Pendulum (Hybr) [Hybrid SACD]

1. Pagan Baby

2. Sailor's Lament

3. Chameleon

4. Have You Ever Seen the Rain?

5. (Wish I Could) Hideaway

6. Born to Move

7. Hey Tonight

8. It's Just a Thought

9. Molina

10. Rude Awakening, No. 2

Tracks:

Prelude
Slam
Plastic World - Pendulum,
Fasten Your Seatbelt - Freestylers, Pendulum
Through the Loop
Sounds of Life - Pendulum,
Girl in the Fire
Tarantula - Pendulum, Tenor Fly
Out Here
Hold Your Colour
Terminal
Streamline
Another Planet
Still Grey

Album Description

Hold Your Colour is Pendulum's debut album. With bold and diverse tracks, the album combines the trio's groundbreaking blend of heavy electronic funk, never-before-heard innovative sounds and 'real' musical elements to produce a monster of a long player, destined to break down genres and smash up charts worldwide. Breakbeat. 2005.

Album Details

With a Slew of Single Releases on Various Independent Labels Australian Drum 'n' Bass Outfit Pendulum Release their Debut Album 'hold Your Colour' on Adam F and Fresh's Breakbeat Kaos. Pendulum have Created a Hybrid Mix of Drum 'n' Bass, Nu-skool Breaks and Classic Rave, Managing to Keep their Underground Roots While Crossing Over to the Mainstream. The Album features the Singles 'slam' and 'another World'.

Customer Reviews:

hold your color.......2007-06-08

Great D&B album. Check out the essential mix or the breezeblock mix for more.

Best DnB album ever.......2007-01-31

This is genuinely the best drum and bass album ever, in my opinion. If you listened to any DnB sets at all in 2005 or 2006, you'll almost certainly recognize every single song on this album. It's truly a remarkable blend of beautiful vocals and hardcore headbanging bass. Every song fits within the album as a whole, and at the same time they're all very different. Buy this album -- it's well worth it, even at 27 dollars.

Good Album.......2007-01-20

I'm new to the magical world of Drum and Bass with Trance as my gateway drug. I enjoy that this album has a good stylistic range; some songs are really hard and intense (Slam, Through the Loop, Tarantula) while some are not so hard and intense (Sounds of Life, Girl on Fire, Hold Your Colour). What makes this worth a rating of five to me is the consistency of quality from track to track. I don't end up skipping forward to hear the two or three good songs typically on a CD, but rather listen to the whole thing from start to finish. I highly recommend this album to those with an interest in D&B.

Coloured.......2007-01-12

I bought this CD on an impulse after listening to only one song, and it now ranks as one of the high points in my collection. Each song is distinct and lasts long past the initial "new CD feeling". "Girl in the Fire" and "Hold Your Colour" are epic, while "The Terminal" has a darker mood. "Slam" swings between hip-hop beats and techno soundscapes while the last 3 songs are all softer and surprisingly enjoyable. Vocals are employed on nearly every track, and it feels as if the music had been composed with a certain vision in mind.

Overall, a great CD, and necessary if you have even a passing interest in electronic music.

It's alright.......2007-01-08

Personally, the cd was a little too over hyped. I've heard much better dnb before. It's a good album with a bunch of solid songs on it, but there are a few that take away from the album.

Average customer rating:

Great Cd from great Band
check this out too
Pendulum saved my life!
CCR broadens the scope
Where'd the bayou go?

Pendulum
Creedence Clearwater Revival
Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Cosmo's Factory
Bayou Country
Creedence Clearwater Revival
Willy and the Poor Boys
Green River

ASIN: B000000XCK
Release Date: 1990-10-25

Tracks:

Pagan Baby
Sailor's Lament
Chameleon
Have You Ever Seen The Rain?
(Wish I Could) Hideaway
Born To Move
Hey Tonight
It's Just A Thought
Molina
Rude Awakening #2

Album Description

24 bit digitally remastered reissue of their 1970 album. 10 tracks, including 'Hey Tonight' & 'Have You Ever Seen The Rain'. Also features the original cover art. Digipak.

Customer Reviews:

Great Cd from great Band.......2007-03-09

Great Cd from a much underrated band of all times.

check this out too.......2006-07-08

I am a huge fan of John Fogerty's solo music and his music with CCR. If you enjoy his roots-rock style then I strongly recommend that you check out the following:
1) 24 Hours A Day by The Bottle Rockets
2) Chooglin': A Tribute To The Songs Of John Fogerty
3) Banjos and Sunshine by Sixty Acres
4) Trace by Son Volt

Pendulum saved my life!.......2005-06-05

I am not from CCR's generation of hippies and Vietnam veterans but a twenty year old in a generation of Britney Spears and Backstreet Boys. What does this have anything to do with CCR? I don't listen to my generation's music hardly ever. I must be a born again dope smoking hippie because all I listen to is classic rock. My dad handed me down this album when I was in junior high in the late 1990s and it was my first awakening to what great music sounds like. I'm very familiar at this point with most of the music of the late 60s and 70s and I will still claim CCR's Pendumlum is one of the greatest albums of its kind from this period of rock and roll. I think what makes CCR so great is their ability to molt jamming rifts in which you can dance up and down to into sweet melodic jams in which you can chill. They do it perfectly with John Fogerty on lead guitar and his brother Tom on rhythm playing together with Stu Cook on bass and Doug Clifford on drums. I can't think of too many bands with a better combination. Pendulum is one of those albums you could probably listen to anytime of day and with any kind of mood. I guess if you're into the way harder material from that time, Pendulum might be a downer but not necessarily. I listen to Deep Purple and Zeppelin to Fleetwood Mac and Jackson Browne. I think CCR is that place in between all of these bands. I'm in love with all the songs on this album so its hard to say exactly which ones to listen to for a first glance. When I first started listening to CCR, I was definitely digging the softer sounds and the melodic tunes in music so I think I will always be more affectionate to "(Wish I could) hideaway" "It's just a thought" but jams on "Pagan Baby" and "Hey Tonight" are equally as fantastic. I know my perspective on this album compared to other CCR albums may be biased since this album was my first and it has great sentimentality attached. But there is a reason that this album converted me from the 90s back to 1970. I now listen to everything including hip hop and old country but CCR will always have me, especially this album.

CCR broadens the scope.......2003-11-30

Not as highly renowned as "Green River" or "Cosmo's Factory", "Pendulum" may need a little time to assimilate, but in time it will grow on you.

These songs aren't as immediately memorable as hit singles like "Proud Mary" or "Bad Moon Rising", but it is quite interesting to hear how John Fogerty spent time arranging, polishing, trying out new styles, adding keyboards and horns to the "classic" Creedence sound. Sure, the instrumental "Rude Awakening #2" sounds suspiciously like progressive rock, which certainly wasn't Creedence's forte, but the vast majority of these songs are excellent. Just listen to the atmospheric acoustic folk-rock of "Have You Ever Seen The Rain", the bluesy raver "Pagan Baby", the moody, organ-laden ballads "Hideaway" and "It's Just A Thought", the upbeat hard rock of "Hey Tonight" and "Molina", and the fine, funky soul of "Born To Move".

Most bands would kill for this to be their best stuff, which just goes to show what a phenomenal band Creedence really was.

Where'd the bayou go?.......2002-11-21

I really like CCR's catchy old songs about bayous, trains, and graveyards, but for my taste their albums progressively went downhill, and were close to the bottom in several respects with all albums from 1970 on, which includes "Willy And The Poor Boys," this one (from December 1970), and "Mardi Gras." This was in stark contrast to their earlier bayou era albums, where almost every song was a hit. However, although these later albums were weak in catchy songwriting and southern imagery, they were strong in other aspects. "Pagan Baby," although repetetive and uninteresting, is fairly intense, and has some of Fogerty's fastest lead guitar lines. "Born To Move," despite being very un-Creedence in style, is a surprisingly good jam with organ that sounds a bit like Santana, Eddie Harris, or Ten Years After. "Rude Awakening #2" is also very un-Creedence and has some interesting speeded up guitars and organ reminiscent of Yes. However, despite a promising start, it winds down without reaching any climax. The remaining songs are all unnoteworthy, in my opinion. I never liked the biggest hit from this album "Have You Ever Seen The Rain?" due to the ballad's vocals being raised to a high key where they distort, and its slow, boring chord progression. In summary, I liked the playing and instruments on this album, but the songwriting just doesn't cut it. They should've focused more on good songwriting, regardless of style, instead of getting distracted by showing off how many instruments they could play. Hell, if they'd pursued their Santana and Yes directions that they started on this album, they might've reached unprecedented new heights instead of disbanding, although their contract with Fantasy Records may well have been hurting the band at this point, sad to say.

Average customer rating:

not what I expected...
Great CD, But
Audio Pleasure

Jungle Sound Gold
Pendulum
Manufacturer: Breakbeat Kaos
ProductGroup: Music
Binding: Audio CD

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Hold Your Colour
Bad Taste
The HUMAN Resource
Nightlife, Vol. 3
Chaos by Design

ASIN: B000EHR82C
Release Date: 2006-03-28

Tracks:

Mashochist - McMc, Pendulum
Dreadlock - McMc
Shakedown - McMc
You Can't Touch - Dillinja, McMc
T-10 [VIP Remix] - DJ Craze, Distorted Minds, MC Jakes, McMc
Voyager - McMc, Pendulum
Living Daylights - DJ Fresh, McMc
When the Sun Goes Down [Andy C & Ant Miles Origin Unknown Remix] - DJ Fresh, Adam F, , McMc
Original Jungle Sound [Switch Mix] - Adam F, , McMc
Therapy - Adam F, , ,
Circle VIP 2000 - Adam F, , ,
Hear My Voice - DJ Fresh,
Labyrinth
Submarines [Pendullum Remix] - DJ Fresh,
Kingston Vampires - DJ Fresh, , Pendulum
Foreigner - DJ Fresh,
Another Planet - Pendulum

Tracks:

Circle VIP 2000 - Adam F, , ,
Living Daylights II - DJ Fresh
Kingston Vampires - DJ Fresh, Pendulum
Dreadlock
Duppy Man - Capleton,
8Ball - Adam F,
Therapy - Adam F, ,
Hear My Voice - DJ Fresh
Masochist VIP - Pendulum
Decade
When the Sun Goes Down - DJ Fresh, Adam F,
Matador - DJ Fresh
Karma [John B Remix]

Customer Reviews:

not what I expected..........2007-01-16

I guess I took a shot in the dark with this CD. I had recently picked up Pendulums "Hold your Colours" CD which was really really good. I was listening to that CD heavily for a while and then I saw this CD, which was mixed by Pendulum, and I have to say its nothing like "Hold your Colours". But to be fair I kind of knew that seeing as the cover said "Jungle Sound". However it just ending up being unbearable D'n'B similiar to that of anything put out buy Renegade Recordings. Most of the songs have no real melody or a good build-climax-closure. Plus with all the random screaming of jungle garbage it makes this CD a waste of money in my opinion. All I can say is dont buy this CD...and incase you are interested in it, see if you can get it used or free, I wouldnt pay full price for this thing.

Great CD, But.......2006-10-08

Please don't buy this CD, It's just a Repackaged Junglesound Vol 2 (2004). Pendulum Has openly disowned this CD mix, as it's just a cheap ploy for Breakbeat Kaos to cash in on. It's great DnB, but please, do all the artists justice and go to amazon UK to buy Junglesound Vol 2. Oh, and Darrison raps over the songs on part 2 of cd1. Not terrible, but he's quite annoying on the "Another Planet". I'm just upset I found this out after purchasing the CD.
IMPORTANT!!!

From the mouth of Rob from Pendulum:

RE: 'JUNGLESOUND GOLD'

just gotta clear this up:

a) We had no prior knowledge of the release of this CD. The first we heard of it was on discussion forums linking it to the product being sold in shops.
b) We mixed the CD back in mid-2004 - therefore the mix, as well as our tracks included on the second disc, do not reflect the Pendulum sound of today (for better or worse, thats up to you ;])
c) We never intended nor agreed to release 'Masochist VIP' - I did it in about 30 minutes as something special to play out at a show. It was only given to Fresh and Adam F in low quality mp3 format for them to play out as DJ's - not to be released.
d) We didn't approve and in fact strongly disapprove of the 'Junglesound Gold' artwork, especially in relation to our name being unfairly used as an advertisement - plainly an attempt to link 'Junglesound Gold' to the recent success of 'Hold Your Colour'.

As a result of the above, we do not endorse 'Junglesound Gold' at all.

- Pendulum.

Audio Pleasure.......2006-06-16

Massive double CD of some seriously hard drum & bass - Breakbeat Kaos style. CD 1 is mixed by Pendulum and hosted by MCMC & MC Darrison, CD 2 is unmixed for your pleasure! And pleasure it is from start to end pendulum rolls out dance floor rippers and some seriously hard tunes.
If you like hard drum and bass this is definately for you...if you are not into drum and bass give this a try YOU'LL LOVE IT.

Average customer rating:

a tribute with poor feedbacks
"Keep it new"
Classical avant-garde experimentalism from.....a rock band?
Can you guess what it is yet?
lost me as a fan

SYR 4: Goodbye 20th Century

Manufacturer: Sonic Youth / Syr
ProductGroup: Music
Binding: Audio CD

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SYR 3: Invito Al Cielo
SYR 1: Anagrama
SYR 2: Slaapkamers Met Slagroom
Mori & DJ Olive
SYR 6

ASIN: B00002R0NC
Release Date: 1999-11-16

Tracks:

Edges (Christian Wolf)
Six (John Cage)
Six for New Time For Sonic Youth (Pauline Oilveros)
+ - (Takehisa Kosugi)
Voice Piece For Soprano (Yoko Ono)
Pendulum Music (Steve Reich)

Tracks:

Having Never Written A Note For Percussion (James Tenney)
Six (John Cage)
Burdocks (Christian Wolff)
Four (John Cage)
Piano Piece #13 (George Maciunas)
Piece Enfantine (Nicolas Enfantine)
Treatise (Cornelius Cardew)

Amazon.com

Wildly influential four-piece Sonic Youth have self-released their version of a tribute to the 20th century: two discs of noisy interpretations of modern, experimental classical scores. The group has chosen composers whose works leave a great amount of innovation open to the performer. This chance-embracing approach--typified and in some senses originated by John Cage--is one of the crucial turning points of "new" music. What's great about this CD is that it demonstrates the freewheeling, decidedly unserious spirit behind this music, essentially combining the legacies of punk rock and out-sound. In addition to three late works by the chance-loving Cage, there are pieces by current Merce Cunningham collaborator Takehisa Kosugi, minimalist giant Steve Reich, "deep-listening" drone lover Pauline Oliveros, and Fluxus founder George Maciunas. Longtime collaborator Wharton Tiers, the young everything-ist Jim O'Rourke, and even some of the composers themselves join in on these exercises. The result is messy, fun, and anarchic, with occasional revelations (notably James Tenney's "Having Never Written a Note for Percussion"). It's not a disc to play all the time, but it is a challenging, enthused record that ideally will point listeners toward some of the most vital music of the last half of the last decade of the second millennium. --Mike McGonigal

Album Description

1999 & fourth release on their own SYR label. 13 tracks. The CD format is a double disc set that's enhanced with the CD-ROM video to George Maciunas' 'Piano Piece #13 (Carpenter's Piece) For Nam June Paik'. The album contains music composed by abstract artists like Yoko Ono, Steve Reich, John Cage and Christian Wolff. Gatefold slipcase. 1999 release.

Customer Reviews:

a tribute with poor feedbacks.......2006-04-14

The best thing with this product is undoubtly the names to whom it is contributed. One should really sincerely appreciate the good taste of SY to lift up and include such grand modern masteur composers as Wolff, Cardew, Cage and etc. Less successful however is the attempt to translate these 40 or so years old, mainly score, compositions and replace their original instrumentations and to attempt to change their structure to "rock".

Sometimes it does get endurable but at other times it completely falls out to miss the mark. Even if Wolff himself appears at times and also the renowned Marclay contributes it doesn't even come close to the originals at any time. It may be said that some of the tracks more demolishes than recaptures them.

Most of those who reviews here or rate are diehard SY fans and would probably give five stars to anything that SY put out, whatever it is. If they recorded an album of silence in hommage to Cage they would give it five stars too and call it great and important and other such stuff. We all know how that works, it is just sensual and silly.

But for those with commited interest in the musical field that is quite so misrepresented here it is but foolish to give this set of recordings too much attention.

Better is to try to get the original recordings themselves, or to get recent re-recordings of these, such like of California Ear Unit or Ars Nova ensemble etc. Pass this thing if you already know the composers work, and if you're new to these composers through this release, get the originals and compare.

I wish I could give three stars for this project, but I can't, the structures are too much weakened and the whole original soundwalls are too much torn down. If one wish to perform these works, which may not be too easy, than one should learn how to do so properly first. Otherwise, write a book...

"Keep it new".......2005-04-03

I came across this CD at my local library while searching for the works of Cornelius Cardew. My only criticism is that liner notes were not included. Liner notes would have been appreciated not only as explanations of this admittedly esoteric music, but as an opportunity for the performers to respond to potential criticism and explain their intentions. They are to be commended for taking the risk of alienating their commercial base with this collection of recent aleatoric compositions and performance art. The other reviews merely prove the point that despite their posturing, many fans of popular music are as conservative and hidebound as their great-grandparents, uncomfortable in their day with any composers after Brahms. A scan of the FM dial reveals little change in popular music over the past 50 years - lots of 3-minute songs in 4/4 time. Witness the proliferation of stations endlessly broadcasting the same 1960s to 1980s standards.

For this audience, this CD is just what was needed - a slap in the face of convention. If this sparks in anyone an interest in searching for "what else is out there," the exercise will have been well worth the effort.

Classical avant-garde experimentalism from.....a rock band?.......2004-11-21

It's hard to believe, but it's true.

The 4th CD in the SYR experimental series (titled Goodbye 20th Century, appropriatly) of Sonic Youth Records, is a fantastic double album soundscape of the finest kind. The CD has reinterpretations of post 50's era classical pieces (by such illustrious names as John Cage, Steve Reich, Christian Wolff), and they sound great for the most part. But Sonic Youth was not alone in recording this double album. They enlisted the help of many people, like Jim O'Rourke, Thurston Moore and Kim Gordon's daughter Coco Hayley Gordon Moore (who screams out Yoko Ono's Voice Piece for Soprano), and...surprisingly...Christian Wolff collaborates on his pieces with the band. There are many other contributors, but I can't recall them at the moment.

Judging from all the other tracks, the one that stands out the most (to me, anyway) is Pauline Oliveros' Six For New Time (composed specifically for this project). Thurston intones lyrics over rising and falling drone guitars. Genius. Don't get me wrong, there are plenty of other tracks that are as great, such as Steve Reich's Pendulum Music (swinging microphones over amps, creating a pendulum effect of feedback), and George Maciunas' Piano Piece #13 (hammering down the keys of a piano till they no longer produce sound).

The centerpiece of the album, though, is John Cage's Four6. There are 2 other John Cage songs on the album (Six, performed twice) but this one stands out the most. It may seem like random banging and aimless instrumental wandering, but give it a chance, and it will slowly reveal its beauty.

Overall, this album is a fantastic piece of avant-garde, and will certainly entertain the artier person in you.

If you enjoy this record, why not try other CD's in the SYR series, Lou Reed's Metal Machine Music, or seek out the works of the composers on this album?

Can you guess what it is yet?.......2004-06-11

Well this is one Sonic Youth's more experimental releases ( if you hadn't gathered by now ) and it's fair to say that this is a challenging listen. You'll need to keep your wits about you and a sense of humour to contain this on first listen. It's quite possibly one of those " gets on your nerves " sort of album at first albums. But give it time and you appreciate the album that it sets out to be. You're not going to absolutely love this but you can enjoy it for what it is or yank it out of your stereo system and criticize Sonic Youth as bulls**t poseurs. It all means the same thing - nothing!

lost me as a fan.......2003-03-10

i used to love sy. during the washing machine tour they played the academy friday night, saturday afternoon for matinee and saturday night. i was at all three shows. i saw them a lollapalooze twice. the thousand leaves show at irving plaza? i was front row. those days are gone.
i had the first syr disc and liked it. not great but it was ok. after that this band died. maybe my tastes change and i mourning this whole thing because i truly was proud to be an sy fan. i felt they were alive here and now and i got to enjoy them now. not like beatles fans or zepplin fans who can no longer see them live. i mourn the loss of the smashing pumpkins, the death of kurdt cobain, the death of mia zappata, death of layne staley, breakup of soundgarden, as well as many other bands i adore so for me to love sy and they are still here and making vibrant music meant alot.
then they came out with the syr discs. i liked the first a little but after that, this disc, the 4th in this series, i was forced to leave my fanship behind. this dics is long, boring, to long, uninterseting and way too long. 30 minutes for one song which interests me not at all is too much to ask.
i see their new direction and like it not. it is pretentious in the worst way. aimless, drifting, and uninteresting. like i said, someone email me and explain me what is so good about this

Tracks:

Pagan Baby
Sailor's Lament
Chameleon
Have You Ever Seen The Rain?
(I Wish I Could) Hideaway
Born To Move
Hey Tonight
It's Just A Thought
Molina
Rude Awakening #2

Customer Reviews:

Underrated Album.......2006-09-19

This was CCR's final album with all four guys before Tom left. While it is not up there with Green River and Cosmos Factory, it still is a good album to listen to. Here is a breakdown of all the songs:

1) Pagan Baby - 6.5/10 - a ok rocker. Not one of their best for it is quite repetitive & a bit long, but still ok to listen to.

2) Sailor's Lament - 8/10 - John Fogerty always tried new things and this song is one. It is not a classic song, but still it is catchy & enjoyable to listen to.

3) Chameleon - 8/10 - I've heard this song is about Tom Fogerty. It is a hard-driving rocker and a bit better than Sailor's Lament.

4) Have You Ever Seen the Rain - 9.5/10 - The best song on the album. This is John Fogerty at his best and the band makes it a classic.

5) Wish I Could Hide Away - 8/10 - Another very underrated song. It seems Fogerty was feeling the strain of a band breaking apart and he delivers an emotional performance in singing this song.

6) Born To Move - 6.5/10 - Another subpar rocker. I felt the instrumental at the end too long and the song though catchy, lacks something. Maybe just too simple lyrically.

7) Hey Tonight - 8.5/10 - Another classic song. There is a reason this was a hit song; it is very good and still sounds great all these years later.

8) It's Just a Thought - 8.5/10 - A very reflective song that works very well.

9) Molina - 9/10 - I love this song. It is so catchy and has some great sax playing in it.

10) Rude Awakening #2 - 4/10 - It is too bad this album ends on such a poor song. One of the worst Fogery has written. It starts out ok, but then turns into a very tedious instrumental.

Despite the last song, this album is worth having. On a final note, the sound quality is wonderful. The remastering of the CCR albums blows away those old vinyl records & early CD versions.

When the music's loud, I can't get enough........2005-08-19

At its time, this album seemed weaker than previous CCR albums. Maybe--but any record that encompasses the nearly punk starkness of "Molina" and the gorgeous yearning of "Have You Ever Seen the Rain" is none too shaby.

Remembering a good friend from Miami.......2005-07-20

I used to own this album back in the 70's when it was first released. This was one of my favorite bands; I had almost all of their albums. My favorite song is Chameleon. Why? Because, it reminds me of a guy from Miami (Roque Alvariño) better known as the Chameleon from Miami, he was so infatuated with this song that he even bought a set of real chameleons with the record and took them home to live with him. Most of the songs are good in this album but the chronicles vol.1 & 2 are the best, although my friend the chameleon would probably not agree with me due to the fact that the song chameleon is not included. This band was great. Buy buy it!

Nice.......2004-03-05

This is a solid 4-star CD: very good with respect to both the music and the quality of recording. Very good indeed. It's far better than most of the "music" produced nowadays.

A Masterpiece in the Lexicon of Musical 'Disappointments'.......2002-02-20

Every recording artist, at one point or another, has had their "disappointment;" an album or other work that either doesn't sell well, yet is praised by critics...or sells well yet critics despise it...or neither at all. For instance; Bruce Springsteen had his "The Ghost Of Tom Joad," Genesis had their "Calling All Stations," and even Led Zeppelin had their "III."
Creedence Clearwater Revival's 1971 album "Pendulum" was no exception. During its time, the album fell into the category of being [relatively] commercially successful, reaching Gold status, but it was coldly received by critics. After five smash hit albums that were greeted with critical warmth and high album sales, not to mention almost a dozen gold singles, critics began to predict CCR's end; tensions between the Fogerty brothers, John and Tom, were rising, as the rhythm section of Stu Cook and Doug Clifford began arguing for equal composing rights (those demands would be met on their next and last album). Somehow, the critics disgarded "Pendulum" as a disappointment, lacking the fire of CCR's previous recordings. And though the set contained a gold single, 'Have You Ever Seen The Rain?'/'Hey Tonight', "Pendulum" was not received with praise.
However, I believe that this album is a solid flow of great music and poetic lyrics that should not be ignored. At least four tracks on "Pendulum" are essential parts of CCR's legacy; 'Have You Ever Seen The Rain,' 'Hideaway,' 'It's Just A Thought,' and 'Hey Tonight' seem to tell their own stories of the history of the band. If there is anything marginally close to a flaw, it is the excessive use of the organ. But even that is not a flaw by quality, but by its break from CCR's tradition of rockabilly and southern creoles.
"Pendulum" is classic rock at its best, not just in the category of 'disappointments', but of anything ever produced. A necessity in any collection of a fan of true classic music.

Average customer rating:

Who woulda thunk!

Pendulum
Eberhard Weber
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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Little Movements
The Colours of Chloë

ASIN: B0000031Y7
Release Date: 1994-03-15

Tracks:

Bird Out Of Cage
Notes After An Evening
Delirium
Children's Song No. 1
Street Scenes
Silent For A While
Pendulum
Unfinished Self-Portrait
Closing Scene

Customer Reviews:

Who woulda thunk!.......2007-01-24

An album of only bass music - who would have thought that this would be as magical as it is. I think I listened to this album every night for nearly two months. Weber is truly a gifted musician!

Average customer rating:

THE PENDULUM VIBE IS A CLASSIC PERIOD
IF WE WEREN'T WHO WE WERE
I LOVE YOU SOOOOOOOO MUCH
THE PENDULUM VIBE
Sunshine And The Rain.

The Pendulum Vibe
Joi
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Star Kitty's Revenge
Brainchild
Studio Confessions
Trip the Light Fantastic
We Are Three

ASIN: B000002TNO
Release Date: 1994-06-28

Tracks:

Stand
Freedom
Sunshine & the Rain
Find Me
Memories
Fatal Lovesick Journey
Adoramus Te, Christe
Narcissa Cutie Pie
I Don't Mind
If We Weren't Who We Were
Freedom [Celebration Mix]

Customer Reviews:

THE PENDULUM VIBE IS A CLASSIC PERIOD.......2005-01-21

JOI WAS/HAS BEEN LOOKED OVER FOR YEARS
SHES HAD RECORD COMPANIES SIGN HER
AND TELL HER THEY'LL RELEASE HER MATRERIAL
AND DONT POINT BLANK.THIS ALBUM WAS OVERLOOKED
SHE IS/WAS ONE OF THE FIRST TO REALLY INVENT/USE
THE THE NEO-SOUL FORMULA ON HER ALBUMS/MUSIC.BEFORE
THERE WAS A ERYKAH THERE WAS JOI.ALL THE SONGS ARE GREAT
I KNOW I SAY THIS AL OT AND I MEAN IT THIS TIME IT DOESNT DISAPPOINT AT ALL.+JOI WAS SUPPOSSE TO RELEASE HER NEW ALBUM TITLED TENNESSEE SLIM IS THE BOMB ON JAN.25/2005
BUT DUE TO ISSUE CONCERNING THE ALBUM IT'S BEEN PUT ON HOLD.
[...]

IF WE WEREN'T WHO WE WERE.......2004-10-28

Tennessee Slim is the BOMB because Star Kitty had her Revenge. And while the Amoeba cleansed the Syndrome, the Pendulum was Vibin. So starts the creation of one of the greatest Funkateers of the era who came when the world was not ready for her. Stange in her way of the time of this CD she was lost among the more popular sounds but not to be ignored by those who do not follow the sounds of the norm.

I loved this creation back when it was first released. Im so glad that i found it again. "Memories" take you back to a place that u thought u might have forgotten, when in all actuallity you forgot to forget. However if u did forget then what have actually may happened was that u never knew. Find yourself lost and found again with the beautiful sounds of "Fatal Lovesick Journey" and then come out to face the "Sunshine & the Rain"

This is a tru work of art for those that love the sounds of Erykah Badu, D'Angelo, Outkast, Goodie MOB,- people of that nature. we all know who they are. It's kinda sad to kno that such great artistry is ignored. They would exist now, but would they be who they are without the STAR KITTY?

I LOVE YOU SOOOOOOOO MUCH.......2004-10-14

THE ALBUM IS A CLASSIC SHE
IS THE MOTHER OF NEO-SOUL
SHE CAME BEFORE ERYKAH,JILL
AND MANY OTHERS WITH NO SUCCESS, JOI
HAS BEEN MISTREATED BY THE INDUSTRY AND IT'S A
DAMN SHAME,GO COP THIS ALBUM
IT IS THE SH*T.

THE PENDULUM VIBE.......2004-06-11

JOI IS BRILLIANT, I'M A FAN FOREVER AND WILL ALWAYS LOVE JOI AND HER MUSIC!FATAL LOVESICK JOURNEY IS THE BEST SONG FOLLOWING MANY OTHERS!

Sunshine And The Rain........2002-05-02

The above mentioned track is the best song on this masterful debut album. The rest of "Pendulum Vibe" is stunning as well, but the Dallas Austin produced "Sunshine...." is the crown jewel on this LP. I actually own the maxi-single version of this song and it features a 12-minute version that totally de-constructs the groove, the beat and that booming, hypnotic bassline revealing the true genius of Joi and her collaborators. I also happen to own a pristine, bootleg copy of "Ameoba Cleansing Syndrome" from 1996 that wasn't released, but would have surely kicked her competitors a**es back to music school! It's a lost masterpiece and the music world would have been a better place for it's existence. This mid-90's debut however is an ample sampling of her vocal brilliance ("Narcissa Cutie Pie") and lyrical gifts ("Fatal Lovesick Journey") and was probably too artistic for pedestrian, mainstream tastes, hence it's cult status, but for us music addicts, it's another hit of the good stuff. Go Get It.

Average customer rating:

Haunting, amazing... TOTO's unforgettable "Dune"
A Very Classic Toto
Best Soundtrack Ever Released!
"Riding The Sandworm"
Wonderful Classical/Pop Experience By Toto & Friends.

Dune: Original Motion Picture Score
Toto
Manufacturer: Pendulum Ent.
ProductGroup: Music
Binding: Audio CD

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Dune (1984 Film)
Dune
Children of Dune
Total Recall: The Deluxe Edition (1990 Film)
Excalibur: Original Movie Soundtrack

ASIN: B000001ZD2
Release Date: 1997-11-25

Tracks:

Prologue/Main Title
Guild Report
House Atreides
Paul Atreides
Robot Fight
Leto's Theme
The Box
The Floating Fat Man (The Baron)
Departure
The Trip To Arrakis
Sandworm Attack
The Betrayal/Shields Down
First Attack
The Duke's Death
Sandworm Chase
The Fremen
Secrets Of The Fremen
Paul Meets Chani
Destiny
Riding The Sandworm
Reunion With Gurney
Prelude (Take My Hand)
Paul Takes The Water Of Life
The Sleeper Has Awakened!
Big Battle
Paul Kills Feyd
Final Dream
Dune (Desert Theme)
Dune Main Title - Demo Version
Take My Hand

Customer Reviews:

Haunting, amazing... TOTO's unforgettable "Dune" .......2007-06-08

Regardless of your personal feelings towards David Lynch's cinematic adaptation of Frank Herbert's science fiction (I personally enjoyed it very much, even moreso after reading the books), this is an amazing soundtrack, and this is the best version of it available on CD.

A worthy addition to any collection. Beautiful!

A Very Classic Toto.......2007-03-03

After announcing Toto was going to compose the music for David Lynch's "Dune", I was not that happy because in a previous Dino-De-Laurentiis-sci-fi epic named "Flash Gordon", the music by Queen was not something that I really cherished; in fact, I think Queen's music was one of the flaws of that movie.
Gosh, how I loved being mistaken about Toto's "Dune". When I first saw the movie, and heard the music in the interim, I discovered a marvelous composition in the vein of old Hollywood film scoring tradition. I wasn't expecting to hear Toto in a classic mood, together with the Vienna Symphony Orchestra. What an incredible surprise!!!
The "Prologue/Main Title" is very mysterious and it covers the mysticism of Frank Herbert's wondrous world of "Dune". And to continue such mysteries you should as well listen to tracks like 'Guild Report', 'House Atreides', 'Departure', and 'The Trip To Arrakis'. There are nice moments like 'Leto's Theme' and the love theme as heard in 'Take My Hand'. And I don't want to forget the action music because 'Sandworm Attack', 'First Attack', 'Big Battle', and 'Paul Kills Feyd' are truly spectacular tracks. And this Toto score wouldn't be Toto at all if we don't have the pop-flavored tracks 'Dune (Desert Theme)' and 'Take My Hand'. Outstanding.
It's too bad that Brian Eno's 'Prophecy' does not appear in this "complete" score (it did appear in the original Polydor release). However, I'm pleased that Toto did such a superb job in creating the fantastic musical voice of the Atreides, the Harkonnen, the Fremen, all those fantastic characters created by Frank Herbert. Great CD!!!

Best Soundtrack Ever Released!.......2006-06-26

If anyone listens to TOTO albums and reads up on the band, you'll see that they can handle any type of music with ease. Their parents were involved in Film Scores and T.V aswell as individual members of the band before they had a record deal. With this in mind you wonder what they would do if they were allowed to cut loose without the restraints of having to produce an AOR album for their fans. Being classically trained and having music in their DNA, (hey there's nothing wrong with galloping nepotism when you're this good) surely didn't hurt them when they were asked to deliver a Classical Rock Soundtrack. To say they deliver is an understatement. The semi-religious themes in the film are matched perfectly by TOTO's bombastic and perfectly magisterial approach. They go straight for the jugular with oppresive, medieval sounding synth, epic, razor sharp drumming and tortuous percussion. Even the strings are viciously arranged and played out. Need we mention Lukather's gloriously inspirational guitar playing here, his work is perfectly suited to this kind of Genre. There's nothing neutral about the arrangements or execution whatsoever. Now, reading this you can probably tell I'm not an expert on Classical music, but I do have an extensive collection and listen to the great Composers on occasion. I also have an extensive collection of Film Soundtracks. The one thing that strikes me as being unfair is when some sad person accuses the band of stealing from other Composers. I'm sorry to say, but even the Beatles and Led Zeppelin are very open about who they've ripped off. Every major soundtrack release you listen to; whether it's Star Wars or E.T has moments where you would be deaf not to guess who the overly respected Film Scorer has borrowed from. The truth is that people are simply jealous of the musical credentials of this band. No other rock group could tackle this kind of project seriously and succed with such applomb. An example is Queen with Flash Gordon. The music was as ridiculous as the film and had to be played completely tongue in cheek. What thrills me about this album when compared with other Film Soundtracks is the expert blending of three or four musical disciplines brought together as a hybrid and made to gell seamlessley into a cohesive whole. This is simply the most exciting mix of classical, mystical rock and fusion you can find. In fact one of the ex-members, (Steve Porcaro) now devotes his time solely to film work. Paich also continues to dabble in film projects. All I can say is that those non entities who dismiss this soundtrack should all be exposed for the red faced burners they are. An interesting piece of Trivia. The third lead singer of TOTO was the son of John Williams. Go figure......!

"Riding The Sandworm".......2006-03-22

Why has 'Dune' the '84 released sci-fi classic had such a troubled history? This is true not only for the DVD release of the film, but of Toto's inspired musical score on CD as well.

If you're reading this review and wondering if this is the CD version to purchase look no further, this is the one for you! Containing -32 tracks-, sixteen of them previously unreleased, the ultimate 'Dune' musical experience awaits you! So turn up the stereo, turn off the lights, start your thumper and prepare to "Ride the Sandworm" once again!

WARNING: This CD is OOP so get it while you can!

Wonderful Classical/Pop Experience By Toto & Friends........2003-03-10

I just received this CD this weekend & continue to be amazed by the versatility of Toto. I saw them in concert in 1978 & have been a fan ever since. This is some of their most unique work - a collection of classical works, composed by Toto & recorded with the Vienna Symphony Orchestra. It it unlike anything you have, or probably will ever hear in the future. Jeff Porcaro is masterful as the creator & composer of the percussion score - it is a thing of beauty. My favorite pieces are the #28 Dune (Desert Theme) & #30 Take My Hand. They are songs which will stay with you long after the stereo has been turned off, as other reviewers have said also. If you are a fan of rock & roll only, you will probably not like this collection. If you like Toto & enjoy classical works & other unique musical endeavors, this one is for you - I highly recommend it.

OHM: The Early Gurus of Electronic Music

Average customer rating:

excellent but uncomplete
To call it music may be a bit limiting.
A worthwhile collection
OhMyGodHowDreadful
Kid Stockhausen

OHM: The Early Gurus of Electronic Music
Various Artists
Manufacturer: Ellipsis Arts
ProductGroup: Music
Binding: Audio CD

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An Anthology of Noise & Electronic Music, Vol. 3: 1952-2004
Audio Culture: Readings in Modern Music
Profiler - Season 4
Roxy Music
A Decade of Hits

ASIN: B00004T0FZ
Release Date: 2000-04-25

Tracks:

Valse Sentimentale - Clara Rockmore
Oraison - Ens D'Ondes De Montreal
Etude Aux Chemins De Fer - Pierre Schaeffer
Williams Mix - John Cage
Klangstudie II - Herbert Eimert/Robert Beyer
Low Speed - Otto Luening
Dripsody - Hugh Le Caine
Forbidden Planet: Main Title - Louis Barron/Bebe Barron
Elektronische Tanzste: Concertando Rubato - Oskar Sala
Poem Electronique - Edgard Varese
Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
Apocalypse-Part 2 - Tod Dockstader
Kontakte - James Tenney/William Winant
Wireless Fant - Vladimir Ussachevsky
Philomel - Milton Babbitt
Spacecraft - MEV

Tracks:

Cindy Electronium - Raymond Scott
Pendulum Music - Sonic Youth
Bye Bye Butterfly - Pauline Oliveros
Projection Esemplastic For White Noise - Joji Yuasa
Silver Apples Of The Moon, Part 1 - Morton Subotnick
Rainforest Version 1 - David Tudor
Poppy Nogood - Terry Riley
Boat-Woman-Song - Holger Czukay
Music Promenade - Luc Ferrari
Vibrations Composees: Rosace 3 - Francois Bayle
Mutations - Jean-Claude Risset
Hibiki-Hana-Ma - Iannis Xenakis
Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young

Tracks:

He Destroyed Her Image - Charles Dodge
Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
Appalachian Grove - Laurie Spiegel
En Phase/Hors Phase - Bernard Parmegiani
On The Other Ocean - David Behrman
Stria - John Chowning
Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
Automatic Writing - Robert Ashley
Canti Illuminati - Alvin Curran
Music On A Long Thin Wire - Alvin Lucier
Melange - Klaus Schulze
Before And After Charm (La Notte) - Jon Hassell
Unfamiliar Wind (Leeks Hills) - Brian Eno

Amazon.com

Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni

Customer Reviews:

excellent but uncomplete.......2006-11-12

Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.

To call it music may be a bit limiting. .......2006-10-24

Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.

A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.

My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.

A worthwhile collection.......2006-01-11

The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.

It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.

Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.

OhMyGodHowDreadful.......2005-08-15

Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.

Kid Stockhausen.......2003-01-17

This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"

Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.

It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.

Clash of the Titans
Average customer rating:

FANTASTIC!!!

Found one at last

I may be the first to review the ALBUM!

Let this soundtrack take your mind into a dream like fantasy

A quest worth taking

Clash of the Titans
Laurence Rosenthal
Manufacturer: Pendulum Ent.
ProductGroup: Music
Binding: Audio CD

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Presumed Innocent: Original Motion Picture Soundtrack

Supergirl (1984 Film)

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Superman - The Movie: Original Motion Picture Soundtrack

ASIN: B000001ZD1
Release Date: 1997-11-18

Tracks:

Prologue and Main Title
The Lovers
Boyhood of Perseus
Dreams and Omens
Jappa
Pegasus
The Lord of the Marsh
The Kroken
The Farewell
Medusa
Bubo the Dive-Bomber
Clash of the Titans
Andromeda Rescued
The Constellation-End Title

Customer Reviews:

FANTASTIC!!!.......2006-02-23

This is one of the best soundtracks ever written for film. Anyone who loves film scores should have this one in thier collection. It's too bad Laurence Rosenthol hasn't written more scores because he is definately up there with some of the best film composers(Jerry Goldsmith,Bernard Herrman,John Williams,Maurice Jarre & Miklos Rosza). If you ever get a chance to find a copy (they are rare and out of print)then snatch this one up! Like I did! You won't be disappointed,it's a gem!

Found one at last.......2003-09-18

I had no idea that this soundtrack was available on CD. Once I did, I searched everywhere and alas, found one being sold independently on Amazon.com I have always enjoyed listening to the music while viewing this movie. As with most movies, the music is a big part of the films success. I cannot recall if Clash of the Titans was viewed as a movie of such proportions however, the music ranks right up there with the success of Star Wars, Superman, ET, etc. and will give the listener a wonderful listening experience.

I may be the first to review the ALBUM!.......2003-07-03

I purchased the LP when the film was first released. While the music is not as stirring as Bernard Herrmann's work on the three earlier Ray Harryhausen works ("7th Voyage of Sinbad", "Mysterious Island", "Jason and the Argonauts"), Rosenthal's music is adequate for the mythological the story of Perseus and his rescue of a doomed princess.

The best cut is the beautiful "The Lovers", a melody close in structure to more familiar themes by Williams in the Star Wars trilogy.

An added bonus is the final cut, featuring Lawrence Oliver's voiceover. To hear one of the greats of film and stage is to be royally blessed.

The only complaint is the album's brevity (37:40), but it was made when soundtrack albums were limited to a select audience and not as popular as the genre has today become. Also, a soundtrack album's success is based on the popularity of the movie.

And "Clash of the Titans" was a marginal success for MGM. Since that time however, the movie has gained somewhat "cult status" which might spur interest in the score.

Let this soundtrack take your mind into a dream like fantasy.......2002-03-15

Words can describe it as: Mystical, Mythotical, Spiritual, Poetic, Unique. You get the idea. This is done by the London Symphony Orchetra very well and the recording quality suprised me. Although there are 3 songs missing on this particular album, which of course takes away from the whole feeling of the soundtrack. Hopefully one day Amazon will get their hands on the full 17 track CD. If you can't find the full one, however, I would definately buy this one!

A quest worth taking.......2001-11-28

Searching for this soundtrack was a grand task. When I finally got it, I was instantly pleased and enthralled. This soundtrack has some great heroic and adventurous orchestrations. Great themes for Pegasus, Perseus and even bobo the owl. When listening to it, you feel you're in the movie. Classic soundtrack!!

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