Hailing from Los Angeles the four piece, have created an album that is as rich as it is beautiful, packed full of slow burning melodies & soul-inspiring songs. Tapping into the same vein as Mercury Rev, Grandaddy, Coldplay & Doves whilst drawing inspiration from Neil Young, John Lennon & Brian Wilson, they present a glorious vision of West Coast pop that deals as much with gentle melancholy as wide-eyed wonder.
Self Help Serenade,Marjorie Fair,Rock/Pop
Average customer rating:
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Self Help Serenade
Marjorie Fair Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VBU6I Release Date: 2005-07-19 |
Tracks:
- Don't Believe
- Halfway House
- Empty Room
- Stare
- How Can You Laugh
- Waves
- Please Don't
- Cracks In The Wall
- Stand In The World
- Hold On To You
- Silver Gun
- My Sun Is Setting Over Her Magic
Customer Reviews:
Self Help Serenade is beautiful and soothing.......2007-07-03
hit and miss, usually hit.......2007-03-12
Personally, I was disappointed.......2007-01-04
Original, moody, and surreal.......2005-10-23
AN ASTOUNDING EPIC POP ALBUM, SONICS LIKE YOU WOULDN'T BELIEVE...........2005-09-13
You can look at this band in 2 ways...classic and contemporary. If you were to answer someone's question, this band intrigues me, who would you compare them to?? From a contemporary angle, definitely in the same realm as the Flaming Lips and Mercury Rev...melodic like powerpop, indie in approach, original and twisted in it's lyrical angle, epic in production. From a classic angle, Marjorie Fair finds the odd common ground between classic powerpop like Badfinger (singer/songwriter Evan Slamka's voice, the songwriting and guitar tone so spookily evokes the late lamented Pete Ham that it's scary) and the melodic but proggy/spacey elements of 70s-era Pink Floyd!! Weird and unexpected but it works and reaps a bottomless well of musical rewards.
Sonically, this album should be looked upon as a standard in record production too...yes it sounds that good. Plus, track #3, "Empty Room", I THINK there was a video I saw...with Evan on a bicycle...one of the finest songs I've heard all year...
The album could be album of the year as well, a candidate along with the new Eels record...haunting, spacey and melodically beautiful...just amazing...highly recommended.
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Mozart for Young Minds
Manufacturer: Creative Kids Prod. ProductGroup: Music Binding: Audio CD ASIN: B0000ALFXH Release Date: 2003-06-11 |
Tracks:
- Serenade No.13
- Concerto In D Major
- The Magic Flute
- Andante In C Major
- Concerto No.4
- Romanze From Concerto No.20 In D Major
- Sonata In C Major 1st Movement
- Adagio From Sonata In C Major
Album Description
Mozart selections arranged and recorded to enhance children's study and learning. Includes the 28-page booklet Creative Kids Power Learning Methods.Customer Reviews:
Great for bed time. .......2007-01-18
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Celestial Mozart
Manufacturer: Astromusic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001YVCD Release Date: 1999-11-02 |
Tracks:
- Sonata In C
- Concerto #21
- Laudate Dominum
- Concerto For Flute And Harp
- Serenade #13
- Concerto #23
- Concerto #20
- Concerto #5
Album Description
Mozart's most beautiful slow melodies Beautiful, celestial orchestrations arranged and performed by Gerald Jay Markoe 30 - 60 beats per minute throughout (The best tempo range for deep relaxation) 63 minutes of tranquility and beautyPERFECT FOR: Relaxation Meditation Yoga Tai Chi Massage Healing Music Therapy Stress Release Deep Sleep Accelerated learning Anti-Depression
ARRANGED FOR: Strings Piano Harp Guitar Angelic voices Monks choir Flute Oboe Cello
Synthesizers Harpsichord
Customer Reviews:
Is it me?.......2006-04-05
Celestial Mozart.......2002-01-29
Celestial Mozart for Relaxation.......2001-03-23
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Self Help Serenade
ProductGroup: Music Binding: Audio CD ASIN: B000A5E6PA Release Date: 2005-08-02 |
Customer Reviews:
The Serenade.......2005-10-03
The Los Angeles quartet creates a dazzling first impression in "Self Help Serenade," a polished indie pop album that combines slow, eerie melodies with panoramic sound. Like a strange dream full of stars and rainy spring forests, this album sticks to your mind even when you wake up... I mean, when it's over. Why did this languish in limbo for three years?
Faint sound effects and a guitar melody kick off "Don't Believe," a dreamy pop song that starts the album off on a dark note. "Don't believe a word they say/they're only there to take you away... don't believe a word they say/they're only trying to scare you away..." Evan Slamka sings in the opener, sounding like a cynical, sad young boy.
Things don't get much more cheerful as the album goes on, using the same kind of epic pop sound that Mercury Rev and the Doves made famous. But in addition to that, Marjorie Fair dips into catchier art-pop, murky ballads, and acoustic laments that are colored by ghostly keyboard.
The songwriting is even more tragic, with Slamka singing, "They found her in a plastic veil/with blood stained boots and glass in her hair." But it ends on a startlingly mellow note, with Slamka resigning himself to his girlfriend leaving. He sounds peaceful as he sings, "My sun is setting over her magic/equal parts caring and tragic/I'll be burning for awhile..."
Marjorie Fair is not just a talented bands. It's also one of the few bands where the musical influences aren't worn on its sleeve -- there are hints of the Beatles, the Beach Boys, the Flaming Lips, and others woven into these songs. But they aren't blatant hints, nor does "Self Help Serenade" ever harken back to other musical eras.
Nor does it succumb to trends, like stripped-down garage-rock. Its fours members manage to create unusually lush sounds. Usually the combined sound is uniformly smooth and sweet, but for example, "Halfway House" has a rich, gritty solo by bassist Scott Lord. "Waves" lets drummer Mike Delisa get to shine. Dain Luscombe' panoramic keyboard is a ruling influence in almost every song. Slamka plays guitar as well, adding a grounding acoustic note to the swirling music. He also sings each song, lending extra poignancy to the already sad songs. This guy has a beautiful voice, and he smears it all over the dismal words ("staring at junkies and cracks in the wall")
Originally recorded in 2002, "Self Help Serenade" was an album definitely worth waiting for. As smooth, rich and eerie as a dream, this may well be a future hit in the world of indie rock.
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Mozart's Sleepytime Music Box
Manufacturer: Creative Kids Prod. ProductGroup: Music Binding: Audio CD ASIN: B000060OIG Release Date: 2002-02-05 |
Tracks:
- Concerto 23 (Elvira Madigan Theme): Romanze
- Piano Concerto 20 In D: Romanze
- Eine Kleine Nachtmusik: Romanze
- Divertimento #1 In D: 2nd Movement
- Piano Sonata In C: 1st Movement
- Sympnony 40: Second Movement
- Violin Concert In D: Adagio
- Piano Sonata In C: 2nd Movement
- Sympony 40: 1st Movement
Album Description
Mozart's most beautiful slow compositions played on the little bell sounds kids love. Includes the 20-page booklet 54 Natural Ways to Help Your Child Fall Asleep.
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Mozart for Creativity
Manufacturer: Creative Kids Prod. ProductGroup: Music Binding: Audio CD ASIN: B0000630DG Release Date: 2002-03-19 |
Tracks:
- Allegro from Eine Kleine Nachtmusik
- Allegro from Piano Cncerto #5
- "Queen of the Night" aria from the Magic Flute
- Allegro from Piano Concerto #8
- The Overture to the Marriage of Figaro
- Allegro from Piano Concerto #23
Album Description
A CD/Book combination (CD booklet) Mozart for Creativity and The Little Book of Creativity by Gerald Jay MarkoeComposed by Wolfgang Amadeus Mozart. Arranged in Bluegrass style by Gerald Jay Markoe
THE INSTRUMENTS Country Fiddle Harmonica Mandolin Banjo Guitar Pedal Steel Guitar Bass Drums
OVERVIEW Creative Bluegrass arrangements of Mozart's Liveliest Music
The music is played note for note from the original score and NOT simplified or edited. The only additions are the grace notes, slides and other embellishments necessary to transform it into Bluegrass.
Includes the Book THE LITTLE BOOK OF CREATIVITY (CD booklet) which shows many ways that parents can help to awaken the creativity in their child
Mozart's music has been proven to have a beneficial effect on children.
This is a one of a kind new recording of Mozart's' music played in Bluegrass style. The included book, THE LITTLE BOOK OF CREATIVITY was written by Gerald Jay Markoe, and shows parents many ways to help bring out the natural creativity in their child.
Creative Kids Productions is dedicated to the creative spirit within each child
Customer Reviews:
Bluegrass Mozart!.......2004-10-11
It's Mozarts livliest melodies played on Bluegrass instruments!
Country Fiddle, Banjo, Guitar, Mandolin, Bass, Pedal Steel Guitar and Harmonica.
It's amazing!
The booklet shows 66 ways to develop childrens natural creativity and has great activities for parents and teachers to keep kids busy with activities that bring out kids creativity.
This book and CD are a rare combination and DO make kids more creative.
It's working on my kids, and with 66 activities I never run out of new and interesting things for them to do.
Most of these activities are truly creative. I have never seen them anywhere else.
Tony Delphi
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Self Help Serenade
Marjorie Fair Manufacturer: EMI ProductGroup: Music Binding: Audio CD ASIN: B0001XQ6EK Release Date: 2004-05-17 |
Tracks:
- Don't Believe
- Halfway House
- Empty Room
- Stare
- How Can You Laugh
- Waves
- Please Don't
- Cracks in the Wall
- Stand in the World
- Hold on to You
- Silver Gun
- My Sun Is Setting Over Her Magic
Album Description
Hailing from Los Angeles the four piece, have created an album that is as rich as it is beautiful, packed full of slow burning melodies & soul-inspiring songs. Tapping into the same vein as Mercury Rev, Grandaddy, Coldplay & Doves whilst drawing inspiration from Neil Young, John Lennon & Brian Wilson, they present a glorious vision of West Coast pop that deals as much with gentle melancholy as wide-eyed wonder.Customer Reviews:
Benjamin Paint.......2005-08-01
Simply put, this album will put you in a Trance. Like the title suggests, if you allow the album to run its course in your CD player, you should find some moments of needed introspection. Alas it's refreshing to hear a singer who can actually sing! Even Coldplay's Chris Martin does not stand a chance. Moreover, singer / songwriter Evan Slamka offers melodies that are memorable, haunting and classic though without pointing to familiar melodies from the collective pop subconscious to trigger memories from the listener's melodic comfort zone. Rather, Slamka carves out a style of his own that features heart-on-the-sleeve lyric honesty and a knack for guiding classic melodies through interesting chord changes. One could compare his writing to that of the Beatles, yet only in structure and form, not in style and production. That is to say that Slamka is like the Beatles for his ORIGINALITY, which stands on its own without campy songwriting / production tricks, like those used by Eliot Smith and the Jellyfish (to name a few), aimed at FORCING comparisons with the great songwriting duo.
There is no point in doing a song by song analysis, though I have my favorites (Don't Believe, Empty Room, Stare, How can you laugh, Halfway House). Each song is a classic if you have the patience to let the whole album sink in. If you don't have the patience for this album you likely don't have the patience for many worthwhile things in life. If you think this record is too melancholy it is only that you are not comfortable confronting the underlying feelings this album will stir within you.
Serenade us.......2005-05-16
The Los Angeles quartet creates a dazzling first impression in "Self Help Serenade," a polished indie pop album that combines slow, eerie melodies with panoramic sound. Like a strange dream full of stars and rainy spring forests, this album sticks to your mind even when you wake up... I mean, when it's over. Why did this languish in limbo for three years?
Faint sound effects and a guitar melody kick off "Don't Believe," a dreamy pop song that starts the album off on a dark note. "Don't believe a word they say/they're only there to take you away... don't believe a word they say/they're only trying to scare you away..." Evan Slamka sings in the opener, sounding like a cynical, sad young boy.
Things don't get much more cheerful as the album goes on, using the same kind of epic pop sound that Mercury Rev and the Doves made famous. But in addition to that, Marjorie Fair dips into catchier art-pop, murky ballads, and acoustic laments that are colored by ghostly keyboard.
The songwriting is even more tragic, with Slamka singing, "They found her in a plastic veil/with blood stained boots and glass in her hair." But it ends on a startlingly mellow note, with Slamka resigning himself to his girlfriend leaving. He sounds peaceful as he sings, "My sun is setting over her magic/equal parts caring and tragic/I'll be burning for awhile..."
Marjorie Fair is not just a talented bands. It's also one of the few bands where the musical influences aren't worn on its sleeve -- there are hints of the Beatles, the Beach Boys, the Flaming Lips, and others woven into these songs. But they aren't blatant hints, nor does "Self Help Serenade" ever harken back to other musical eras.
Nor does it succumb to trends, like stripped-down garage-rock. Its fours members manage to create unusually lush sounds. Usually the combined sound is uniformly smooth and sweet, but for example, "Halfway House" has a rich, gritty solo by bassist Scott Lord. "Waves" lets drummer Mike Delisa get to shine. Dain Luscombe' panoramic keyboard is a ruling influence in almost every song. Slamka plays guitar as well, adding a grounding acoustic note to the swirling music. He also sings each song, lending extra poignancy to the already sad songs. This guy has a beautiful voice, and he smears it all over the dismal words ("staring at junkies and cracks in the wall")
Originally recorded in 2002, "Self Help Serenade" was an album definitely worth waiting for. As smooth, rich and eerie as a dream, this may well be a future hit in the world of indie rock.
Great album -- "Stare" and "Waves" are really awesome.......2004-10-21
-Andy Napoli
This is a record that will become legendary.......2004-08-20
From the Beatles to Pink Floyd - it's there and it's deep and it's one of those bands you can't wait to hear more from.
You need to give it a chance. You might not get hooked first listening if you are one of those commercial listeners, but you will be soon enough.
Finally Capitol Releases This Album!!!.......2004-07-20
Average customer rating:
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Self Help Serenade
ProductGroup: Music Binding: Audio CD ASIN: B00022GJWY Release Date: 2004-05-18 |
Album Description
Hailing from Los Angeles the four piece, have created an album that is as rich as it is beautiful, packed full of slow burning melodies & soul-inspiring songs. Tapping into the same vein as Mercury Rev, Grandaddy, Coldplay & Doves whilst drawing inspiration from Neil Young, John Lennon & Brian Wilson, they present a glorious vision of West Coast pop that deals as much with gentle melancholy as wide-eyed wonder.Customer Reviews:
Serenade us.......2005-07-10
The Los Angeles quartet creates a dazzling first impression in "Self Help Serenade," a polished indie pop album that combines slow, eerie melodies with panoramic sound. Like a strange dream full of stars and rainy spring forests, this album sticks to your mind even when you wake up... I mean, when it's over. Why did this languish in limbo for three years?
Faint sound effects and a guitar melody kick off "Don't Believe," a dreamy pop song that starts the album off on a dark note. "Don't believe a word they say/they're only there to take you away... don't believe a word they say/they're only trying to scare you away..." Evan Slamka sings in the opener, sounding like a cynical, sad young boy.
Things don't get much more cheerful as the album goes on, using the same kind of epic pop sound that Mercury Rev and the Doves made famous. But in addition to that, Marjorie Fair dips into catchier art-pop, murky ballads, and acoustic laments that are colored by ghostly keyboard.
The songwriting is even more tragic, with Slamka singing, "They found her in a plastic veil/with blood stained boots and glass in her hair." But it ends on a startlingly mellow note, with Slamka resigning himself to his girlfriend leaving. He sounds peaceful as he sings, "My sun is setting over her magic/equal parts caring and tragic/I'll be burning for awhile..."
Marjorie Fair is not just a talented bands. It's also one of the few bands where the musical influences aren't worn on its sleeve -- there are hints of the Beatles, the Beach Boys, the Flaming Lips, and others woven into these songs. But they aren't blatant hints, nor does "Self Help Serenade" ever harken back to other musical eras.
Nor does it succumb to trends, like stripped-down garage-rock. Its fours members manage to create unusually lush sounds. Usually the combined sound is uniformly smooth and sweet, but for example, "Halfway House" has a rich, gritty solo by bassist Scott Lord. "Waves" lets drummer Mike Delisa get to shine. Dain Luscombe' panoramic keyboard is a ruling influence in almost every song. Slamka plays guitar as well, adding a grounding acoustic note to the swirling music. He also sings each song, lending extra poignancy to the already sad songs. This guy has a beautiful voice, and he smears it all over the dismal words ("staring at junkies and cracks in the wall")
Originally recorded in 2002, "Self Help Serenade" was an album definitely worth waiting for. As smooth, rich and eerie as a dream, this may well be a future hit in the world of indie rock.
Average customer rating:
|
Self Help Serenade
ProductGroup: Music Binding: Audio CD ASIN: B000AA4HPE Release Date: 2005-08-02 |
Customer Reviews:
The Serenade.......2005-08-03
The Los Angeles quartet creates a dazzling first impression in "Self Help Serenade," a polished indie pop album that combines slow, eerie melodies with panoramic sound. Like a strange dream full of stars and rainy spring forests, this album sticks to your mind even when you wake up... I mean, when it's over. Why did this languish in limbo for three years?
Faint sound effects and a guitar melody kick off "Don't Believe," a dreamy pop song that starts the album off on a dark note. "Don't believe a word they say/they're only there to take you away... don't believe a word they say/they're only trying to scare you away..." Evan Slamka sings in the opener, sounding like a cynical, sad young boy.
Things don't get much more cheerful as the album goes on, using the same kind of epic pop sound that Mercury Rev and the Doves made famous. But in addition to that, Marjorie Fair dips into catchier art-pop, murky ballads, and acoustic laments that are colored by ghostly keyboard.
The songwriting is even more tragic, with Slamka singing, "They found her in a plastic veil/with blood stained boots and glass in her hair." But it ends on a startlingly mellow note, with Slamka resigning himself to his girlfriend leaving. He sounds peaceful as he sings, "My sun is setting over her magic/equal parts caring and tragic/I'll be burning for awhile..."
Marjorie Fair is not just a talented bands. It's also one of the few bands where the musical influences aren't worn on its sleeve -- there are hints of the Beatles, the Beach Boys, the Flaming Lips, and others woven into these songs. But they aren't blatant hints, nor does "Self Help Serenade" ever harken back to other musical eras.
Nor does it succumb to trends, like stripped-down garage-rock. Its fours members manage to create unusually lush sounds. Usually the combined sound is uniformly smooth and sweet, but for example, "Halfway House" has a rich, gritty solo by bassist Scott Lord. "Waves" lets drummer Mike Delisa get to shine. Dain Luscombe' panoramic keyboard is a ruling influence in almost every song. Slamka plays guitar as well, adding a grounding acoustic note to the swirling music. He also sings each song, lending extra poignancy to the already sad songs. This guy has a beautiful voice, and he smears it all over the dismal words ("staring at junkies and cracks in the wall")
Originally recorded in 2002, "Self Help Serenade" was an album definitely worth waiting for. As smooth, rich and eerie as a dream, this may well be a future hit in the world of indie rock.
Rock Music:
- Slither [CD-single] [Import]
- Something to Say Pt.1 [CD-single] [Import]
- Songs for My Ute V.3 [Import]
- Strobe [CD-single] [Import]
- Sweet Revenge [Import]
- Symphony for a Misanthrope [Import]
- Taking Tiger Mountain [Import]
- Tell Me What You See, Pt. 1 [CD-single] [Enhanced] [Import]
- The Girl Who Couldn't Hula
- Throwdown Live 2002 [Live]
