Belle Excentrique [Import] [Original recording remastered]

1. Scandale De Mme Rotchild

2. Gigi, La Danseuse

3. Bar Americain

4. Diaghilev, L'homme-Orchestre

5. Les Nuits Folles De L' Hotel Negresco

6. Masque Rose De Mme Me

7. Torocadero

8. Je Connaissais Jean Cocteau

9. Adieu, Mon Amour

10. Je Te Veux

Editorial Reviews

Product Description
Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase.

Tracks:

Oeuvres Pour Piano: Gymnopedie I
Oeuvres Pour Piano: Gymnopedie II
Oeuvres Pour Piano: Gymnopedie III
Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
Oeuvres Pour Piano: II: Son binocle
Oeuvres Pour Piano: III: Ses jambes
Oeuvres Pour Piano: Trois Gnossiennes: I Lent
Oeuvres Pour Piano: II Avec nnement
Oeuvres Pour Piano: III Lent
Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
Oeuvres Pour Piano: V Mod
Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
Oeuvres Pour Piano: Prolongation du m
Oeuvres Pour Piano: I
Oeuvres Pour Piano: II
Oeuvres Pour Piano: III
Oeuvres Pour Piano: En plus
Oeuvres Pour Piano: Redite
Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
Oeuvres Pour Piano: III Espa (Sorte de valse)
Oeuvres Pour Piano: Sonatine bureaucratique
Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
Oeuvres Pour Piano: II Simplement
Oeuvres Pour Piano: III Un peu mouvement
Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
Oeuvres Pour Piano: Air du Grand Maitre
Oeuvres Pour Piano: Air du Grand Prieur
Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation

Tracks:

Jack In The Box: Prelude
Jack In The Box: Entracte
Jack In The Box: Final
Sports et Divertissements: Choral inappetissant
Sports et Divertissements: La Balanre
Sports et Divertissements: La Chasse
Sports et Divertissements: La Come italienne
Sports et Divertissements: Le Ril de la Mari
Sports et Divertissements: Colin-Maillard
Sports et Divertissements: La Pe
Sports et Divertissements: Le Yachting
Sports et Divertissements: Le Bain de mer
Sports et Divertissements: Le Carnaval
Sports et Divertissements: Le Golf
Sports et Divertissements: La Pieuvre
Sports et Divertissements: Les Courses
Sports et Divertissements: Les Quatre-Coins
Sports et Divertissements: Le pique-nique
Sports et Divertissements: Le Water-chute
Sports et Divertissements: Le Tango
Sports et Divertissements: Le Traau
Sports et Divertissements: Le Flirt
Sports et Divertissements: Le Feu d'artifice
Sports et Divertissements: Le Tennis
Oeuvres Pour Piano: I D'Holothurie
Embryons desseches: II D'Edriophtalma
Embryons desseches: III De Podophtalma
Preludes flasques (pour un chien): I Voix d'interieur
Preludes flasques (pour un chien): II. Idylle cynique
Preludes flasques (pour un chien): III. Chanson canine
Preludes flasques (pour un chien): IV. Avec camaraderie
En habit de cheval (a 4 mains): I Choral
En habit de cheval (a 4 mains): II Fugue litanique
En habit de cheval (a 4 mains): III Autre chose
En habit de cheval (a 4 mains): IV Fugue de papier
Apercus desagreables: I Pastorale
Apercus desagreables: II Choral
Apercus desagreables: III Fugue
Descriptions automatiques: I Sur un vaisseau
Descriptions automatiques: II Sur une lanterne
Descriptions automatiques: III Sur un casque
3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
Peccadilles importunes: Lui manger sa tartine
Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
Pieces froides - No. 1 Airs a faire fuir: II Modestement
Pieces froides - No. 1 Airs a faire fuir: III S'inviter
Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
Pieces froides - No. 2 Danses de travers: II Passer
Pieces froides - No. 2 Danses de travers: III Encore
La Belle Excentrique: I Grande ritournelle
La Belle Excentrique: II Marche franco-lunaire
La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
La Belle Excentrique: IV Can-can grand-mondain
3 Sarabandes: No. 1
3 Sarabandes: No. 2
3 Sarabandes: No. 3

Amazon.com

It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey

Customer Reviews:

Picasso in sound.......2006-02-19

Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.

Great but NOT complete.......2004-12-23

Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.

Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.

There's only one........2004-06-26

If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.

Don't forget Satie was an Anti-Romantic.......2002-02-25

No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.

"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17

Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !

Satie: Gymnopédies No1-3; Gnossiennes No1-6

Average customer rating:

Great Performance, disappointing listening experience
Great Performance, not so great quality recording
Splendid Introduction to Satie's Piano Music

Satie: Gymnopédies No1-3; Gnossiennes No1-6

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

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Satie: Piano Works
After the Rain...The Soft Sounds of Erik Satie
The Best of Erik Satie
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The Magic of Satie

ASIN: B00004R95Q
Release Date: 2000-03-14

Tracks:

Trois Gymnopedies: I. Lent Et Douloureux
Trois Gymnopedies: II. Lent Et Triste
Trois Gymnopedies: II. Lent Et Grave
I. Lent
Six Gnossiennes: II. Avec Etonnement
Six Gnossiennes: III. Lent
Six Gnossiennes: IV. Lent
Six Gnossiennes: V. Modere
Six Gnossiennes: VI. Avec Conviction Et Avec Une Tristesse Rigoureuse
Croquis Et Agaceries D'un Gros Bonhomme En Bois: I. Tyrolienne Turque (Avec Precaution Et Lent)
Croquis Et Agaceries D'un Gros Bonhomme En Bois: II. Danse Maigre (A La Maniere De Ces Messieurs) (Assez Lent Si Vous Le Voulez Bien)
Croquis Et Agaceries D'un Gros Bonhomme En Bois: III. Espanana (Sorte De Valse)
Embryons Desseches: I. - D'Holothurie (Allez Un Peu)
Embryons Desseches: II. - D'Edriophtalma (Sonore)
Embryons Desseches: III. - De Podophtalma (Un Peu Vif)
Sonatine Bureaucratique: Allegro - Andante - Vivace
Avant-dernieres Pensees: I. Idylle, (A Debussy) (Modere, Je Vous Prie)
Avant-dernieres Pensees: II. Aubade (A Paul Dukas) (Pa Vite)
Avant-dernieres Pensees: III. Meditations (A Albert Roussel) (Un Peu Vif)
Veritables Preludes Flasques (Pour Un Chien): I. Severe Reprimande (Vif [Sans Trop])
Veritables Preludes Flasques (Pour Un Chien): II. Seul A La Maison (Pas Vite)
Veritables Preludes Flasques (Pour Un Chien): III. On Joue (Aller)
Cinq Nocturnes: I. Doux Et Calme
Cinq Nocturnes: II. Simplement
Cinq Nocturnes: III. Un Peu Mouvemente
Cinq Nocturnes: IV. Mysterieux et tendre
Cinq Nocturnes: V.
Trois Morceaux En Forme De Poire: I. Maniere De Commencement (Allez Moderement) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: II. Prolongation Du Meme (Au Pas) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 1. Lentement - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 2. Enleve - Gabriel Tacchino
Trois Morceaux En Forme De Poire: 3. Brutal - Gabriel Tacchino
Trois Morceaux En Forme De Poire: III. En Plus (Calme) - Gabriel Tacchino
Trois Morceaux En Forme De Poire: IV. Redite (Dans Le Lent) - Gabriel Tacchino
La Belle Excentrique: I. Grand Ritournelle - Gabriel Tacchino
La Belle Excentrique: II. Marche 'Franco-Lunaire' - Gabriel Tacchino
La Belle Excentrique: III. Valse Du 'Mysterieux Baiser Dans L'oeil' (Mouvement De Valse) - Gabriel Tacchino
La Belle Excentrique: IV. Cancan Grand-Mondain (Galop) - Gabriel Tacchino

Amazon.com

Aldo Ciccolini's late-1960s survey devoted to Erik Satie's piano music helped spawn new interest in the idiosyncratic French composer. The pianist rerecorded the cycle digitally, and it is from these remakes that the present reissue stems. While the performances are refreshingly pert, stylish, and perceptive, the rather glassy, treble-heavy engineering can't hold a candle to EMI's warmer analog sound for the earlier recordings. Be that as it may, this disc covers a spectrum of Satie's creative moods (to say nothing of his bizarre titles), from the pensive Gymnopédies, Gnossiennes, and Nocturnes to the upbeat irony inherent in the character pieces. Gabriel Tacchino joins Ciccolini for a balletic romp through La belle excentrique. Happily, this duo will have none of the fussy rubato with which a handful of world-class pianists distort Trois Morceaux en forme de poire. If warm, rounded piano sound is not an issue, then this disc will do just fine as your basic Satie starter kit. --Jed Distler

Customer Reviews:

Great Performance, disappointing listening experience.......2007-05-06

The performance of all of the pieces on this disk are exceptional, and the recording of the piano itself is well done. Unfortunately, both are almost irreparably marred by a loud recording hiss throughout the performances. The fact that this hiss fades to zero between sets only serves to highlight the hiss and make it distracting again. I am stunned that this disk advertises itself as a DDD recording, the engineers and producers should be ashamed. If you know how to process hiss out of a recording, go for it. Otherwise, be warned, you may be disappointed.

Great Performance, not so great quality recording.......2006-01-19

I think that the interpretation of Satie's work here is really good, but my complain is that the recording has a lot of noise in it, is not just the noise of a life performance (which I don't mind), but there is a clear white noise in the background that spoils the overall effect. Still, as I said the interpretation is just great, but the noise issue forces me to give a 3 start rating.

Splendid Introduction to Satie's Piano Music.......2004-05-29

I must confess my ignorance with respect to Satie and his music, so this fine CD was a revelation. Satie clearly falls in the same group of "Impressionist" composers such as Debussy, but still remains an enigmatic figure, in part because of the satirical content of his music, as well as his personality. In Aldo Ciccolini, Satie had one of his foremost champions. This CD is replete with graceful, lyrical playing of Satie's works. I am truly surprised that Satie was neglected until the 1960's, when Ciccolini began championing his music. The sound quality isn't nearly as warm as earlier EMI analogue recordings, but this isn't a major disappointment in what is otherwise a splendid introduction to Satie's music.

Average customer rating:

Great take on Satie
I may be too harsh but this was a disappointment
Quite... simply...a joy!
Maybe the best...
A new standard for Satie

The Magic of Satie
Thibaudet , and Satie
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Satie: Gymnopédies No1-3; Gnossiennes No1-6

ASIN: B0000665EW
Release Date: 2002-09-10

Tracks:

Gymnopedie No.1
Gnossiennes No.1
Gnossiennes No.2
Gnossiennes No.3
Gnossiennes No.4
Gnossiennes No.5
Gnossiennes No.6
Gnossiennes No.7
Verset Laique & Somptueux
Gymnopedie No.2
Je Te Veux
Prelude
Entr'acte
Finale
The Dreamy Fish
Le 'Piccadilly'
The Angora Ox
Gymnopedie No.3
I. Ne Bois Pas Ton Chocolat Avec Tes Doigts
II. Ne Souffle Pas Dans Tes Oreilles
III. Ne Mets Pas Ta Tete Sous Ton Bras
I. Allegro
II. Andante
III. Vivache
La Diva De L'Empire
I. Marche Franco-Lunaire
II. Valse Du Mysterieux Baiser Dans L'oeil
I. Preambule
II. Coquecigrue
III. Chasse
IV. Fanfaronnade
V. Retraite (Pour Sortir)

Amazon.com

Don't judge this splendid disc by its silly title. Jean-Yves Thibaudet has put together an imaginatively programmed and gorgeously played Erik Satie recital that is certain to acquire reference status alongside the classic Satie recordings by Aldo Ciccolini, his one-time mentor. The difference lies in Decca's far superior sonics, and Thibaudet's warmer, more robust piano sonority. He imbues the music with subtle dynamic gradations and varied articulations that keep Satie's sparse textures vibrant and fresh, without any of the posturing and willfully slow tempi favored by several Satie specialists. Thibaudet cleverly separates the three famous Gymnopédies and intersperses them between brooding works like the Gnossiennes, upbeat, dry-witted selections ("Jack in the Box" and "La Belle Excentrique," along with some fascinating world premieres). And it's refreshing to hear the cabaret song "Je Te Veux" so seamlessly phrased, as if vocal chords had temporarily replaced the piano's hammers. Simply a joy. --Jed Distler

Customer Reviews:

Great take on Satie.......2007-01-05

I spent a lot of time listening to sound clips to decide which Satie CD to buy. Some of the other ones I listened to had too much background noise or were too mechanical. I love the eb and flow that Thibaudet adds to the piano music. It is gorgeous!

I may be too harsh but this was a disappointment.......2005-08-30

I purchased this CD to replace a favorite tape that had worn out of nearly the same collection of Satie pieces. The music is great but Thibaudet plays it without the upbeat enthusiasm that makes the music magic. Sorry, Thibaudet.

Quite... simply...a joy!.......2003-01-09

Extraordinary, eloquent, intimate and impassioned performances. Each time I listen, I get taken deeper into Satie, yes, but also into *music* itself. Satie's music is really meant for the performer (note his comments on the score), intimately.

I also think Satie used it as map & vehicle rather than as destination. (I used to refer to - and prefer - Aldo Ciccolini while reading the score. Thibaudet has provided a whole new landscape to fit the map.)

Although Satie said his music should be performed "so that no-one listens to it," I think he was actually trying to get to us in the same way that admonishing someone to not think about elephants has the opposite effect.

Thibaudet's interpretations are a joy to listen to, to pay attention to. (And I thought I knew Satie...!) Whether taken as seriously as a mating dance, or as playful as one, there is a profound sense of intimacy here.

If your impression of Satie is that he wrote "furniture music" long before Muzak - sounds to provide a background while you eat or chat or have drinks, or shop at Nordstroms - then this recording may reawaken you. Thiba breathes new life into Satie, new levels: it seems to take one into deeper realms of consciousness, toward thoughtless contemplation.

(And I learned that "'Gnossienne' refers to the 'Crane Dance' performed in the labyrinth of the palace of Knossos [Gnossos] in ancient Crete." ...Now, is that provocative?)

Maybe the best..........2002-12-25

This album offers both first time recordings and a high quality, warm sound that may help you to feel Satie's free-from-tricks music. As it says in the booklet, you don't need to be a virtuoso to play Satie but you have to understand the certian state of mind. The Magic of Satie is probably the best choice for both old and new Satie listeners.

A new standard for Satie.......2002-12-25

Like many others, I discovered the music of Satie upon hearing the recordings of Aldo Ciccolini. As mentioned by Distler above, Thibaudet studied with Ciccolini although they apparently never worked on Satie's music together. No matter. This is a wonderfully recorded and played selection of Satie's music. Satie's music is unique- he is one of those musicians who seemed determined to not sound like anybody else. At least, that I know of. In spite of that, he is one of the most accessible of modern composers because of his melodicism.
I have listened to many performers play some of these pieces and Thibaudet is the best I have heard since Ciccolini. The only thing that keeps me from recommending this CD without reservation is that Thibaudet plans to release a box set in the near future that will contain all of Satie's piano music. If you are an obsessed completist like myself that is something to really look forward to.

Average customer rating:

The Simple, the Sublime, and the Surreal
Great complete set
the BEST

Satie: L'Oeuvre Pour Piano

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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ASIN: B00005IA09
Release Date: 2002-02-12

Tracks:

Trois Gymnopedies: I. Lent Et Douloureux
Trois Gymnopedies: II. Lent Et Triste
Trois Gymnopedies: III. Lent Et Grave
Heures Seculaires Et Instantanees: I. Obstacles Venimeux
Heures Seculaires Et Instantanees: II. Crepuscule Matinal (De Midi)
Heures Seculaires Et Instantanees: III. Affolements Granitiques
Les Trois Valses Du Precieux Degoute: I. Sa Taille
Les Trois Valses Du Precieux Degoute: II. Son Binocle
Les Trois Valses Du Precieux Degoute: III. Ses Jambes
Avant-Dernieres Pensees: I. Idylle
Avant-Dernieres Pensees: II. Aubade
Avant-Dernieres Pensees: III. Meditation
Trois Gnossiennes: I. Lent
Trois Gnossiennes: II. Avec Etonnement
Trois Gnossiennes: III. Lent
Trois Morceaux En Forme De Poire: Maniere De Commencement
Trois Morceaux En Forme De Poire: Prolongation Du Meme
Trois Morceaux En Forme De Poire: I. Lentement
Trois Morceaux En Forme De Poire: II. Enleve
Trois Morceaux En Forme De Poire: III. Brutal
Trois Morceaux En Forme De Poire: En Plus
Trois Morceaux En Forme De Poire: Redite
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: I. Tyrolienne Turque
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: II. Danse Maigre (A La Maniere De Ces Messieurs)
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: III. Espanana (Sorte De Valse)
Trois Nocturnes: I. Doux Et Calme
Trois Nocturnes: II. Simplement
Trois Nocturnes: III. Un Peu Movt
La Belle Excentrique, Fant Serieuse: I. Grande Ritournelle
La Belle Excentrique, Fant Serieuse: II. Marche Franco-Lunaire
La Belle Excentrique, Fant Serieuse: Valse Du Mysterieux Baiser Dans L'Oeil
La Belle Excentrique, Fant Serieuse: Cancan 'Grandmondain'

Tracks:

Descriptions Automatiques: I. Sur Un Vaisseau
Descriptions Automatiques: II. Sur Une Lanterne
Descriptions Automatiques: III. Sur Un Casque
Veritables Prlds Flasques: I. Severe Reprimande
Veritables Prlds Flasques: II. Seul A La Maison
Veritables Prlds Flasques: III. On Joue
Vieux Sequins Et Vieilles Cuirasses: I. Chez Le Marchand D'or (Venise XIIIe Siecle)
Vieux Sequins Et Vieilles Cuirasses: II. Danse Cuirassee (Periode Grecque)
Vieux Sequins Et Vieilles Cuirasses: III. La Defaite Des Cimbres (Cauchemar)
En Habit De Cheval: I. Choral
En Habit De Cheval: II. Fugue Litanique
En Habit De Cheval: III. Autre Choral
En Habit De Cheval: IV. Fugue De Papier
Sports Et Divertissements: Choral Inappetissant
Sports Et Divertissements: La Balancoire
Sports Et Divertissements: La Chasse
Sports Et Divertissements: La Comedie Italienne (A La Napolitaine)
Sports Et Divertissements: Le Reveil De La Mariee
Sports Et Divertissements: Colin-Maillard
Sports Et Divertissements: La Peche
Sports Et Divertissements: Le Yachting
Sports Et Divertissements: Le Bain De Mer
Sports Et Divertissements: Le Carnaval
Sports Et Divertissements: Le Golf
Sports Et Divertissements: La Pieuvre
Sports Et Divertissements: Les Courses
Sports Et Divertissements: Les Quatre Coins
Sports Et Divertissements: Le Pique-nique
Sports Et Divertissements: Le Water-chute
Sports Et Divertissements: Le Tango
Sports Et Divertissements: Le Traineau
Sports Et Divertissements: Le Flirt
Sports Et Divertissements: Le Feu D'artifice
Sports Et Divertissements: Le Tennis
Chapitres Tournes En Tous Sens: I. Celle Qui Parle Trop
Chapitres Tournes En Tous Sens: II. Le Porteur De Grosses Pierres
Chapitres Tournes En Tous Sens: III. Regrets Des Enfermes (Jonas Et Latude)
Apercus Desagreables: I. Pastorale
Apercus Desagreables: II. Choral
Apercus Desagreables: III. Fugue
Embryons Desseches: I. D'Holothurie
Embryons Desseches: II. D' Edriophtalma
Embryons Desseches: III. De Podophtalma
Trois Sarabandes: No.1
Trois Sarabandes: No.2
Trois Sarabandes: No.3

Tracks:

Prlds Flasques: I. Voix D'interieur
Prlds Flasques: II. Idylle Cynique
Prlds Flasques: III. Chanson Canine
Prlds Flasques: IV. Avec Camaraderie
Reverie De L'enfance De Pantagruel
Les Pantins Dansent
Passacaille (Oeuvre Posthume)
Le Piege De Meduse (Oeuvre Posthume): Quadrille/Valse/Pas Vite/Mazurka/Un Peu Vif/Polka/Quadrille
Menus Propos Enfantins: I. Le Chant Guerrier Du Roi Des Haricots
Menus Propos Enfantins: II. Ce Que Dit La Petite Princesse Des Tulipes
Menus Propos Enfantins: III. Valse Du Chocolat Aux Amandes
Enfantillages Pittoresques: I. Petit Prld A La Journee
Enfantillages Pittoresques: II. Berceuse
Enfantillages Pittoresques: III. Marche Du Grand Escalier
Peccadilles Importunes: I. Etre Jaloux De Son Camarade Qui A Une Grosse Tete
Peccadilles Importunes: II. Lui Manger Sa Tartine
Peccadilles Importunes: III. Profiter De Ce Qu'il A Des Cors Aux Pieds Pour Lui Prendre Son Cerceau
Pieces Froides, No.1 - Trois Airs A Faire Fuir: I. D'Une Maniere Particuliere
Pieces Froides, No.1 - Trois Airs A Faire Fuir: II. Modestement
Pieces Froides, No.1 - Trois Airs A Faire Fuir: III. S'inviter
Pieces Froides, No.2 - Danses De Travers: I. En Y Regardant A Deux Fois
Pieces Froides, No.2 - Danses De Travers: II. Passer
Pieces Froides, No.2 - Danses De Travers: III. Encore
Prld En Tapisserie
Trois Gnossiennes: No.4 Lent
Trois Gnossiennes: No.5 Modere
Trois Gnossiennes: No.6 Avec Conviction Et Avec Une Tristesse Rigoureuse
Nouvelles Pieces Froides: I. Sur Un Mur
Nouvelles Pieces Froides: II. Sur Un Arbre
Nouvelles Pieces Froides: III. Sur Un Pont
Premiere Pensee De La Rose+Croix
Sonneries De La Rose+Croix: I. Air De L'Ordre
Sonneries De La Rose+Croix: II. Air Du Grand Maitre
Sonneries De La Rose+Croix: III. Air Du Grand Prieur
Deux Reveries Nocturnes: I. Pas Vite (Revez Doucement)
Deux Reveries Nocturnes: II. Tres Moderement

Tracks:

Petite Ov A Danser
Quatre Prlds: I. Fete Donnee Par Des Chevaliers Normands En L'Honneur D'Une Jeune Demoiselle
Quatre Prlds: II. Prld D'Eginhard
Quatre Prlds: III. 1er Prld Du Nazareen
Quatre Prlds: IV. 2eme Prld Du Nazareen
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 1er Acte: La Vocation
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 2eme Acte: L'Initiation
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 3eme Acte: L'Incantation
Jack In The Box: I. Prld
Jack In The Box: II. Entracte
Jack In The Box: Final
Desepoir Agreable
Effronterie
Poesie
Prld Canin
Profondeur
Songe Creux
Prld De La Porte Heroique De Ciel
Musiques Intimes Et Secretes: Nostalgie
Musiques Intimes Et Secretes: Froide Songerie
Musiques Intimes Et Secretes: Facheux Exemple
Carnet D'esquisses Et De Croquis (Air - Essais - * - Notes - Notes - Le Prisonnier Maussade...

Tracks:

Premier Menuet
Nocturne No.4
Nocturne No.5
Trois Petites Pieces Montees: De L'Enfance De Pantagruel (Reverie)
Trois Petites Pieces Montees: Marche De Cocagne (Demarche)
Trois Petites Pieces Montees: Jeux De Gargantua (Colin De Polka)
Ogives: Premiere Ogive
Ogives: Deuxieme Ogive
Ogives: Troisieme Ogive
Ogives: Quatrieme Ogive
Danses Gothiques: No.1 A L'Occasion D'Une Grande Peine
Danses Gothiques: No.2 Dans Laquelle Les Peres De La Tres Veritable Et Tres Sainte Eglise Sont...
Danses Gothiques: No.3 En Faveur D'Un Malheureux
Danses Gothiques: No.4 A Propos De Saint-Bernard Et Sainte-Lucie
Danses Gothiques: No.5 Pour Les Pauvres Trespasses
Danses Gothiques: No.6 Ou Il Est Question Du Pardon Des Injures Recues
Danses Gothiques: No.7 Par Pitie Pour Les Ivrognes, Honteux Debauches, Imparfaits, Desagreables...
Danses Gothiques: No.8 En Le Haut Honneur Du Venere Saint-Michel, Le Gracieux Archange
Danses Gothiques: No.9 Apres Avoir Obtenu La Remise De Ses Fautes
Sonatine Bureaucratique
Poudre D'Or, Valse
Pages Mystiques: I. Priere
Pages Mystiques: II. Vexations
Pages Mystiques: III. Harmonies
Douze Petits Chorals

Amazon.com

Pianist Aldo Ciccolini garnered lots of attention in the late 1960s and early 1970s when he recorded all of Erik Satie's original piano music for EMI. The cycle remains first choice for Satie fans, who certainly will welcome its first complete (as opposed to excerpted) reissue on CD. Ciccolini's interpretations are paradigms of expressive economy and directness, and happily eschew the "let's see how slow and important I can make these works" attitude that sometimes prevails among younger Satie practitioners. Ciccolini's diamond-edged sonority, sparkling technique, and willingness to accept the composer's high quirk quotient at face value further enhance these performances. While Ciccolini admirably overdubs himself in the piano duet works, one misses the added color and ensemble give and take gained from Ciccolini's digital remakes partnered by Gabriel Tacchino. For the price, though, Satie fans can hardly go wrong. Don't let EMI's French-only annotations prevent you from acquiring this classic cycle. Get it while you can. --Jed Distler

Customer Reviews:

The Simple, the Sublime, and the Surreal.......2007-03-27

This collection makes for good listening. There is a great deal of variety and character (Oh, is there character!) to be found in the various pieces. While most people have likely heard one or more of Satie's Gymnopedies at the very least in the background music of a TV ad, this collection pulls together the rarely-heard piano pieces as well. One that I had been seeking, Vexations, is a short piece to be repeated 840 times.

The titles of the pieces bear witness to Satie's sense of humor, rebellion against conventions of the day, and his pleasure in the surreal. Translations help to enjoy the unusual titles (who could not love "Piece in the Form of a Pear"?), some of which are reminiscent of Magritte's monikers.

Aldo Ciccolini's performances are clear, with definite respect for the composer's works. There was a noticeable distinction between the tempi of the works that come "in threes", such as the Gymnopedies.

I found that this collection fit nicely on my iPod, allowing me to take it on the road and enjoy it wherever the mood struck me. In some cases, the juxtaposition of Satie's music with my whereabouts provided yet another dimension of surreal-ity that had to be savored. The fact that most of these piano pieces are brief lends them to shuffling with other styles.

While this collection is not for the casual listener to classical music, it does allow you to come into closer contact with one of the more unconventional minds of classical music. If you are serious about late 19th- or early 20th-century music, especially French music, or the influence of popular music on serious music, then this is not only for you, but a bargain as well.

Great complete set.......2004-11-21

This is the definitive Satie collection for piano. Well-recorded and well played. I am a fan of French Impressionism in all of its incarnations and appreciated getting a full set of Satie under one cover. However, not all of these interpretations are my favorites. The best Gnossienne, IMHO, is that of Reinbert de Leeuw. He takes it slow and draws everything out of that piece. Ciccolini's interpretation is rushed and not as melodic. However, the Ciccolini tempo works well on other pieces, such as the other Satie favorite, Gymnopédies.

All in all, this collection is well worth having for any Satie fan.

the BEST.......2003-04-21

Satie is a weirdo. Often overlooked by serious classical enthusiasts for a variety of reasons, he was an eccentric person and a very original composer. His quirky, playful temperament gave his pieces the intrigue they still hold today.

Aldo Ciccolini is the perfect pianist for these pieces. He seems to be the quintessential Satie interpreter. His playing is dazzling, crisp, and delightful. Aldo has a real knack for these sorts of french artists, and really seems to understand their style.

Tracks:

Je te veux
Tendrement
La diva de
La statue de bronze
Dapheneo
Le chapelier
Trois poemes d'amour
Elegie
Danseuse
Chanson
Adieu
Air du rat
Spleen
La grenouille Americaine
Air du poete
Chanson du chat
Choral Hypocrite
Fugue a tatons
Fantaisie musculaire
Pastorale
Choral
Fugue
Choral
Fugue Litanique
Autre choral
Fugue de papier
Maniere de commencement
Prolongation du meme
Lentement
En leve
Brutal
En plus
Redite
Entr'acte cinematographiquie from the ballet

Tracks:

Parade
De l'enfance de Pantagruel
Marche de Cocagne
Jeunesse de Gargantua
Piege de Meduse
Allez un peu
Sombre
Un pen vif
Les Pantines dansent
Grande ritournelle
Marche Franco-lunaire
Valse des mysterieux baiser dans l'oel
Cancan grand mondian
Socrate: Part I
Socrate: Part II
Socrate: Part III

Customer Reviews:

Buy it for the songs.......2005-07-20

For my money, this disc is worth its weight in gold for the magnificent performances of the songs by Elaine Bonazzi and Frank Glazer. Bonazzi's voice is a rich mezzo and her French is impeccable. Furthermore, she invests the songs with just the right amount of wry sophistication. Her personality really brings these little jewels to life. Frank Glazer is the knowing accompanist. You won't be disappointed!!

A Laughably Cheap Way to Experience Satie.......2003-01-08

If you ever wanted to expose yourself to the music of Erik Satie but were not sure where to start, this is your disc. If you are turned off by all of the Satie albums marketed as "the world's most relaxing music" this is also your disc. If you've always thought of Satie as a hack of meagre talent who hid his lack of ability under a facade of cool surrealistic irony, this is your disc. For just over ten dollars, this disc shows Satie in all of his range, from pop cabaret song composer, to artist of exquisite sensibility. At this price, you should lap this one right up.

Most of these recordings are reissues of earlier Vox material from the 70's. I have most of the originals in either tape or LP form, but cannot review absolutely everything on the CD, due to holes in my collection. But what I do know from this series is terrific. The vocal music covers most of Satie's most important music in this form. Je Te Veux and Tendrement are both cabaret pieces, and as such they are revealing of Satie's melodic gifts, gifts not readily apparent in his other work. Both are luxurious 19th century salon pieces in the best sense of the word, well crafted and graceful for the voice. Some of the later songs, including the brilliantly surreal Luditions are exactly what you would expect Satie to write, quirky and yet with something deeper underneath.

The duo piano music is largely unknown to me, with the exception of the Three Morceaux in the Form of a Pair. This piece is very similar to other Satie solo piano works, charming, and seemingly lightweight, but with some disquieting undertones hidden under a childlike exterior.

However the real reason to get this CD is for the orchestral and dramatic works. Parade is a classic of it's kind, the first ballet about nothing to be produced. Concieved by Cocteau, with set and costume design by Picasso and choreography by Massine (i think)the work was a success du scandale in Paris. Musically, Satie's orchestrations are clever and very well balanced and his music is somewhere between minimally brilliant and banal. The banality is an essential part of the work however, so I don't mean this as a criticism.

Relache may have been Satie's most revolutionary work. It is the antithesis of the omnipresent Gymnopodies. This is almost a harsh work, though not in the sense of harsh dissonance. It is devised around a very limited series of ideas and repeats those ideas in subtly varied ways throughout it's length. As such, the work predates minimalism by about 50 years. Satie was often sited by Cage as a major influence. It's easy to believe that this is the work that was most influential on him.

Tracks:

1. Tyrolienne Torque
2. Danse Maigre/A La Maniere De Ces Messieurs
3. Espanana
1. Sur Un Vaisseau
2. Sur Une Lanterne
3. Sur Casque
1. Sa Taille
2. Son Binocle
3. Ses Jambes
Petite Ouverture A Danser
A. Valse/Ballet
B. Fantaisie/Valse
Les Pantins Dansent
Caresse
Danse De Travers
1. D'Une Maniere Tres Particuliere
2. Modestement
3. S'Inviter
1. En Y Regardant A Deux Fois
2. Passer
3. Encore
Premiere Pensee Rose+Croix
Prelude De La Port Heroique
Passacaille
Prelude En Tapisserie
Poudre D'Or
Maniere De Commencement
Prolongation Du Meme
Morceau 1/Lentement
Morceau 2/Enleve
Morceau 3/Brutal
En Plus (Calme)
Redite (Dans Le Lent)
Grande Ritournelle
1. Marche (Franco Lunaire)
2. Valse Du (Mysterieux Baiser Dans L'Oeil)
3. Cancan (Grand-Mondain)

Tracks:

No. 1 Lent
No. 2 Avec Etonnement
No. 3 Lent
No. 4 Lent
No. 5 Modere
No. 6 Avec Conviction Et Avec Une Tristesse Rigoureuse
Severe Reprimande
Seul A La Maison
On Joue
Chez Le Marchand D'Or
Danse Cuirassee (Periode Grecque)
La Defaite Des Cimbres (Cauchemar)
Celle Qui Parle Trop
Le Porteur De Grosses Pierres
Regrets Des Enfermes (Jonas Et Latude)
No. 1 Lent Et Douloureux
No. 2 Lent Et Triste
No. 3 Lent Et Grave
1. D'Holothurie
2. D'Edriophthalma
3. De Podophthalma
Je Te Veux
1. Allegro
2. Andante
3. Vivace
1. Obstacles Venimeux
2. Crepuscule Matinal (De Midi)
3. Affolements Granitiques
Le Piccadilly-Marche
1. Idylle, A Debussy
2. Aubade, A Paul Dukas
Meditation, A Albert Roussel
Choral Inappetissant
La Balancoire
La Chasse
La Comedie Italienne (A La Napolitaine)
Le Reveil De La Mariee
Colin-Maillard
La Peche
Le Yachting
Le Bain De Mer
Le Carnaval
Le Golf
La Pieuvre
Les Courses
Les Quatre-Coins
Le Pique-Nique
Le Water-Chute
Le Tango
Le Traineau
Le Flirt
Le Feu D'Artifice
Le Tennis

Tracks:

Prelude
Fugue
Forlane
Riguadon
Menuet
Toccata
Pavane Pour Une Infante Defunte
Menuet Antique
Noctuelles
Oiseaux Tristes
Une Barque Sur L'Ocean
Alborada Del Gracioso
La Vallee Des Cloches

Tracks:

Jeux D'Eau
1. Modere
Mouvement De Menuet
3. Anime
Prelude
Serenade Grotesque
Modere
Assez Lent
Modere
Assez Anime
Presque Lent
Vif
Moins Vif
Epilogue: Lent
Menuet Sur Le Nom De Haydn
A La Maniere De Chabrier
A La Maniere De Borodine
Ondine
Le Gibet
Scarbo

Average customer rating:

Ciccolini Knows Satie

Satie: Piano Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

Liszt: Works for Piano and Orchestra
Strauss: Orchestral Works
Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead
Debussy, Ravel: Orchestral Works
Mozart: Chamber Music

ASIN: B0000BWTKN
Release Date: 2003-11-04

Tracks:

Allegro
Valse-Ballet 'Op.62'
Fantaise-Valse
1. (Lent) (A Monsieur Conrad Satie)
2. (Lent) (A Maurice Ravel)
3. (Lent)
1. Lent Et Douloureux (A Mademoiselle Jeanne De Bret)
2. Lent Et Triste (A Conrad Satie)
3. Lent Et Grave (A Charles Levade)
Fete Donnee Par Des Chevaliers Normands En l'Honneur D'Une Jeune Demoiselle
Maniere De Commencement
Prolongation Du Meme
Morceau I: Lentement
Morceau II: Enleve
Moreceau III: Brutal
En Plus
Redite
Premier Nocturne (A Madame Marcelle Meyer)
Deuxieme Nocturne (A Andre Salomon)
Troisieme Nocturne (A Madame Jean Hugo)
Quatrieme Nocturne (A Madame La Comtesse Etienne De Beaumont)
Cinquieme Nocturne (A Madame Georges Cocteau)
De L'Enfance De Pantagruel (Reverie)
Marche De Cocagne
Jeux De Gargantua (Coin De Polka)
Premier Menuet (A Claude Dubosq)
Idlle (A Debussy)
Aubade (A Paul Dukas)
Meditation (A Albert Roussel)

Tracks:

Premiere Ogive (A J.P. Contamine De Latour)
Deuxieme Ogive (A Charles Levade)
Troisieme Ogive (A Madame Clement Le Breton)
Quatrieme Ogive (A Conrad Satie)
Premiere Pensee Rose + Croix
Air De L'Ordre
Air Du Grand Maitre (Le Sar Josephin Peladan)
Air Du Grand Prieur (Le Comte Antoine De La Rochefoucauld)
Prelude Du 1 Acte: La Vocation. Theme Decoratif: La Nuit De Kaldee
Prelude Du 2 Acte: L'Initiation. Theme Decoratif: La Salle Basse Du Grand Temple
Prelude Du 3 Acte: L'Incantation. Theme Decoratif: La Terrasse Du Palais Du Patesi Goudea
Prelude Du Nazareen
Prelude Du Nazareen
Prelude
A L'Occasion D'Une Grande Peine
Dans Laquelle Les Peres De La Tres Veritable Et Tres Sainte Eglise Sont Invoques
En Faveur D'Un Malheureux
A Propos De Saint Bernard Et De Sainte Lucie
Pour Les Pauvres Trepasses
Ou Il Est Question De Pardon Des Injures Recues
Par Pitie Pour Les Ivrognes, Honteux, Debauches, Imparfaits, Desagreables, Et Faussaires En Tous Genres
En Le Haut Honneur Du Venere Saint Michel, Le Gracieux Archange
Apres Avoir Obtenu La Remise De Sis Fautes
Prelude
Priere
Vexations
Reverie Du Pauvre
Verset Laique & Somptuex

Tracks:

Caresse
Danse De Travers No.2 (Version 1)
Petite Musique De Clown Triste
The Dreamy Fish
Air
Essais
( - )
Notes
Notes
Le Prisonnier Maussade
Le Grand Singe
Exercices
Notes
Harmonies
Songerie Vers 'Jack'
Bribes
Choral
Exercices
Exercices
Exercices
Exercices
Esquisses & Sketch Montmartrois No.1. Petit Prelude De La 'Mort De Monsieur Mouche'
Esquisses & Sketch Montmartrois No.2 Un Peu Vif
Essais (Arriere-Propos)
Petite Danse
Desespoir Agreable
No.1 Effronterie
No.2 Poesie
Preludes Pour Un Chien: No.2 (Prelude Canin)
Profondeur
Songe-Creux
Passacaille
Prelude En Tapisserie
Nostalgie
Froide Songerie
Facheux Exemple
No.1
No.2
No.3
No.4
No.5
No.6a
No.6b
No.7
No.8
No.9
No.10
No.11
No.12 (1908-9)
Pas Vite
Tres Moderement
Pastorale (1912)
Choral (1908)
Fugue (1908)
Choral
Fugue Litanique
Autre Choral
Fugue De Papier

Tracks:

Sur Un Mur
Sur Un Arbre
Sur Un Pont
Voix D'Interieur
Idylle Cynique
Chanson Canine
Avec Camaraderie
Severe Reprimande
Seul A La Maison
On Joue
Sur Un Vaisseau (A Madame Fernand Dreyfus)
Sur Une Lanterne (A Madame Joseph Ravel)
Sur Un Casque (A Madame Paulette Darty)
D'Holothurie (A Mademoiselle Suzanne Roux)
D'Edriophthalma (A Monsieur Edouard Dreyfus)
De Podophthalma (A Madame Jane Mortier)
Tyrolienne Turque (A Mademoiselle Elvira Vines Soto)
Danse Maigre (A La Maniere De Ces Messieurs) (A Monsieur Fernando Vines Soto)
Espanana (A Mademoiselle Claude Emma Debussy)
Celle Qui Parle Trop
Le Porteur De Grosses Pierres
Regrets Des Enfermes (Jonas Et Latude)
Chez Le Marchand D'Or
Danse Cuirassee
La Defaite Des Cimbres
Allegro - Andante - Vivache
Chant Guerrier Du Roi Des Haricots
Ce Qui Dit La Petite Princesse Des Tulipes
Valse Du Chocolat Aux Amandes
Petite Prelude A La Journee
Berceuse
Marche Du Grand Escalier
Etre Jaloux De Son Camarade Qui A Une Grosse Tete
Lui Manger Sa Tartine
Profiter De Ce Qu'il A Des Cors Aux Pieds Pour Lui Prendre Son Cerceau
Le Vilain Petit Vaurien
Berceuse
La Gentille Toute Petite Fille
Choral Inappetissant (Grave)
La Balancoire (Lent)
La Chasse (Vif)
La Comedie Italienne (A La Napolitaine)
Le Reveil De La Mariee (Vif, Sans Trop)
Colin-Maillard (Petitement)
La Peche (Calme)
Le Yachting (Modere)
Le Bain De Mer (Mouvemente)
Le Carnaval (Leger)
Le Golf (Exalte)
La Pieuvre (Assez Vif)
Les Courses (Un Peu Vif)
Les Quatre-Coins (Joie Moderee)
Le Pique-nique (Dansant)
Le Water-Chute (Gracieusement)
Le Tango Perpetuel (Modere Et Tres Ennuye)
Le Traineau (Courez)
Le Flirt (Agite)
Le Feu D'Artifice (Rapide)
Le Tennis (Avec Ceremonie)
Obstacles Venimeux (Noiratre)
Crepuscule Matinal (De Midi) (Sans Grandeur)
Affolements Granitiques (Vivement)
Sa Taille (A Roland-Manuel)
Son Binocle (A Mademoiselle Linette Chalupt)
Ses Jambes (A Rene Chalupt)

Tracks:

Gnossienne No.5
Gnossienne No.1
Gnossienne No.3
Gnossienne No.4
Gnossienne No.2
Gnossienne No.6
D'une Maniere Particuliere
Modestement
S'Inviter
En Y Regardant A Deux Fois
Passer (Version 2)
Encore
Prelude
Entracte
Final
Petit Ouverture A Danser
Je Te Veux
Poudre D'or
Le Piccadilly (La Transatlantique). Marche
Quadrille
Valse
Pas Vite
Mazurka
Un Peu Vif
Polka
Quadrille
Les Pantins Dansent
Marche Franco-Lunaire
Grande Ritournelle
Valse Du Mysterieux Baiser Dans L'oeil'
Grande Ritournelle
Cancan Grand-Mondain

Customer Reviews:

Ciccolini Knows Satie.......2004-06-02

Aldo Ciccolini is arguably the greatest interpreter of Erik Satie, and he can also be credited with rescuing the minimalist from certain obscurity with the recordings he made of the composer's music in the late 1960s and early 1970s. For years I have enjoyed selections of those performances and I figured it was time to upgrade to a more complete set. As a result, I recently got this title. Unfortunately, this 5CD box set from EMI Classics collects Ciccolini's digital remakes of Satie's Piano Works, and not the original recordings of which I had grown so fond. (I have since discovered that a French Import of the complete original recordings is available.) The overall difference is minimal (yes, pun intended!) but I have to give the nod to the analog performances because of a slightly warmer, brighter sound. Also with a first time recording, there is an intangible element in the charting of new territory that I feel is never quite recaptured when revisited. With that being said, for the pieces requiring two pianists, the digital accounts are superior. While Ciccolini overdubbed himself originally, here he partners with Gabriel Tacchino to greater effect. In all, this is an excellent set by an unparalled master of Satie's music, but if I had to it over again I would have chosen the first incarnation.

Average customer rating:

Another coup for Abravanel. Nobody cleanses the palate like Satie.

Homage to Satie

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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ASIN: B0007IA56Y
Release Date: 2005-03-22

Customer Reviews:

Another coup for Abravanel. Nobody cleanses the palate like Satie........2006-02-04

Let's first say that I was not predisposed to like Satie, given my love for counterpoint (from Bach to Hindemith) and my respect for the nobility of the musical enterprise, as opposed to superficial fluff. So my 2,500+ collection of classical CDs is packed with "monumental" items (tons of Bruckner & Mahler versions, complete works of Beethoven, Bach, Mozart, Hindemith, etc.), most of which tends toward the heavy, thick side (if not sonically, then in terms of musical values and aesthetics). But I listened to these two Satie disks totally enthralled, breaking out into spontaneous smiles at what Satie has achieved. The "breath of fresh air" that critics have ascribed to Satie's works isn't mere hype, at least insofar as Satie is accurately represented in this orchestral set list: this truly is some of the most gorgeously crafted music I've ever heard. Most of the movements are concise to the extreme (which makes Satie something of the Anti-Bruckner), but this formal structure works to the advantage of the music, where elegant ideas are presented without excessive hyper-rationalization. Even the humorous, parodistic parts of the ballets are well-crafted.

The performances are outstanding across the board. The surprise, sonically, is the virtual absence of tape hiss, and the crystal clarity of this dynamic recording. It sounds better than several hundred digitally-recorded CDs in my collection! Too bad more analog era recordings don't receive so excellent a transfer and re-mastering (none of which are even credited on this CD). The engineers were apparently humble as well as perfectionists. (If their humility was involuntary, oh well.)

If you have preconceptions about Satie's "lack of depth," etc. (as I once did), this recording will realign your priorities. Satie's depth is found in a different place. In their own way, the various miniatures he has crafted are actually as intensely packed as any Webern movement for string quartet. Satie has stripped the music back to what HE regarded as the essentials. The result, far from being stark or austere, comes across as embodying musical joy in an utterly unpretentious manner. This is a CD I will likely break out every other month just to cleanse the palate. You HAVE to respect a composer who can bring a smile to your face, and you have to respect a conductor who knows how to bring such elemental music to vibrant life as Abravanel has done here. Highly recommended.

Average customer rating:

Probably the Finest 4-Handed Satie...

Satie and the Four-Handed Piano

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
ASIN: B00004DTQS
Release Date: 2000-03-14

Tracks:

Trois Morceaux En Forme De Poire: Maniere de commencement
Trois Morceaux En Forme De Poire: Prolongation du meme
Trois Morceaux En Forme De Poire: I Lentement
Trois Morceaux En Forme De Poire: II Enleve
Trois Morceaux En Forme De Poire: III Brutal
Trois Morceaux En Forme De Poire: En plus
Trois Morceaux En Forme De Poire: Redite
PARADE: Prelude du rideau rouge
PARADE: Prestidigitateur chinois
PARADE: Petite fille americaine
PARADE: Rag-time du paquebot
PARADE: Acrobates
PARADE: Supreme effort et chute des managers
PARADE: Suite au Prelude du rideau rouge
Troisieme Sarabande
La Belle Excentrique: I Marche franco-lunaire
La Belle Excentrique: Grande Ritournelle
La Belle Excentrique: II Valse du 'mysterieux baiser dans l'oeil'
La Belle Excentrique: Grande ritournelle
La Belle Excentrique: III Cancan grand-mondain
Apercus desagreables: Pastorale
Apercus desagreables: Choral
Apercus desagreables: Fugue
Six Pieces de la periode: Desespoir agreable, No. 1
Six Pieces de la periode: Songe-Creux, No. 6
En Habit De Cheval: Choral
En Habit De Cheval: Fugue litanique
En Habit De Cheval: Autre choral
En Habit De Cheval: Fugue de papier
Trois Petites Pieces montees: I De l'enfance de Pantagruel (Reverie)
Trois Petites Pieces montees: II Marche de Cocagne (Demarche)
Trois Petites Pieces montees: III Jeux de Gargantua (Coin de Polka)
Choses vues a droite et a gauche (sans lunettes): Choral hypocrite
Choses vues a droite et a gauche (sans lunettes): Fugue a tatons
Choses vues a droite et a gauche (sans lunettes): Fantaisie musculaire

Amazon.com

The headline news is that the performers get Satie right here. Many Satie recordings are too lush, losing the astringent edge that keeps his loveliness from turning to sentimentality. Rogé, the main performer, has the right idea. He plays with beautiful tone and phrasing, but adds just enough edge to his sound that the music never turns mushy. The program includes all Satie's music for piano four hands, including the famous "Three Pieces in the Form of a Pear" (Satie's ironic reply to Debussy's suggestion that he pay more attention to form), along with a few solos. A four-hand version of the ballet Parade, without the gunshots and sirens of the orchestral version, might seem useless, but it comes off very well. Juillet joins Rogé for the rarely heard "Things Seen to the Right and Left (Without Eyeglasses)," also capturing the appropriate irony. This well-recorded disc is a winner. --Leslie Gerber

Customer Reviews:

Probably the Finest 4-Handed Satie..........2007-07-16

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For those who want to go indepth in their search for the elusive Satie, his music for piano duet must not be overlooked. And for 4-handed Satie, this is probably the finest realizations we're likely to hear.

Pascal Rogé is a very fine pianist; yet I feel he's slightly overlooked, when he should be actively sought out--espeically with the French literature. Seek: After the Rain...The Soft Sounds of Erik Satie ; and Satie: 3 Gymnopédies and Other Piano Works . (Although Erik Satie: Piano Works ; Satie: Gymnopédies No1-3; Petite ouverture à danser ; and Satie: Piano Music; Mélodies [includes DVD] are really good.)

Much of Satie's 4-handed piano music bears the quiet dignity of his "popular" Gymnopédes, Gnossiennes, and Nocturnes. Some of it is a little more tempestuous--i.e., the Parade. Doubleplus bonus, this disc contains Satie's only little works for violin and piano.

For those really interested in Satie, four recent discs are absolutely essential: Vexations ; Erik Satie: Musique de la Rose-Croix; Pages Mystiques; Uspud [Import] ; Socrate and Melodies .

This disc seems to be out of print, so recommend it be obtained from a 3rd party vendor quickly.
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Average customer rating:

A Great Introduction to Satie
The placid calm
Erik Satie/Seraphim Classics

Satie: Popular Piano Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Franck: Quintet in Fm; Chausson: String quartet in Cm

ASIN: B000040OCH
Release Date: 2000-01-25

Tracks:

Trois Gymnopedies: I. Lent et douleureux
Trois Gymnopedies: II. Lent et triste
Trois Gymnopedies: III. Lent et grave
Six Gnossiennes: I. Lent
Six Gnossiennes: II. AVec etonnement
Six Gnossiennes: III. Lent
Six Gnossiennes: IV. Lent
Six Gnossiennes: V. Modere
Six Gnossiennes: VI. Avec conviction et avec une tristesse rigoureuse
Trois Morceaux En Forme De Poire: Maniere de commencement
Trois Morceaux En Forme De Poire: Prolongation du meme
Trois Morceaux En Forme De Poire: I.
Trois Morceaux En Forme De Poire: II.
Trois Morceaux En Forme De Poire: III.
Trois Morceaux En Forme De Poire: En plus
Trois Morceaux En Forme De Poire: Redite
Jack In Box: Prelude
Jack In Box: Entracte
Jack In Box: Finale
Le Balle Excentrique: I. Grande ritournelle
Le Balle Excentrique: II. Marche franco-lunaine
Le Balle Excentrique: III. Valse du 'Mysterieux baiser dans l'oeil'
Le Balle Excentrique: IV. Can-can grand-mondain
Sports et Divertissements: Choral inappetissant
Sports et Divertissements: La Balancoire
Sports et Divertissements: La Chasse
Sports et Divertissements: La Comedie Italienne
Sports et Divertissements: Le Reveil de la Mariee
Sports et Divertissements: Colin Maillard
Sports et Divertissements: Le Peche
Sports et Divertissements: Le Yatching
Sports et Divertissements: La Bain de mer
Sports et Divertissements: La Carnaval
Sports et Divertissements: Le Golf
Sports et Divertissements: Le Pieuvre
Sports et Divertissements: Les Courses
Sports et Divertissements: Les Quatres-Coin
Sports et Divertissements: Le Pique-Nique
Sports et Divertissements: Le Water-Chute
Sports et Divertissements: Le Tango
Sports et Divertissements: Le Traineau
Sports et Divertissements: Le Flirt
Sports et Divertissements: Le Feu d'artifice
Sports et Divertissements: Le Tennis
Embryons desseches: I. d'Holothurie
Embryons desseches: II. d'Edriophthalma
Embryons desseches: III. de Podophthalma
En Habit De Cheval: I. Choral
En Habit De Cheval: II. Fugue litanique
En Habit De Cheval: III. Autre chose
En Habit De Cheval: IV. Fugue de papier
Trois Nocturnes: I. Doux et calme
Trois Nocturnes: II. Simplement
Trois Nocturnes: III. Un Peu mouvemente

Customer Reviews:

A Great Introduction to Satie.......2002-08-26

It takes a very fine sense of balance to play Satie correctly, to avoid ruining the score by being either overly sonorous or overly energetic. Aldo Ciccolini cuts just the right line, picking a well-balanced middle ground.

Aside from delivering one of the better performances of 'Trois Gymnopedies', Ciccolini offers both an invigorating version of 'Jack in the Box', as well as a suitably loopy rendition of 'Le Balle Excentrique'. All in all, a great introduction to Satie, and one that may be enough for most.

The placid calm.......2001-01-10

I found this recording particularily soothing and mild. The processing is a little harsh and the programming is rough. However, Ciccolini seems to seep Satie from his fingers with such comfort and ease. It's excellent thinking music.

Minimalist to a fault--but the watercolors are vivid.

Erik Satie/Seraphim Classics.......2000-09-26

This is an analogue recording, the recording date is not given. The sound quality is excellant and some of the pieces are performed well; however, his perforfance of the Gymnopedies on EMI catalogue #67282 is superior.

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