| 1. Drop On You |
| 2. It Don't Mean Nothing |
| 3. Wow |
| 4. Don't Think The Way They Do |
| 5. Psychosis Safari |
| 6. Super Bad Part 1,2 & 3 |
| 7. I Don't Care |
| 8. Live In A Box |
| 9. B Is For Brutus |
| 10. Oh Yeah |
| 11. Machine Gun |
| 12. Hell Above The Water |
| 13. Uptight |
| 14. My Favorite Game |
Editorial Reviews
Japanese only soundtrack includes tracks by The Hives, James Brown and more. Universal. 2005.
Music from & Inspired By Gran Turismo 4,Game Music,Universal,Rock/Pop Collections,Soundtracks
Average customer rating:
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Songs from the Labyrinth (Music by John Dowland)
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HXDESU Release Date: 2006-10-10 |
Tracks:
- Walsingham
- Can she excuse my wrongs?
- Ryght honorable: as I have bin most bounde unto your honor
- Flow my tears
- Have you seen the bright lily grow
- Then in time passing on Mr. Johnson died
- The Most High and Mighty Christianus the Fourth, King of Denmark
- The lowest trees have tops
- And accordinge as I desired ther cam a letter
- Fine knacks for ladies
- From thenc I went to the Landgrave of Hessen
- Fantasy
- Come, heavy sleep
- Forlorn Hope Fancy
- And from thence I had great desire to see Italy
- Come again
- Wilt thou unkind thus reave me
- After my departure I caled to mynde our conference
- Weep you no more, sad fountains
- My Lord Willoughbys Welcome Home
- Clear or cloudy
- Men say that the Kinge of Spain is making gret preparation
- In darkness let me dwell
Amazon.com
In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina RodenAlbum Description
StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.Customer Reviews:
Very disappointing.......2007-07-19
*sigh*.......2007-07-16
In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.
There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.
Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.
Elizabethan Music.......2007-07-12
Vibe shift.......2007-07-10
Gorgeous, pure and unexpected.......2007-07-06
Average customer rating:
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From This Moment On
Diana Krall Manufacturer: Verve ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GG4KTU Release Date: 2006-09-19 |
Tracks:
- It Could Happen to You
- Isnt This A Lovely Day
- How Insensitive
- Exactly Like You
- From This Moment On
- I was Doing All Right
- Little Girl Blue
- Day In Day Out
- Willow Weep For Me
- Come Dance With Me
- You Can Depend On Me
Amazon.com
This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth VincentelliAlbum Description
From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.
More Diana Krall
All for You: A Dedication to the Nat King Cole Trio |
Live in Paris |
Love Scenes |
The Girl in the Other Room |
Christmas Songs |
Stepping Out |
Customer Reviews:
Cover Artist.......2007-07-19
Diana Krall Excells!.......2007-06-27
(Cute too.)
Buy this one. If you like jazz, it is a Must in your portfolio/collection.
"From This Moment On" ~ Diana Krall.......2007-06-26
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"
Everyone HAS to hear it to believe it!
Mike
From This Moment On.......2007-06-10
What went on with Ms. Krall?.......2007-05-24
Repertoire consists of rather expected standards. All broadly covered brilliantly by so many vocalists in the past. Ms. Krall and her arrangers adds nothing at all.
Singing offers no surprise than a mainstream singer would do.
Orchestra is currently the darling big band of the time being. Good players, rare good ideas, nothing impelling.
There is an original and beautiful arrangement here: for the track 'How Insensitive'.
And that's all. Let's wait for the next Krall album.
Average customer rating:
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The Confessions Tour - Live from London (CD+DVD)
Madonna Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KGGLCU Release Date: 2007-01-30 |
Tracks:
- "Future Lovers/I Feel Love"
- "Like A Virgin"
- "Jump"
- "Confessions"
- ."Isaac"
- "Sorry"
- "Sorry (Remix)"
- "I Love New York"
- "Let It Will Be"
- "Music Inferno"
- ."Erotica"
- "Lucky Star"
- "Hung Up"
Tracks:
- "Future Lovers/I Feel Love"
- "Get Together"
- "Like A Virgin"
- "Jump"
- "Confessions"
- "Live to Tell"
- "Forbidden Love"
- ."Isaac"
- "Sorry"
- ."Like It Or Not"
- "Sorry (Remix)"
- "I Love New York"
- "Ray of Light"
- "Let It Will Be"
- "Drowned World/Substitute For Love"
- "Paradise (Not For Me)"
- "Music Inferno"
- ."Erotica"
- ."La Isla Bonita"
- "Lucky Star"
- "Hung Up"
Amazon.com
The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La GorceAlbum Description
The Confessions Tour, filmed at London's Wembley Arena during her worldwide sold-out 25-city Confessions Tour (2006's top-grossing tour world-wide), features songs from throughout the dance diva's career but largely focuses on Confessions On A Dance Floor. Bonus Footage on DVD: Je suis L'art, They're naughty children, Rollerskating, Photo GalleryCustomer Reviews:
She does it again!.......2007-07-18
Best Madonna Ever.......2007-07-12
The Confessions Tour, Live from London.......2007-07-05
The Evolution of Madonna : Pink Elephants & Lemonade.......2007-06-26
Think about this - what other 48 year old do you know who can perform aerobic dancing, sing simultaneously, and hold a note, all while wearing a bikini! Well, I certainly don't know anyone like that, and what is perhaps most astounding is just how classy the entire act is, even through the admittedly sexually charged bits.
The best thing on this 2.5 hour extravaganza is "Erotica", a completely reworked version (in actuality, Madonna sings the original version of `Erotica' she intended for release - with the lyrics of a track called "You Thrill Me"). My favorite part is the last four-song segment, where Madonna introduces her `Disco' persona. Her backup dancers as ever, defy gravity and are good-looking to boot. One dancer in particular stands out - a skinny long haired young man who is as flexible as a rubber band. However, "Erotica" has never looked so good in any of its' avatars, and I thought this version left the studio recording light years behind - its that good.
This is also the first Madonna concert to feature so much dancing. Madonna actually dances frenetically to many numbers, including a highly stylized and choreographed routine with two female backup dancers to "Music". There is also a special feature segment that shows her practicing this - unbelievable. I have had so many friends who were dancers in their 20s who didn't move like this. I still cannot believe this is a woman pushing 50.
Above all, there is the music. Tracks that seemed weak on the "Confessions" studio album, are made more accessible here. "Get Together" which I always used to skip, becomes a keeper. Similarly, weak track "Jump" is actually listenable on this one. Some of the more interesting portions of the concert involve Madonna's friend "Isaac" (who even wears a turban at one point). I thought this was Mirwais, but I could be wrong. Unfortunately, when she tries to make this concert `spiritual' or `soulful', it begins to unravel. They should have just kept this entire concert upbeat and energetic.
No review would be complete without telling you the downsides of the product, and there are three here. One is the godawful version of "Isaac" that Madonna tries to pull off here. This is a poor second cousin to "Frozen", with a similar `Eastern' tinge to it (I could see where they were going with this one, but it just doesn't work). This is followed by a dreary rendition of "Drowned World" (possibly Madonna's greatest ballad), which is followed by the hideous "Paradise (Not for Me)" (which is a beautiful song, but Isaac and Madonna ruin it beyond recognition here). This should be seen to be believed. How they could massacre a simple melody like this is beyond me.
However, we're back in action with singalong versions of "Hung Up" (including a four minute shout-out/call-back to the audience where Madonna asks them to repeat "Time goes back, so slowly" in her infamously fake British accent), and "Sorry" (which has Madonna kissing one of her female dancers, and some amount of funky dancing).
Madonna sometimes exits the stage every now and then, whereupon her dancers take the spotlight and dance to a variety of Madonna collages and flash images. This is not necessarily a good thing - in fact, its downright boring. However, the `special features' on the disc, aren't really special at all. In fact, they are at best footage of Madonna rehearsing, with a tremendous amount of time spent on her dancers waxing about her in French accents ("I can't believe I'm really here", "Oh My God, I'm dancing for Madonna!", and "This is a once in a lifetime experience!" etc.). Nothing out of the ordinary, and certainly nothing to write home about. But the great thing about these is watching Madonna actually dance. Without the makeup she sports on stage, she looks much, much older, and quite tired and haggard, but who can blame her, poor thing?
All in all, this is a must-buy, even if you're not really a Madonna fan. I'm sort of neutral about her, but if I consider that I like this much more than some of the Rock DVDs I have in my collection, then Madonna must have done something right. This is a fabulous, colorful and very entertaining concert, and no one I know has ever regretted purchasing this. Yes, its very `pink' and targeted towards a gay audience in so many subliminal ways, but no matter what your demographic, theres no way you can not enjoy the sheer fun this is. Get it now!
A celebration of a great comeback!.......2007-06-26
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Strange Weirdos: Music from and Inspired by the Film Knocked Up
Loudon Wainwright III Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P6R82C Release Date: 2007-05-22 |
Tracks:
- Grey In L.A.
- You Can't Fail Me Now
- Daughter
- Ypsilanti
- So Much To Do
- Valley Morning
- X Or Y
- Final Frontier
- Feel So Good
- Lullaby
- Naomi
- Doin' the Math
- Strange Weirdos
- Passion Play
Amazon.com
Rather than an ordinary film soundtrack, this might more accurately be considered an exceptional Loudon Wainwright album. A diehard Wainwright fan, director Judd Apatow explains in his liner notes that he asked the singer-songwriter to score Knocked Up, Apatow's first film since The 40-Year-Old Virgin, only to learn that Wainwright was about to embark on his next recording project with producer Joe Henry. The resulting album features material that Wainwright had written before the film score that the director wanted to use, other cuts that are instrumental snippets in the movie but are songs with lyrics on the album, and still others that take thematic inspiration from the film. While Wainwright so often writes lacerating and hilariously personal material, many of these songs are more like character studies, with a musical range that extends from the ragtime "So Much to Do" (one of two songs written with Henry) and the call-and-response of the chromosome ditty "X or Y" to the Brecht/Weill cabaret tinge of "Final Frontier" to the bluesy "Doin' the Math." Among the musicians providing stellar support are guitarists Richard Thompson and Greg Leisz and keyboardists Patrick Warren and Van Dyke Parks. --Don McLeeseCustomer Reviews:
What a Great Combination:Knocked Up and Loudon.......2007-07-16
helps me to relax.......2007-07-16
It is ok, but.................2007-07-13
Very, Very Beautiful Music.......2007-07-10
Good stuff!.......2007-07-04
Average customer rating:
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10 Days Out (Blues from the Backroads)/ (CD/DVD)
Kenny Wayne Shepherd Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IFQLSW Release Date: 2007-01-23 |
Tracks:
- Prison Blues
- Potato Patch
- Honky Tonk
- The Thrill Is Gone
- Tina Marie
- Born in Louisiana
- Chapel Hill Boogie
- Tears Come Rollin' Down
- Knoxville Rag
- Big Daddy Boogie
- U-Haul
- Red Rooster
- Sittin On Top Of The World
- Spoonful
- Grindin' Man
Amazon.com
This "back-to-the-roots" road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways--it's either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You're In. Ultimately, it succeeds on both accounts. Regardless of the project's inspiration, the results by and large justify whatever the means might have been to get this show on the road--literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan's Double Trouble. He searched out blues artists both obscure (the late guitarist Etta Baker, who plays in her kitchen, is a highlight) and better known (Clarence "Gatemouth" Brown and B.B. King) for a series of acoustic and electric jams, all of which feature Shepherd--who, to his credit, generally keeps his hot-dogging tendencies in check. A closing concert featuring members of Howlin' Wolf and Muddy Waters' bands never quite generates the heat it should, but country bluesmen Cootie Stark, Neil Pattman, and harmonica ace Jerry "Boogie" McCain provide plenty of sparks. Shepherd seems sincere enough, but the real stars are the ageing musicians who have maintained their chops and intensity through a lifetime of performing music that clearly comes from the soul. --Hal HorowitzAlbum Description
Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads, a CD+DVD package that features the guitarslinger and Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.Customer Reviews:
Great music and a piece of blues history.......2007-07-19
Fantastic........2007-07-18
Blues greats, best of blues artists.......2007-07-07
Outstanding.......2007-07-04
in San Diego. What a treat to see and hear Pinetop Perkins and
Hubert Sumlin among others! My estimation of KWS as a performer
and good guy increased by a quantum leap after seeing the show.
He may be one the best guitarists I've ever seen live, and he
respectfully kept that fiece talent in check when the others were
stepping out. He seems a real gentleman as well as lover of the
music and the people.
The package is excellent, a real gem. The interviews and background
materials are touching, especially of the folks that have since passed.
BUY THIS CD. THESE GUYS ARE THE REAL DEAL. YOU WON'T BE SORRY!
Great!.......2007-07-04
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The Sopranos: Music From The HBO Original Series
Original Television Soundtrack Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003A9MG Release Date: 1999-12-14 |
Tracks:
- Woke Up This Moring (Chosen One Mix) - A3
- It's Bad You Know - R.L. Burnside
- It Was A Very Good Year - Frank Sinatra
- Gotta Serve Somebody - Bob Dylan
- Inside Of Me - Little Steven & The Disciples Of Soul
- I Feel Free - Cream
- Mystic Eyes - Them
- State Trooper - Bruce Springsteen
- I'm A Man - Bo Diddley
- Complicated Shadows - Elvis Costello & The Attractions
- Beast In Me - Nick Lowe
- Viking - Los Lobos
- Blood Is Thicker Than Water - Wyclef Jean
- I've Tried Everything - Euythimics
Amazon.com
HBO's Mafia masterpiece The Sopranos is a remarkable television series--it's witty, creative, and truly unique. The same praises could be sung for a show's soundtrack, an odd but fun mix of beats, classic rock, and--what else?--Mafia-staple Sinatra. A3's theme "Woke Up This Morning (Chosen One Mix)" gets things off to a lively start, as does bluesman R.L. Burnside's "It's Bad You Know" (from his Come On In remix album). Bob Dylan's "Gotta Serve Somebody" (from his Slow Train Coming album), Bruce Springsteen's "State Trooper," and Elvis Costello's "Complicated Shadows" aren't tracks you'll hear on the local classic rock station, but they work perfectly here. And when was the last time you heard both Little Steven & the Disciples of Soul and Nick Lowe on TV? In short, a great, eclectic collection. --Jason VerlindeCustomer Reviews:
Soprano's soundtrack.......2007-07-13
good music.......2007-06-27
Woke Up This Morning Comparison.......2007-05-24
Not a great collection.......2007-05-16
Great CD.......2007-05-15
Average customer rating:
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Baby Einstein: Lullaby Classics
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001IXTU4 Release Date: 2004-03-16 |
Tracks:
- Variations (Twinkle, Twinkle), K265/300e
- Minuet In G From Anna Magdalena
- Piano Sonata In C, K 545, 2nd Movement
- Spring Song
- Piano Sonata In D, K 576, 3rd Movement
- Jesu, Joy Of Man's Desiring, BWV 147
- Canon
- The Moldau
- Preludes Book II, Clair De Lune
- Sonata No.14 (Moonlight), 2nd Movement, Op.27
- Symphony No.9, New World
- Fur Elise, WoO 59
- The Four Seasons, Winter, RV267, 2nd Movement
- Orchestral Suite No.3 In D, Air, BWV 1068
- Sonata No.8 (Pathetique), 2nd Movement, Op.13
- Kinderscene, Op.15
- Waltz No.15, Lullaby
Product Description
The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)Customer Reviews:
Sounds like a cheap plastic toy.......2007-06-20
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
would make you sleepy.........2007-06-15
Kid's Music.......2007-06-08
Baby Einstein: Lullaby Classics
Not soothing.......2007-06-07
Great for bedtime, but wish it were a real piano.......2007-06-01
Average customer rating:
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Family Tree
Nick Drake Manufacturer: Tsunami Label Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PTYS2W Release Date: 2007-07-10 |
Tracks:
- Come In To The Garden
- They're Leaving Me Behind
- Time Piece
- Poor Mum
- Winter Is Gone
- All My Trials
- Kegelstatt Trio
- Strolling Down The Highway
- Padding In The Rushes
- Cocaine Blues
- Blossom
- Been Smokin' Too Long
- Black Mountain Blues
- Tomorrow Is A Long Time
- If You Leave Me
- Here Come The Blues
- Sketch 1
- Blues Run The Game
- My Baby's So Sweet
- Milk And Honey
- Kimbie
- Bird Flew By
- Rain
- Strange Meeting II
- Day Is Done
- Come Into The Garden
- Way To Blue
- Try To Remember
Amazon.com
You'd think there wouldn't be much more to present by a songwriter who recorded three albums in his lifetime and has been dead since 1974. However, interest in Nick Drake's riveting music has grown enormously in the new millennium. Rarities were added to a number of posthumous collections, but with Family Tree his estate has brought forth an hour of music that predates his first album, Five Leaves Left. This set illuminates Drake's musical background, with his mother and sister appearing, and even Drake himself on clarinet for a Mozart trio. He covers traditional numbers as well as songs by Dylan, Blind Boy Fuller, and Jackson C. Frank. There are clear links to his own early compositions, including a couple early versions that appeared on his debut. Some of this has circulated on bootlegs over the years, but here assembled and sonically polished, it radiates with warmth. Recorded in casual circumstances, there are bits of chatter and laughter between songs, painting a picture of a happy, loving home scene. --David GreenbergerCustomer Reviews:
Come Into The Garden.......2007-07-14
One of the most prized recordings in my collection has long been the Nick Drake bootleg, Tamworth-In-Arden 1967/68. I usually avoid buying boots, but couldn't resist the plethora of completely unheard/unreleased songs. Now, most of that material has been lovingly compiled (with a few surprises, as well as omissions) & cleaned up considerably in terms of the sound quality. Half of the songs are written by Drake & half are rather obscure covers, including 3 songs by the legendary Jackson C. Frank. Fans of Drake will hardly be disappointed.
Among the self-penned selections, the real highlights are the haunting "Leaving Me Behind" and "Come Into The Garden". "Rain" and "Bird Flew By" reveal a talent that is nearly fully formed. "Strange Meeting II" & "Been Smoking Too Long" were included on the Fruit Tree box set appendix, Time Of No Reply. Both are welcome here. (According to the liner notes that collection is soon to be re-released).
More than likely, fans will not be as thrilled with the two songs, written & sung by Nick's mother, Molly. But to be frank, I like them both even if they are a bit jarring amidst the rest of the set. Its nice to hear where Nick got some of his talent from.
Lovingly compiled & with copious liner notes (Nick's sister, Gabrielle's are quite moving) this is certainly worth the price of admission for longtime & new found fans of this brilliant and truely unique artist.
Average customer rating:
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Shrek - Music from the Original Motion Picture
Various Artists - Soundtrack Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005CF9Y Release Date: 2001-05-15 |
Tracks:
- Stay Home - Self
- I'm A Believer - Smash Mouth
- Like Wow! - Leslie Carter
- It Is You (I Have Loved) - Dana Glover
- Best Years Of Our Lives - Baha Men
- Bad Reputation - Halfcocked
- My Beloved Monster - Eels
- You Belong To Me - Jason Wade
- All Star - Smash Mouth
- Hallelujah - John Cale
- I'm On My Way - The Proclaimers
- I'm A Believer (Reprise) - Eddie Murphy
- True Love's First Kiss - John Powell
Amazon.com
Like The Muppet Show or The Simpsons, Shrek is tiered with visual appeal, fantasy, and sophisticated humor that appeals to children and adults on two mutually exclusive levels. Judging by the soundtrack alone, there is some genuine emotion coming from this movie; Rufus Wainwright, the Proclaimers, and especially the Eels all pen winsome, longing tunes. Dana Glover's "It Is You (I Have Loved)" represents the soundtrack's requisite glossy ballad, but it's better than most, and John Powell's climactic, orchestral "True Love's First Kiss" makes one wish there was a full score to accompany this soundtrack. On the flip side, Smash Mouth cover the Monkees' "I'm a Believer" with a groovy treatment of crunchy hip-hop beats, and Leslie Carter (sister of Aaron and Nick) gives a perky performance on the Britney-esque "Like Wow!" The soundtrack squeezes the last drops of juice from the overplayed Smash Mouth hit "All Star," but other than that, it strikes a great balance between cute-but-not-precious pop hits, and more grown-up songs that are well within reach of young ears. --Beth MassaCustomer Reviews:
Fun.......2007-06-28
Different soundtracks..confusion?.......2007-06-09
Make sure you like the version you are buying.
Great for kids and parents.......2007-05-29
Not the soundtrack.......2007-05-25
No "damn" words for my kids........2007-03-09
Average customer rating:
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The Mission: Original Soundtrack From The Motion Picture
Ennio Morricone Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000WFZ Release Date: 1992-06-29 |
Tracks:
- On Earth As It Is In Heaven
- Falls
- Gabriel's Oboe
- Ave Maria Guarani
- Brothers
- Carlotta
- Vita Nostra
- Climb
- Remorse
- Penance
- The Mission
- River
- Gabriel's Oboe
- Te Deum Guarani
- Refusal
- Asuncion
- Alone
- Guarani
- The Sword
- Miserere
Amazon.com essential recording
Ennio Morricone's Academy Award-nominated score captures the conflict between 18th-century Jesuit missionaries trying to convert the native Indians, and the slavers who want to destroy them. In keeping with the serious subject matter and epic scope of Roland Joffé's film, the score is by turns grave, lyrical, and tense. Ever inventive, Morricone mixes liturgical chorales, native drumming, and Spanish-influenced guitars, often in the very same track, to capture the drama of the culture clash. His trademark lyricism also comes through, notably in the beautiful themes for "Gabriel's Oboe" and "The Mission." Not as over-the-top as his well-known spaghetti Western scores, The Mission shows Morricone at his dramatic best. --Heidi MacDonaldCustomer Reviews:
If you saw the movie or do not need music material for a performance, forget it........2007-06-13
wonderful music.......2007-06-09
Excellent Sound Track.......2007-05-13
The Mission.......2007-05-12
Great music.......2007-03-31
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