Love, Laugh & Live

1. My Heart's Got a Mind of Its Own

2. It's You - Holiday Band

3. Wonderful Woman

4. What We Gonna Do About That

5. Somebody Knew I Needed Love

6. I'm Gonna Love You - Band of Oz

7. Somebody to Love - Coastline Band

8. Can't Help Loving (The One Who Is Loving Me) - Jennifer Licko

9. Unchained Melody

10. Walkin' After Midnight

11. Down for Your Love

12. Love Laugh & Live

13. Body and Soul - Heart & Soul Orchestra

Love, Laugh & Live,Various Artists,One20,Pop,Rock/Pop Collections,V/A Compilations

Average customer rating: the perfect movie I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!! Wonderful Soundtrack to a Wonderful Movie Great CD musical memories

Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition) Nacio Herb Brown , Gene Kelly , and Arthur Freed Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Similar Items: Singin' in the Rain (Two-Disc Special Edition) An American in Paris (1951 Film Soundtrack) Easter Parade: Original Motion Picture Soundtrack Seven Brides for Seven Brothers (1954 Film Soundtrack) M-G-M's Brigadoon: Original Motion Picture Soundtrack (1954 Film) ASIN: B00006JOF3 Release Date: 2002-10-01

Tracks:

1. Main Title/Singin' In The Rain - Gene Kelly
2. Fit As A Fiddle (And Ready For Love) - Gene Kelly
3. Tango (Temptation) - MGM Studio Orchestra
4. All I Do Is Dream Of You - Debbie Reynolds
5. All I Do Is Dream Of You (Outtake) - Gene Kelly
6. Make 'Em Laugh - Donald O'Connor
7. Beautiful Girl Montage - MGM Studio Orchestra & Chorus
8. Beautiful Girl - Jimmie Thompson
9. You Were Meant For Me - Gene Kelly
10. You Are My Lucky Star (Outtake) - Debbie Reynolds
11. Moses - Gene Kelly
12. Good Morning - Gene Kelly
13. Singin' In The Rain - Gene Kelly
14. Would You? - Betty Noyes
15. Broadway Melody Ballet - MGM Studio Orchestra & Chorus
16. Would You? End Title - Gene Kelly
17. Singin' In The Rain (In A-Flat) - Debbie Reynolds
18. Finale - Gene Kelly
19. Main Title (Alternate Version) - MGM Studio Orchestra
20. Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
21. Would You? (Unused Version) - Debbie Reynolds
22. Would You (Duet) (Unused Version) - Gene Kelly
23. Beautiful Girl (Unused Original Version) - Jimmie Thompson
24. Singin' In The Rain (Alternate Vocal) - Gene Kelly
25. Should I (Unused Instrumental) - MGM Studio Orchestra

Tracks:

1. The Broadway Melody - Charles King
2. You Were Meant For Me - Charles King
3. The Wedding Of The Painted Doll - James Burroughs
4. Singin' In The Rain - Cliff Edwards
5. Should I - Charles Kaley
6. Beautiful Girl - Sam Ash
7. All I Do Is Dream Of You - Gene Raymond
8. Broadway Rhythm - Frances Langford
9. I've Got A Feelin' Your Foolin' - Robert Taylor
10. You Are My Lucky Star - Marjorie Lane
11. Would You - Jeanette MacDonald
12. Good Morning - Judy Garland
13. Singin' In The Rain - Judy Garland
14. All I Do Is Dream Of You - Judy Garland
15. Dignity - MGM Studio Orchestra
16. Stunt Montage (Extended Version) - MGM Studio Orchestra
17. First Silent Picture (Extended Version) - MGM Studio Orchestra
18. Have Lunch With Me - MGM Studio Orchestra
19. Dancing On A Rainbow - Arthur Freed
20. Singin' In The Rain (Radio Broadcast) - Arthur Freed
21. Broadway Melody Ballet (Original Version) - Gene Kelly

Amazon.com

A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulley

Album Description

The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.

Customer Reviews:

the perfect movie.......2007-03-10

My old Gene did it: the perfect movie, the perfect american history, the perfect music. Some people think musicals are "B" movies. I say them: look about the dream, the performance, the music.
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.

I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28

I love Singin' in the Rain. It was the movie that made me like musicals, not those simple, mellow movies like South Pacific and the Sound of Music, but REAL musicals, with people like Fred Astaire or Eleanor Powell tapping their hearts out, or great singers like Frances Langford or Dick Powell putting over a song like they mean it.The Singin' in the Rain 2disc special edition introduced me to my favorite movie, the Broadway Melody of 1936, the MOST AMAZING MOVIE EVER! So I was so glad when my parents got me the soundtrack to Singin' in the Rain, and besides the music of the 1951 versions of the Nacio Herb Brown/Arthur Freed, there are also the original versions of the songs in their original movies. I am so glad that Rhino put the duet of Robert Taylor and June Knight singing I've Got a Feelin' You're Foolin' on this CD set! It's my favorite song, and now I can listen to it! Hooray!! It's the best song EVER!! There's also vocals of Charles King singing the Broadway Melody, which is great! And many more, like Bing Crosby, Frances Langford, Jeanette MacDonald, and other great singers I can't think of right now. This CD set is great, the sound is nice and un-staticy (mostly), there are 30-plus songs, and the price is phenomenal. I love my favorite song, and now I can listen to it all day long!! Yay! :)

Wonderful Soundtrack to a Wonderful Movie.......2006-06-16

Yes, this is it--the first real musical I ever saw. Okay, I saw "Wizard of Oz" and "The Sound of Music", and I love both of those musicals dearly. I had even seen "My Fair Lady." I thought musicals were all like those. Until this one. I had never seen such dancing. And this CD causes me to relive the joy of the musical each time I listen to it. Complete with the tap sounds. I love that they included even the deleted songs. Now we just need a DVD that has all the deleted scenes in context. But the studio probably threw all those away. Oh well, our imaginations can take care of what is missing.

Great CD.......2006-03-20

This is a great CD of music for your family to listen to. Our family enjoys it very much.

musical memories.......2006-03-14

I enjoyed this CD very much, as I remember seeing the movie years ago. I grew up watching MGM musicals and this was one of the best. I loved all of the wonderful songs that came from this movie. Great sound on this CD.

Average customer rating: Live, Laugh, Love His best CD to date! He did it again! Great songs from a great artist! Clay Walker's Live, Laugh, Love

Live, Laugh, Love Clay Walker Manufacturer: Giant Records / Wea ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Similar Items: Rumor Has It Hypnotize the Moon Clay Walker Say No More Clay Walker - Greatest Hits ASIN: B00000IXUN Release Date: 1999-08-24

Tracks:

1. She's Always Right
2. Lose Some Sleep Tonight
3. Holding Her And Loving You
4. Cold Hearted
5. If A Man Ain't Thinking ('Bout His Woman)
6. Once In A Lifetime Love
7. It Ain't Called Heartland (For Nothin')
8. Woman Thing
9. This Time Love
10. The Chain Of Love
11. Live, Laugh, Love

Amazon.com

Clay Walker is an eminently likeable country singer who appears to have sold 6 million records largely on his likability. Not that he is without talent. He may look like a standard-issue "hat" act, but his voice is a cut above. With new producer Doug Johnson he has set out to place his voice front and center, a good idea with mixed results. On cuts like the rocker "Cold Hearted" and the R&B-style ballad "This Time Love," Walker cuts his considerable pipes loose in a way rarely heard in commercial country fare. Sadly, too much of the other material gives him little to do with this marvelous instrument, and the sound occasionally masks the subtle vocal twists at which Walker is so adept. Live, Laugh, Love isn't overproduced--steel guitars have replaced many of the pop keyboards present in his previous work and the record has an authentically loose and relaxed feel--but there are too many forced hooks and forgettable melodies. --Michael Ross

Customer Reviews:

Live, Laugh, Love.......2006-07-19

I like this cd. I love the song Live, Laugh, Love. It is a upbeat and fun song. It is the main reason I brought this cd.

His best CD to date!.......2001-11-08

While I've been a fan of Clay and his music from the first CD, Live, Laugh, Love presents a man who is obviously in absolute control of his voice and who he is as an artist.

While the song selection is even better than before, Clay takes his voice into territory that few male country artists even dare think about. Most importantly, it's not just for show. He uses his power when it fits the song. For example check out the way he keeps building "If A Man Ain't Thinking ('Bout His Woman)" and "Once In A Lifetime Love". Just when we think he can't take his vocal performance any higher, he effortlessly proves us wrong. And, in case you may be thinking this is "studio magic", we've heard him live. Have you ever heard an artist who is even better live? Clay hits his recent hits note for note and turns in even more powerful performances on his old standards.

Clay also demonstrates his knack for choosing love songs with a twist like "She's Always Right", "Lose Some Sleep Tonight" and "Woman Thing". And of course he's still able to teach a life's lesson with the heartfelt, "The Chain of Love." Overall, there is not a bad or marginal song on this CD. That's why we have renamed it "Greatest Hits 2"

Editor, eCowboy.com

He did it again!.......2000-10-13

As a country music fan, I started listening to Clay when I started listening to country in 1993. Each album tops the last. He's got a traditional sound with a great pop twist. His love songs are beautifully written, as well as performed. The more I listened to his music, the more I loved it. You can hear the heart and soul he puts into every song. He's the complete package. He loves performing, he's a devoted husband and father, and he is genuine. All of which makes him sexy. I spoke with the DJ in charge of events at the biggest country station in the mid-atlantic. He said out of all the music artists he spoke with and met, Clay was the easiet to talk to. He loves what he does, and it shows. If you love music with heart, Clay is definitely the way to go!

Great songs from a great artist!.......2000-10-06

If you love classic country like Alan Jackson and George Jones you will love this cd. The tracks are filled with traditional themes with a little modern flair.

Clay Walker is a great country singer and performer.

Clay Walker's Live, Laugh, Love.......2000-09-15

The one song "The Chain of Love" is worth buying the whole album. One reviewer describes it as amazing, and I agree. It is the most remarkable song about a man who is not selfish and helps people (whether poor or wealthy) in need, a man named Joe. It is very applicable to the modern world of car breakdowns, and yet it has an eternal truth from Biblical times whose parallel is amazing. I'd vote for Joe in the coming election, whether he's losing or winning in popularity, and I think that the chain of love will win in the only judgement that really counts.

Osher Doctorow

Average customer rating: Patinkin Live Sondheim recital Also a very dissapointed fan Adequate performance; poor entertainment a very disappointed fan

Sings Sondheim Mandy Patinkin Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Dress Casual Mandy Patinkin Experiment Oscar & Steve Kidults ASIN: B00006JP2C Release Date: 2002-10-29

Tracks:

1. Opening
2. Lesson #8
3. Another Hundred People
4. When?
5. Someone Is Waiting
6. Johanna
7. Green Finch and Linnet Bird
8. Pretty Women
9. Finishing the Hat
10. If You Can Find Me, I'm Here
11. Live, Laugh, Love
12. Live Alone and Like It
13. Everybody Says Don't
14. Rich and Happy, Part 1
15. Our Time
16. Broadway Baby
17. Rich and Happy, Part 2
18. Uptown, Downtown
19. Liaisons
20. Send in the Clowns
21. Live, Laugh, Love (reprise)
22. You Could Drive a Person Crazy

Tracks:

1. Free
2. Company
3. Waiting For The Girls Upstairs
4. Pleasant Little Kingdom/Too Many Mornings
5. Not While I'm Around
6. All Things Bright and Beautiful
7. It Takes Two
8. In Someone's Eyes
9. Beautiful
10. Losing My Mind
11. Take the Moment
12. Sunday

Amazon.com

Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth Vincentelli

Customer Reviews:

Patinkin Live.......2007-07-19

I am a huge Mandy Patinkin fan, and this is, without a doubt, one of the best CDs in my collection. The transitions between songs are excellent and seamless, plus the song selection was top-notch.

Sondheim recital.......2007-01-22

Probably the best way to approach these disks is to treat them like a recital in a concert hall. Rather as you would listen to a Schubert or Schumann song cycle. Taken together this way, we come to hear Sondheim as one of our finest composers, serious, comic, manic, depressive, always dead on target no matter what the subject matter. And Patinkin is perfect for these songs; he understands the meaning and value of every note and every word, just as a fine concert singer would do, and he makes his listeners understand, too. One of the most intriguing concept albums in recent memory, and a joy all the way through. Bob Finley, Palm Springs, CA.

Also a very dissapointed fan.......2003-08-22

I too LOVE Mandy and Stephen Sondheim and own just about everything both has ever made! I also have been to 6 of Mandy's live performances. This was truly a big dissapointment to me. Every concert I have seen Mandy in has been filled with emotion and his personality just grabs hold of you for an evening of wonderful escape-ism. This to me was very un-entertaining and I actually became irritated after awhile of listening to it. It seemed to drone on with out the wonderful feelings and emotions and soaring voice that Mandy typically puts into his music. I gave this as a gift too (since my friend and I had missed Mandy at his Sondheim review in DC last year) and felt badly that I had. There are so many other great recordings of Mandy...Kidults, Saturday in the Park with George, The Secret Garden, Mandy sings Rogers & Hammerstien and Sondheim. This one has just sat on my shelf after I played it through twice hoping to warm up to it...while my other recordings are very worn out with years of playing!

Adequate performance; poor entertainment.......2003-05-04

I received this disc the same day a "Philip Quast Live at the Donmar". The Quast disc has its own flaws (and I dont wish to compare the two performers) but it has been strung together in a more thoughtful manner, with witty imagination and using a more dangerous in the choice of songs, which is really where this disc fails. The songs here are generally enjoyable though rather standard, and the lack of cohesion (running the songs together doesnt count) means I just dip into the discs listening to a few favourites, rather than enjoying the whole show.

a very disappointed fan.......2003-02-05

I have every recording Patinkin appears on, even if he's only on one track; I adore his voice, his flair, his emotion, his ability to deliver a song.

But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).

And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.

Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.

I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been

Average customer rating: Great set of wartime rarities Cure for the Blues Standard Transcription Collection

(Not) Your Standard Spike Jones Collection Spike Jones Manufacturer: Collector's Choice ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Miscellaneous | Styles | Music General | Comedy | Miscellaneous | Styles | Music Contemporary Comedy | Comedy | Miscellaneous | Styles | Music Novelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Similar Items: Strictly for Music Lovers Fonk Spike Jones - Greatest Hits Spiked!: The Music of Spike Jones The Spike Jones Story ASIN: B00007JR3K Release Date: 2003-04-08

Album Description

Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Customer Reviews:

Great set of wartime rarities.......2003-05-14

Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

Cure for the Blues.......2003-04-25

Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Standard Transcription Collection.......2003-04-12

This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.

Average customer rating: Abe Schwartz -- King of Yiddish Music Old-Time American Roots Klezmer Music Joy, Joy, Happy, Happy Close your eyes and you're at a Jewish wedding Time warp

Klezmer King Abe Schwartz Manufacturer: Sony ProductGroup: Music Binding: Audio CD Jewish & Yiddish Music | Folk | Styles | Music Klezmer | Folk | Styles | Music General | International | Styles | Music General | Rock | Styles | Music Similar Items: The King of the Klezmer Clarinet Yiddish-American Klezmer Music 1925-1956 Tanz! With Dave Tarras and the Musiker Brothers Klezmer: Early Yiddish Instrumental Music 1908-1927 From Avenue A to Great White Way 1914-1950 ASIN: B000066401 Release Date: 2002-04-30

Tracks:

1. Russishe Shehr - Abe Schwart'z Orchestra
2. Ch'Sidishe Nigunim (Hasidic Melodies) - Boibriker Kapelle
3. Die Reize Nuch Amerika (The Trip To America) - Abe Schwartz's Orchestra
4. Die Greene Cousine (The Greenhorn Girl Cousin) - Abraham Moskowitz
5. Russian Scissors - Oriental Orchestra
6. Dovid'l Bazetzt Die Kalleh (Little David Seats The Bride) - Dave Tarras
7. Gelebt Und Gelacht (Live And Laugh) - Phillip Greenberg
8. T'Kias 'Shofer Blosen' (Blowing The Ram's Horn) - Sam Beckerman
9. Hurra! Far Unzer Held Levine (Hurray! For Our Hero Levine) - Irving Grossman
10. Der Shtiller Bulgar (The Quiet Bulgar) - Jewish Orchestra
11. Roumanian Doina - Abe Schwartz & His Daughter, Miss Schwartz
12. Zorg Nit Mama (Don't Worry, Mama) - Abe Schwart'z Orchestra
13. Hora Midor De Romania (Roumanina Hora) - Unknown Orchestra
14. Nit Die Hagode, Nor Die Kneidlech (Not The Haggadah, But The Matzo Balls) - Abraham Moskowitz
15. Frauen Liebe (Lady Love) - Abe Schwartz Orchestra
16. Akdomes Un Af B'ri (At The Beginning And Daybreak) - Boibriker Kapelle
17. Roumeinishe Doina - Naftule Brandwein
18. Der Automobile - Morris Goldstein
19. Yosel - Abe Schewartz's Orchestra
20. A Galitzianer Tenzil (Galician Dance) - Sam Beckerman
21. Die Boibriker Chasseneh - Pt. 1 (The Boibrik Wedding) - Boibriker Kapelle
22. Russian Sher - National Dance - Russkij Orkestr 'Novinka'
23. Mameniu, Liubeniu (Mama, My Beloved) - Abraham Brandwein
24. Fihren Di Mechutonim Aheim-Tanz (Escorting The Parents Of The Bride And Groom Home) - Naftule Brandwein
25. Lebedig Un Frehlach (Lively And Happy) - Abe Schwartz's Orchestra

Amazon.com

It would be impossible to overstate Abe Schwartz's influence on the development of klezmer music in America. He was a fine violinist and pianist, an excellent composer, an arranger who added modern instruments like saxophones and banjos to the Old World sound, and a bandleader with a nose for talent who helped launch the careers of Dave Tarras and Naftule Branwein, among others. The Klezmer King collects 25 tracks from the 75 or so sides that Schwartz recorded for Columbia between 1917 and 1935. Schwartz was remarkably versatile, and the selections include traditional dance tunes like "Roumanian Doina," Yiddish pop tunes such as "Die Greene Cousine," which was later a hit for Benny Goodman as "My Little Cousin," and sly social commentary like "Der Automobile." Also here are three versions of the old melody "Russian Sher," which were recorded in 1917, 1927, and 1935. Listening to them, you can trace Schwartz's style as it evolves from its European roots to a more American version of klezmer. The sound quality of these rare recordings is outstanding; there are almost no clicks, pops, or hiss to mar the music. The Klezmer King is an essential recording from one of the pioneers of New World klezmer. --Michael Simmons

Customer Reviews:

Abe Schwartz -- King of Yiddish Music.......2007-02-22

Abe Schwartz was an American klezmer pioneer who discovered such talents as Dave Tarras and Naftule Brandwein as well as inspiring the contemporary klezmer revival bands. Don't miss this collection of his original recordings.

Old-Time American Roots Klezmer Music.......2004-04-15

Abe Schwartz and his orchestra developed and defined klezmer music in America from the mid-1920s up until the 1940s and early '50s. If the beginning sounds of American roots klezmer music is of interest, this is the CD you want. I find that half-way through, my mind wanders. It sounds too schmaltzy for me. I love Central European and Balkan style music ... this CD has diluted versions of this styling. This CD contains Central/East European "cross over" music that is becoming Americanized. In reality it is not quite either, besides the violin, there is the requiste clarinet, other instruments are saxaphone, tuba, piccolo, alto sax, bass sax, drums, and other percussions. The music occasionally sounds like a Balkan Brass band ... fortunately the longing and nostalgia of the klezmer sound, the Jewish roots are evident in all the tracks. The 'sher', 'doina', and 'hora' are types of dance music played by this famous composer, bandleader, and fiddler. My favorite is "Escorting the Parents of the Bride and Groom Home" ("Fihren Di Mechutonim Aheim-Tanz') which features Naftule Brandwein on the clarinet. His improvisations and glissandos are brilliant. The famous klezmer clarinetist, Dave Tarras, is also featured on many of these recordings. "Hasidic Melodies" ("Ch'sidishe Nigunim") is one of my favorite examples of his playing. His command of the clarinet and the creative musical phrasing is phenomenal. "The Greenhorn Girl Cousin" ("Die Green Couisine") is famous for the music, lyrics, and message which brought to the public's attention the bad working conditions in the sweatshops, the first job of immigrants arriving in the USA. It is a catchy tune with Abe Schwartz featured on the violin and Abraham Moskowitz singing the vocals. Spin-offs of this song were written by many including one by Benny Goodman. Overall, if discovering and investigating early klezmer roots music is your goal, this CD will meet your criteria with highest expectations. Otherwise, give me "The Klezmatics", "The Klezmer Conservatory Band" or any modern klezmer group which expresses the music in a more explosive and exciting manner. For me, the modern sound is much more appealing than the early roots which is on this CD. Erika Borsos (erikab93)

Joy, Joy, Happy, Happy.......2004-02-05

I came to Klezmer music via Izaak Perlmann's "In the Fiddler's House," which is one of my all time favorite CDs. I'm just learning about the genre, via other Amazon reviewers, so have just recently arrived at this and other "Klezmer roots" CDs (Dave Tarras, as another reviewer mentions, is also excellent). It's just exceedingly harmonious, well orchestrated, tightly knit music, transported from the old world to the new. The tradition lives on, and an increasing number of us goyim are coming to appreciate it. Sound quality, these can't compete with modern recordings like those of the Klezmer Conservatory Band, or the Klezmatics, but it will definitely give you an idea of where they learned from. Mazaltov!!

BK

Close your eyes and you're at a Jewish wedding.......2003-03-31

If you've ever heard new groups like the Yiddish Cup Klezmer Band and The Klezmatics and marveled at how they got all those great old tunes, look no further. Abe Schwartz, the Klezmer King is now available on CD. Before this, 78 RPM records these were remastered from was the only place you could hear him.

The Klezmer King album is old, both in sound and style. But keep in mind that clarinet klezmer is more of an American thing. This music is a generation or two removed from the original originals. Songs called Russian Sher and Roumanian Doina indicate that, just like today, wedding musicians from the old country were jamming the hits of the day as well as the "Jewish" stuff.

But it was guys like Schwartz, Dave Tarras and the Musiker Brothers, whom the new wave learned from. But unlike the younger versions, these melodies don't seem to have jazz-like improvisation. They are straight ahead rollickers, heavy on catchy rhythm and melody. There are a total of twenty-five tracks on the album and most are short and fast.

The instruments employed are the violin, played by Schwartz, the clarinet and horns. The beat is so danceable that you forget there's no percussion. That's traditional, because back in the old country, if the klezmorim had any percussion at all it was just a bass drum.

For you Yiddish speakers, The Klezmer King is not all instrumental. There are tracks that start with lively shouts as well as straight singing pieces like Mameniu Liubeniu or the satirical Hurra Far Unzerheld Levine.

Then there's Die Bolbriker Chasseneh, which has Schwartz introducing a bride and groom in between slow music. He raises his voice, half speaking and half singing in rapid-fire Yiddish. Then he gasps out that the couple is now officially married and the band breaks into fast, bouncy jamming. Close your eyes and you can imagine you're one of the guests. That goes for most of the tunes here.

If you didn't know the difference between a bulgar and freilach and nigun before, you better start learning. Abe Schwartz taught long of young folks about what it takes to be a king of klezmer. Companion CDs of Dave Tarras and the Musiker Brothers are available from Legacy Recordings.

Time warp.......2002-08-11

Listening to the 25 old but timeless cuts on this set of remastered Yiddish greats provides many layers of enjoyment. In hearing these long-forgotten tunes, one enjoys clarinet and violin strains influenced by ancient melodies and traditions. And some will recognize varied renditions of old favorites. The 6th cut, for example, Dovid'l Bazetzt die Kalleh, is engrained into my memory from Jewish Music, a Benedict Silberman recording, circa 1955, of Yiddish orchestrations.

The music is all decidedly Eastern European. The Roumanian Doina, for example, played by Abe Schwartz (violin) and his daughter, strongly resembles the brilliant Rom music generated by the same region.

No wonder. Born in Bucharest, Romania, Abe Schwartz (1881-1963) emigrated to the U.S. with his parents in 1899 and became the most influential composer, fiddler and bandleader to shape and define modern U.S. klezmer groups. He arrived in the musical establishment via an acquaintance from small jobs with David Nodiff, a part-time composer and so-called A&R (for artist and repertoire) man for Columbia Records, who helped bring klezmer and other ethnic musicians to record companies. Nodiff hired Schwartz in 1917 to find new Jewish talent and head up instrumental recording sessions.

This recording provides some of the time and style progression of Yiddish American music from 1917, when Schwartz recorded Russian Scissors for Columbia with the Oriental Orchestra. In 1927, he recorded the same tune again as Russishe Shehr, in a brassier rendition played by his own orchestra. Still a later 1935 version can be heard in Russian Sher National Dance, the 22nd cut, recorded with the Orkestr Novinka. (And that is the most recent recording here.) The musical and stylistic progressions from 1917 and 1918 through 1935 are admirably explained in an accompanying 8-page pamphlet.

This is not the jazzy stuff many will remember from the 1940s and 1950s. It came before the Barry Sisters, before Naftule Brandwein and Dave Tarras. Abe Schwartz was their mentor.

What you get here is a time warp, filled with early 20th century Jewish musical genius. Alyssa A. Lappen

Average customer rating: Wonderful

Live, Laugh, Love Daniel O'Donnell Manufacturer: Rosette ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music Britain | British Isles | Europe | International | Styles | Music Ireland | British Isles | Europe | International | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Folk | Imports | Stores | Music Similar Items: Dreaming Songs of Faith Welcome to My World Daniel in Blue Jeans ASIN: B00005T7XN Release Date: 2002-07-03

Tracks:

1. Live, Laugh, Love
2. Somewhere Under the Sun
3. Green, Green Grass of Home
4. On the Other Hand
5. Waltz Across Texas
6. Among the Wicklow Hills
7. Only This Moment Is Mine
8. All I Want Is You
9. Don't Say Love
10. One More Time
11. I Can't See Me Without You
12. Rosa Rio
13. I Will Think of You
14. Thank You for Loving Me
15. Roads of Kildare
16. Belfast - David Downes, Noel Kelehan, , Daniel O'Donnell

Album Description

The popular Irish vocalist's 2002 album features 16 tracks including the Curly Putman classic 'Green, Green Grass Of Home', along with 'Waltz Across Texas' (Ernest Tubb cover), 'I Can't See Me Without You' (Conway Twitty cover) & many more. Rosette.

Album Details

The Irish Tenor Presents Another Grand Collection of Easy Listening Favorites. His Fanbase is Homegrown and Expands at a Geometric Pace with Every Passing Year.

Customer Reviews:

Wonderful.......2002-09-14

My sister and I first heard of Daniel on PBS special. We feel he puts heart and soul into his music. He reminds us of the country singers we grew up listening to, like Ray Price, Don Helms, Sonny James, etc. My sister always stated no one could take Elvis' place with her until she heard Daniel, now she rates him above Elvis. We are planning a trip to Branson in November to see Daniel

Average customer rating:

A.E. Housman: A Shropshire Lad, Complete in verse and song Alan Bates , Anthony Rolfe Johnson , and Graham Johnson Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B00005S85Q Release Date: 2001-12-11

Average customer rating:

No Love Ever Goes to Waste Manufacturer: Cactus ProductGroup: Music Binding: Audio CD General | Easy Listening | Pop | Styles | Music ASIN: B000CA7N2G Release Date: 2002-03-12

Average customer rating:

Comedy Classics From Hammer Films Manufacturer: GDI ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music ASIN: B00002MU7C Release Date: 1999-01-01

Tracks:

1. It's a Great Life on the Buses [On the Buses Theme]
2. End Credits (On the Buses)
3. Theme (Mutiny on the Buses)
4. Arriving at the Holiday Camp [Holiday on the Buses]
5. Stan's Mystery Tour [Holiday on the Buses]
6. Blakey's Dance Contest [Holiday on the Buses]
7. Love Thy Neighour
8. Quiz [Love Thy Neighour]
9. Cruise [Love Thy Neighour]
10. Theme (Up the Creek)
11. Man About the House [Man About the House Theme]
12. Larry and Jo [Man About the House Theme]
13. Robin and Chrissy [Man About the House Theme]
14. Chase to Thames Television [Man About the House Theme]
15. Theme (George and Mildred)
16. George and Mildred Arrive at the Caf
17. George vs Jacko [George and Mildred]
18. Chase [George and Mildred]
19. Finale and End Credits (George and Mildred)
20. Theme (Furthur Up the Creek)
21. Nearest and Dearest: Nearest and Dearest (Title Song)
22. More You Laugh [Nearest and DeArest]
23. Rising Damp
24. Picnic [Rising Damp]
25. Love Wood [Rising Damp]
26. Rigsby and Miss Jones [Rising Damp]
27. Miss Jones Awaits Rigsby [From "Rising Damp"]
28. Theme (I Only Arsked)
29. Alone Together [I Only Arsked]
30. Opening Scenes (That's Your Funeral)
31. Opening Credits (That's Your Funeral)
32. Race of the Hearses [That's Your Funeral]
33. End Credits (That's Your Funeral)

Album Details

Themes and Tunes from Classic Comedies. Includes: One the Buses, Love Thy Neighbour, Rising Damp, George and Mildred, Man About the House.

Average customer rating: Age breeds a shining moment Nice but dismissable. Disappointing by Quartet West standards If you breathe and have ears, buy this record! A Night and a Lonely Town

The Art of the Song Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Haunted Heart Now Is the Hour Always Say Goodbye Nocturne American Dreams ASIN: B00000JNMR Release Date: 1999-07-27

Tracks:

1. Lonely Town
2. Why Did I Choose You
3. Moment Musical Opus 16 No.3 In B Minor
4. In Love In Vain
5. Ruth's Waltz
6. Scenes From A Silver Screen
7. I'm Gonna Laugh you Right Out Of My Life
8. You My Love
9. Prelude En La Mineur
10. The Folks Who Live On The Hill
11. Easy On The Heart
12. Theme For Charlie
13. Wayfaring Stranger

Amazon.com

Bassist Charlie Haden was an integral part of Ornette Coleman's pioneering avant-garde groups in the '50s and '60s and led his own equally forward-thinking Liberation Music Orchestra. His ensemble Quartet West, with tenor saxophonist Ernie Watts, drummer Larance Marable, and pianist Alan Broadbent, revealed a sentimental side of his musical personality that surprised many. This recording, with string arrangements by Broadbent, sounds like a soundtrack to a Raymond Chandler film as Haden's sturdy bass tones make him a worthy supporting actor. But although Shirley Horn's ethereal voice sparkles on "Lonely Town," "In Love in Vain," and "I'm Gonna Laugh You Right Out of My Life," and crooner Bill Henderson's towering pipes are radiant on "Why Did I Choose You," "Ruth's Waltz," "You My Love," and "Easy on the Heart," all of the material is in pretty much the same ballad tempo, which, compounded by the time length of the CD, robs it of the romantic resonance it could truly shine on the listener. --Eugene Holley Jr.

Customer Reviews:

Age breeds a shining moment.......2003-11-20

The criticisms miss the point. This is an effort that does a rare thing - it brings together men and women who can put the experience of life to judicious use in their art. Unlike listening to the deterioration other performers have faced, in later years, at the hands of studio production teams that no longer know what to do with them, Charlie Haden has found a way to create a beautiful volume of space in which to let the years of these venerated performers shine through. It is in this space you shall hear the notes of lives lived and savored.

Nice but dismissable........2001-08-09

Haden's pleasant miscellany of neglected but deserving ballads is indeed a mixed bag, but somehow his focus, purpose, and method elude this listener. Neophyte writers are frequently enjoined to compose with a sharp, definitive, unified "thesis." Haden could have used a bit of coaching along these lines before producing this collection. Even drawing upon a common composer (as opposed to ranging from Kern to Rachmaninoff to public domain) might have provided the needed coherence to the project.

In any case, it's always a welcome experience to hear Shirley Horn; the revival of a touching ballad like "In Love in Vain" merits our appreciation; and though I was never a big fan of Bill Henderson (an acquired taste), he deserves to be recorded based on the evidence of this recording.

In sum, this album is more than anything else a "sampler" and should have been priced accordingly.

Disappointing by Quartet West standards.......2001-05-09

The outstanding Quartet West album is 'Always Say Goodbye'. On that CD, Broadbent demonstrates his skills at orchestral arrangement, and Haden deftly selects great oldies to intermingle with some of his own superb compositions. Haden also takes some historic performances -- such as Jo Stafford on vocals -- to bring a resonance to the new covers. The experiment was very successful.

You can see the logic behind this subsequent album: instead of using dusty old recordings, why don't we use today's state-of-the-art production to capture the voices of several current artists? And why don't we let Alan orchestrate the whole album?

The trouble is that the orchestration, beautiful though it is throughout, constrains the band terribly. And the vocals swamp the album. (Actually the Jo Stafford track on 'Always Say Goodbye' is one of the weakest on the album.) They say that the saxophone is the instrument closest to the human voice, and it is Ernie Watts who suffers most on this album, The sax is simply crowded out by all the singing. It is only on the stand-out track, 'Prelude en la mineur', an instrumental re-working of a Ravel piece, that Watts finally gets a chance to let rip.

Shirley Horn's vocals are fine, particularly on 'Lonely Town'. But I simply cannot listen to any of the tracks containing Bill Henderson's voice, and sadly, there are four of them.

The most touching song is the last one, where Haden himself bravely takes the vocal lead. It's a song his mother used to sing on the radio, back in the early 1940s, when the entire Haden family would appear on KWTO Springfield. It is a farewell to the dead, and also a reassurance that one day they will meet again.

If you want a quick survey of this CD, check out tracks #1, #9 and #13. It's a long way from the days of Haden's playing with Ornette Coleman and the Liberation Orchestra, and it's very mellow.

If you breathe and have ears, buy this record!.......2001-04-15

I first heard of Charlie Haden on Dublin's best radio music show - The Mystery Train presented by John Kelly on RTE Radio 1. I bought this CD and it has never been off my current play list. This is beautiful music that touches the heart. Listen to Wayfaring Stranger, Lonely Town, I'm Gonna Laugh You Right Out Of My Life, or Ruth's Walz after a tough day at the office or jammed in traffic and you will be back in touch with the good things in life. As someone who has evolved though Thin Lizzy, The Eagles, Eric Clapton, Queen, U2, Ella Fitzgerald, Louis Armstrong, BB King, Grant Green etc, Charlie Haden is proof of my graduation. After since buying other and even better Haden CD's, I am looking forward to seeing him in concert with Quartet West here in Dublin on April 29. BUY IT NOW!

A Night and a Lonely Town.......2000-05-24

Despite its problems, I think this album still deserves a five-star rating. Seemingly inspired by the music of moody classic cinema, a listener might well envision a seedy nightclub in a fog-swept black & white San Francisco of the 1940s or a tearful Ingrid Bergman about to board a twin-propellor leaving Rick and Casablanca behind her forever.

Regardless of which side of the Atlantic you envision on your moody musical journey, this is definitely a lounging type of music, perfect for lazy Sunday afternoons, after-theatre drives around town on warm summer evenings, warm candle-lit baths, or romantic dinners for two. The beautifully romantic ballads range from the longing "Lonely Town" to the mostly-resolute "I'm Going to Laugh You Right Out of My Life" to the quietly complacent "The Folks Who Live on the Hill." Interspersed with these great standards, however, are wonderful instrumental pieces which frame the remaining vocals with stunningly dramatic moods.

The only flaw is the rather unappealing voice of Bill Henderson, who seems to be suffering from a weak set of lungs, if not from lack of enthusiasm. Henderson seems to strive for the vocal capabilities of Shirley Horn, who sings on 1, 4, 7 and 10, but is incapable of achieving those same dramatic pitches of his fellow artist. Nevertheless, he does an adequate job on "Ruth's Waltz" and "Easy on the Heart" even if "Why Did I Choose You" is downright painful to listen to. Haden, who sings on 13, seems similarly incapable of reaching Horn's heights, but "Wayfaring Stranger," the traditional song he chose to render, is capable of carrying itself with the slow somber tone it evokes in the listener.

Regardless of its faults, this remains a beautiful album. I definitely recommend it to anyone who loves the kind of sit-at-home music it captures so very well in its beautifully jazzy tunes that are, at the very least, easy on the ears.

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