Trio Grande

trio grande

Track Listings

1. Disco Johnson
2. Sherbert
3. We Smoke 'Em Peace Pipe
4. Frostration
5. Very Toight
6. Upgrade
7. Cerulean City
8. Leonard
9. Pot Belly
10. No A/C
11. 23rd Hour

Trio Grande,Cerulean City,Rock/Pop
Rendezvous of Angels - Concert Collection [20 CD Set]
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Rendezvous of Angels - Concert Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BruchAll Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Chausson, ErnestChausson, Ernest | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
Granados, EnriqueGranados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HasseAll Works by Hasse | Hasse, Johann Adolf | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HeinichenAll Works by Heinichen | Heinichen, Johann David | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HindemithAll Works by Hindemith | Hindemith, Paul | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ShostakovichAll Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Sinfonia ConcertanteSinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
French HornFrench Horn | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
PiccoloPiccolo | Reeds & Winds | Instruments | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
Salzburg Chamber OrchestraSalzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
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ASIN: B00000DV5E
Release Date: 2003-12-09

Tracks:

  1. Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
  2. Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
  3. Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
  4. Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
  5. Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
  6. Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
  7. Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
  8. Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
  9. Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
  10. Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
  11. Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
  12. Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
  13. Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  14. Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
  15. Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
  16. Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
  17. Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  18. Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
  19. Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
  20. Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
  21. Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova

Tracks:

  1. Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
  2. Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
  3. Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
  4. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
  5. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
  6. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
  7. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
  8. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
  9. Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
  10. Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
  11. Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
  12. Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
  13. Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
  14. Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
  15. Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
  16. Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
  17. Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
  18. Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
  19. Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
  20. Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
  21. Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra

Tracks:

  1. Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
  2. Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
  3. Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
  4. Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
  5. Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
  6. Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
  7. Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
  8. Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
  9. Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
  10. Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
  11. Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
  12. Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
  13. Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra

Tracks:

  1. Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
  2. Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
  3. Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
  4. Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
  5. Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
  6. Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
  7. Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
  8. Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
  9. Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists

Tracks:

  1. Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
  2. Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
  3. Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
  4. Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
  5. Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
  6. Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
  7. Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
  8. Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
  9. Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
  10. Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
  11. Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
  12. Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum

Tracks:

  1. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
  2. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
  3. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
  4. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
  5. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
  6. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
  7. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
  8. Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
  9. Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
  10. Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
  11. Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
  12. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
  13. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
  14. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
  15. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
  16. Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
  17. Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
  18. Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
  19. Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
  20. Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
  21. Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
  22. Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
  23. Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
  24. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
  25. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
  26. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
  27. Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum

Tracks:

  1. Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
  2. Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
  3. Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
  4. Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
  5. Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
  6. Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
  7. Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
  8. Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
  9. Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
  10. Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
  11. Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
  12. Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
  13. Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
  14. Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
  15. Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
  16. Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
  17. Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
  18. Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
  19. Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
  20. Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
  21. Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
  22. Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
  23. Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings

Tracks:

  1. Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
  2. Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
  3. Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
  4. Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
  5. Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  6. Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  7. Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  8. Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  9. Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  10. Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  11. Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
  12. Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger

Tracks:

  1. Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
  2. Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
  3. Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
  4. Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
  5. Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
  6. Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
  7. Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
  8. Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
  9. Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle

Tracks:

  1. Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
  2. Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
  3. Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
  4. Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
  5. Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
  6. Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
  7. Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
  8. Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
  9. Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
  10. Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
  11. Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
  12. Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
  13. Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
  14. Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
  15. Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi

Tracks:

  1. Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
  2. Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
  3. Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
  4. Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  5. Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  6. Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

  1. Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  2. Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
  3. Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  4. Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  5. Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
  6. Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

  1. Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
  2. Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
  3. Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
  4. Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
  5. Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
  6. Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
  7. Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
  8. Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
  9. Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana

Tracks:

  1. Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
  2. Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
  3. Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
  4. Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
  5. Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
  6. Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey

Tracks:

  1. Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
  2. Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
  3. Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
  4. Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
  5. Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra

Tracks:

  1. Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
  2. Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
  3. Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
  4. Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
  5. Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
  6. Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum

Tracks:

  1. Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
  2. Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
  3. Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
  4. Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
  5. Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
  6. Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova

Tracks:

  1. Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
  2. Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
  3. Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
  4. Cello Concerto: Allegro Moderato - Budapest Strings,
  5. Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
  6. Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova

Tracks:

  1. Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
  2. Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
  3. Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos

Tracks:

  1. Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
  2. Concierto de Aranjuez: Adagio - Monika Rost
  3. Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
  4. Sonata Op.22: Allegro - Budapest Strings,
  5. Sonata Op.22: Adagio - Budapest Strings,
  6. Sonata Op.22: Menuetto - Budapest Strings,
  7. Sonata Op.22: Rondo. Allegretto - Budapest Strings,
  8. Spanish Dance No. 2 - Budapest Strings
  9. Castilla No. 7 - Budapest Strings,
  10. Hommage Debussy - Budapest Strings,
  11. Spanish Dance - Budapest Strings,

Album Description

This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.

Customer Reviews:

5 out of 5 stars Heavenly.......2007-06-06

A collection of masters that insist that you relax as you listen. An exquisit addition to any music cd collection.

5 out of 5 stars What a value!.......2005-07-26

A wonderful collection of music spanning from the Baroque to the Modern and so Affordable. Each CD is in a full size jewel-case with beautiful cover art - paintings of Renaissance-era angels in muted, slightly reflective, metal-tone inks - all within a box that ties them all together. There are no liner notes in the booklet, just track listings, but the music speaks for itself. It's not completely apparent from the track listing who the composers are, so here's the breakdown: Disc 1 - Vivaldi's "Four Seasons"; Disc 2 - Vivaldi flute concertos; Disc 3 and 4 - Bach Brandonburg concertos; Disc 5 - Bach violin concertos; Disc 6 - Handel concerto grossi; Disc 7 - Handel organ concertos; Disc 8 - Flute concertos by Quantz, Heinchen, Buffardin, Adolph-Hasse; Disc 9 - Mozartt violin concertos; Disc 10 - Mozart horn concertos; Disc 11 - Mozart piano concertos; Disc 12 - Haydn cello concertos; Disc 13 - Haydn violin concertos; Disc 14 - Tchaikovsky violin concerto and piano concerto; Disc 15 - Paganini and Chausson violin concertos; Disc 16 - Bruch and Mendelssohn violin concertos; Disc 17 - Brahms concertos; Disc 18 - Dvorak and Hindesmith cello concertos; Disc 19 - Russian composers Prokofiev, Galzanov and Shoshakovich violin concertos; Disc 20 - Spanish guitar concertos of Rodrigo, Sor, Granados, Albeniz and de Falla.
Schubert: The Masterworks [Box Set]
Average customer rating: 3 out of 5 stars
  • One of the best of the Masterworks series
  • Will not buy this
  • Worth it!
  • Great way to jumpstart a schubert collection
  • Better to Pick a Few First-rate Performances
Schubert: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

EcossaisesEcossaises | Ballets & Dances | Classical | Styles | Music
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Similar Items:
  1. Mendelssohn: The Masterworks [Box Set]
  2. Dvorák: The Masterworks [Box Set]
  3. Handel: The Masterworks (Box Set)
  4. Brahms: The Masterworks (Box Set)
  5. Haydn: The Masterworks [Box Set]

ASIN: B00062FLJC
Release Date: 2004-11-30

Customer Reviews:

5 out of 5 stars One of the best of the Masterworks series.......2007-07-06

Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.

You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:

- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér

Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.

As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.

1 out of 5 stars Will not buy this.......2007-03-16

I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.

4 out of 5 stars Worth it!.......2006-12-19

One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.

4 out of 5 stars Great way to jumpstart a schubert collection.......2006-12-19

Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.

1 out of 5 stars Better to Pick a Few First-rate Performances.......2006-11-14

This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)
Carl Czerny, Vol. 1: Nonet; Grande Sérénade Concertante, Op. 126
Average customer rating: 5 out of 5 stars
  • A real masterpiece of composition and playing
  • Vienna-School composer finally gets his due
Carl Czerny, Vol. 1: Nonet; Grande Sérénade Concertante, Op. 126

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

NonetsNonets | Chamber Music | Classical | Styles | Music
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Similar Items:
  1. Czerny: Symphonies 1 & 5
  2. Czerny: Symphonies No. 2 & 6
  3. Czerny: Symphony in D No2, Op781; Piano Concerto in C Op153
  4. Carl Czerny: Erika Raum, Anton Kuerti
  5. Ries: Piano Concertos, Vol. 1

ASIN: B0000021EI
Release Date: 1995-06-20

Tracks:

  1. Nonet: Allegro Maestoso
  2. Nonet: Andante
  3. Nonet: Scherzo/1. Allegro/2. Trio/3. Allegro
  4. Nonet: Finale/1. Intro-Andante/2. Allegretto Vivace
  5. Grande Ser Conc, Op.126: Intro. Adagio
  6. Grande Ser Conc, Op.126: /1. Tema. Allegro Grazioso/2. Var 1/3. Var 2/4. Var 3/5. Var 4...
  7. Grande Ser Conc, Op.126: Adagio
  8. Grande Ser Conc, Op.126: Finale. Allegro Vivace Con Fuoco

Customer Reviews:

5 out of 5 stars A real masterpiece of composition and playing .......2005-08-27

You wonder how such a wonderful piece as the Nonet could have been forgotten and it is hard to believe that this work only exists in manuscript form. And a first class performance too especially from Tanski. It is sometimes hard to imagine that you are only listening to 9 instruments with the resonance and gusto of the performance. It is filled with the most delightful melodies, virtuosic passages and worthy of any music collection. Hopfully we will hear more of this most underrated composer.

5 out of 5 stars Vienna-School composer finally gets his due.......2003-01-11

Carl Czerny was pupil to Beethoven, and teacher to Liszt. He's best known for his progressive finger exercises, the bane of every piano student for the past century and a half.

Czerny's chamber music is fiendishly difficult and seldom performed. But as this recording proves, it's frequently rich and rewarding. If you enjoy Beethoven, Schubert, and other composers of the Vienna School, this CD is simply a must-have.

Here's hoping this recording will help this underrated composer find the audience he deserves.
Auber: Fra Diavolo
Average customer rating: 5 out of 5 stars
  • black comedy rossinian style
Auber: Fra Diavolo

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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FrenchFrench | Languages | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
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Similar Items:
  1. Auber: La Muette de Portici
  2. Massenet: Le Jongleur de Notre Dame
  3. Adolphe Adam: Le Postillon de Lonjumeau
  4. Grétry: Richard Coeur de Lion; Rousseau: Le Devin du village
  5. Boieldieu - La Dame blanche / Blake, Massis, Delunsch, Fouchécourt, Naouri, Brunet, Minkowski

ASIN: B000063XQB
Release Date: 2002-10-21

Tracks:

  1. Ouverture - Orchestre Philharmonique De Monte-Carlo
  2. En Bons Militaires - Jules Bastin
  3. Je Voudrais Bien - Jane Berbie
  4. Un Landau Qui S'arrete - Jules Bastin
  5. Voyez Sur Cette Roche - Mady Mesple
  6. Oui, Je Vais Commander Le Punch - Nicolai Gedda
  7. Ecoutez! Ecoutez! Quelle Est Donc Cette Marche - Nicolai Gedda

Tracks:

  1. Ne Craignez Rien Milord... Quel Bonheur, Je Respire - Mady Mesple
  2. Allons Ma Femme, Allons Dormir - Jane Berbie
  3. Agnes La Jouvencelle - Nicolai Gedda
  4. Oui, C'est Demain Qu'enfin L'on Nous Marie - Nicolai Gedda
  5. N'etait-il Pas Prudent De Reonnaitre Ce Qui Se Passe La-bas - Nicolai Gedda
  6. Entracte - Orchestre Philharmonique De Monte-Carlo
  7. J'ai Revu Nos Amis - Nicolai Gedda
  8. C'est Grande Fete - Jules Bastin
  9. Pour Toujours, Disait-elle - Thierry Dran
  10. Allons, Allons, Mon Capitaine - Jules Bastin

Customer Reviews:

5 out of 5 stars black comedy rossinian style.......2003-03-30

Fra Diavolo is based on a true character although the plot of
this opera is totally ficticious - it is a black comedy about
a highway robber - the music is rossinian in style with florid
arias and many group ensembles with every singer pattering at
the same time but recitatives are replaced by spoken-dialogues
as is the custom in french opéra-comique. It takes a first-class
cast to pull it off and that is what we get here although most
soloists are in their twillight years. Nicolai Gedda at 58 re-
mains amazingly suave and dexterous as Diavolo - Mady Mesplé
(52) is charmingly girlish and very agile - Jane Berbié (52)
and Rémy Corazza (50) are delighfully funny as an english cou-
ple recently robbed - the rest of the cast is excellent. It is
well conducted and recorded - it comes on two super-bargain CDs
with a synopsis but no libretto which may be a drawback for non
french-speaking people - otherwise it is highly recommandable.
Chopin: Complete Edition
Average customer rating: 4.5 out of 5 stars
  • At least 16 / 19 well spent hours
  • Enlightening but slighly blemished
  • Chopin - Luisada, Jean-Marc
  • Chopin - Luisada, Jean-Marc
  • Learn, learn, learn!
Chopin: Complete Edition
Krystian Zimerman , Claudio Arrau , Stefan Askenase , Anatol Ugorski , Maurizio Pollini , Jean-Marc Luisada , and Zilberstein, Lilya
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001X58Z
Release Date: 1999-10-12

Amazon.com

On the 150th anniversary of his death, Deutsche Grammophon released this impressive box set featuring the complete works of Frédéric Chopin. Spread out over 17 CDs, it contains some truly big-name artists--Argerich, Pollini, Barenboim, and Ashkenazy--and a few you've probably never heard of. The majority of the set's nine volumes contain some music newly produced for this undertaking, and a few items (Chopin's songs, for instance) were recorded specifically for this collection. A well-illustrated book is included--it contains an essay, dateline, and illustrations--and each volume in the set gets its own liner notes. The music? It varies from great to less than great, but most of it is worth hearing. Those accustomed to Rubinstein's readings of the Mazurkas will find those played by Jean-Marc Luisada less fluid and lacking Rubinstein's power. Chopin's songs, seldom heard and filled with elements of Polish folk dances and the less-than-stellar lyrics of the composer's friend Stefan Witwicki, get a college try here by soprano Elzbieta Szmytka. They sound as good as you'll hear anywhere (if you can find them). It probably goes without saying that Martha Argerich's rousing 26 Préludes are some of the set's more exciting moments. But, really, the entire collection is solid. It should be noted that budget label Naxos has released its own Chopin edition at less than half the price of this set. With Idil Biret as the only performer on that set, you miss out on some of the diverse performances and personalities found here. Also, to please those of us who already own favorite performances of these works, each two-CD volume in the Complete Chopin Edition can be purchased individually. Bravo. --Jason Verlinde

Customer Reviews:

5 out of 5 stars At least 16 / 19 well spent hours.......2004-10-11

In my opinion there is no more effective way to ruin a great musical performance than to record it in front of an audience who cannot control their coughs. The first disc starts out with a 1979 live recording of Chopin's first piano/orchestra concerto featuring pianist Krystian Zimerman and the Royal Concertgebouw Orchestra of Amsterdam. The performance is good, but doesn't allow the listener full concentration,--and therefore not full enjoyment--as a distracting and annoying audience can be heard coughing, sneezing, and clearing their throats even above the orchestra's playing in mezzo forte - it gets worse, of course, at dynamically quieter musical parts. Other distractions, like chairs creaking, cracking and squeaking, pages being turned probably inches away from a microphone (perhaps to give the page-turner a chance to say "Did you hear that? That was me,") and people stomping/dropping things (?) add to the incapability of the listener's full enjoyment. I've heard much worse, however, but considering that the recording technique is no older than 25 years, this is on the verge of being unacceptable. Sure - there can be a certain charm in hearing such "humanity" on a recording, especially when it's older, but I don't think many would disagree that this is a bit too much. Hearing the opening of piano/orchestra concerto no.2, and knowing that the 18+ hours of music to come aren't going to be interrupted by coughs, is a big relief. My favorite Chopin interpreter is--and might always be--Rubinstein; his playing is straight forward, he cuts to the chase quickly, yet somehow manages to leave room for sensitivity and emotion. His performances, of course--since he never recorded a note for Deutsche Grammophon,--are not included in this "complete edition," so aside from suggestions that certain waltzes are missing, that is something that makes this boxed set incomplete for me. Pollini's general interpretation of Chopin is in my opinion, as in many others', quite weak in comparison to Argerich's, Zimerman's, or the passionate playing of Daniel Barenboim. Here Pollini performs Etudes, Scherzos, Sonatas and Polonaises. At times, during the Etudes of op. 10, I feel like I'm getting more Maurizio than I am getting Fryderyk, even though the performance (especially on no.3) may invite feelings of thriving despite the performer's occasional roaring in the left channel. The Scherzos feature some troublesome factors; first and foremost the sound (of this 1990 recording) isn't at all as good as one would expect. It's far worse than several older recordings of this set - at only six seconds into the first Scherzo (op.20) one can't avoid acknowledging obvious distortion - the recording has clearly been done with too much input level. Clips noises continue throughout the grainy and dull sound picture of these pieces. Second of all, the noises Pollini makes while playing can be quite off putting. At times he sounds like a boy with a voice just breaking experiencing climax of coition, and as we all know, Chopin had a prudish aversion to overt sexuality. One reason why Pollini's performance of the Scherzos being called "troublesome" might be harsh, is that musically he handles them ok, and I'd think that's what's essential, but Deutsche Grammophon has made the odd decision of including Pollini's recording of Sonata no. 2, op.35 (a.k.a. "Funeral March") from 1984 in this set, instead of Argerich's recording from 1975. First of all, Argerich's version has clearer sound (at least on the newly refurbished "The Originals" edition...but then again, that was released in 2002,) but second of all, and more importantly, her playing is far more straight forward during the first part of the Sonata (Grave,) whereas Pollini shows too much mercy both for strong dynamics and tempo throughout. Furthermore he's on the verge of playing parts of the March suggesting "lento," as if it read "rubato" (it's a MARCH!) His performance of Piano Sonata no.3 is also a bit lifeless, but the hour long disc of Polonaises recorded 1975 he handles surprisingly well (the occasional phlegmatic karaoke-roars may need a little time getting used to, though.) Several of these interpreters make some less musical noises while playing - Zimerman, for instance, breathes heavily through the nose after each and every completed phrase throughout all off his performances (although it can't be heard with orchestra.) When listening to his solo performances in head phones, the constant snuffling can distract and annoy quite a bit, but I know that I do the exact same thing when I play, myself, so perhaps I shouldn't complain until I've managed to rid the inconvenient problem myself. Besides Pollini's Polonaise interpretations, there's another (76 minute long) disc of Polonaises featuring mainly Ugorski, but also Argerich. Something that seems odd to me is that the sound quality of Argerich's 1974 recording once again is superior to a newer recording - in this case to the 1999 recording of Ugorski, which doesn't feature much middle in the sound picture, but uneven soughing and clip noises! Both their performances (but especially Argerich's,) are about as enjoyable as Chopin interpretations can be, I'd think, as is the technically and musically perfect, touching and mesmerizing Nocturne interpretations of Daniel Barenboim, recorded in 1981 - his playing here equals close to two hours of pure magic. While being a Rubinstein fan, I'm going to have to say that Barenboim's way of playing the Nocturnes is just how I think they should be played; they call for this somewhat gentle touch mixed in with their brutal sincerity, but I suggest for those who (especially) enjoy the Etudes, Sonatas and Scherzos to listen to Rubinstein's recordings of the works (available on RCA's Rubinstein Collection, vol. 26, vol. 45 and vol. 46.) Pollini is, of course, a fine performer, but I'd suggest listening to his interpretations of Prokofiev's and Stravinsky's work instead.
Rubinstein recorded the preludes (op.28) in their entirety only once, in 1946, which means that they aren't available in RCA's collection with preferable sound quality, but on this set Martha Argerich delivers a great performance of the 26 preludes (no.1-24, op.28, plus 25, op.45, and 26, op. 35,) recorded in 1975. One prelude that in my opinion should always be played as slow and gentle as possible is no.15 (a.k.a. "The Raindrop Prelude.") What I'd like to describe as a prefect version of the piece is performed by--despite my having done a lot of research--a, to me unknown performer, but runs at 6:08 minutes. Argerich rushes the whole piece a bit (the drops fall too closely -) the fact that her version runs at 4:51 should say a lot. Of the approximately 20 different performances I've heard of this particular prelude (obviously one of my favorites,) Argerich's is the shortest, and lays somewhere in the swamp among other "medium integral" versions. She delivers exciting performances of the other preludes, though - the first time I heard them, I hit repeat on my CD player, and listened to nothing else for three days.
The Mazurkas, here performed by Jean-Marc Luisada and Lilya Zilberstein, are performed--while beautifully--quite carefully and loosely. For those who'd like a more restrained performance of the pieces, RCA's Rubinstein Collection, vol. 50, is recommended.
Besides all the music for only piano(s,) Chopin also composed 80 minutes worth of chamber music, which here is performed by Beaux Arts Trio, et al. He also wrote 45+ minutes worth of songs, which here is performed by soprano Elzbieta Szmytka and pianist Malcolm Martineau on a 1999 performance. I don't feel qualified to comment on solo singing in Polish, but while I don't care for the occasional close-to-full effect vibrato, I like Martineau's piano playing and the almost folksy melodies and arrangements. This music distinguishes itself by far from the rest of the music in the set. Translations to several languages of the lyrics to the 19 songs are included.
The stereophony on all recordings is great, the overall sound quality on all discs (when considering the years of the recordings) I'd give a 4/5, but still rate the whole package 9/10 - I'd think that some (both older and newer) recordings could have been transferred better, while some sound superior to what you'd dare dream of. This is definitely the best complete edition of Chopin's music available, and perhaps the best collection of works available on disc by any classical composer. A lot of work has been put into the set's design, the sound, and certainly the amount and accuracy of interesting info given in the enclosed illustrated 140 page hard-cover book (of which a fifth is written in English) and in the 40-60 page booklets (also illustrated) included in each volume; practically everything you'll ever need to know about the composer (and these recordings) is included here along with all the music he wrote. Well worthy of your time and money.

3 out of 5 stars Enlightening but slighly blemished.......2004-07-05

I commend DG on producing this comprehensive and thoughtfully packaged/annotated collection of Chopin's output. In it one can appreciate the wondrous manner in which Chopin at once appeased the conservative appetites of the Paris salon set while revolutionizing the genre of piano music in both traditional and more intimate forms.

The greatest virtue of this collection is the opportunity to hear more obscure elements of Chopin's collected ouevre. He wrote some lovely chamber music and wrote highly effective variations with and without orchestra. Among his 17 songs are a few gems.

As for the strength of the performances, some of them are rightly considered definitive. I love Zimerman in the piano concerti, Argerich owns the Op. 28 preludes, and I find in Pollini's scherzos the unbridled energy and interpretive depth required by these challenging pieces. Even if Daniel Barenboim's nocturnes do not set any records, they are well-done and completely satisfying.

I was less enthusiastic about Pollini's readings of the latter 2 piano sonatas, which I find prosaic on the whole. I was equally underwhelmed by Bunin's impromptus, which again betray interpretive rather than technical deficiencies. My greatest disappointment is Jean-Marc Luisada's controversial readings of the mazurkas. An unwieldy rubato rules the day here, and distorts the harmonic language to the point that it sounds like Debussy or Ravel's frequent (and unshakeably French-sounding) evocations of Spain. I much prefer any of the Rubinstein mazurka sets, which are colorful but rhythmically mindful of their namesakes.

Properly supplemented in the more familiar repertory (mazurkas, impromptus, sonatas, in particular), I believe this set is indispensable to anyone who appreciates or seeks a broader understanding of Chopin the composer. I recommend it highly.

5 out of 5 stars Chopin - Luisada, Jean-Marc.......2002-04-14

I am a professional Pianist and Piano-pedagoge trained at the University of Graz and Vienna (Austria).
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.

Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.

5 out of 5 stars Chopin - Luisada, Jean-Marc.......2002-04-14

I am a professional Pianist and Piano-pedagoge trained at the University of Graz and Vienna (Austria).
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.

Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.

4 out of 5 stars Learn, learn, learn!.......2000-10-16

This box set is a must for any lover of piano music.

DG deserves praise for coming with an excellent set of records as well as presentation of the booklets. It is breathtaking to have the opportunity to really know Chopin so well.

Performers are first rate and speak for themselves, and for the price of 8 CD's you get the whole collection. Yes, you can get in some cases better performances, but overall you can find a better compilation. Naxos has its own, and I am going to exchange it with a friend, problem will be to get mine back!

Buy it without hesitation.
Set Your Life to Music
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    Set Your Life to Music

    Manufacturer: Philips
    ProductGroup: Music
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    1. Set Your Life to Music: For the Times of Your Life
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    4. Liszt for Lovers: Piano Dreams of Love and Passion

    ASIN: B00000HXJ2
    Release Date: 1999-01-26

    Tracks:

    1. Piano Concerto No. 2 In F Minor, Op. 21: Larghetto - Chopin and Champagne
    2. Nocturne No. 5 In F-Sharp, Op. 15 No. 2 - Chopin and Champagne
    3. Berceuse In D-Flat, Op. 57 - Chopin and Champagne
    4. Nocturne No. 2 In E-Flat, Op. 9 No. 2 - Chopin and Champagne
    5. Waltz No. 9 In A-Flat, Op. 69 No. 1('Farewell') - Chopin and Champagne
    6. Prelude No. 7 In A, Op. 28 ('Les Sylphides') - Chopin and Champagne
    7. Nocturne No. 1 In B-Flat Minor, Op. 9 No. 1 - Chopin and Champagne
    8. Prelude No. 4 In E-Minor, Op. 28 - Chopin and Champagne
    9. Andante Spianato In E-Flat, Op. 22 - Chopin and Champagne
    10. Nocturne No. 21 In C Minor, Op. Posth. - Chopin and Champagne
    11. Nocturne No. 20 In C-Sharp Minor, Op. Posth. - Chopin and Champagne
    12. Nocturne No. 8 In D-Flat, Op. 27 No. 2 - Chopin and Champagne
    13. Piano Concerto No. 1 In E Minor, Op. 11: Romance (Larghetto) - Chopin and Champagne

    Tracks:

    1. Vocalise For Orchestra - Various Artists
    2. Rhapsody On A Theme by - Paganini - 18th Variation (excerpt): Rhapsody On A Theme by Paganini - 18th Variation (excerpt) - Various Artists
    3. Symphony No. 2 In E Minor: Adagio - Various Artists
    4. Piano Concerto No. 2 In C Minor: Adagio sostenuto - Various Artists
    5. Prelude In D - Various Artists
    6. Piano Concerto No. 3 In D Minor: Intermezzo (Adagio) - Various Artists
    7. Symphonic Dance: I. Non allegro (Excerpt) - Various Artists
    8. Piano Concerto No. 1 In F-Sharp Minor: Andante - Various Artists
    9. Prelude In E-flat - Various Artists
    10. Piano Concerto No.4 In G Minor: Largo - Various Artists
    11. Piano Concerto No. 2 In C Minor: Allegro scherzando (Excerpt) - Various Artists

    Tracks:

    1. The Four Seasons (Winter): Largo
    2. Guitar Concerto in D: Largo
    3. Flute Concerto In D (II gardellino): Cantabile
    4. Concerto In C For Diverse Instruments: Andante molto
    5. String Concerto in G minor: Andante molto
    6. Concerto in D for 2 violins & 2 cellos: Largo
    7. Oboe & Violin Concerto in G minor: Larghetto
    8. Guitar Concerto In A Minor ('L'estro armonico'): Largo
    9. Triple Violin Concerto in F: Andante
    10. Flute Concerto No. 5 In F: Andante
    11. Viola d'amore Concerto in D minor: Largo
    12. Violin Concerto in E (II riposo): Allegro
    13. Oboe & Bassoon Concerto in G: Largo
    14. Violin Concerto No. 6 in B-flat: Largo
    15. Concerto in A for Guitar, Violin, Viola & Cello: Larghetto
    16. Violin Concerto in E (L'amoroso): Allegro
    17. Flute Concerto No.4 in G: Largo
    18. Violin Concerto in A (with echo violin): Largo
    19. Violin Concerto in C minor (II sospetto): Andante
    20. Double Oboe Concerto in A minor: Largo
    21. Concerto in G minor for the Dresden Orchestra: Largo non molto
    22. Violin Concerto in A minor: Largo
    23. Oboe Concerto In C: Adagio
    24. Flue Concerto No.2 in G minor (La notte): Il sonno (Largo)
    Liszt at the Opera, Vol 4
    Average customer rating: 5 out of 5 stars
    • Engrossing and wonderful
    • Good night at the opera, Liszt style
    Liszt at the Opera, Vol 4

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00000300Q
    Release Date: 1996-12-17

    Tracks:

    1. Rniscences des Puritains (Bellini), S390
    2. Salve Maria! de l'opera Jsalem (Verdi), S431i
    3. Don Carlos - Coro di festa e marcia funebre (Verdi), S435
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    5. Am stillen Herd - Lied aus Die Meistersinger von Ng (Wagner), S448
    6. Rniscences de Lucrezia Borgia - Grande fantaisie I (Donizetti) S400-1
    7. Rniscences de Lucrezia Borgia - Grande fantaisie II (Donizetti) S400-2

    Tracks:

    1. Rniscences des Huguenots (Meyerbeer), S412ii
    2. Andante finale aus K Alfred (Raff), S421-1
    3. Marsch aus K Alfred (Raff), S421-2
    4. Song Of The Two Armed Men (Mozart's Die Zauberfl, S634a
    5. Tyrolean Melody (Auber's La Fianc, S385a
    6. Tarentelle di bravura (Auber's Masaniello), S386ii
    7. Salve Maria de l'op de Verdi Jsalem, S431ii
    8. I Puritani - Introduction et Polonaise (Bellini), S391
    9. Grosse Concert-Fantasie aus der Oper Sonnambula (Bellini), S393iii

    Customer Reviews:

    5 out of 5 stars Engrossing and wonderful.......2006-08-22

    Up to now, Hyperion and Leslie Howard have created some milestones in Liszt recordings. Starting with the Liszt at the Opera series Vol. 1 and continuing to Vol. 4, neglected but outstanding Liszt pieces have made their way to the light. Howard continues his quest and gives us a fascinating repertoire with music that overwhelms with virtuosity, conjures heavenly images, and entices with catchy themes and strains of music. The composers and operas here which Liszt promoted with his ingenius transcriptions and fantasies are numerous and even unusual: The typical guys worthy of paraphrases, Bellini, Verdi, Donizetti, and Meyerbeer all make a return. But some others are featured here and prove to have exceptional music as augmented by Liszt: Raff, Auber, and even Mozart.

    First up is the titanic Reminiscences des Puritains of Bellini. This epic work closes at roughly 20 minutes and is the first and only recording you'll find anywhere. The reason? Who knows. Ask all the pop pianists out there why they can't at least give these works a try. They are musically attractive and potent, and I don't see why they laid dormant until Howard's unearthing. The Reminiscences des Puritains, admittedly, is not one of Liszt's most striking fantasies. At times it breathes melodious music or storms through exciting Bellini tunes. In between, it drags a bit. Obviously it takes multiple hearings to really appreciate it.

    The second piece is piano music from heaven. Liszt does a paraphrase on the "Salve Maria!" aria of Verdi's opera, "I Lombardi" and sweeps the aural sense with its angelic music, truly transcending piano sounds that resonate with a radiance and unique beauty I've not heard anywhere else. Following this is a thrilling transcription of Verdi's "Don Carlos" opera. The opening bars and underlying music is as jovial and uplifting as can be, with a pastorale quality of mellow music thrown in the mix. The surprise comes in the middle of the piece when the "marcia funebre" interrupts; such darkness and foreboding suddenly emits itself in the lower registers of the piano. It's truly a diabolical moment capped with an eerie march, gliding into a nocturne-like melody and then ending with a more positive recapitulation of the "festive chorus" music. It's a fine transcription.

    Two Wagner transcriptions are included here, but one has already been issued on a previous Liszt at the Opera recording: the Pilgrim's Chorus from the Tannhauser. Those familiar with that won't really find any new music material. The last notable piece on this first CD is a Donizetti fantasy: Reminiscences de Lucrezia Borgia. Liszt divided this into two parts and so Howard plays them as separate pieces. The first one is the real winner with its operatic drama and intense virtuosity. After you listen to the music, accentuated by Liszt's transcribing abilities, you begin to understand how these opera composers were so popular. Bellini, Donizetti, Verdi, Meyerbeer: they all have great melodies and themes. Liszt knew this and so he had an infinite source of music to pull from.

    The second CD features the best music of this two-disc set. The Reminiscences des Huguenots is a masterful composition; one of Liszt's best fantasies for sure. However, it's not given a great interpretation as I would like. Maybe it's my own preference since I've heard two other pianists play it. I prefer Arnaldo Cohen's fire and violent execution on the Volume 1 of Naxos' Complete Piano Music of Liszt. Regardless, the music is what matters, and it shimmers. A shockingly fine piece follows from a composer I never heard music from: Joachim Raff. Liszt's two transcriptions of his King Alfred opera seem to suit Liszt's romantic tendencies just fine. The Andante, for instance, is as evocative as a Liebestraume, even like his Harmonies du Soir of the Transcendental Etudes. The subsequent march is a little tame for Liszt, but still sparkles and hums its way through delightful music. Following this is a very interesting sidestep into Mozart. Why Liszt chose the "Song of the Two Armed Men" from the Magic Flute is beyond me. Nonetheless, it proves to be an exquisite piece. Its fugue-like tempo combined with somewhat darker sounds from Mozart is sure to please. It's a rarity and a rewarding short piece.

    The Auber fantasie or "Tarantelle di bravura" is a blazing and rhythmic joy. Lisztians will love it. It has all the signature aspects of Liszt's virtuosic, extravagant and ultimately arresting piano music. The last two pieces on this second CD are also worth mentioning. The first being the "Introduction and Polonaise" to Bellini's I Puritani opera. Considered a warhorse for pianists of old, it proves to be invigorating and flashy like his Rigoletto paraphrase; it's somewhat satisfying but after overdosing on extensive paraphrases and transcriptions, you may find its 5 minutes just too short.

    The last piece is one of the best on here but only because of the middle segment of music that repeats that lovely theme from both Norma and La Sonnambula. Thalberg composed a long fantasy on La Sonnambula, as well. He differed from Liszt because he treated this theme with thunder and overpowering chords; it was still impressive and effective. But Liszt turns the theme into a Chopin-like nocturne of such a sublime quality. Tragedy, pain, love, despair: these are the instant emotions I feel as Liszt soars softly through this slow middle music of unequalled grace. It's hard not to wish it would go on, but Liszt seems like he doesn't want us to lament for too long. So he jumps back into the frollicking main rhythm of music that introduced the piece, making sure we always remember that mournful and haunting interval.

    Bottom line: I can't say it enough how fortunate we are, classical music fans, piano lovers, and Lisztians alike, that Howard has revealed these diamonds of music. Simply said, this recording is superb and powerful; the fantasies here the best of the form and possess exactly the kind of grandeur and excellence we can expect from Liszt. Passionately recommended.

    5 out of 5 stars Good night at the opera, Liszt style.......2003-01-16

    Some long, grand pieces, some shorter ones, some second thoughts, all making for another great set of operatic transcriptions by the great Franz Liszt.
    Discover Music of the Classical Era
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      Discover Music of the Classical Era

      Manufacturer: Naxos
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      Mozart, LeopoldMozart, Leopold | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
      Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
      Stamitz, CarlStamitz, Carl | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
      Stamitz, Johann WenzelStamitz, Johann Wenzel | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
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      ASIN: B000B6N6BS
      Release Date: 2005-11-01

      Tracks:

      1. Movement II: Andante Cantabile - Kodaly Quartet
      2. I. Allegro Assai - Capella Istropolitana
      3. I. Allegro Assai - Capella Istropolitana
      4. II. Adagio - Capella Istropolitana
      5. IV. Presto (Non Troppo) - Uwe Grodd
      6. Piano Variations In F Minor - Jeno Jando
      7. I. Allegro - Jeno Jando
      8. II. Andante Moderato - Kalman Berkes
      9. I. Presto - New Zealand Chamber Orchestra
      10. Prelude And Fugue In C Major For Organ, Four Hands - Joseph Payne
      11. III. Allegro - Alain Trudel
      12. II. Allegro - Tim Hugh

      Tracks:

      1. II. Menuetto-Trio - Capella Istropolitana
      2. I. Kyrie - Kurt Azesberger
      3. Presto - Hanspeter Gmur
      4. Ah, Se Intorno A Quest'urna Funesta - Ann-Christine Biel
      5. Che Faro Senza Euridice? - Ann-Christine Biel
      6. In Diesen Heil'gen Hallen - Kurt Rydl
      7. Der Holle Rache - Helen Kwon
      8. Dies Irae (Grave Maestoso) - Radio Svizzera Choir
      9. Tuba Mirum (Grave-Allegretto) - Radio Svizzera Choir
      10. II. Andante - Capella Istropolitana
      11. IV. Finale - Kodaly Quartet
      12. III. Scherzo (Allegretto) - Kodaly Quartet
      13. IV. Allegro Vivace - Eder Quartet
      14. No.3: Se Vuol Ballre, Signor Contino - Michael Halasz
      15. Finale - Michael Halasz
      16. Finale - Michael Halasz
      17. Finale - Michael Halasz
      18. Finale - Michael Halasz
      19. IV. Allegro Assai - Capella Istropolitana
      20. I. Allegro - Jeno Jando
      21. IV. Allegro Molto - Bela Drahos
      Musiques à Versailles
      Average customer rating: Not rated
        Musiques à Versailles

        Manufacturer: Naive
        ProductGroup: Music
        Binding: Audio CD

        Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
        All Works by CharpentierAll Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        Clérambault,Louis-NicolasClérambault,Louis-Nicolas | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by Louis CouperinAll Works by Louis Couperin | Couperin, Louis | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by LullyAll Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MaraisAll Works by Marais | Marais, Marin | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
        OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        FrenchFrench | Languages | Opera & Vocal | Styles | Music
        MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
        PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ClassicalClassical | Imports | Stores | Music
        ASIN: B00005KKMV
        Release Date: 2002-11-12

        Tracks:

        1. In Convertendo Dominus Preludio - Christophe Coin
        2. Suite En Mi Mineur Rondeau - Ensemble Fitzwilliam
        3. Chaconne - Blandine Verlet
        4. Messe Pour Le Port Royal Ave Maris Stella - Michel Chapuis
        5. Alceste Ouverture - Jean-Claude Malgoire
        6. Les Barricades Mysterieuses - Blandine Verlet
        7. Rondeau, Le Provencal - Jordi Savall
        8. Canticum Eucharisticum Pro Pace Sonata Ad Libitum - Christophe Coin
        9. Le Badinage - Pascal Monteilhet
        10. Musette - Philippe Pierlot
        11. Beata Es Maria - Emmanuel Mandrin
        12. Suite En Mi Mineur Passacaille - Ensemble Fitzwilliam
        13. Fugue 11 - Michel Chapuis
        14. La Belle Homicide - Hopkinson Smith
        15. Caeli Enarrant - Christophe Coin
        16. Rigaudon & Double - Blandine Verlet
        17. Messe De Noel Elevation - Les Chantres De La Chapelle
        18. Les Sylvains - Hopkinson Smith
        19. Recit De Nazard - Michel Chapuis
        20. Caprice Sur Les Grands Jeux - Michel Chapuis
        500 Classic Masterpieces
        Average customer rating: Not rated
          500 Classic Masterpieces

          Manufacturer: Vox (Classical)
          ProductGroup: Music
          Binding: Audio CD

          DancesDances | Ballets & Dances | Classical | Styles | Music
          MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
          PavanesPavanes | Ballets & Dances | Classical | Styles | Music
          PolkasPolkas | Ballets & Dances | Classical | Styles | Music
          PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
          WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
          QuartetsQuartets | Chamber Music | Classical | Styles | Music
          QuintetsQuintets | Chamber Music | Classical | Styles | Music
          TriosTrios | Chamber Music | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BoccheriniAll Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Brahms