| 1. Nothing Is Real (As If It Ever Was) |
| 2. She Left Off |
| 3. Follow Me |
| 4. Blind |
| 5. Rest of Your Life |
| 6. Saddle Oxford |
| 7. False Alarm |
| 8. Somewhere in Between |
| 9. Desperate Measures |
| 10. Mystique |
| 11. This Far from a Fire |
| 12. Autograph |
Eloquence,Bottom Line,Suburban Home,Emo,Pop,Punk-Pop,Rock,Rock/Pop
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Kodaly: Famous Orchestral Works
Kertesz , and London Symphony Orchestra Manufacturer: Eloquence ProductGroup: Music Binding: Audio CD ASIN: B000025ULP Release Date: 2002-01-21 |
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Schoenberg: Pelleas & Melisande, Verklarte Nacht
Sinopoli , and Philharmonia Orchestra Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD ASIN: B00004Z34C Release Date: 2005-07-08 |
Tracks:
- Pelleas Et Melisande, Op.5
- Verklarte Nacht, Op.4
Customer Reviews:
Suberb recordings of early Schoenberg.......2007-07-10
In any case, I must admit that I missed the Schoenberg recordings presented here on their first release. I was so happy when I discovered that Sinopoli had recorded these works, and I immediately ordered the disc. If anything, I was more delighted by these recordings than I had expected to be. I encourage both seasoned collectors and novices to hear these wonderful performances.
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Herold - La Fille Mal Gardee; Lecocq - Mam'zelle Angot
Manufacturer: Decca Eloquence (Australia) ProductGroup: Music Binding: Audio CD ASIN: B000PFU7TE Release Date: 2007-05-01 |
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Haydn: 24 Minuets
Antal Dorati Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AL8ZE2 Release Date: 2005-07-25 |
Tracks:
- No. 1 In C Major
- No. 2 In E Major
- No. 3 In G Major
- No. 4 In B Flat Major
- No. 5 In F Major
- No. 6 In D Major
- No. 7 In E Flat Major
- No. 8 In C Major
- No. 9 In E Flat Major
- No. 10 In B Flat Major
- No. 11 In D Major
- No. 12 In G Major
- No. 13 In A Major
- No. 14 In E Major
- No. 15 In C Major
- No. 16 In G Major
- No. 17 In B Flat Major
- No. 18 In D Major
- No. 19 In A Major
- No. 20 In C Major
- No. 21 In E Flat Major
- No. 22 In D Minor
- No. 23 In B Flat Major
- No. 24 In A Major
Album Description
A Classic Classic! After recording all of Haydn's Symphonies with the Philharmonia Hungarica, Antal Dorati offers the perfect supplement to the cycle with these beautifully stylish performances of the composers rarely recorded 24 Minuets. If you love Haydn, you must hear these works (which Haydn himself incidentally, held in very high esteem) and it's doubtful that Dorati's wonderfully colorful, highly spirited performances will ever be surpassed. Decca. 2005.Album Details
A Classic Classic! after Recording all of Haydn's Symphonies with the Philharmonia Hungarica, Antal Dorati Offers the Perfect Supplement to the Cycle with These Beautifully Stylish Performances of the Composers Rarely Recorded 24 Minuets. If You Love Haydn, You Must Hear These Works (Which Haydn Himself Incidentally, Held in Very High Esteem) and It's Doubtful that Dorati's Wonderfully Colorful, Highly Spirited Performances Will Ever Be Surpassed.Customer Reviews:
Dorati & Haydn Via Australia.......2006-07-21
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Chopin: Piano Concertos Nos. 1 & 2
Davidovich , Marriner , and London Symphony Orchestra Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD ASIN: B00004Z1QH Release Date: 2005-07-07 |
Tracks:
- Piano Concerto No.1 In E Minor, Op.11
- Piano Concerto No.2 In F Minor, Op.21
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Mahler: Das Lied Von Der Erde
Baker , Bernard Haitink James King , and Royal Concertgebouw Orchestra Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z337 Release Date: 2000-09-13 |
Tracks:
- Das Trinkled Vom Jammer Der Erde/Drinking Song Of Earth's Misery
- Der Einsame Im Herbst/Autumn Loneliness (After Tchang-Tsi)
- Von Der Jugend- Youth (After Li-Tai-Po)
- Der Trunkene Im Fruhling/The Drunkard In Spring (After Li-Tai-Po)
- Der Abschied- Farewell (After Mong-Kao-Yen & Wang-Wei)
Customer Reviews:
Exquisite and unmatched!.......2005-06-21
Ths songs focus on a deep love of nature, the futility and beauty of life and, invariably, our mortality. The six songs of the work are shared between a tenor and a mezzo, and range in mood and energy from the intoxcation of a drunkard, the pleasures of youth, to the unparalleled and perhaps most perfectly scored single piece of music ever written, Der Abscheid, 'the farewell' - the requiem-esque finale to the song cycle.
While James King is strong and distict in his part, the recording belongs well and truly to Janet Baker. In this 'role' she is simply unmatched. Her phrasing and diction and the intesity of her emotional performance in the telling finale is truly remarkable. The pathos is incredibly intense, surpassing both the remarkable Kathleen Ferrier and Christa Ludwig who headline other significant recordings of the work.
I have often, listeding to this recording, considered my life complete. I am astounded at her artistry and listen ever increasing awe at what she has managed to accomplish.The 31 minutes of the finale is something to be heard again, and again, and again.
Even as I try to review this, I must admit, words begin to fail me. It is simply breathtaking. Breathtaking. Everywhere and eternally..
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Bach J.S: Christmas Oratorio BWV 248
Janowitz , Ludwig , Wunderlich , Crass , Richter , and Munchener Bach Orchestera Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z1AW Release Date: 2004-05-27 |
Tracks:
- Part One - No. 1 Chorus: Jauchzet, Frohlocket
- Part One - No. 4 Aria: Bereite Dich Zion, Mit Zartichen Trieben (Alto)
- Part One - No. 7 Chorale W/ Recitative...
- Part One - No. 8 Aria: Grober Herr Und Starker Konig (Bass)
- Part One - No. 9 Chorale: Ach Mein Herzlibstes
- Part Two - No. 10 Sinfonia (Shepherd Music)
- Part Two - No. 12 Chorale: Brich An, O Schones Morgenlicht
- Part Two - No. 15 Aria: Frohe Hirten, Elit (Tenor)
- Part Two - No. 19 Aria: Sclafe, Mein Liebster (Alto)
- Part Two - No. 21 Chorus: Ehre Sei Gott In Der Hohe
- Part Four - No. 36 Chorus: Fallt Mit Danken, Fallt Mit Loben
- Part Four - No. 38 Recitative And Aria: Immanuel, O Subes Wort -
- Part Four - No. 39 Aria: Flobt, Mein Heiland, Flobt Dein Namen
- Part Four - No. 41 Aria: Ich Will Nur Dir Zu Ehren Leben (Tenor)
- Part Six - No. 57 Aria: Nur Ein Wink Von Seinen Handen (Soprano)
- Part Six - No. 64 Chorale: Nun Seid Ihr Wohl Gerochen
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Bach J.S: Cantata Bwv 170 'vergnugte Ruh', Cantata Bwv 82 'ich Habe Genug', etc.
Baker , Tear , Shirley-Quirk , Marriner , and Academy of St Martin in the Fields Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD ASIN: B0007MR248 Release Date: 2005-05-24 |
Tracks:
- Cantata Bwv 170 - Vernugte Ruh' Beliebte Seelenust
- Catata Bwv 82 - Ich Habe Genug
- Cantata Bwv 159 - Sehet, Wir Gehn Hinauf Gen Jerusalem
Customer Reviews:
SOMEONE SPOTTED THE ERROR.......2006-12-28
There is no ambiguity about the music, which is Bach's cantatas 170, 82 and 159 as billed. The recordings date from 40 years ago and have now been remastered very skilfully. Aside from the intrinsic quality of the singing and playing, a set of Bach cantatas from that era is interesting as a historical record of where the `authentic' movement had got to in the matter of performing music from the early 18th century. Hogwood's Messiah had not yet appeared if I remember aright, and the comment I saw on that suggested that it was viewed as a watershed from which the main channel has now run on through the school of McCreesh, Andrew Manze and other lofty authenticists too numerous and familiar to mention. However by the mid-60's such performers as the Academy of St Martin's in the Fields under Marriner had firmly turned their backs on the old-fashioned school of presenting Bach and Handel as it had been known from, say, Sargent, Boult and Mengelberg to say nothing of the highly individual approach that Beecham took to Handel. Unless I am mistaken the instruments used here are not `period' instruments as Manze would recognise such, although there is a continuo on harpsichord and organ, the latter being a small and light-toned instrument.
There is only a very little choral work here, in cantata 159, and the chorus is appropriately small though not minuscule. The real interest is in how the soloists handle this music, and I imagine that for modern listeners the soloist who will divide opinion is likely to be Janet Baker. For my own part, I admire her work in Purcell and Handel, I continue to admire it here in Bach, but there is no pretending that she makes much effort to be `period' in her style. She just sings as herself not as some harbinger of Emma Kirkby, and as if to emphasise the `take it or leave it' feel to her contribution the recording in cantata 170, where she is the only soloist, gives her a very close perspective. In cantata 159 she has to handle a short duet with Shirley-Quirk and although the recording doesn't zoom in on her to the same extent she still seems a different kind of stylist from her partner. Shirley-Quirk is the kind of on-the-way-to-fully-authentic singer who would appear naturally in a production with, say, Ledger or Mackerras. I would put Robert Tear in that same bracket, although I had difficulty in recognising him in this low-lying tenor part. This is not the familiar trumpet-toned voice that had thrilled me in Handel, although his low register is magnificent now that I get the chance to hear it.
I suppose I need hardly say that the artistry from all sides is superb, given the assumptions one has to make regarding the general style. In the continuo contributions we are privileged to hear Malcolm and Ledger no less, the latter also having a higher profile in the obbligato for organ in cantata 170. The recorded quality gives me no problems, although one would know that it is a remastered job. The anonymous liner-note is succinct but basically adequate, but the texts to the works are not provided let alone translated. I expect that it will be sufficient for most of us to get the general idea of what is being sung in each number, and the liner assists with that, as well as having some quite interesting things to say, which is more than I could claim for many a more pretentious effort.
This disc gets a warm welcome from me, and I speak for nobody else. Performing traditions evolve over time, sometimes over quite short periods, but for me there's more than one way of skinning a cat and more than one way of singing a Bach cantata. I would not want all my Bach cantatas done like this, but I would not want these done in any other way.
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Mussorgsky: Pictures at An Exhibition
Berman , Karajan , and Berlin Philharmonic Orchestra Manufacturer: Eloquence/Universal ProductGroup: Music Binding: Audio CD ASIN: B00004Z1AL Release Date: 2004-05-26 |
Tracks:
- Pictures At An Exhibition (Orch. Version Maurice Ravel)
- Pictures At An Exhibition (Piano Version)
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Coward: Songs from Conversation Piece
Sutherland , Coward , Bonynge , and New Philharmonia Manufacturer: Eloquence ProductGroup: Music Binding: Audio CD ASIN: B000025UJ0 Release Date: 2002-01-21 |
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