| 1. We Are (Video Version) |
| 2. Don't Cry For Pain |
| 3. The Way I Am |
| 4. I'm Stupid |
| 5. 6 Feet Under |
| 6. Coz I Can (Remix) |
| 7. Crest Of A Wave |
| 8. L.A. |
| 9. Life |
| 10. Now It's Gone |
| 11. Here I Go Again |
| 12. Black Hole |
Editorial Reviews
Japanese pressing of 2004 release, scheduled to include one exclusive bonus track. Details TBA. Epic.
Way I Am,Ana Johnsson,Sony/Epic,Pop,Rock/Pop
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Broadway, My Way
Linda Eder Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000088E4T Release Date: 2003-02-18 |
Tracks:
- I Am What I Am (from "La Cage aux Folles")
- Anthem (from "Chess")
- On The Street Where You Live (from "My Fair Lady")
- What Kind of Fool (from "Stop The World I Want to Get Off")
- Some People (from "Gypsy")
- I'll Be Seeing You (from "Right This Way")
- Gold (from "Camille Claudel")
- Don't Rain On My Parade (from "Funny Girl")
- The Impossible Dream (from "Man of La Mancha")
- A New Life (from "Jekyll & Hyde")
- Edelweiss (from "The Sound of Music")
- Unusual Way (from "Nine")
- Man of La Mancha (from "Man of La Mancha")
Amazon.com
The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth VincentelliAlbum Description
On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.Customer Reviews:
Linda Eder - Great Voice.......2007-07-06
Not a voice.......an instrument.......2007-02-17
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.
the best female singer of the great american standards........2006-07-24
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER
The powerful and beautiful voice of Linda Elder.......2006-02-23
Linda Eder shines with her Broadway album.......2006-02-18
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Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000084TRM Release Date: 2003-01-28 |
Tracks:
- Overture/Work Song
- I Dreamed a Dream
- Who Am I?
- Castle on a Cloud
- Master of the House
- Stars
- Do You Hear the People Sing?
- A Heart Full of Love
- One Day More
- On My Own
- A Little Fall of Rain
- Drink with Me
- Bring Him Home
- Javert's Suicide
- Empty Chairs at Empty Tables
- Wedding Chorale/Beggars at the Feast
- Finale
Amazon.com
While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi
Customer Reviews:
BEST OPERA MUSIC EVER.......2006-11-03
Time well spent........2005-09-14
Great Score, But Highlights Missing Critical Songs.......2005-08-05
While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.
Best tracks:
I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables
Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.
Buy the full version, please.......2005-01-20
Argh Matey!.......2004-11-22
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
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Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OHT Release Date: 1998-06-02 |
Tracks:
- Act I: Overture
- Act I: Another Op'nin', Another Show
- Act I: Why Can't You Behave?
- Act I: Wunderbar
- Act I: So In Love
- Act I: We Open In Venice
- Act I: Tom, Dick Or Harry
- Act I: I've Come To Wive It Wealthily In Padua
- Act I: I Hate Men
- Act I: Were Thine That Special Face
- Act II: Too Darn Hot
- Act II: Where Is The Life That Late I Led?
- Act II: Always True To You (In My Fashion)
- Act II: Bianca
- Act II: So In Love (Reprise)
- Act II: Brush Up Your Shakespeare
- Act II: I Am Ashamed That Women Are So Simple
- Act II: Finale: Kiss Me, Kate
- Kiss Me, Kate Overture
Amazon.com
Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth VincentelliCustomer Reviews:
The best and maybe the last CD of this great musical........2006-02-20
Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.
The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.
(See also the original broadway CD of Out of This World.)
Beautiful remastering of historic original cast recording.......2004-05-24
The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.
The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.
The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.
KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.
the peerless original cast.......2004-03-04
Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.
KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.
A must-own.
Who Put The Shake In Shakespeare?.......2001-04-11
The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!
The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.
Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!
The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!
There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.
Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!
TIMELESS BROADWAY SHOW.......2001-01-11
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Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002B161Y Release Date: 2004-08-03 |
Tracks:
- Everybody's Got The Right
- Ballad Of Booth
- Ladies And Gentlemen, A Toast!
- How I Saved Roosevelt
- What Does A Man Do...?
- Gun Song
- Ballad Of Czolgosz
- Unworthy Of Your Love
- I Am A Terrifying And Imposing Figure...!
- Ballad Of Guiteau
- Have It Your Way
- Another National Anthem
- Take A Look Lee
- Something Just Broke
- Everybody's Got The Right
Amazon.com
"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth VincentelliCustomer Reviews:
Unworthy of This Show.......2007-03-01
Given this result, they needn't have bothered.
I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.
To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.
The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.
I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.
Great. .......2006-11-08
'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'
What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?
One of my biggest regrets is not seeing this during it's brief run in 2004. :(
Deserves a place in your Sondheim Discography.......2006-07-28
However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).
This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.
Dashed high hopes.......2006-07-14
While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.
The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.
Buy the original recording first and check this one out from the library.
Letdown from the original.......2006-04-10
John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.
It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?
There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".
I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...
Average customer rating:
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Stop the World - I Want to Get Off (Original Broadway Cast)
Anthony Newley , and Leslie Bricusse Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008L6L Release Date: 2001-05-15 |
Tracks:
- Overture/The A.B.C. Song/I Wanna Be Rich
- Typically English
- Lumbered
- Glorious Russian/Meilinki Meilchick
- Gonna Build A Mountain
- Typische Deutsche
- Family Fugue/Nag! Nag! Nag!
- Once In A Lifetime
- All American
- Mumbo Jumbo
- Someone Nice Like You
- What Kind Of Fool Am I?
Customer Reviews:
Stop the World I Want to Get Off, Broadway cast.......2005-09-04
Dottie Conlon
a classic score of the 60's.......2005-04-27
Rarely has the score been bettered than on the original Broadway cast album, crisply reissued here on the Decca Broadway label. Anthony Newley and his pert leading lady, underrated British performer Anna Quayle, perform the score with flash and verve. The entire score is fantastic though the penultimate number "Someone Nice Like You" must count as one of the most beautiful love songs ever written for the musical stage.
Anna Quayle is a marvellous performer, sadly only really remembered for her role as the Baroness in the movie of CHITTY CHITTY BANG BANG (a role that is great but does not represent all she was capable of), and Anthony Newley, who also headed the London company to perhaps ever greater acclaim, is in his element.
A top cast album.
Great musical with great classic songs.......2003-07-13
NOT ALONE ANYMORE.......2002-10-03
YOU CAN ALMOST SEE THAT VERY EXPESSIVE FACE OF HIS, IT WA SA SHAME HIS PERFORMANCE WAS NOT CAPTURED ON FILM, STILL EVEN WITH OUT SEEING HIM. THE BLENDING OF SONG AND STORY ARE TIME LESS, THAT IT COULD BE ON BROADWAY TODAY WITHOUT BEING DATED.
THE STORY OF LITTLE CHAP AND EVIE , COULD BE ANY ONE OF US GOING THROUGH LIFE'S UP AND DOWNS.
Anthony Newley's Finest Hours!.......2002-09-25
Anthony Newley died in April 1999 after losing his battle with cancer. The battle of fame he never lost and left behind a wonderful collection of musicals, songs, tv and cabaret performances that we can love again and again. But the finest of all of Newley's output was this musical. Co-wrote with Leslie Bricusse, Anthony Newley made the role of Littlechap totally his own. Not even Sammy Davis Jnr, Joel Gray or Tony Tanner in the film version could match that unique quality of style and originality that Newley exudes in this fantastic tour de force role.
For fans of musicals unfamiliar with Newley's work, you will not be sorry when you buy this CD. For Newley fans - why haven't you already bought your copy!!
Enjoy, one and all, Anthony Newley at his very best.
Paul Goodhead - President
Anthony Newley Society Worldwide.
Average customer rating:
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Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y4P4 Release Date: 2002-02-26 |
Tracks:
- I'm Looking for Something, Baby
- Goin' Downtown
- Takin' the Long Way Home
- Move (You're Steppin on My Heart)
- Scene: Fifty bucks says the Dreamettes don't win
- Fake Your Way to the Top
- Scene: It ain't working, Marty
- Cadillac Car
- Cadillac Car (On the Road)
- Cadillac Car (Recording Studio)
- Scene: I don't believe they can do that
- Steppin' to the Bad Side
- Scene: I'm working on a long shot
- Party, Party
- I Want You, Baby
- Scene: I'm a woman now
- Family
- Scene: What are you doing to that girl?
- Dreamgirls
- Press Conference
- Heavy
- Walkin' Down the Strip/Scene: Las Vegas
- It's All Over
- And I Am Telling You I'm Not Going
Tracks:
- Opening Act II: Dreams Medley
- Scene: Effie White is the best singer you're gonna find
- I Am Changing
- Vogue Sequence
- When I First Saw You
- Ain't No Party
- I Meant You No Harm
- The Rap
- I Miss You, Old Friend
- One Night Only
- One Night Only (Disco Version)
- I'm Somebody
- Hard to Say Good-bye
- Dreamgirls (Reprise)
Amazon.com
A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth VincentelliCustomer Reviews:
Dreamgirls 2001.......2007-06-27
Not the real "DREAM" experience.......2007-04-04
Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.
Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.
Absolutely brilliant!.......2007-01-28
Amazing!!!!!!.......2006-12-04
One Night Only .......2006-07-19
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Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SJL Release Date: 1990-10-25 |
Tracks:
- Overture
- Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
- Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
- Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
- Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
- Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
- Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
- Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)
Tracks:
- Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
- Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
- Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
- Show Boat: Act One, Scene Six - Villain Dance
- Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
- Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
- Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
- Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
- Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
- Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
- Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
- Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
- Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
- Show Boat: Act Two, Scene Six - Apache Dance
- Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
- Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
- Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
- Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
- Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)
Tracks:
- Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
- Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
- Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
- Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
- Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
- Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
- Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
- Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
- Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
- Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
- Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
- Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
- Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)
Amazon.com
John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi
Customer Reviews:
An American Treasure.......2007-03-03
I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.
If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.
The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.
If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16
Thank you, EMI.
I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)
An American tragedy...........2006-02-06
Gorgeous!.......2005-08-26
M. J. Conrades
Defective disc........2005-08-15
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Put on a Happy Face: Broadway 1959-1967
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007ZEO1Y Release Date: 2005-04-26 |
Tracks:
- The Impossible Dream
- Love Makes The World Go 'Round
- Try To Remember
- Put On A Happy Face
- I Say Hello
- Happiness
- She Loves Me
- What Kind Of Fool Am I?
- Shy
- Consider Yourself
- Poor Little Person
Average customer rating:
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The Way I Am
Jennifer Knapp Manufacturer: Gotee Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RGFI Release Date: 2001-11-20 |
Tracks:
- By And By
- Breathe On Me
- The Way I Am
- Say Won't You Say
- Around Me
- Come To Me
- Charity
- Fall Down
- Sing Mary Sing
- In Two (The Lament)
- Light Of The World
- No Regrets
Product Description
BRAND NEW, sealed, includes the original CD, case, and paperwork, fast shipped, ask me for my CD List or more Titles!MAmazon.com
Jennifer Knapp's third major-label release is filled with moments of agony and wisdom, as Knapp find ways to describe the daily struggles of everyday life with clarity and insight. The music ranges from the guitar-based, folk-rock writing style of her previous work on such tracks as the beautiful "Say Won't You Say" and the confessional "In Two (The Lament)," but she also shakes the walls a bit with the rocking "The Way I Am." As Knapp's muse matures, so does her confidence in trying different sounds, thanks in part to producer Tony McAnany. Several tracks here are heavily orchestrated (by the London Symphony Orchestra, no less), including the poignant closer, "No Regrets." As her many song-stories of faith testify, Knapp knows that the human condition is one of longing for something more. On The Way I Am, she shares that desire in the most personal manner yet. --Michael LyttleCustomer Reviews:
Best Christian album ever..........2006-01-31
This is Jennifer Knapp's third album, and Gotee Records pulled out all the stops on the production of this project. They hired some of the best studio musicians alive today, most notably Vinnie Colaiuta (Sting, Frank Zappa, Chick Corea) on drums and Tony Levin (Peter Gabriel, King Crimson) on bass. The only misstep on this album is producer Tony McAnany's decision to use a drum loop on a few of the songs, because I can't begin to understand why he would think that programmed drums would be a better choice than using Mr. Colaiuta's incredible skill throughout the entire album.
Lyrically, this is not an album of fun sing-alongs for your next campfire. Jennifer is plumbing the depths of her soul through this album, and not everything that she finds is what most would consider "uplifting," but it is certainly honest, and that is a breath of fresh air in a genre that spews out the same tired cliches time after time.
For instance, in the title track, she sings of how "It's better off this way - to be deaf, dumb and lame, than to be the way I am. It's better off this way, than be groping for the flame, than to be the way I am." I've read other people's reviews of this album to see if I even needed to review it, and it seems that I do, because people don't seem to be reading her lyrics correctly. The chorus to this song isn't saying that "it's better to seem humble by worldly standards than to go Godless as a carnal, worldly sinner," as one of the other reviews on this site claims. It's saying that it's better to not be able to hear, speak, or move, than be the way I am. It's better to be a vegetable than to be the way I am. It might even be a cry for help, who knows? Jennifer seems to have disappeared since this album came out almost five years ago now.
But every song on this album is gutwrenchingly honest, and beautiful at the same time. The beauty is found in the fact that there are so few people in Christian music who are willing to open up their hearts and write music from the darkest regions that they find there. The beauty is in admitting that, while the grace and mercy of God goes deep enough to reach even the darkest spots in our lives, it's still a struggle sometimes letting go of those places.
It's a struggle to make peace with the reaching through and beyond those dark places, to the fuller understanding of grace that lies on the other side of them. And it is Jennifer's willingness to draw back the curtain on her own struggle for peace that makes this album the best Christian album I've ever heard, even five years after it was first released...
Great Lyrics, Great Sound.......2005-08-08
Although this one may not be quite as good as her album Kansas, which is an all time great, it is very good. I would recommend it.
The Melissa Etheridge of Christian Music .......2004-10-01
While I haven't done any research on Knapp, I would have to guess she has studied music for a while. She seems to know how to write music and lyrics that stir the soul. Her songs flow quite well, and she seems at ease performing with some of the top artists in the Christian music industry.
Ya can't go wrong with this CD. It's a keeper!
See ya next review.
The Way I Am.......2004-07-23
Knapp fans who loved Kansas and Lay It Down, generally frown upon her third album due to its less-folky nature. Some Jennifer Knapp fans even labeled it as 'mediocre.' I believe that accusation is quite far from the truth. The lyrics are as powerful as ever and the music is magnified 100%. True, the raw folk sound of a pure acoustic guitar is gone for the most part, but the London Symphony Orchestra and the heavy guitar riffs more than make up for it.
If you're a lover of music, you must check this CD out! This album brings out every emotion imaginable. From guilt and regret in "The Way I Am," to unbridled joy in "Breathe On Me," to straight-up sorrow in "In Two (The Lament)."
Is this my favorite Jennifer Knapp album? No, but it is definitely a close second!
For all those who have this album, but shoveled it away somewhere, I implore you to dig it out and listen to it witout bias. I, too, felt it wasn't as good as her previous two albums when I first got it. Yet, after a few more listens, it suddenly rose to the top of the heap! As for those who never listened to it, give it a chance--you just might like what you hear!
Best C.D. to date.......2004-04-19
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