Great Classics

1. Drive

2. Hello, It's Me

3. Time Heals

4. Love Is The Answer

5. Bang The Drum All Day

6. Tiny Demons

7. Something To Fall Back On

8. Compassion

9. Mated

10. Dream Goes On Forever

11. Emperor Of The Highway

Great Classics,Todd Rundgren,Anagram,Album Rock,Hard Rock,Pop,Pop/Rock,Power Pop,Rock,Rock/Pop

Average customer rating: Fogerty Complete your CCR collection Way better than Volume 1 CREEDENCE CLEARWATER REVIVAL JUST KEEPS ROCKIN' AND ROLLIN'. Chronicles 2: Twenty great CCR Classics by Creedence Clearwater Revival

Chronicle Vol. 2: Twenty Great CCR Classics Creedence Clearwater Revival Manufacturer: Fantasy ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Rockabilly | Oldies & Retro | Rock | Styles | Music Country Rock | Rock | Styles | Music Southern Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Pop Rock | Pop | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Chronicle, Vol. 1: The 20 Greatest Hits Lynyrd Skynyrd - All Time Greatest Hits Eagles : The Very Best of Bob Seger - Greatest Hits Steppenwolf: All Time Greatest Hits ASIN: B000000XBC Release Date: 1989-06-29

Tracks:

1. Walking on the Water
2. Suzie-Q, Pt. 2
3. Born on the Bayou
4. Good Golly Miss Molly
5. Tombstone Shadow
6. Wrote a Song for Everyone
7. Night Time Is the Right Time
8. Cotton Fields[4~
9. It Came Out of the Sky
10. Don't Look Now
11. The Midnight Special
12. Before You Accuse Me
13. My Baby Left Me
14. Pagan Baby
15. (Wish I Could) Hideaway
16. It's Just a Thought
17. Molina
18. Born to Move
19. Lookin' for a Reason
20. Hello Mary Lou

Customer Reviews:

Fogerty.......2007-06-10

Great value. If you are into the 60s' and 70s' you will love this one.

Complete your CCR collection.......2007-04-22

Complete your Creedence Clearwater Revival collection with this set, which includes their remaining hits which weren't able to fit on the first volume, "Creedence Clearwater Revival - Chronicle, Vol. 1: The 20 Greatest Hits".

Way better than Volume 1 .......2007-02-26

Included here are many highlights from their career, even if they weren't all bit hits, who cares? I like these songs better because they are not overplayed on the radio!

Walking on the Water - this and Suzie Q part. 2 are from the spacy first album

Born on the Bayou - amazingly was missing from vol. 1!

Good Golly Miss Molly- cool little richard cover

These are 7 album tracks that we're better than the hits:
Tombstone Shadow
Wrote a Song for Everyone
Night Time Is the Right Time
It Came Out of the Sky
Don't Look Now
Before You Accuse Me
My Baby Left Me

These are the main 5 tracks from the great album Pendulum:
Pagan Baby
Wish I Could) Hideaway
It's Just a Thought
Molina
Born to Move

...and from the underrated Mardi Gras: Lookin' for a Reason & Hello Mary Lou

CREEDENCE CLEARWATER REVIVAL JUST KEEPS ROCKIN' AND ROLLIN'........2007-02-13

I will be writing a review on the legendary compilation album entitled "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" by one of Rock's most sacred legendary bands of all-time, I give you one of America's pride and joy's, CREEDENCE CLEARWATER REVIVAL. This legendary album would be originally released in 1986 on Vinyl/LP, Cassette and Compact Disc on the Fantasy Records label. Like "CHRONICLE, VOLUME ONE, 20 GREATEST HITS," "CHRONICLE, VOLUME TWO, 20 GREAT CCR CLASSICS is released on a special Two-24-Karat Gold Compact Disc set edition. The 24-Karat Gold coating produces a highly reflective surface for the laser signal. In fact, the Gold CD is the ultimate experience in recorded music. As always, if I hear any new additional information concerning this legendary compilation album or the artist, I will edit this review immediately so that you the consumer will get the best informative and most accurate review possible.

The whole world was blessed with the original "CHRONICLE, VOLUME ONE, 20 GREATEST HITS" when it was released in 1976. Now the whole world would be blessed again ten years later with the release of "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" in 1986. Its only appropriate that Fantasy Records would release another compilation collection on this legendary band, there was just not enough room to put all of their hit songs on the first volume. When you listen to "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS," you realize that this band really recorded some fantastic hits throughout their whole career. It also makes you wonder what took Fantasy Records so long (Ten years) to release the second volume. In my opinion, "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" is another true testament of the sheer greatness, graceful genius and a fine tribute to a legendary band that has already been proven to be ahead of their time.

Now we get to the most important part of the whole review, the music. If you want to hear the true Rocker's on this compilation album, listen to the songs such as "Walk On The Water," "Susie Q (Part two)," the breathtaking "Born On The Bayou," the Little Richard classic "Good Golly Miss Molly," the rugged "Tombstone Shadow," "It Came Out Of The Sky," the Elvis like Rocker "My Baby Left Me," the wicked "Pagan Baby," the soulful heartfelt "It's Just A Thought," the tough rockin' "Molina," the spirited "Born To Move" and the Ricky Nelson classic "Hello Mary Lou."

The slow Rock Ballads on this compilation album are the classics such as "Wrote A Song For Everyone" and "(Wish I Could) Hideaway." CCR could really show their sensitive side by playing a little more mellower.

The only slow Blues Rocker on this compilation album is the classic song "Night Time Is The Right Time." This Blues number is a true heartfelt song recorded the CCR way. CCR could really play the Blues.

The Country Rockers on this compilation album are the classic songs such as "Cotton Fields," "Don't Look Now (It Ain't You Or Me)," the ever popular "The Midnight Special," "Before You Accuse Me" and "Lookin' For A Reason." These are pure Country Rockers, my favorite is "The Midnight Special."

Overall, this is one hell of compilation album that compliments the other original volume perfectly.

I would like to highly recommend purchasing this second volume compilation album to own as a valuable and important part of his or her own personal music collection. This legendary compilation album has already been proven to stand the test of time and will always be around to be enjoyed, appreciated and cherished for many years to come, NOW AND FOREVER.

In closing, CREEDENCE CLEARWATER REVIVAL will forever be remembered as the people's band that represented the youth culture and the bikers of the turbulent sixties and beyond. Their music expressed the feeling of how the times were unfolding during the turbulent sixties and into the seventies. When CCR broke up, one of Rock's greatest all-time bands would be silenced and laid to rest. The world was waiting for a reunion but all hopes would be shattered with the untimely death of TOM FOGERTY on 6 September 1990. FOGERTY would die as a result of AIDS given to him through a blood transfusion. Prior to his death, the FOGERTY brothers did not get along and would be fighting constantly throughout their whole career together. TOM FOGERTY was establishing himself in his own right as a songwriter and singer but remained in the shadow of his brother JOHN FOGERTY throughout their whole career. TOM FOGERTY would be the first CCR member to quit the band and go solo. CCR would later break up in 1972. However, the remaining surviving members would have a brief reunion while receiving Rock's highest ultimate honor of being inducted into the Rock n' Roll Hall of Fame in January 1993. As of this date, JOHN FOGERTY resolved his conflict issues and legal disputes with his old record label Fantasy Records and is now back with his old label better than ever keeping the CCR legend alive. So here's to you John, the late great Tom, Stu and Clifford. And as the saying goes, "AND THE REST IS ROCK N ROLL HISTORY," am I wrong? Thanks for reading my review and I hope you enjoyed reading it as much as I enjoyed writing it for your reading pleasure. I also hope that you will read all of my other reviews in the near future when time permits. CREEDENCE CLEARWATER REVIVAL LIVES. JOHN FOGERTY RULES. R.I.P. TOM FOGERTY, Born 9 November 1941, Died 6 September 1990. Long Live Rock n' Roll. Rock out always and take it easy. Forever In Rock, John L.

Chronicles 2: Twenty great CCR Classics by Creedence Clearwater Revival.......2007-01-19

The band CCR formed during the turbulent times of the 60s and early 70s, they gave poetic justice to that period with original compositions and made even greater classics out of old tunes. They created entertaining melodies with political fore-thought. They did this without profanity nor by debasing the religious beliefs of others...unlike many of today's young artists. This album deserves five stars.

Average customer rating: Somewhere Between Fair to Blah Better to get a root canal Still the Same Still has that voice, the Rod Stewart sound AWESOME

Still the Same...Great Rock Classics Of Our Time Rod Stewart Manufacturer: J-Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Duets: An American Classic The Greatest Songs of the Sixties Bring It on Home... The Soul Classics Thanks For The Memory...The Great American Songbook IV Face The Promise ASIN: B000HEVYR2 Release Date: 2006-10-10

Tracks:

1. Have You Ever Seen The Rain
2. Fooled Around And Fell In Love
3. I'll Stand By You
4. Still The Same
5. It's A Heartache
6. Day After Day
7. Missing You
8. Father & Son
9. The Best Of My Love
10. If Not For You
11. Love Hurts
12. Everything I Own
13. Crazy Love

Amazon.com

Unquestionably one of rock's greatest vocalists, Rod Stewart should have titled this album Great Rock Classics of My Time. Most of these Top 40 tunes and others like Dylan's "If Not for You" were popularized in the early to mid-'70s, when Stewart was entering his rock prime. He's perfect to croon Elvin Bishop's "Fooled Around and Fell in Love," soulfully pained on Bonnie Tyler's "It's a Heartache," and right in the pocket on the Pretenders' "I'll Stand by You." And his unmistakable raspiness puts another layer of wisdom on the old Cat Steven's classic "Father & Son." But you also have to wonder about some of the safe song choices, such Badfinger's "Day After Day" and Nazareth's "Love Hurts." Why he continues to record mossy cover songs is a legitimate question. What's stopping him from getting back in trenches with some contemporary rock songwriters and really reinventing himself? The karaoke lounge is no place for a guy this great to hang. --Martin Keller

More Great Rod Stewart

It Had to Be You... The Great American Songbook

It Had to Be You... The Great American Songbook [ENHANCED]

Thanks For The Memory...The Great American Songbook IV

Customer Reviews:

Somewhere Between Fair to Blah.......2007-07-16

Gosh darn, I was really looking forward to this CD, glad to see that the singer was getting back to roots & away from the schlutz of the previous Frank Sinatra style disaster. It's probably my own fault for not inspecting the traks more carefully. Anyway, I listened to it once & probably won't again. It's not a total waste, but geeze it's dull.

Better to get a root canal.......2007-06-11

First off, I like Rod Stewart. But this piece of dreck SHOULD be called "The tape is full, when do I get paid?". It's fun sometimes to hear a performer at a concert jump into an inspired cover. This is neither inspired, nor at a concert. It's a whole CD of, "well I need some money and I am too lazy to even add something to a cover song, let alone actually come up with something new." Bad enough it's all covers, his performance is lifeless, lethargic, and apathetic. Certainly, if I wanted to hear any of these songs, I would reach for the original first. This collection is unnecessary.

Still the Same.......2007-05-23

Rod Stewart still makes beautiful music. I recommend this CD highly.

Still has that voice, the Rod Stewart sound.......2007-05-18

Rod is still the same, he still can sing a ballad better than most rock stars, and his voice is once again unmistakably Rod. I was worried when he started singing 40s and 50s music that he'd lost his touch, or his voice after surgery. I'm glad for the success of those albums, but it's grand to hear Rod doing "our" standards.

AWESOME.......2007-05-10

LOVE IT, EVERY SONG!
Cant wait to catch ROD on Tour this summer
He's still got it!

Average customer rating: There can't be any better! Wonderful smooth rendition Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Beethoven? Brahms? Karajan? Oistrakh? Richter? Rostropovich? Szell? On One CD? Talk About Star Power! Glorious

Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter David Oistrakh , Mstislav Rostropovich , Sviatoslav Richter , Herbert von Karajan , and George Szell Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Oistrakh, David | ( O ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99 Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B00000I7VO Release Date: 1999-03-09

Tracks:

1. Triple Concerto For Violin, Cello & Piano In C, Op. 56: I Allegro
2. Triple Concerto For Violin, Cello & Piano In C, Op. 56: II Largo
3. Triple Concerto For Violin, Cello & Piano In C, Op. 56: III Rondo alla polacca
4. Double Concerto For Violin & Cello In A Minor, Op. 102: I Allegro
5. Double Concerto For Violin & Cello In A Minor, Op. 102: II Andante
6. Double Concerto For Violin & Cello In A Minor, Op. 102: III Vivace non troppo

Amazon.com

Among the concertos of Beethoven and Brahms, these two have always been stepchildren. One reason is their extreme difficulty; both composers were pianists, so Beethoven wrote an idiomatic part only for the piano. Brahms's friend Joseph Joachim offered advice for the violin concerto, but not for the Double Concerto, which was written as a peace offering after a falling-out. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The piano ripples, the cello sings gorgeously, the violin soars ecstatically, the tone is intoxicatingly beautiful. The Finale is wistful, charming, lyrical, gently humorous; the ending is a big joke, with the cello and piano rumbling in the bass, while the violin whistles forlornly in the dark until they all join together. The Brahms is grand, majestic, dreamy, radiant, triumphant; the slow movement warm as dark velvet, the Finale genial and relaxed. Though the orchestra never covers the soloists, it explodes in the tutti passages, especially in the Beethoven, so you might keep a finger on the volume control. --Edith Eisler

Customer Reviews:

There can't be any better!.......2007-05-17

It is not for the names only.
I think it is a performance as Beethoven probably had in mind.

Wonderful smooth rendition.......2007-04-26

There is something magical about this recording. It is difficult to describe the smooth full sound that this recording presents. I own other recordings of the Brahms and the Beethoven and at first thought it a little extravagent to own another but I am very pleased I bought it.

Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter.......2007-01-18

I knew this recording and I received what I was expecting. Delivery and condition was great. Thanks.

Beethoven? Brahms? Karajan? Oistrakh? Richter? Rostropovich? Szell? On One CD? Talk About Star Power!.......2006-09-09

All those big names wouldn't mean a thing if the performances themselves were throw aways or showed little commitment, but that's hardly the case, this is probably the finest recordings of both works. Karajan and Richter for one had some rocky interpretative relations in their recording of Tchaikovsky's First Piano Concerto on DG. That was not a great record, where both musical giants pull and push to try and get their way. So yes, in some ways this Beethoven Triple Concerto presents even more challenges because there are four minds, four egos pitted together in one piece of music and that's not counting the greatest ego, Beethoven himself! Luckily everyone melds beautifully together, the three Russian masters are at their best, with Rostropovich a stand out and shining brightly. Meanwhile Karajan, the Austrian master conductor gives them his usual, grand, lush orchestral backdrop via the Berlin Philharmonic. This is warm-hearted, generous music-making between four fearsomely talented musicians.

The Brahms Double Concerto is just as fine, now we have the two string instrumentalists side by side. Oistrakh and Rostropovich communicate wonderfully together in this major Brahms piece. Szell backs them up every step of the way with his precise yet passionate conducting of the Cleveland Orchestra. The EMI recording sounds very good too in both works and the price is quite nice. An outstanding bargain.

Glorious.......2006-01-30

The unbroken tradition of Russian string playing is well-represented on this disc. The Double Concerto is especially wonderful, even rapturous. The two players are beautifully meshed, and Szell and the Cleveland sound warm and emotive, which they sometimes did not, on records and "live". The sessions they recorded for EMI (including a wonderful Dvorak Eighth, far surpassing their recoridng for Masterworks), captured something that often was not well projected.

The remastering captures this warmth, with more brightness than my LP copy of the Brahms ever had, at least after the initial playings.

Average customer rating: Brahms Violin Sonatas these are really good sonatas Brahms Finest Brahms Perlman and Ashkenazy do it again

Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy Itzhak Perlman , and Vladimir Ashkenazy Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Brahms: Ein deutsches Requiem [A German Requiem] Paganini: 24 Caprices Mozart: The Violin Sonatas Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, ASIN: B00000I7VT Release Date: 1999-03-09

Tracks:

1. Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
2. Violin Sonata No.1 In G, Op.78: II: Adagio
3. Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
4. Violin Sonata No.2 In A, Op.100: I: Allegro amibile
5. Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
6. Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
7. Violin Sonata No.3 In D Minor, Op.108: I: Allegro
8. Violin Sonata No.3 In D Minor, Op.108: II: Adagio
9. Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
10. Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato

Amazon.com essential recording

Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey

Customer Reviews:

Brahms Violin Sonatas.......2007-01-11

Good but not top flight. This is an old recording--sounds a little tired.

these are really good sonatas.......2005-10-10

These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.

Brahms.......2005-10-07

I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.

Finest Brahms.......2002-05-22

I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.

If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.

Perlman and Ashkenazy do it again.......2001-07-24

The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.

Average customer rating: Good selection thunderous applause Good Music at a Great Price You will like this! Good for the novice

25 Thunderous Classics Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cincinnati Symphony Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Minnesota Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: 25 Classical Favorites Symphony (25) Favorites 25 Tchaikovsky Favorites 25 Mozart Favorites 25 Beethoven Favorites ASIN: B00004Y6SQ Release Date: 2000-09-05

Tracks:

1. Also Sprach Zarathustra (Sunrise) - R. Strauss
2. Mars (The Planets) - Holst
3. Overture 1812 - Tchaikovsky
4. Entry Of The Gladiadtors - Fucik
5. Sabre Dance - Khachaturian
6. Procession Of The Sardar - Ippolitov Ivanov
7. Night On Bald Mountain - Mussorgsky
8. Anvil Chor (II Trovatore) - Verdi
9. The Thunderer March - Sousa
10. Thunder & Lightening Polka - J. Strauss
11. Prelude To Act III : Lohengrin - Wagner
12. The Ride Of The Valkryies - Wagner
13. Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
14. The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
15. Rondeau - Edward Carroll
16. Overture: Fireworks Music - Handel
17. March To The Scaffold: Symphonie Fantastique - Berlioz
18. LesToreadors - Bizet
19. William Tell Overture: Finale - Rossini
20. Revolutionary Study - Abbey Simon
21. Fanfare For The Common Man - Copland
22. Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
23. Augurs Of Spring From Rite Of Spring - Stravinsky
24. Russian Dance From Petrouchka - Stravinsky
25. The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

thunderous applause.......2005-08-31

This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.

Average customer rating: Two Great Handel Tenors Bostridge in best form in Handel arias

Great Handel Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: As Steals the Morn: Handel Arias & Scenes for Tenor Handel - Il trionfo del Tempo e del Disinganno Haendel: Il Duello Amoroso Richard Strauss: Four Last Songs Frank Martin: Le vin herbé ASIN: B000PFU9LK Release Date: 2007-07-17

Tracks:

1. Air Where'er You Walk
2. Accompagnato Comfort Ye
3. Air Ev'ry Valley
4. Accompagnato Frondi Tenere
5. Arioso Ombra Mai Fu
6. Aria Cosi La Tortorella
7. Air Love Sounds Th'alarm
8. Air Love In Her Eyes Sits Playing
9. Duet Happy We!
10. Aria Scherza Infida
11. Aria Dopo Notte
12. Air Total Eclipse!
13. Duet As Steals the Morn
14. Accompagnato Hide Though Thy Hated Beams
15. A Father, Off'ring Up His Only Child
16. Air Waft Her, Angels

Customer Reviews:

Two Great Handel Tenors.......2007-07-20

Just when the torrent of Handel recitals seemed to have slowed, we get two great tenor recitals in less than a month. Mark Padmore and Ian Bostridge double up on only a few airs - Where'er you walk, Total eclipse, As steals the morn, Waft her, angels. Padmore is more dramatic, with longer scenes; Bostridge more lyrical. I usually listen to them back to back, but if I only have time for one, it is the Bostridge that gets chosen. His "Waft her, angels" pierces the heart.

Bostridge in best form in Handel arias.......2007-07-17

I get the feeling that Amazon has given up providing official (paid for) reviews, so buyers won't be told that this colleciton of Handel from Ian Bostridge selects from Ariodante, Acis and Galatea, Samson, Jephtha, l"allegro e il penserosso, Semele, and of course, Messiah. The singer's voice has darkened since it willowy early days, and even though there are still a few holdouts like me who cannot abide its tone, there is no doubt about Bostridge's artistry. Here he gets good period accompaniment from the famous Age of Enlighenment orchestra (zingy strings, ni vibrato), although the conducting is notably sluggish at points. The singer avoids his often excessive underlining and over-acting, so all in all one must call this one of his best recent outings.

Average customer rating: Forget the coughing this emotional reading is RAW!!!! A Moving Performance of Beethoven's 9th A word of caution for newcomers Very passionate The 9th to Own!!

Great Recordings Of The Century - Beethoven: Symphony no 9 / Furtwangler, Schwarzkopf Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra Brahms: Ein deutsches Requiem [A German Requiem] Beethoven: Symphony No. 9 / Karajan, Berlin Philharmonic Orchestra Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy ASIN: B00000GCA7 Release Date: 1999-01-12

Tracks:

1. Symphony No. 9 In D Minor, Op. 125 'Choral': Allegro ma non troppo, un poco maestoso
2. Symphony No. 9 In D Minor, Op. 125 'Choral': Molto vivace
3. Symphony No. 9 In D Minor, Op. 125 'Choral': Adagio molto e cantabile - Andante moderato - Adagio
4. Symphony No. 9 In D Minor, Op. 125 'Choral': Presto - Allegro ma non troppo - Allegro Assai - Allegro assai vivace - alla marcia - Andante maestoso - Allegro - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo

Amazon.com essential recording

No single performance will ever tell us everything we need to know about a masterpiece like the Beethoven Ninth, but this one comes close. The inspired intensity of everyone involved--at the postwar reopening of the Bayreuth Festival in 1951--comes across very vividly in this new transfer. Just hear the way Furtwángler evokes the atmosphere of chaos coalescing into order at the opening of the first movement and you can tell a superior musical and spiritual consciousness is at work. Except for the poor first horn, whose bloopers are the main detriment, the orchestra, soloists, and chorus (recorded clearly but at a heavenly distance) all hold up their parts extremely well. The solo singers are particularly convincing. This is a very special recording, recognized as a classic when it was first issued and still indispensable. --Leslie Gerber

Customer Reviews:

Forget the coughing this emotional reading is RAW!!!!.......2007-06-05

That's right...you will be treated to a few momentos of respiratory ailments in the crowd, and if you can look past the sometimes flat and muddled mono mix of the recording, and I highly recommend that you do, then this recording will knock you off of your feet. I am a child of modern acoustic flair, being quite fond of the capabilities of SACD recordings, and at first the mono mix left me a bit cold. But within a matter of minutes that all faded into utter inconsequence as I became possessed by this transcendent reading of the ninth. There are a few flubs here and there and a few points during the third movement momentarily dispell the magic. BUT and I stress that explicitly...I have yet to hear a ninth with as much raw power and energy as this one. I've listened to some passages from more modern, polished versions of this symphony and despite their vastly superior sonics they completely pale in comparison to the visceral impact of this reading. You would be missing out on something quite special if you were to pass this one up in favor of better sonics. Trust me the mono makes no difference whatsoever...this reading is absolutely inspired.

A Moving Performance of Beethoven's 9th.......2007-03-10

This is an historically significant performance. The re-opening of the Bayreuther Festspiele in '51 was an occasion of great joy for music lovers in Germany, for whom the Festspiele was (and still is) a beloved annual event. My own grandmother was a regular attendee of that era, so having this recording is personally very meaningful to me. Certainly there is not a more appropriate piece of music for celebrations on a grand scale than Beethoven's 9th symphony. And that's exactly what this very exuberant performance is: it's a grand celebration. It is not without flaws though, notably the problem with the first horn mentioned by another reviewer. And of course, it's no SACD studio recording, it's mono and it's live, so there is noise. But this really doesn't matter: it's a tremendously moving performance that vividly captures the joy of the occasion. And also it's Furtwängler conducting, who many consider the foremost interpreter of Beethoven's symphonies in the modern era. So this CD is really a must-have for lovers of Beethoven's symphonies. This one along with the Furtwängler Performs Beethoven cycle put out by Magic & Arts.

A word of caution for newcomers.......2007-01-29

PLEASE NOTE: I am reviewing this recording as an *audiophile* and as someone immersed in *historically informed performance*. If either or both of these things puts you in a decidedly different aesthetic camp from mine, then *disregard* the rating I have given it. I do not mean to offend those who love this recording.

I will not argue with those who think this is "magnificent" or "passionate," but I think it is misleading, and even a disservice to people browsing for a recording of this symphony, to call this "essential" and "indispensable" (Amazon) or "the 9th to own" (below). It is a remarkable recording, but I think it would be a shame if someone knew this symphony only or primarily from this recording.

As everyone mentions, this was an historic occasion: the reopening of the Bayreuth Festival, and for some a symbol of Germany's cultural rebirth after the war. It was the last time Furtwängler was at Bayreuth. If one contemplates these things while listening to this recording, it is indeed easy to be swept up by it. I respectfully suggest that knowledge of its context has prompted some to attribute to it a sort of mystical greatness that it really does not possess.

EMI has done what seems like a very respectable job remastering this recording, and it probably sounds as good as it ever will. The peculiar acoustic properties of the Bayreuth Festspielhaus and orchestra pit also give it an interesting character. But this is a live, mono recording from 1951. What makes it special is the sensation of "listening back in time." The recorded sound itself, jumbled and indistinct, cannot even be compared to what can be achieved with modern recording techniques.

As for the performance, Furtwängler may be considered by many to be without peer for his insight into this music, but this is simply not my Beethoven; nor, I believe, is it Beethoven's Beethoven. Furtwängler's "insight" borders on unlistenable in the third movement: 19'32". For me, this kills the performance all on its own. Parts of it actually sound as though they are being played in "slow motion," and sometimes it seems that Furtwängler has slipped into his own private meditation and forgotten he is leading a performance. The cringe-inducing brass section, however heartfelt their efforts, does not help matters.

Collectors and those with an historical interest in the political, social and artistic events surrounding this recording will want to own it, but I think this would be a poor choice for one's first or only recording, legendary though it is.

I highly recommend John Eliot Gardiner's version on Archiv for an articulate, driven, and, in its own way, every bit as passionate alternative to lumbering late Romantic interpretations.

Very passionate.......2007-01-29

This recording is famous beacuse of its sense of event. Musically speaking, it is out of control and very passionate. But it will sweep you away with fiery intensity. Do be aware of the horn bloopers. If you are looking for a standard Symphony No. 9, this is probably not the recording for you. I would personally recommend Fricsay and the Berlin Philharmonic as the best over all recording.

The 9th to Own!!.......2006-07-12

I would not hesitate in any way to recomend this incredible interpretation of Beethoven's final work to any listener or any musician. Aside from the wonderful job in remastering we have one of the more interesting accounts of this work ever done.

The opening movement has a very great sense of hushed intensity in the strings...and once the first thematic bits of material are introduced the whole performance never lets up. Sadly, there are some very bad horn moments throughout but what is here is all Furtwangler who outshines Szell...Karajan, and Klemperer put together...sadly too few people realize how fine Bohm was and if you need a Stereo version go to the last reading Bohm did of the 9th on DG.

Average customer rating: Flats and Sharps Still new... and fantastic A Swingle Singers Half Treasure - A capella reigns Best Swingles Ever

The Swingle Singers - Bach Hits Back ~ A Capella Amadeus Johann Sebastian Bach , Wolfgang Amadeus Mozart , and The Swingle Singers Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Gigue | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Keyboard Classics Swingle Singers Jazz Sebastian Bach, Vol. 1 Jazz Sebastian Bach, Vol. 2 Christmastime ASIN: B00000632P Release Date: 1998-05-05

Tracks:

1. Ein' feste Burg - Johann Sebastian Bach_
2. Organ Fugue from Fantasia and fugue - Johann Sebastian Bach_
3. The Well -Tempered Clavier: Prelude XVIII - Johann Sebastian Bach_
4. Cantata No. 140: Chorale prelude from Cantata No. 140 'Wachet Auf' - Johann Sebastian Bach_
5. Wachet Auf: Chorale from 'Wachet Auf' - Johann Sebastian Bach_
6. Liebster Jesu, wir sind hier - Johann Sebastian Bach_
7. In Dulci Jubilo - Chorale Prelude - Johann Sebastian Bach_
8. In Dulci Jubilo - Chorale - Johann Sebastian Bach_
9. Andante fromSonata No. 2 for unaccompanied violin - Johann Sebastian Bach_
10. First movement from Brandenburg Concerto No. 3 - Johann Sebastian Bach_
11. Cantata No. 208: Schafe konnen Sicher Weiden (Sheep May Safely Graze) from Cantata No. 208 - Johann Sebastian Bach_
12. Badinerie from Suite No. 2 - Johann Sebastian Bach_
13. Fugue VIII fromThe Well-Tempered Clavier - Johann Sebastian Bach_
14. Three - Part Invention - Johann Sebastian Bach_
15. Mass In B Minor: Et Resurrexit from Mass in B minor - Johann Sebastian Bach_
16. Bist Du Bei Mir - Johann Sebastian Bach_
17. St. Mathew Passion: Blute Nur, Du Liebes Herz - Johann Sebastian Bach_
18. Organ Fugue: Alla Gigue - Johann Sebastian Bach_
19. Suite No. 3: Air from Suite No. 3 (Air on a G String) - Johann Sebastian Bach_
20. Little Organ Fugue - Johann Sebastian Bach_
21. Cantata No. 60: Es Ist Genug from Cantata No. 60 - Johann Sebastian Bach_

Tracks:

1. Symphony No. 40: Die Zauberflote - Overture - Mozart, Wolfgang Amadeus
2. Symphony No. 40: I Molto Allegro - Mozart, Wolfgang Amadeus
3. Symphony No. 40: II Andante - Mozart, Wolfgang Amadeus
4. Symphony No. 40: III Minuetto: allegretto - Mozart, Wolfgang Amadeus
5. Symphony No. 40: IV Finale: Allegro assai - Mozart, Wolfgang Amadeus
6. Ave Verum Corpus - Mozart, Wolfgang Amadeus
7. String Quartet In G Major: Finale from String Quartet in G major - Mozart, Wolfgang Amadeus
8. Cosi fan tutte: Un' Aura Amorosa from Cost fan tutte - Mozart, Wolfgang Amadeus
9. Eine Kleine Nachtmusik: Finale: Rondo from Eine kleine Nachtmusik - Mozart, Wolfgang Amadeus
10. Finale from Horn Concerto No. 4 - Mozart, Wolfgang Amadeus
11. Canzonetta from Don Giovanni - Mozart, Wolfgang Amadeus
12. Terzettino from Cosi Fan Tutte - Mozart, Wolfgang Amadeus
13. Gigue - Mozart, Wolfgang Amadeus
14. Piano Concerto No. 21: Andante from Piano Concerto No. 21 - Mozart, Wolfgang Amadeus
15. Hostias from Requiem - Mozart, Wolfgang Amadeus
16. Requiem: Quam Olim Abrahae from Requiem - Mozart, Wolfgang Amadeus
17. Piano Sonata In A Major: Finale: Alla Turca from Piano Sonata in A major - Mozart, Wolfgang Amadeus
18. Fantasia In F Minor And Major - Mozart, Wolfgang Amadeus

Customer Reviews:

Flats and Sharps.......2007-05-18

I enjoy the Swingle Singers very much but sadly, in this album they are flat on about half of the tracks. When they are on key, they are very, very good. When they are flat they are awful. Recommendation: buy a different Swingle Singers CD.

Still new... and fantastic.......2007-03-25

As time goes by, these recordings seem to become better and better. Fresh, perfect... fantastic CD.

A Swingle Singers Half Treasure -.......2007-03-10

If you love Bach and are a fan of the Swingle Singers, buy this CD. Fans of the Swingle Singers enjoy them for what they do to music - release it with air and bounce - and their style is perfectly suited for Bach. I couldn't enjoy it more. But the second Cd in this set is their treatment of Mozart, and, for me, it's inconsistent. This is due to the different styles of the two composers and I just think they match up better with Bach. But at this price, I shouldn't be complaining. The first CD alone is worth twice as much. Snatch it up!

A capella reigns.......2007-01-12

Another fine offering by this group. Fun for classical music buffs and novices.

Best Swingles Ever.......2006-02-16

If you know the Swingle Singers, you may expect jazzed-up Bach with a rhythm section. Now, don't get me wrong, i like that stuff, too, but that is just clean fun, while this is just Bach. No percussion, no jazzy rythym, just straight unaccompanied Bach. AND IT IS WONDERFUL.
Precise rhythm, clear vocal lines, everything you expect from the Swingles without the jazz. This is a really great album that should be bought by all Swingle lovers and all Bach lovers.
P.S. i bought this cd when it first came out,so I have never even heard the Mozart. With all due deference to fans of the worthy Wolfgang, i have always found the artful Amadeus rather a bore, so I will remain silent about that part of the album. No matter. The Bach alone is worth twice the price, so enjoy. And, hey, the Mozart is a nice bonus.

Average customer rating: Excellent recording Highly Recommended! Amazing A gentleman musical agreement! Extreme virtuosity

Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Parkening, Christopher | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Christopher Parkening plays Bach Simple Gifts: Christopher Parkening In the Spanish Style / Christopher Parkening The Christopher Parkening Guitar Method - Volume 2: Guitar Technique Christopher Parkening - A Tribute to Segovia ASIN: B000002RTR Release Date: 1993-09-14

Tracks:

1. Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
2. Estudio brillante
3. Etude No. 1 In E Minor
4. Recuerdos de la Alhambra
5. Leyenda
6. Romance
7. Rumores de la Caleta
8. Capricho Arabe
9. Cantata 147: Jesu, Joy Of Man's Desiring
10. Well-Tempered Clavier: Prelude No. 1
11. Well-Tempered Clavier: Prelude No. 6
12. Cantata 140: Sleepers Awake
13. Prelude, Fugue, And Allegro: Allegro
14. Cantata 208: Sheep May Safely Graze
15. Les Barricades mysterieuses
16. Preambulo & Allegro vivo: Preambulo And Allegro vivo
17. Passacaglia
18. The Girl With The Flaxen Hair
19. Gymnopedie No. 1
20. Empress Of The Pagodas
21. Afro-Cuban Lullaby

Tracks:

1. Fourth Lute Suite: Praludium
2. Fairest Lord Jesus
3. Praise Ye The Lord, K. 339
4. Simple Gifts
5. Hymn Of Christian Joy
6. Cantata 29: We Thank Thee, Lord
7. Cantata 156: Arioso
8. Cantata 99: What God Hath Done
9. Canon
10. Dolly Suite: Berceuse
11. La Vida breve: Spanish Dance No. 1
12. Terezinha De Jesus
13. Prelude (In The Baroque Style)
14. Goyescas: Intermezzo
15. Prelude & Fugue No. 4 In E: Fugue
16. Evening Dance
17. Variations On A Theme Of Mozart
18. Canarlos
19. La Maja de Goya
20. El Noi de la Mare
21. Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.

Average customer rating: Superb match of music, artist, and instrument Beautiful, commanding; dynamite recording quality

Works for Organ - Essential Classics Bach , and Biggs Manufacturer: Sony ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Bach: The Four Great Toccatas & Fugues Virgil Fox Encores The Biggs Bach Book Bach: Great Organ Works Bach: Four Great Toccatas & Fugues ASIN: B000069JLH Release Date: 2002-08-06

Tracks:

1. Toccata
2. Fugue
3. Passacaglia
4. Fugue
5. Pastorale
6. Allegro
7. Adagio
8. Allegro Vivace
9. Prelude (Fantasia)
10. Fugue
11. Prelude
12. Fugue
13. Prelude
14. Fugue
15. Prelude
16. Fugue

Customer Reviews:

Superb match of music, artist, and instrument.......2006-02-24

On March 2, 1972, a spacecraft called Pioneer 10 was launched by the National Aeronautics and Space Administration. On the grounds that the craft might at some point, at some time, come under the notice of intelligent beings on another world, a plaque was attached to the craft, etched with some figures and whatnot. The figures were designed to "represent the type of creature that created Pioneer." It struck me at the time that if we wanted to tell others not only what type of creature we are, but what we are supremely capable of, that we should include a recording of Bach's Toccata and Fugue in D minor, and, more specifically, this recording of that marvelous expression of the human mind and spirit.

E. Power Biggs was known not only for his mastery of the pipe organ, but also for his careful matching of a particular composition to an organ best suited to its performance. We can hope that Sony will at some point release a CD of Biggs' performance of the Toccata from Widor's fifth organ symphony on the organ of the Episcopal Church of St. George in New York City with its 32 -foot ranks. The thundering pedal notes in the concluding part of the work have never had better justice done to them.

All the tracks on this CD were recorded on the Flentrop organ in the Busch-Reisinger Museum at Harvard University, from about 1961 to 1972. Again, Biggs seems to have chosen his instrument wisely, as the pieces he plays here feel so absolutely right on that organ. Yes, there is some tape hiss, and I think I detected a little bit of tape "wow" at one point. But if you will listen beyond those things, concentrate on the music in itself, I think you cannot fail to be both impressed and moved, even if you have heard the pieces played by many other artists in many other venues. Technique and artistry alike are both superb and unique in this recording of these monuments of Bach's genius.

Highly recommended.

Beautiful, commanding; dynamite recording quality.......2005-10-28

This CD is a 2002 re-issue of the Sony Essentials CD from 1991. That disc is also still available from Amazon. Just type in "E. Power Biggs" on the search line to make sure you get to the appropriate page. Several customer reviews are available there. You will see it listed as "Bach: Toccata & Fugue; Passacaglia & Fugue; Pastorale; Prelude & Fugue". I can really only add my voice to the other reviewers, some of whom are far more eloquent than I. Suffice it to say that E.Power Biggs is the best. The famous Toccata & Fugue in D Minor is so perfectly performed here by Mr. Biggs. Of course, all the other compositions are equally well-performed. These recordings date from 1961, 1965, and 1972, according to the last page of the liner notes. There is some tape hiss present; however, it only appears during very quiet passages, and there are precious few of those, so I don't really consider it a problem. Take my word that the recordings on this disc are absolutely excellent. I have some vinyl discs from Columbia Masterworks featuring Mr. Biggs, and this disc reminds me of those top-quality recordings. It may be that these CD recordings come from original Columbia Masterworks as well. What matters in the end here is twofold: the works of Bach and the performances of Mr. Biggs. I would also suggest that anyone who wants to pursue E. Power Biggs' recordings of Bach to browse through his other recordings here on Amazon in order to complete their collection. In the meantime, I can guarantee that this disc at this low price is one wonderful buy.

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