Asia exclusive edition of 2003 album packaged in a slipcase, features 21 tracks including 2 bonus tracks, 'Addicted' (Metro Mix & Glam As You Mix), & a bonus VCD featuring 2 videos, 'Addicted' & 'Not In Love' feat. Kelis, & four audio tracks, 'Not In Love' feat. Kelis (Dave Aude Vocal Edit), 'Addicted' (Fernando Garibay Mix), 'Hero' (Live From One & Only), & 'One Night Stand' (Boogieman Mix). Interscope. 2004.
7,Enrique Iglesias,Latin Pop/Rock
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Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DG06L Release Date: 2003-10-28 |
Tracks:
- O mio babbino caro (from 'Gianni Schicchi')
- The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
- Nocturne in C sharp minor (Op Post)
- The Swan (from Carnival of the Animals)
- Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
- Casta Diva (from 'Norma')
- Andante from Piano Concerto No. 21 in C Major K. 467
- Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
- Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
- Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
- Pur ti Miro (from 'L'incoronazione di Poppea')
- Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
- Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')
Amazon.com
Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert LevineCustomer Reviews:
Romance of the Violin.......2007-07-16
End of the Day.......2007-06-08
He is inspiring, and she is right. This album is beautiful.
Wonderful!.......2007-05-30
Over and over and over...........2007-05-17
Non-standard CD format.......2007-04-22
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
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Simple Things
Zero 7 Manufacturer: Palm Pictures (Audio ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R5M6 Release Date: 2001-11-13 |
Tracks:
- I Have Seen
- Polaris
- Destiny
- Give It Away
- Simple Things
- Red Dust
- Distractions
- In The Waiting Line
- Out Of Town
- This World
- Likufanele
- End Theme
- Salt Water Sound
- Spinning
Amazon.com
Zero 7's ability to conjure beautiful lullabies with all the romance of 1960s French pop (as found on their debut LP, Simple Things) would have made them the toast of soundtrack composers and chill-out connoisseurs the world over. Unfortunately, two Frenchmen beat Henry Binns and Sam Hardaker to the title of "masters of comedown cool," leaving the London duo to be forever called "the British Air." And this is fair; the similarities between Zero 7's lush cinematic soundscapes and those of Air's Moon Safari and the Virgin Suicides score are so strong as to sound almost intentional. Nonetheless, their debut is a truly gorgeous album. It has all the tried and tested atmospheric tricks--bleeps and whooshes layered over plodding Fender Rhodes chords, swathes of strings and tender trumpet parps--but it's Binns and Hardaker's languid grooves and the soft melancholy of their melodies that make dream-state instrumentals "Give It Away" and "Polaris" utterly enchanting. The real power of Simple Things, however, is in its songs. As beautiful as the ambient strains are, when laid beneath the seductive vocals of Australian diva Sia on the ethereal "Destiny" or the heart-breaking "Distractions," their potency becomes apparent. --Dan GennoeAlbum Description
2001 debut full length for dance act described as, 'the British Air', the follow-up to two limited, critically acclaimed EPs. Highlights include the awesome African influenced instrumental passage 'Likufanele', the velvety 'I Have Seen' feat. Mozez & the quiet storm of 'Destiny' feat. Sia. Quango.Customer Reviews:
Fantastic.......2007-04-05
My favorites in this album are "Destiny", "Distractions" (sublime) and "In the Waiting Line".
Fabulous.......2007-03-16
Fantastic.......2007-02-25
If you like downtempo and lounge house, this is for YOU!.......2007-02-18
No match for Air.......2007-02-01
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Beethoven - The Complete String Quartets / Alban Berg Quartet
Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D4J Release Date: 1999-11-16 |
Tracks:
- Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
- Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett
Tracks:
- Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
- Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
- Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
- Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
- Op. 135 In F Major: II: Vivace - Alban Berg Quartett
- Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
- Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett
Tracks:
- Op. 18 No. 3 In D Major: I. Allegro
- Op. 18 No. 3 In D Major: II. Andante con moto
- III. Allegro
- Op. 18 No. 3 In D Major: IV. Presto
- Op. 18 No. 5 in A Major: I. Allegro
- Op. 18 No. 5 in A Major: II. Menuetto & Trio
- Op. 18 No. 5 in A Major: III. Andante cantabile
- Op. 18 No. 5 in A Major: IV. Allegro
- Op. 95 In F Minor: I. Allegro con brio
- Op. 95 In F Minor: II. Allegretto ma non troppo
- Op. 95 In F Minor: III: Allegro assai vivace, ma serioso
Tracks:
- Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
- Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
- Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
- Op. 18 No. 4 In C Minor: IV. Allegro
- Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
- Op. 130 in B flat Major: II. Presto
- Op. 130 in B flat Major: III. Andante con moto, ma non troppo
- Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
- Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
- Grosse Fuge In B Flat Major, Op. 133
- Op. 130 in B flat Major: VI. Finale (Allegro)
Tracks:
- Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
- Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
- Op. 127 In E Flat Major: I: Maaestoso - Allegro
- Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
- Op. 127 In E Flat Major: III: Scherzando vivace
- Op. 127 In E Flat Major: IV: Finale
Tracks:
- Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
- Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
- Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
- Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
- Op. 131 In C Sharp Minor: II: Allegro molto vivace
- Op. 131 In C Sharp Minor: III: Allegro moderato
- Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
- Op. 131 In C Sharp Minor: V: Presto
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
Tracks:
- Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
- Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
- Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
- Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
- Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
- Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
- Op.132 In A Minor: III: Molto adagio - Beethoven
- Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven
Customer Reviews:
A wonderful Beethoven cycle.......2007-06-18
A LONG TIME COMING AT THIS PRICE .......2007-06-02
I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.
What more can be said?.......2007-02-03
With the Best of the Best.......2006-12-14
What sound problems????.......2006-11-14
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.
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Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RD78 Release Date: 2001-11-20 |
Tracks:
- Ave Maria (new recording)
- La Wally (from Time To Say Goodbye)
- Winter Light (new recording)
- Anytime, Anywhere (from Eden)
- Alhambra (new recording)
- Lascia Ch'io Pianga (from Eden)
- Dans La Nuit (new recording)
- Serenade/How Fair This Place (from La Luna)
- O Mio Babbino Caro (new recording)
- La Luna (from La Luna)
- Pie Jesu (new recording)
- Figlio Perduto (from La Luna)
- Nessun Dorma (new recording)
- Bailero (from Eden)
- Time To Say Goodbye (New solo version--previously unavailable)
Amazon.com
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah ChinAmazon.com
Sarah Brightman Photos
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
Sarah's Best Easy Listening CD.......2007-03-15
Best Brightman CD.......2007-02-07
Sarah Brightman is a Classic.......2007-01-02
Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
Nice Cover.......2006-12-27
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
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Classical Music for Children: A Toddler's Introduction to Classical Music
Manufacturer: Ent. Media Partners ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002XE8 Release Date: 1997-10-24 |
Tracks:
- Clair de Lune
- Eine kleine Nachtmusik: Romance: Andante
- Moonlight Sonata: Adagio sestonuto
- Minute Waltz
- On The Beautiful Blue Danube
- The Nutcracker Suite: Russian Dance
- El Amor Brujo: Danca del Terror
- Grand Valse Brillante, Waltz No. 1 op. 18
- Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
- Goldberg Variations: Aria
- The Nutcracker Suite: Chinese Dance
- Symphony No. 7: Allegro molto
- Symphony No. 94: Menuetto: Allegro molto
- The Nutcracker Suite: March
- Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile
Customer Reviews:
Awesome CD.......2007-05-11
He started dancing as soon as we put it on!.......2007-01-09
Better than baby einstein.......2006-02-26
great music at a great price.......2006-02-02
I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!
A Wonderful CD for all ages.......2002-11-03
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25 Beethoven Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058HX Release Date: 1996-08-20 |
Tracks:
- Egmont Overture - Ludwig Van Beethoven
- Symphony No. 5 In C Minor - Ludwig Van Beethoven
- Piano Sonata No. 21 In C Major - Alfred Brendel
- Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
- Piano Sonata No. 8 In C Minor - Jerome Rose
- Piano Sonata No. 23 In F Minor - Jerome Rose
- Symphony No. 6 In F Major - Ludwig Van Beethoven
- Symphony No. 7 In A Major - Ludwig Van Beethoven
- 'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
- Violin Concerto In D Major - Susanne Lautenbacher
- Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
- Piano Trio In B Flat - Mannheimer Trio
- Fse - Various Artists
- Quintet In E Flat For Piano And Winds - Abbey Simon
- 'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
- Piano Concerto No. 2 In B Flat - Alfred Brendel
- Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
- Piano Concerto No. 4 In G Major - Alfred Brendel
- Piano Concerto No. 5 In E Flat - Alfred Brendel
- Symphony No. 3 In E Flat - Ludwig Van Beethoven
- 'The Ruins Of Athens,' - Ludwig Van Beethoven
- 'Corolian,' - Ludwig Van Beethoven
- Ecossaise For Piano - Alfred Brendel
- Symphony No. 9 In D Minor - Ludwig Van Beethoven
- Symphony No. 9 In D Minor - Ludwig Van Beethoven
Customer Reviews:
Great for the road.......2007-05-11
Beethoven 25 Favorites.......2006-11-21
25 Beethoven Favorites.......2006-11-05
bEtHoVeN mAnIaC.......2005-11-03
Great Price...Not so good itself.......2005-05-19
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Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CNTLU Release Date: 2003-12-09 |
Customer Reviews:
Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
i can't take it anymore.......2007-06-02
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
Beethoven's symphonies.......2007-05-12
Great Historical Collection.......2007-05-07
Average customer rating:
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The Garden
Zero 7 Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FC2G8W Release Date: 2006-06-06 |
Tracks:
- Futures
- Throw It All Away
- Seeing Things
- The Pageant Of The Bizarre
- You're My Flame
- Left Behind
- Today
- This Fine Social Scene
- Your Place
- If I Can't Have You
- Crosses
- Waiting To Die
Amazon.com
"Upbeat" seems like an odd description of a recording that includes song titles like "Throw It All Away" and "Waiting to Die." Yet fans of Zero 7 (the English sound-design duo of Henry Binns and Sam Hardaker) will indeed discover that the group's third release exhibits a slightly more animated pace--more multitempo than downtempo--than its predecessors, the seductively trippy Simple Things and the like-minded When It Falls. Craving a follow-up to the breathy, interstellar soul of "Destiny" from the group's debut disc, or "Passing By" from When It Falls? You may struggle to find similar magic here. Even so, The Garden is an intriguing listen, showcasing the sophistication that makes Zero 7 the Steely Dan of chillout--wry, intelligent lyrical observations, inventive musicianship, a detached sense of cool forged by the duo's heady blend of folk, jazz, '70s soul, and electronica. The Kraftwerk-like "Seeing Things"--the disc's lone instrumental--and the pulsing "You're My Flame" are useful tracks to gauge this album's elevated vibrancy. Sia Furler is the group's only returning vocalist, and the absence of Sophie Barker and Tina Dico, the gentle Christine McVie counterpoints to Furler's rough-hewn Stevie Nicks, is noticeable. Mozez and his Seal-like soul is also gone, replaced by more folk/pop-oriented José Gonzãlez. Binns even spends 80 seconds as the quiet lead voice on the slow-building brass outburst "Your Place." Furler's up-and-down vocals on "The Pageant of the Bizarre" will stick in your mind, but her best work comes on two clever lampoons of pampered lifestyles, "This Fine Social Scene" and "Waiting to Die." (Sample lyric: "Now is a good time for tasty glass of wine; let's not worry ourselves about carbon dioxide.") Different, yes, but worthwhile. --Terry WoodAlbum Description
Zero 7, aka Sam Hardaker and Henry Binns, are back with a gorgeous new album, The Garden. It was produced by Sam and Henry and mixed by Phil Brown, who has worked with such luminaries as the Rolling Stones, Brian Eno and Talk Talk. It features vocal performances by Jose Gonzalez, Sia Furler and Henry Binns. The band's previous albums, Simple Things and When It Falls, were critically acclaimed and rooted them firmly alongside Royksopp & Lemon Jelly as leaders in their field. The Garden sees Zero 7 take a fresher, more upbeat musical direction while still maintaining their trademark sound, and could well turn out to be the soundtrack to the summer.Customer Reviews:
I really dig Zero 7.......2007-06-10
Different, yes, but excellent nonetheless..........2007-06-07
Songs like "Throw It All Away" and "This Fine Social Scene" exemplify the versatility of the band and will, most likely, provide a glimpse of future albums in a style more refined and cohesive than previously explored.
My review of The Garden.......2007-05-26
Great ambiance!.......2007-05-07
Very Little For Such Talent.......2007-04-05
thought it would be. I found it boring. The only song I liked was
"the Pageant of the bizarre"; it's truly Zero 7.
Average customer rating:
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Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GPX Release Date: 1996-01-23 |
Tracks:
- Symphony No. 5 In C Minor, Op. 67: 1 - Allegro con brio
- Symphonie No. 5 In C Minor, Op. 67: 2 - Andante con moto
- Symphonie No. 5 In C Minor, Op. 67: 3 - Allegro
- Symphonie No. 5 In C Minor, Op. 67: 4 - Allegro
- SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 1 - Poco sostenuto - vivace
- SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 2 - Allegretto
- SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 3 - Presto
- SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 4 - Allegro con brio
Amazon.com essential recording
Long regarded as the quintessential interpretation of the most popular and best-loved symphony ever written, this performance of the Fifth has everything: passion, precision, drama, lyric beauty, and a coiled fury in the first movement that sets your pulse racing from the very first note. Carlos Kleiber has made very few recordings in his distinguished career, but almost all are special. If you own no other copy of this symphony, this is the one to get. It comes with an exceptional performance of the Seventh--not quite as gripping as the Fifth, but definitely one of the great ones. There is classical music, and there are classic recordings of classical music. This one's a classic. -- David HurwitzCustomer Reviews:
Unsatisfactory audio quality.......2007-07-13
Kleiber does Beethoven...and does it right!.......2007-07-12
This is the best rendition of Beethoven's 5th Symphony I've ever heard. It has a continuous pace and energy that I've seldom heard when listening to this piece before.
Beethoven's 5th has often described as "fate knocking at the door". Well Kleiber's interpretation still has fate knocking at the door, but urgently... very urgently, and with the utmost positive effect. (I somehow envision the musicians lathered in sweat and collapsing from fatigue at the end of this piece).
This disc also has Beethoven's 7th Symphony; it too is very well done and, on any other CD, would be the focal point of attention.
A great CD; one to be considered in anyone's collection of classical music.
5 Stars.
R. Nicholson
a legendary recording.......2007-03-06
Even Beethoven legends like Karajan could not emulate Kleiber's success with these 2 symphonies. The 5th Symphony, as commercially overplayed as it is, becomes something completely different under his baton; the final movement is especially dramatic, rivaling the energy of an actual live recording. The 7th Symphony is not so superior - other conductors have come closer to this benchmark - but the 2nd movement (again overplayed) is truly something special. The recording, made over 30 years ago, sounds just as good as anything made today.
With 100+ recordings, my review seems somewhat superfluous, as well :)
Simply revelatory.......2007-02-12
An ultimate Beethoven interpretion of Sym 5 and Sym 7.......2007-02-06
Average customer rating:
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Chopin: Favorite Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427J Release Date: 1996-02-13 |
Tracks:
- Grande Valse brillante, op. 18
- Fantaisie Imprpmptu, Op. 66
- Nocturne In E flat Major, Op. 9 No. 2
- Waltz In A Minor, Op 34 No. 2
- Mazurka In D Major, Op. 33 No. 2
- Scherzo In B Flat Minor.D Flat Major, Op. 31
- Waltz In A flat Major, Op 69 No. 2
- Nocturne In F Sharp Major, Op. 15 No. 2
- Waltz In B Minor, Op. 69 No. 2
- Ballade In G Minor, Op. 23
- Mazurka In B Flat Major, Op. 7 No. 1
- Waltz In G Flat Major, Op. 70 No. 1
- Nocturne In B Major, Op 32 No. 1
- Polonaise In A Flat Major, Op. 53
Tracks:
- Ballade No3 In A Flat Major Op.47
- Prelude In C Sharp Minor, Op. 45
- Waltz In D Flat Major, Op. 64 No. 1 'Minute'
- Waltz In C Sharp Minor, Op. 64 No.2
- Etude In C Minor, Op. 10 No. 12 'Revolutionary'
- Etude In G Flat Major, Op.10 No.5 'Black Key'
- Nocturne In F Minor, Op. 55 No.1
- Polonaise In A Major, Op. 40 No. 1 'Military'
- Barcarolle In F Sharp Major, Op. 60
- Prelude In D Flat Major, Op.28 No. 15 'Raindrop'
- Etude In A Minor, Op. 25 No. 11 'Winter Wind'
- Etude In E Major, Op. 10 No. 3 'Tristesse'
- Scherzo No.3 In C Sharp Minor, Op.39
Customer Reviews:
Why are you waiting?.......2006-12-16
(Btw, Ashkenazy vs. Davidovich re. the impromptus is a toss up. But since the impromptus aren't on this disc, you can make that critical decision another time.)
Ashkenazy's scherzo #2 (op. 31) IS the best. Period. Other interpretations that your favorite classical music station may substitute are downright lame.
The rest are basically sublime. The first and 4th ballades will send shivers up your spine by Vlad's sheer technical ability. His artistry is second to none.
Chopin: Favorite Piano Works.......2006-07-25
Chopin: Favorite Piano Works (London 2 CD).......2006-02-24
chopins Mazurkas.......2005-08-08
REST FOR THIS WEARY SOUL.......2005-03-09
If you love Chopin, as I do, buy this recording it will sooth your soul as only great music can.
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