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Product Description
Japanese limited edition reissue of the Scandinavian punks' 2002 album includes two bonus tracks, 'Absolute Zero' & 'The Downhill Walk'. Burning Heart. 2004.

Tracks:

Alla Luce Dal Sole
Gira Con Me
You're Still You
Cinema Paradiso (Se)
To Where You Are
Alejate
Canto Alla Vita - featuring The Corrs
Let Me Fall
Vincent (Starry, Starry Night)
Un Amore Per Sempre
Home To Stay
Jesu, Joy Of Man's Desiring (w/Lili Haydn)
The Prayer - featuring Charlotte Church

Amazon.com

There are worse things in life than making your acting debut on the much ballyhooed season finale of Ally McBeal, though teen operatic baritone Josh Groban doesn't seem destined to encounter them anytime soon. As the awkward high school student-client who asks the typically romance-jinxed Ally to his senior prom, Groban performed this debut album's "You're Still You" (adapted from film-composing legend Ennio Morricone's Academy Award-nominated score for Malèna, with lyrics by Linda Thompson) as a heart-tugging, literal showstopper. The young phenom was just 17 when veteran producer-writer David Foster tapped him to fill in for Andrea Bocelli at rehearsals for the 1999 Grammys, where Groban found himself suddenly dueting with Celine Dion.

Indeed, such were his fortunes that the young Foster protégé was forced to drop out of Carnegie Mellon when professional commitments--including this record--interfered. And if this collection tends to hew sometimes uncomfortably close to Foster's own MOR sonic instincts, the material offers enough challenges to display Groban's talent and the potential of his warm, mature voice: a lyrical take on another Morricone classic, "Cinema Paradiso"; melancholy readings of Don McLean's "Starry, Starry Night" and Albert Hammond's "Alejate"; masterfully dramatic takes of the Neapolitan "Alla Luca Del Sole" and "Canto Alla Vita," the latter featuring the Corrs. Many of Groban's performances here, including a neo prog-rock-opera take on Bach's "Jesu, Joy of Man's Desiring" (with Lili Haydn), seem both bigger and bolder than their precious musical frameworks, a telling hint that Grand Opera can't be far from his grasp. As said earlier, there are worse things in life. --Jerry McCulley

Customer Reviews:

Sweet.......2007-07-13

Josh Groban and Charolette Church! Yum. This is a very good album and a must buy!

superb.......2007-07-05

What a voice, what an artist, what a man.
Underestimated in Europe. His concert on 21 May 2007 in Amsterdam was superb!

Oh my Gosh, Josh!.......2007-07-03

I love Josh Groban's music! It is romantic, mellow and beautiful :)
This CD has two songs on it that are very unusual. I believe both are from Cirque de Soleil, and draw you into the music--warning-- While driving, do not close your eyes!

a true star.......2007-06-24

First saw and heard Josh on the Tv and was blown away by his talent! it was about a year later that I found out who he was and bought the first album and can honestly say that I have never tired of his work. Every song is magical and he is truely wonderful. Have since purchased all his work and have also had the priviledge of seeing him live in concert in Glasgow/Scotland and was amazed. such a talented young man with a truely magical voice

Floodgates of the Heart.......2007-06-05

This CD played almost constantly in my wife's car for several years. Josh Groban's voice is so gentle and can go from gentleness to anthematic, almost operatic, textures. He sings in Italian effortlessly. The orchestration on "Cinema Paradiso" is enthralling with its emotional reach, powerful even with lyrics beyond my understanding. "To Where You Are" is one of the most gorgeous songs. Knowing how it moved my wife in the years before breast cancer proved stronger than her body, it touches me now, "Fly me up to where you are beyond the distant star I wish upon tonight to see you smile, if only for awhile to know you're there; a breath a ways to where you are." The song opens the floodgates of my heart. The Corrs were on Groban's 143 label when this release came out in 2001 and join him on the upbeat "Canto Alla Vita." Groban makes an interesting selection with Don McLean's "Vincent," polishing the melody to a fine sheen in ways that surpassed the original. Listening to Bach's "Jesu, Joy of Man's Desiring" is like being in a sonic cathedral with Groban's voice matching the grandeur of the music. With Charlotte Church on "The Prayer," Groban concludes the set with the Carole Bayer Sager/David Foster composition that makes one contemplate the eternal, "Lead us to a place, find us with your grace, give us faith so we'll be safe." Groban's first CD enhances with repeated listening by virtue of the depth of musicianship and performance. I listen to it now hearing the music that moved the one I love to tears. It does the same for me. I hope it touches you too. Bravo!

Average customer rating:

Topol is best as the Papa
Love it
CP as Grandmother Tzeitel
Never Ending Joy!
Great a classic

Fiddler on the Roof
Jerry Bock , Sheldon Harnick , and Topol
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Fiddler on the Roof (Special Edition)
My Fair Lady (1964 Film Soundtrack)
The King and I (1956 Film Soundtrack)
The Music Man (1962 Film Soundtrack)
South Pacific (1958 Film Soundtrack)

ASIN: B00005OB07
Release Date: 2001-10-09

Tracks:

Prologue/Tradition/Main Title
Matchmaker
If I Were A Rich Man
Sabbath Prayer
To Life
Miracle Of Miracles
Tevye's Dream
Wedding Procession
Sunrise, Sunset
Wedding Celebration/The Bottle Dance
First Act Finale
Entr'acte
Do You Love Me?
Far From The Home I Love
Chava Ballet Sequence
The Rejection Scene
Anatevka
Finale
Any Day Now

Amazon.com

This new version of the Fiddler on the Roof soundtrack coincides with the movie's 30th anniversary (which is also celebrated by a special edition DVD). The CD is notable for several instrumental tracks by John Williams, as well as for "Any Day Now," a previously unreleased song performed by Perchik/Paul Michael Glaser (better known for his starring role in TV's Starsky and Hutch). The soundtrack is often compared unfavorably with the original 1964 cast album, in which Zero Mostel played the part of Tevye (here performed by Topol, who had been in the 1967 London production). But this CD has a lot going for it, including glossy remastering and, of course, Isaac Stern as the fiddler. In the end, whatever version you decide to pick up, Fiddler remains one of the most enduring musicals of all time. --Elisabeth Vincentelli

Customer Reviews:

Topol is best as the Papa.......2007-07-15

I have other versions of CDs of "The Fiddler of the Roof" but Topol is the best and this is one of the best CDs with Topol. As far as "The Fiddler On the Roof" goes, that is a thumbs up 5 star anytime story and songs.

Love it.......2007-05-16

I had looked everywhere for this CD. I am so happy to have found the "real" Fiddler on the Roof!

CP as Grandmother Tzeitel.......2007-03-30

At first, I thought this musical was weird but then I grew to like it. It has a sad ending but the thems in the movie are really interesting. Life really is like being a fiddler on the roof. In a musical coming up at my school, I am playign the part of Grandmother Tzeitel in Tevye's dream. I am excited to play the part and I think our musical will go very well!

Never Ending Joy!.......2006-11-22

The music from Fiddler on the Roof is exciting, fun, interesting and funny! This CD is mixed with humor, music from different cultures and a wide mix of different songs. Each song is so different that I can listen to it for hours. I was surprised how enjoyable and pleasent it really is. Although...it is easy to get this music stuck in your head!

-Christian Fobian, Author of Why Christ?

Great a classic.......2005-11-08

Totally enjoyable. After a few listens you can't help but sing along.

Average customer rating:

Heartfelt, passionate versions
Great Recording
Great set of music!
Kertesz or Kubelik in the Dvorak symphonies?
Amazing performances

Dvorák: The Symphonies

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mendelssohn: 5 Symphonies; 7 Overtures
Schubert: 8 Symphonies
Schubert: The Piano Sonatas
Schumann: The 4 Symphonies
Johannes Brahms: The Symphonies

ASIN: B0000041WV
Release Date: 1992-02-11

Tracks:

Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto

Tracks:

Symphony No. 2: II: Poco adagio
Symphony No. 2: III: Scherzo: Allegro con brio
Symphony No. 2: IV: Finale: Allegro con fuoco
Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace

Tracks:

Symphony No. 4 In D minor, Op. 13: I. Allegro
Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando

Tracks:

Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
Symphony No. 6 In D Major, Op. 60: II. Adagio
Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
'V prirode', Op. 91: In Nature's Realm

Tracks:

Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
Symphony No. 7 In D Minor, Op. 70: IV. Allegro
Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
Symphony No. 8 In G Major, Op. 88: II. Adagio
Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo

Tracks:

Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
'Karneval' Overture, Op. 92
Scherzo capriccioso, Op. 66
'Domov muj' Overture, Op. 62

Amazon.com essential recording

For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David Hurwitz

Customer Reviews:

Heartfelt, passionate versions.......2007-06-23

The late Istvan Kertesz continues to amaze, with this spectacular reissue of his 1960s Dvorak symphonies cycle. These versions each compare well with or exceed the legendary recordings by Ancerl, Szell, Talich, et al. Sound quality is excellent, and the mix on the orchestra is almost always just right, balancing strings, brass, and percussion. Compared to some Czech recordings, the woodwinds volumes are a bit weak, which is unfortunate because woodwinds are one of Dvorak's specialties. If you have no other set of Dvorak symphonies, or have 10 copies of "From the New World" and no copies of Symphonies 1, 2 or 3, then this is a must-have set. From the opening bars of Symphony No. 1, you'll agree you're in the presence of greatness.

Great Recording.......2007-06-03

Friends and CD-guides told me this was the best. And they were right.

Great set of music!.......2007-05-24

Along with Piotr Tchaikovsky, Antonin Dvorak was probably the most prolific composer of the Romance period. He composed for just about every genre of classical music except ballet, and is known for a wide variety of works. Some of his most famous are his symphonies. He wrote 9, out of respect for Beethoven, and like the German master, the last one is the most widely recognized. But like Beethoven, all 9 symphonies are incredible pieces of music in their own right. This set has all 9 symphonies, along with several other popular orchestral works. The sound quality is good, the orchestration is great, and the choice of music is great. All the pieces are dramatic, with melodies that range from powerful to awe-inspiring to melancholy. Every piece of music in this set is purely in the Romantic style; full of emotion, and many are inspired by folk tunes from Eastern Europe. All in all, a great set, and for a great price.

Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03

Although decades old, the two analog sets of Dvorak symphonies from Kertesz and Kubelik remain the front-runnters. From the mid-Sixties onward Decca has been so satisfied with the groundbreaking Kertesz cycle, the first to bring Sym. 1-6 to the general listening public outisde Czechoslovakia, that the company has rarely re-recorded any but the last three, most famous symphonies. DG, on the other hand, didn't release Kubelik's Sym. 1-6 until the digital era (1988, I believe), keeping them in the vualts and out of competiiton with Kertesz.

Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.

By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.

It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.

As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.

Amazing performances.......2005-03-28

This orchestra really has a rich, powerful sound, but can still give deep emotional sounds, all of which are needed to perform Dvorak. I doubt one can find finer performances of these symphonies, and the other works included in the set are very well chosen. The performances of each symphony are incredible, the sound quality is very good, and as I said before, the orchestra is wonderful. Highly recommended.

Angel: Live Fast, Die Never - Music from TV Series

Average customer rating:

Vampire Muzak
Exactly what I expected
Music to remember
Love the show - Love the music
more please!

Angel: Live Fast, Die Never - Music from TV Series

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Buffy The Vampire Slayer: The Album (1999 Television Series)
Buffy The Vampire Slayer: Radio Sunnydale
Firefly (Original Television Soundtrack)
Buffy the Vampire Slayer - Once More, with Feeling
Serenity

ASIN: B0008FPJ7Q
Release Date: 2005-05-17

Tracks:

Angel Main Theme The Sanctuary Extended Remix performed by Darling Violetta
Start The Apocalypse
The End Of The World
Massive Assault
Home
Hero featuring vocals by Elin Carlson
Judgment & Jousting
The Birth of Angelus featuring vocals by Elin Carlson
Rebellion
The Trials for Darla
Dreaming of Darla
Untouched / Darlas Fire
Darlas Sacrifice
Welcome To PYLEA
Through The Looking Glass
Castle Attack
Cordy Meets Fred
Princess Cordelia
Farewell Cordelia
Im Game by Christophe Beck
Touched performed by Vast
LA Song performed by Christian Kane
Lady Marmalade performed by Andy Hallett
Its Not Easy Being Green performed by Andy Hallett,
A Place Called Home performed by Kim Richey

Album Description

Fans of Angel have continually hoped to one day hear an album. Their wait is finally over. Live Fast, Die Never: Music from the TV Series features * A newly-recorded, full-length version of the main-title song * 3 songs performed by cast members as were featured in episodes of the show (a karaoke bar was a recurring location) * Score by the show's composer, Robert Kral *key songs to the show performed by Vast and Kim Ritchie *notes from Joss Whedon and extensive cast photos from all 5 seasons Angel is Academy® and Emmy® -nominated writer Joss Whedon's humorous exploration of the twists and turns of adulthood set against a backdrop of supernatural adventure and is seen currently on TNT.

Customer Reviews:

Vampire Muzak.......2007-04-01

The music on the series was very effective and enjoyable, but being written in service to the story and visuals makes it a little unsatisfying with the music alone.

Exactly what I expected.......2007-03-26

I wish it had a few more darker songs on the album but what I got is exactly what I expected it to be. I am very satisfied with my purchase.

Music to remember.......2007-03-13

The opening track of the album by Darling Violetta, is absolutely fantastic. Having all the Buffy albums and knowing how thought provoking the music is from that show, I did expect more from the Angel album. But it's still good music and any fan would be happy to say they have it.

Love the show - Love the music.......2007-01-20

It is wonderful music!!! It is as huanting as it was while watching the show!

more please!.......2006-12-05

One of my favorite is season 5 episode 6 "The Cautionary Tale of Numero Cinco " I wish this compilation include the guitar solo section. I am completely opposite to the one of the reviewer. I love the music part only. I find it inspiring. There's some Hans Zimmer style in it. I really dig it...quiet yet powerful. However, it start to become a little too formulated. Too much of the same thing is definitely not a good thing. Ahhh, classic tragic hero stories. I can't resist.

Average customer rating:

Great western soundtrack
a very memorable cd
a very memorable cd
a very memorable cd
Truly Incredible

All the Pretty Horses (2001 Film)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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All the Pretty Horses
The Straight Story: Music from the Motion Picture Soundtrack
Street Talk
Think a Second Time
Gladiator: Music from the Motion Picture

ASIN: B000056KYJ
Release Date: 2001-01-16

Tracks:

Cowboy's Dream
Canyon Sonata
All the Pretty Horses
Purty Dad Gum Good
After the Rain
Mild Cello Blues
Malarki Opus in D Major
John Grady's Angel
Edge of the World
Get My Boots
Strawberry Tango, Pt. 1-2
King of Horses
Far Away (Alejandra's Phone Call)
Porque
Love Montage
Ain't That a Drag
My Last Days on Earth/What's It Like to Be Dead?
Long Journey Home
Candles and Lies
Rainy Room
Far Away
Far Away (Reprise)
Cowboy's Dream/All the Pretty Horses [Medley]

Amazon.com

Novelist Cormac McCarthy's literary vision of the wild west is given wide-screen treatment by maverick director Billy Bob Thornton and a cast that includes Matt Damon, Penelope Cruz, and Bruce Dern. Professional country music journeyman Marty Stuart has performed with father-in-law Johnny Cash, Earl Scruggs, and Doc Watson, in addition to a successful solo career. In his soundtrack scoring debut, he provides short, meditative instrumental pieces that are subtly explosive--rife as they are with strains of old-school country and bluegrass. Cinematic strings and orchestral percussion add a welcome menacing edge, augmenting the rustic approach without crossing over into a compromised "countrypolitan" sound. If anything, it might be nice to hear these themes extended. As it stands, the 23 listed tracks are covered in a little under 50 minutes, with many of the cuts barely lasting more than a minute or two. They stand as a new genre of cinematic country minimalism. --Rob O'Connor

Customer Reviews:

Great western soundtrack.......2004-02-28

This is a must buy for fans of western soundtracks.It mixes beautifully symphonic music with Guitar music and spices it up all together with a south of the border flavor. Haunting music that will make you want to never take it out of your cd changer. It also
Features two vocal pieces, the first a spanish song sung by the very talented Raul Malo of the country group the mavericks, the second song is a beautiful ballad sung by Marty Stuart. Though I never owned any cd's of Marty Stuart he earns my respect with composing this film score.(cowboy hats off to you Mr.Stuart)

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

Truly Incredible.......2003-03-12

This album is a masterpiece. Within the first strums of the guitar, you feel as though you are among the southwestern hills. It has immediately become one of my favorites of all-time. The songs are filled with beautiful imagery, enchanting tunes, and haunting melodies. The shortness of the songs in unnoticable, as each song blends into the next, and the album itself serves as one epic journey. It is not meant to be listened to a song at a time, but as a whole. As I said, it is truly incredible. I would recommend it to absolutely anyone.

Les Miserables (Highlights from the 1987 Original Broadway Cast)

Average customer rating:

BEST OPERA MUSIC EVER
Time well spent.
Great Score, But Highlights Missing Critical Songs
Buy the full version, please
Argh Matey!

Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
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The Very Best Of Andrew Lloyd Webber: The Broadway Collection

ASIN: B000084TRM
Release Date: 2003-01-28

Tracks:

Overture/Work Song
I Dreamed a Dream
Who Am I?
Castle on a Cloud
Master of the House
Stars
Do You Hear the People Sing?
A Heart Full of Love
One Day More
On My Own
A Little Fall of Rain
Drink with Me
Bring Him Home
Javert's Suicide
Empty Chairs at Empty Tables
Wedding Chorale/Beggars at the Feast
Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.

Average customer rating:

Selection of Songs?
If you are a violin lover, buy it
This is "THE" Greatest Hits alum by Perlman
This is a relaxing, however, somewhat disjointed collection.

Itzhak Perlman's Greatest Hits

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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Similar Items:

Itzhak Perlman's Greatest Hits, Vol. 2
Cinema Serenade
Concertos From My Childhood / Perlman, Foster
Masters of the Bow
Itzhak Perlman - A la carte / Lawrence Foster

ASIN: B000002RZO
Release Date: 1998-02-17

Tracks:

Salut D'amour, Op.12
Songs Without Words, Op.19: Sweet Remembrance
Humoresque
Berceuse, Op.16
Flight Of The Bumble-Bee
The Girl With The Flaxen Hair
The Swan
Cavatina, Op.85, No.3
The Old Folks At Home
Liebesfreud
Moto perpetuo, Op.11
Vocalise, Op.34, No.14
String Quartet Op.11, No.1: Andante cantabile
Songs My Mother Taught Me, Op.55, No.4
Guitarre, Op.45, No.2
Romance In A Major, Op.94, No.2
Nocturne In E Flat, Op.55, No.2
Zapateado, Op.23

Customer Reviews:

Selection of Songs?.......2006-07-02

Perlman is a man of extraordinary clarity and tonality also one of my favorite violinists. After I finish practicing a piece I usually find a recording to listen to different interpretations. Most of them are by Perlman and Heifetz. Unfortunately this album has some obscure songs and the songs itself do not do justice to Perlman what some other songs may have done. Still it is important to broaden the scope, so I would recommend this to all music connoisseurs :). btw i'm only 16 so...don't take this review too literal huh?

If you are a violin lover, buy it.......2003-01-19

It's beautiful. Simply put.

This is "THE" Greatest Hits alum by Perlman.......2000-12-03

Perlam is already a great player like the whole world knows. But the music selection couldn't better! I espacily like the piano accomplimant. Perlman pays the pieces with true style. The working realtionship between Perlman and the Pianist is truly incredible. Before geting any of Perlman's other greatest hits albums, get this one!

This is a relaxing, however, somewhat disjointed collection........1998-11-12

This collection of familiar tunes will provide a relaxing hour with one of the world's premier violinists. However, the combination of "The Old Folks at Home" and "Motto perpetuo" is somewhat difficult to assimilate. At any rate, Perlman is a listener's joy!

Superman - The Movie: Original Motion Picture Soundtrack

Average customer rating:

Original 1978 Recording?
AWESOME! John Williams shows again why he's the master of movie scores
Is John Williams Superman???
Excellent!
Hector, about the liner notes...

Superman - The Movie: Original Motion Picture Soundtrack

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

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Orchestral Pop | Easy Listening | Pop | Styles | Music

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Similar Items:

Superman Returns
Batman: Original Motion Picture Score
Look, Up in the Sky - The Amazing Story of Superman
Superman Ultimate Collector's Edition (Superman - The Movie/ Superman II/ Superman II - The Richard Donner Cut/ Superman III/ Superman IV - The Quest for Peace/ Superman Returns)
Superman: The Movie - Original Sound Track

ASIN: B000046PVN
Release Date: 2000-02-15

Tracks:

Prelude and Main Title March
Planet Krypton, The
Destruction of Krypton
Star Ship Escapes
Trip to Earth, The
Growing Up
Death of Jonathan Kent
Leaving Home
Fortress of Solitude, The
Welcome to Metropolis
Lex Luthor's Lair
Big Rescue, The
Super Crime Fighter
Super Rescues
Luther's Luau
Planet Krypton (Alternate), The
Main Title March (Alternate)

Tracks:

Superman March (Alternate)
March of the Villains, The
Terrace, The
Flying Sequence, The
Lois and Clark
Crime of the Century
Sonic Greeting
Misguided Missiles and Kryptonite
Chasing Rockets
Supefeates
Super Dam and Finding Lois
Turning Back the World
Finale and End Title March
Love Theme from Superman
Can You Read My MInd (Alternate performed by Margot Kidder)
Flying Sequence/Can You Read My Mind, The
Can You Read My Mind (Alternate Instrumental)
Theme from Superman (Concert Version)

Amazon.com

Released during the era of leisure suits and pet rocks, the film Superman: The Movie has aged about as well. But the often-clumsy charms of Richard Donner's cartoonish, hit-and-miss take on the Man of Steel was blessed with at least one superlative artistic effort: John Williams's epic score. The composer's Oscar-nominated music (coming on the heels of Star Wars and Close Encounters) was a wall-to-wall heroic symphony, rife with memorable melodies and ominous arrangements. Almost every original cut on this soundtrack appears in an expanded version, supplemented by nearly a dozen previously unreleased cues and alternate takes. Featuring a deluxe slipcase and extensive, new liner notes, this is the definitive release of one of Maestro Williams's greatest scores. --Jerry McCulley

Customer Reviews:

Original 1978 Recording?.......2007-04-04

FIVE STAR FOR MUSIC. 1 STAR FOR AUDIO. Ok I've wanted this recording for almost 4 years. Now I got it. I am a discerning listener. This soundtrack is not the best quality. Tape hiss is very pronounced. You can tell it's taken directly from a cassette recording. I have other digital recordings of this music. They are miles ahead of this cd. Soundtrack is on the Rhino label. What? Rhino is not known for high fidelity. So it is very deceiving for one to buy a cd thinking it's John Williams conducting on a new recording in 1998 or whenever. It's the actual 1978 recording. Now let me unleash my rage. This thing sounds as if it's recorded with a single microphone in a bathroom, at a truck stop. Yes the music is phenomenal. My favorite track is #2 Krypton. I was hoping to discover some new hidden melodies that I've never heard in previous recording (original 1978). Nope. This IS the 1978 recording. So I will be getting the Debney recording just so I can hear what I'm missing. Love the music. Just can't hear it. ALL OF IT! But cool booklet. I can't listen to a booklet. But I got it. Whoopee.

AWESOME! John Williams shows again why he's the master of movie scores.......2006-08-31

After over a year of trying to find a seller of this fine soundtrack, I finally found it! It is high time that the full score was released on CD.
The original soundtrack release from 1978, while still an excellent collection, was sadly lacking in several of the best cues from the film. Most important of these was Track 12 (Disc 1) in which the helicopter crashes on the Daily Planet's roof and dangles precariously above the street. Williams builds on it, introducing Superman's theme into it as Clark Kent runs across the street, then rips open his shirt to reveal the 'S' - the symbol of the House of El - then enters the revolving door & exits as Superman. At the end of this is one of my favorite cues; the Superman theme is played as the Man of Steel appears above Metropolis, flying over the city on the hunt for criminals. 'Crime of the Century' (Track 6, Disc 2) was one of my favorite cues; this one portrayed the missile convoy as it made its way along the freeway, where Luthor staged the accident to get his cronies close enough to sabotage the missiles. There are too many new tracks to list here that should have been included the first time around, just a lack of space precluded this from happening.

Is John Williams Superman???.......2006-08-20

After listening to the CD, John Williams must be Superman. By far, the greatest movie score ever written.

Excellent!.......2006-08-10

Other than the over kill of "Can you read my mind", an excellent collection.

Hector, about the liner notes..........2006-07-14

I have the previous edition, and the notes that came with it were nestled next to the CD in a thick booklet (with a cover of Reeve in front of an American flag) that was large enough for the slipcase cover, but too big to fit into the CD case front. Otherwise, the one-sheet cover that came with your soundtrack is identical to the slipcase version.

Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers

Average customer rating:

Top of the line
The King's Singers in their element
Pure Artistry
Absolutely beautiful!
Wonderful

Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers
English Traditional , Scottish Traditional , Irish Traditional , Welsh Traditional , Sir Henry Rowley Bishop , Hugh Robertson , Manuel Barrueco , The King's Singers , and Nancy Hadden
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

A Cappella | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Broadway & Vocalists | Styles | Music
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Watching the White Wheat: Folk Songs of the British Isles; King's Singers
The King's Singers Original Debut Recording
The Kings Singers - New Day
All At Once Well Met: English Madrigals; The King's Singers
The King"s Singers: English Renaissance

ASIN: B000002RTQ
Release Date: 1993-11-16

Tracks:

Scarborough Fair
Skye Boat Song
What Shall We Do With The Drunken Sailor?
Annie Laurie
Greensleeves
Danny Boy
The Lincolnshire Poacher
Loch Lomond
The Lass Of Richmond Hill
Sally Gardens
The Ash Grove
Aiken Drum
Golden Slumbers
Ar Hyd Y Nos (All Through The Night)
Going To Towyn
Home Sweet Home
Eriskay Love Lilt
Mairi's Wedding

Customer Reviews:

Top of the line.......2003-06-17

This CD, along with Watching the White Wheat, is consistently a top seller on the group's US tours. Solid musicianship, great passion and emotion brought into the singing. There is some instrumental work done on this disc, but it doesn't overpower the singers.

To correct Mr. Beamer's statement in his review, the KS have indeed been doing pop and all genres of music since their founding in 1968. In fact, it was the inappropriateness of singing pop and light music with the Choir of King's College, Cambridge, that led a small group to branch off and sing all genres of music, including pop, on their own time ... this leading to the founding of the King's Singers.

The King's Singers in their element.......2001-09-28

The King's Singers got started a few decades ago doing exclusively classical material, and most of that was pre-1700. Now, many years on, (and after several changes in the group's membership) they have long since branched out into pop and other genres.

This CD (along with another similar one, "Watching the White Wheat") really show off their UK roots, with English, Scottish, and Irish folksongs. The arrangements are mostly quite good, and all the performances are excellent. Deserving of special mention are: (on the slow, poignant side) "Annie Laurie", and "The Ash Grove". [Note: the arrangement of "Annie Laurie" heard here is different from, and I think inferior to, the arrangement they did on an old out-of-print LP called "Atlantic Bridge", where they did both Britsh and American folksongs -- that LP is Highly Recommended (if you can find it -- good luck!)]

Anyway, back to the review: on the up-tempo side, two very fun tunes are "Going to Towyn" and "Mairi's Wedding". For you singers out there, the score for the latter is available in a 3-part arrangement, and is rather easy to learn.

Pure Artistry.......2000-12-09

I bought this CD after seeing the King's Singers in concert. Everytime I listen to it, it takes me back to a magical evening, and a magical place- the British Isles. These songs are beautifully arranged and sung. I never get tired of listening to these timeless folk songs that have been weaved into the cultural fabric of America and others around the world.

Absolutely beautiful!.......2000-08-25

The cracked, maimed, and scuffed CD case that I am looking at right now is in itself testement to the addictive qualities of this recording. I have had this CD for almost a year and it has wandered the country with me (we just got back from No. Cal. ;) I listen to it almost every night before I go to sleep. The beautifully blended harmonies on this CD are gorgeous and I have fallen completly in love with the countertenor voices. All of the tacks are wonderful but my favorites are (#2)The Skye Boat Song (listen to this while reading Diana Gabaldon!) (#4) Annie Laurie (#6) Danny Boy and (#17) Eriskay Love Lilt. *Whew* that was hard, I can't pick my favorites easily. Buy this CD for it's gorgeous cover and fall in love with the music!

Wonderful.......2000-05-18

I love this CD, the arrangements for these folk songs are superb. The songs picked are fun and beatiful representatives of English Folk songs. One of my favorite CD's.

Prison Songs (Historical Recordings From Parchman Farm 1947-48), Vol. 1: Murderous Home

Average customer rating:

Real Gangstas, Role Models, and Elvis Presley
DEEP
Incredibly powerful music
One of the great documents of American music.

Prison Songs (Historical Recordings From Parchman Farm 1947-48), Vol. 1: Murderous Home
Various Artists
Manufacturer: Rounder Select
ProductGroup: Music
Binding: Audio CD

Delta Blues | Blues | Styles | Music

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Similar Items:

Prison Songs (Historical Recordings From Parchman Farm 1947-48), Vol. 2: Don'tcha Hear Poor Mother Calling?
Treasury of Library of Congress Field Recordings
Negro Work Songs & Calls
Land Where the Blues Began
Afro-American Spirituals, Work Songs, And Ballads

ASIN: B0000002UV
Release Date: 1997-09-28

Tracks:

The Murderer's Home - Jimpson & group
No More, My Lord - Jimpson & axe gang
Old Alabama - B.B. & group
Black Woman - B.B. & group
Jumpin' Judy - Tangle Eye, Fuzzy Red, Hard Hair, & group
Whoa Buck - C.B.
Prettiest Train - '22'
Old Dollar Mamie - '22' & group
It Makes A Long Time Man Feel Bad - '22' & group
Rosie - C.B. & axe gang
Levee Camp Holler - Bama
What Makes A Work Song Leader? - Interview with Bama
Early In The Mornin' - '22' with Little Red, Tangle Eye, & Hard Hair
How I Got In The Penitentiary - Interview with Bama
Tangle Eye Blues - Tangle Eye
Stackerlee - Bama
Prison Blues - Alex

Album Description

"These songs belong to the musical tradition which Africans brought to the New World, but they are also as American as the Mississippi River. They were born out of the very rock and earth of this country, as black hands broke the soil, moved, reformed it, and rivers of stinging sweat poured upon the land under the blazing heat of Southern skies, and are mounted upon the passion that this struggle with nature brought forth. They tell us the story of the slave gang, the sharecropper system, the lawless work camp, the chain gang, the pen." --Alan Lomax

This is a reissue of Alan Lomax's legendary album Negro Prison Songs in its entirety. A complete CD of previously unissued material from the same field recordings is also available: Prison Songs Vol. 2: Don'tcha Hear Poor Mother Calling?

Customer Reviews:

Real Gangstas, Role Models, and Elvis Presley.......2004-06-10

This disc (as well as its companion, "Vol. 2: Dont'cha Hear Poor Mother Calling?") is perhaps some of the most beautiful and honest recordings of human expression you'll ever hear. Modern music has nothing on this stuff; it's the real deal. This is music that was created to get you through the day; not to sell records or to score chicks. This is as anti-commercial, and therefore, as antiestablishment as you can get. Truly alternative. And it is, in a word, spellbinding.
The greatest beauty of, not only the songs, but culture that spawned them and the men who sang them as well, is the burning human spirit that inhabits each and every track on this record. Nowhere is there a mention of giving up or losing hope. These songs are optimistic in the the purest sense and prideful in the best way. One can't help but wonder how - in a place where you could get six months on the chain gang for standing on a street corner, or five years for stealing a loaf of bread - these men managed to remain so hopeful? How could they stay so proud and sing so true, with so much life, while they were being worked to death every day, from dawn until dusk, under the blazing, hot sun with nothing but a little bread and water to keep them going? These men must have had an amazing inner strength and a strong system of values to get through it. Or, if not that, at they very least, they had to have possessed an unimaginable amount of pride and dignity in themselves to not to be broken down by their captors and the brutal Jim Crow penal system under which they were railroaded.
Thinking of that and listening to this disc, I was reminded of something I heard Wynton Marsalis say in an interview with David Frost. When asked what he thought of Rap music, Wynton said that, "Rap, because of it's sense of nihilism, represents the ultimate triumph of the white man over the black man..." Nowhere, he claimed, in the history of African-American creative expression do you find that sense of nihilism that you do in Rock & Roll. That was something that found its way into black culture after Elvis took off. So if Rock music was, and still is, a white manifestation of the Blues and R&B with a Dionysian sense of self-destruction, then the rebellious posturing and devil-may-care swagger of today's gun-toting "Gangsta" archetype is something that was adopted from white culture. Does this sound far fetched? Not if one looks at white popular culture from the fifties. Take, for example, "Rebel Without a Cause" or "The Wild One" where disenfranchised white kids, juiced up on hormones, drag race down the road, not at all concerned that somebody might crash or fly off a cliff. Where do these ideas play out in pre-fifties African-American culture? They don't. Because they don't exist. Could you ever imagine Duke Ellington, in his top hat and tails, kicking over his piano bench the way Jerry Lee Lewis did on the Steve Allen Show? Never in a million years. This sense of nihilism was introduced into the mix by white guys like James Dean, Marlon Brando, Gene Vincent, and Eddie Cochran; it was later elevated to a fine art by the likes of Keith Richards, Janis Joplin, and Jim Morrison before it was co-opted by latter day Rap performers.
To be sure, there is no sense of nihilism on this disc. And for that reason, the singers on "Murderous Home" (and "Dont'cha Hear Poor Mother Calling?") should be held up as role models to countless disenfranchised young people out there who have no faith in the system. The men here didn't let the system get the better of them; they didn't let the institution turn them sour; they didn't let the institution turn them on themselves. The guys on this disc are the original "Gangstas." True rebels, defiant in a time long before being an outsider was bottled up, made cool, and sold to us in the form of Rock & Roll...long before the advertisers taught us how to be self-destructive...and long before rap videos made that sense of self-destruction sexy to suburban kids.
It's interesting to note that in spite of all the positive spirit in these songs, when Alan Lomax returned to Parchman just a few years later, the younger convicts refused to sing them. They saw the songs as old-fashioned and thought singing them would be "Uncle Tomming." Ironically, of course, this was in the fifties...after Rock & Roll.
How sad then, that these songs were forgotten by African-Americans. Because what got left behind was a guiding voice. A voice that was so poetic, beautiful and honest in its heroic strength and language and so steadfast in its conviction and principle and so completely true to itself that no rapper out there today comes anywhere close to equaling its defiance. But, perhaps the worst thing of all...the saddest of thing all...is that a genuine dignity was lost. A dignity that could have been a navigational beacon...a roadmap to the high road...forsaken and cast aside...and, ultimately, all because a good-looking white boy from Memphis shook his hips on a thing called television.

DEEP.......2001-11-05

I really had no idea what i was in store for. But for those who love black, southern and prison history, spirituals, and are thirsting for music in its purest form, buy this CD!!! It has wonderful chants, commentary from Lomax, narrative from the inmatesand even clanking from the axes. You can hear the suffering and longing in their voices. You can hear the humor in may of the lyrics. Be sure to read the booklet so that you can get a clearer understanding of it all. It is a wonderful piece of recorded history. you may also want to buy the book Worse than Slavery, by Oshinsky so that you can get greater sense of exactly waht they are thinking about. One more thing..You will totally feel the energy of 22.

Incredibly powerful music.......2001-10-26

I was blown away when I listened to this CD for the first time. The recording is great. I didn't expect too much due to the time frame of the recording, but the quality is impressive. I bought this hoping to find more tracks like "Po' Lazarus" from the "O' Brother Where Art Thou" Soundtrack. What I got was much more.

One of the great documents of American music........2000-06-27

Words fail to describe this incredibly powerful album. I've had a copy since the 60's, and still have an unopened LP copy in my "vault" (along with the first Roberty Johnson LP). Luckily, I don't have to describe the power of the music - you can click on the samples, and hear for yourself.

Reams of praise have been heaped on this album, and every word has been an understatement.

If you have any interest whatever in American folk music or in blues or jazz, you either have a copy of this or should get one. This is the absolute peak of Lomax's years of collecting.

Incredibly clean sound for the 40's, all well recorded, musically superb pieces, each a perfect gem of its kind, preserving some of the oldest and best of American music, done by some of the finest singers you've never heard of.

You will listen to this again and again.

Rock Music:

Rock Music