In This House

Aiding And Abetting
"Club fare, with all that implies. Basic dance anthems, with more than a little Indian influence creeping in."

Product Description
All tracks written and performed by Gaz Reynolds. Guest vocals by disco diva legend Viola Wills.

In This House

Tracks:

The Orphan
Children of God
Forgiveness
The Graveyard
Sweet Liberty
Secrets of the House
Act One: Perfectly Nice
Act One: As Good As You
Secret Soul
Finer Things
The Pledge
Sirens
Things Beyond This Earth
Painting Her Portrait
In the Light of the Virgin Morning
The Gypsy
The Proposal
Slip of a Girl
Sirens (Reprise)
Farewell, Good Angel
My Maker
Rain
The Voice Across the Moors
Poor Sister
Brave Enough for Love

Amazon.com

Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Brontë's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misérables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Brontë's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.

Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.

The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resumé includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May

Customer Reviews:

Great Buy!.......2007-06-08

Not only was this CD super cheap, it also arrived at my house 3 days later!

Perfect Match.......2007-03-16

The music in this album really gave me the feeling of reading the book. I think the songs were well chosen and well written, except of course for the songs sung by Mrs. Fairfax... I could have done without those. Jane and Mr. Rochester's songs carry the story well and they sound lovely. For any musical lover, or romance fan I definitely recommend this album.

Probably the most beautiful musical of all time.......2007-02-16

This is a hidden gem and if you buy it and listen to it, I don't see how you can not love it. I have bought many, many Broadway cast albums but I still am a popster at heart. With all that said, this is a cast album that soars above the crowd.

I bought this several years ago and have listened to it repeatedly since I got it. Why do I love it so much? First of all, the lyrics are full of heart and emotion and tell the story ably. But it is the music and the performances that are truly remarkable here. The melodies are memorable and absolutely exquisite. The orchestration is lush but not sappy. The performances by the two leads are nothing less than stunning.

I never get bored with this wonderful cast album and it is very, very highly recommended.

Beautiful!.......2007-01-28

I listen to this soundtrack all the time and I never get tired of the songs. If Charlotte Bronte story was written as a musical, then this would definitely be it.

A good musical.......2006-07-20

if you like old-fashioned romantic stuff, this one's for you. Some songs are very inspired, the music is,for the most part, quite beautiful, and the story line keeps the essence of the Bronte novel. I heard this right after "Wuthering Heights: the musical", which is quite good, yet this is superior. Give it a try and you might be nicely surprised. I would highly recommend it to the ones who know the novel and to English Literature students: it offers a different and interesting approach to the novel.

Average customer rating:

Bryn Terfel's beautiful voice.
Why do people think this guy can sing??
Relaxing
Bryn Terfel's Simple Gifts
A Heartfelt Offering Reminiscent of An Earlier Era

Bryn Terfel - Simple Gifts

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Bryn Terfel Sings Favorites
Sacred Songs
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Bryn Terfel - We'll Keep a Welcome

ASIN: B000B8ISN2
Release Date: 2005-10-11

Tracks:

Ave Verum Corpus, K.618 - Adapted by Chris Hazell
Deep River - Arranged by Chris Hazell
The Lord Bless You and Keep You
I'll Walk Beside You - Arranged by Chris Hazell
Stabat Mater
Still, Still, Still Weils Kindlein Schlafen Will
Simple Gifts - Arranged by Chris Hazell
How Great Thou Art
Panis Angelicus - Arranged by Chris Hazell
Bless This House - Arranged by Chris Hazell
Ave Verum Corpus
Cavatina - Arranged by Chris Hazell
The Rose
Amazing Grace - Arranged by Chris Hazell
God's Mercy
Morning Has Broken - Arranged by Chris Hazell
Nearer My God To Thee - Arranged by Chris Hazell
Ave Maria
Send In The Clowns - Arranged by Jonathan Tunick
God Will Be With You

Amazon.com

Everything about Bryn Terfel is over-life-size: his physique, his personality, his breath-control, and of course his extraordinarily beautiful voice. This recording displays his stunning vocalism and versatility to full advantage, but its title belies its content. Alhough it does include some simple pieces, the execution is fussy, overdone, and calculated for maximum external effect. The program ranges from Mozart, Pergolesi and pseudo-Bach to Sondheim in arrangements that are pure Hollywood, complete with throbbing strings and rolling drums, often destroying the spirit as well as the letter of the original compositions. It begins with Mozart's heavenly "Ave verum" arranged for baritone solo and chorus, frustratingly cut off after a few phrases (another setting of the same text by Karl Jenkins, written for Terfel, is more satisfying, being complete and original). The splendid baritone Simon Keenlyside joins him here as well as in the opening number of Pergolesi's "Stabat Mater;" originally for soprano and alto, this must be the baritones' revenge on female singers who usurp songs written for men, like Schubert's and Schumann's cycles. Franck's "Panis angelicus" also inexplicably becomes a duet; unfortunately, Terfel's and tenor Aled Jones' voices do not match. Bach-Gounod's popular "Ave Maria" is all swells and exaggerations. The rest of the program consists of folksongs, hymns, show and film tunes, inflated to operatic proportions and generally ending in a fade-out or a flourish. Even the title song is anything but simple. This record is not for purists who like their music performed the way the composer wrote it, but aficionados of great singing will love it. --Edith Eisler

Customer Reviews:

Bryn Terfel's beautiful voice........2007-05-13

Bryn Terfel has a beautiful voice. Listening to him is very pleasant and definitely something to look forward to. I read a review saying he would replace tenor Pavroti. However, I believe that Mr. Terfel is a Baritone and not a Tenor. That does not detract from the fact that he should be considered one of the world's top male singers. His voice is truly impressive. This CD by Bryn Terfel is one from our collection that is outstanding and a favorite.

Why do people think this guy can sing??.......2007-04-27

Sorry, I think this guy is one of the most overrated singers out there today. He always sounds like he is singing holding his nose shut. VERY nasal sounding.

If you want to listen to an incredibly beautiful voice, buy one of Josh Groban's CD's--you won't regret it! He has the voice of the century!

Relaxing.......2007-02-03

Excellent selection of music. It covers many different types. My wife likes being able to hear the words with out instruments drowning out the vocals. I find it relaxing and many of the songs are familiar and very well done.

Bryn Terfel's Simple Gifts.......2006-02-25

Simply superb. I don't know what our local (Wash DC) paper was talking about when they said Deep River was the weakest link. I was enthralled from beginning to end. I have had the pleasure of hearing Bryn Terfel live in recital at the Kennedy Center. I can assure you that his voice has only improved with age. He was wonderful then and is spectacular now!

A Heartfelt Offering Reminiscent of An Earlier Era.......2006-02-15

Bryn Terfel harkens back to earlier American operatic stars such as Richard Tucker and Robert Merrill who crossed grenres to satisfy their unquenchable need to sing any and all songs that moved them to an appreciative public. These great singers all had their origins singing sacred music from their respective religions and learned to lay their considerable talents before the altar of the simple inspirational song.

This recording is wonderful on many levels. The selections are an unusual mixture of classical sacred music, spirituals, hymns, Lieder, Austrian Christmas and Gaelic songs, musical numbers and movie theme songs harmoniously combined to touch the soul of the listener in a gentle ebb and flow of devotion, intensity and tenderness. All of these songs are beautiful in and of themselves and in his hands, we experience them anew.

Bryn Terfel sings with the commitment necessary to make the awesome challenge of simplicity look easy. To my way of thinking, he is the most communicative and articulate singer today, bar none. He is a poet who savors the sound, feeling and meaning of each and every word and marries it uniquely and faithfully to the music. He transports the listener into the life of a song and transfixes us each and every moment. His enormous talent is not overwhelming or distractive and is inextricably and wholly intertwined with the music. This is greatness and it is very, very rare today.

I like the inclusion of the choir in several of the numbers as it reflects on the nature and context of the songs. I am less fond of the selections with the guest soloists as I feel they do not match his ability to "get inside" a song. The orchestra and orchestations are sensitive and enhancing.

This recording is simply wonderful and should have a broad appeal. It will move and inspire the believer, satisfy and fulfill the otherwise spiritual, calm the troubled and renew a flagging soul.

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Average customer rating:

The Price Club
A living legend
not your daddy's old timey spiritual
Immaculate Vocals of Leontyne Price
Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Leontyne Price: The Ultimate Collection
Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
Amazing Grace: Jessye Norman
Spirituals in Concert
Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

God Bless Daniel Rodriquez
Music From and For the Heart
Daniel Rodriguez
Some definite winners on this album
The Spirit of America

The Spirit of America
Daniel Rodriguez
Manufacturer: Manhattan Records
ProductGroup: Music
Binding: Audio CD

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In The Presence
From My Heart
God Bless America
The Impossible Dream
Ronan

ASIN: B00005Y1YC
Release Date: 2002-02-12

Tracks:

God Bless America
We Will Go On
Ave Maria
This Is The Moment
Danny Boy
Bring Him Home
Shenandoah
America The Beautiful
The Lord's Prayer
Into The Fire
You'll Never Walk Alone
The House I Live In

Amazon.com

It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.

Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley

Customer Reviews:

God Bless Daniel Rodriquez.......2007-07-16

This alblum is a treasure to own and listen to. He really captures the spirit of patriotism. I have played his songs at a local fireworks show that I DJ at and his songs are up there with the other songs by artists by Mr. Lee "God Bless The U.S.A." Greenwood and other great artists. New York City and the nation needed him at a time when we were trying to recover from the worst tragedy in the history of the U.S.A. and he was there for us.

Music From and For the Heart.......2006-11-25

Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....

Daniel Rodriguez.......2006-11-11

I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.

Some definite winners on this album.......2005-12-14

My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.

The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.

The Spirit of America.......2005-10-10

This is a great CD...of course, Daniel Rodriquez is the best!!!
As much as I enjoyed it, I do think "In the Presence", also by the same vocalist, is the ultimate. That could be because "In the Presence" was the first CD I had of this tenor vocalist, who is outstanding!

Varese Sarabande 25th Anniversary Celebration

Average customer rating:

A good value
The Sound Track Since Bernard Hermann
Good mix of film music
A mixed collection of movie music
Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Paramount 90th Anniversary Collection: Scores
In Session: Film Music Celebration
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
Music In Film (National Public Radio Milestones Of The Millennium)

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

The Man from Snowy River (Bruce Rowland)
The Winds of War (Bob Cobert)
Blue Velvet (Angelo Badalamenti)
Witness (Maurice Jarre)
Raising Arizona (Carter Burwell)
Pee Wees Big Adventure (Danny Elfman)
Halloween (John Carpenter)
A Nightmare On Elm Street (Charles Bernstein)
The Fly (Howard Shore)
RoboCop (Basil Poledouris)
The Empire Strikes Back (John Williams)
The Right Stuff (Bill Conti)
The Final Conflict (Jerry Goldsmith)
The Abyss (Alan Silvestri)
Brainstorm (James Horner)
Peggy Sue Got Married (John Barry)
My Left Foot (Elmer Bernstein)
The Dead (Alex North)
Stanley & Iris (John Williams)
The Milagro Beanfield War (Dave Grusin)
Driving Miss Daisy (Hans Zimmer)

Tracks:

Steel Magnolias (Georges Delerue)
Unforgiven (Lennie Niehaus and Clint Eastwood)
Raggedy Man (Jerry Goldsmith)
The Grifters (Elmer Bernstein)
Green Card (Hans Zimmer)
City Slickers (Marc Shaiman)
Father Of The Bride (Alan Silvestri)
While You Were Sleeping (Randy Edelman)
Babe (Nigel Westlake)
The Adventures Of The Great Mouse Detective (Henry Mancini)
The Adventures of Robin Hood (Erich Wolfgang Korngold)
The Young Indiana Jones Chronicles (Laurence Rosenthal)
The Secret Garden (Zbigniew Preisner)
A Little Princess (Patrick Doyle)
Rudy (Jerry Goldsmith)
Iron Will (Joel McNeely)
Memphis Belle (George Fenton)
Eye Of The Needle (Mikl)
Total Recall (Jerry Goldsmith)
Back To The Future Part III (Alan Silvestri)

Tracks:

To Die For (Danny Elfman)
The Player (Thomas Newman)
Black Robe (Georges Delerue)
Medicine Man (Jerry Goldsmith)
2001 (Alex North)
Star Wars: Shadows Of The Empire (Joel McNeely)
The Crow (Graeme Revell)
Blade (Mark Isham)
The Omen (Jerry Goldsmith)
Vertigo (Bernard Herrmann)
Scream (Marco Beltrami)
The Sixth Sense (James Newton Howard)
Xena: Warrior Princess (Joseph LoDuca)
Air Force One (Jerry Goldsmith)
Starship Troopers (Basil Poledouris)
The Matrix (Don Davis)
The Iron Giant (Michael Kamen)
Youve Got Mail (George Fenton)
A Little Romance (Georges Delerue)
Pleasantville (Randy Newman)

Tracks:

Sunset Boulevard (Franz Waxman)
L.A. Confidential (Jerry Goldsmith)
Rounders (Christopher Young)
The Score (Howard Shore)
The Replacements (John Debney)
Gone In 60 Seconds (Trevor Rabin)
The Bourne Identity (John Powell)
Rush Hour 2 (Lalo Schifrin)
XXX (Randy Edelman)
Die Hard (Michael Kamen)
The Last of the Mohicans (Trevor Jones)
Moby Dick (Christopher Gordon)
The Mists Of Avalon (Lee Holdridge)
Cleopatra (Alex North)
Life As A House (Mark Isham)
Emma (Rachel Portman)
In The Bedroom (Thomas Newman)
Cast Away (Alan Silvestri)
One True Thing (Cliff Eidelman)
Unfaithful (Jan A.P. Kaczmarek)
Far From Heaven (Elmer Bernstein)
Ice Age (David Newman)
Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Everything Junior.
Superb sound!
A stellar collaboration.
Sitting Out On the Porch Steps
Silky smooth and tasty on CD.

Come on in This House
Junior Wells
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Hoodoo Man Blues
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Best of the Vanguard Years
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Buddy Guy & Junior Wells Play the Blues

ASIN: B000003D5H
Release Date: 1996-09-24

Tracks:

What My Momma Told Me / That's All Right
Why Are People Like That?
Trust My Baby
Million Years Blues
Give Me One Reason
Ships On The Ocean
She Wants To Sell My Monkey
So Glad You're Mine
Mystery Train
I'm Gonna Move To Kansas City
King Fish Blues
You Better Watch Yourself
Come On In This House
The Goat

Customer Reviews:

Everything Junior........2007-03-12

I was attending a concert by the late, great "Gatemouth" Brown, when he reverently announced the passing of Junior Wells. I wasn't familiar with him at that time, but since then have been slowly adding all his albums to my collection and savoring each one. "Come on in This House" is not my favorite, although he is in great company here with an excellent entourage of slide guitarists. However, I came to hear Junior Brown and his harp which seems to be dominated by the guitars.

Superb sound!.......2004-07-06

I just want to comment on the sound quality of this SACD (the music is great as well.) This is the best sounding recording I have ever heard incl. LP, CD, SACD!

A stellar collaboration........2003-03-25

Junior Wells hardly needs any introduction. He is one of the best blues harp players of all time and one of the main figures in blues history, full stop. He played in the legendary band "The Ace", he has been member for years of the "Muddy Waters Band" during the period of its maximum splendour, he has had a long partnership with the great Buddy Guy, as well as a brilliant solo career. In two words a living legend. On this album, a true masterpiece, one of the album that you would certainly take with you on a desert island, he is accompanied by some of the best "young" blues guitarists around: Corey Harris, Alvin "Youngblood" Hart, Sonny Landreth, John Mooney, Derek Trucks, Tab Benoit and the "Muddy Waters Band" veteran Bob Margolin. Every guest plays at his best, and Junior Wells let them one by one take the centre of the scene. All of them are playing rigorously acoustic, national steel or, occasionally, electric slide guitar. 14 songs one better than the other. From the amazing cover of Tracy Chapman's hit "Give me one reason" with the fantastic performance of Sonny Landreth on national steel and electric slide guitars (it really sounds like another song!) to the stunning "Mystery Train" in which Corey Harris and Bob Margolin play the led. However it is really difficult to point out a particular song, this is the classic CD that you will never get tired to listening from start to finish. This CD is the perfect fusion between the acoustic sound of the Delta and the modern blues, without any doubt one of the best traditional blues album of the last 10 years. Don't miss it!

Sitting Out On the Porch Steps.......2002-07-19

Come On in This House, recorded by Junior Wells in 1996 is just plain fun - it's sitting out on the porch steps sipping lemonade on a hot summer day, it's laughing and joking with friends, and most of all it's good times and good music. Take a cd packed with songs, fourteen in all, make most of them classic blues, take a veteran bluesmen with impeccable timing, an awesome understated blues voice and add some of the best slide guitarist in the business, oh say about six and you have the makings of a great blues cd. Make it one of the last recordings of the great Junior Wells and it's unforgettable and a necessary component for the serious blues collector.

But please don't think this is music only for the serious blues listener, this is music that is wonderful and accessible to anyone. It is honest understated music, with depth and soul. There's no flash here, nothing strained or pretentious - no this is music of integrity that is fun to listen to.

Junior Wells, born Amos Blackmore in 1934 in Memphis Tennessee, teamed up with some of the best blues guitarist to record Come on In This House for Telarc. On this cd are Corey Harris, Alvin Youngblood Hart, Sonny Landreth, Bob Margolin, John Mooney and Derek Trucks. Each of these gentleman have a career of some repute in the blues genre, but if you haven't heard of them this cd is a perfect opportunity to get to know them.

Standards recorded for this cd include songs by Tampa Red, Sonny Boy Williamson, Arthur Crudup, Robert Nighthawk, Junior Parker and Little Walter as well as Junior Wells originals. The one new song Give Me One Reason by Tracy Chapman is worth the price of the cd. The interplay between Well's vocals and Landreth's National Steel Guitar are perfect.

It is little wonder that Come On In This House won the W.C. Handy award for best Traditional Blues Album in 1997, because every song is marvelous. It starts swinging it with That's All Right with young Derek Trucks, 16 on guitar and John Cleary on piano backing up Junior. It's all right now momma, yes indeed!- tasty guitar licks and the smoothest most mellow vocals by Junior Wells.

From the upbeat to the skeptical, melancholy blues of Why People Like that. Sonny Landreth and Derek Trucks exchange fire power on guitar while Junior continues his wonderful harmonica playing and sings:

They take your house and your home
They take the flesh from your bone
They take the shirt off your back
Why people like that.

Other songs of note include Tampa Red's She Wants to Sell My Monkey, Mystery Train, I'm Gonna Move to Kansas City and the title song an original by Junior Wells and brought out of retirement for this cd. It is a worthy addition, with Wells singing:

If I had a million dollars
I'd give you every dime
To hear you call me daddy
One more time.

I was lucky enough to see Junior Wells in person a few years before his death and remember his dynamism, swaggering confidence and extraordinary understated way of delivering a song. He made it seem so easy. This cd is a great reminder of what a wonderful performer he was. I think it is also a good introduction to traditional acoustic blues and will provide the listener with the opportunity to get to know some great blues players and some outstanding traditional blues songs.

Silky smooth and tasty on CD........2002-06-10

This latter period work by Junior Wells has always been a favorite of mine. The incredible sound on this CD only makes it all that much better. This is a must for any blues fans CD collection. Junior Wells was one of the best blues harp players ever, and this work during his later years is simply amazing.

Average customer rating:

Loved this CD
I LOVE this CD!
Costello Partners with Hubris and Yields Variable Results
what's so funny about peace, love, and understanding?
No life in her (pop) art

For the Stars
Anne Sofie von Otter , and Elvis Costello
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A46I
Release Date: 2001-04-10

Tracks:

No Wonder
Baby Plays Around
Go Leave
Rope
Don't Talk (Put Your Head On My Shoulder)
Broken Bicycles / Junk
The Other Woman
Like An Angel Passing Through My Room
Green Song
April After All
You Still Believe In Me
I Want To Vanish
For No One
Shamed Into Love
Just A Curio
This House Is Empty Now
Take It With Me
For The Stars

Amazon.com

At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.

Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley

Customer Reviews:

Loved this CD .......2006-06-13

Who would pair Costello and an opera singer?? Elvis, and somehow it works. I really love the tone and moodiness of it and lyrics that talk about love and life, failure and success. It's soulful, in a contemplative way, music for those tucked away, rainy days .

I LOVE this CD!.......2005-09-01

Finally, an opera singer who knows how to channel her Classical training into a sound that is, as one critic aptly described it, "what pop singers would sound like if they could actually sing"! Although Elvis Costello does not join Ms. von Otter very often in the vocals, when he does they harmonize beautifully. With great melodies (some beautiful, some catchy) and sensitive (but not sappy) lyrics, this album makes a fine addition to any CD collection.

Costello Partners with Hubris and Yields Variable Results.......2005-05-08

Having just heard Elvis Costello's masterful collaboration with Burt Bacharach, "Painted from Memory", for the first time this past month, I had high hopes for this equally unusual partnership with mezzo-soprano Anne Sofie von Otter released in 2001. This time, however, Costello acts as arranger and producer, and it is von Otter who is front and center on vocals. She is among the most revered of singers on the opera and recital stages, and she has impressed me in the past, in particular, with her Dejanira in the 2002 Marc Minkowski-led performance of Handel's "Hercules", among many other roles she has embodied. Here she is called upon to be a pop chanteuse, and while the beauty of her voice is inarguable in any setting, her ability to interpret the diverse lyrics in these songs is far more debatable. This is where a Marianne Faithfull, a Blossom Dearie or even a Joni Mitchell could capture more of the underlying feeling with a fraction of the vocal power von Otter can provide but with twice the nuance. There is a rather sterile sameness to the performances here, somewhat jazz-inflected in a cocktail lounge manner at times and at other times, rather morose and dirge-like.

Take, for example, her rendition of Brian Wilson's "Don't Ask (Put Your Head on My Shoulder)" from the legendary "Pet Sounds" album. It moves so glacially that it actually extricates the romantic subtext almost surgically. The same can be said for Jessie Mae Robinson's "The Other Woman", which has at least Magnus Persson's vibraphone to provide relief from the tedium. She's better on the other "Pet Sounds" classic, "You Still Believe in Me", where she cannily soars with the chorus, though Costello damages it by adding some odd, muffled rapping in the background. Ironically, it is on the Costello compositions where the recording most noticeably flails. The opener "No Wonder" starts as a "Greensleeves"-like madrigal and then turns into Beatlesque pop; "Baby Plays Around" seems to suffer from exhaustion by all parties; the two Fleshquartet collaborations, "Rope" and "Just a Curio", sound somewhat like extraterrestrial hymns done in a series of minor keys; and the closing title track, "For the Stars" includes peppy, Beach Boys-sounding harmonies which escape her grasp. In fact, "Just a Curio" would have been a more appropriate title for this entire recording.

On the other hand, the Gallic flavor of Benny Andersson's accordion effectively informs her rendition of Tom Waits' "Broken Bicycles", which melds perfectly with Costello's vocal on Paul McCartney's "Junk". Speaking of Andersson, a fellow Scandinavian, von Otter admirably covers a piano-led ABBA ballad, "Like an Angel Passing Through My Room". She also displays a meticulously casual bounce on Lennon-McCartney's "For No One", though it stops rather abruptly. Von Otter acquits herself surprisingly well on the jazzy "Shamed into Love", written by another unlikely duo, Costello and Rubén Blades, and performed as almost a smokier variation of Bacharach's "Alfie". And speaking of Bacharach, she does a nice turn on the lovely "This House Is Empty Now" from the 1998 Bacharach-Costello disc. Costello and von Otter are masters of their craft, but I think some of the collaborations reflect simply irreconcilable differences. While Costello seems to have an insatiable desire to expand musically, his hubris here appears to constrain the often preternatural vocal skill von Otter displays on the opera and recital stage. Consequently, what we have here is a nice album, a generous one with eighteen tracks, that doesn't seem to capitalize on either contributor's talent fully.

what's so funny about peace, love, and understanding?.......2004-04-22

Nothing's funny about this boring duo. I picked this up FREE at my library and it didn't take me too many tracks to see why it was donated. The musical arrangements are hapless and dull, and her voice is Dion without the Vegas power finale. Come to think of it, the lyrics remind me of Dion; they are as saccharine as anything Dion has ever sung. I wasted a blank CD on this limp, sleepy pairing of two otherwise good artists.

No life in her (pop) art.......2004-03-15

I am a big fan of both artists and wanted very much for this combination to work. It avoids the traditional trap of "oversinging" the pop material. But a few years after its release, in these American Idol era, is that really such a terror for pop music any more? So-called oversinging seems pretty popular these days!

The big problem is that von Otter has not found a way to communicate any emotion in this scaled-down form of singing. All her classical techniques are stripped away, and there's nothing to replace them. Sure, her voice is gorgeous, but it sounds exactly the same no matter what the lyrical content. The songs could have been made up of nonsense syllables for all the emotional life she communicates.

Tracks:

Kaddisch
Laudate Dominum
Ave Maria
Amazing Grace
Breit' Uber Mein Haupt
L'assedio Di Corinto: L' Ora Fatal S'appressa... Guisto Ciel !
Pie Jesu
Der Vierjahrige Posten: Gott! hore Meine Stimme!
Sanctus
Maria Stuarda: Preghiera Di Maria
Lacrimosa
1600 Pennsylvania Avenue: Take Care Of This House - Sumi Jo/Phil Chor Koln/Susan Graham
Nun's Chor/Casanova: Laura's Song
Gigi: Say A Prayer For me Tonight
Sometimes I Feel Like A Motherless Child

Amazon.com

This program seems designed primarily to display soprano Sumi Jo's fabulous singing and famous stylistic eclecticism. However, it also exhibits an admirable religious inclusiveness, encompassing expressions of faith from the Latin liturgy to Negro spirituals; there is even a Richard Strauss song that is essentially a paean to love. An incongruous note is struck by a nun's song from an operetta by Benatzky that is a corny Viennese waltz and by a soundtracklike arrangement of a 16th-century Ave Maria. Ranging from Mozart to Broadway, this musical mix is held together by Sumi Jo's ravishingly beautiful, pure, warm voice and the way she can color and inflect it, and by her mastery of every style (though not every language; her German in particular is unintelligible). Her intonation is impeccable, her breath control incredible. Jo's top notes soar triumphantly, and she can sustain them indefinitely, with enough power left to make a crescendo at the end. Highlights include Ravel's "Kaddisch," which sends shivers down the spine; arias from operas by Rossini and Donizetti; and arias from sacred works by Gounod and Fauré. Of two spirituals, the second one is simpler and more convincing. The accompanying forces are excellent; James Conlon doubles as pianist when not conducting. Susan Graham also makes an appearance in the moving invocation "Take Care of This House" from Bernstein's 1600 Pennsylvania Avenue. --Edith Eisler

Customer Reviews:

Nice Voice.......2007-05-06

Sumi Jo has a beautiful voice but her renditions of Motherless Child and Amazing Grace were not impressive at all. The vibrato was too uncontrollable. The Ave Maria was so,so. I did not hear the richeness others have declared in their assesments. Don't get me wrong, the instrument is quite beautiful but only in some selected selections.

a voice teacher and early music fan.......2007-02-17

"Music and poetry emerge from man's desire to give thanks, to praise and to pray to his gods. One of the magical powers of the human voice is that it can fly, on the wings of songs (a la Mendelssohn) to heaven and appear to be in direct communication with God." Therefore, it is no surprise that prayer is omnipresent throughout the history of music. Sumi Jo has chosen an excellent representation of songs including most styles and periods which include : Baroque (Caccini)-Classical (Mozart)-Contemporary (Preisner)-Romantic Opera (Rossini,Donizetti)-German 'Singspiel'(Schubert)-Lieder (Richard Strauss)-French church music (Gounod ,Faure)-traditional music (spiritual)-Jewish melodies (Ravel)-Viennese operetta (Johann Strauss) and the American musical (Bernstein).

Sumi Jo, born in Korea,is a much sought after coloratura soprano, having triumphed on stage, and in recitals all over the world. Not being fond of coloraturas, I make an exception for her voice, because of its depth along with the very high register. She shows a great deal of sensitivity to all of her varied selections on this disc, and each delivery is a 'gem' unto itself.

I must personally comment on those works that I particularly enjoy. Hearing her sing Mozart's 'Laudate Dominum' was a real treat; it doesn't matter how often one hears that lovely piece, just like all of his music, it 'wears' well. The 'Pie Jesu' was absolutely stunning as Sumi Jo sang it, and it is a pleasure for me to hear the selection from "GIGI" by Lerner & Loewe; not being a great broadway fan, I have always liked that specific musical. I think because it was well-done when I saw it years and years ago.

This disc is abolutely totally enjoyable. There is something for all musical tastes, and the conductor/pianist James Conlon does a great job pulling it together!!!!!

Sumi Jo- coloratura supreme.......2006-04-09

One word: Lacrimosa. It haunts you and will stay with you long after you hear it. I actually forced several if my coworkers to listen to it many of which are not opera fans and even they could not argue the beauty of it. One of my coworkers was actual on the verge of tears by the end of the song.

The rest of the album is enchanting as well as breath taking. I am a harsh critic when it comes to singers so I do not give those compliments very often, nor am I easily moved by singers but Sumi Jo has certainly done that with this album.

My only complaint is that I would have liked to hear her take of "Ave Maria" by Schubert which, while recorded many times over, would complimented her voice perfectly due to it's simplicity. "Sing low sweet chariot" would have been another great one to hear but as far as spirtuals are concerned I was very happy with her acepella version of "Amazing Grace." I was never a huge fan of "Amazing Grace" since it's been done a thousand times over but she brought such seetness and emotion to it. Of course I am kind of biased becuase I offically hate the "belting" version of this song and that's how it's usually done. It's nice to hear a simple, straight forward version.

My last comment is that it's nice to hear Sumi Jo sing less operatic pieces considering most opera singers are rarely bold enough to sing anything other than classical pieces, excluding Renee Fleming of recent.

Prayerful and beautiful.......2005-11-14

It is a refreshing change to have a collection of arias on a CD with a title that actually bears some relevance to the contents. This is indeed a prayerful collection. That means, of course, that you have to be in the appropriately contemplative mood in order to appreciate it.

Another nice change is that the orchestral accompaniment enhances the singing rather than just tagging along as an afterthought, which often seems to be the case. It is fitting that James Conlon gets equal billing here. This is splendid singing to splendid music.

Sumi Jo is comfortable in any language and in a broad range of styles. I was uncertain how she would tackle songs like Amazing Grace and Sometimes I Feel Like a Motherless Child. I need not have worried. In the latter she reveals a soulfulness that fits the lyrics perfectly.

The only track not worthy of this collection is Bernstein's Take Care of This House. I suppose, as it is a prayer, it was an obvious song to include, and Jo sings it very well, but it is just a very poor song. That still leaves 14 excellent tracks that, if you are a lover of good singing, you will want in your collection.

A spectalce of voice and vocalization.......2004-12-29

I bought this used from an Amazon.com dealer and it came with a cutout on the left side of the CD box. Can this specacular CD possibly have gone out of print by Christmas 2004? If so we have lost one of the benchmark recordings of this splendid artist.

Never is there a weak moment in this incredibly beautiful collection of classical bleeding chunks and spirituals. I don't think you'll confuse Sumi for your favorite spiritual singer in "Amazing Grace" and "Sometimes I feel like a motherless child" but she is magnificent singing the complete and incomplete tunes elsewhere on the CD by famous classical composers including Mozart, Richard Strauss, Rossini, Schubert and Donizetti, to name some of them.

She is in wonderful voice and fresh-faced for the Loewe-Lerner "Say a prayer for me tonight" and does an equally nice job with Susan Graham accompanying Leonard Bernstein's "Take care of this house" from "1600 Pennsylvania Avenue". I'm not much for this kind of music -- I bought this exclusively for her rendition of Mozart's "Laudate Dominum" -- but it adds a dimension to the concert that brings it into the realm of popular Broadway tunes.

This is a wonderful concert of familiar and not so familiar songs from a singer whose voice is eloquent, beautiful and rich, with significant range and span from PPP to FFF. Sumi Jo controls her voice well throughout the concert, giving everyone something to think about regardelss of musical preference. This might have been improved if she'd included a Beatles tune -- maybe "Elenor Rigby" or "Yesterday" -- accompanied by the orchestra and James Conlon's direction. But it stands with any similar collection by any singer as it is.

Average customer rating:

beautiful patriotic music
All new recordings, with a strong patriotric theme

Spirit of America

Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000A4G6H
Release Date: 2003-06-24

Tracks:

America the Beautiful
Bound for the Promised Land
This Land Is Your Land
Shenandoah
Battle Hymn of the Republic
Distant Land
They, The Builders of the Nation
House I Live In
America, The Dream Goes On
Give Me Your Tired, Your Poor
God of Our Fathers, Whose Almighty Hand
Hymn for America
Pledge of Allegiance
Cohan's Big Three: Yankee Doodle Dandy/Give My Regards to Broadway
Goin' Home
God Bless America - Craig Jessop, Mormon Tabernacle Choir, The Orchestra
Star-Spangled Banner
Call of the Champions

Customer Reviews:

beautiful patriotic music.......2003-08-28

This is an excellent CD. The music, both voices and orchestra, is superb. The content of the lyrics is inspiring. It reminds me of so many reasons I'm proud to be American.

All new recordings, with a strong patriotric theme.......2003-07-16

Surprised that no one has reviewed this yet. Amazon.com doesn't give much info on this release, so I thought I'd rectify that. This is the second brand-new release on the "Mormon Tabernacle Choir" label, following their April 2003 release of "Consider the Lilies." Again, several of the arrangements are by Mack Wilberg, with direction by Craig Jessop and accompianment by the Orchestra at Temple Square. The track list is as follows:

1 America the Beautiful
Music: Samuel A. Ward

Text: Katherine Lee Bates
Arrangement: Mack Wilberg (Oxford University Press) 4:30

2 Bound for the Promised Land
Music: American folk hymn.
Arrangement: Mack Wilberg (Oxford University Press) 2:35

3 This Land is Your Land
Music: Woody Guthrie
Text: Woody Guthrie
Arrangement: Percy Faith & Michael Davis 2:40

4 Shenandoah
Music: American folk song.
Arrangement: Mack Wilberg (Oxford University Press) 4:48

5 Battle Hymn of the Republic
Music: William Steffe
Text: Julia Ward Howe
Arrangement: Peter J. Wilhousky (Carl Fischer, Inc.) 5:19

6 Distant Land
Music: John Rutter
Text: John Rutter
Arrangement: John Rutter (Hinshaw Music, Inc - ASCAP) 4:41

7 They, the Builders of the Nation
Music: Alfred M. Durham
Text: Ida R. Alldredge
Arrangement: Mack Wilberg (Deseret Book Co.) 3:28

8 The House I Live In
Music: Earl Robinson
Text: Lewis Allen
Arrangement: Michael Davis 3:26

9 America, the Dream Goes On
Music: John Williams
Text: Alan and Marilyn Bergman 3:18

10 Give My Your Tired, Your Poor
Music: Irving Berlin
Text: Emma Lazarus
Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:01

11 God of Our Fathers, Whose Almighty Hand
Music: George W. Warren
Text: Daniel C. Roberts
Arrangement: Mack Wilberg (Oxford University Press) 4:12

12 Hymn for America
Music: Stephen Paulus (Paulus Publications)
Text: Michael Dennis Browne 3:08

13 The Pledge of Allegiance
Music: Charles Osgood
Text: Francis Bellamy
Arrangement: Michael Davis 2:39

14 Cohan's Big Three (Yankee Doodle Dandy, +below)
Music: George M. Cohan
Text: George M. Cohan
Arrangement: Floyd E. Werle
+Give My Regards/Brdway, You're a Grand Old Flag 3:53

15 Goin' Home
Music: Antonin Dvorak
Text: William Arms Fischer
Arrangement: Jay Welch 4:36

16 God Bless America
Music: Irving Berlin
Text: Irving Berlin

Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:44

17 The Star-Spangled Banner
Music: John Stafford Smith
Text: Francis Scott Key
Arrangement: Robert Russell Bennett 2:21

18 Call of the Champions
Music: John Williams
Text: Olympic Motto 4:47

The sound on this release is, if anything, even cleaner than the previous release, with the Choir and orchestra very evenly balanced. The programming includes a mix of both traditional and brand new songs, a couple of which (Stephen Paulus's "Hymn For America," and Charles Osgood's "The Pledge of Allegiance") were commissioned especially for this recording. Additional note: several of these songs were included on the Choir's 2003 Northeastern States tour, which was a huge success. I highly recommend this recording!

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