscope ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000028TUX Release Date: 1999-10-19 |
Tracks:
- Big And Bad
- I Wanna Be Like You
- Who's That Creepin'?
- When It Comes To Love
- I'm Not Sleepin'
- Some Things
- What's Next?
- Big Time Operator
- Still In Love With You
- 2000 Volts
- Sleep Tight
- Ol' MacDonald
Amazon.com
Big Bad Voodoo Daddy's Scotty Morris is a sincere, talented, knowledgeable music lover who unfortunately can't translate his passion into truly effective sounds. Wide-ranging hipster credentials in hand--BBVD got its name from late blues guitarist Albert Collins--the seven-piece outfit's sound is totally competent and no more. Pushing forward deliberately, but with little sense of the swing that's their supposed trademark, the bland-voiced Morris and band remain lukewarm through This Beautiful Life's dozen cuts. Paying tribute to Sinatra with a closing "Ol' MacDonald" is a nice touch, but not as nice as the real thing is. (Hint: It's on Sinatra's Swingin' Session!!!) --Rickey WrightCustomer Reviews:
Swing music to dance to.......2007-01-03
More great Jazz.......2006-08-17
It doesn't get any better than this.......2005-03-30
This cd leaves their first cd in the dust. A definite must for anyone interested in Swing.
Kings of Swing!.......2005-03-29
good cd, more evolved sound.......2004-10-22
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Rock Music:
