2003 album from a singer-songwriter in the troubadour mold, sitting somewhere between David Gray & Damien Rice. Nominated in two categories of Ireland's Meteor Awards, Best Album & Best Male Singer. Sony Music UK.
Living,Paddy Casey,Rock/Pop
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Edith Piaf: Her Greatest Recordings 1935-1943
Edith Piaf Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001HIM Release Date: 1995-07-18 |
Tracks:
- Mon Legionnaire
- Un Coin Tout Bleu
- Mon Coeur Est Au Coin D'Une Rue
- Le Grand Voyage Du Pauvre Negre
- Ballade De Mr. Browning
- C'Etait Une Histoire D'Amour
- On Danse Surma Ma Chanson
- De L'Autre Cote De La Rue
- C'Est Toi Le Plus Fort
- Fais-Mois Valser
- Paris-Mediterranee
- Mon Apero
- Le Fanion De La Legion
- Mon Amant De La Coloniale
- Entre St. Ouen Clingancourt
- L'Etranger
- C'Etait Un Jour De Fete
- Les Momes De La Cloche
- Elle Frequentait La Rue Pigalle
- C'Est Lui Que Mon Coeur A Choisi
- L'Accordianiste
Customer Reviews:
Edith Piaf: Both Recordings.......2007-05-17
Edith Piaf.......2007-02-17
A Good Second Piaf.......2005-10-01
casual music listener.......2005-09-10
Pleasantly surprised.......2005-08-12
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Living Like a Refugee
Sierra Leone's Refugee All Stars Manufacturer: Anti ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HDRARQ Release Date: 2006-09-26 |
Tracks:
- Living Like A Refugee
- Soda Soap
- Weapon Conflict
- Bull To The Weak
- Big Lesson
- Let We Do We Own
- Smile
- Compliments For The Peace
- Pat Malonthone
- Garbage To The Showglass
- Akera Ka Abonshor
- Kele Mani
- I'm Not A Fool
- Ya N'Digba
- Refugee Rolling
- Monkey Work
- Ma Fo Ya
Amazon.com
Made up of former displaced persons from the killing fields of Sierra Leone, members of the Refugee All Stars (a.k.a. R.A.S.) were forced to flee for their lives during the 1990s, fanning out into nearby West African nations. Through continued hard times, bandmates Reuben M. Koroma, Francis (Franco) Langba, and Abdul Rahim (Arahim) Kamara entertained and heartened their compatriots with truthful, gently satiric, liltingly infectious tunes. Filmmakers Banker White and Zach Niles made a prize-winning documentary about the band's courageous struggle, thereby bringing their story to an international audience. Backed by Keith Richards, Sir Paul McCartney, and other socially conscious celebrities, R.A.S. embarked on a rapturously received world tour and were at long last able to augment their earlier, but nonetheless invaluable, field recordings with professionally engineered studio tracks. The resulting seventeen songs travel through deceptively relaxed Sierra Leonean Palm Wine music, triple-rhythmed gbute vang and reggae-like sounds (complete with toasting), Nigerian Afro-Beat, and even echoes of Congolese soukous. Backed by sweet yet astringent vocal harmonies, sultry guitars, homemade percussion, and playfully retro-sounding organ riffs, each selection reveals still another facet of a bittersweet but ultimately triumphant saga of survival. At long last, Sierra Leone's Refugee All Stars are poised to become the superstars they were always destined to be. --Christina RodenAlbum Description
This is a group of musicians who lived for years as refugees in the West African nation of Guinea. While living in a tent camp, they acquired a couple beat up guitars and a rusted out sound system and began playing. American documentary filmmakers made the band the focus of their movie, which received enthusiastic endorsements from the likes of Keith Richards, Paul McCartney, Angelina Jolie, Joe Perry, and Ice Cube. The film's success has allowed the band to tour internationally to ecstatic audiences. Born in the midst of a violent, decade-long civil war, the group and its music celebrate our ability to sustain hope, inspiration, and creativity - the best in us - even in a climate of rage, loss, and madness.Customer Reviews:
Rock to the rhythm of the Refugees.......2007-07-12
But, don't buy it because I'm getting misty eyed. Buy it because the music is inspiring and makes you want to dance. Buy it because you've never heard anything from Sierra Leone. And, when you've bought it, go out (or online) and find the album by Afro National.
I was lucky to live in Sierra Leone and I love this music. Now to try to find the tv program which goes with it...
ABOUT TIME! Bob Marley would be proud!.......2007-06-27
The rapper Black Nature has a lot to teach his American rap counterparts. Keep up the good work brother, your work far outstrips the US rappers who have inspired you!
To Grace, The Emperors, and all the other RAS, God bless you all. ZBob Marely is smiling somewhere.
Living Like a Refugee CD is excellent for both music and content.......2007-05-13
Passionate Sounds.......2007-01-19
Must have!.......2007-01-15
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Living With Ghosts
Patty Griffin Manufacturer: Fontana a&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002G4U Release Date: 1996-05-21 |
Tracks:
- Moses
- Let Him Fly
- Every Little Bit
- Time Will Do The Talking
- Mad Mission
- Poor Man's House
- Forgiveness
- You Never Get What You Want
- Sweet Lorraine
- Not Alone
Customer Reviews:
It's okay.......2007-05-14
More soul, less hesitance than in later recordings.......2007-05-02
Living in a song.......2007-02-13
Raw and Brilliant.......2007-01-20
best in a long time.......2006-07-25
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Quintette du Hot Club de France: 25 Classics 1934-1940
Django Reinhardt & Stephane Grappelli Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000616B Release Date: 1998-05-19 |
Tracks:
- Dinah
- Oh, Lady Be Good
- I Saw Stars
- I'm Confessin' That I Love You
- I've Had My Moments
- Djangology
- St. Louis Blues
- Limehouse Blues
- I Got Rhythm
- I've Found A New Baby
- After You've Gone
- Nagasaki
- Swing Guitars
- Charleston
- You're Driving Me Crazy
- Runnin' Wild
- Improvisation (Solo)
- Minor Swing
- Honeysuckle Rose
- Sweet Georgia Brown
- Night & Day
- Daphne
- Them There Eyes
- I'll See You In My Dreams (Trio)
- Nuages (The Bluest Kind Of Blue)
Customer Reviews:
required listening.......2006-11-21
Amazing Quality.......2006-02-25
No real guitar lover should be without this CD.......2005-08-26
Quintette du Hot Club de France: 25 Classics 1934-1940.......2005-08-22
The one critique I have is, that for some inexplicable reason, the version of Limehouse Blues on this CD is noisier (hissy) than another copy of the song I have, though it is note-for-note the same version and, I'm pretty sure, the same performance. All the other tunes appear to have been processed for higher quality- a minor drawback; an excellent CD.
this is a good collection.......2005-04-27
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Living and Dying in 3/4 Time
Jimmy Buffett Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002PBH Release Date: 1990-10-25 |
Tracks:
- Pencil Thin Mustache
- Come Monday
- Ringling, Ringling
- Brahma Fear
- Brand New Country Star
- Livingston's Gone To Texas
- The Wino And I Know
- West Nashville Grand Ballroom Gown
- Saxophones
- Ballard Of Spider John
- God's Own Drunk
Amazon.com
Jimmy Buffett's third album, Living and Dying yielded the hit single "Come Monday," which still ranks among his finest compositions. As wistful and romantic as that number may be, the dominant feeling of the album is gentle good humor, as on songs like the richly detailed "Brand New Country Star," the nostalgic "Pencil Thin Mustache," and a recitation of the Lord Buckley tall tale "God's Own Drunk." Buffett approaches country & western-style topics on "Livingston's Gone to Texas" and "Brahma Fear" without succumbing to the blandness of de rigueur Music City product. "West Nashville Grand Ballroom Gown," meanwhile, has to be considered the definitive song of debutante rebellion. It's a thin field, admittedly, but a song worthy of the title nonetheless. --Daniel DurchholzCustomer Reviews:
Updating Buffett Collection!.......2007-01-04
Buffett Goes Country.......2006-11-06
Buffett Classic.......2006-11-02
He is one of the great American singer\songwriters of this or any genre.
oldy but goody.......2006-03-09
My personal favorite is "God's own drunk", its very funny and I haven't seen it on any other album.
Have some conch fritters, a cold beer and.............2005-09-23
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Living With War
Neil Young Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FI9OSG Release Date: 2006-05-08 |
Tracks:
- After the Garden
- Living With War
- The Restless Consumer
- Shock and Awe
- Families
- Flags of Freedom
- Let's Impeach the President
- Lookin' for a Leader
- Roger and Out
- America the Beautiful
Amazon.com
Even if you don't agree with Neil Young's politics, you can't help but be daunted by the intersection of his genius and ire on his second album in less than seven months. It is the very rare artist who is able to channel indignation and moral disgust in such a coherent and forceful way--without sacrificing any of the vivid imagery, passion, or the high level of musicality that we have come to expect from him over the past four decades. But that's not what elevates this album: it's his pure, naked, visceral reaction to the Bush administration's foreign policy, building on a canon of outrage that he began with 1970's "Ohio," penned in the wake of the Kent State student deaths. But here he goes one better, filling in the lines that he began to draw on 2003's Greendale about a family caught in changing times. But Young's done with musing about lost ideals. On Living with War, he demands much more from his audience, and himself. This is nothing less than a call for fearless action in extraordinarily fearful times. --Jaan UhelszkiAlbum Description
The Canadian music hall of famer and former member of Buffalo Springfield and Crosby, Stills, Nash and Young is responsible for hits like Southern Man, Heart of Gold and Harvest Moon. But on his newest record, to be titled Living with the War, Young is taking a page from Bob Dylan and putting together an album of protest songs against the actions of American President George W. Bush. One of the tracks on the upcoming release, which as of yet has no release date, is said to feature the single Let's Impeach the President whose subject is fairly obvious. Not a stranger to protest music the Crosby, Stills, Nash and Young tune Ohio was written in reaction to a protest against the Vietnam War.Customer Reviews:
Rockin' in the (un)free world.......2007-06-27
Now, the music. Two songs, "After The Garden" and "Families" have the classic Young magic - tuneful, beautiful sorrowful grunge. With their anthemic choruses, the folkpop master peers from behind his overheated amps of smouldering distortion and churns out a pair of tunes transcending the project's premise. "Flags of Freedom," with stacking stanzas released into majestic rusty harmonica, also contends. Alas, the hasty inspiration seems to have prevented the final essential spark - gripping guitar solos - from getting into the equation. Rats!
It's been mentioned this stuff is rehashed, 2nd-tier, slapdash. David Crosby (in his most recent memoir) recalls asking Young why such simple compositions - and Young responded, "I'm not giving up any of my good s--t just talking about George Bush."
I Do Not Agree With Neil Young..........2007-06-26
Living With War.......2007-04-12
Released in 2006 and Living With War was the return of Neil Young. What is ment by that is the return of authentic Neil, this is his first album in several years that is fully impassioned. You can since the ergency in Youngs songs here. Living With War is an album of satire and propaganda that you are either going to love or hate, there will be no middle ground with this album and Young lost and gained a number of fans over this album as well. Being a Canadian Young took a bold risk by making an entire album critisizing the American government. Now if he were to make an album about the Canadian parliment maybe that would be more suitable but then again Neil Young is about as American as you can get. This was a move I did not give a chance at first but then decided if I am a real Neil Young fan I will give it a chance and did and loved it.
Released in packaging that resembles a paper sack for authenticity and minimalism, which is what the entire album is about. It opens with 'After The Garden' a song about what will happen when the world ends in a nuclear holocaust. It is a rockin' track and one that really sets the pace for the album. Easily on of Neils better tracks as of late. 'Living With War,' the title trackis written from a soilders point of view. It is another great song witha chorus sure to grab your attention. 'The Restless Consumer' is easily the best song Young has released since Ragged Glory. With his patent harmonies as only his voice can deliver, and his conviction even if you disagree with what he is saying he makes you want to believe in it, and if you ask me that is the mark of a great song. The great guitar playing during the song is classic Neil Young. Destend to become and anthem is 'Shock And Awe.' A killer track with anthemic chorus' andpower resembling the power of the Young classic 'Rockin In The Freeworld' from the freedom album. The song speaks of days past with a less corrupt government so to speak. 'Families' is a great song with lots of good guitar work and great vocals, especially the harmonies. But the song does not realy do much to stand out on the album. 'Flags Of Freedom' is a great song. A song of hope and desperation at the same time. Speaking of the youth and how they have a voice and a choice to make and need to use both to change what needs to change. 'Lets Impeach The President' is forced and contrived to say the least. Though it does make the point, calling George W. Bush a Flip-Flopper but I just wish the song would have been written better, but the use of audio clips from Bush's speaches does add a nice touch. The song is entertaining to say the least even though it does stretch a little. 'Lookin For A Leader' is a personal favorite. It is a plea for a leader, a real, great upstanding leader of the old days to come and help rebuild the country and take it to the full potential. 'Roger And Out' is a slower song with some heavy guitar. One of the best songs on the album, easily. While the song is still slightly political it is really loosly political because there is much more subject matter behind it then just the government. The album ends with 'America The Beautiful' which is sung with an entire chior and done wonderfully. It is a really sentimental and touching way to end an album that is anything but that.
While I may not totally agree with Youngs views on the country (though some I do), and even though he is not an American citizen he does live in America and this album shows that. He clearly knows what he is singing about and you can really tell that the man loves his country. For those who say Neil has no buisness making and album like this and that this is not him, he is just an old hippie and it is about time that he released a politicaly charged album, and because he waited so long I am convinced that is why it turned out as fabulous as it did. This album is highly recomended.
Young rehashing Young.......2007-04-10
Heavy Sigh.......2007-04-05
That said, if you have not heard this record, I would strongly urge you to listen to at least 2 or 3 tracks BEFORE you make a purchase. If you are a fan of lyrics and you agree with Neil's political stance, you'll love this record. If you are on the opposite end politically you will despise it. However, whatever side you are on, I think if you listen to the music on its own, and take the lyrics out of it, you will find this may well be the weakest album Neil has ever put out (with the possible exception of the awful Everybody's Rockin). Every song sounds essentially the same and after awhile the politics, quite frankly, get boring. There is nothing on this record (musically) that is remotely worth saving (not to mention the production and sound quality stinks). Thus my 2 stars (I gave it 2 just because it's Neil Young).
A previous reviewer thought a potential buyer should go read the lyrics to the songs first. I wholly agree. If you are a die-hard NY fan, of course you'll need this for your collection. If you are a die-hard anti-Bush person, ditto. If you a fan of good music, pass on this one and move on to some of Neil's earlier work. I'd recommend Everybody Knows This Is Nowhere or one of the more recent archive *live* recordings as a starting point.
This is definitely NOT the place to start if you're just getting into Neil Young.
One other thing for those that may not be aware, the notion of "Let's Impeach The President", while it may be quite trendy, is simply not possible unless one is a member of the United States Congress. Neil Young has no more chance of impeaching anyone than you or I do. But it does make for good fodder.
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How High the Moon
Les Paul Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006FX23 Release Date: 2002-09-24 |
Customer Reviews:
An excellent introduction to the talent of Les Paul.......2003-03-20
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Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067AS5 Release Date: 2002-05-28 |
Tracks:
- Marathon
- Alone
- Madeleine
- I Loved
- Mathilde
- Bachelor's Dance
- Timid Frieda
- My Death
- Jackie
- Desperate Ones
- Sons Of.
- Amsterdam
- The Bulls
- Old Folks
- Marieke
- Brussels
- Fanette
- Funeral Tango
- The Middle Class
- You're Not Alone
- Next
- Carousel
- If We Only Have Love
Amazon.com
At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley
Customer Reviews:
Jaques Brel still lives.......2007-04-02
Fabulous Show.......2007-02-22
Jacques Brel lives on through English Translation of his songs.......2007-02-12
A Little Night Music...........2007-01-23
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.
All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.
I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.
Fine Singer / Actors Do Brel Justice.......2007-01-15
Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.
Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.
Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.
I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.
In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.
When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?
Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.
Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.
And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.
And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?
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Banned : 20 Risque Songs From The 20s & 30s
Various Artists Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001HFL Release Date: 1992-09-30 |
Tracks:
- I've Gone And Lost My Little Yo-Yo - Billy Cotton And His Band
- With My Little Ukelele In My Hand - George Formby And His Ukelele
- A Guy What Takes His Time - Mae West
- She Was Only A Postmaster's Daughter, But... - Durium Dance Band
- Nellie, The Nudist Queen - Ross And Sargent
- My Private Affair - Dawn Davis
- What's It? - Jimmie Rodgers
- He Hadn't Up Till Yesterday - Sophie Tucker
- Winnie The Worm - Ronald Frankau
- I'm A Bear In A Lady's Boudoir - Cliff Edwards
- Everyone's Got Sex Appeal For Someone - Ronald Frankau And Monte Crick
- All Poshed Up With My Daisies In My Hand - Charlie Higgins
- Pu-leeze! Mister Hemingway! - Elsie Carlisle
- Let's All be Fairies - Durium Dance Band
- I'm Going To Give It To Mary With Love - Cliff Edwards
- The Physician - Gertrude Lawrence
- No Wonder She's A Blushing Bride - Art Fowler And His Ukelele
- Flora McDonald - Douglas Byng
- Or Anything Else I've Got! - Randolph Sutton
- And So Does He - Dawn Davis
Customer Reviews:
A lot of fun.......2007-05-15
Neither as bad nor as good as it could be.......2006-12-27
I love the music of this era, and have many CDs that provide me with much pleasure. Helen Kane, Ruth Etting, Annette Hanshaw were excellent singers who, when provided with significant material, produced 78s that will last beyond whatever format of music reproduction comes next. But this is mostly negligible stuff, performed by minor talents. I like Sophie's song a lot, which is sung with gusto and panache. She could work a song, and on this, she does. And Gertrude Lawrence provides a momentary smile. Other well-done or clever bits appear here and there. However, like mediocre sketch comedy, most of this just goes on too long with nothing but the inherently pleasing aspect of its naughtiness sustain it. And that just ain't enough.
Oh, and the notes, while lengthy, are simultaneously ingratiatingly smug and content-free. Living Era has a number of delightful CDs on my shelves, but this one will get few spins. Should have trusted my gut instincts that were pained by that wretched pun of a title.
What a hoot !!!.......2006-11-26
The CD boasts many songs with great musical arrangements and strong performances. I especially like Sophie Tucker singing "He Hadn't Up Till Yesterday;" Cliff Edwards' "I'm A Bear In A Lady's Boudoir" and "I'm Going To Give It To Mary With Love" as well as Ross and Sargent performing "Nellie, The Nudi$t Queen." Excellent!
There are more daring songs on this CD that would rattle some people even today. The Durium Dance Band performs "Let's All Be Fairie$;" "I've Gone And Lost My Yo-Yo" by Billy Cotton and his band and Randolph Sutton chuckles all the way through "Or Anything Else I've Got!"
The sound reproduction from the 78s is rather good although of course there is some surface noise. Brian Rust contributes an essay in the liner notes about censorship in the 1920s and the 1930s. The cover art work design is by Phil Duffy at P. D. Graphics Ltd.
I enjoyed every minute of this CD! I recommend it for anyone who likes nostalgic pop vocals from the 1920s and the 1930s. These are not just silly songs by unknowns; in fact you will be especially pleased as Sophie Tucker, Gertrude Lawrence, Mae West and Cliff Edwards are all represented here. Get this CD and have fun listening over and over again!
Superb Stuff.......2006-06-23
Hilarious.......2005-01-16
Gertrude Lawrence's rendition of "The Physician" is worth the cost of the disc, but "Nellie tne Nudist Queen" is also brilliant.
Average customer rating:
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Bad Brains
Bad Brains Manufacturer: Roir ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001Q3T Release Date: 1996-03-19 |
Tracks:
- Sailin' On
- Don't Need It
- Attitude
- The Regulator
- Banned In D.C.
- Jah Calling
- Supertouch/Shitfit
- Leaving Babylon
- Fearless Vampire Killers
- I
- Big Take Over
- Pay To Cum
- Right Brigade
- I Luv I Jah
- Intro
- Bonus Track
Album Description
Legendary hardcore-punk album from 1982, considered the definitive landmark for breaking the NYC hardcore scene. All material on this CD was recorded at 171-A Studios, NYC, during August, September, and October 1981, except "Pay to Cum," "I Luv I Jah," "Jah Clling Dub" recorded live at 171-A on May 16, 1981. Liner Notes by Ira Kaplan. With Lyrics.Customer Reviews:
Rasta-punkian?.......2007-06-27
PMA Mofo's.......2007-04-19
great stuff.......2007-02-05
i still have a tape deck in my car.......2006-12-10
that's right--four stars........2006-08-25
While this isn't their best album in terms of performance and songwriting, it is certainly their most accessible. Earl Hudson's drums lead the attack, directing Darryl Jenifer's bass and Dr. Know's guitar like a drill sergeant preparing troops for war. Dr. Know, easily the most gifted guitarist in the history of punk, drops crazy power-chord rhythms and frenzied, acrobatic solos, while Jenifer reinvents rock bass with his jazz-funk runs and tight grooves. Much is made of frontman H.R.'s pioneering performance on this album; while his incredible range does sound remarkable on this album (particularly within the context of what was coming out of the D.C. punk scene at the time), the cheap effects somewhat undermine its impact.
What keeps this album from being a five-star rockfest, at least for me, is the campy production value (Black Dots, recorded in the varying rooms of some guy's house, is mixed better than this album). Most of these songs were re-recorded for the vastly superior Rock For Light album.
Rock Music:
