As Is [Import]

as is [import]

Editorial Reviews

Product Description
Digipak reissue of 1966 album includes the stereo & mono versions of all original album tracks. Umbe. 2004.

As Is,Manfred Mann,Rock/Pop
Harry Potter & the Goblet of Fire
Average customer rating: 3.5 out of 5 stars
  • Harry Potter moves on.. and so does the music
  • The Magic is Gone
  • Atmospheric...But That's About All
  • Musically Spellbinding
  • Wonderful as always
Harry Potter & the Goblet of Fire

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Harry Potter & the Prisoner of Azkaban
  2. Harry Potter and the Chamber of Secrets
  3. Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack
  4. Harry Potter and the Goblet of Fire (Two-Disc Special Edition) (Harry Potter 4)
  5. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

ASIN: B000BGH22W
Release Date: 2005-11-15

Tracks:

  1. Story Continues
  2. Frank Dies
  3. Quidditch World Cup
  4. Dark Mark
  5. Foreign Visitors Arrive
  6. Goblet of Fire
  7. Rita Skeeter
  8. Sirius Fire
  9. Harry Sees Dragons
  10. Golden Egg
  11. Neville's Waltz
  12. Harry in Winter
  13. Potter Waltz
  14. Underwater Secrets
  15. Black Lake
  16. Hogwarts' March
  17. Maze
  18. Voldemort
  19. Death of Cedric
  20. Another Year Ends
  21. Hogwarts Hymn
  22. Do the Hippogriff
  23. This Is The Night
  24. Magic Works

Amazon.com

Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth Vincentelli

Album Description

Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.

Customer Reviews:

5 out of 5 stars Harry Potter moves on.. and so does the music.......2007-05-23

As a collector of movie soundtracks, it was unthinkable not to get this fourth album of the Harry Potter series. After reading the mixed reviews, I was apprehensive as to whether it would sit on my shelf collecting dust or get a good workout in the CD player.

I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.

As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?

I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.

So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!

1 out of 5 stars The Magic is Gone.......2007-05-10

John Williams is not simply a hard act to follow...he's THE hard act to follow. Nonetheless this score falls far short. There was once magic in the land of Hogwarts.. themes were stated boldly and elevated the story, flurries of woodwinds nurtured scenes of flight. Doyle's score does dare to quote William's melodies at 3 points in this score. They are harmonized poorly and treated even worse. The rest of the score just goes downhill from here. He does introduce his own new "themes." These are presented as boring quarter note string lines that you can't seem to remember 10 seconds after you hear them. The rest of the scoreat it's best is a prime example of dated cliches. The dialogue scenes are overly sappy and the action scenes become hokey in an almost silent film music stlye. Watch the graveyard scene again and laugh, check out the dance scene where characters get lifted in the air as simple scales comically mirror their moves. The most common reaction to the music after viewing the film is "I don't really remember it as being good or bad." If you go back and watch it again I think you story will change. The magic is gone.

3 out of 5 stars Atmospheric...But That's About All.......2007-03-31

One of the joys for me of the John Williams "Harry Potter" scores are the lush, melodic leitmotifs. On "The Chamber of Secrets" album alone there are wonderful themes for Fawkes, Dobby and Gilderoy Lockhart, not to mention Colin, Hedwig and The Flying Car. They're charming, evocative pieces that stand alone apart from the moodier, more percussive tracks composed to accompany the actual movie. Unfortunately, there's nothing that even comes close to these in Doyle's "Goblet of Fire" score. There's certainly drama ("The Maze") and pathos ("Death of Cedric"), but nothing thematic that you'd want to hear over and over again. And what themes there are ("Neville's Waltz" for instance) I find woefully banal. (And don't get me started on the acid rock songs that close the album.) So this is a true movie score in the sense that it's pretty much all background music; it certainly creates atmosphere and serves as a reminder of the film's superlative visuals. But what works well in the theater doesn't translate very well for the home audio listener.

5 out of 5 stars Musically Spellbinding.......2007-01-09

This album is a must for an Harry Potter fan, both young and old, from the mild to the extreme. I also recommend the entire collection of soundtracks to the movies. Each one is full of calm, soothing melodies we have come to enjoy from Harry Potter.

5 out of 5 stars Wonderful as always.......2007-01-04

It is easy to become totally absorbed in this rendition. Believable voices.
as/is
Average customer rating: 4 out of 5 stars
  • as/is John Mayer
  • enjoy it!
  • John Mayer "As is" just "OK"
  • YES! John Mayer IS a Legend in his own Time!
as/is
John Mayer
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. The Village Sessions
  2. Inside Wants Out
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  4. Any Given Thursday
  5. Continuum

ASIN: B0006FNJ66
Release Date: 2006-01-23

Tracks:

  1. Only Heart
  2. My Stupid Mouth
  3. No Such Thing
  4. Covered in Rain
  5. Split Screen Sadness
  6. Blues Intro
  7. Come Back to Bed

Tracks:

  1. Your Body Is a Wonderland
  2. Something's Missing
  3. Inner City Blues (Make Me Wanna Holler)
  4. Clarity
  5. 3X5
  6. Home Life
  7. Comfortable
  8. Neon

Album Description

The best version of John Mayer is him in concert. Live, Mayer often extends his songs to upwards of 10 minutes, feeling every chord he plays as he grooves across the stage. Mayer's talent exceeds what any listener can grasp from his studio albums, and as such the As/Is album is a little piece of soulful heaven for any Mayer fan, and is at least an interesting album for others. For anyone who wants to belt along to many of Mayer's hits over the entire span of his career, As/Is is a good album. But for anyone who wants to hear a spectacular guitar player and musician hit his stride, As/Is is the album. sony. 2005.

Customer Reviews:

3 out of 5 stars as/is John Mayer.......2007-04-04

This is OK. Well at least I can say his "Blues don't Blow!"

4 out of 5 stars enjoy it!.......2006-12-30

As a hard core John Mayer fan, I enjoy this double CD set. I especially love "Blues Intro" and John's rendition of Marvin Gaye's "Inner City Blues/Make Me Wanna Holler." The rest is same ole, same ole, but the set is worth having if you love John playing the blues as much as I do. In concert, he does his old standards in all various ways, so no single one is ever the same. It's just fun to hear John in concert without actually being there.

3 out of 5 stars John Mayer "As is" just "OK".......2006-07-03

If you want to buy a live CD from John Mayer, purchase "Any Given Thursday", a double CD also, which is without question much better. If you are a hard core Mayer fan and your looking for a few gems, there are 2 or 3 great versions of songs you already know on this. This is only for the hard core fan, but I am glad I bought it.

5 out of 5 stars YES! John Mayer IS a Legend in his own Time!.......2005-11-13

I'm listening to this CD right now...I randomly select either of the two CDs when I'm in the space for John...Either satisfies completely for individual reasons! This is my FIRST [yes, first] John Mayer CD, though I've heard some of his stuff before. I suppose it was John's appearance on Clapton's Crossroads [Guitar Festival] DVD which REALLY got my attention...John is aglow on stage, full of spirit, young verve and reverence for his gifts and everyone elses...He played alongside some guitar 'legends' and showed himself to be one in the making! Sooo, when I decided I wanted some John Mayer I was grateful to know a LIVE recording existed and picked up the CD As/Is. How wonderful! It really is a lift to hear his music, his words [he likes to engage the audience and isn't afraid to let them know he appreciates them all]...And the audience is as much a part of the CD recordings as everyone else...They give the whole thing an electric sparkle and I can FEEL the Mutual Admiration Society working! ;) John's range, variety and sheer joy in sharing his music is as palpable as it is moving and full of H.E.A.R.T. Bob your head, tap your feet, laugh out loud, dance...Enjoy!

RoCkOn John!

Thanks,
Bead
Mendelssohn: Elijah
Average customer rating: 4.5 out of 5 stars
  • Wonderful, but not my first choice
  • THE BEST recording of the BEST oratorio ever...
  • Too bad there are so few recordings of Elijah
Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Franz Joseph Haydn: The Creation
  2. Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
  3. Mahler: Das Lied von der Erde
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  5. Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

  1. Introduction: As God The Lord Of Israel Liveth
  2. Overture
  3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
  4. No.2: Lord! Bow Thine Ear To Our Prayer!
  5. No.3: Ye People, Rend Your Hearts
  6. No.4: If With All Your Hearts
  7. No.5: Yet Doth The Lord See It Not
  8. No.6: Elijah! Get Thee Hence
  9. No.7: For He Shall Give His Angels Charge Over Thee
  10. Recitative: Now Cherith's Brook Is Dried Up
  11. No.8: What Have I Do To Do With Thee?
  12. No.9: Blessed Are The Men Who Fear Him
  13. No.10: As God The Lord Of Sabaoth Liveth
  14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
  15. No.12: Call Him Louder, For He Is A God!
  16. No.13: Call Him Louder! He Heareth Not!
  17. No.14: Lord God Of Abraham, Isaac And Israel!
  18. No.15: Cast Thy Burden Upon The Lord
  19. No.16: O Thou, Who Makest Thine Angels Spirits
  20. No.17: Is Not His Word Like A Fire?
  21. No.18: Woe Unto Them Who Forsake Him!
  22. No.19: O Man Of God, Help Thy People!
  23. No.20: Thanks Be To God!

Tracks:

  1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
  2. No.22: Be Not Afraid, Saith God The Lord
  3. No.23: The Lord Hath Exalted Thee
  4. No.24: Woe To Him, He Shall Perish
  5. No.25: Man Of God, Now Let My Words Be Precious
  6. No.26: It Is Enough; O Lord Now Take My Life
  7. No.27: See, Now He Sleepeth
  8. No.28: Lift Thine Eyes To The Mountains
  9. No.29: He, Watching Over Israel, Slumbers Not
  10. No.30: Arise, Elijah, For Thou Hast A Long Journey
  11. No.31: O Rest In The Lord
  12. No.32: He That Shall Endure To The End, Shall Be Saved
  13. No.33: Night Falleth Round Me, O Lord!
  14. No.34: Behold! God The Lord Passed By!
  15. No.35: Above Him Stood The Seraphim
  16. No.36: Go, Return Upon Thy Way
  17. No.37: For The Mountains Shall Depart
  18. No.38: Then Did Elijah The Prophet Break Forth
  19. No.39: Then Shall The Righteous Shine Forth
  20. No.40: Behold, God Hath Sent Elijah
  21. No.41: But The Lord, From The North Hath Raised One
  22. No.41a: O Come Everyone That Thirsteth
  23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

4 out of 5 stars Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

5 out of 5 stars THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

4 out of 5 stars Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Ennio Morricone - Film Music, Vol.1
Average customer rating: 4.5 out of 5 stars
  • No Fistful of Ennio
  • I would call some of these pieces "newage"...
  • Simply a 'Must Purchase' for those with a passing interest in Morricone's work
  • ENNIO MORRICONE - FILM MUSIC, VOL. 1
  • A collection of Morricone's most popular and entertaining
Ennio Morricone - Film Music, Vol.1

Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
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ASIN: B00000DR51
Release Date: 1992-06-29

Tracks:

  1. The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
  2. Maddalena: Come Maddalena
  3. The Sicilian Clan: The Sicilian Clan
  4. The Life And Times Of David Lloyd George (BBC TV): Chi Mai
  5. Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
  6. Moscow Farewell: Moscow Farewell
  7. Espion Leve Toi: Marcia In La
  8. Lady Caliph: Lady Caliph
  9. Battle Of Algiers: The Battle Of Algiers
  10. The Infernal Trio: The Infernal Trio
  11. La Banquiere: Dedicace
  12. For Love One Can Die: For Love One Can Die
  13. Sacco And Vanzetti: Sacco And Vanzetti
  14. The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
  15. Quartiere: Romanza Quartiere
  16. Once Upon A Time In The West: Once Upon A Time In The West
  17. The Mission: On Earth As It Is In Heaven (Remix)

Customer Reviews:

3 out of 5 stars No Fistful of Ennio.......2007-01-31

Ennio Morricone wrote great soundtrack music, that's for certain. But no retrospective of his work is complete without the inclusion of more than one lone example from the three mid-60's "spaghetti westerns" he scored for Sergio Leone and Clint Eastwood. Anyone familiar with the UNITED ARTISTS label LPs of "Fistful Of Dollars," "For A Few Dollars More" and "The Good, The Bad And The Ugly" might agree with this.

As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.

5 out of 5 stars I would call some of these pieces "newage"..........2006-08-02

Moscow Farewell is definitely my pick of the lot. Sacco And Vanzetti was a pleasant surprise once I listened to it a couple of times. It is lively and could be played on a wedding dance floor for the whole family. This is great album to listen to while in bed!

5 out of 5 stars Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13

Arguably one of the greatest (if not the greatest) Film composer of the 20th Century. Not only has he scored some of the most influential and instantly recognisable pieces of film music during his roughly 50 years of composing atmospheric film scores. Whether he's providing the spooky dramatics for a spaghetti Western" or constructing the ingenious use of classical arrangements of brooding cinematic pieces, he has (in most cases) consistently delivered contemporary music that has provided the atmospheric foil for the picture in question. And with a collection of musical influences that were as far ranging as: classical, jazz, pop, rock, electronic, avant-garde, and Italian music, he is able to deliver a variety of film scores that are as diverse as they are beautifully composed.

This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.

If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.

5 out of 5 stars ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16

HAVING HEARD EXERPTS OF THE MUSIC BEFORE, IT WAS EXACTLY WHAT I
WANTED.

5 out of 5 stars A collection of Morricone's most popular and entertaining.......2005-07-31

Volume I of III, of this 'best of' Morricone trilogy, is the best of the three. This volume consists of music that can be listened to alone and socially, with some of the most catchy and minimalist rhythms you'll ever hear. You'll listen to this album and wonder what movie you've heard that song from before(Morricone's canon being primarily for film scores). If you're hear because you're trying to get the song from a movie, and you've never really heard of Morricone before, then you've luckily stumbled upon some of the best music I've ever heard. Or, if you're a Morricone fan and you'er looking for a good compilation, since Morricone has done too many film scores to even possibly own them all, then this is good to have. I wouldn't really reccommend Volume II and III unless you're looking or a very comprehensive collection of Morricone, since Volume I seems to me to carry his most absolute best. Definetely buy this album, it's very good.
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
    7. Donkey Serenade
    8. Softly, As in a Morning Sunrise
    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
    13. Marianne
    14. Serenade
    15. Indian Summer
    16. When I Grow Too Old to Dream
    17. Gypsy Love Song
    18. Golden Days - Jerry Hadley, Mario Lanza
    A Nod is As Good As a Wink to a Blind Horse
    Average customer rating: 4.5 out of 5 stars
    • "Debris"...Ronnie Lane snags the best track on this classic.
    • For One Song
    • C'mon...
    • Brings back great memories. Solid rock & roll.
    • The Faces' best record
    A Nod is As Good As a Wink to a Blind Horse
    Faces
    Manufacturer: Warner Bros / Wea
    ProductGroup: Music
    Binding: Audio CD

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    1. Ooh La La
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    ASIN: B000002KDW
    Release Date: 1993-09-14

    Tracks:

    1. Miss Judy's Farm
    2. You're So Rude
    3. Love Lives Here
    4. Last Orders Please
    5. Stay With Me
    6. Debris
    7. Memphis, Tennessee
    8. Too Bad
    9. That's All You Need

    Amazon.com

    Sixties Britpoppers the Small Faces begat the Faces, the reshaped '70s version. Of course, the latter-day incarnation of the band was best known for its lead singer, Rod Stewart, and his unique, squalling voice. The players, meanwhile, displayed Stones-ish sensibilities, which makes sense given that guitarist Ron Wood left the group to join Jagger, Richards, and the boys. Faces didn't release a great number of albums, but during their tumble on the rock charts, they made some truly great songs, several of which are found on this, their consensus classic. "Stay with Me" sounds like a barroom brawl set to music, and "Miss Judy's Farm" puts one in mind of a garage band that lucked out and found a studio and a (somewhat) sober producer. A Nod... is the most representative recording of a band that helped shape hard rock and punk for years to come. --Lorry Fleming

    Customer Reviews:

    5 out of 5 stars "Debris"...Ronnie Lane snags the best track on this classic........2007-02-26

    Ronnie Lane's poignant ode to his dad..."Debris"...is the killer track on this album. Stewart's BEST vocals are the background vocals he provides on this track. That's a pretty bold claim when you're talking about an album that includes "Miss Judy's Farm," "Stay With Me," "Too Bad," "That's All You Need"...but it's a fact. The late, great Ronnie Lane provided a much-needed "McCartney sweetness" counterpoint to Stewart's rooster-haired strutting, and that combination (along with the unstoppable Ronnie Wood) made this band magic. They pulled off one more...the lesser "Ooh La La"...and Ronnie Lane headed south. Free's Tetsu Yamauchi gamely stepped in to fill the void, but with all due respect, he was "just a bass player." After a sloppy live album, Faces faded away and Stewart became a cartoon of his former self. But on THIS album, you have an ample opportunity to understand what the hype was all about.

    2 out of 5 stars For One Song.......2006-12-28

    For Christmas this was on my wish list for "Stay with Me". I got my wish and had to absolutely laugh and cringe through the rest of this CD. To say "Horrible" would be tooooo kind but that only applies to the lyrics and singing.

    However, the redeeming factor for the second star was the actual music. If they had just kept their mouths shut, I probably would have given it a 4.

    4 out of 5 stars C'mon..........2006-08-15

    ...what are you reading this for? You know what to expect when you buy a disc produced by Rod Stewart's Faces: at least four or five hard-rocking party numbers ('Miss Judy's Farm', 'Stay With Me', 'Memphis', 'Too Bad', and 'That's All You Need') featuring Rod's raspy vocals, and heavy, pulsing guitar and bass lines courtesy of Ron Wood and Ronnie Lane; two or three irresistible love ballads ('Love Lives Here', 'Debris'); and to top it all off, some honky-tonk or boogie numbers ('You're So Rude', 'Last Orders Please'). 'A nod is as good as a wink to a blind horse...', released in November of 1971, charged up to number six on the US album charts, and stands as the most commercially successful of the bands' four albums.

    While there isn't always great depth to the lyrics offered up by the three R's... Rod, Ron, and Ronnie, no one can deny that they often cut straight to the chase. On 'Miss Judy's Farm', Rod paints vivid scenario's such as "I was just eighteen and all I needed was to get my way". Ironically, on 'That's All You Need', Stewart sings, "...my kind of music... you knew it wasn't gonna be simple..." when "simple" is exactly the form of music this band revels in. That particular song drifts along on a masterful lead guitar riff that makes it one of the most under-appreciated epic rock tracks. The second side of 'A nod...' (on the original vinyl version) opened with one of the bands' most successful single releases, 'Stay With Me', which climbed to number eight on the national charts in January of 1972. Despite being mercilessly overplayed on both the AM and FM frequencies, 'Stay With Me' has proven powerful enough to overcome overexposure. Stewart's barroom delivery takes lines like "I hear you're a mean old Jezebel" and transforms them into terms of endearment. A honky tonk piano track and grinding rhythm guitar propel the number into a fantastic instrumental coda embracing several faux finishes. 'Too Bad' chimes in with a tale involving a twelve foot tall butler, a colored queen, and sweaty girls over an up-tempo, party-rock beat. Their cover of Chuck Berry's 'Memphis' plods along in the beginning, but confidently gains intensity as Rod tells the familiar tale about a phone call from southside Memphis Marie, all of six years old.

    Among the better ballads are 'Love Lives Here', offering a melodic combination of guitars, piano, and organ, and Ronnie Lane's 'Debris', supported by more solid guitar and piano interaction. While less entertaining than the surrounding fare, 'You're So Rude' blends a rocking rhythm guitar riff with a tight electric lead guitar, and tops it off with a harmonica in the coda. Perhpas the weakest track among the nine performed is the side one closer, 'Last Orders Please', a break-up tale dropping some worn cliche's such as "you've got yours and I've got mine".

    I was a senior in high school the year that 'A nod...' hit the shelves, and the disc proved to be one of the first to hit the platter at each and every party that brought closure to that most important of all years. Whenever I see that cover (which always made me think of this as a live disc, which it isn't), surrounded by that distinct dark brown border, waves of memories and emotions from my youth surround me. For that reason, my own perception of the quality of this disc may be biased, but with each subsequent listen I feel vindicated that it isn't just my associations to it that make 'A nod...' a rock and roll classic. As many good times as this album must have witnessed in the early 1970's, it remains vital enough to produce many more to come.

    5 out of 5 stars Brings back great memories. Solid rock & roll. .......2005-10-04

    Back in the late 70's I had the vinyl and this was one of my favorite albums. The CD version sounds just as good if not better. The music is still very fresh, classic rock & roll. Great rock singing and guitar work. This has to be one of Rod Stewart's best material. I think he was at his best with the Faces or maybe he was just younger, drank more Scotch and really believed in what he was singing. The later material just has not been convincing with lot of commercialism. I am curious to listen to the Gold Disc version from Audio Fidelity.

    4 out of 5 stars The Faces' best record.......2005-03-27

    "A Nod Is As Good As A Wink...To A Blind Horse" is the Faces' third album in just two years, and it is their most consistent record alongside 1973's "Ooh La La".

    Filled with crunchy electric guitars, blooze-n-boogie piano, and deep, bluesy grooves, it boasts the group's only significant hit, the superb, fiery rocker "Stay With Me". But there are numerous other highlights, including the strutting "Miss Judy's Farm", a rollicking cover of Chuck Berry's "Memphis", and the piano-driven hard rock of "Too Bad"...everything is worth a listen, actually.
    "A Nod Is As Good As A Wink..." rocks like very few other records of the early seventies, and this fine record proves what a great, underrated rock n' roll outfit the Faces were.
    Now the Day Is Over
    Average customer rating: 3.5 out of 5 stars
    • Innocence Mission is an appropriate name
    • Sickenly too sweet
    • absolutely love this album
    • I Love You, Innocence Mission.
    • works beautifully
    Now the Day Is Over
    The Innocence Mission
    Manufacturer: Badman Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0002ZMJ4I
    Release Date: 2004-11-09

    Tracks:

    1. Stay Awake
    2. Over The Rainbow
    3. What A Wonderful World
    4. Moon River
    5. Somewhere A Star Shines For Everyone
    6. Prelude In A
    7. Once Upon A Summertime
    8. My Love Goes With You
    9. Edelweiss
    10. Sonata No.8
    11. Bye-Lo
    12. It Is Well With My Soul
    13. Now The Day Is Over

    Amazon.com

    The Innocence Mission have, over the course of a decade, created a half dozen albums which celebrate small pleasures, fragile details and the wistful edges of life. As the title suggests, Now the Day Is Over offers a set of lullabies. The dozen covers and one original were not all written as bedtime reveries, but it's a testament to the graceful nuances Don and Karen Peris that such a familiar song as "What A Wonderful World" can bring out the twinkling stars of nighttime with heartfelt purity. Free of embellishments, either internal or studio created, Karen's vocals are at once magical and direct. The trio has done much more than to simply streamline or slow down these selections, they've found the core of each number and built around it only that which is necessary. -- David Greenberger

    Customer Reviews:

    2 out of 5 stars Innocence Mission is an appropriate name.......2007-06-02

    Not the worst cd I have and certainly not offensive. However, lacks depth, character, and content. Could be good for the kids. Bought it because I fell in love with a track I heard on Radio Paradise. Overall I could have spent the money in other ways.

    2 out of 5 stars Sickenly too sweet.......2007-05-12

    I am new to the Innocence Mission. We have a one year old baby, so a friend gave us this CD as a gift. For me, Karen Peris's voice has the "nails across the blackboard" effect on me. She has no range and her voice is cloying. I am not expecting rock 'n roll or anything like that, but I just cannot find anything attractive in her voice. She absolutely "Somewhere Over the Rainbow," a classic and a song that I want to associate with my relatively unspoiled childhood. Oh well, different strokes for different folks.

    5 out of 5 stars absolutely love this album.......2007-01-12

    I play this album as part of my daughter's bedtime routine. I absolutely LOVE it. Has such a beautiful calmness to it. And as I sit their rocking with my daughter before I put her in her crib, it often brings both smiles to my face and tears to my eyes.

    5 out of 5 stars I Love You, Innocence Mission........2007-01-04

    In the winter of '89-'90, I picked up The Innocence Mission's eponymous debut on cassette one evening in a mall in Muncie. During my solitary rural Indiana backroads return to Taylor Univ., I was introduced to the delightfully solid intangibility of these troubadours of Heart, Soul, and Mind. I wanted Don and Karen Peris to mother and father me, or to marry Karen, or to be a brother or sister of one, to experience in my life the meaningful connections that in song resonated on and strong without dwindling into the inevitable nihilism that so much of art does nowadays. (Soon realized they were Catholic Universalists or something like that.)Fan for life.

    And so, I kept up with their oeuvre. Enjoying the experimental phases of beauty along with the return to simple folk beauty. "Bright as Yellow", on "Glow", piqued the world's interest on the "Empire Records" soundtrack. They toured at least a little with Lilith Fair one year. I found later they've done a blatantly spiritual album "Christ Is My Hope", and that Don (genius of guitar understatement/suggestion) has a couple of his own albums out. I still need to get those 3.

    Anyway, the idea of a lullaby album from The Innocence Mission is so perfectly obvious that I never expected it. I mean, she sang songs to her "Someday Coming Child" (on "Umbrella") years before she birthed!

    It is as perfect as it could be. Minimal in performance, maximal in effect. (With 3 little boys, I'm a connoisseur of artfully-lulling lullaby albums. Get the Disney Lullaby Album too--no, really--Greg Diakun and Fred Mollin create real art right under DisneyCorp's nose.)

    Finally, Karen can sing me to sleep--and my family too.

    5 out of 5 stars works beautifully.......2006-10-18

    I am a mother of twins and this CD was given to us as a gift. My babies fell asleep to this time after time and it was pleasant listening for both mom and dad. I plan on giving this as a gift to all my new parent friends.
    Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
    Average customer rating: 4.5 out of 5 stars
    • They were right--there is NO business like the show business they did way back when !!!
    • One of the best cds I ever bought.
    • Never Sounded Better
    • Somewhere Over The Rainbow
    • "Hollywood Musicals of the Golden Age are still among us"
    Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
    Various Artists
    Manufacturer: Rhino / Wea
    ProductGroup: Music
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    5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

    ASIN: B000066RO5
    Release Date: 2002-06-04

    Tracks:

    1. Singin In The Rain - Gene Kelly
    2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
    3. 'S Wonderful - Gene Kelly & Georges Guetary
    4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
    5. Stranger In Paradise - Ann Blyth & Vic Damone
    6. Easter Parade - Judy Garland & Fred Astaire
    7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
    8. Get Happy - Judy Garland
    9. Night And Day - Fred Astaire
    10. True Love - Bing Crosby & Grace Kelly
    11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
    12. They Cant Take That Away From Me - Fred Astaire
    13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
    14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
    15. For Me And My Gal - Gene Kelly & Judy Garland
    16. Puttin On The Ritz - Clark Gable & Co.
    17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
    18. Bless Yore Beautiful Hide - Howard Keel
    19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
    20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
    21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

    Tracks:

    1. Over The Rainbow - Judy Garland
    2. Its A Most Unusual Day - Jane Powell
    3. Wunderbar - Kathryn Grayson & Howard Keel
    4. Cant Help Lovin Dat Man - Ava Gardner
    5. Going Hollywood - Bing Crosby
    6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
    7. Gigi - Louis Jourdan
    8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
    9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
    10. The Lady Is A Tramp - Lena Horne
    11. The Best Things In Life Are Free - June Allyson & Peter Lawford
    12. Cheek To Cheek - Fred Astaire
    13. A Kiss To Build A Dream On - Louis Armstrong
    14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
    15. If Swing Goes, I Go Too - Fred Astaire
    16. Almost Like Being In Love - Gene Kelly
    17. Lets Face The Music And Dance - Fred Astaire
    18. Be A Clown - Gene Kelly & Judy Garland
    19. Embraceable You - Connie Francis
    20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
    21. One For My Baby (And One More For The Road) - Fred Astaire

    Amazon.com

    The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

    Customer Reviews:

    5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

    Everything that happens in life
    Can happen in a show
    You can make 'em laugh
    You can make 'em cry
    Anything
    Anything can go....

    The clown with his pants falling down
    Or the dance that's a dream of romance
    Or the scene where the villain is mean
    That's entertainment!

    The lights on the lady in tights
    Or the bride with the guy on the side
    Or the ball where she gives him her all
    That's entertainment!

    The plot and the hot simply teeming with $ex
    A gay divorcee who is after her ex
    It could be Oedipus Rex
    Where a chap kills his father
    And causes a lot of bother

    The clerk who is thrown out of work
    By the boss who is thrown for a loss
    By the skirt who is doing him dirt

    The world is a stage,
    The stage is a world of entertainment!

    This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

    I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

    There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

    The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

    In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

    5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

    What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

    1 out of 5 stars Never Sounded Better.......2006-03-16

    Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

    5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

    A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

    5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

    Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

    The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
    June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

    On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
    AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
    BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
    BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
    EASTER PARADE - Fred Astaire & Judy Garland (1948)
    FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
    GET HAPPY - Judy Garland (1950)
    HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
    HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
    LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
    LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
    MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
    NIGHT AND DAY - Fred Astaire (1934)
    PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
    'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
    SINGIN' IN THE RAIN - Gene Kelly (1951)
    STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
    TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
    THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
    THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
    THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
    TRUE LOVE - Bing Crosby & Grace Kelly (1956)

    On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
    A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
    ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
    ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
    BE A CLOWN - Judy Garland & Gene Kelly (1948)
    BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
    CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
    CHEEK TO CHEEK - Fred Astaire (1935)
    EMBRACEABLE YOU - Connie Francis (1965)
    GIGI - Louis Jourdan (1958)
    GOING HOLLYWOOD - Bing Crosby (1933)
    I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
    IF SWING GOES, I GO TOO - Fred Astaire (1946)
    IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
    LADY IS A TRAMP - Lena Horne (1948)
    LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
    ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
    ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
    OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
    PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
    THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
    WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

    It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

    This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

    Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
    As Is...Live at the Blue Note
    Average customer rating: 5 out of 5 stars
    • In Person
    As Is...Live at the Blue Note
    Avishai Cohen
    Manufacturer: Half Note Records
    ProductGroup: Music
    Binding: Audio CD

    Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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    ASIN: B000OCY6WM
    Release Date: 2007-04-24

    Tracks:

    1. Smash
    2. Elli
    3. Etude
    4. Bass Suite #1
    5. Feediop
    6. Remembering
    7. Caravan

    Customer Reviews:

    5 out of 5 stars In Person.......2007-06-19

    Avishai Cohen is a person I would love to see in perform live. This DVD/CD combo features some of my favorite tunes by the group as well as the live DVD presentation. Wonderful combination for someone with the longing to see them
    Music for Elevators
    Average customer rating: 4 out of 5 stars
    • to go chilling on the sofa...
    • Excellent, with caveats.
    • The sexiest voice I've ever heard.
    • Hate to say it but.. Disappointing CD
    • Not what I had expected
    Music for Elevators
    Anthony Stewart Head , and George Sarah
    Manufacturer: Beautiful Is As ...
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005Y1M5
    Release Date: 2002-02-05

    Tracks:

    1. What Can You Tell Me
    2. Babies (The In-Between)
    3. Owning My Mistakes
    4. (Segue)
    5. We Can Work It Out
    6. Qu'est Ce Que J'ai Fait
    7. All the Fun of the Fair
    8. This Town in the Rain
    9. Talk to You
    10. Mum's Song
    11. Last Time
    12. One Man's Rain
    13. (Segue)
    14. Change
    15. Bonus Track
    16. Bonus Track

    Customer Reviews:

    5 out of 5 stars to go chilling on the sofa..........2007-07-05

    it's not a surprise, either nothing new, Anthony Stewart Head - aka Mr. Giles in Buffy the vampire slayer or the primer minister in Little Britain- has a charming and very soft voice, that kind of voice that you never get tired oflistening to and makes you feel at home.
    That's the reason you can fee like if you were in a very cosy coffee place, sitting on a sofa and having a nice cup of coffee and listening on the background this nice and beautiful songs. Track # 2 is one of the most beautiful songs I've ever heard.

    5 out of 5 stars Excellent, with caveats........2007-06-27

    Like pretty much everyone else, I bought this for the vocals of Anthony Stewart Head, and I'm not disappointed. This, however, might have something to do with the fact that I came of age in the 80s, and the arrangement of the synthesizers didn't cross my eyes. It reminded me of many of my favorites from the 80s (Nik Kershaw, Howard Jones, Bowie - albeit a more velvety Bowie, so don't get all crazed when I say that, Camouflage - this should give you an idea of how synth-intensive the album is. You get the sense that they had a pretty good mixing board, a couple of high-end synths, some good microphones, and great strings (guitar, violin, bass cello) to work with. Nothing wrong with that - though I do wonder if the album wouldn't have been more successful if they'd ditched the synth-pop elements and used a piano or two and session drummer instead of the sometimes extremely cheesy synthesizer stuff. The synth stuff is at its best when it stands for a piano anyway. But seriously: some of the drum tracks I swear to goshen I recognize from my first hand-held Casio synthesizer. I swear. The drum tracks and occasionally bizarre use of 1950s girlband style do-wop backup singers is downright awful in places (it very nearly ruins The Last Time and One Man's Rain, both of which could have been deeply amazing done just to piano, Tori style). The engineering is very good, though - and some of the arrangements are downright amazing (This Town In the Rain and We Can Work It Out immediately come to mind). Just be prepared for the synths. Which will DEFINITELY come as a surprise to people who were hoping for Giles-folk-rock, and probably anyone born after 1990, give or take 5 years. I seriously would have paid another $20 to have a full cover of Freebird by Head. For reals. I'm crazed for his voice, which I think sounds pretty much like Nick Drake would have sounded if he'd grown older and wiser instead of tragically topping himself. I do recommend the album - and I live in the probably futile hope that Head will release another album at some point which lets the vocals lead. It's a shame to drown such a gorgeous voice in all the sauce that got ladled over this album.

    5 out of 5 stars The sexiest voice I've ever heard........2007-05-25

    Who would have kown that Anthony Steward Head was not only a great singer, but also such a good compositor and lyrics writter! All the songs of this album are just incredibily well-worked and achieved. The style of the album goes from the pop music by way of dance music and massive-attack-like sound.Just amasing! Even the lyrics are really excellent. Moreover, Anthony has the sexiest voice I've ever heard when he sings "Qu'est-ce que j'ai fait?".
    This album is just a pearl I advice you with enthusiasm to buy.

    Buffy The Vampire Slayer - Collector's Set (40 discs)

    1 out of 5 stars Hate to say it but.. Disappointing CD.......2007-03-30

    I am a HUGE Buffy the Vampire Slayer fan and Anthony Stewart Head as Giles was one of my favorite characters. I flipped over his voice when he sang on several episodes and thought this cd would be amazing. I had it on my wish list for a long time and my husband finally surprised me with it for my birthday last year.

    It took me four days to listen to it all the way through and I think I only listened to it the one time. Tony Head's voice is great BUT the music and background vocals are awful. The songs are not well written. Just blah. Listening to the cd I kept thinking if I could find a way to take the music and backup vocals and lower their volume WAY down so I could listen to Tony sing better. The songs might be better than I think but the bad music and backup vocals are so distracting I just can't tell.

    1 out of 5 stars Not what I had expected.......2007-01-10

    Terrible, nothing like you hear on The Buffy "Once more with Feeling" musical.

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