| 1. Big Time |
| 2. Sister Surround (Live) |
| 3. Lovesong (Live) |
| 4. Big Time |
Editorial Reviews
Taken from the Swedish indie act's fourth album 'Origin (Phase I)'. 'Bigtime' is a turbo-powered, whopping opener of a single. The title track is backed with three non-album tracks, 'Sister Surround' (live from XFM), 'Lovesong' (live), & the enhanced video for 'Bigtime'. WEA. 2004.
Big Time,The Soundtrack of Our Lives,Wea International,5"CD Singles,Indie Rock,Pop,Rock,Sweden
Average customer rating:
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Every Time I Breathe
Big Daddy Weave Manufacturer: Fervent / Spirit-Led ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H30B9U Release Date: 2006-09-26 |
Tracks:
- Let It Rise
- Every Time I Breathe
- Only Jesus
- All For You
- Hold Me Jesus
- The Only One
- All The Same
- When I See You
- Wait
- Who You Are To Me
- Trust And Obey
Album Description
Produced by band member Jerry Redman, this album includes the hits "Let It Rise", "Every Time I Breathe", a special rendition of the Rich Mullins Classic "Hold Me Jesus", and is jam-packed with additional video content, Media Shout! lyric files, and an instructional guitar video.Customer Reviews:
Really good! .......2007-07-02
This album rocks!.......2007-01-13
Great Music to the Soul!.......2007-01-12
sweet, sincere band with soft hearts for the KING of Kings!.......2007-01-02
Let It Rise.......2006-09-27
Average customer rating:
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Rocket Ship Beach
Dan Zanes + Friends Manufacturer: Festival Five Rec. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000051ZNR Release Date: 2002-07-30 |
Tracks:
- Polly Wolly Doodle (with Sheryl Crow)
- King Kong Kitchie (with the Wonderland String Band)
- Bushel and a Peck (with Donald Saaf and the Rocket Ship Singers)
- Go Down Emmanuel Road (with the Sandy Girls)
- Goodbye Old Paint
- Father Goose (with Rankin' Don and the Rocket Ship
- Keep on the Sunny Side (with the Wonderland String Band)
- Erie Canal (with Suzanne Vega)
- Buckeye Jim
- Brown Girl in the Ring (with the Wonderland String Band and G.E. Smith)
- Hello (with Barbara Brousal)
- All My Friends Live in the Woods (with Simon Kirke)
- Weather Report (Sophie and Emma)
- Mole in the Ground
- On the Sunny Side of the Street (with Rankin' Don and Donald Saaf)
- Sidewalks of New York (with a cast of thousands)
- Over the Rainbow (with Donald Saaf)
Amazon.com
Dan Zanes, lead singer of the 1980s roots-rock band the Del Fuegos, didn't need to enlist the high-profile help of pals Sheryl Crow and Suzanne Vega to produce a crowd-pleasing kids' record, but he got it anyway. On Rocket Ship Beach, where traditional tunes such as "Polly Wolly Doodle" (with Crow) and "Erie Canal" (with Vega) mingle in loosey-goosey, just-for-the-fun-of-it fashion with originals such as the plucky "All My Friends Live in the Woods" (written by Bad Company buddy Simon Kirke), Zanes exhibits the same plugged-in exuberance that gave his former band its unpredictable zing. Besides the no-amateurs instrumentation, which includes Zanes on guitar, lap steel, banjo-mandolin, and studiophone, and G.E. Smith on banjo-mandolin and guitar as part of a kickin' string band that performs the classic "King Kong Kitchie," plus a cluster of others, what stands out most about this 17-track funfest is its draw-you-in friendliness. Pitching in with the pros (who also include dancehall rapper Rankin' Don--he delivers the gruff stuff on "Father Goose" and "Sunny Side of the Street") are family friends such as the gang of West Indian babysitters turned vocal group the Sandy Girls, who give it up to impressive, get-you-boogying effect on "Emmanuel Road," and a kindergarten class that contributes, adorably, to "Sidewalks of New York." All told, this is way hipper than most kids' records and it also razzle-dazzles with its packaging--Rocket Ship Beach arrives in a chunky, colorful board-book illustrated with sweet, fantasy-fueled beachside scenes by banjo player and Zanes's brother-in-law, Donald Saaf. --Tammy La GorceAlbum Description
music is in the air. it's alive and it's here for everyone. if you can play an old song, you can write a new song. make it a family parade, all around the kitchen cock-a-doodle-doodle-doo. or how about a family band? on the front steps, in the back yard, in the park, on the sidewalk, in the basement. if you can brush your teeth, you can play tamborine. if you can tell a joke, you can sing.festival five records is the sound of a neighborhood band on the front stoop playing tunes after dinner for a family dance. festival five records is the sound of a group of 9 and 10 year olds singing a sixty year old broadway song in the basement of a 150 year old row house. it's the sound of a 40-year-old dad on a blue porch singing a 400 year old story song about a frog that marries a mouse. when you feel that music in the air, try to catch as much as possible.
Customer Reviews:
It's great!.......2007-01-27
Honestly, this CD sucks.......2007-01-18
People can make of Raffi all they want, but at least his music is tolerable!
Don't waste your money on this lemon of a CD.
What an awesome CD!!!.......2006-12-20
rocket ship beach review.......2006-11-10
we all love it.......2006-08-05
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Greatest Hits: Broadway
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029PM Release Date: 1996-10-29 |
Tracks:
- Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
- On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
- Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
- Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
- West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
- The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
- My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
- Annie: Tomorrow - Andrea McArdle/Peter Howard
- The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
- Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
- Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
- Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
- Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
- Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
- Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
- Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
- Cabaret: Cabaret - Jill Haworth/Harold Hastings
- Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
- Show Boat: Ol' Man River - William Warfield/Franz Allers
- A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
- A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings
Customer Reviews:
Great to Hear All those great Voices from the Past.......2007-07-05
You certainly can't beat the price!
A Good One!.......2006-11-10
Average customer rating:
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Original Dance Music of 1920's & 1930's
Various Artists Manufacturer: Swing Time Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004RDNO Release Date: 2000-02-15 |
Tracks:
- Remarkable Girl - Ted Weems Orch
- I Wanna Be Loved By You - Broadway Nitelites
- Don't Wake Me Up Let Me Dream - Howard Lanin Orch
- What Do I Care What Somebody Said - Jan Garber Orch
- Miss Anabelle Lee - Mike Speciale Orch
- Happy Days Are Here Again - Ben Selvin Orch
- There's Too Many Eyes - Ted Weems Orch
- Your The One I Care For - Bert Lown Orch
- I Found A Million Dollar Baby - Frank Auburn
- On A Night Like This - Howard Lanin Orch
- Shine - Jesse Stafford Orch
- Broadway Melody - Ben Selvin Orch
- Who's Your Little Who Zis - Ben Selvin Orch
- Me And The Man In The Moon - Ambassadors
- You're The Cream In My Coffee - Ambassadors
- Leven Thirty Saturday Night - Ambrose Orch
- Who's Sorry Now - Green Brothers Novelty Orch
- Girl Of My Dreams - Blue Steele Orch
- When Eyes Of Blue Are Foolin' You - Howard Lanin Orch
- What A Day - Ted Weems Orch
- Somebody Loves Me - Henry Lange & His Baker Hotel Orch
- She's Got It - Ted Weems Orch
- Rainy Weather Rose - Adrian Schubert
- Red Headed Baby - Gene Kardos Orch
Customer Reviews:
That Hebden Sound.......2007-04-27
Mr. Hebden always finds such delightful, rare records--and vandalizes them. Good stuff here, hence two stars rather than one. Still, I can't recommend this CD unless you are willing to re-equalize out the higher frequencies and you particularly wish to hear some of the selections.
Dance music before the Big Band era.......2007-01-14
Unlike the swing orchestras of a decade later that had distinguishable styles, there was a certain homogeneity to Roaring '20s hot dance bands, and that is apparent from these 24 sides. Many of the musicians who appear in these older recordings later worked for the most famous 1940s big bands. One example is Benny Goodman, barely out of his teens, who is among the ensemble playing "I Found A Million Dollar Baby." Undoubtedly, Glenn Miller and the Dorseys are here, as well.
Liner notes are insufficient. The album's back cover lists titles and recording dates only. ORIGINAL DANCE MUSIC should please any fan of pre-big band tunes willing to overlook lack of details and some source material in less-than-pristine condition.
PLAYLIST --
(3:03) Remarkable Girl - Ted Weems Orch (v/Country Washburn)
(3:14) I Wanna Be Loved By You - Broadway Nitelites (v/Vaughn DeLeath)
(2:49) Don't Wake Me Up Let Me Dream - Howard Lanin Orch
(3:07) What Do I Care What Somebody Said - Jan Garber Orch (v/C Warren)
(2:40) Miss Anabelle Lee - Mike Speciale Orch (v/Billy Carola)
(3:22) Happy Days Are Here Again - Ben Selvin Orch
(3:10) There's Too Many Eyes - Ted Weems Orch (v/Art Jarrett)
(3:22) You're The One I Care For - Bert Lown Orch (v/Elmer Feldkamp)
(3:23) I Found A Million Dollar Baby - Frank Auburn Orch
(2:45) On A Night Like This - Howard Lanin Orch
(2:59) Shine - Jesse Stafford Orch
(2:40) Broadway Melody - Ben Selvin Orch
(3:14) Who's Your Little Who Zis - Ben Selvin Orch
(3:22) Me And The Man In The Moon - Ambassadors (v/Frank Salvano)
(2:49) You're The Cream In My Coffee - Ambassadors (v/Frank Salvano)
(2:51) 'Leven-Thirty Saturday Night - Ambrose Orch (v/Sam Brown)
(3:00) Who's Sorry Now? - Green Brothers Novelty Orch
(3:27) Girl Of My Dreams - Blue Steele Orch (v/Kenny Sargent)
(2:48) When Eyes Of Blue Are Foolin' You - Howard Lanin Orch
(3:13) What A Day - Ted Weems Orch (v/Parker Gibbs)
(3:18) Somebody Loves Me - Henry Lange Baker Hotel Orch
(2:40) She's Got It - Ted Weems Orch (v/Parker Gibbs)
(3:00) Rainy Weather Rose - Adrian Schubert & his Salon Orch (v/Irving Kaufman)
(2:51) Red Headed Baby - Gene Kardos Orch (v/Dick Robertson)
TOTAL RUNNING TIME -- 73:07
Original Dance Music of 1920's & 1930's.......2006-07-30
Excellent twenties compilation.......2005-02-16
Very good collection of this era.......2004-07-21
Enjoy!
Average customer rating:
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Way Out West: The Essential Western Film Music Collection, Vol. 2
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000060PBU Release Date: 2002-03-26 |
Tracks:
- The Hallejuah Trail-Overture
- The Alamo-The Green Leaves Of Summer
- The Alamo-Davy Crocket
- The Big Country-The Welcoming/Finale
- The Big Valley-Main Theme
- Blazing Saddles-Blazing Saddles
- Bonaza-Main Theme
- Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
- The Comancheros-McBain/Main Title
- Duel In The Sun-Main Title/The Legend/Orizaba
- A Fistfull Of Dynamite-Duck You Sucker
- For A Few Dollars More-Main Theme
- Friendly Persuasion-Thee I Love
- Giant-Main Theme
- The Good, The Bad And The Ugly-Main Theme
- The Good, The Bad And The Ugly-The Ecstasy Of Gold
- Gunfight At The O.K. Corral-Suite
- Hang 'Em High-Main Theme
- The Hanging Tree-Main Title
Tracks:
- High Caparral-Main Theme
- How The West Was Won-Prelude/The Land
- High Noon-Do Not Forsake Me Oh My Darlin'
- The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
- The Lone Ranger-William Tell Overture: Finale
- Nevada Smith-Main Title
- Old Gringo-Main Themes
- Once Upon A Time In The West-Man With The Harmonica
- One Eyed Jacks-Main Title
- The Proud Rebel-Main Titles
- The Quick And The Dead-End Titles
- Quigley Down Under-End Titles
- Rio Bravo-Rio Bravo/De Guella
- The Scalphunters-Main Title
- Shane-Main Theme: The Call Of The Farwaway Hills
- The Shootist-Main Title
- The Unforgiven-The Need For Love
- Viva Zapata-Gathering Forces
- The Virginian-Main Theme
Customer Reviews:
Not My Style.......2007-05-11
Rockin' Western Collection.......2006-08-28
Hard to Find Great Western Themes .......2006-03-16
Western Music.......2005-07-29
A great follow-up.......2003-08-29
Average customer rating:
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Glenn Miller's All Time Greatest Hits
Glen Miller and His Orchestra Manufacturer: Sounds of Yesteryear ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HOJTG0 Release Date: 2006-10-17 |
Tracks:
- Moonlight Serenade
- Johnson Rag
- It Happened In Sun Valley
- Kalamazoo
- In The Mood
- Juke Box Saturday Night
- Little Brown Jug
- Sunrise Serenade
- Carribean Clipper
- Pennsylvania 6-5000
- Chattanooga Choo Choo
- A String Of Pearls
- Tuxedo Junction
- SNAFU Jump
- American Patrol
- My Prayer
- The Trolley Song
- Slip Horn Jive
- We Can Live On Love
- King Porter Stomp
- The Lady's In Love With You
- The Chestnut Tree
- Pagan Love Song
- Oh Johnny Oh Johnny Oh
- Tiger Rag
Tracks:
- Bugle Call Rag
- On A Little Street In Singapore
- Solid As A Stonewall Jackson
- When The Swallows Come Back To Capistrano
- Oh So Good
- Anchors Away
- Yes My Darling Daughter
- Song Of The Volga Boatmen
- Limehouse Blues
- I Dream't I Dwelt In Harlem
- Flying Home
- Boog It
- Cherokee
- Russian Patrol
- The More I See You
- Accentuate The Positive
- Beer Barrel Polka
- Dipper Mouth Blues
- Poinciana
- Long Ago And Far Away
- You Walk By
- Hallelujah
- Put Your Arms Around Me Honey
- Sun Valley Jump
- South American Way
Customer Reviews:
glen miller.......2007-05-14
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Music for a Darkened Theatre, Vol. 1: Film & Television Music
Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OEB Release Date: 1990-10-15 |
Tracks:
- Excerpts From: Pee Wee's Big Adventure
- Excerpts From: Batman
- Excerpts From: Dick Tracy
- Excerpts From: Beetlejuice
- Excerpts From: Nightbreed
- Excerpts From: Darkman
- Excerpts From: Back To School
- Excerpts From: Midnight Run
- Excerpts From: Wisdom
- Excerpts From: Hot To Trot
- Excerpts From: Big Top Pee Wee
- Excerpts From: The Simpsons
- Excerpts From: Alfred Hitchcock Presents: The Jar
- Excerpts From: Tales From The Crypt
- Excerpts From: Face Like A Frog
- Excerpts From: Forbidden Zone
- Excerpts From: Scrooged
Customer Reviews:
Great compilation - and that's just the first half........2005-09-14
Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.
The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)
The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.
"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.
"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.
"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.
When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.
To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it
The best of Elfman!!!.......2005-09-05
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!
Great Collection, A LIttle Too Eclectic.......2003-08-19
What Great Music.......2003-05-11
super.......2003-04-17
Average customer rating:
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First Time: The Count Meets the Duke
Duke Ellington with Count Basie's Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IMYM Release Date: 1999-04-27 |
Tracks:
- Battle Royal
- To You
- Take The "A" Train
- Until I Met You
- Wild Man
- Segue In C
- B D B
- Jumpin' At The Woodside
- One More Once - (bonus track)
- Take The "A" Train - (bonus track, previously unreleased, alternate take, rehearsal)
- Jumpin' At The Woodside - (bonus track, previously unreleased, alternate take)
- B D B - (bonus track, previously unreleased, alternate take)
- Blues In Hoss' Flat (Blues In Frankie's Flat) - (bonus track)
- Wild Man - (bonus track, previously unreleased, alternate take)
- Battle Royal - (bonus track, previously unreleased, alternate take, rehearsal)
- (Pause Track)
Amazon.com essential recording
The two greatest big bands in jazz history side by side on your headphones: What can be more glorious? If, as Billy Strayhorn said, Duke Ellington's band was his instrument, then this 1961 session finds Ellington and Count Basie "trading fours," as it were. The composer credits and solo space are divided democratically, to say the least--four songs from Duke's camp, four from Basie's. The sparring between soloists of both bands is a pure delight, especially the gentle conversations between the two leaders-pianists, who finish each other's thoughts as if all four hands were attached to one unified torso. Highlights include two engaging new Duke compositions--the blistering opener "Battle Royal" and the impulsive "Wild Man"--and the closing Basie chestnut "Jumpin' at the Woodside," on which the lead tenors Frank Foster and Paul Gonsalves engage in ferocious dueling. Amazingly, there is no toe-stepping amid the rousing interplay. --Marc GreilsamerAmazon.com
Take the Kansas City-style streamlined swing of Count Basie's band and put it together with the omni-American "total jazz" of the Duke Ellington Orchestra and you've got one memorable session. Recorded in 1961 and reissued with unreleased, rehearsal, and alternate takes, the date has a friendly after-hours feel, with the Ellington crew in the right channel and the Basie band in the left. They both deliver the type of no-nonsense straight-ahead jazz that characterized the best of the big-band sound: Ellington's brisk 4/4 opener "Battle Royal" features some stratospheric blowing by tenor saxophonist Frank Wess and trumpeter Cat Anderson along with a volcanic drum "conversation" between Sam Woodyard and Sonny Payne. The sound of the locomotive drives the midtempo "Corner Pocket," the Basie-associated standard by guitarist Freddie Green, steered by saxophonist Paul Gonsalves's robust tenor sax. "Segue in C" showcases Ellington and Basie's Fats Waller-Willie "the Lion" Smith stride-piano roots, with the former's dark chord clusters and the latter's feathery in-the-pocket phrasing. The ballad "To You" is marked by cascading horn harmonies laced with Ellington trombonist Quentin "Butter" Jackson's pleading muted solo. The Basie-Ellington hits "Jumpin' at the Woodside" and "Take the 'A' Train"--with composer Billy Strayhorn tickling the ivories in place of Basie--bring out the best in Basie, Foster, Gonsalves, and trumpeter Ray Nance, and they trade fours and cap this amazing encounter. --Eugene Holley Jr.Customer Reviews:
Truely Explosive Music.......2007-04-24
Two giants shaking hands!.......2006-06-06
This is an emblematic and historical document for hard fans and jazz lovers; the successful encounter of the most pyramidal jazz artist ever born; "The Duke" joining his creative moods with another giant of the genre: Count Bassie.
A collection album.
I got the 8 track version but it still sounds good to me!.......2005-08-11
Two Masters At Play On A Highly Enjoyable,Challenging & Rewarding Recording.......2005-06-05
We have Basie's bluesy voluptuous sound fusing well with Duke's elegant style on mostly numbers spanning popular band selections from both of these musical giants.
These two great orchestras, weaving amazingly smooth and irreconcilable at times works on standouts from both men.
Jamming together in New York in the summer of 1961
this was billed as a historic one time meeting now laid down for posterity.
Phil Schapp the reissue producer did a great job on adding outtakes, different takes.. under his guidance this becomes one great long CD and one that can turn heads in initiating people to music of greatness from these 2 men and their orchestras that is now overlooked some 50 years later.
Smoking music.......2005-04-19
The two bands are smoking. This is the hotest straight ahead head arrangement swing either group played in the period. This is what makes the bands which were otherwise overly arranged and precision units by the time this CD was made, smoke. The production values on these tracks must have been quite low: get the two bands in the studio, get a minimum number of tracks going, find some tunes that are blues based with standard progressions, and let the rhythm sections bounce, let the soloists rip.
Rip, rip rip rip away they do, and it takes a long time of listening to figure out who is who what is what, by that time you dont care. You just want the beat to go on, the bands to keep wailing and you don't care whether it is Count Basie and Duke Ellington, or Frosty the Snowman.
I am not much on the New Testament or Ellington in the 1960s but you need this groove!
Average customer rating:
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My Big Fat Greek Wedding
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AAUC Release Date: 2002-07-16 |
Tracks:
- Stalia, Stalia
- Xekina Mia Psaroboulla
- Orea Pou Ine I Nifi Mas
- Moose Caca
- Kefi In Katavia
- Secret Garden
- Yasoo
- Istanbul Coffee House (Kafe Neio)
- Time With You
- Yiayia
- Generations
- Toula And Ian
- Apples N' Oranges
- All My Only Dremas
- First Date
Amazon.com
Ask anyone who's attended one and they'll tell you: there's nothing quite as colorful--and emotionally melodramatic--as a Greek wedding. Based on Winnipeg actress-comedian Nia Vardalos's one-woman show and brought to the screen by Rita Wilson and husband Tom Hanks, the film tells (with some parallels to Moonstruck) the story of a thirtysomething Greek spinster for whom falling in love with a "Xeno" (non-Greek) is surely the easiest part of a wedding that more than lives up to its billing. The film's soundtrack perfectly captures those swirling clouds of ethnic and romantic tension. Its first half largely sets up the rich cultural atmosphere with a lively sampling of traditional Greek folk music (featuring selections by Alexandros Xenofontos, John Tsifliklis, Eman, Nick Kutsukos, Daghan Baydur, and Richard Thomas), while the score proper from Alexander Janko (with help from Chris Wilson) slyly segues from similar fare ("Moose Caca," "Yasoo," "Yiayia") to more traditional orchestral film music. That sometimes electro-pastoral, compelling music has parallels with Rachel Portman's and offers the collection a sense of emotional completion. --Jerry McCulleyCustomer Reviews:
Great disappointment on amazon's shipping method.......2007-07-07
To be honest, This is the first time i didn't manage to receive my good from E-commerce Portal. I totally didnt expect this happen from reputable Amazon.
Nonetheless. I must admit your friendly customer service, they are always willing to assist me to reprocess or the refund the marchant.
Please kindly review your shipping method. or perhaps let me know what had happened to my shipping address or my goods. so i could still have confident to make purchase on your website again.
The Greek Music-.......2006-02-10
-MICHAELA
Great flick but bad cd.......2004-04-29
http://www.cdbaby.com/cd/taki76
The Greek Music is Great.......2003-05-05
Amazingly Relaxing CD!.......2003-03-08
Rock Music:
