| 1. Guitar Rag - Sylvester Weaver | |||
| 2. Jack O' Diamond Blues - Blind Lemon Jefferson | |||
| 3. Mama Taint Long Fo Day - Blind Willie McTell | |||
| 4. Mothers Children Have A Hard Time - Blind Willie Johnson | |||
| 5. Midnight Weeping Blues - Nellie Florence | |||
| 6. Worried Blues - Frank Hutchinson | |||
| 7. You Cant Keep No Brown - Bo Weavil Jackson | |||
| 8. Toad Frog Blues - Walter Beasley | |||
| 9. Falling Down Blues - Furry Lewis | |||
| 10. Nappy Head Blues - Bobby Grant | |||
| 11. A Darkies Wall - Riley Puckett | |||
| 12. Chocolate To The Bone - Barbecue Bob | |||
| 13. So Lonesome - Ramblin Thomas | |||
| 14. Bedside Blues - Jim Thompkins | |||
| 15. Sweet Sarah Blues - Darby & Tarlton | |||
| 16. Roll & Tumble Blues - Hambone Willie Newbern | |||
| 17. Jake Bottle Blues - Lemuel Turner | |||
| 18. Weak Minded Blues - Willie Baker | |||
| 19. A Spoonful Blues - Charly Patton | |||
| 20. Last Time Blues - Charlie McCoy | |||
|
See all 78 tracks on this disc
| |||
Editorial Reviews
Full title - Roll & Tumble Blues - A History Of Slide Guitar. 2004 compilation featuring 78 tracks spanning 70 years of searing slide guitar, 1926-1999, from such artists as Sylvester Weaver, Blind Lemmon Jefferson, Blind Willie McTell, Nellie Florence, Frank Hutchinson, Bo Weavil Jackson, & many more. Three paper sleeves & an informative 12-page booklet packaged in a deluxe cardboard box with lid. Indigo.
Roll & Tumble Blues: a History of Slide Guitar,Various Artists,Indigo,Blues Collections,Rock
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Traveling Wilburys (2 CD / 1 DVD)
The Traveling Wilburys Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P0J024 Release Date: 2007-06-12 |
Tracks:
- Handle With Care
- Dirty World
- Rattled
- Last Night
- Not Alone Any More
- Congratulations
- Heading For the Light
- Margarita
- Tweeter And the Monkey Man
- End Of the Line
- Maxine - (previously unreleased, Bonus Track)
- Like A Ship - (alternate take, Bonus Track)
Tracks:
- She's My Baby
- Inside Out
- If You Belonged To Me
- Devil's Been Busy, The
- 7 Deadly Sins
- Poor House
- Where Were You Last Night?
- Cool Dry Place
- New Blue Moon
- You Took My Breath Away
- Wilbury Twist
- Nobody's Child - (Bonus Track)
- Runaway - (Bonus Track)
Amazon.com
The Traveling Wilburys were one of the few supergroups that lived up to their promise, because they didn't try to. Things started inauspiciously when George Harrison, needing a B-side for a 1988 single, called in friends Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison for assistance. Two albums later--the second without Orbison, who had passed away shortly after the first was released--the loose-knit collective had recorded material that was as durable, and occasionally eclipsed, the participants' legendary solo work. The Wilburys succeeded due to a genial and contagious camaraderie that permeates both discs. What could have been a train wreck of ego clashes instead resulted in a frothy meeting of the minds. These guys are having a blast, trading lead vocals and harmonies on energetic folk-rock, quirky rockabilly, and Beatlesque pop that shimmers with the respect and esteem the members clearly hold for each other. Harrison and Lynne's rather slick production polishes off edges that might better have been left unvarnished, but there's no denying the loosey-goosey craftsmanship at work in tunes such as "Handle with Care," "End of the Line," and a striking Orbison performance on "Not Alone Anymore" that ranks with any of his finest. Both albums were million-sellers, but oddly went out of print for about a decade until Rhino resurrected them, adding two rare tracks per disc as well as a DVD of music videos and a band documentary. The resulting package is a comprehensive overview of a once--well, twice--in-a-lifetime project that, especially after Harrison's passing, will never be repeated. --Hal HorowitzAlbum Description
Featuring classics like "Handle With Care," "End Of The Line," and "Heading For The Light," super-group Traveling Wilbury's Collection highlights all of the band's music and previously unreleased bonus tracks through this re-mastered double album. The DVD features behind the scenes footage of the band writing and recording, along with their 5 video clips.Customer Reviews:
A Great Set.......2007-07-19
The DVD is great shows some really nice home movies, about the making of the albums.
grannysue
Waller,TX
Great To See The Wilburys Back In Print.......2007-07-19
A must have for Wilbury fans!.......2007-07-19
It keeps alive the memory of the immense talent of Orbison and Harrison and is a must for the CD collection
A Must Have Addition.................2007-07-18
Travelling Wilbury's Review.......2007-07-17
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Sgt. Pepper's Lonely Hearts Club Band
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UAU Release Date: 2002-07-15 |
Tracks:
- Sgt. Pepper's Lonely Hearts Club Band
- With A Little Help From My Friends
- Lucy In The Sky With Diamonds
- Getting Better
- Fixing A Hole
- She's Leaving Home
- Being For The Benefit Of Mr. Kite!
- Within You Without You
- When I'm Sixty-Four
- Lovely Rita
- Good Morning Good Morning
- Sgt. Pepper's Lonely Hearts Club Band (Reprise)
- A Day In The Life
Amazon.com essential recording
Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy AltmanCustomer Reviews:
what can I say?.......2007-07-16
Ridiculously overrated.......2007-07-16
Don't get me wrong, each and every one of the songs I haven't already talked about on Sgt. Pepper are very good, but none of them are good enough to help "A Day in the Life" make this album live up to the hype.
Oh, and for the record, I'm not excpecting very many people to say I have a helpful review, I'm just saying what I believe.
Yuck.......2007-07-11
Sgt. Pepper's Lonely Hearts Club Band.......2007-07-03
The Genius of the Beatles.......2007-07-02
Paul came up with the concept after hearing about Elvis' Car went "On Tour." He thought that Sgt.Pepper would be an interesting concept to have these alter egos, so the music "wouldn't be songs that they necessarily wrote, but Sgt.Pepper did." The opening track "Sgt.Pepper's Lonely Hearts Club Band" and " the Reprise are really the only songs that directly match up with the concept, but the songs inbetween are just as close to perfect as one could get them to be.
With a little help from my Friends is great, but I personally like Joe Cocker's version better (the one from the Wonder Years.
Lucy in the Sky with Diamonds was written after a drawing Julian lennon did and commonly thought of to be a drug song. It's one of my favorite Lennon songs. I love the intro with Paul's Bass, it's so simple but it just hits my ear drums the right way.
Getting Better is about the time when John was really falling for Yoko.
I love George's guitar in Fixing a Hole. It sounds a lot like (Ticket to Ride)
She's Leaving Home is a sad song that's got McCartney written all over it.
The following track has that weird surreal circus sound that's very fitting for the album. George Martin was great at helping the group come up with new sounds.
Within You Without You often goes unnoticed i think. It's a great song by George, that I think is great, the sound, the lyrics, etc.
Lovely Rita and When I'm Sixty four are nice little tunes but not very fitting i don't think, I would have liked to have seen Strawberry Fields be on this album cause it was the first track recorded during the sessions and because it's a great lennon song.
I like the randomness of Good Morning Good Morning. The title comes from a Corn Flakes commerical that John overheard when he was writting one day.
A Day in the Life is right after the reprise. I love how John and Pau tied in their separate parts with a great orchestral crescendo. Everything just goes together and it just works.
Definitely pick this album up if you haven't or download it or check it out at your library cause it's a must have for any music fan or art fan cause this is such an important album in music history and it changed music forever, no joke.
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Abbey Road
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UB3 Release Date: 1990-10-25 |
Tracks:
- Come Together
- Something
- Maxwell's Silver Hammer
- Oh! Darling
- Octopus's Garden
- I Want You (She's So Heavy)
- Here Comes the Sun
- Because
- You Never Give Me Your Money
- Sun King
- Mean Mr. Mustard
- Polythene Pam
- She Came in Through the Bathroom Window
- Golden Slumbers
- Carry That Weight
- End
- Her Majesty
Amazon.com essential recording
The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey WrightCustomer Reviews:
I am buying a new copy.......2007-07-13
Great songwriting and production of Romantic Pop Rock.......2007-07-12
If I could pick only one Beatles CD to play this would be it.......2007-07-08
Odd and sad that "Come Together" opens this CD and it was the last of their big hits together. I've rearranged this one on my iPod so that "Golden Slumbers" and is the last of this offering. Just seemed fitting to me.
My personal favorite.......2007-07-08
I will avoid the unproveable assertion that "Abbey Road" is the group's best album but will state unequivocably that it is my all-time favorite. The music is truly inspired, particularly the medley on the second side. I am truly grateful that the Beatles stayed together long enough to record this masterpiece.
Fab Four's True Swan Song.......2007-06-28
"Come Together" begans this album and always has been one of my Top favorite Beatle songs. Another favorite and beginning side two is "Here Comes the Sun" which I believe is George Harrison's best song out of all of the fab fours catalog. One of his best loved songs.
Sure, there are rather silly songs like Paul's "Maxwell's Silver Hammer" (which I truly enjoyed growing up, still do) and Ringo's "Octopus' Garden" - but I believe these songs add surrealism and fun to one of The Beatles' best.
'Abbey Road' truly is the last Great Beatles album. The band with this release provides a very cohesive sound, working together, although they were on the verge of splitting up.
Ringo Starr's drumming is at his best on this record, especially on tracks like "Oh! Darling" and "The End"
To me, 'Abbey Road' sounds Worlds ahead of 'Let It Be'-which is still a great album. On 'Let It Be' is the album that the Fab Four sound like independent members, rather then what they do best - working together.
- A perfect end to the World's Greatest pop band.
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Live In Dublin
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P1KTVY Release Date: 2007-06-05 |
Tracks:
- Atlantic City
- Old Dan Tucker
- Eyes On The Prize
- Jesse James
- Further On (Up The Road)
- O Mary Don't You Weep
- Erie Canal
- If I Should Fall Behind
- My Oklahoma Home
- Highway Patrolman
- Mrs. McGrath
- How Can A Poor Man Stand Such Times And Live
- Jacob's Ladder
Tracks:
- Long Time Comin'
- Open All Night
- Pay Me My Money Down
- Growin' Up
- When The Saints Go Marching In
- This Little Light Of Mine
- American Land
- Blinded By The Light
- Love Of The Common People
- We Shall Overcome
Amazon.com
The last time Bruce Springsteen gave up E Street for Folk Street, the band of fiddles, banjos, and accordions--sans audience--was recording 2006's We Shall Overcome: The Seeger Sessions in the informality of his living room. This time the Boss takes his American-music foray to Ireland for a three-night stint on the north quay of Dublin's River Liffey. The 23 songs drawn from those performances cover most of the songs from the Pete Seeger tribute, but venture drastically into Springsteen's popular back catalog ("Atlantic City," "Highway Patrolman," "Blinded By the Light") while delving further into his affinity for multiple styles of music, from folk and blues to gospel and country. "If I Should Fall Behind" plays like a tear-jerking last call in a dimly lit pub. "Open All Night" has been shaped into pure swing, complete with pedal steel and sax. And "Jesse James," with its furious banjo, spectator handclaps, and Springsteen howl, could pass for the Pogues, circa 1985. A simultaneously released DVD uses nine cameras to capture every sweat-beaded highlight, from the tin whistle of "Further Up the Road" to an arena bursting out in a "We Shall Overcome" singalong. --Scott HolterAlbum Description
New 2 CD set features 23 songs, including fan favorites, Springsteen classics and never-before-released performancesCustomer Reviews:
Powerful, raucous, joyful, heartbreaking.......2007-07-13
Springsteen is almost impossible to review, but I'll just say that, as much as I loved the Rising, Live in Barcelona, and Devils and Dust, the Seeger Sessions and this live album have taken him into a musical stratosphere that maybe only Bob Dylan and Willie Nelson can touch -- pure Americana.
Most of the other reviewers have adequately pointed out the highlights, but I'll say that the mournful dirge that the band transformed "When the Saints Come Marching In" to made tears stream down my face when I first heard this version, especially as it comes in the set after "How Can a Poor Man Stand Such Times and Live". Folk music is as relevant as it ever was.
If you like any strain of Americana roots music -- blues, folk, jazz, gospel, Western swing, roots country, mountain/Scots/Irish music -- this concert will blow you away and make you sing with the crowd.
The best live CD I've ever heard.......2007-07-11
I miss the E Street Band, but the Sessions Band he's gathered for this effort is excellent. His backup singers are soulful and the 17 piece band can handle anything from swing to Irish without missing a beat.
"Varied" is a mild description for this CD. Anyone else did this kind of concert, you'd have mixed reviews. Bruce can put folk next to swing next to gospel and then turn around and rock the house without ticking people off. He's also going international, doing American music right next to Irish traditional ballads and it appears the Dublin audience is eating it up.
Bruce breathes new life into the music here. I grew up hearing "Jesse James" but it wasn't like this. And "Jacob's Ladder" sure isn't what I heard in church.
He's also taken "Blinded by the Light" which was one of the first Bruce songs I heard and breathed new life into the live version.
"How can a poor man stand such times and live?" is one of the most heartwrenching protest songs I've heard. He really took the comments about the Dixie Chicks "Shut up and sing" to heart.
I don't like usually live CDs most of the time. Hate the staticky sussurus of the applause in the background and some idiot has got to yell the performer's name at least once per song. "Live in Dublin" is beautifully engineered. You get the 'feel' of the hall and the voices of the audience joining Bruce in song, yet the really annoying audience noise is minimized.
Terrific!!!!!.......2007-07-07
Best music from anyone in years!!!!.......2007-06-29
I am so glad that I was able to experience this in concert, in the summer of 2006 near Chicago, IL. It was an experience that I will never forget. The music just captures you, and doesn't let go.
I have purchased both versions of "We Shall Overcome" (So glad to finally have "Buffalo Gals" & "Bring 'Em Home" on CD!). I also have "Live In Dublin" on CD, and the DVD too!
Keep this type of music coming Bruce! It's great!
springsteen at his best.......2007-06-24
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The Beatles (The White Album)
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UAX Release Date: 1990-10-25 |
Tracks:
- Back in the U.S.S.R.
- Dear Prudence
- Glass Onion
- Ob-La-Di, Ob-La-Da
- Wild Honey Pie
- Continuing Story of Bungalow Bill
- While My Guitar Gently Weeps
- Happiness Is a Warm Gun
- Martha My Dear
- I'm So Tired
- Blackbird
- Piggies
- Rocky Raccoon
- Don't Pass Me By
- Why Don't We Do It in the Road?
- I Will
- Julia
Tracks:
- Birthday
- Yer Blues
- Mother Nature's Son
- Everybody's Got Something To Hide Except Me And My Monkey
- Sexy Sadie
- Helter Skelter
- Long, Long, Long
- Revolution 1
- Honey Pie
- Savoy Truffle
- Cry Baby Cry
- Revolution 9
- Good Night
Amazon.com essential recording
Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys knock-offs to reggae and to the unknown ("Revolution #9"), this has it all. Some records have legend written all over them; this is one. --Chris NicksonCustomer Reviews:
Breaking the Barriers.......2007-06-29
In the White Album, there is a wonderful sense of a loss of control - and yet this is still the Beatles at their creative peak. Not caring what people think, they're just playing to the maximum of their abilities. And shattering barriers.
The power of their varied personalities comes through. And different sides of their personality. Who cares about anything except the music I'm feeling now? seems to be the prevalent thought here. The White Album is the Beatles Matured - who would have imagined that the Beatles would create "Helter Skelter"? or "While My Guitar Gently Weeps"...Epic stuff that certified that the Beatles could rock. "Dear Prudence" and "Sexy Sadie" and "Blackbird" are eminently listenable. In fact - apart from some ditties and departures - the album is strikingly distinctive as a playground of sounds - it is dynamic from one end to the other and still eminently listenable and deep.
How do you define genius? This is one hard album to ignore.
Some of the Beatles Best Work.......2007-06-27
It's Four Solo Albums & Still Great.......2007-06-23
From: "Back in the USSR" all the way thro' to "Goodnight" and my favorite Track in reverse: "Revolution #9" you get a Beatle Album So Different & so Bold in it's Scope and Range from anything else they Gave us. We were Very Lucky to Have this band on the Planet from: 1964-70. It will never happen again in our Lifetime, But here it is, in all it's Glory...
There are almost 1,000 reviews posted here and About 95 Per-Cent of those Reviews are Gonna tell you how GREAT this is, and it is, Don't waste your Time Reading About this Record, BUY IT NOW.
The Beatles (The White Album).......2007-06-13
My second-favorite Beatles' album.......2007-06-12
The songs range from rough hard rock such as "Yer Blues," "Helter Skelter," and "Everybody's Got Something to Hide, Except Me and My Monkey," poppy songs such as "Martha My Dear" and "Don't Pass Me By" (the first song Ringo wrote entirely on his own), country-western-style songs like "Rocky Raccoon" (though I usually skip this one now), softer songs like "Long, Long, Long" (one of my favorites), "Julia," and "Blackbird," and songs that are just plain weird, like "Wild Honey Pie," "Glass Onion," and "Revolution 9." Being very into the avant-garde, I've always loved "Revolution 9" and have even listened to it on repeat a number of times. While it's obviously not to everyone's tastes, one has to admit that this is a fascinating musical collage. (The placement of "Good Night," the final track, right after this song has also got to be the biggest juxtaposition on any Beatles' album ever!) And since a lot of these songs were not recorded with all four bandmembers together in the studio, it often feels like a collection of their solo songs instead of a team effort by a real band. However, this also serves to demonstrate how they had grown as musicians since the early Sixties, with a unique musical style emerging for each of them. In particular we can hear how George had grown by leaps and bounds, proving he had come into his own as a great singer and songwriter. Additionally, the often stripped-down sound can feel kind of refreshing after the overproduced songs of the previous year, whose core essences had been smothered by layer after layer and overdub and overdub, which also gives a lot of them a more dated feel instead of sounding truly classic and timeless.
Above all, this is doubtless in the Top 5 of their greatest albums, and with enough musical styles to keep everyone happy, should be highly recommended to anyone interested in branching out and exploring songs that are less pop-oriented and radio-friendly than the songs on their more-widely-played albums. It's also very special to me since it was almost the last album I ever heard in this lifetime, having played it the night before I was almost killed in a very serious car accident.
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Just Roll Tape: April 26th, 1968
Stephen Stills Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I3KA Release Date: 2007-07-10 |
Tracks:
- All I Know is What You Tell Me
- So Begins the Task
- Change Partners
- Know You Got To Run
- The Doctor Will See You Now
- Black Queen
- Bumblebee (Do You Need A Place to Hide?)
- Judy
- Dreaming of Snakes
- Suite: Judy Blue Eyes
- Helplessly Hoping
- Wooden Ships
- Treetop Flyer
Album Description
Stephen Stills found himself in a New York recording studio, laid down a few hundred dollars, told the engineer to roll tape, and this collection of songs is what came about. Finally remastered and released to the public, this album shows the beginnings of Crosby, Still, and Nash.Customer Reviews:
Heads-up on the sound quality...........2007-07-16
But heads up again on the tape hiss - it's thick - & heads up on the guitar distortion. Fine on the finger-picked songs like "Helplessly Hoping" - but noticably distorted on the strummed or flat-picked songs.
Obviously not recorded for official release - or meant for the mainstream music market - but still great that it's seeing the light of day!
Just be aware that it's not at all clean.
Charming and unpretentious.......2007-07-16
What amazes me as well is that listening to Stills sing on these and miss on more than once is that it is likely only Crosby who can hit a melody and keep it in tune on the first go and every go thereafter. Stills frequently misses by a country mile. Tha rawness of these efforts though compensates for the errors. That he can run through BLACK QUEEN so selflessly and with such a simplified honesty somehow makes it a different, if not stronger song than the version on his first solo record. The two songs for Judy Collins are touching. For all the bravado he too often succumbs to, Stills at this point must still have been smarting from the break-up. At this point in his career he was without a girlfriend, without a contract and without his compadre Young. This is a Stills with his tail between his legs. I believe this also represents the first recording of TREETOP FLYER, one of the truly great Stills workouts and great Stills lyrics that in 2006 would be seamlessly paired with Young's classic OVER AND OUT, GOOD BUDDY during the Freedom of Speech tour of last summer.
In most cases with demos, notably Elvis Costello, it's enough already - you get the sense it was a bloody miracle that a song happened. In the case of Stills, the raw material is compelling in its own right and knowing what you do of his golden period from CSN through the first Manassas record, you have to admire the level of inspiration and craftsmanship on display.
And then there is the guitar playing - Stills is actually more impressive when he is not showing off, and thus this record is a keeper for any Stills fan. The only negative elements of this release are that some of the songs are second tier, and the sound quality is very hissy. Very. Given that these takes exist at all, it is a small price to pay to catch a glimpse of someone on the cusp of incredible inspiration.
Good Album -- Worth Buying.......2007-07-13
Just beautiful. It's not as much of a discovery as Massey Hall (5+++ stars -- there should be a separate category for legendary material -- Abbey Road, Steel Wheels, Massey Hall), but "Just Roll Tape" is still worth buying. I just love the solo performances of Stills and Young. A man, a guitar and a mike. With the right artist behind the mike, nothing more is required to send chills down your spine.
Stephen might disagree, but this man was born to be an acoustic player. The moment he picks up an electric, forget it. This album is all acoustic and completely unmolested. Perfect natural sound. Very well worth your greenbacks, folks.
Excellent Archival Release.......2007-07-11
So what's a young singer-songwriter-guitarist to do? Apparently, after a session guesting on Judy Collins' "Who Knows Where the Time Goes" album, it's slipping the engineer a couple hundred bucks so that he can lay down demos of a handful of new songs ... and what songs! "Suite: Judy Blue Eyes," "Helplessly Hoping" and the Crosby, Stills and Kantner-penned "Wooden Ships" turn up the following spring on Crosby, Stills & Nash's debut; "Black Queen" graces Stills' first solo LP; "Change Partners" and "Know You Got to Run" highlight his second solo album; and "So Begins the Task," which he played live with CSNY in '69 and '70, appears on the classic two-LP Manassass set. "Treetop Flyer" (which was recorded elsewhere) shows up on Stills' overlooked 1991 acoustic set, "Stills Alone."
I add the context just so I could say this: "Just Roll Tape" is a tremendous set that shows Stills at the peak of his song-writing prowess. While it may not be the perfect pick for casual fans or neophytes, for those of us who are the opposite, it's a godsend. It's unbelievable that some of these (like "Change Partners") were held back for years and others ("All I Know Is What You Tell Me," "The Doctor Will See You Now," "Judy" and "Dreaming of Snakes") were left behind.
Let's hope this is the first of many releases from Stills' vault.
An Interesting Look Back In Time.......2007-07-11
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Chronicle, Vol. 1: The 20 Greatest Hits
Creedence Clearwater Revival Manufacturer: Fantasy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000XB9 Release Date: 1990-10-25 |
Tracks:
- Susie Q
- I Put A Spell On You
- Proud Mary
- Bad Moon Rising
- Lodi
- Green River
- Commotion
- Down On The Corner
- Fortunate Son
- Travelin' Band
- Who'll Stop The Rain
- Up Around The Bend
- Run Through The Jungle
- Lookin' Out My Back Door
- Long As I Can See The Light
- I Heard It Through The Grapevine
- Have You Ever Seen The Rain?
- Hey Tonight
- Sweet Hitch-Hiker
- Someday Never Comes
Amazon.com
Few bands of the 1960s retained as much a sense of the roots of rock and roll as did Creedence Clearwater Revival. Their music is rife with country, rockabilly, and R&B influences, a combination that produced several hit singles--most of which are present on this collection. These include "I Heard It through the Grapevine," "Lodi," "Up Around the B ," "Who'll Stop the Rain," and of course "Bad Moon Rising." This is an excellent greatest-hits collection, and a perfect introduction to the music of a band that has been enduringly influential. --Genevieve WilliamsAlbum Description
Recorded 1968-1970 and includes 'Susie Q', 'I Put a Spell on You', 'Proud Mary', 'Bad Moon Rising', 'Lodi', 'Green River', 'Commotion', 'Down on the Corner', 'Fortunate Son', 'Travelin' Band', 'Who'll Stop the Rain', 'Up Around the Bend', 'Run Through the Jungle', 'Lookin' Out My Back Door', 'Long as I Can See the Light', 'I Heard It Through the Grapevine', 'Have You Ever Seen the Rain?', 'Hey Tonight', 'Sweet Hitch-Hiker' & 'Someday Never Comes'. Fantasy label. 1991.Customer Reviews:
My sort of music .......2007-07-12
CCR.......2007-06-28
great stuff.......2007-06-27
Gets me going in the morning.......2007-06-27
Soundtrack of an era.......2007-06-15
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Bob Seger - Greatest Hits
Bob Seger & the Silver Bullet Band Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002TSS Release Date: 1994-10-25 |
Tracks:
- Roll Me Away
- Night Moves
- Turn The Page
- You'll Accomp'ny Me
- Hollywood Nights
- Still The Same
- Old Time Rock & Roll
- We've Got Tonight
- Against The Wind
- Mainstreet
- The Fire Inside
- Like A Rock
- C'est La Vie
- In Your Time
Amazon.com
Bob Seger has racked up a lot of worthy tracks over the years, but it took until 1994 for a greatest hits package to appear. Voilà. The bad news: We're missing an awful lot of songs here. Night Moves is Seger's crit-pick album, and a great place to start if you don't have any Seger at all. Next in the rankings is Stranger in Town. Otherwise, his highs are pretty scattered, which would make any best-of package a worthy investment. But if you want to get comprehensive, "Rock & Roll Never Forgets," "Fire Down Below," "Horizontal Bop," "Her Strut," "Betty Lou's Getting Out Tonight," and "Katmandu" aren't on this CD--and you'll have to go to the original albums to secure them. --Gavin McNettAmazon.com
Bob Seger Photos
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More from Bob Seger
Stranger in Town |
Nine Tonight |
Face The Promise |
Against The Wind |
Greatest Hits 2 |
Night Moves |
Customer Reviews:
it must have been better.......2007-07-10
REally is greatest.......2007-07-08
are, of course, some of his favorite songs. He just didn't know the
artist's name.
comments.......2007-06-11
What's not to love?!.......2007-05-29
Memories.......2007-04-02
Average customer rating:
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Rubber Soul
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UAO Release Date: 1990-10-25 |
Tracks:
- Drive My Car
- Norwegian Wood (This Bird Has Flown)
- You Won't See Me
- Nowhere Man
- Think For Yourself
- The Word
- Michelle
- What Goes On
- Girl
- I'm Looking Through You
- In My Life
- Wait
- If I Needed Someone
- Run For Your Life
Amazon.com essential recording
Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don HarrisonCustomer Reviews:
Fusion Album.......2007-07-18
A New Direction.......2007-07-02
During the time of Rubber Soul, the guys were getting into differnt styles of music from their own. Bob Dylan was a huge influence on every artist after him, his writting influenced a new direction for John and Paul. Also like everyone else drugs creeped into play.
Drive My Car is a good opening track that is a good transition into this new sounding album. It's what kids in the suburbs expected. Norwegian Wood is basically the same thing as Bob Dylan's 4th Time Around with a sitar.
The other Songs like Nowhere Man are kind of surreal in the lyrics and singing of the three. John and Paul had similar songs in Michelle and Girl. Michelle has that smooth sound that's his bread and butter, and Girl is basically Johns version of the same song (in my opinion).
John always took more chances in his writting than Paul. Paul was a lot more commercial and was hesitant to do anything drastic. In My Life is my favorite track on the album and I think it's one of the best out of their whole catalog.
George and Ringo also have their time to shine. In Previous songs, Rino could only play the back beat cause if he tried anything else you couldn't hear it over the screaming girls. This new direction really gave him more freedom to fill the empty space of the songs. And George is always spot on with his playing. I love how he just seemed to stay true to himself after all the mania.
I look at Rubber Soul, Revolver, and Sgt. Pepper as almost like a trilogy. All three just have nice transitions that you can some how tell that that's the order they were released in. The maturaty in the lyrics, the new sounds incorporating new instruments and musicians.
Back to Rubber Soul... Overall it's one of my favorite albums of all time. It's definitely an album everyone should listen to. The songs are timeless and it sounds like nothing else. I love how the songs never go out of "style" I don't really believe one can slap a date on the music because it's revelant even today. There's always new generations discovering this music continuing the legacy of the Four Working Class Lads from Liverpool.
One of the first real albums.......2007-06-29
This album, which marks the beginning of The Beatles' middle period, is often cited as one of the first real albums. Prior to this, just about all albums consisted of a couple of big hits padded out with a lot of filler designed to boost sales for the popular singles on it. But here we have something which was consciously made as an album as opposed to just a haphazard collection of songs thrown together in no particular or special order. And although this album might not quite be up to their highest artistic level yet, there's no denying these songs show a huge maturity and step up from the type of pop they'd been doing for the past few years. Heavily influenced by pot and folk rock, this album paints a picture of a band whose transitional period from pop songs to more serious and mature recordings was pretty much over, with no going back.
I'm rather amused at all of the people who insist that this isn't the "real" RS but "only" the British version. The British version IS the real RS! From what I've heard, the American repackaging from Capitol probably did have a more consistently folksy feel, but it still wasn't the album The Beatles worked hard on making and meant for their fans to hear! As a second-generation Beatlemaniac, this, the genuine original untampered with version, is the one I'm familiar with; it would feel just as wrong to me to hear it starting with "I've Just Seen a Face" as it might for some nostalgic aging Boomer to hear it starting with "Drive My Car." And though there are a few songs not quite up to the overall level of quality (most particularly the junky closing number "Run for Your Life"), this album is pretty much near-perfect. The songs don't belong any other way. Although at least Capitol recognised how different and special this album was, and thus didn't do as much tampering as they usually did, and even retained the original title and cover.
Overall, this is a wonderful album to get mellowed out to, and a real snapshot in time, of that brief period when The Beatles had matured beyond cover songs and pop songs into more mature and serious artists, yet before they became as heavy and experimental as they did as the decade wore on. The songs range from soft slow songs like "In My Life" and "Michelle," to lighter poppier fare such as "You Won't See Me" and "Drive My Car," to rather deep and introspective songs such as "Girl" and "Think for Yourself," and everything in between. Probably the only major flaw with it is that it has to end with such a throwaway as "Run for Your Life." While not every song on even a great album has to be a winner, it just seems wrong for one of the weakest tracks to be placed at the very end, which kind of disrupts the nice folksy mood that had been set.
Nowhere Album.......2007-06-18
Classic Beatles.......2007-06-14
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Revolver [UK]
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UAR Release Date: 1990-10-25 |
Tracks:
- Taxman
- Eleanor Rigby
- I'm Only Sleeping
- Love You To
- Here, There and Everywhere
- Yellow Submarine
- She Said, She Said
- Good Day Sunshine
- And Your Bird Can Sing
- For No One
- Doctor Robert
- I Want to Tell You
- Got to Get You into My Life
- Tomorrow Never Knows
Amazon.com essential recording
Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey WrightCustomer Reviews:
Revolver is the best album of all-time.......2007-07-16
Revolver comes at the midway point of The Beatles, and it is a peak for them. Every song on this album is good at the least (except maybe Yellow Submarine), and there are plenty of great songs, not only perfectly written, but perfectly executed by John, Paul and (sometimes) George's vocals, George's lead guitar (especially in "And Your Bird Can Sing"), Paul's bass, and, of course, Ringo''s drumming. The Great songs are, IMO "Got to Get You Into My Life," "I'm Only Sleeping," "Eleanor Rigby," "I Want To Tell You," "For No One" and "And Your Bird Can Sing." Through all these songs you can see the maturing song writing abilities of Paul, John, and George that you can see starting to surface in "Rubber Soul," going past the boy-girl relationships of the early Beatles, or at least making their boy-girl songs much more complex, instead of "I'm in love, It's a great day" (which you do see part of in "Good Day Sunshine," but John and Paul still found a way to make it a complex song).
I could go on and on about the greatness of this album and the bad that made it, but i'll just get to the bottom line: Buy it.
It's the freakin' Beatles.......2007-07-16
It sounds more different because of that. Yes, people have reviewed it better, but The Beatles never stopped suprising people with all different kinds of music and styles, and kept on evolving. I think that Evolver should have been the name, so 311 shouldn't have stolen (I like The Beatles better than 311, although they can't get me that energized as 311).
Like all other Beatles albums, they are kind of short, and I have to take off .5 because of I want To Tell You, which I didn't care for as much, but every other song sounded like The Beatles knocked themselves out making it perfect. Essential.
11/10
The epitome of perfection.......2007-07-04
Another great thing about this album is how balanced it is. While on some albums, one Beatle predominates (such as how John sings lead on 9 of the 13 tracks on AHDN and half of the songs on RS), here it's much more distributed. John and Paul each sing 5 songs, with the requisite Ringo song ("Yellow Submarine," one of his most famous), and the remaining three songs, including the opening one, going to George. Apart from the White Album where he had 4 songs, such a relatively generous amount of songs would never happen again. One can tell from these three songs that he was really growing and maturing as a songwriter even this early into having become the band's third songwriter. The musical styles themselves are also rather balanced; there are soft songs like "Here, There, and Everywhere," fun meaningless pop like "And Your Bird Can Sing," social commentary songs like "Eleanor Rigby," the Indian-influenced "Love You To" (one of my favorite tracks), partially autobiographical songs like "She Said She Said," and songs with a strong psychedelic influence, like the hypnotic "I'm Only Sleeping" (probably my favorite track) and the closing track "Tomorrow Never Knows." I won't even get into people who are genuinely wondering why this isn't the Capitol repackaging they remember from childhood; I can't imagine this album without such key tracks as "Dr. Robert" and "I'm Only Sleeping," and am baffled as to why anyone would find the repackagings to be superior to the authentic British originals other than sentimental reasons.
Overall, this album is the perfect midway point between their early, more innocent period and their later, more serious period, a transitional bridge between the two eras. I also couldn't think of many more of their albums that would be this much of an ideal introduction to a new fan.
Review of Revolver UK.......2007-07-03
Volume 2.......2007-07-02
Overall it's a lot more "60s" in the sound. A lot more of Georges Indian influence in the music. A lot more randomness in the writting of Lennon/McCartney. A lot more great drumming by Ringo (He's great on Tomorrow Never Knows).
Taxman is a classic song by George. It's sounds very similar to Drive My Car and just has a nice groove to it.
Paul says he made up a lot of "characters" in his songs like Eleanor Rigby. The String section was first used in Yestarday and is a perfect opening to Eleanor.
Other notable tracks are Goodday Sunshine, She Said She Said, and Tomorrow Never Knows. This is a great track written by John. He didn't want to come off the wrong way in his presentation so he used a saying Ringo came up with in "Tomorrow Never Knows." This was a huge step in moving forward in the music. It showed the audience a sneek peak as to what future music would sound like and I think it's a perfect song to end with to transition into the Genius of Sgt. Pepper's Lonely Hearts Club Band.
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