Japanese Double CD Collection of Artists from the Burning Heart Label. Includes Exclusive Multimedia Content.
Heart Attack,Various Artists,Jvc Victor,Rock
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Sheer Heart Attack
Queen Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000OAA Release Date: 1991-03-05 |
Tracks:
- Brighton Rock
- Killer Queen
- Tenement Funster
- Flick Of The Wrist
- Lily Of The Valley
- Now I'm Here
- In The Lap Of The Gods
- Stone Cold Crazy
- Dear Friends
- Misfire
- Bring Back That Leroy Brown
- She Makes Me
- In The Lap Of The Gods
- Stone Cold Crazy
Amazon.com essential recording
Sheer Heart Attack is a Queen album that has something for nearly everyone. There's glam, progrock, guitar pyrotechnics to spare (check out Brian May's shape-shifting performances on "Brighton Rock" and "Flick of the Wrist"), proto-speed-metal ("Stone Cold Crazy"), and Queen's unique brand of campy humor ("America's new bride to be / Don't worry, baby, I'm safe and sound," Freddie Mercury declares on "Now I'm Here," a Queen concert staple). The group takes a rocked-up turn at ragtime on "Bring Back That Leroy Brown" and downshifts memorably on the spare piano-and-voice interludes "Lily of the Valley" and "Dear Friends." Best of all is the wicked rock-and-harmony showcase "Killer Queen," the group's first international smash. If you need a reminder of everything that was right about rock's old guard before punks stormed the gates, look no further. --Daniel DurchholzAlbum Details
Japanese Version featuring a Limited Edition LP Style Slipcase for Initial Pressing Only.Customer Reviews:
Heavy As Led.......2007-06-05
Queen's Killer Album - An overlooked classic.......2007-06-05
In the early 1970's, there were plenty of hard rock bands trying to make it big in the music world. Many of these bands were influenced by bands such as Led Zeppelin and Deep Purple, who were both carving out a new direction in music. One such new band in the early 1970's was the London-based British band, Queen. Queen's first two albums showed immense potential. Both albums (`Queen I' and `Queen II') showed the band could rock, however that was only half of the story. Queen's second album in particular showed a much more progressive side of the band but also began to unveil the signature `operatic' style that Queen became famous in incorporating into their music. Following a well received reception from rock fans of `Queen II' as well as extended radio play and popularity from the song `Seven Seas of Rhye', the band were indeed gaining popularity and momentum. The next challenge which faced the band would be to build on their great start and produce something even more potent with their next album effort.
`Sheer Heart Attack' was an album that was plagued with a number of problems during its creation. The chief problem was that Queen were in fact a three piece for much of the recording process as guitarist Brian May fell ill during that time. Eventually he had to record his parts onto the music recorded by Mercury, Taylor and Deacon. However `Sheer Heart Attack' proved, just like the Who's `Who's Next' and Led Zeppelin's `Led Zeppelin II' before it, that a disrupted recording process need not prevent a classic album from being produced. `Sheer Heart Attack' is, for me Queen's finest album effort of their career. Many may disagree, often citing the groundbreaking `A Night At The Opera' as the band's greatest work. Indeed, I will not stand in the way of this opinion, as `A Night At The Opera' is in many ways Queen's creative pinnacle. However, there is something which always caught my eye with `Sheer Heart Attack'. There is an edge to the songwriting on this album which makes much of the work extremely memorable. It is also a display of Queen hard rocking in full swing, with their operatic and quirky take thrown in. Some songs are shorter pieces and others are much more fully developed works but the course of the album weaves a very colourful tapestry of sounds which never has a dull moment. The album marks the continuation of the band working as an effective songwriting unit, with all band members contributing at least one song (John Deacon's first songwriting effort is featured on this album). The album also spawned a couple of classic Queen hits in `Killer Queen' and `Now I'm Here' as well as the brilliant `In The Lap Of The Gods' and `In The Lap Of The Gods...Revisited' which acted as concert finales for the band for much of the rest of the band's live career. In many respects this album is a melting pot of some sorts for the band as it marks the junction between the band's hard rocking beginnings, with the big Led Zeppelin-esque influences, with their much more grandiose operatic sounds and textures which were seen even more increasingly on subsequent albums. The result of this transitional period...a fascinating work which for me Queen would never quite again top.
`Brighton Rock' opens the album in an express fashion. This is an excellent hard rocker to open the album and is more than anything a great showcase for Brian May who fires out some excellent guitar work in the instrumental part of the song. `Killer Queen' is next; there is little that needs still be said about this one. It is a fantastic single and one of Queen's best - a career hallmark. Following this the album tempo changes for `Tenement Funster'. This is an excellent song written by Roger Taylor and is one of the best tracks on the album. Roger Taylor's songs, often of youth, rebellion and freedom are regularly the overlooked dimension to Queen's catalogue and this acoustic driven song is no exception. The song runs into `Flick Of The Wrist', which is an excellent hard rocker with a classic Queen chorus. One of the shorter songs on the album, `Lily Of The Valley', is led by a strong Mercury vocal coupled with weeping guitar work. Another excellent album single is next in `Now I'm Here', centered around a fantastic May guitar line; this builds into a masterfully crafted song. The first part of the fan favourite `In The Lap Of The Gods' is next. The song has all of the drama we expect from Queen in the opening before settling into a slow but unwavering groove.
My personal favourite track is next in `Stone Cold Crazy'. This, my friends, is thrash metal before its time. For a song from 1974, `Stone Cold Crazy' is unusually heavy and fast and proved to be a highly influential song. Indeed it was later covered by thrash metal pioneers Metallica on their `Garage Days...Revisited' release in 1987. `Stone Cold Crazy' cannons out of the speakers throughout its short 2 minute run time and is coupled with an atmospheric Mercury vocal and pacy drumming. `Dear Friends' again shifts the tempo with a slow lyrical yearn from Mercury. `Misfire' is an upbeat, enjoyable jingle - it is also John Deacon's first album composition. `Bring Back That Leroy Brown' is an amusing song - a typical humourous jaunt for Queen with some quirky mandolin work and operatic vocals. You could easily mistake this song for something from a musical. `She Makes Me' is a classic, slow ballad with more excellent Mercury vocals and has a refreshing retro feel to the music. `In The Lap Of The Gods...Revisited' is the perfect finisher for the album. It has a waltz-like 3/4 meter which paves the way for an entrancing exit chorus that never tires over its many repetitions.
`Sheer Heart Attack' is one impressive album and demonstrates a legendary band on top of their game. Queen have put out their fair share of albums, all of which have their own unique stamp. `A Night At The Opera' and a `A Day At The Races' amongst others are deserved classics but for me this underrated masterpiece has the edge on both of them. I hope after reading this review that I can convince many of you to give this album a go. It is sadly often overlooked but I can guarantee that you will definitely not regret listening to this excellent work...its not to be missed!!
MY RATING: 9.5/10
Queen Rocks!.......2007-05-23
Yes it's THAT good.......2007-04-08
Highlights? "Brighton Rock" is an incredible guitar workout (including multiple overdubbed guitar harmonies) but has enough signature and tempo changes to have done most prog bands proud. "Stone Cold Crazy" is speed metal years before anyone could imagine such a thing, with heavy fleet fingered riffs that owe nothing to blues rock. And then there's the pop perfection of "Killer Queen," the alienated balladry of "Tenement Funster" and the operatic strangeness of "In the Lap of the Gods."
Sheer Guitar Attack.......2007-02-13
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Stars & Stripes: America's Greatest Hits
Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000BMS Release Date: 1997-02-25 |
Tracks:
- The Star Spangled Banner
- George M. Cohan Medley: Yankee Doodle Dandy/Harrigan/Mary's A Grand Old Name/You're A Grand Old Flag
- American Salute
- The Washington Post
- El Capitan
- Armed Forces Medley: The Army Goes Rolling Along/Anchors Aweigh/Semper paratus/The U.S. Air Force...
- God Bless America
- Colonel Bogey
- National Emblem March
- Americans We
- Manhattan Beach
- Deep In The Heart Of Texas
- The Yellow Rose Of Texas
- Hoe-Down From 'Rodeo'
- Shaker Melody from Appalachian Spring
Tracks:
- Fanfare For The Common Man
- Overture To 'Strike Up The Band'
- America The Beautiful
- 76 Trombones
- Victory At Sea Suite
- America From 'West Side Story'
- Liberty Bell
- Variations On 'America'
- The Stars And Stripes Forever
Customer Reviews:
worth money.......2007-05-24
Great Patriotic Music.......2007-02-21
A good choice of tunes with good quality.......2005-06-30
Brilliant!!!.......2003-08-11
Best Patriotic Music I've Found.......2001-09-20
Average customer rating: |
Steel Guitar Heart Attack
Jon Rauhouse Manufacturer: Bloodshot Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MR9C1O Release Date: 2007-03-13 |
Tracks:
- Idaho
- Bongo Ride
- I'll Be Seeing You
- 5 After 5
- Drinkin' & Smokin'
- Harbor Lights
- Mannix
- Grief
- Everybody Loves The Sun
- Ballad Of The Black Chihuahua
- East Of The Sun (And West Of The Moon)
- Begin The Beguine
- Holiday For Strings
- Hood Canal
- Girls Of Pajama Hill
- Big Iron
- Red Pollard
- The Fishin' Hole
Amazon.com
Bob Wills meets Glenn Miller meets Esquivel's space-age bachelor-pad music as steel guitarist Jon Rauhouse blurs the distinction between hipster retro and postmodern cool. Though many of the cuts are instrumental, including a cartoon romp through "Holiday for Strings" and a revival of the theme from TV's Mannix, Rauhouse also spotlights the vocals of some luminaries he's served as a sideman. Kelly Hogan nails the Marty Robbins gunfighter ballad "Big Iron," Neko Case delivers a dreamy "East of the Sun (and West of the Moon)," and Sally Timms sounds particularly breathy and torchy on "I'll Be Seeing You." Guitar partner Tommy Connell and members of Calexico provide much of the musical backing, as Rauhouse plays Hawaiian guitar and banjo in addition to his signature steel. The 18 selections place a premium on tone and ensemble interplay rather than displays of hot licks. --Don McLeese
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Heart Attack
Krokus Manufacturer: Universal Music & VI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DWHY Release Date: 1988-08-26 |
Tracks:
- Everybody Rocks
- Wild Love
- Let It Go
- Winning Man
- Axx Attack
- Rock N Roll Tonight
- Flyin' High
- Shoot Down The Night
- Bad, Bad Girl
- Speed Up
Customer Reviews:
Made & Encapsulated for Radio in the Late 80's .......2006-09-15
The remake of Winning Man is a good twist on the original. Bad, Bad Girl is a ballad and probably my least favorite song on here.
Krokus made use of contrast with songs such as "Everybody Rocks" & Speed Up." Both start out rather ambiguously, but come in strong and continue to be throughout.
Axx Attack has a good riff, a good tempo, and is lyrically solid as it speaks against war.
The other tracks talk about the typical 80's rock scene as they get into women and Rock 'n' Roll.
As a long time Krokus fan, it's easy to say that this CD is not entirely who they really are. The cover is even different and the standard written Krokus logo is not the same either.
I suppose, at this point, one would have to get the re-released version from 2002 unless you get it used. Some of it's enjoyable music and some of it's just amusing. But it's good for the collection.
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The Longest Day: The Ultimate World War Movie Theme Collection
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020R02O Release Date: 2004-05-25 |
Tracks:
- The Longest Day
- Attack On The Iron Coast
- Band Of Brothers-Prelude
- Band Of Brothers-Theme
- Battle Of Britain
- The Battle Of The Bulge
- The Blue Max
- Das Boot
- The Bridge At Remagen
- The Bridge On The River Kwai
- A Bridge Too Far
- The Caine Mutiny
- The Captive Heart
- Casablanca
Tracks:
- Coastal Command
- The Cruel Sea
- The Dambusters
- The Diary Of Anne Frank
- The Eagle Has Landed
- Empire Of The Sun
- The English Patient
- Fear And Desire
- Force Ten From Navarone
- Gallipoli
- The Great Escape
- The Guns Of Navarone
Tracks:
- Hanover Street
- The Hindenburg
- In Harm's Way
- Is Paris Burning?
- King Rat
- Lawrence Of Arabia
- Lifeboat
- Macarthur / Patton
- Malta G.C.
- Merry Christmas Mr. Lawrence
- Midway
- The Mountain Road
- 1941
Tracks:
- The Naked And The Dead
- The Night Of The Generals
- Paradise Road
- Paths Of Glory
- Pearl Harbor
- Saving Private Ryan
- Schindler'S List
- Sergeant York
- The Sharkfighters
- Sink The Bismarck!
- 633 Squadron
- Where Eagles Dare
- The World At War
- The Longest Day
Customer Reviews:
These are not the same arrangements as the original movie soundtracks.......2007-01-21
An outstanding compilation.......2006-08-25
The really good ones are missing........2005-07-18
"many were winners by the Academy for best scores".......2004-05-26
Released to commemorate the sixth Anniversary of D-Day, never has there ever been such a tribute compilation package from any other label and Silva comes to the forefront ~ featuring The City of Prague Philharmonic Orchestra (Paul Bateman, Nic Raine Tony Bremner and Carl Davis as conductors), The Philharmonia (Kenneth Alwyn, Jerry Goldsmith, Mario Klemens and Paul Bateman as conductors) and also the world renown Crouch End Festival Chorus (David Temple as choir master) ~ what a gathering of talented musicians and singers fill this collection supreme.
The lineup of composers is a Who's Who in the world of film music ~ John Addison, Tomaso Albinoni, Kenneth J. Alford, Paul Anka, John Barry, Arnold Bax, Elmer Bernstein, Eric Coates, Carl Davis, Klaus Doldinger, Antonin Dvorak, Benjamin Frankel, Gerald Fried, Hugo Friedhofer, Jerry Goldsmith, Ron Goodwin, Bernard Herrmann, Maurice Jarre, Michael Kamen, Jerome Moross, Alfred Newman, Clifton Parker, Alan Rawsthorne, Ryvichi Sakamoto, Lalo Schifrin, Gerard Schurmann, David Shire, Max Steiner, Dimitri Tiomkin, Ralph Vaughan Williams, John Williams, Gabriel Yared and Hans Zimmer ~ set the stage for compositional human drama while exploring the deepest troves of musical emotion ~ one masterpiece after another, each cue manages to display both a convincing authenticity of the times and places ~ experience every tracks passion and skill for striking the exotic orchestral colors, explosive power and spectacular works of full large scale orchestral arrangements previal at every turn.
We are grateful to James Fitzpatrick (producer), Reybnold da Silva (executive producer), Rick Clark (associate producer/album sequence), Marion Garden (associate producer) and the whole gang at Silva America who have resurrected many of the soundtracks for the "film-score-buffs" in all of us.
Total Time: 4-CD-Set ~ Silva America 812 ~ (5/25/2004)
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Mouthful of Love
Young Heart Attack Manufacturer: Xl Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00012SZ04 Release Date: 2004-05-04 |
Tracks:
- Mouthful Of Love
- Starlite
- El Camino
- Tommy Shots
- (Take Me Back) Mary Jane
- To The Teeth
- Sick Of Doing Time
- Over And Over
- In Luck
- Misty Rowe
Customer Reviews:
LOUD AND PROUD.......2006-01-12
There is no secrets to this music, it's all up front in your face. I think this is about as close as you may think they sound live. This is a band that sounds like their equipment might blow up soon. I am dead serious. I think the lead singers vocal chords sometimes flies out his mouth, and that's why they got the chick to sing with him, so he can stuff them back down his throat before the next line. Maybe he super glues them. I think velcro might be the way to go.
Look, I love AC/DC. I like bands that are influenced by them. YHA has their own chaotic sound but they got that 3 chord ripping rock I love. I am an old school rocker, but these guys are new school in your face.
I would invite this band to play at my church just to see if Jesus would show up and do a cage match battle with satan. ( remember..rock and roll is the devils music..) man, you wouldn't even have to PAY for that show..CHURCH IS FREE!
YHA rocking the presbyterians as good and evil fight? WOW.
Echoes of AC/DC, The Who, Cheap Trick.......2005-09-06
What this DOESN'T have in common with those bands is: memorable hooks. There's no counterpart to "Dirty Deeds" here...no "Baba O'Riley"....no "Dream Police". It SOUNDS good..but it doesn't stick in the head.
HIGHLIGHTS:
"Sick of Doing Time" musters the best hook here in "Hey hey hey/I was a bad one/Hey hey hey/I was a loaded gun..". An incendiary guitar solo later and you've got a great rocker. MC5's "Over and Over" is covered to AC/DC's "Dirty Deeds" lick more or less. A celebration of "Hee Haw" sexy simpleton "Misty Rowe" is also a winner.
LOWS:
Some of the most painful lyrics are found in "Starlite": (Ooooh, because your hot rod,go,go/Gonna riff-raff, downtown, rock show/Gonna run it tonight, gonna total tonight/Gonna rumble over my cool punk girl..". Ouch.
BOTTOM LINE:
You'd be better off buying the Jet CD...
Awesome Quality Rock from Young Heart Attack.......2005-06-04
If you want a modern up to date encapsulation of the quintessential essence of rock - This is it! Seminal influences can be recognised and if you know your Rock Pantheon you will pick up the cheeky little musical references. However, they just serve to inseminate the ova of Young Heart Attack's own original creativity. It is developed and incarnated and Young Heart Attack's music springs like a torrent of freshly spawned piranha instantly devouring any apathy or lassitude your soul may harbour.
This band deserve to make it big.
See them live for the Real Deal!!
Holy Mackerel This Band Cooks!!!!!.......2005-02-08
So if you're into the whole rock n roll revival thing be sure to check out this amazing group,you will not be disappointed.
Shake Your Money Maker.......2004-05-25
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Cheatin' Heart Attack
Dale Watson Manufacturer: Hightone Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000005R4 Release Date: 1995-04-18 |
Tracks:
- List Of Reasons
- Caught
- She Needs Her Mama
- That's The Day
- Cheatin' Heart Attack
- South Of Round Rock, Texas
- Tonite, All Day Long
- Nashville Rash
- Wine, Wine, Wine
- You Lie
- Tell 'Em I Ain't Here
- Holes In The Wall
- Texas Boogie
- Don't Be Angry
Customer Reviews:
Here's the scoop.......2005-11-01
What country music should be.......2002-10-23
Dale's voice is one of the richest in country music history. It is a shame that commercial country radio can find no place for real country music.
The songs are sometimes fun, sometimes sad, always country. If you long for the day when country music loses its cross-over infatuation (don't hold your breath), buy this CD and play it all the time. Guaranteed not to disappoint.
DALE WATSON - ESSENTIAL COUNTRY !.......2001-08-07
Country doesn't get any better than this!.......1999-03-05
Average customer rating:
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Sheer Heart Attack
Queen Manufacturer: EMI / Parlophone ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000025KL3 Release Date: 1994-12-05 |
Tracks:
- Brighton Rock
- Killer Queen
- Tenement Funster
- Flick Of The Wrist
- Lily Of The Valley
- Now I'm Here
- In The Lap Of The Gods
- Stone Cold Crazy
- Dear Friends
- Misfire
- Bring Back That Leroy Brown
- She Makes Me (Stormtrooper In Stilettoes)
- In The Lap Of The Gods...Revisited
Amazon.com essential recording
Sheer Heart Attack is a Queen album that has something for nearly everyone. There's glam, progrock, guitar pyrotechnics to spare (check out Brian May's shape-shifting performances on "Brighton Rock" and "Flick of the Wrist"), proto-speed-metal ("Stone Cold Crazy"), and Queen's unique brand of campy humor ("America's new bride to be / Don't worry, baby, I'm safe and sound," Freddie Mercury declares on "Now I'm Here," a Queen concert staple). The group takes a rocked-up turn at ragtime on "Bring Back That Leroy Brown" and downshifts memorably on the spare piano-and-voice interludes "Lily of the Valley" and "Dear Friends." Best of all is the wicked rock-and-harmony showcase "Killer Queen," the group's first international smash. If you need a reminder of everything that was right about rock's old guard before punks stormed the gates, look no further. --Daniel DurchholzAlbum Details
Japanese Version featuring a Limited Edition LP Style Slipcase for Initial Pressing Only.Customer Reviews:
Heavy As Led.......2007-06-05
Queen's Killer Album - An overlooked classic.......2007-06-05
In the early 1970's, there were plenty of hard rock bands trying to make it big in the music world. Many of these bands were influenced by bands such as Led Zeppelin and Deep Purple, who were both carving out a new direction in music. One such new band in the early 1970's was the London-based British band, Queen. Queen's first two albums showed immense potential. Both albums (`Queen I' and `Queen II') showed the band could rock, however that was only half of the story. Queen's second album in particular showed a much more progressive side of the band but also began to unveil the signature `operatic' style that Queen became famous in incorporating into their music. Following a well received reception from rock fans of `Queen II' as well as extended radio play and popularity from the song `Seven Seas of Rhye', the band were indeed gaining popularity and momentum. The next challenge which faced the band would be to build on their great start and produce something even more potent with their next album effort.
`Sheer Heart Attack' was an album that was plagued with a number of problems during its creation. The chief problem was that Queen were in fact a three piece for much of the recording process as guitarist Brian May fell ill during that time. Eventually he had to record his parts onto the music recorded by Mercury, Taylor and Deacon. However `Sheer Heart Attack' proved, just like the Who's `Who's Next' and Led Zeppelin's `Led Zeppelin II' before it, that a disrupted recording process need not prevent a classic album from being produced. `Sheer Heart Attack' is, for me Queen's finest album effort of their career. Many may disagree, often citing the groundbreaking `A Night At The Opera' as the band's greatest work. Indeed, I will not stand in the way of this opinion, as `A Night At The Opera' is in many ways Queen's creative pinnacle. However, there is something which always caught my eye with `Sheer Heart Attack'. There is an edge to the songwriting on this album which makes much of the work extremely memorable. It is also a display of Queen hard rocking in full swing, with their operatic and quirky take thrown in. Some songs are shorter pieces and others are much more fully developed works but the course of the album weaves a very colourful tapestry of sounds which never has a dull moment. The album marks the continuation of the band working as an effective songwriting unit, with all band members contributing at least one song (John Deacon's first songwriting effort is featured on this album). The album also spawned a couple of classic Queen hits in `Killer Queen' and `Now I'm Here' as well as the brilliant `In The Lap Of The Gods' and `In The Lap Of The Gods...Revisited' which acted as concert finales for the band for much of the rest of the band's live career. In many respects this album is a melting pot of some sorts for the band as it marks the junction between the band's hard rocking beginnings, with the big Led Zeppelin-esque influences, with their much more grandiose operatic sounds and textures which were seen even more increasingly on subsequent albums. The result of this transitional period...a fascinating work which for me Queen would never quite again top.
`Brighton Rock' opens the album in an express fashion. This is an excellent hard rocker to open the album and is more than anything a great showcase for Brian May who fires out some excellent guitar work in the instrumental part of the song. `Killer Queen' is next; there is little that needs still be said about this one. It is a fantastic single and one of Queen's best - a career hallmark. Following this the album tempo changes for `Tenement Funster'. This is an excellent song written by Roger Taylor and is one of the best tracks on the album. Roger Taylor's songs, often of youth, rebellion and freedom are regularly the overlooked dimension to Queen's catalogue and this acoustic driven song is no exception. The song runs into `Flick Of The Wrist', which is an excellent hard rocker with a classic Queen chorus. One of the shorter songs on the album, `Lily Of The Valley', is led by a strong Mercury vocal coupled with weeping guitar work. Another excellent album single is next in `Now I'm Here', centered around a fantastic May guitar line; this builds into a masterfully crafted song. The first part of the fan favourite `In The Lap Of The Gods' is next. The song has all of the drama we expect from Queen in the opening before settling into a slow but unwavering groove.
My personal favourite track is next in `Stone Cold Crazy'. This, my friends, is thrash metal before its time. For a song from 1974, `Stone Cold Crazy' is unusually heavy and fast and proved to be a highly influential song. Indeed it was later covered by thrash metal pioneers Metallica on their `Garage Days...Revisited' release in 1987. `Stone Cold Crazy' cannons out of the speakers throughout its short 2 minute run time and is coupled with an atmospheric Mercury vocal and pacy drumming. `Dear Friends' again shifts the tempo with a slow lyrical yearn from Mercury. `Misfire' is an upbeat, enjoyable jingle - it is also John Deacon's first album composition. `Bring Back That Leroy Brown' is an amusing song - a typical humourous jaunt for Queen with some quirky mandolin work and operatic vocals. You could easily mistake this song for something from a musical. `She Makes Me' is a classic, slow ballad with more excellent Mercury vocals and has a refreshing retro feel to the music. `In The Lap Of The Gods...Revisited' is the perfect finisher for the album. It has a waltz-like 3/4 meter which paves the way for an entrancing exit chorus that never tires over its many repetitions.
`Sheer Heart Attack' is one impressive album and demonstrates a legendary band on top of their game. Queen have put out their fair share of albums, all of which have their own unique stamp. `A Night At The Opera' and a `A Day At The Races' amongst others are deserved classics but for me this underrated masterpiece has the edge on both of them. I hope after reading this review that I can convince many of you to give this album a go. It is sadly often overlooked but I can guarantee that you will definitely not regret listening to this excellent work...its not to be missed!!
MY RATING: 9.5/10
Queen Rocks!.......2007-05-23
Yes it's THAT good.......2007-04-08
Highlights? "Brighton Rock" is an incredible guitar workout (including multiple overdubbed guitar harmonies) but has enough signature and tempo changes to have done most prog bands proud. "Stone Cold Crazy" is speed metal years before anyone could imagine such a thing, with heavy fleet fingered riffs that owe nothing to blues rock. And then there's the pop perfection of "Killer Queen," the alienated balladry of "Tenement Funster" and the operatic strangeness of "In the Lap of the Gods."
Sheer Guitar Attack.......2007-02-13
Average customer rating: |
Scott Hamilton & Friends
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009ZM0S Release Date: 2003-04-01 |
Tracks:
- Intro / Slidin
- Hooray for the City
- I Like Women
- How Sweet It Is
- Never Loved a Man
- Please Accept My love
- Temptation
- Leave Your Hat On
- Whiter Shade of Pale
- James Brown Medley (Sex Machine, Bring It Up)
- Breakin Down the Walls
- Green Onions
- Since I Fell
- Mad About You
- Days Gone By
- Proud Mary
- Lifes Been Good
- Land of 1000 Dances
Album Description
In August of 2002, Olympic Gold medal Figure Skater, Scott Hamilton asked one of his favorite bands for the last twenty years to provide all the music live for his NBC TV Special entitled, Scott Hamilton & Friends". This CD is the soundtrack to that TV show. It was the first time a Soul band played all the music live for an ice show like this. The band was tight and the energy was high. Scott also asked his good friend, Susan Anton, to join in. The chemistry between Susan and the band is evident on her five tracks. The skaters loved it, the band had a ball, the audience went crazy and for Scott it was a dream he had for many years, come true. This show was only performed once on October 22, 2002 Live at the First Union Center in Philadelphia, PA. It aired on dec. 14th 2002. here it is, preserved on CD for you to enjoy.
Average customer rating:
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Sheer Heart Attack
Queen Manufacturer: EMI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NDEN Release Date: 2001-09-27 |
Tracks:
- Brighton Rock
- Killer Queen
- Tenement Funster
- Flick of the Wrist
- Lily of the Valley
- Now I'm Here
- In the Lap of the Gods
- Stone Cold Crazy
- Dear Friends
- Misfire
- Bring Back That Leroy Brown
- She Makes Me (Stormtrooper in Stilettoes)
- In the Lap of the Gods...Revisited
Album Description
Japanese exclusive 2001 remastered reissue of 1974 album.Album Details
24 bit digitally remastered 'Abbey Road Technology Series'Customer Reviews:
Queen's Killer Album - An overlooked classic.......2007-06-05
In the early 1970's, there were plenty of hard rock bands trying to make it big in the music world. Many of these bands were influenced by bands such as Led Zeppelin and Deep Purple, who were both carving out a new direction in music. One such new band in the early 1970's was the London-based British band, Queen. Queen's first two albums showed immense potential. Both albums (`Queen I' and `Queen II') showed the band could rock, however that was only half of the story. Queen's second album in particular showed a much more progressive side of the band but also began to unveil the signature `operatic' style that Queen became famous in incorporating into their music. Following a well received reception from rock fans of `Queen II' as well as extended radio play and popularity from the song `Seven Seas of Rhye', the band were indeed gaining popularity and momentum. The next challenge which faced the band would be to build on their great start and produce something even more potent with their next album effort.
`Sheer Heart Attack' was an album that was plagued with a number of problems during its creation. The chief problem was that Queen were in fact a three piece for much of the recording process as guitarist Brian May fell ill during that time. Eventually he had to record his parts onto the music recorded by Mercury, Taylor and Deacon. However `Sheer Heart Attack' proved, just like the Who's `Who's Next' and Led Zeppelin's `Led Zeppelin II' before it, that a disrupted recording process need not prevent a classic album from being produced. `Sheer Heart Attack' is, for me Queen's finest album effort of their career. Many may disagree, often citing the groundbreaking `A Night At The Opera' as the band's greatest work. Indeed, I will not stand in the way of this opinion, as `A Night At The Opera' is in many ways Queen's creative pinnacle. However, there is something which always caught my eye with `Sheer Heart Attack'. There is an edge to the songwriting on this album which makes much of the work extremely memorable. It is also a display of Queen hard rocking in full swing, with their operatic and quirky take thrown in. Some songs are shorter pieces and others are much more fully developed works but the course of the album weaves a very colourful tapestry of sounds which never has a dull moment. The album marks the continuation of the band working as an effective songwriting unit, with all band members contributing at least one song (John Deacon's first songwriting effort is featured on this album). The album also spawned a couple of classic Queen hits in `Killer Queen' and `Now I'm Here' as well as the brilliant `In The Lap Of The Gods' and `In The Lap Of The Gods...Revisited' which acted as concert finales for the band for much of the rest of the band's live career. In many respects this album is a melting pot of some sorts for the band as it marks the junction between the band's hard rocking beginnings, with the big Led Zeppelin-esque influences, with their much more grandiose operatic sounds and textures which were seen even more increasingly on subsequent albums. The result of this transitional period...a fascinating work which for me Queen would never quite again top.
`Brighton Rock' opens the album in an express fashion. This is an excellent hard rocker to open the album and is more than anything a great showcase for Brian May who fires out some excellent guitar work in the instrumental part of the song. `Killer Queen' is next; there is little that needs still be said about this one. It is a fantastic single and one of Queen's best - a career hallmark. Following this the album tempo changes for `Tenement Funster'. This is an excellent song written by Roger Taylor and is one of the best tracks on the album. Roger Taylor's songs, often of youth, rebellion and freedom are regularly the overlooked dimension to Queen's catalogue and this acoustic driven song is no exception. The song runs into `Flick Of The Wrist', which is an excellent hard rocker with a classic Queen chorus. One of the shorter songs on the album, `Lily Of The Valley', is led by a strong Mercury vocal coupled with weeping guitar work. Another excellent album single is next in `Now I'm Here', centered around a fantastic May guitar line; this builds into a masterfully crafted song. The first part of the fan favourite `In The Lap Of The Gods' is next. The song has all of the drama we expect from Queen in the opening before settling into a slow but unwavering groove.
My personal favourite track is next in `Stone Cold Crazy'. This, my friends, is thrash metal before its time. For a song from 1974, `Stone Cold Crazy' is unusually heavy and fast and proved to be a highly influential song. Indeed it was later covered by thrash metal pioneers Metallica on their `Garage Days...Revisited' release in 1987. `Stone Cold Crazy' cannons out of the speakers throughout its short 2 minute run time and is coupled with an atmospheric Mercury vocal and pacy drumming. `Dear Friends' again shifts the tempo with a slow lyrical yearn from Mercury. `Misfire' is an upbeat, enjoyable jingle - it is also John Deacon's first album composition. `Bring Back That Leroy Brown' is an amusing song - a typical humourous jaunt for Queen with some quirky mandolin work and operatic vocals. You could easily mistake this song for something from a musical. `She Makes Me' is a classic, slow ballad with more excellent Mercury vocals and has a refreshing retro feel to the music. `In The Lap Of The Gods...Revisited' is the perfect finisher for the album. It has a waltz-like 3/4 meter which paves the way for an entrancing exit chorus that never tires over its many repetitions.
`Sheer Heart Attack' is one impressive album and demonstrates a legendary band on top of their game. Queen have put out their fair share of albums, all of which have their own unique stamp. `A Night At The Opera' and a `A Day At The Races' amongst others are deserved classics but for me this underrated masterpiece has the edge on both of them. I hope after reading this review that I can convince many of you to give this album a go. It is sadly often overlooked but I can guarantee that you will definitely not regret listening to this excellent work...its not to be missed!!
MY RATING: 9.5/10
Big in Japan.......2002-12-12
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