Japanese pressing of 2004 release is scheduled to include a DVD (NTSC/Region 2) & one bonus track. Details TBA. Epic.
Astronaut,Duran Duran,Rock/Pop
Average customer rating:
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You'd Prefer an Astronaut
HUM Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002WSX Release Date: 1995-04-11 |
Tracks:
- Little Dipper
- The Pod
- Stars
- Suicide Machine
- The Very Old Man
- Why I Like The Robins
- I'd Like Your Hair Long
- I Hate It Too
- Songs Of Farewell And Departure
Customer Reviews:
good 'ol days.......2007-03-06
hum- perfect for anytime.......2006-08-21
Gonna be a classic for me, great album!.......2006-07-20
great album.......2006-07-11
Music to live life by........2006-06-12
Average customer rating:
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Astronaut
Duran Duran Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002X591A Release Date: 2004-10-12 |
Tracks:
- (Reach Up For The) Sunrise
- Want You More
- What Happens Tomorrow
- Astronaut
- Bedroom Toys
- Nice
- Taste The Summer
- Finest Hour
- Chains
- One Of Those Days
- Point Of No Return
- Still Breathing
- Still Breathing
Amazon.com
The reflexes of those old enough to remember when "The Reflex" and "Rio" went rocketing up the Hot 100 in the 1980s may not be what they used to, but certain reactions to the first full spin of Astronaut can't help kicking in anyway. First among equals is exhilaration: Few can sit through pop this inventive--titillating, even, on the thumping disco dazzler "Bedroom Toys," which features Chic's Nile Rodgers--without owning up to a genuine thrill. And though the original fab five, as they're being heralded on this first disc in more than 20 years, leans a little heavier on Andy Taylor's guitar work than in the past, the band stays loyal to its original electropop sound, skillfully shuttling the faithful back in time but kicking in enough keyboard wizardry to avoid leaving them feeling old. Once the inevitable buzz dissipates (give it a while--the sunniness of opening anthem and first single "(Reach Up for) The Sunrise" sticks around, as does the moodiness of "Still Breathing"), puzzlement takes its place. Simon Le Bon sounds not a day older than when he recorded "Girls on Film," something for which he owes fellow 80s-band singers who flopped on the comeback trail an explanation. More puzzling still, though, is why Duran Duran waited so long to return: Had they reunited sooner, legions of dedicated, sophisticated popsters might have been spared the indignity that was the boy-band craze. --Tammy La Gorce
Talking with Duran Duran
Amazon.com contributor Beth Massa spoke with lead singer Simon LeBon and keyboardist Nick Rhodes separately to discuss the band's original line-up reunion, the passion they felt recording Astronaut, and their appreciation for their female fan base.
- Listen to the interview with Simon LeBon
- Listen to the interview with Nick Rhodes
Customer Reviews:
What a Pleasant Surprise!.......2006-12-18
There are some real gems on the CD and I hope the Fab Five puts out another one soon! I think they've found their element. There was a nice techno flavor to three of the songs that caught my ear: "Taste the Summer", "Want You More!", and "Nice". "Finest Hour" is chilled and easy, a real pleasure to the ears. The title track, "Astronaut" is upbeat and catchy, while "Bedroom Toys" is just funky and fun. While being a bit techno, "Nice" is also upbeat and dancy and really comes together nicely! My absolute favorite song on this CD, though, is the last one. "Still Breathing" is absolutely wonderful! It's a slow, pensive song, and Simon's lyrics are haunting against a brilliant background of music.
I haven't mentioned every song, but rest assured, each song is pleasing and different from the rest. A lot of bands put out CD's and every song sounds like a variation of the last, but not-so with this one! Duran Duran has put a little something for everybody on this CD - techno, adult contemporary, easy listening, funk, dancy, feel-good, etc.
I hope Simon, John, Nick, Andy, and Roger stay united now that they've come back together since their hey-days as the 80's greatest pin-up boys! I'd like to hear more of the same as what's on this CD! BRAVO!!! Encore! Encore!
The fab five are back!.......2006-07-29
Buy Astronaut at all costs, you wont regret it! If you love 1980s rock, mixed with a 'lil bit of fantastic dance music, Astronaut is for you! While your at it, pick up a copy of MEDAZZALAND or POP TRASH, the band's interesting attempt at gothic rock. Or the POWER STATION album, which is a hard rock album featuring the hits "some Like it Hot" and "(Get it on) Bang a Gong."
Duran Duran is unrivaled brilliance, and one of the best bands currently performing. Cant wait for the next album in 2007; "Gloss!"
Duran Duran reach up.......2006-05-10
There aren't many bands out there that thrived in the '80s and have managed to still be relevant today. Duran Duran may well top that list. Astronaut recaptures the vitality and incredible synergy that propelled them to the top of the charts again and again 20+ years ago.
Reach Up For The Sunrise sets the stage for this entire album. Fantastic songwriting, catchy melodies, and hip, contemporary sounds permeate this record from start to finish.
Simon sounds as good, if not better, today than he did during their seminal period. Every member is still at the top of their game. I can't describe how cool it is to hear John ripping out the bass lines like he did on Rio.
Duran Duran sounds as tight and in control as if they never missed a beat between 1984 and 2004. It's hard to pick favorites here. Every track has numerous strong points, but do yourself a favor and check this out for Sunrise, Bedroom Toys, Nice, and Taste The Summer for prime examples of why we fell in love with Duran Duran way back when.
Here's to hoping there's more to come from Duran Duran.
Welcome back boys!!!!.......2005-12-22
A masterpriece!.......2005-12-19
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Twelve Small Steps, One Giant Disappointment
Bad Astronaut Manufacturer: Fat Wreck Chords ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IZJ1HU Release Date: 2006-11-14 |
Tracks:
- Good Morning Night
- Ghostwrite
- Beat
- Stillwater, California
- One Giant Disappointment
- Minus
- Best Western
- San Francisco Serenade
- Autocare
- Violet
- Go Humans
- The 'F' Word
- The Thirteenth Step
Customer Reviews:
Fantastic Finish.......2007-04-12
Ghostwrite for Soft Schedule.......2006-12-21
Hmmmmm.......2006-12-17
It's still heartbreaking music.......2006-11-15
I first heard of Bad Astronaut right around the time that Acrophobe came out, and it was such a breath of fresh air from the music at the time. There was so much thought put into the music, the cello was present, but never overused, it was just incredible song writing and musicianship (is that a word?). Their second CD was even better than the first, "My Son" literally drove my mom to tears the first time she heard it, and the maturation of the band continued. After Derrick took his life, there was a lot of talk that this record would never be released, it was too hard for them to face this. Luckily Joey took the pain and heartache and created a beautiful, if sometimes disjointed record.
This record was being written when Derrick died, so some songs were written before, some after, and the disparity between the two types of songs are huge. There are the "normal" Bad Astronaut songs like Go Humans that for some reason reminds me of Grey Suits, and there is the haunting Minus which has been one of my favorite songs for quite a while. The real highlight of this CD is the songs written to/about Derrick. You can almost see Joey trying to cope with it as the CD progresses. In One Giant Disappointment he almost sounds angry at Derrick for leaving him, for not struggling on. In Stillwater, California he pays tribute to the ones that have left us including Derrick, but also Jason (Thirsk? Sears?) and Richard (?). Finally there's a general acceptance of things with Thirteen Steps, the minor chord he drops into right before the "devastating" is just heartbreaking. There is so much emotion and depth to their songs.
So sadly as we say goodbye to Bad Astronaut, we can thank them for some beautiful songs, for putting everything out in the open so we can see what they were dealing with at the time. As I listen to the backwards guitars that have a very "Beatles" feel on Thirteen Steps, I smile, realizing that I was very lucky to have been clued into them, and realize that as long as Joey is creating (the Tony Sly split is beautiful) and the rest of the band keeps doing their thing, we'll all come out ahead.
The last chapter of the Bad Astronaut saga.......2006-11-15
From start to finish you can hear the honesty and passion in the music, writing and Joey's voice. Even in the songs that are not written about Derrick {or don't seem to be written about derrick}, you feel the power in this album. This is record is truly a gift to the world of indie rock, punk, or all music lovers.
After hearing it for only one day, it moved me almost immediately. This is a must for all Bad Astroanut, Wagon, Caper, and Derrick fans. I highly recommend this for indie rock lovers. You will not be disappointed. The boys in Bad Astronaut put their heart and soul into this recording and I for one am going to miss this band's contribution to the world of rock.
Not to mention Derrick's contribution to the World of Punk Rock and Rock.
Do yourself a favor and get this cd.
Thanks to the Guys of Bad Astronaut. And thank you Derrick for the inspiration. You will not be forgotten.
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Let's Just Be
Joseph Arthur Manufacturer: Lonely Astronaut ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O590AC Release Date: 2007-04-17 |
Tracks:
- Diamond Ring
- Good Life
- Precious One
- Spacemen
- Take Me Home
- Chicago
- Cockteeze
- Lonely Astronaut
- Cocaine Feet
- Let's Just Be
- Shake It Off
- Lack A Vision
- Gimme Some Company
- I Will Carry You
- Yer The Reason
- Star Song
Amazon.com
It's hard to resist the urge to rock out once in awhile. Let's Just Be is proof that even the most smooth-voiced and pop-minded singer-songsters must get their ya-yas out now and again. On some songs, Arthur conjures the early '70s spirit of Mick Jagger while on others he seems to be shooting for Marc Bolan. His most ragged-sounding and strictly rock and roll album to date, the record has a very loosely hewn feel which reaches an apex during the 20 minute (plus) "Lonely Astronaut." That song starts out as a pleasant enough country warble then mutates into a sloppy rave-up before dissolving into a bizarre mantra of the word "I" chanted atop an acoustic guitar and what sounds like a cement mixer, before slipping back into the warble bit. This disc is charming in its own way, and clearly was a blast for all involved--but a tad more editing might have been nice. --Mike McGonigalCustomer Reviews:
Different but great.......2007-07-13
First voyage of the Lonely Astronauts.......2007-05-19
Standout rock songs- Diamond Ring, Spacemen, Cocaine Feet
Take Me Home has the feel of a sublime night out on the town ending as the sun rises, sound like the revolution of the car tires as the night ends
Precious One- love song, JA and LA style- original
Gimme Some Company- Jennifer Turner shines here- great song
I Will Carry You- Kraig Jarrett Johnson, formerly of the Jayhawks, with JA- these guys sound great together- write great songs together!
Yer the Reason- fun, jangly beat with raw lyrics.
I am scheming to try to fit another one of their concerts into my schedule before this tour ends. Do yourself a favor- if you are skeptical about JA's new sound go to his website and watch some of the videos of these songs performed on various shows- or better yet stop brooding in your bedrooms and go out and see this band before the tour ends. You will not be sorry!
Misunderstood Masterpiece.......2007-05-17
Disappointing.......2007-04-20
Now, on to Let's Just Be.
Let's Just Be is Joseph's follow up to last years lukewarm Nuclear Daydream, and his first release on his Lonely Astronaut label. Similar to John Lennon's / Yoko Ono's Wedding Album, Unfinished Music etc. - Let's Just Be seems like an expression of all the crap that the labels wouldn't release on one of his previous releases. Overall, the album has a very Rock N Roll production. Any fans expecting anything similar to his previous releases might as well give in to disappointment immediately.
The opening track, "Diamond Ring" might as well be a discarded AC/DC track. Overly raucous and messy.
Track two, "Good Life" begins with a 60 sec sound collage intro. This track is a little more bearable, with a decent verse / chorus - but ends awkwardly with Joseph piercingly screaming "Rock N ROLL!" into the microphone. Already, less than five minutes into the album- I could tell this was a album was packed with nothing more than dissatisfaction. And it gets worse before getting better.
"Spacemen" begins ok, but the ridiculous chorus "Here Come the Spacemen, Outta the Sky!" ruined the track for me.
"Take Me Home" is definitely a little taste of the Joseph Arthur I know. A stripped down, simple track- it fails to reach the beauty / complexity of his best works, but is still a simple little track with a nice sound.
"Chicago" is an alternative track with lots of overdubbed vocals / echoes. It emotes similarly to his work on Redemption Son.
"Cockteeze" is another Rock N Roll track. It has a charm about it- but it's too silly to take seriously. Joseph's voice cracks through the whole track as he reaches too high out of his range. Again- I hear an AC/DC influence here...
I had high hopes for "Lonely Astronaut". It begins as a slow, acoustic, country flavored tune with more "Take Me Home" style lyrics. At around the 8 minute mark, the beat deconstructs - the music becomes noise- and Joseph repeats the word "I" into the microphone every three seconds for the next SEVEN MINUTES. After about SEVEN minutes, he begins repeating the word "LOVE" into the mic instead. This continues for another few minutes before the acoustic guitars come back in for the reprise, ending the track at just over 20 minutes. I am all for avante garde experimentation, but let's either leave it to the artists, forewarn your audience, or wait until you come down off the cocaine before doing so.
And that brings us to, "Cocaine Feet". Another bluesy Rock track- personally, I don't feel it's Joseph's genre- and I would rather hear it from people who do it well. But all in all, it's a decent track that showcases Jennifer Turner's guitar skills. One of the more solid tracks off the album.
The title track, "Let's Just Be", is a clap-a-long with more shrieking Joseph. Nothing special about this one.
"Shake it Off" is one of the worst tracks I have heard in recent memory. Again, I'm all for experimentation. Substances have helped a lot of musicians, but rarely while they are in the studio. Please stop the recording process until you're sober enough to recognize your inability to perform.
"Lack of Vision", Jennifer Turner's "Gimmie Some Company", and "Yer the Reason" are the standout tracks on the album. They sound as if they were recorded live in the studio- and Joseph is definitely outperformed by his band mates. Turner's "Gimmie Some Company" is one of my favorites of this album.
The album closer "Star Song" begins with the band members imitating cat meows.
It's another slower tune, with a Middle Eastern flair to it. It's one of the few incidences on this album where the Lonely Astronauts experimentation actually sees fruition. Well done guys.
All in all, I feel as though Joseph Arthur has lost all artistic credibility. I wish he would have taken the time to either hone these songs, or forewarn his fans that this album was more experimental (i.e. Unfinished Music).
As I said to my fellow Joseph Arthur fans on the day of release, the only talent Joseph exhibits on Let's Just Be is how he can ruin a song in thirty seconds.
Again, if you are interested in Joseph Arthur's music, which I highly recommend, then buy Come to Where I'm From or Our Shadows Will Remain, you will not be disappointed. His (actual) music is truly underappreciated.
Average customer rating:
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Let's Just Be
Joseph Arthur Manufacturer: Lonely Astronaut ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O590A2 Release Date: 2007-05-15 |
Tracks:
- Diamond Ring
- Good Life
- Precious One
- Spacemen
- Take Me Home
- Chicago
- Cockteeze
- Lonely Astronaut
- Cocaine Feet
- Let's Just Be
- Shake It Off
- Lack A Vision
- Gimme Some Company
- I Will Carry You
- Yer The Reason
- Star Song
Amazon.com
It's hard to resist the urge to rock out once in awhile. Let's Just Be is proof that even the most smooth-voiced and pop-minded singer-songsters must get their ya-yas out now and again. On some songs, Arthur conjures the early '70s spirit of Mick Jagger while on others he seems to be shooting for Marc Bolan. His most ragged-sounding and strictly rock and roll album to date, the record has a very loosely hewn feel which reaches an apex during the 20 minute (plus) "Lonely Astronaut." That song starts out as a pleasant enough country warble then mutates into a sloppy rave-up before dissolving into a bizarre mantra of the word "I" chanted atop an acoustic guitar and what sounds like a cement mixer, before slipping back into the warble bit. This disc is charming in its own way, and clearly was a blast for all involved--but a tad more editing might have been nice. --Mike McGonigalCustomer Reviews:
BEST NEW ARTIST IN AMERICA..........2007-06-09
While "Let's Just Be" is not as painstakingly produced as his other offerings, it is just as musical, moving, and exciting as his other work. This is an artist who excels at writing music that "sounds good." He rarely, if ever, gives himself a break when it comes to practicing his craft. I sense that he searches his talented soul for the "right sound" at every juncture. No cliches here. No music that takes you down a tired, boring road. There is nothing more frustrating for a music lover than listening to formulaic music--the kind so full of overused hooks, for example, that one can anticipate the next few bars and predict their construction on the first listen. Joe excels at creating music that is interesting and exciting, and always new. A pleasant irony given his masterful emulation of great songwriters that have gone before him. He does Neil Young better than Neil Young can, and so on. I get the impression he would not release a "Neil Young-ish" tune if this were not the case.
And so it goes with the creations on this CD--he does Mick Jagger better than Mick Jagger, in my opinion. I think after listening you would agree that he at least takes the material down new and wonderful pathways not considered by the artists that influence him. I think this is because Joe is not really trying to emulate anyone at all. He is most definitely Joseph Arthur, and uniqely so, when it comes to writing and performing his music. What I believe is happening here is something much more profound. This is about a man who is especially gifted in his generation; a man who hears the song first, both lyrics and melody and all else that makes up a song. Then he writes it down. And as any songwriter worth their salt will tell you, skilfully and sensitively hearing the song is the key. Such a songwriter is rare indeed. I believe the music he writes delights and amazes him as well as his fans, in the sense that he might wonder how on earth he was able to give birth to such work.
I am a songwriter myself, and I have been influenced and encouraged in a huge way by this artist. He has motivated me to listen and compose what I hear in the same way. In a frame of total honesty, humility and passion for one's craft. To listen for and create that combination of lyric and melody, over the right rhythm, that is the best possible combination for that particular piece. This is what makes great music.
One last thing. Some argue that Joe's latest rendering here is perhaps too naked, as though it needs to be fully dressed because some of the clothing his music wore on earlier CDs is missing on "Lets Just be." Certainly, the detailed paint strokes we found so beautiful and pleasing before are not present here. But as a well-repected producer wrote in an article I read just yesterday in one of the trade mags, simpler is often better. It is at least just as legitimate if it fits. And when an artist as adept at adding lush details as Joseph Arthur is decides for a certain work to abstain from this, we should assume its because adding more would ruin it. There are few things more difficult than excercising the discipline necessary to say "Enough" when laying down tracks in the studio. Especially these days, when artists, engineers and producers ahve so many tools and fantastic resources at their immediate disposal. I think Joe played it right on "Lets Just Be." Relax and enjoy a true master craftsman's work. Buy the CD before the price goes any higher!
Other reviewers are wrong- sorry! 3.75 Stars.......2007-05-25
absolute rubbish.......2007-05-23
Sloppy seconds.......2007-05-22
Not What We Want.......2007-05-18
Now, on to Let's Just Be.
Let's Just Be is Joseph's follow up to last years lukewarm Nuclear Daydream, and his first release on his Lonely Astronaut label. Similar to John Lennon's / Yoko Ono's Wedding Album, Unfinished Music etc. - Let's Just Be seems like an expression of all the crap that the labels wouldn't release on one of his previous releases. Overall, the album has a very Rock N Roll production. Any fans expecting anything similar to his previous releases might as well give in to disappointment immediately.
The opening track, "Diamond Ring" might as well be a discarded AC/DC track. Overly raucous and messy.
Track two, "Good Life" begins with a 60 sec sound collage intro. This track is a little more bearable, with a decent verse / chorus - but ends awkwardly with Joseph piercingly screaming "Rock N ROLL!" into the microphone. Already, less than five minutes into the album- I could tell this was album was packed with nothing more than dissatisfaction. And it gets worse before getting better.
"Spacemen" begins ok, but the ridiculous chorus "Here Come the Spacemen, Outta the Sky!" ruined the track for me.
"Take Me Home" is definitely a little taste of the Joseph Arthur I know. A stripped down, simple track- it fails to reach the beauty / complexity of his best works, but is still a simple little track with a nice sound.
"Chicago" is an alternative track with lots of overdubbed vocals / echoes. It emotes similarly to his work on Redemption Son.
"Cockteeze" is another Rock N Roll track. It has a charm about it- but it's too silly to take seriously. Joseph's voice cracks through the whole track as he reaches too high out of his range. Again- I hear an AC/DC influence here...
I had high hopes for "Lonely Astronaut". It begins as a slow, acoustic, country flavored tune with more "Take Me Home" style lyrics. At around the 8 minute mark, the beat deconstructs - the music becomes noise- and Joseph repeats the word "I" into the microphone every three seconds for the next SEVEN MINUTES. After about SEVEN minutes, he begins repeating the word "LOVE" into the mic instead. This continues for another few minutes before the acoustic guitars come back in for the reprise, ending the track at just over 20 minutes. I am all for avante garde experimentation, but let's either leave it to the artists, forewarn your audience, or wait until you come down off the cocaine before doing so.
And that brings us to, "Cocaine Feet". Another bluesy Rock track- personally, I don't feel it's Joseph's genre- and I would rather hear it from people who do it well. But all in all, it's a decent track that showcases Jennifer Turner's guitar skills. One of the more solid tracks off the album.
The title track, "Let's Just Be", is a clap-a-long with more shrieking Joseph. Nothing special about this one.
"Shake it Off" is one of the worst tracks I have heard in recent memory. Again, I'm all for experimentation. Substances have helped a lot of musicians, but rarely while they are in the studio. Please stop the recording process until you're sober enough to recognize your inability to perform.
"Lack of Vision", Jennifer Turner's "Gimmie Some Company", and "Yer the Reason" are the standout tracks on the album. They sound as if they were recorded live in the studio- and Joseph is definitely outperformed by his band mates. Turner's "Gimmie Some Company" is one of my favorites of this album.
The album closer "Star Song" begins with the band members imitating cat meows.
It's another slower tune, with a Middle Eastern flair to it. It's one of the few incidences on this album where the Lonely Astronauts experimentation actually sees fruition. Well done guys.
All in all, I feel as though Joseph Arthur has lost all artistic credibility. I wish he would have taken the time to either hone these songs, or forewarn his fans that this album was more experimental (i.e. Unfinished Music).
As I said to my fellow Joseph Arthur fans on the day of release, the only talent Joseph exhibits on Let's Just Be is how he can ruin a song in thirty seconds.
Again, if you are interested in Joseph Arthur's music, which I highly recommend, then buy Come to Where I'm From or Our Shadows Will Remain, you will not be disappointed. His (actual) music is truly underappreciated.
Average customer rating:
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The Astronaut Farmer
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGVBXM Release Date: 2007-02-13 |
Tracks:
- Opening Titles
- Sleepy Shepard
- Bank
- Smoochy / Lost Ring
- Meeting Grandpa
- Nurse Goode Chases Farmer
- FBI Arrive
- Embrace The Media
- Weatherman
- Farmer And Sunshine
- Colonel Sees Rocket
- Colonel And Farmer in Trailer
- Farmers Speech
- Dunkin Donuts
- Funeral
- The Bullet Keeps On Traveling
- Wreck
- Pick up Farmer
- Hospital
- Farmer Wakes
- Sad Family
- Bag Of Money Preparations
- Leaving
- Pre Launch
- Launch
- In Space
- Lost In Space
- Ring
- Re-Entry
- Home
- I Made A Lover's Prayer Performed by Gillian Welch
Customer Reviews:
Moving.......2007-02-22
Average customer rating:
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All Is Violent, All Is Bright
God Is an Astronaut Manufacturer: Rocket Girl ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FP2H1A Release Date: 2006-09-18 |
Tracks:
- Fragile
- All Is Violent, All Is Bright
- Forever Lost
- Fire Flies And Empty Skies
- A Deafening Distance
- Infinite Horizons
- Suicide By Star
- Remembrance Day
- Dust And Echoes
- When Eveything Dies
Album Description
God Is An Astronaut were formed in 2002 by brothers Niels and Torsten in Wicklow, Ireland. The band released their debut album The End of the Beginning on their own label Revive Records in March 2003. The worldwide release of the A Moment of Stillness EP and their second album All Is Violent All is Bright on UK label Rocket Girl, the band finally see a proper release outside of Ireland. Their music and videos have received extensive play worldwide and at home, including major radio/TV shows (MTV - The Comedown, MTV2 - 120 Minute Show, TV3 - Law and Order, film ads; RTE - Fair City; Sky - ads for films and sports events) and countless online internet radio shows. Specifically in the UK, they have been played on BBC 6, XFM and Resonance FM. The title track from the EP, released as a single has already spent three weeks in the Irish top 40. Both CDs trademark God Is An Astronaut is extraordinary energy, emotion and tension, building from serene ambience to searing intensity. Torsten and Niels are joined on these recordings by drummer Lloyd Hanney (who was trained by the late jazz legend Johnny Wadham), making this album a much closer representation of their live sound. They are considered by many to be the most intense live act to emerge from Ireland in recent times.Customer Reviews:
God is an Astronaut: All is Violent, All is Bright (Revive Records, 2004).......2007-06-13
"Fragile" eases the listener in with beautiful layers of keys and minimal guitar. This moves into killer drum loops and Torsten's Sigur Ros style vox that really add another instrument to the song. Keys add a "windy" feel and the song just draws you into their musical world. I was listening to this in my office while thunder and rain blasted against my windows. It was one of those epic listening moments. Eventually, the song explodes with voices, heavy guitars, and strong live drums. The effect is momentous and perfectly timed. One of the first things I noticed about this band is their attention to details and the small nuances they place in the song. "All is Violent, All is Bright" begins with an ominous, low layer of keys. The guitars come into the mix and usher in what might be called the melody or hook of the song. This floats amidst spacey sounds and inaugurates the drums and bass. This slow tempo build moves in anticipation of an explosive burst of guitars and percussion. While the build is moving along, killer keys and samples float in-between the sounds of the stringed instruments. The explosion of instruments hits you like a brick and is huge and infectious. This comes off the build quickly and leads the listener into a more melancholy moment in "Forever Lost." This begins with a low hum and the piano keys floating on top. The movement is moody and wistful. The guitars fill in the sound and the drums and bass eventually come in to move the song along. The sound of wind blows across the spacey keys and piano while the drums are moved a bit back in the mix. As they build and play with the volume and sounds in the track, Torsten's ghostly vocals float amidst fuzzed out walls of sound along with all the other instruments that have been building to a crescendo.
"Fire Flies and Empty Skies" reminds me at first of early M83. There is a catchy tune and great guitar work that is supported by fantastic bass and percussion. The keys float spacey sounds in-between all the intricate guitar work and forceful percussion. "A Deafening Distance" fills the speakers with warm keys and jangly guitar. The guitar line has a great hook and really draws the listener into the wall of keys and percussion. "Far off longing" may be at the center of what is communicated in this track and it is beautifully done. Being in Texas now, I kind of know the look of an infinite horizon. God is an Astronaut paints this picture with sound oh so wonderfully on their track "Infinite Horizon." The vast blue sky, the clouds traveling in the wind, and the birds as they interrupt the fastness are all painted into this soundscape. The tempo is slow and patient with glimmering guitar, floating voices, and a blanket of keys.
"Suicide My Star" begins with a very spacey feel and leads into some trippy drum work and great bass and guitar work. I have to say that, since the bass player usually gets short shrift in bands like these, I would like to give Niels props for his work on this disc. He sits in the pocket perfectly and really glues the song together like a bass player needs too. "Suicide My Star" is an excellent example of his subtle work. As the bass and drums dance their slow beat, the keys float amidst them and really lend themselves to the atmosphere created. The song builds and then the drums explode over pipe like keys. The double bass drum really creates an explosive feel to the climax of this song. "Remembrance Day" gives the listener a breather with gorgeous, reverberating piano on a cloud of humming keys. This transforms into a subtle mix of slightly distorted bass, beautiful guitar lines, and a mix of spacey and subtle work on the keys.
"Dust and Echoes" begins with a breezy type set of keys that really remind me of a dry desert on a hot summer day. The samples are odd bumps and clicks mixed in with glimmering guitars and Torsten's soaring voice. Lloyd's drum work is amazing throughout the disc, but this track is especially intricate and perfect. Visually, I see eagles soaring through the United State's Southwest sky over mesas in New Mexico or the dry wastelands of Arizona. Beautiful music that evokes great imagery is always welcome in my player. The last track on All is Violent, All is Bright is a 10 minute track, the longest on the disc, called "When Everything Dies." A strong wind like sound starts out the song with a low hum and minimal piano. Eventually the hum disappears and a spacey key drops in with bass and piano at the fore. A drum track comes into the mix and the volume begins to build. Apparently the band has visuals when they play live and I would love to see how they are interpreting their music visually because the music is very powerful and full of emotive energy. The song fades out at about 6 minutes and there is silence. After about a minute, crackles and pops slowly come into the mix and a very techno sounding synth begins panning in the speakers while a low hum rises in the background. Piano eventually infuses the song with great work on the rides of the drums. And here ends the journey.
Spacey keys, walls of sound, intricate drum and bass work, wonderful guitar and extreme attention to detail make this disc amazing and breathtaking. God is an Astronaut have produced an incredible piece of post-rock music that will stand the test of time. The compositions are perfect and there are no moments of let down or boring lulls. I highly recommend this disc to any music lover. Go buy it now!
Transcendent into space.......2006-09-18
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Flying Saucer
Astronaut Wife Manufacturer: Susstones ProductGroup: Music Binding: Audio CD ASIN: B00008WI9V Release Date: 2003-04-22 |
Tracks:
- Flying Saucer
- Are You For Real
- Late Now
- Anywhere In The Universe
- Snake Charmer
- Bird
- Where Will We Go
- Dolphin Language Translator
- Cape Canaveral
- Windshield
- Disco Lights
Customer Reviews:
Beautiful..........2006-10-09
Interesting Pop, A Little Limited.......2005-03-16
Christian Erickson is the mastermind behind the band. He clearly has an excellent ear for pop song construction and instrumentation. It's equally clear that he's in a bit of a rut, lyrically. Broadly speaking, almost every composition on both CDs harps on the following two emotional themes:
1) I'm Alienated By My Life (Please Help Me Escape By Taking Me Away From Here), OR
2) Relationships Are Inherently Unfair (And You've Got All The Cards)(Again)
Only the very interesting "Dolphin Language Translator" falls outside of this general theme. And after a dozen or so songs in this general vein, I'm ready for something new lyrically. A song about toasters. Or something. Whatever. Actually, what I'd really like to hear is a song about confronting, and learning from one's emotions, rather than simply saying "Beam me up, Scotty."
I personally hope that Christian (whom I've never met, despite his being friends of friends of mine) doesn't actually have this sort of a outlook on life, but my guess is he might. Which would be kind of sad, if true. He's obviously extremely talented, writing all the songs and lyrics, orchestrating the instrumentals, and doing all the packaging and graphic design (he's quite a gifted illustrator and web designer in his own right.) Then again, being divinely talented has never been a ticket to personal happiness, has it? Here's hoping to a broader, more insightful third effort from Astronaut Wife. They have great potential.
Bouncy, spacey pop.......2004-05-14
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Far from Refuge
God Is an Astronaut Manufacturer: Revive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QEKI4S Release Date: 2007-05-21 |
Tracks:
- Radau
- Far From Refuge
- Sunrise In Aries
- Grace Descending
- New Years End
- Darkfall
- Tempus Horizon (V 2007)
- Lateral Noise
- Beyond The Dying Light
Album Description
Post-rock band God Is An Astronaut's third album on their own Revive Records. Don't you love it when your most anticipated release of the year lives up to your expectations. Undeniably my favorite band at the moment has pulled off a stellar release that shows a maturing in their sound. That band is God is an Astronaut. This albums is nine tracks of perfection and will most certainly be a contender for my Top 10 picks of year unless something completely miraculous happens. Their sound is undeniable, but on Far From Refuge, they have taking that sound to a new emotive level. The compositions are intricate and well thought out with moments that explode into quietness. Torsten, Neil and Lloyd are a force to be reckoned with as their brand of post-rock screams into your speakers. --Somewherecold.comAlbum Details
2007 Album from the Critically Acclaimed Irish Trio of Torsten Kinsella (Vocals, Guitars, Keyboards), Niels Kinsella (Bass, Guitars, Visuals) and Lloyd Hanney (Drums, Synths). Their Ethereal, Mostly Instrumental Music Builds from Ambient Bases to Intense Melanges of Sound that Could Definitely Be Considered Part of the "Prog Rock" Movement of the Noughts.Customer Reviews:
God is an Astronaut Do it Again!!!!!.......2007-06-13
The album begins with the pulsing beat of Radau. Drums thump and set the tone for the immensity of the album. High hat joins in as spacey keys and guitars fill in the cracks between the pulse. A few moments later, the guitars build and the bass throttles, pushing the rest of the band forward. Radau has a sense of immediacy and desperation. The bass work is by no means mindless on this album, but it mirrors the guitar sounds while keeping the glue necessary between drum and guitar. These Irishmen know what they are doing and their compositions just float on endless keys of anxious moments. A six minute tour de force, Radau opens this disc with high energy and aggressive style. Far From Refuge is the title track and falls in after the album's pounding beginning. A bed of ambient keys floats across the speakers as drums come in to set the pace. This is a nice change of pace and really sets a foil to the first track. The guitar is glimmering and shimmers nicely on top of the careful bass and drums. The mood is somber and more melancholy than the first track, with fluted keys and warbling melodies. The shimmery ambiance eventually takes over as the languid pace plods along at perfect timing. The tumult grows dim and then bursts into loud bass and soaring guitars. This is fades with vibrations and shimmers into the next track called Sunrise in Aries. This track begins with a mid-tempo drum beat, warbly guitar and light keys. The movements in this piece are peaceful and the volume moves up and down to give flavor to the moment. Subtle in execution, Sunrise in Aries delivers a ray of hope in the midst of the Refuge which is lacking.
Grace Descending begins with bright piano in a minor key. The drums play a marching beat on the snare while the bass drum thumps to keep time. The bass glues the pieces together as the piano sings its melancholy tune. The guitar brings in variations on the piano's theme and fills out the voids in the musics cracks. The keys play with decending lines as "grace" falls upon the listener as the drums, bass and guitar explode to provide a contrast with the even handed ivorys. This fades into an ominous oblivion and opens into New Years End which begins with just bass and shimmering guitar in the background. A guitar line plays the melody and the drums slowly work their way into the mix. Eventually, all the pieces come together into perfect composition with keys laying another cushion for all the instruments. Guitar parts become more complex and abundant as the tune goes on, but the subtle quietness of this tune is not lost on the build. The crescendo is immense and breathtaking as guitars blend into one another, creating a wall of sound that does not lose the melody.
Darkfall begins with ambient keys and what sounds like work on a cello. As its title indicates, there is a dark feel to the beginning, but it's not an altogether hopeless darkness. This is a major aspect of GIAA's compositions that I appreciate: they are never so desponant in the compositions not to express some hope. As the hum of underlying keys continues, keys play and float along the stream of ambient air. Tempus Horizon connects to what is prior by beginning with ambient keys, light high-hat, and glittering guitar. The tension built by the softer tune prepares the listener for the coming storm as the band builds and prepares for more explosive moments. The volume eventually erupts as the pace remains steady and still. A slow tempo song, GIAA does not rush and is carefully patient in their compositions. It's as if they are trying to move the listener along at a pace that is emotively humane. As the song continues, the louder moments come less sporadically and begin to escalate in volume. This leads into the ominous beginnings of Lateral Noise. Deep and dark with a creepy vibe, this one starts out with rumbles galore. Then, as the track progresses, light sounding, sparkling keys come in and are drowned out again by fuzz and rumbles. This ominous track sets up the listener for the final track on the disc and makes for a dramatic, episodic introduction to the end. Walls of fuzzy guitar lift into the speakers, explode and dissapear as Beyond the Dying Light soars with spacey guitars and a slow but steady entrance. The track is bright and full of hope as the keys glimmer with guitar, bass, and drums moving at a medium tempo. Guitars build a wall and GIAA's signature sound blasts through the speakers like rays of hope. This track is a perfect finish to an emotive journal through musical perfection.
If it's not obvious, I highly recommend GIAA's new disc. Far From Refuge is anything but a cliche post-rock album. Rather, it is a masterpiece that finds the band's sound maturing. The compositions are intricate yet careful and the album as a whole is fluid and the tracks perfectly selected and ordered. Go buy it now and, if you haven't yet, the rest of their catalog as well.
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Astronaut (With Bonus DVD)
Duran Duran Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002X591K Release Date: 2004-10-12 |
Tracks:
- (Reach Up For The) Sunrise
- Want You More!
- What Happens Tomorrow
- Astronaut
- Bedroom Toys
- Nice
- Taste The Summer
- Finest Hour
- Chains
- One Of Those Days
- Point Of No Return
- Still Breathing
Amazon.com
The reflexes of those old enough to remember when "The Reflex" and "Rio" went rocketing up the Hot 100 in the 1980s may not be what they used to, but certain reactions to the first full spin of Astronaut can't help kicking in anyway. First among equals is exhilaration: Few can sit through pop this inventive--titillating, even, on the thumping disco dazzler "Bedroom Toys," which features Chic's Nile Rodgers--without owning up to a genuine thrill. And though the original fab five, as they're being heralded on this first disc in more than 20 years, leans a little heavier on Andy Taylor's guitar work than in the past, the band stays loyal to its original electropop sound, skillfully shuttling the faithful back in time but kicking in enough keyboard wizardry to avoid leaving them feeling old. Once the inevitable buzz dissipates (give it a while--the sunniness of opening anthem and first single "[Reach up for] T! he Sunrise" sticks around, as does the moodiness of "Still Breathing"), puzzlement takes its place. Simon Le Bon sounds not a day older than when he recorded "Girls on Film," something for which he owes fellow 80s-band singers who flopped on the comeback trail an explanation. More puzzling still, though, is why Duran Duran waited so long to return: Had they reunited sooner, legions of dedicated, sophisticated popsters might have been spared the indignity that was the boy-band craze. --Tammy La Gorce
Talking with Duran Duran
Amazon.com contributor Beth Massa spoke with lead singer Simon LeBon and keyboardist Nick Rhodes separately to discuss the band's original line-up reunion, the passion they felt recording Astronaut, and their appreciation for their female fan base.
- Listen to the interview with Simon LeBon
- Listen to the interview with Nick Rhodes
Customer Reviews:
A return to form but no rerun.......2007-01-31
With maybe only a weak spot or two out of 12 songs (and a fascinating live/behind-the-scenes DVD), this is a surprisingly fresh reinvention of a band that has seen several reinventions, some better than others.
Astronaut, as many know, represents a reunion of the original members. No one sounds out of practice. The Taylors, each one, plays as if it were only yesterday since they were last in the studio together. Simon still sings with the power and emotion of a bright-eyed freshman popstar. And Nick still delivers the vibrant and energetic audiotronics that glue the whole thing together. They all are truly at the top of their game.
Most welcome is the sense one has, when listening to Astronaut, of meeting an old friend and making a new one at the same time. It sounds like Duran Duran, it feels like Duran Duran, yet it doesn't really sound or feel like anything they've ever done before. It has the spirit and energy of DD circa 1984 but releases a sonic boom that is definitely DD 2004.
This is not a last stand but a new beginning. Astronaut is Duran Duran's return to space and beyond...
Best Duran Duran in years.......2007-01-10
Got it for ONE song and LOVED ALL!!.......2006-05-21
Duran Duran - Back and Beyond.......2005-08-21
The DVD is quite a treat too - very enjoyable for Duranies who never get enough of the guys' fun. The live excerpts are a proof that Duran Duran is sounding better than ever.
The classic band formation returns!.......2005-07-14
Duran Duran was, without question, the most popular of the eighties new wave pop acts. While the vast majority of the bands in this hit-or-miss genre were one-hit wonders, Duran Duran spawned numerous classics for the ages and remained popular long after their heyday was at an end. Unfortunately, for nearly twenty years the band had been reduced to a threesome, as opposed to its original five-man formation. And then in late 2003 or early 2004, the news surfaced that the classic five guys were back together again! Only adding to the excitement was the fact that they wouldn't only be touring together, they'd also be recording a new record! This was the classic formation's first album in nearly twenty years. Read on for my review, and see how Astronaut measures up.
I didn't know what to expect from this album. After the classic Duran Duran formation shrank to a three-man group, their music quality took a massive hit in quality. The once great band became a hit-or-miss one, like many of their contemporaries from the era. The changing musical trends in the world didn't help things any, either. With the classic version of the band back together, does the future look brighter? In short, the answer is yes. This is, without question, the band's strongest album ever since the classic formation was originally dissoved circa 1985. The classic eighties pop sound the band gave birth to is back and stronger than ever. They have also blended their sound with modern pop and contemporary sounds, but as a whole this only strengthens the package! From start to finish, the band takes us on a fun-filled trip back to the eighties. Simon LeBon doesn't sound a day older than when the band recorded its last stuff with the classic band formation. And the rest of the band is still in tip-top shape, too. I really had my doubts that this would be a good album, but I was wrong to have those doubts. Astronaut is the band's strongest release in a very long time. It's nothing truly revolutionary or outstanding by the standard the band set for themselves oh so long ago, but it's still damn good stuff. Four out of five stars. Recommended.
There are several different versions of this album - an Enhanced CD one, one that comes with a bonus DVD, as well as one that is DualDisc in nature. Regardless of which version of the recording you opt for, you're essentially getting the same album. And it's the music that really counts.
Well, that's it. Astronaut marks a triumphant return for Duran Duran - one I thought I'd never see. If you're a fan of the classic albums the group released back in the early eighties, back while they were in their prime, Astronaut shouldn't fail to please. Any fan of eighties music is likely to enjoy this trip back in time.
Rock Music:
