Silent Way [Import]

1. Silent Way

2. Waiting Forthe Fall

3. Stella Sea

4. White Dots On Blue

5. Goin' Out Of My Head

6. Rollercoaster

7. Strange Day

8. Psychdelic Breakfast

9. Rainy Morning

10. Endless Word

Silent Way,Color Filter,Pony Canyon,Rock

Average customer rating: Electric, yet eerily quiet The bible of Miles' fusion period Will Always Take You Where You Need to Be Shhh, don't tell anyone but Miles gives me a headache Fusion's Mission Statement

In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Similar Items: Bitches Brew A Tribute to Jack Johnson Miles Smiles Kind of Blue Birth of the Cool ASIN: B00006GO9Q Release Date: 2002-08-20

Tracks:

1. Shhh/Peaceful
2. In A Silent Way

Amazon.com

Miles Davis's famous mid-1960s quintet, featuring saxophonist Wayne Shorter and pianist Herbie Hancock, was intact until just a few weeks before his new, electric ensemble recorded In a Silent Way. Legendary as a kind of line in the sand challenging jazz fans during the ascendance of electric, psychedelic rock, In a Silent Way hinted at the repetitive polyrhythms Davis would employ throughout the early 1970s. It also partook generously of electric piano and bass and rekindled the tonal palette that Davis had explored famously with Kind of Blue. But In a Silent Way remains a clearly electric jazz record, part ambient color exploration, part rock-inflected energy and vibe, and part outright maverick creativity. Davis takes many long, breathy solos, and they glisten in a burnished blue against his new group's strange admixture of musical moods. --Andrew Bartlett

Customer Reviews:

Electric, yet eerily quiet.......2007-05-22

Released in 1969, this album marks Miles full blown emergence into the realm of jazz rock although there are other influences besides jazz and rock including a bit of minimalism. Musically, this recording is very relaxed and is dominated by eerie organ parts and a monotonic acoustic bass and drum parts. I especially like Miles use of space; even when he is not playing it speaks volumes.

Apart from Miles (trumpet), the list of musicians on this album reads like a who's who of jazz rock: Herbie Hancock (Fender Rhodes electric piano); Chick Corea (Fender Rhodes electric piano); Wayne Shorter (tenor saxophone); Dave Holland (acoustic bass); Joe Zawinul (Fender Rhodes electric piano and organ); the amazing John McLaughlin (electric guitar); and Tony Williams (drums).

In spite of the fact that all of these guys are virtuosos, their performances on In a Silent Way are extraordinarily disciplined and restrained. The most notable example of this is Tony Williams, who simply plays a repeated rhythm on the hi-hat for all of the lengthy Shhh/Peaceful - in fact, it is not until near the end of In a Silent Way that he plays the entire kit, and for only a short time. Even John McLaughlin turns in a very sedate performance with clean tones; a marked change from the wildly savage virtuosity that characterized his playing during this early period. Although three keyboardists of such high caliber playing at the same time might not have worked under different circumstances, it works incredibly well here; the different players weave effortlessly in and around one another.

The album is split into two lengthy tracks with Shhh/Peaceful clocking in at 18'16" and In a Silent Way/It's about that Time running for 19'52". The mood of both pieces is very dreamy and quiet, with soft electric piano parts, and shimmering textures on the electric guitar fading in and out. Miles playing is very spacey and drifting - he comes in very so often and blows a few perfect notes and then stops, letting the other players do their thing. This music is deeply reflective and meditative, which is especially borne out in the hypnotic rhythm section.

All in all, this is a landmark recording that ushered in a new direction in jazz. Very highly recommended along with Bitches Brew (1970) and the much heavier sounding Jack Johnson (1971). Although a bit controversial, On the Corner (1972) is also recommended.

The bible of Miles' fusion period.......2007-04-28

This is, far and away, the best of Miles' fusion albums. Now, I'm generally not a fan of the fusion stuff - I see Bitches Brew as tepid and lackluster with a couple shining moments (title track, Miles Runs the Voodoo Down, John McLaughlin), Jack Johnson as half a masterpiece (Right Off rules) and half a bore (Yesternow... grrgh...), Live-Evil as assorted wankery (though What I Say is great), and On the Corner as a disaster, albeit a gutsy one. Now, In a Silent Way... that's a whole different free type of burger. A bigger, better, MUCH juicier burger.
What sets this apart? For one, the number of musicians. There are eight guys here, and a small army on every other album I mentioned. Eight guys contribute ideas MUCH better than a small army. Especially if Herbie Hancock, John McLaughlin, Tony Williams, Wayne Shorter and Miles himself are five of those eight guys. Hell, sneak in Ron Carter on bass and you've got the Second Great Sextet (first being the Kind of Blue band) on your hands. I know that Miles, Shorter, McLaughlin and Hancock played pivitol rows on Bitches Brew, but in a less crowded setting, they communicate better and their contributions come to the fore. Oh, and Tony Williams is my favorite drummer in the history of ever, and he left after this album, so maybe that relates to the huge drop in quality, I don't know. But even Joe Zawinul (who I'm not a fan of) and Chick Corea (who I have no opinion on) work magic on their keyboards. Basically, the only guy who DOESN'T make an amazing contribution is Dave Holland, who perfectly conforms to the stereotype of the bassist as being "random guy who nobody's heard of and doesn't draw attention to himself in his playing". He's just the bassist.
This is a haunting, restrained, atmospheric affair. The volume and tempo rarely pick up, and if they do it's only briefly (i.e. that quick little blurb in the middle of the title suite). It's an eerie calm this one gives off, like Kind of Blue (which is god) on downers. Moody, reflective Miles has always been some cool stuff, and this is no exception. Shorter's soprano is ethereal and creepy - in good senses of both terms. And John McLaughlin is, well... John McLaughlin. If you've never heard his work, this is a great place to start.
Two beautiful, otherworldly twenty-minute suites... Miles fans should be in heaven. Oh, and the cover would make a cool t-shirt. I'd buy it, at least.

Will Always Take You Where You Need to Be.......2006-07-26

I can think of few records that would fit most any situation as well as this one would. About the only thing I can't imagine this album being good for is to get one's blood pumping before an athletic competition . . . otherwise, Davis & this incredible cast of musicians made one of the most enduring & soul-caressing pieces of music imaginable. The only jazz artists who made anything to rival this for vision and harmonic genius in the '60s are named Mingus and Coltrane.

I shouldn't have to belabor what these songs sound like and why they are great. I think it should be enough to say that this is Miles's best record of the '60s (and therefore pretty much his best ever, with the only possible competition coming from _Kind of Blue_ and _On the Corner_). It settles on slow, soothing grooves and throws almost surreal harmonic and rhythmic softballs where one might least expect it . . . and, like I said, takes the listener exactly where she needs to be. To unadulterated sonic bliss.

Shhh, don't tell anyone but Miles gives me a headache.......2006-06-18

Shhh, don't tell anyone but Miles and his "in your face" trumpet give me a headache.

I like funk and groove so I should have done a bit more homework before trying out the jazz scene. For me this CD is mostly silent except for some irritating trumpet blowing like foxtail into your eardrums.

I was about to give up on the whole jazz scene when I came upon Panthalassa. Track 1 of that CD (In a silent way/Shhh/Peaceful) is nice; smoothing out and grooving out Miles while staying true: say the purists.

If you love it remixed and electrofied (yes sir!) check out DJ Cam's tribute to "In a silent way".

Fusion's Mission Statement.......2006-03-02

Miles Davis historians look at this album and at "Bitches Brew" which followed, and talk of how important these recordings were to Miles' career as a turning point. This album is the first of Miles' "electric period," a highly controversial segment of his career that produced some highly influential, profound music of arguable accessibility. But what makes this album so incredible is not just how it was a beginning for Miles in fusion; it was the equivalent of the Second Continental Congress for the new genre that would dominate the jazz scene in the 1970s. One only has to look at the personnel and think for a bit: in addition to Miles, the group consisted of Wayne Shorter on saxophone, John McLaughlin on guitar, Herbie Hancock, Chick Corea, and Joe Zawinul on keyboards, Dave Holland on bass, and Tony Williams on drums. This is not just a list of the absolute top tier of young musicians of the time; it is literally the core group of EVERYTHING significant that happened in fusion. Every one of these men with the exception of Dave Holland went on to start a fusion group: Shorter and Zawinul began Weather Report, Hancock started Mwandishi and later the Headhunters, Corea led Return to Forever, McLaughlin started the Mahavishnu Orchestra, and Tony Williams led Lifetime. Without exception, these groups were the defining forces of fusion (arguably the only ones that truly succeeded). That's what makes this album so incredible in historical context; anyone who would leave a mark on fusion was here, and anyone who wasn't here...wouldn't. That's what makes this more than an interesting experiment. It was the planting of a seed that altered the course of the careers of each musician here.

As for the music itself, the description has been more or less covered by the myriad of reviews already here. Suffice it to say that it is one of the rare musical documents that can be appreciated on ALL musical levels: there is enough interest in the soloists and group interaction to give it true depth and replay value, it's funky (though not overtly), it's brilliant mood music (as much as I hate that term), and it's even quiet enough to be shoved into the background (though why would you want to?). My favorite moment is when Tony Williams finally ramps up the groove about 13 minutes into the second track and pushes Miles to the next level of intensity.

Get this album to hear the music which sent forth the new wave of true innovators, arguably jazz's last (at least for now).

Average customer rating: The soundtrack to a religious experience Maybe the greatest Miles ensemble ever . . .

The Complete In a Silent Way Sessions Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Complete Bitches Brew Sessions (August 1969-February 1970) The Complete Jack Johnson Sessions The Miles Davis Quintet, 1965-68: The Complete Columbia Studio The Cellar Door Sessions 1970 The Complete Columbia Recordings: Miles Davis & John Coltrane ASIN: B0002199G8 Release Date: 2004-05-11

Tracks:

1. Mademoiselle Mabry
2. Frelon Brun
3. Two Faced
4. Dual Mr. Anthony Tillmon Williams Process
5. Splash
6. Splashdown

Tracks:

1. Ascent
2. Directions I
3. Directions II
4. Shhh/Peaceful
5. In A Silent Way (Rehearsal)
6. In A Silent Way
7. It's About That Time

Tracks:

1. The Ghetto Walk
2. Early Minor
3. Shhh/Peaceful (LP Version)
4. In A Silent Way/It's About That Time (LP Version)

Customer Reviews:

The soundtrack to a religious experience.......2006-09-25

While I would like to provide a balanced review of this box set, I simply can not. I also want to avoid using clichés but "The Complete In a Silent Way Sessions" is one of the world's greatest recordings. It would seem that such a statement must surely be victim to hyperbole. Without overstatement, my case unapologetically stands. Once the listener hears a work of this lofty caliber, words become meaningless. This box set lives somewhere beneath a wave of adjectives like "greatest ever" "amazing" and "un-friggin' believable." This was a unique and all too brief time period for Miles. Before the gauntlet was thrown down with "[...] Brew," this was Miles' light trip music. Psychedelica is omnipresent but never overpowering. This album occupies a special place that is triangulated between rock, jazz and trance music. Either this is music to contemplate at one o'clock in the morning or this is the soundtrack to a profound meditation. The original LP seems like the "In A Silent Way" starter kit compared to this full-blown box set. Indeed, this release makes the original seem painfully short since the vibe and atmosphere is consistent. The inclusion of "Dual Mr. Anthony Tillmon Williams Process" is especially appreciated. The listener must ultimately ask, so how can music be played in a silent way? Miles not only contemplates this zen paradox, he finds the path and takes us along on his vision quest. Get "The Complete In a Silent Way Sessions" and take a trip with Miles Davis on his most spiritual journey.

Maybe the greatest Miles ensemble ever . . ........2006-03-08

The initial Miles Davis - John McLaughlin collaboration at the peak of its perfection - with help from Tony Williams - Wayne Shorter -Ron Carter - Dave Holland - Joe Zawinul - Herbie Hancock - Chick Corea and others. The set represents the group at the end of its magical late 60's run of great studio sessions and on the verge of the wild fusion-funk period of larger, louder sound. In A Silent Way retains that particular introspective pathos and the intimacy of a smaller ensemble that helped make Miles' music singularly definitive . . . and here - the bluesy echoes mesh perfectly with Miles' new found discovery of electricity - moments before his music would spin completely off the edge - forever - a classic moment in jazz - captured here in all its precarious balance, delicacy, and depth.

Average customer rating: The picture

100 Hymns & Songs of Inspiration Manufacturer: Castle Music UK ProductGroup: Music Binding: Audio CD All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music General | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Monk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruckner | Bruckner, Anton | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Christian & Gospel | Styles | Music Compilations | Christian & Gospel | Styles | Music | Contemporary Christian | Gospel Christian Contemporary Music | Christian & Gospel | Styles | Music Praise & Worship | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Pop | Box Sets | Stores | Music Similar Items: A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration Abide with Me and other favourite hymns Best Loved Hymns Praise to the Lord - Hymns From St. Paul's Cathedral Hymns Triumphant 1 & 2 ASIN: B00008GEKT Release Date: 2003-04-14

Tracks:

1. Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
2. Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
3. Now Thank We All Our God - Choir Of Gloucester Cathedral
4. This Day, The First of Days - Choir Of Gloucester Cathedral
5. Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
6. God Save the Queen - Choir Of Gloucester Cathedral
7. Day of Resurrection - Choir Of Gloucester Cathedral
8. God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
9. Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
10. O Come All Ye Faithful - Choir Of Gloucester Cathedral
11. Awake My Soul and With the Sun - Choir Of Norwich Cathedral
12. Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
13. All People That on Earth Do Dwell - Choir Of Norwich Cathedral
14. Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
15. There Is a Green Hill - Choir Of Norwich Cathedral
16. Lord of Beauty - Choir Of Sheffield Cathedral
17. Rejoice Today With One Accord - Choir Of Sheffield Cathedral
18. New Every Morning - Choir Of Sheffield Cathedral
19. Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
20. O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

1. Morning Has Broken - Choir Of Marlborough College Chapel
2. Happy Are They - Choir Of Marlborough College Chapel
3. In Christ There Is No East or West - Choir Of Marlborough College Chapel
4. Silent Night - Choir Of Marlborough College Chapel
5. Be Thou My Guardian - Choir Of Marlborough College Chapel
6. Ye Servants of the Lord - Choir Of Marlborough College Chapel
7. At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
8. To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
9. Behold the Great Creator Makes - Choir Of Marlborough College Chapel
10. Rejoice the Lord Is King - Choir Of Marlborough College Chapel
11. Creator of the Stars of Night - Ely Cathedral Choir
12. He Comes With Clouds Descending - Ely Cathedral Choir
13. O Little Town of Bethlehem - Ely Cathedral Choir
14. Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
15. This Is the Day the Lord Hath Made - Ely Cathedral Choir
16. How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
17. Lord Thy Word Abideth - Ely Cathedral Choir
18. Jesus Lord We Look to Thee - Ely Cathedral Choir
19. O Lord Our God Arise - Ely Cathedral Choir
20. Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

1. Soldiers of Christ Arise - Choir Of Wakefield Cathedral
2. Lift Up Your Hearts - Choir Of Wakefield Cathedral
3. Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
4. Maker of the Sun - Choir Of Wakefield Cathedral
5. O King Most High - Choir Of Wakefield Cathedral
6. O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
7. Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
8. We Love the Place O God - Choir Of Wakefield Cathedral
9. Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
10. Give Rest O Christ - Choir Of Wakefield Cathedral
11. Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
12. O Thou in All Thy Might So Far - Choir Of Truro Cathedral
13. O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
14. O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
15. Strife Is O'er the Battle Done - Choir Of Truro Cathedral
16. O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
17. Jesus Shall Reign - Choir Of Truro Cathedral
18. God of Love My Shepherd Is - Choir Of Truro Cathedral
19. O Jesu Saviour of Mankind - Choir Of Truro Cathedral
20. Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

1. Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
2. All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
3. Come Rejoicing - Choir Of All Saints - Margaret Street, London
4. God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
5. Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
6. Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
7. Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
8. Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
9. Once in Royal David's City - Choir Of Keble College
10. God Be in My Head - Choir Of Keble College
11. O Thou Who Camest from Above - Choir Of Keble College
12. Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
13. Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
14. For All the Saints - Choir Of St Edmunsbury Cathedral
15. Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
16. Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
17. I Was Glad - Choir Of Eastbourne College Chapel
18. Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
19. Locus Iste - Choir Of Eastbourne College Chapel
20. Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

1. Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
2. While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
3. O Worship the King - The Choir of the Abbey School, Tewkesbury
4. O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
5. Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
6. Jesus Christ Is Risen Today - The Choir of York Minister
7. First Nowell - The Choir of York Minister
8. Abide with Me - The Choir of York Minister
9. Breathe on Me Breath of God - Choir Of Keble College
10. Rock of Ages - Choir Of Keble College
11. On This Day, The First of Days - Choir Of Keble College
12. Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
13. O Quam Gloriosum - Choir Of Eastbourne College Chapel
14. Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
15. O for a Closer Walk With God - Choir Of Eastbourne College Chapel
16. Prayer of St Patrick - Choir Of Eastbourne College Chapel
17. Lord's Prayer - Choir Of Eastbourne College Chapel
18. Blessed Be the God and Father - Choir Of Eastbourne College Chapel
19. Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
20. Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Average customer rating: (SACD) too much hiss... my favorite miles

In a Silent Way (Dlx) (Stereo/Multi) Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Similar Items: 'Round About Midnight Mysterious Traveller (Multichannel/Stereo) Kind of Blue Sketches of Spain Time Out ASIN: B00006GO7T Release Date: 2002-08-20

Customer Reviews:

(SACD) too much hiss..........2006-04-30

This has always been a favorite Miles album. The SACD brings great separation and detail - but is marred by the presence of significant passages containing too much hiss. I am getting gunshy about these Late 50's - Mid 60's SACD reissues. Am beginning to think, overall, that the RVG, Connoisseur, Legacy, Verve, etc reissues deliver sonics that leave very little room for improvement - so that the SACD 'upgrades' are not really necessary.

my favorite miles.......2004-08-19

There is a stereo & a multichannel mix (5.1 surround) on this one SACD disc. It really is a wonderful record, 2 long tracks by Miles & the other masters. A pleasant record to have on in the background, or full on turned up loud. nice & chill.

Average customer rating: Electric, yet eerily quiet The bible of Miles' fusion period Will Always Take You Where You Need to Be Shhh, don't tell anyone but Miles gives me a headache Fusion's Mission Statement

In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Similar Items: Bitches Brew A Tribute to Jack Johnson Miles Smiles Kind of Blue Birth of the Cool ASIN: B000002699 Release Date: 1990-10-25

Tracks:

1. Shhh/Peaceful
2. In A Silent Way/It's About That Time

Amazon.com

Miles Davis's famous mid-1960s quintet, featuring saxophonist Wayne Shorter and pianist Herbie Hancock, was intact until just a few weeks before his new, electric ensemble recorded In a Silent Way. Legendary as a kind of line in the sand challenging jazz fans during the ascendance of electric, psychedelic rock, In a Silent Way hinted at the repetitive polyrhythms Davis would employ throughout the early 1970s. It also partook generously of electric piano and bass and rekindled the tonal palette that Davis had explored famously with Kind of Blue. But In a Silent Way remains a clearly electric jazz record, part ambient color exploration, part rock-inflected energy and vibe, and part outright maverick creativity. Davis takes many long, breathy solos, and they glisten in a burnished blue against his new group's strange admixture of musical moods. --Andrew Bartlett

Customer Reviews:

Electric, yet eerily quiet.......2007-05-22

Released in 1969, this album marks Miles full blown emergence into the realm of jazz rock although there are other influences besides jazz and rock including a bit of minimalism. Musically, this recording is very relaxed and is dominated by eerie organ parts and a monotonic acoustic bass and drum parts. I especially like Miles use of space; even when he is not playing it speaks volumes.

Apart from Miles (trumpet), the list of musicians on this album reads like a who's who of jazz rock: Herbie Hancock (Fender Rhodes electric piano); Chick Corea (Fender Rhodes electric piano); Wayne Shorter (tenor saxophone); Dave Holland (acoustic bass); Joe Zawinul (Fender Rhodes electric piano and organ); the amazing John McLaughlin (electric guitar); and Tony Williams (drums).

In spite of the fact that all of these guys are virtuosos, their performances on In a Silent Way are extraordinarily disciplined and restrained. The most notable example of this is Tony Williams, who simply plays a repeated rhythm on the hi-hat for all of the lengthy Shhh/Peaceful - in fact, it is not until near the end of In a Silent Way that he plays the entire kit, and for only a short time. Even John McLaughlin turns in a very sedate performance with clean tones; a marked change from the wildly savage virtuosity that characterized his playing during this early period. Although three keyboardists of such high caliber playing at the same time might not have worked under different circumstances, it works incredibly well here; the different players weave effortlessly in and around one another.

The album is split into two lengthy tracks with Shhh/Peaceful clocking in at 18'16" and In a Silent Way/It's about that Time running for 19'52". The mood of both pieces is very dreamy and quiet, with soft electric piano parts, and shimmering textures on the electric guitar fading in and out. Miles playing is very spacey and drifting - he comes in very so often and blows a few perfect notes and then stops, letting the other players do their thing. This music is deeply reflective and meditative, which is especially borne out in the hypnotic rhythm section.

All in all, this is a landmark recording that ushered in a new direction in jazz. Very highly recommended along with Bitches Brew (1970) and the much heavier sounding Jack Johnson (1971). Although a bit controversial, On the Corner (1972) is also recommended.

The bible of Miles' fusion period.......2007-04-28

This is, far and away, the best of Miles' fusion albums. Now, I'm generally not a fan of the fusion stuff - I see Bitches Brew as tepid and lackluster with a couple shining moments (title track, Miles Runs the Voodoo Down, John McLaughlin), Jack Johnson as half a masterpiece (Right Off rules) and half a bore (Yesternow... grrgh...), Live-Evil as assorted wankery (though What I Say is great), and On the Corner as a disaster, albeit a gutsy one. Now, In a Silent Way... that's a whole different free type of burger. A bigger, better, MUCH juicier burger.
What sets this apart? For one, the number of musicians. There are eight guys here, and a small army on every other album I mentioned. Eight guys contribute ideas MUCH better than a small army. Especially if Herbie Hancock, John McLaughlin, Tony Williams, Wayne Shorter and Miles himself are five of those eight guys. Hell, sneak in Ron Carter on bass and you've got the Second Great Sextet (first being the Kind of Blue band) on your hands. I know that Miles, Shorter, McLaughlin and Hancock played pivitol rows on Bitches Brew, but in a less crowded setting, they communicate better and their contributions come to the fore. Oh, and Tony Williams is my favorite drummer in the history of ever, and he left after this album, so maybe that relates to the huge drop in quality, I don't know. But even Joe Zawinul (who I'm not a fan of) and Chick Corea (who I have no opinion on) work magic on their keyboards. Basically, the only guy who DOESN'T make an amazing contribution is Dave Holland, who perfectly conforms to the stereotype of the bassist as being "random guy who nobody's heard of and doesn't draw attention to himself in his playing". He's just the bassist.
This is a haunting, restrained, atmospheric affair. The volume and tempo rarely pick up, and if they do it's only briefly (i.e. that quick little blurb in the middle of the title suite). It's an eerie calm this one gives off, like Kind of Blue (which is god) on downers. Moody, reflective Miles has always been some cool stuff, and this is no exception. Shorter's soprano is ethereal and creepy - in good senses of both terms. And John McLaughlin is, well... John McLaughlin. If you've never heard his work, this is a great place to start.
Two beautiful, otherworldly twenty-minute suites... Miles fans should be in heaven. Oh, and the cover would make a cool t-shirt. I'd buy it, at least.

Will Always Take You Where You Need to Be.......2006-07-26

I can think of few records that would fit most any situation as well as this one would. About the only thing I can't imagine this album being good for is to get one's blood pumping before an athletic competition . . . otherwise, Davis & this incredible cast of musicians made one of the most enduring & soul-caressing pieces of music imaginable. The only jazz artists who made anything to rival this for vision and harmonic genius in the '60s are named Mingus and Coltrane.

I shouldn't have to belabor what these songs sound like and why they are great. I think it should be enough to say that this is Miles's best record of the '60s (and therefore pretty much his best ever, with the only possible competition coming from _Kind of Blue_ and _On the Corner_). It settles on slow, soothing grooves and throws almost surreal harmonic and rhythmic softballs where one might least expect it . . . and, like I said, takes the listener exactly where she needs to be. To unadulterated sonic bliss.

Shhh, don't tell anyone but Miles gives me a headache.......2006-06-18

Shhh, don't tell anyone but Miles and his "in your face" trumpet give me a headache.

I like funk and groove so I should have done a bit more homework before trying out the jazz scene. For me this CD is mostly silent except for some irritating trumpet blowing like foxtail into your eardrums.

I was about to give up on the whole jazz scene when I came upon Panthalassa. Track 1 of that CD (In a silent way/Shhh/Peaceful) is nice; smoothing out and grooving out Miles while staying true: say the purists.

If you love it remixed and electrofied (yes sir!) check out DJ Cam's tribute to "In a silent way".

Fusion's Mission Statement.......2006-03-02

Miles Davis historians look at this album and at "Bitches Brew" which followed, and talk of how important these recordings were to Miles' career as a turning point. This album is the first of Miles' "electric period," a highly controversial segment of his career that produced some highly influential, profound music of arguable accessibility. But what makes this album so incredible is not just how it was a beginning for Miles in fusion; it was the equivalent of the Second Continental Congress for the new genre that would dominate the jazz scene in the 1970s. One only has to look at the personnel and think for a bit: in addition to Miles, the group consisted of Wayne Shorter on saxophone, John McLaughlin on guitar, Herbie Hancock, Chick Corea, and Joe Zawinul on keyboards, Dave Holland on bass, and Tony Williams on drums. This is not just a list of the absolute top tier of young musicians of the time; it is literally the core group of EVERYTHING significant that happened in fusion. Every one of these men with the exception of Dave Holland went on to start a fusion group: Shorter and Zawinul began Weather Report, Hancock started Mwandishi and later the Headhunters, Corea led Return to Forever, McLaughlin started the Mahavishnu Orchestra, and Tony Williams led Lifetime. Without exception, these groups were the defining forces of fusion (arguably the only ones that truly succeeded). That's what makes this album so incredible in historical context; anyone who would leave a mark on fusion was here, and anyone who wasn't here...wouldn't. That's what makes this more than an interesting experiment. It was the planting of a seed that altered the course of the careers of each musician here.

As for the music itself, the description has been more or less covered by the myriad of reviews already here. Suffice it to say that it is one of the rare musical documents that can be appreciated on ALL musical levels: there is enough interest in the soloists and group interaction to give it true depth and replay value, it's funky (though not overtly), it's brilliant mood music (as much as I hate that term), and it's even quiet enough to be shoved into the background (though why would you want to?). My favorite moment is when Tony Williams finally ramps up the groove about 13 minutes into the second track and pushes Miles to the next level of intensity.

Get this album to hear the music which sent forth the new wave of true innovators, arguably jazz's last (at least for now).

Average customer rating: Obvious choice for the beginner

The Collection: Sketches of Spain/Kind of Blue/In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: A Love Supreme Time Out Half the Perfect World Thelonious Monk Quartet with John Coltrane at Carnegie Hall Schoolhouse Rock! (Special 30th Anniversary Edition) ASIN: B000BM6AT2 Release Date: 2005-11-15

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Tracks:

1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches [Alternate Take][*]

Tracks:

1. Shhh/Peaceful
2. In a Silent Way/It's About That Time: In a Silent Way/It's About ...

Customer Reviews:

Obvious choice for the beginner.......2007-03-13

Once you're into Miles Davis, you want it all. His story is a long and complex one, and each recording is an important piece of the puzzle.
On the other hand, let's say you don't want to devote your life to an in-depth study of Miles Davis' life and music. Then you need to have his three best-known, and by most accounts his three best recordings on your shelf. No one would be disappointed with this set of diverse, yet stunningly beautiful albums.

Average customer rating: Miles Davis! but wrong period Great tribute !!!! Good, but not great Great Jazz-Rock Fusion Surprisingly excellent

Miles Remembered: The Silent Way Project Mark Isham Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Bebop & Post-Bop | Compilations | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | New Age | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Electronic | Progressive | Rock | Styles | Music Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Blue Sun Pure Mark Isham Brown Street Industrial Zen Crash ASIN: B00000J2PD Release Date: 1999-05-25

Tracks:

1. In a Silent Way - Milestones
2. Right Off [Theme from Jack Johnson]
3. Internet
4. All Blues
5. It's About That Time
6. Azael
7. Spanish Key
8. Ife
9. Great Expectations
10. Black Satin

Amazon.com

Trumpeter Mark Isham's Miles Remembered: The Silent Way Project is another in a slew of Miles Davis tributes released in the late 1990s. It follows Miles tributes by Wadada Leo Smith and Henry Kaiser (Yo Miles!) and producer Bill Laswell (Panthalassa) in looking back specifically on the great trumpeter's electric period of the early 1970s. Purist fans of this part of Miles's career might be a little put off by Isham's live recording, as The Silent Way Project is more his own interpretations of several themes from the period than a collection of unerringly faithful versions. The title track, for example, is almost unrecognizable as Isham and his band veer off into ambient territory after the initial opening theme. Also, the overall vibe the band generates is in truth closer to the slicker sound of Miles's 1980s recordings than it is to the dense and heavily percussive leanings of the albums that originally contained this material. Still, there are plenty of worthwhile moments here that will appeal to fans of Miles's '70s period, from the all-out guitar-driven crash of "Jack Johnson" to the avant-funk of "Ife" and "Spanish Key." --Ezra Gale

Customer Reviews:

Miles Davis! but wrong period.......2006-12-20

Mark Isham has the tone of Miles Davis down...

But this music leaves me cold - Miles Davis, all right, but wrong period.

I MUCH prefer Mr Isham's "Blue Sun" album, reminiscent of Miles, but songs of his own, (mostly). I really wish Mr Isham would do another Miles-like album like the warm & wonderful "Blue Sun".

Great tribute !!!!.......2004-08-26

Lots of horn players honor Miles. This project is completed by an accomplished film soundman. Next to the real thing, this is as good as you get. Every track is fantastic.

Good, but not great.......2003-03-09

I haven't yet heard a really good electric Miles tribute. Isham's CD, while a good album, tends to have too slick a sound to bring about truly satisfying music. It does have something of the Miles sound, but it's more of the 1980s Miles, which frankly, I'm not particularly interested in hearing a tribute to.

However, the album certainly has its merits. "Right Off" is a great performance driven by the two guitarists, and is probably the best track. Ife and Spanish Key are also well done.

Also, the redeeming feature of this album is that it doesn't slavishly adhere to the way Miles did a piece. The opening track "In a Silent Way - Milestones," begins with the theme from In a Silent Way, but the band merely uses this as a starting point, and then move into something of a trance-like jam. It may not be the best thing to do with the tune, but if nothing else, it's interesting to hear.

This CD is worth buying (or at least hearing), but perhaps try finding it used (that's what I did, at any rate)

Great Jazz-Rock Fusion.......2001-12-22

This album has a great flow. It has a mix of sensitive moody parts interwoven with all out rockus... and it works very well. Reminds me of the good fusion days of Al DiMiola, Chick Corea, Vital Information of the early '80s as well as Miles. You can actually feel the musicians energy flowing, and mixing with each other. If it doesn't move you, you might be dead.

Surprisingly excellent.......2001-11-01

This was a pleasant surprise. As a fan of 69-74 Miles and a fan of some of Isham's work in a more minimalist vein- I didn't really think this would work but it really does. While most of the rougher tracks are smoothed out a little there is still sufficient bite to them and Isham is a natural for the more "ambient" tracks. Yeah, a keeper.

Average customer rating: Excellent Perfect Classic Dale Warland

Christmas With the Dale Warland Singers Manufacturer: Gothic Records ProductGroup: Music Binding: Audio CD All Works by Michael Praetorius | Praetorius, Michael | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rubbra, Edmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Opera & Vocal | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Opera & Vocal | Holiday Music | Special Features | Music Similar Items: Harvest Home December Stillness Christmas Echoes, Vol. 1 Christmas Echoes, Vol. 2 Blue Wheat ASIN: B00009W0HQ Release Date: 2003-08-05

Tracks:

1. Il Est Ne, Le Divin Enfant (He Is Born)
2. The Virgin's Cradle Hymn (Dormi, Jesu!)
3. Susanni
4. Prepare The Way
5. Fum, Fum, Fum! From Seven Joys Of Christmas
6. Sweet Was The Song The Virgin Sang
7. Hark! The Herald Angels Sing
8. Joseph Dearest, Joseph Mine
9. The Holly And The Ivy
10. This Endris Night
11. Wonder Tidings
12. O Little Town Of Bethlehem
13. Ai, Nama Mamina From Three Latvian Carols
14. The Friendly Beasts
15. Carol Of The Bells
16. Es Ist Ein Ros Entsprungen (Lo, How A Rose)
17. Huron Carol ('Twas In The Moon Of Wintertime)
18. Patapan From Seven Joys Of Christmas
19. Tomorrow Shall Be My Dancing Day
20. Gabriel's Message
21. Silent Night

Album Description

The Dale Warland Singers make their debut on Gothic with a beautiful new Christmas CD, featuring imaginative arrangements of carols from around the world. The sound is incomparable!

Customer Reviews:

Excellent.......2007-01-19

To anyone who appreciates choral music, or even some of you who only like to listen to it during the holidays, this is the album for you. The music is so familiar, but so aesthetically pleasing to listen to. The choir sounds clear and majestic from the clear sounds of the basses to the beautiful pings of the sopranos. Forget the garbbled sounds of Choirs with people who think that singing in Forte the whole way through is beautiful. This is angelic, yet very fun to listen to. Enjoyment for the whole family. 5 Stars

Perfect.......2005-12-02

This CD is worth buying for the track Prepare the Way alone. All the tracks are amazing, but that one is the best.

Classic Dale Warland.......2003-10-31

As has been the case with most DWS recordings, this is truly a classic. Beautifully sung, with new and interesting arrangements of traditional favorites, this disc is a must for all holiday music and DWS fans. Of note are Stephen Paulus' rhythmic "The Holly and the Ivy" and Praetorius' beautiful "Lo, How a Rose E'er Blooming" arranged by Jan Sandström. I highly recommend this recording.

Average customer rating:

The Collection: Sketches of Spain/Kind of Blue/In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Pop | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Time Out A Love Supreme ASIN: B0002IQEX2 Release Date: 2004-07-13

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Tracks:

1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches [Alternate Take][*]

Tracks:

1. Shhh/Peaceful
2. In a Silent Way/It's About That Time: In a Silent Way/It's About ...

Average customer rating:

Beyond Noend with Errante F. Gerard Errante Manufacturer: Drimala ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Classical | Indie Music | Stores | Music ASIN: B00004SAHO Release Date: 2000-01-24

Tracks:

1. Silent Tears
2. Cantabile
3. Tagore Songs
4. Kaleidoscope
5. Twilight
6. Captured Light
7. Interlude
8. Innerutterance
9. The Widening Gyre
10. Lyric Prelude

Album Description

Beyond Noend with Errante includes ten compositions for acoustic and electronic clarinet uniquely woven by Errante into an aural fabric that points the way to a new millennium in music. This evocative recording features the world recording premier of three new works by contemporary new music composers Jane Brockman, Robert Scott Thompson, and Peter Terry. The CD also features the new classical crossover hit single, Silent Tears, by F. Gerard Errante and John Toomey that was commissioned for this recording. Beyond Noend with Errante blurs the line between contemporary classical, new age, and jazz to create a listening space beyond genre, somewhere in time.

Rock Music:

1. Sin Parar de Pecar
2. Steady Not Static
3. Story in White [Import]
4. Summerisle
5. The Coming Generation: The Complete Recordings 1965-1968
6. The Seventies Generation: 1971
7. The Seventies Generation: 1974
8. The Seventies Generation: 1976
9. The Songs of Cardiff City F.C.
10. Totally Love Songs

Rock Music