Indiana [Import]

Product Description
Japanese pressing of the adult alternative singer/songwriter's 2004 album, scheduled to include bonus material. Details TBA. Toshiba.

Indiana,David Mead,EMI,Rock,Rock/Pop

Average customer rating: Won't be unknown for long Refreshing and Emotional An Indiana Treasure for sure! Saw Jon in Concert in Savannah, GA Indiana

Indiana (with Bonus Disc) - Amazon.com Exclusive Jon McLaughlin ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Similar Items: Chasing Mississippi Everything in Between Undiscovered Who We Are The Break-In ASIN: B000P0IW4G Release Date: 2007-05-01

Tracks:

1. Industry
2. Beautiful Disaster
3. Just Give It Time
4. Already In
5. For You From Me
6. Human
7. Indiana
8. Anthem for American Teenagers
9. People
10. Amelia's Missing
11. Praying to the Wrong God
12. Perfect
13. Until You Got Love

Tracks:

1. Conversations
2. Throwing A Line
3. Industry (live performance video)

Amazon.com

While his friends were cramming economics, science, and business, Jon McLaughlin was studying piano, and his major-label debut confirms that the Indiana-bred singer/songwriter finished at the top of his class. Three years after his self-titled debut, which was the result of a competition triumph at his music school, McLaughlin meshes his upbringing with his adult-life influences (Billy Joel, Ben Folds) for an ambitiously crafted and extrovertly performed album of piano-led rock and balladry. Essentially a memoir for the twenty-something artist, Indiana wanders through admissions and opinions about love, conviction, close acquaintances, and familial bonds. McLaughlin's classical ties are rarely missing and most evident in songs like the good-natured "Industry," the yearning-for-home title track, and "Amelia's Missing," where he shamefully asks, "I can't find my wallet, so how in the hell am I supposed to find the one that I love?" The latter is the kind of heart-on-the-sleeve, fingers-on-the-ivory sincerity that has garnered McLaughlin a loyal contingent wherever he plays--one that's likely to breed as these 13 songs hit the street. --Scott Holter

Album Description

This Amazon.com exclusive version of Indiana includes a 3-track bonus disc, "B-Sides from Indiana", featuring the songs "Conversations" and "Throwing A Line." The bonus disc is also enhanced with the live performance video for "Industry."

Through its emotional ups and downs, its sweeping, hooky and earnest piano-pop, Indiana finds the 24-year-old, Indiana based singer working through romantic tests, and even finds him candidly discussing the status of his young career. "There are songs about relationships, girls, faith, friends, family, and there are even some songs about the music industry," he says. "It's a debut album. Nobody knows how the album's gonna go, I don't know how my career is gonna go, so some songs are about that--me trying to venture out into the big world, and make it work." It's also an album about taking stock of all that's good and bad in your life. McLaughlin dubbed the album Indiana during a point when he was in California and away from his Midwestern hometown for the first time in his life for an extended period of time -- at a time when he was better able to recognize what's beautiful and easily taken for granted in small town America. In the song's sly stanzas, the title track pays homage to his home state, via a string-laden piano ballad. But the songs on Indiana deal in emotions as prevalent in Timbuktu as they are in the heartland: "After all, we're only human," McLaughlin sings in the chorus of the ultra-catchy jewel "Human."

Customer Reviews:

Won't be unknown for long.......2007-07-18

What a fantastic CD!! I heard one amazing song, "Beautiful Disaster", and decided that I had to hear song samples of the rest. After that, I was sold. The CD is a absolute must!

Refreshing and Emotional.......2007-07-16

I thoroughly am enjoying this disc. John is in my eyes very comparable to Gavin DeGraw in that you have an immediate emotional tie to his music. You know that he is truly an artist, and not just someone out there singing a song because he can. I would reccomend this to anyone looking for a new disc to buy.

An Indiana Treasure for sure!.......2007-06-08

Jon McLaughlin is an amazing artist which you will find out very quickly after listening to any of his songs. He has an awesome sound and if you get the chance to see him in concert don't pass it up!

Saw Jon in Concert in Savannah, GA.......2007-06-06

Had'nt heard of him before a couple of nights ago. He opened up for Jonny Lang at the historic Lucas Theatre. He was fantastic. AND after he played he hung out in the lobby posing with fans, signing autographs etc. Just bought Indiana.

Indiana.......2007-05-30

I have not enjoyed a CD so much in so many years! I can't get enough of his music! Jon is the most refreshing musical artist out there today.

Average customer rating: Very disappointing, considering what it could have been Always a pleaser JOHN WILLIAMS 40 Years of Film Music Movie Music Magic & Memorabilia John Williams: 40 Years of Outstanding Film Music

The Music of John Williams: 40 Years of Film Music Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: John Williams - Greatest Hits 1969 - 1999 The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music John Barry: The Collection Summon the Heroes ASIN: B0000C6K09 Release Date: 2003-10-07

Tracks:

1. The Sugarland Express-Main Theme
2. Jaws-Main Theme
3. Close Encounters Of The Third Kind-Suite
4. Raiders Of The Lost Ark-March
5. Raiders Of The Lost Arc-The Map Room:Dawn
6. E.T. The Extra-Terrestrail-Adventures On Earth
7. Indiana Jones And The Temple Of Doom-Mine Car Chase
8. Indiana Jones And The Temple Of Doom-End Credits
9. Empire Of The Sun-Exsultate Justi
10. Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

1. Indiana Jones And The Last Crusade-End Credits
2. Always-Follow Me/Dorinda's Solo Flight
3. Hook-Main Themes
4. Jurassic Park-Main Themes
5. Schindler's List-Main Theme
6. Amistad-Dry Your Tears, Afrika
7. Saving Private Ryan-Hymn To The Fallen
8. A.I. Artificial Intelligence-Where Dreams Are Made
9. Minority Report
10. Catch Me If You Can

Tracks:

1. The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
2. Jane Eyre-Suite: The Jane Eyre Theme
3. Jane Eyre-Suite: To Thornfield
4. Jane Eyre-Suite: Restoration
5. The Cowboys-Overture
6. The Poseidon Adventure-Prelude
7. The Towering Inferno-Main Titles
8. Family Plot-End Titles
9. The Fury-Main Titles
10. Superman-Main Theme
11. Dracula-Main Titles & Storm
12. The River-Main Theme & Love Theme
13. The Witches Of Eastwick- Dance Of The Witches

Tracks:

1. Born On The Fourth Of July-End Credits
2. Presumed Innocent-End Titles
3. JFK-Arlington/End Titles
4. Harry Potter And The Philosopher's Stone-Hedwig's Theme
5. Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
6. Star Wars: A New Hope- Main Theme
7. Star Wars: The Empire Strikes Back-Hans Solo And The Princess
8. Star Wars: The Empire Strikes Back-The Imperial March
9. Star Wars: The Phantom Menace- Anakin's Theme
10. Star Wars: The Phantom Menace-The Flag Parade
11. Star Wars: Attack Of The Clones-Across The Stars
12. Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!

Average customer rating: Music Man One of This Country's Finest Musicals Beautifully Re-Mastered We need a new remaster, nonetheless Accept no substitutes! Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue] Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: My Fair Lady (1956 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) Camelot (1960 Original Broadway Cast) West Side Story (1957 Original Broadway Cast) Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast) ASIN: B000002SNL Release Date: 1992-11-17

Tracks:

1. Act I. Overture/Rock Island - Vern Reed
2. Act I. Iowa Stubborn - Ensamble
3. Act I. Ya Got Trouble - Robert Preston/Ensemble
4. Act I. Piano Lesson - Barbara Cook/Pert Kelton
5. Act I. Goodnight My Someone - Barbara Cook
6. Act I. Seventy-Six Trombones - Robert Preston
7. Act I. Sincere - Buffalo Bills
8. Act I. The Sadder But Wiser Girl For Me - Robert Preston
9. Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
10. Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
11. Act I. My White Knight - Barbara Cook
12. Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
13. Act II. It's You - Buffalo Bills
14. Act II. Shipoopi - Iggie Wolfington, Ensemble
15. Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
16. Act II. Gary, Indiana - Eddie Hodges
17. Act II. Till There Was You - Barbara Cook, Robert Preston
18. Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Average customer rating: John Williams' score for Last Crusade is lighthearted, fun Not the last crusade for John Williams Best Williams Soundtrack As good as Raiders Best of the Indiana Jones scores! A Classic

Indiana Jones And The Last Crusade: Original Motion Picture Soundtrack John Williams Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1980s | By Decade | Soundtracks | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Hook: Original Motion Picture Soundtrack The Lost World: Jurassic Park - Original Motion Picture Soundtrack Indiana Jones Trilogy E.T. The Extra-Terrestrial: The 20th Anniversary Edition Jurassic Park: Original Motion Picture Soundtrack ASIN: B000002LHC Release Date: 1989-05-18

Tracks:

1. Indy's Very First Adventure
2. X Marks The Spot
3. Scherzo For Motorcycle & Orchestra
4. Ah, Rats!!!
5. Escape From Venice
6. No Ticket
7. The Keeper Of The Grail
8. Keeping Up With The Joneses
9. Brother Of The Cruciform Sword
10. Belly Of The Steel Beast
11. The Canyon Of The Crescent Moon
12. The Penitent Man Will Pass
13. End Credits (Raiders March)

Customer Reviews:

John Williams' score for Last Crusade is lighthearted, fun.......2003-11-30

Indiana Jones and the Last Crusade's soundtrack recording, like most albums of the genre, has its virtues and vices. Even keeping in mind that it was released originally in 1989 in records, cassettes, and the still-new CD format, it is still an album that offers John Williams' score for the third film in the Indy series, but not enough of it.

Having veered by design into dark thematic and musical territory in Indiana Jones and the Temple of Doom, director Steven Spielberg, producer George Lucas and composer Williams decided to revisit the more fun and thrilling tones of Raiders of the Lost Ark, adding depth to Indy's character by including his father, Professor Henry Jones, Sr. and new themes reflecting the father-son dynamic and the quest for the Holy Grail.

Keeping in mind the limitations of this album, the music here is enjoyable. Listen to "Indy's Very First Adventure" (track 1) and you can almost see young Indiana Jones (as incarnated by the late River Phoenix) as he goes after the Cross of Coronado in a Utah cave, then is chased as he rides first a horse, then a circus train, to get the relic to the sheriff before a band of thugs catches him. It's a very 1930s-style action key in the vein of Erich Korngold, but (and here's the rub) it is missing the segue to the conclusion of the sequence as seen in the final scene, when the rogue archaeologist places his fedora on young Indy's head, then with the appearance of the Raiders March Phoenix's face is obscured, to be replaced by Harrison Ford's as Spielberg flashes 26 years forward to 1938 and a storm-tossed freighter off the Portuguese coast.

The music of The Last Crusade veers from the rollicking "Scherzo for Motorcycle and Orchestra" (track 3 and one of the most clever cue titles), which has a recurring motif heard as underscore during Henry and Indy's adventures as they evade their Nazi pursuers. Williams intercuts that lively theme with a darker musical idea for the Nazis, which evokes an evil militaristic order (in the style of his Imperial March from The Empire Strikes Back) with its minor keys and jeering brass notes. The short cue "No Ticket" (track 6), heard when Indy, dressed as a German airship crewman, punches out SS Col. Vogel (Michael Byrne) and sends him flying from the Zeppelin's window, is wryly humorous, while "The Belly of the Steel Beast" (track 10), with its suspenseful atmosphere and rising crescendos recalls Indy's attempts to rescue his dad and Marcus Brody from an enemy tank in the desert of Hatay.

The famous Raiders' March is seldom heard on this CD, being briefly stated in tracks 3 and 10 and only coming to the fore in track 13, "End Credits (Raiders' March)," where it is married to the "Scherzo" and the sentimental theme for Henry. Nevertheless, for Williams' aficionados, this CD is an enjoyable one.

Not the last crusade for John Williams.......2003-01-05

Indiana Jones and the Last Crusade is a solid action score that is worthy of a 5 star rating. John Williams excels once again in this next adventure of Indiana Jones. The Raiders March is largely underused in this score, instead giving room for some new themes. "Indy's Very First Adventure" starts out suspensefully and then explodes into some powerful action music. One of the new themes is found in "X Marks the Spot" and "Ah, Rats!!!" which is a beautiful string and brass motif. Another theme occurs in almost all of the action cues which is a theme for the Nazis played mainly on brass, especially on trumpet. "Scherzo for Motorcycle and Orchestra" is an exciting action cue with bouncy woodwinds and bold brass fanfares. "Escape From Venice" is another solid action cue with lots of brass and snare drums with some Italian instruments thrown in to represent the setting. Most of the remainder of the music is of the action type with all of the themes, including the Raiders March getting a full rendition in the final track "End Credits". This is an overall great action score that I think you will really enjoy, especially if you liked Raiders of the Lost Ark. Just don't expect to hear much of the Raiders March until the final track.

Best Williams Soundtrack.......2002-12-10

If you're a John Williams fan, you can pick out, either on movie trailers, radio stations or shuffled CDs, which songs are written by him. He has a very distinct style. If you are big John Williams fan, not only do you perk up when you hear his music, but you can name what movie it's from. And, if you're an obsessed John Williams fan, you can not only name the movie, but the exact part in the movie, what the character is doing, and the key that the music is in. I'm not to that point yet. But when it comes to "The Last Crusade Sountrack", you could say that I am an obsessed John Williams fan. This one, I think, is undoubtedly his best.

One of the greatest things about Mr. Williams is that he has strong melodies that are quite memorable. (Just think of how often you hear "Jaws" in parodies and otherwise). "Indiana Jones and the Last Crusade" has distinct melodies on nearly every track. That's why I think this soundtrack is the best he's ever composed.

The best track, by far, is track 3--"Scherzo for Motorcycle and Orchestra". Goofy name. You don't actually hear a motorcycle in the music, just pizzicato strings, pic and other instruments to form quite a song. (This is the part in the movie where he's being chased on motorcycle.) It's driving and intense ...and very cool. I think it's probably the most underrated Williams song in all of history. Any my favorite.

There are two other tracks that are bright as well. "Escape from Venice", track 5, is an adventurously played mandolin/full symphony orchestra piece. It's very intense, but also has a few whimsical parts with a mandolin that keep it light. The other track, "In the Belly of the Steel Beast", track 10, is slower and heavier, featuring mostly low instruments. This, of course, is the tank part in the movie. Although it's slower, it still has some quickly tempo-ed parts that'll keep your blood moving. And, best of all, all of these themes are starkly different from each other.

In fact, that's the best thing about the whole soundtrack. You find, on nearly every track, that the melodies differ quite a bit from one another. From "No Ticket", which is a whimsical piece, to "The Grail Theme", that features a somber, pretty and sober melody, to "Keeping up with the Joneses", a sometimes bright and sometimes sad melody, you can find a nearly new, memorable song on each track. That was a run-on sentence, wasn't it.

Nearly every track on this CD is worth mentioning. Track 13, the last track, features not only the grail theme, but "Raider's March" and "Scherzo for Motorcycle & Orchestra". The first track, "Indy's First Adventure", is also good. In short, every single track on this whole CD is worth its weight in gold.

If I could recommend any CD to anyone, this would be it. It's on my list of the top 5 CDs of all time. And I guarantee, if you get it, you won't regret it.

As good as Raiders.......2002-10-16

That's right! It's difficult to me to say which soundtrack is better, this captures the essence of the mov, spite not having all music. Perhaps this one could even be better than raiders having great music like scenes from the beginning or the castle.

"Indy's Very first Adventure" has a mysterious beginning, but then changes to an exciting, adventure tone as the young Indy escapes with the cross of Coronado(which has a little theme too)
"X Marks The Spot" begins with a wonderful little cue for the trip to Italy by plane. Then the tone rises from mysterious notes to a bang as Indy say the title of the track.
"Sherzo For Motorcycle and Orchestra" is the scene when the Joneses escape from the Castle, being an exciting track, which introduce that cool Nazi cue (actually in the mov it appeared before!)
"Ah, Rats!!!" has a fine variation of the Grail's theme (so archeologic part!) and a big explosion in the end.
"Escape From Venice" is a nice action music, that adds a kind of greek guitars for Kazim.
"No Ticket" is one of the most adored cues, covering the part of Indy taking care of Colonel Vogel.
"The Keeper Of the Grail" has a little theme for the knight and the notes get darker as Donovan makes his choice.
"Keeping Up With The Joneses" is a mix of variations of the father/son relationship appearing some parts in the mov.
"Brother of The Cruciform Sword" has a full rendition of the nazis theme.
"Belly Of The Steel Beast" is probaby the most adored, and I agree since it's powerful music for an action scene with a lot of marches for the fight with nazis. A true gem!
"The Canyon Of the Crescent Moon" contains some arabic touches and "The Penitent Man Will Pass" has the grail's theme at his maximum with choirs.
The soundtrack comes to an end with "End Credits".

"Indiana Jones and The Last Crusade" has an excellent score for the last(not exactly) mov of the saga. I'm waiting ansiously for John Williams return for Indy 4.

Best of the Indiana Jones scores! A Classic.......2002-09-18

Of the three Indiana Jones scores, the Last Crusade is the best. Williams combines his experiences from the last 2 movies into this grand adventure score. From the whimsical bars of the first track: Indy' First Adventure to the last track's powerful Raiders March, this score encompasses a wide variety of emotions and themes. Besides the Raiders March, Williams wrote themes for Young Indy, a Grail Theme, a Nazi theme and a theme for the Dr. Joneses. This theme is one of the greatest in cinematic history. The only prolonged usage of the familiar Indiana Jones music is in the End Credits, most of the rest of the score is not supported by Williams grand march, signifying the series maturity. Plus you also catch a very fast hint of the Ark theme from Raiders of the Lost Ark. This score is excellent and is highly recommmended to fans of John Williams.

Average customer rating: Beautiful Collection of Songs A Legend in all.....La Callas. Excellent compilation of La Divina's arias Some people have no business reviewing this BELLA BELLA BELLA!

Maria Callas, the Voice of the Century Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Catalani, Alfredo | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Charpentier, Gustave | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Delibes, Leo | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gluck, Christoph W. | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Meyerbeer, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Saint-Saens, Camille | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Similar Items: The Very Best Of Maria Callas Maria Callas - At Covent Garden 1962 and 1964 Maria Callas: The Legend Puccini: Arias The Most Famous Opera Duets ASIN: B00000631B Release Date: 1998-03-17

Tracks:

1. Norma: Casta Diva (Atto I): Norma
2. La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
3. Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
4. Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
5. Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
6. La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
7. La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
8. La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
9. Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
10. TOSCA: Vissi D'arte (Atto II): tosca
11. Turandot: In questa reggia (Atto II): Turandot
12. La Wally: Ebben? ne andro lontana (Atto I): La Wally
13. Andrea Chenier: La mamma morta (Atto III): Andrea Chenier

Tracks:

1. Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
2. Alceste: Divinites du Styx (Acte I)
3. Dinorah: Ombra leggiera (Atto II) (Shadow Song)
4. Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
5. Faust: Les grand seigneurs...Ah! je ris (Acte III)
6. Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
7. Samson et Dalila: Printemps qui commence (Acte I)
8. Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
9. Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
10. Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
11. Carmen: Les tringles des sistre tintaient (Acte II)
12. Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
13. Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
14. Louise: Depuis le jour (Acte III)

Customer Reviews:

Beautiful Collection of Songs.......2006-07-15

I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.

A Legend in all.....La Callas........2005-04-24

I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :

Article Title : 'I am sorry!'

'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D

Excellent compilation of La Divina's arias.......2005-03-21

This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!

Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.

Some people have no business reviewing this.......2005-01-25

My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!

Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!

BELLA BELLA BELLA!.......2004-11-23

THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!

Average customer rating: A good value The Sound Track Since Bernard Hermann Good mix of film music A mixed collection of movie music Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Holdridge, Lee | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Paramount 90th Anniversary Collection: Scores In Session: Film Music Celebration The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music Music In Film (National Public Radio Milestones Of The Millennium) ASIN: B00008WI90 Release Date: 2003-04-22

Tracks:

1. The Man from Snowy River (Bruce Rowland)
2. The Winds of War (Bob Cobert)
3. Blue Velvet (Angelo Badalamenti)
4. Witness (Maurice Jarre)
5. Raising Arizona (Carter Burwell)
6. Pee Wees Big Adventure (Danny Elfman)
7. Halloween (John Carpenter)
8. A Nightmare On Elm Street (Charles Bernstein)
9. The Fly (Howard Shore)
10. RoboCop (Basil Poledouris)
11. The Empire Strikes Back (John Williams)
12. The Right Stuff (Bill Conti)
13. The Final Conflict (Jerry Goldsmith)
14. The Abyss (Alan Silvestri)
15. Brainstorm (James Horner)
16. Peggy Sue Got Married (John Barry)
17. My Left Foot (Elmer Bernstein)
18. The Dead (Alex North)
19. Stanley & Iris (John Williams)
20. The Milagro Beanfield War (Dave Grusin)
21. Driving Miss Daisy (Hans Zimmer)

Tracks:

1. Steel Magnolias (Georges Delerue)
2. Unforgiven (Lennie Niehaus and Clint Eastwood)
3. Raggedy Man (Jerry Goldsmith)
4. The Grifters (Elmer Bernstein)
5. Green Card (Hans Zimmer)
6. City Slickers (Marc Shaiman)
7. Father Of The Bride (Alan Silvestri)
8. While You Were Sleeping (Randy Edelman)
9. Babe (Nigel Westlake)
10. The Adventures Of The Great Mouse Detective (Henry Mancini)
11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
13. The Secret Garden (Zbigniew Preisner)
14. A Little Princess (Patrick Doyle)
15. Rudy (Jerry Goldsmith)
16. Iron Will (Joel McNeely)
17. Memphis Belle (George Fenton)
18. Eye Of The Needle (Mikl)
19. Total Recall (Jerry Goldsmith)
20. Back To The Future Part III (Alan Silvestri)

Tracks:

1. To Die For (Danny Elfman)
2. The Player (Thomas Newman)
3. Black Robe (Georges Delerue)
4. Medicine Man (Jerry Goldsmith)
5. 2001 (Alex North)
6. Star Wars: Shadows Of The Empire (Joel McNeely)
7. The Crow (Graeme Revell)
8. Blade (Mark Isham)
9. The Omen (Jerry Goldsmith)
10. Vertigo (Bernard Herrmann)
11. Scream (Marco Beltrami)
12. The Sixth Sense (James Newton Howard)
13. Xena: Warrior Princess (Joseph LoDuca)
14. Air Force One (Jerry Goldsmith)
15. Starship Troopers (Basil Poledouris)
16. The Matrix (Don Davis)
17. The Iron Giant (Michael Kamen)
18. Youve Got Mail (George Fenton)
19. A Little Romance (Georges Delerue)
20. Pleasantville (Randy Newman)

Tracks:

1. Sunset Boulevard (Franz Waxman)
2. L.A. Confidential (Jerry Goldsmith)
3. Rounders (Christopher Young)
4. The Score (Howard Shore)
5. The Replacements (John Debney)
6. Gone In 60 Seconds (Trevor Rabin)
7. The Bourne Identity (John Powell)
8. Rush Hour 2 (Lalo Schifrin)
9. XXX (Randy Edelman)
10. Die Hard (Michael Kamen)
11. The Last of the Mohicans (Trevor Jones)
12. Moby Dick (Christopher Gordon)
13. The Mists Of Avalon (Lee Holdridge)
14. Cleopatra (Alex North)
15. Life As A House (Mark Isham)
16. Emma (Rachel Portman)
17. In The Bedroom (Thomas Newman)
18. Cast Away (Alan Silvestri)
19. One True Thing (Cliff Eidelman)
20. Unfaithful (Jan A.P. Kaczmarek)
21. Far From Heaven (Elmer Bernstein)
22. Ice Age (David Newman)
23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating: Early Callas A litmus test for appreciating Callas Great recordings of the century A label this recording deserves

Lyric & Coloratura Arias by Maria Callas (EMI's Great Recordings of the Century) Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Puccini: Arias The Very Best Of Maria Callas French Coloratura Arias Verdi: Arias, Vol. 1 Maria Callas 100 Best Classics ASIN: B000AQACUM Release Date: 2005-09-13

Tracks:

1. Ecco: Respiro Appena. Io Son L'umile Ancella
2. Poveri Fiori
3. La Mamma Morta
4. Ebben? Ne Andro Lontana
5. L'altra Notte In Fondo Al Mare
6. Una Voce Poco Fa
7. Ombra Leggera
8. Dov'e L'Indiana Bruna?
9. Merce, Dilette Amiche
10. Dei Tuoi Figli La Madre
11. Tu Che Invoco Con Orrore
12. O Nume, Tutelar
13. Caro Oggetto

Customer Reviews:

Early Callas.......2007-05-12

This is a very fine representation of Maria Callas in her early prime. The voice is in great shape and this is a wonderful introduction to her artistry and range of styles, especially for interested parties who do not know her. This is a must to have in your vocal collection.

A litmus test for appreciating Callas.......2006-03-17

I can remember my shock at eightenn when I was on my own for the first time and could play any recordings I wanted without offending my non-musical family. I knew Maria Callas by reputation and bought one of her famous performances, Carmen, only to hear not a celestially beautiful voice but a hooded, murky one that wobbled in all registers and screeched in the upper ones. Everyone who first encounters her discovers that Callas was possessed of a mesmerizing artistry but nothing like a lovely voice. In fact, she disdained lovely singing. This is too well known to repeat again; everything about Callas has been over-described, analyzed, worshipped, condemned, apologized for, and obsessed over.

Her Carmen came late in her career, unlike this famous mono recording from 1954, but its close miking and hard sound (made better by remastering) reveal all too painfully the same flaws. It could serve as a litmus test for whether a listener will ever "get" the Callas phenomenon. Her artistry couldn't be more intense and searching than it is in the five verismo arias at the beginning--even non-opera lovers know her 'La Mamma Morta' from its heartbreaking use in the movie 'Philadelphia,' where the dying Tom Hanks acts out its meaning as he walks in a trance of ecstasy clutching his IV stand.

I have lain awake listening to those five arias every night for a month, and it says something for Callas's art that I can foresee listening to them again. Not now, perhaps, becasue even the best things wear out with repetiiton. I just thought it was good to pay tribute to them and the deep emotions they inspired. My incidental motive, since EMI has rehashed every Callas item to death, is to point out that this indeed is one of her greatest recordings, an essential not just for lovers of singing but for the history of opera itself.

Great recordings of the century A label this recording deserves.......2005-09-21

Recorded in September 1954 together with Puccini Arias. This recording shows the La Divina in the prime of her vocal abilities. This 1954 recording presents Callas with enormous range of musical styles in which the La Divina was entirely at home. This recording refects Callas ability not just to sing but to put drama in every aria. I am happy that finally EMI gave this recording the recognition in it deserves "Great Recordings of the Century". For those who do not want to purchase the Recitals 1954-1969 [BOX SET] or plans to buy the recital collection one buy one , I strongly suggest to purchase this edition, the cover has the original cover artwork of the original LP (very nostalgic).

Average customer rating: A Tremendous Recording Dark, dismal & depressing cello Essential recording Soft Cello for the soul and the mind. Music to hear a hundred times or more

Cello Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Electronic | Instruments | Classical | Styles | Music | Computer General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music ECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music ECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music Similar Items: Dark Wood The River Epigraphs Eight String Religion Musical Massage: Balance ASIN: B00000DTFW Release Date: 2000-05-16

Tracks:

1. Darkwood I
2. No Place Nowhere
3. Fables
4. Darkwood ll
5. Lament
6. Two Or Three Things
7. Indiana Indian
8. Totem
9. Psalm
10. Choral
11. The Bell
12. In November
13. Darkwood lll

Customer Reviews:

A Tremendous Recording.......2004-01-30

I've never heard cello music sound like this. It was first introduced to me by a friend. I don't find his work to be confined to being "New Age" or "Classical". It's very univeral.

Each recording layers intense drones and pluckings of the cello's voice which still have me guessing at how he could create such noises!

It might feel a bit dark and solemn upon the first listen, but its a lot more complex than that. David Darling is a magician of a craftsman, and this record never stops astounding me.

Dark, dismal & depressing cello.......2003-07-16

Buy this CD only if, for some reason, you need appropriate mood music for sipping absinthe or hemlock . . . whichever.

Essential recording.......2002-03-07

artist: David Darling
title: Cello
label: Editions of Contemporary Music
[released 1992] ECM 1464 (cd#511982)

Revisiting old acquaintances portends, sometimes, a pleasant journey. I still remember those long lost ECM LP's i had years ago ; for some time, i explore the current ECM catalog which contains many splendid silver discs.

There are things that, for mysterious reasons, did not resurface on the market, such as a fine atmospheric recording by french-horn player John Clark ("Faces" [1980] ECM 1176). Similarly, i regret an excellent album from Arild Andersen ("Clouds In My Head" [1975] ECM 1059). Alas, looks like several great ECM recordings from the LP era will never make it on cd. But, as a consolation, one thing is sure : In the bunch of recent recordings (those of the 'CD era') there are truly superb ones---many of them as remarkable as the first generations ECM's.

That leads us to this admirable recording, certainly one of the great albums on ECM in the 1990's and, indeed, from their entire catalog. Listening to David Darling's "Cello", i felt immediate images ; here the cinematic quality of the music emphasizes communication between musician and listener. The beautifully crafted sonic universe is rendered at no less than audiophile quality level, thanks to Manfred Eicher's production at Rainbow Studio in Norway (top engineering is a usual trademark of this label).

For this work Darling uses the acoustic cello and completes with the aerial and wonderful sonorities of the eight-string electric cello, to which sometimes he adds special effects such as the use of a digital delay. The recording has lots of space, an ethereal, vast and contemplative atmosphere, not unlike that of John Surman's "Upon Reflection" (ECM 1148). To my view, here is music to unfold the sky ; i imagine myself dancing alone, in a field, looking at the passage of clouds above my head, under the winds of a vast autumnal landscape. I don't want to sound esoteric---this music is neither esoteric nor is it really new age... It is pure and simple contemporary in good old ECM fashion.

David Darling succeeds in the presentation of his solo works (more compositions than improvisations, i guess): Darkwood 1 is much like the overture to a classical composition. In fact, the album starts on a mood that recalls the eerie pastoral response typical of the finest classical/folk works from Scandinavia or England. The sonic crossroads of "Cello" build bridges between different styles of music---folk, classical, jazz and world music. The result is an extraordinary sort of contemporary music, in my opinion... The album surpasses the abusive limitations of a definite genre.

"Cello" is all about atmosphere. Still, it is at once strange and melodic. Most of the tracks sound enigmatically distant and sombre like a late November afternoon. I can't think of another record that can bear comparison to this one.

Darling is a classically trained musician who played with the Paul Winter Consort in the early 1970s. He also played music with many notable jazz musicians, including Jan Garbarek and Ralph Towner. This CD shows to great effect the 'verbal' utterance and articulation of this wondrous orchestral and solo instrument. Another unusual and, indeed, essential recording by the ECM label. *****

Soft Cello for the soul and the mind........2001-11-26

Generally I don't beleive that New Age music has to be so Preachy as it tends to do.......after all, not everyone who listens to New Age music listens to it to Meditate or to Reap its universal messege of oneness......I personally dont agree with all that stuff........I listen to it strickly for the peacefullness and to escape from the Rock music sometimes.

David Darling is proving himself in my mind to do exactly what I buy his music for..........I find myself listening to "Cello" in my car in the morning before going into a stressful day of work.
I listen to his music on the way home from such a day also.
I leave it up to God to ease my thoughts and my restless spirit,
However......listening to this music is like taking an Asprin....
it at least gets you prepared for whats ahead and perhaps prevents more headaches to come.

I Own Six David Darling Cds.....the 2 Musical Messege Cd's.....
"8 String Religion"........"Darkwood"........"Cello" and "Cello Blue".
I Can't say I favor one over the other.
David also worked along with my favorite Piano music.....Michael Jones on an LP called "Amber".......I own that on LP but cant find it anywhere on CD..........I highly recommend that to those who enjoy David.

Music to hear a hundred times or more.......2001-04-28

I've had this CD for at least five years and it has never really left my pile of CD's that I listen to on a regular basis. It is quiet but tough and never vapid. There is grit here as well as serenity. I always liked the music in Godards films and several of the pieces here are dedicated to Godard and are very evocative of his films. The best CD I have heard by David Darling.

Average customer rating: Good Try Actually pretty good. No John Williams mean STUPID MUSIC! Not a soundtrack! Well done of the Prague Philh. Orch.!

Indiana Jones Trilogy Various Artists Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Jurassic Park: Original Motion Picture Soundtrack Hook: Original Motion Picture Soundtrack Back To The Future Trilogy (Film Score Re-recording) Music from the Star Wars Saga E.T. The Extra-Terrestrial: The 20th Anniversary Edition ASIN: B00007GZKR Release Date: 2003-01-21

Tracks:

1. The Raiders March
2. The Map Room: Dawn
3. The Basket Game
4. Marion's Theme
5. Airplane Fight
6. The Ark Trek
7. Raiders of the Lost Ark
8. Anything Goes
9. Nocturnal Activities
10. The Mine Car Chase
11. Finale & End Credits
12. Indy's First Adventure
13. Escape From Venice
14. Keeping Up With The Joneses
15. Finale & End Credits
16. Anything Goes (Bonus Track)

Amazon.com

Fresh from their box-office triumphs on Close Encounters and the initial Star Wars chapters, Steven Spielberg and George Lucas used their combined studio clout to foster what must have seemed a long shot to some: a revival of the long-moribund action-adventure movie serials of their youth. The resulting exploits of Indiana Jones added another billion dollars or so to their coffers--and offered yet another opportunity for scoring legend John Williams to exercise his preternatural abilities to both inform the films with a nigh-perfect musical sensibility and play to the grandstands with rousing aplomb; "The Raiders March" quickly became one of cinema's most recognizable and enduring melodies. The three generous suites here (performed by the City of Prague Philharmonic under the baton of Nic Raine) re-create Williams's music with faithful energy, from the brass flourishes and Biblical mysteries of the first installment to the bright exuberance of Temple of Doom and the playful recapitulation of The Last Crusade. This 73-plus-minute collection also includes a bonus vocal performance of one of Temple of Doom's key motifs, Cole Porter's "Anything Goes." --Jerry McCulley

Customer Reviews:

Good Try.......2007-06-10

This soundtrack was a good try because this is not the London Symphony Orchestra with John Williams conducting.
They have a little to much energy on the Raiders March (if you own the original soundtrack you'll know what I mean)
Still not bad.

Actually pretty good. .......2006-04-30

"Indiana Jones and the Temple of Doom" I believe is one one of John Williams best scores. Unfortunately, it has been out of print for some time. This album contains excerpts from all three of the Indiana Jones films. They are not the original recordings but this is a good effort and actually is quite an enjoyable listen. I have gotten alot of enjoyment from this CD. If you enjoy the compositions of John Williams or are a fan of Indiana Jones as I am , I would recommend this very much.

No John Williams mean STUPID MUSIC! .......2005-11-02

There is no way one can honestly call this Indiana Jones music with a clear conscience. The chords are off, and some of the songs are even missing NOTES! They slur when they aren't supposed to, they're giving John Williams THE GREAT a bad name! Indiana Jones movies are best ever in the entire world, and this "soundtrack" or "recording" or WHATEVER it's SUPPOSED TO BE, is dragging them through the mud! Horrible.

Not a soundtrack!.......2005-08-04

Come on, Amazon, you list this under "Soundtracks" when it clearly is but a later rerecording of the original score. A rerecordings is not a sountrack! The average customer would think something you list inder "Soundtracks" would in fact be a soundtrack and would find out it actually is but a rerecording of the score only by going over the details of these reviews. It might be great music, but a rerecording is not a soundtrack!

Well done of the Prague Philh. Orch.!.......2005-04-02

Since there is no album from John Williams himself who brings these great soundtracks of these 3 fantastic movies together, you may say that one is well done!
OK, it's not the Boston Pops Orchestra or the London Symphonic Orchestra, and OK, it's not the master himself who is conducting.
But Nic Raine and the City of Prague Philharmonic Orchestra do it very well! They have kept the spirit of the director and the soundtrack-composer. One little detail: the brass-section overdoes sometimes the rest of the instruments...
Conclusion: a must have CD, and the price is OK!
GSX

Average customer rating: Great Music From J5 Here we go again!!!! J5 Live! Finally on CD Change Is A Comin'

Lookin' Through the Windows/Goin' Back to Indiana The Jackson 5 Manufacturer: Motown ProductGroup: Music Binding: Audio CD Classic R&B | R&B | Styles | Music General | R&B | Styles | Music Motown | R&B | Styles | Music General | Soul | R&B | Styles | Music Philly Soul | Soul | R&B | Styles | Music R&B | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Dancing Machine/Moving Violation Diana Ross Presents the Jackson 5/ABC Third Album/Maybe Tomorrow Goin' Places Triumph ASIN: B00005N8V2 Release Date: 2001-08-14

Tracks:

1. (Bill Cosby-Tommy Smothers Intro) I Want You Back
2. (Bill Cosby Intro) Maybe Tomorrow
3. (Rosey Grier Intro) The Day Basketball Was Saved
4. Stand
5. I Want To Take You Higher
6. Feelin' Alright
7. Medley: Walk On/The Love You Save
8. Goin' Back To Indiana
9. Ain't Nothing Like The Real Thing
10. Lookin' Through The Windows
11. Don't Let Your Baby Catch On
12. To Know
13. Doctor My Eyes
14. Little Bitty Pretty One
15. E-Ne-Me-Ne-Mi-Ne-Moe (The Choice Is Yours To Pull)
16. If I Have To Move A Mountain
17. Don't Want To See You Tomorrow
18. Children Of The Light
19. I Can Only Give You Love
20. Love Song
21. Who's Lovin' You (live in Gary, Indiana)

Amazon.com

The soundtrack album from the Jackson 5's 1971 TV special Goin' Back to Indiana is largely for completists. Strong new studio versions of "I Want You Back" and "Maybe Tomorrow" share space with murkily recorded but enjoyable live funk-rock and too much sketch material that doesn't work on record. Its follow-up, Lookin' Through the Windows, stands as one of the outfit's most consistent Motown long-players. It documents the Jacksons' continuing move toward softer soul music on the excellent title track, a Philly-style cover of "Ain't Nothing Like the Real Thing," "Don't Want to See Tomorrow," and even a version of Jackson Browne's "Doctor My Eyes." "Don't Let Your Baby Catch You" is an edgier cut in the Funkadelic vein, while "E-Ne-Me-Ne-Mi-Ne-Moe (The Choice Is Yours to Pull)" makes a final trip to the kid-stuff style of "ABC" and "The Love You Save." An Indiana concert outtake of "Who's Lovin' You" and the Windows B-side "Love Song" expand this CD to nearly 80 minutes. --Rickey Wright

Customer Reviews:

Great Music From J5.......2006-03-03

This was a great walk down memory lane.
The quality was superb.

I wish that obtaining the taped version of the show was easier.
I did a real search for J5 VHS-DVD taped shows and found the show.

This Cd is a must for any real Motown J5 fan.

Peace and Blessings

Here we go again!!!!.......2005-10-19

This set use to be my most played Jackson 5 double album/single cd series. The rehearsal numbers for "I Want You Back" and "Maybe Tomorrow" are damn good to practice your J5 Choreography and Vocal ability. The first album goes downhill when they feature the basketball skit cause it's all pointless action,but it's a funny storyline featuring Jackie being the hero who saved basketball. But the album,without warning,explodes into your soul as the brothers open up with a live performance and sing a series of inspirational grooves with flawless execution. "Stand" has THE BEST drum opening i've ever heard in a song,while "Take You Higher" showcases Tito Jackson's raw guitar playing over a traditional drive from the drummer. The medley of "Walk On/The Love You Save" is really good. I like how both Tito and Jermaine take the forefront and play together on their guitars. The brothers get to speak out on afterwards and they do a MUCH BETTER version of "Going Back To Indiana" (Thank God!!!). After that album is over with,it's time to calm down and listen to one of the best and well-done remakes the J5 has ever done,"Ain't Nothing Like The Real Thing". Very,very,very excellent track to open up the new album with and I love how Michael and Jermaine,once again,share the song. My other favorites on the "Looking Through The Window" album is the title track,"If I Have To Move A Mountain","Little-Bitty-Pretty-One",and "Doctor My Eyes" kinda grew on me. And,like on all of the double album sets,are included some bonus material which in this particular set includes the live version of "Who's Loving You" which everyone knows was done in the American Dream movie. I'm just glad Michael decided to belt out some "Oh's" and "Ow's" like he did on the Ed Sullivan show which is my favorite part of the song. How about that Michael?!!

J5 Live!.......2005-07-29

This is a pretty good combination here! GBTI is an interesting history lesson with a beat that you can dance to. Some of it is off of a 1971 TV special of the same name (which I vaguely recall watching when I was around 6 years old). The skit stuff might work better as a DVD of this special (are you listening Berry Gordy?), but to hear the J5 Live with "Cousin" Johnny Jackson on drums and Ronnie Rancifer on the organ (whatever happened to those guys?) as well as Jermanine and Tito actually playing guitar and bass is amazing. Makes you wonder why Motown didn't let these guys really play their own instruments on their records all along. They really cook it up!

LTTW is a favorite of mine in part for personal reasons. I was visiting relatives in Harlem when I was 7 during the summer of 1972 and this and MJ's solo "Ben" were all over the radio. Back in Charleston, all the kids were digging this LP and I've always felt that "Dont Let Your Baby Catch You Fooling Around" was sadly underrated (originally considered too suggestive when recorded in 1969-go figure)! But childhood memories aside, this is a great CD and will easily explain why the J5 ruled the youth culture of the era. Listen and enjoy.

Finally on CD.......2003-07-10

Thirty years after their release, these two albums finally make their first CD appearance. However, they are very different records and listening to them for unity's sake is not advised. The first, the soundtrack to the group's 1971 TV concert special, is hit-and-miss. The new, pseudo-live versions of "I Want You Back" and "Maybe Tomorrow" are good, though abbreviated. The narration and banter that filled the skits are not meant for audio alone; without the visuals (especially on "The day Basketball was Saved"), the tracks are severely lacking. From the live concert portion of the album, their takes on "Stand!" and "Who's Lovin' You" work well, as does "Feelin' Alright," one of the best cuts here. "Walk On/The Love You Save" is great, and "Walk On" is the only J5-penned song that Motown released. The bonus cut "Who's Lovin' You" is awesome live, though the mix is not as good as it appears on the soundtrack to "The Jacksons: An American Dream" soundtrack. The other live songs are not as interesting. The second half of this disc, 1972's "Lookin' Through the Windows" album, was one of the J5's most successful. It contained two hits, the "Shaft"-influenced title track and the energetic cover of "Little Bitty Pretty One." This album is the last standard bubblegum pop from the group, but do not overlook it based on that. For instance, the vocal trading on this album is prevalent, and the group sounds better than ever as their voices have matured; particularly Jermaine, whose earlier raspy voice had now evolved into a silky smooth croon compared at the time to a young Marvin Gaye. The title track is notable in that it is the first time Michael argued with the producers to let him sing HIS way. "E-Ne-Me-Ne-Mi-Ne-Moe" is a standout track, full of energy and soul, musically in the vein of "I Want You Back." The most eye-opening song here is "To Know," with lush horn and string arrangements and beautiful harmonies. The album's low point, "Don't Want to see Tomorrow," (in which Michael recites the title in Spanish, albeit painfully) is filler, but all told "Windows" has some surprisingly impressive music.

Change Is A Comin'.......2001-12-27

The first disc coughs up J5 live and it sounds amazing. Its clear they were real musicians and had the energy and style to pull off such fusions as "Walk On/The Love You Save". But the second disc is the heart stopper. Songs such as "Looking Through The Windows" are so simplistic and breezy you not only listen to them you marvel at its pure pop elements. The whole disc is great and has to be enjoyed in a whole sitdown. When was the last time a cd drew you in so deep you had to sit and listen to the nuances before you really understood the content!

Rock Music:

1. In Tennessee [Import]
2. King of Psyborg Rock Star [Import]
3. Ladies & Gentleman of the Opposition [Import]
4. Live at the Cubby Bear [Live]
5. Live [Import]
6. Live in Japan [Live]
7. Love Bites & School Nites [Import]
8. Marigold Sky [Import]
9. Melancholy Death of [Import]
10. Melodrama [Import]

Rock Music