Digipak reissue of 1966 album includes the stereo & mono versions of all original album tracks. Umbe. 2004.
As Is,Manfred Mann,Rock/Pop
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Harry Potter & the Goblet of Fire
Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BGH22W Release Date: 2005-11-15 |
Tracks:
- Story Continues
- Frank Dies
- Quidditch World Cup
- Dark Mark
- Foreign Visitors Arrive
- Goblet of Fire
- Rita Skeeter
- Sirius Fire
- Harry Sees Dragons
- Golden Egg
- Neville's Waltz
- Harry in Winter
- Potter Waltz
- Underwater Secrets
- Black Lake
- Hogwarts' March
- Maze
- Voldemort
- Death of Cedric
- Another Year Ends
- Hogwarts Hymn
- Do the Hippogriff
- This Is The Night
- Magic Works
Amazon.com
Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth VincentelliAlbum Description
Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.Customer Reviews:
Harry Potter moves on.. and so does the music.......2007-05-23
I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.
As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?
I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.
So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!
The Magic is Gone.......2007-05-10
Atmospheric...But That's About All.......2007-03-31
Musically Spellbinding.......2007-01-09
Wonderful as always.......2007-01-04
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as/is
John Mayer Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006FNJ66 Release Date: 2006-01-23 |
Tracks:
- Only Heart
- My Stupid Mouth
- No Such Thing
- Covered in Rain
- Split Screen Sadness
- Blues Intro
- Come Back to Bed
Tracks:
- Your Body Is a Wonderland
- Something's Missing
- Inner City Blues (Make Me Wanna Holler)
- Clarity
- 3X5
- Home Life
- Comfortable
- Neon
Album Description
The best version of John Mayer is him in concert. Live, Mayer often extends his songs to upwards of 10 minutes, feeling every chord he plays as he grooves across the stage. Mayer's talent exceeds what any listener can grasp from his studio albums, and as such the As/Is album is a little piece of soulful heaven for any Mayer fan, and is at least an interesting album for others. For anyone who wants to belt along to many of Mayer's hits over the entire span of his career, As/Is is a good album. But for anyone who wants to hear a spectacular guitar player and musician hit his stride, As/Is is the album. sony. 2005.Customer Reviews:
as/is John Mayer.......2007-04-04
enjoy it!.......2006-12-30
John Mayer "As is" just "OK".......2006-07-03
YES! John Mayer IS a Legend in his own Time!.......2005-11-13
RoCkOn John!
Thanks,
Bead
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
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Ennio Morricone - Film Music, Vol.1
Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DR51 Release Date: 1992-06-29 |
Tracks:
- The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
- Maddalena: Come Maddalena
- The Sicilian Clan: The Sicilian Clan
- The Life And Times Of David Lloyd George (BBC TV): Chi Mai
- Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
- Moscow Farewell: Moscow Farewell
- Espion Leve Toi: Marcia In La
- Lady Caliph: Lady Caliph
- Battle Of Algiers: The Battle Of Algiers
- The Infernal Trio: The Infernal Trio
- La Banquiere: Dedicace
- For Love One Can Die: For Love One Can Die
- Sacco And Vanzetti: Sacco And Vanzetti
- The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
- Quartiere: Romanza Quartiere
- Once Upon A Time In The West: Once Upon A Time In The West
- The Mission: On Earth As It Is In Heaven (Remix)
Customer Reviews:
No Fistful of Ennio.......2007-01-31
As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.
I would call some of these pieces "newage"..........2006-08-02
Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13
This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.
If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.
ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16
WANTED.
A collection of Morricone's most popular and entertaining.......2005-07-31
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FQQ Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
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A Nod is As Good As a Wink to a Blind Horse
Faces Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KDW Release Date: 1993-09-14 |
Tracks:
- Miss Judy's Farm
- You're So Rude
- Love Lives Here
- Last Orders Please
- Stay With Me
- Debris
- Memphis, Tennessee
- Too Bad
- That's All You Need
Amazon.com
Sixties Britpoppers the Small Faces begat the Faces, the reshaped '70s version. Of course, the latter-day incarnation of the band was best known for its lead singer, Rod Stewart, and his unique, squalling voice. The players, meanwhile, displayed Stones-ish sensibilities, which makes sense given that guitarist Ron Wood left the group to join Jagger, Richards, and the boys. Faces didn't release a great number of albums, but during their tumble on the rock charts, they made some truly great songs, several of which are found on this, their consensus classic. "Stay with Me" sounds like a barroom brawl set to music, and "Miss Judy's Farm" puts one in mind of a garage band that lucked out and found a studio and a (somewhat) sober producer. A Nod... is the most representative recording of a band that helped shape hard rock and punk for years to come. --Lorry FlemingCustomer Reviews:
"Debris"...Ronnie Lane snags the best track on this classic........2007-02-26
For One Song.......2006-12-28
However, the redeeming factor for the second star was the actual music. If they had just kept their mouths shut, I probably would have given it a 4.
C'mon..........2006-08-15
While there isn't always great depth to the lyrics offered up by the three R's... Rod, Ron, and Ronnie, no one can deny that they often cut straight to the chase. On 'Miss Judy's Farm', Rod paints vivid scenario's such as "I was just eighteen and all I needed was to get my way". Ironically, on 'That's All You Need', Stewart sings, "...my kind of music... you knew it wasn't gonna be simple..." when "simple" is exactly the form of music this band revels in. That particular song drifts along on a masterful lead guitar riff that makes it one of the most under-appreciated epic rock tracks. The second side of 'A nod...' (on the original vinyl version) opened with one of the bands' most successful single releases, 'Stay With Me', which climbed to number eight on the national charts in January of 1972. Despite being mercilessly overplayed on both the AM and FM frequencies, 'Stay With Me' has proven powerful enough to overcome overexposure. Stewart's barroom delivery takes lines like "I hear you're a mean old Jezebel" and transforms them into terms of endearment. A honky tonk piano track and grinding rhythm guitar propel the number into a fantastic instrumental coda embracing several faux finishes. 'Too Bad' chimes in with a tale involving a twelve foot tall butler, a colored queen, and sweaty girls over an up-tempo, party-rock beat. Their cover of Chuck Berry's 'Memphis' plods along in the beginning, but confidently gains intensity as Rod tells the familiar tale about a phone call from southside Memphis Marie, all of six years old.
Among the better ballads are 'Love Lives Here', offering a melodic combination of guitars, piano, and organ, and Ronnie Lane's 'Debris', supported by more solid guitar and piano interaction. While less entertaining than the surrounding fare, 'You're So Rude' blends a rocking rhythm guitar riff with a tight electric lead guitar, and tops it off with a harmonica in the coda. Perhpas the weakest track among the nine performed is the side one closer, 'Last Orders Please', a break-up tale dropping some worn cliche's such as "you've got yours and I've got mine".
I was a senior in high school the year that 'A nod...' hit the shelves, and the disc proved to be one of the first to hit the platter at each and every party that brought closure to that most important of all years. Whenever I see that cover (which always made me think of this as a live disc, which it isn't), surrounded by that distinct dark brown border, waves of memories and emotions from my youth surround me. For that reason, my own perception of the quality of this disc may be biased, but with each subsequent listen I feel vindicated that it isn't just my associations to it that make 'A nod...' a rock and roll classic. As many good times as this album must have witnessed in the early 1970's, it remains vital enough to produce many more to come.
Brings back great memories. Solid rock & roll. .......2005-10-04
The Faces' best record.......2005-03-27
Filled with crunchy electric guitars, blooze-n-boogie piano, and deep, bluesy grooves, it boasts the group's only significant hit, the superb, fiery rocker "Stay With Me". But there are numerous other highlights, including the strutting "Miss Judy's Farm", a rollicking cover of Chuck Berry's "Memphis", and the piano-driven hard rock of "Too Bad"...everything is worth a listen, actually.
"A Nod Is As Good As A Wink..." rocks like very few other records of the early seventies, and this fine record proves what a great, underrated rock n' roll outfit the Faces were.
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Now the Day Is Over
The Innocence Mission Manufacturer: Badman Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002ZMJ4I Release Date: 2004-11-09 |
Tracks:
- Stay Awake
- Over The Rainbow
- What A Wonderful World
- Moon River
- Somewhere A Star Shines For Everyone
- Prelude In A
- Once Upon A Summertime
- My Love Goes With You
- Edelweiss
- Sonata No.8
- Bye-Lo
- It Is Well With My Soul
- Now The Day Is Over
Amazon.com
The Innocence Mission have, over the course of a decade, created a half dozen albums which celebrate small pleasures, fragile details and the wistful edges of life. As the title suggests, Now the Day Is Over offers a set of lullabies. The dozen covers and one original were not all written as bedtime reveries, but it's a testament to the graceful nuances Don and Karen Peris that such a familiar song as "What A Wonderful World" can bring out the twinkling stars of nighttime with heartfelt purity. Free of embellishments, either internal or studio created, Karen's vocals are at once magical and direct. The trio has done much more than to simply streamline or slow down these selections, they've found the core of each number and built around it only that which is necessary. -- David GreenbergerCustomer Reviews:
Innocence Mission is an appropriate name.......2007-06-02
Sickenly too sweet.......2007-05-12
absolutely love this album.......2007-01-12
I Love You, Innocence Mission........2007-01-04
And so, I kept up with their oeuvre. Enjoying the experimental phases of beauty along with the return to simple folk beauty. "Bright as Yellow", on "Glow", piqued the world's interest on the "Empire Records" soundtrack. They toured at least a little with Lilith Fair one year. I found later they've done a blatantly spiritual album "Christ Is My Hope", and that Don (genius of guitar understatement/suggestion) has a couple of his own albums out. I still need to get those 3.
Anyway, the idea of a lullaby album from The Innocence Mission is so perfectly obvious that I never expected it. I mean, she sang songs to her "Someday Coming Child" (on "Umbrella") years before she birthed!
It is as perfect as it could be. Minimal in performance, maximal in effect. (With 3 little boys, I'm a connoisseur of artfully-lulling lullaby albums. Get the Disney Lullaby Album too--no, really--Greg Diakun and Fred Mollin create real art right under DisneyCorp's nose.)
Finally, Karen can sing me to sleep--and my family too.
works beautifully.......2006-10-18
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
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As Is...Live at the Blue Note
Avishai Cohen Manufacturer: Half Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OCY6WM Release Date: 2007-04-24 |
Tracks:
- Smash
- Elli
- Etude
- Bass Suite #1
- Feediop
- Remembering
- Caravan
Customer Reviews:
In Person.......2007-06-19
Average customer rating:
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Music for Elevators
Anthony Stewart Head , and George Sarah Manufacturer: Beautiful Is As ... ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y1M5 Release Date: 2002-02-05 |
Tracks:
- What Can You Tell Me
- Babies (The In-Between)
- Owning My Mistakes
- (Segue)
- We Can Work It Out
- Qu'est Ce Que J'ai Fait
- All the Fun of the Fair
- This Town in the Rain
- Talk to You
- Mum's Song
- Last Time
- One Man's Rain
- (Segue)
- Change
- Bonus Track
- Bonus Track
Customer Reviews:
to go chilling on the sofa..........2007-07-05
That's the reason you can fee like if you were in a very cosy coffee place, sitting on a sofa and having a nice cup of coffee and listening on the background this nice and beautiful songs. Track # 2 is one of the most beautiful songs I've ever heard.
Excellent, with caveats........2007-06-27
The sexiest voice I've ever heard........2007-05-25
This album is just a pearl I advice you with enthusiasm to buy.
Buffy The Vampire Slayer - Collector's Set (40 discs)
Hate to say it but.. Disappointing CD.......2007-03-30
It took me four days to listen to it all the way through and I think I only listened to it the one time. Tony Head's voice is great BUT the music and background vocals are awful. The songs are not well written. Just blah. Listening to the cd I kept thinking if I could find a way to take the music and backup vocals and lower their volume WAY down so I could listen to Tony sing better. The songs might be better than I think but the bad music and backup vocals are so distracting I just can't tell.
Not what I had expected.......2007-01-10
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