2002 compilation from Captain Oi! Records. 15 tracks including 'Last Man Standing' & 'Soho'.
Universal,UK Subs,Captain Oi!,Pop,Punk,Rock
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Frank
Amy Winehouse Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PKG7I4 Release Date: 2007-11-13 |
From Amazon.co.uk
With her debut album Frank, Amy Winehouse proves to be one of the most original, honest, and brave singer/songwriters to emerge in recent years. Over the course of the 13 songs, she manages to do everything required of a classic album. This is a stark piece of work, comprising husky, frequently sexually charged vocals, painfully honest lyrics and soft trumpets, laidback beats, and sparse guitar work. It seems that soulful jazz doesn't always have to be bland--it can also be playful, twisted, and arrogant ("Amy Amy Amy"). "F*** Me Pumps" charts a seemingly guilt-free act of infidelity: "What do you expect when you leave me here alone?" she asks coyly, as if by way of justifiable explanation. "You wouldn't want me to be lonely," she adds. You can't help warming to her, despite what she's saying. A unique sense of humour (how rare in music now) and a no-bull attitude make for an interesting, compelling debut. Frank? Yes, but refreshingly so. You wouldn't want her for a girlfriend, but as a life companion she may yet prove indispensable. --Cortman VirtueCustomer Reviews:
Perfection.......2007-07-06
I was completely blown away by the sound. Her voice is like silk over the tripped up beats and rehash of the 1960's.
I looked deeper into her book of work and picked up "Frank". While "Back to Black" is a flawless piece of work... "Frank" is simply perfection. It's much simplier but in it's simplicity lies it's beauty. She allows the beats to remain scarce so that her voice is the anchor to each song.
This album is definitely worth hunting for.
brilliant.......2007-07-04
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Finding Forever
Common Manufacturer: Universal Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RN86BK Release Date: 2007-07-31 |
Album Description
Multi-faceted Hip-Hop superstar Common is prepping his highly anticipated seventh album, Finding Forever, for a July 31st release on G.O.O.D Music/Geffen Records. The album is the follow up to the four times Grammy nominated, critically heralded and Kanye West produced Be, which spawned hits including The Corner, Go, and Testify. Finding Forever, finds Kanye again taking the bulk of production work with help from Will.I.Am on the sultry I Want You, the late great J. Dilla on So Far To Go, featuring a surprise guest appearance by D'Angelo and G.O.O.D Music producer Devo Springsteen on Misunderstood. On Finding Forever, Common, rips the mic like a hungry newcomer. The street single The Game produced by Kanye with scratches by the legendary DJ Premier is a horn drenched, vintage NY rap boom-bap banger from the Chi-town emcee, no less. The resounding lead single The People finds Common lyrically asserting why and who he creates his music for over regal strings, delectable keys and hard to get vocals by Gil Scott Heron. This is the explicit version.
Average customer rating:
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Foiled
Blue October Manufacturer: Universal/Motown Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E97HBC Release Date: 2006-04-04 |
Tracks:
- You Make Me Smile
- She's My Ride Home
- Into The Ocean
- What If We Could
- Hate Me
- Let It Go
- Congratulations
- Overweight
- X-Amount Of Words
- Drilled A Wire Through My Check
- Sound Of Pulling Heaven Down
- Everlasting Friend
- 18th Floor Balcony
Amazon.com
Texas quintet Blue October has bounced from Houston-based indie darlings to the majors and back twice since their '98 bow. Yet there's little sense they've compromised much of their eclectic, creatively restless ethos in the bargain on this, their fourth studio album (and second major label stint). In the hands of less ambitious musicians, the personally harrowing, perfectly crafted "Hate Me" would have become template for the entire collection; here it's but the most commercially focused of band leader Justin Furstenfeld's eclectic musical obsessions. His taste for early '80s UK New Wave evinces itself in a fondness for lyrical shadows and fleeting sonic echoes of Richard Butler's P-Furs and Peter Gabriel. But it's in the collection's quieter, more reflective songs ("Let It Go" and "Congratulations" turn on Ryan Delahousaye's signature violin phrases; "X Amount of Words" effortlessly morphs through several intriguing techno conceits; "18th Floor Balcony" bristles with an almost neo-classical elegance) where Blue October sets itself a cut above its post-grunge contenders. -- Jerry McCulleyAlbum Description
The Texan rockers build on their guitar and violin-driven sound, setting their pained-yet-hopeful lyrics to moody-yet-catchy tunes with touches of electronica and piano-laced balladry. Includes the hits "Hate Me" and "Into the Ocean," plus "Drilled a Wire Through My Cheek," "Congratulations" (with Imogen Heap), and more.Customer Reviews:
Curses, Foiled Again.......2007-06-16
And it goes something like this:
"I have to block out thoughts of you, so i don't lose my head
They crawl in like a cockroach leaving babies in my bed
Dropping little reels of tape to remind me that I'm alone
Playing movies in my head that make a porno feel like home
There's a burning in my pride, a nervous bleeding in my brain
An ounce of peace is all I want for you, Will you never call again?
And will you never say that you love me just to put it in my face
And will you never try to reach me, it is I that wanted space"
And then that catchy catchy chorus:
"Hate me today
Hate me tomorrow
Hate me for all the things I didn't do for you
Hate me in ways, yeah ways hard to swallow
Hate me so you can finally see whats good for you"
Anyway, Blue October is from Texas, but you wouldn't know it from their sound. The only thing like Texas about them is that they have a very big sound. It is more alternative rock than anything, but I guess it is not all blues, or country, or Bob Wills and the Texas Playboys.
Awesome CD! .......2007-06-10
Once Upon a Theme.......2007-06-08
Foiled is a finely crafted work:the haunting violin on 18th Floor Balcony, the hypnotic guitar work and vocals on She's My Ride Home, the three part vocal on Into the Ocean and it goes on. There is a theme running through the album that belies the eclectic label. Although the hard edge of Drill it, Hate Me and What if We Could are miles from Congratulations' pop chorus and Overweight's unique structure, each song develops the theme of love and madness, cause and effect, bringing the listner to the edge: sometimes granting friendship, sometimes decrying its loss, but redeeming love at the end (the point in 18th Floor Balcony being the last track).
Wonderfully done.
AMAZING CD... Now I'm getting all their CD's.......2007-06-02
More than satisfied.......2007-05-31
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Freedom's Road
John Mellencamp Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KGGZXA Release Date: 2007-01-23 |
Tracks:
- Someday
- Ghost Towns Along The Highway
- The Americans
- Forgiveness
- Freedom's Road
- Jim Crow
- Our Country
- Rural Route
- My Aeroplane
- Heaven Is A Lonely Place
Amazon.com
The heartland rocker's first album of all-new material in more than five years finds John Mellencamp in full anthem mode. This is his State of the Union address, with guitars that chime like the Byrds heralding sentiments that recall the socially-conscious 1960s, yet sound all the more pertinent today. Balancing the desolate landscape of "Ghost Towns Along the Highway," the hell-on-earth of "Rural Route," and the tolls demanded on the title track's "Freedom's Road" are the embrace of brotherhood on "Someday," the Everyman populism of "The Americans," and the soaring transcendence of "My Aeroplane." Within the context of the album's song cycle, the "Our Country" centerpiece sounds richer and more powerful than it has as a truck commercial--like a roots-rocking sequel to Woody Guthrie's "This Land Is Your Land." Mellencamp enlists Joan Baez for a duet on the protest ballad "Jim Crow," while saving his most blistering political commentary for the unlisted bonus track, "Rodeo Clown." --Don McLeeseCustomer Reviews:
Love the songs.......2007-07-18
Mellencamp Is Back!!!!!!!!!!!!!.......2007-07-17
Mellencamp's Return to Greatness!.......2007-07-03
Surprisingly good! Good show!.......2007-06-27
Best American Album..........2007-06-18
If you miss this one, there may not be another for years to come...
and that comes from one who not a big John Mellencamp fan.
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Umbrella
Rihanna , and Jay-Z Manufacturer: Universal/Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PMGPV6 Release Date: 2007-06-04 |
Tracks:
- Radio Edit
- Seamus Haji & Paul Emanuel Radio Edit
- Lindbergh Palace Remix
- Video
Album Description
2007 enhanced CD pressing of the first single pulled from her third album Good Girl Gone Bad. 'Umbrella' features Jay-Z and is another summer anthem in the vein of previous smashes 'Pon De Replay' and 'S.O.S,'. Features four versions of 'Umbrella': Radio Edit, Seamus Haji & Paul Emanuel Radio Edit, The Lindbergh Palace Remix and Enhanced Video. Mercury.Album Details
After Selling Almost Half a Million Copies of "a Girl Like Me", the 19 Year Old Beauty from Barbados Returns with her Third Album "Good Girl Gone Bad". The Single "Umbrella", featuring Jay Z, is Lifted from the Set and is Presented Here with Mixes by Seamus Haji and Paul Emanuel and Lindbergh as Well as the Enhanced Promotional Video.Customer Reviews:
Umbrella remix CD by Rihanna.......2007-07-14
Repeated lyrics four times in a row keeps from perfection!.......2007-07-09
"S.O.S." has better lyrics, but the music sounds the same as "Hey Mr. DJ..."
"Unfaithful" annoys the hell out of me.
This brings us to "Umbrella." I have heard several people say this song grows on you--I agree. Our major complaints are that there is no need to repeat "...under my umbrella--ella, ella, ella--ay, ay, ay..." four times in a row, and it is pronounced "um-brel-la," not "um-ba-rel-la."
Otherwise, the song is great. I especially like the remix with Chris Brown's "Cinderella."
I am giving this song extra credit because it has been a positive influence on me--I even developed new lyrics for the song...while I did not write them down, the repeated lines aspect got stuck in my head...UGH!
Note: I do not know if it is intentional or accidental, but one line (if you have a good ear) sounds more suggestive than necessary.
ANOTHER HIT!!! Keep it UP!!!.......2007-06-11
Jay-Z did not take over the track like he alwayz tries to do... then rihanna comes with the hotness.. her voice may not b the strongest voice in music but she does kno how to use it and does songs that suit her...
the chorus is timeless "U can stand under my umbrella ella ella ey ey ey"... its the way she is singing it that makes it stick in your head.
the 'umbrella' video is so breathe takin... the silver body paint sold me....
'pon de replay", "SOS', 'unfaitful', now "umbrella".... keep the hits comin... ill b listenin
THE CITY OF SAC THANKS YOU..............2007-06-06
Thank you BOTH FOR This wonderful Addison to the Sound of Club-Classic Music.
DJ SANDMAN WjT. Sac, Yolo, CA...........
Small Town USA. Real To life People.....
Rained Out.......2007-06-03
Song: D
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The Magic Position
Patrick Wolf Manufacturer: Fontana Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NJVX5O Release Date: 2007-05-01 |
Tracks:
- Overture
- The Magic Position
- Accident & Emergency
- The Bluebell
- Bluebells
- Magpie
- X
- Augustine
- Secret Garden
- Get Lost
- Enchanted
- The Stars
- Finale
From Amazon.co.uk
Standing at 6 feet 4" tall with a shock of bright red hair, 23 year old Patrick Wolf is something of a statement even before he opens his mouth. His two albums to date--2003's Lycanthropy and 2005's Wind in the Wires--have showed him to be more than a pretty face, however, with songs that strike an attractive balance between the imaginative and the indulgent. His third album, The Magic Position, is undoubtedly Wolf's 'pop' moment. The rollicking romp of "Get Lost," the upbeat "Accident and Emergency," and the celebratory title track all underline new levels of accessibility and--dare we say it--optimism. There are hints of the old Wolf too of course, especially in the eclectic choice of instrumentation and the off-kilter song arrangements; for every pop-perfect track there's a slice of raw darkness ("Bluebell") casual introspection ("Augustine") or sidereal rock-tronica ("The Stars"). Less a dramatic reinvention than a sideways turn into the world of adult emotions and mainstream accessibility, The Magic Position is nonetheless Patrick Wolf's most accomplished work to date. --Paul SullivanCustomer Reviews:
A Viable Performer!.......2007-06-27
BRILLIANT PATRICK WOLF DAZZLES WITH HIS LATEST.......2007-06-26
The music ranges from symphonic to spare, but always seems multi-layered and rich. Wolf's lyrics are stirring, descriptive and drenched in wisdom and insight.
Wolf is truly in a class by himself. As a singer-songwriter, composer, multi-instrumentalist, producer, performer and visual artist, he possesses an extraordinary talent, vision and appeal--all of which are realized on this amazing album.
The WolfMagic.......2007-06-02
The opener Overture begins with some serious deep beats before breaking into a rock song. The title track is a boisterous child-like track that brings with it a cheerful disposition. Accidents and Emergency contains an irresistible hook consisting of horns and sirens. Magpie perfectly demonstrates his classical leanings. His deep baritone voice is a stark contrast to his flamboyantly loud image on the album art.
With The Magic Position, Wolf shakes off the dark imagery of his previous releases and emerges with greater faith and conviction. One of the year's best! (A+)
To live, to love in the major key.......2007-05-16
But I can't. Instead, his third album managed to sweep me away with his colourful chamberpop, and ever-changing palette of musical sounds. In fact, he masters most varieties of pop -- bluesy, peppy, soothing strings, and even some electropop -- and weave them into some accomplished melodies.
It opens with some taut drums, and a slowly rising violin leads in a sweep of strings, guitar and electronica. Wolf croons over it, "It's wonderful what a smile can hide/If the teeth shine bright and it's nice and wide/It's so magical all you can keep inside/And if you bury it deep no one can find a thing, no..." He follows it with the xylophone-churchbell-violinpop of the title song, a bouncy love song that is so infectious and joyful, it deserves to be on the radio.
But having hooked listeners with those two songs, he sallies out into all sorts of music -- dark electropop with horns, bluesy ballads, passionate piano pop, happy robot dance music, and a strong piano-strings ballad, "Magpie," a duet with the smoky-voiced Marianne Faithfull. And the album ends as it began -- with a twinkly, joyous little song, and a bittersweet string outro.
If I had to compare Patrick Wolf in this album, it would be to call him a male version of Feist -- talented vocalist and songwriter, musically versatile, and poppy without being a slave to the MTV sound. "The Magic Position" shows that off beautifully, albeit with a few dark spots that could have been left out.
The music is one of those rare blends of fun catchiness and clever musicianship -- mostly because Wolf crams it with adept musicianship. Aside from the basic guitar, he weaves in instruments like the weeping violin, accordion, ukelele, piano, drums and harp, as well as stuff like the colorful blips from an autoharp, horns, tinkly little bells, and the kitchen sink.
The results can be lushly effusive pop, sweeping ballads, or a spare ballad woven from flickers of piano and strings. It could have used a tiny bit of trimming, though -- "Kiss" sounds like a violin tuneup, and "Secret Garden" is an awkward mishmash of various sounds. However, they're the only real weak spots on this album.
Wolf's voice is as pleasant as his music -- smooth, strong, and able to convey fun and joy as easily as yearning and love. And his songs are pretty passionate stuff, whether it's the childlike joy of seeing the stars ("Mama, I saw the stars tonight/Orion, the plow, are burning bright"), or a painful confession to a lover ("And that's why, love, you shouldn't stay/Still you will and love me...").
Patrick Wolf goes pop in "Magic Position," but doesn't sacrifice any of his talents. A few songs could have been snipped, but you can forget about those in the shadow of his lovely ballads and dancy pop tunes.
Great Album.......2007-05-08
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Uneasy Listening: Vol. 2
Him Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PC6FYS Release Date: 2007-05-22 |
Tracks:
- Buried Alive By Love
- Rendezvous With Anus
- Sigillum Diaboli
- I Love You (Prelude To Tragedy)
- The Beginning Of the End
- Again
- Wicked Game
- Soul On Fire
- Beautiful
- Endless Dark
- Hand Of Doom
- Right Here In My Arms
- Sailin' On
- Pretending
Customer Reviews:
pretty good .......2007-06-22
sweet relief.......2007-06-07
Love Metal At Its Best.......2007-05-24
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III
Joe Nichols Manufacturer: Universal South ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B8I8MS Release Date: 2005-10-25 |
Tracks:
- Size Matters (Someday)
- Freedom Feels Like Lonely
- Tequila Makes Her Clothes Fall Off
- Talk Me Out Of Tampa
- That's What Love'll Get You
- I'll Wait For You
- Should I Come Home (Or Should I Go Crazy)
- My Old Friend The Blues
- As Country As She Gets
- Honky Tonk Girl
- Just A Little More
Amazon.com
Though previous releases established Joe Nichols as a traditionalist of uncommon vocal subtlety and emotional depth, the featured tracks on III are comparatively lightweight. Both the album-opening "Size Matters" and the first single, "Tequila Makes Her Clothes Fall Off," attach suggestive titles to material that is more like playful hokum. The former stresses the importance of a big heart; the latter concerns a girl who gets innocently careless when she's out barroom dancing. (If Nichols isn't embarrassed to sing the lines "Them panty hose ain't gonna last too long/If the DJ puts Bon Jovi on," he should be.) Yet much of the rest of the album reinforces his stylistic strengths, with "Talk Me Out of Tampa" evoking the conversational phrasing of prime Merle Haggard, "Should I Come Home (Or Should I Go Crazy)" channeling the inspiration of retro George Jones, and "I'll Wait for You" wringing every last tear from a stone cold country weeper. As Patty Loveless did on Dreamin' My Dreams, which came out a month earlier, Nichols also covers Steve Earle's "My Old Friend the Blues," which appears on its way to becoming a contemporary country standard. --Don McLeeseCustomer Reviews:
great album.......2007-06-23
non-purchase.......2007-04-03
As Good As Always.......2007-01-28
Joe Nichols is Good As Always!!!
Impressive; 3 ½ Stars.......2007-01-23
The album starts out rambunctiously with the infectious, playful "Size Matters", which starts out with a country, twang sound, heightened via fiddles in the background. Sure, it has your typical country sound, but it is a strong, catchy track. The chorus resonates very well: "with a big ol' heart/ who can love her like nobody can/ big ol' kisses that go on and on and never end/ with a big ol' small that'll fill the world with laughter/ size matters/ size matters". You can't help but sing "Size Matters" to yourself, which is what makes it such a strong track. "Freedom Feels Like Lonely" is another strong track, though not as strong as single "Size Matters". The chord progression and song writing here are very tight and the production suits Nichol's baritone vocals perfectly. It is in the pocket, even if it doesn't quite live up to the greatness and the fun qualities of "Size Matters". It is a good, "it is, what it is number."
"Tequila Makes Her Clothes Fall Off" is the number that drove many buyers to Nichols's new album. It is definitely fun and sort of "raw" in a tasteful way. Most amazing may be Nichols's reference to "patron" in a country song! You'd expect to hear references to patron in a hip-hop/rap number, but a country track? That's innovation right there! One trend within III is that the best tracks tend to be the ones that are a bit riskier such as "Size Matters" and of course the rediculous, but credible "Tequila Makes Her Clothes Fall Off".
"Talk Me Out Of Tampa" is another strong track, though it is more low key compared to the risky "Size Matters" or "Tequila". It does however return Nichols to a tamer country sound with some pop sensibilites, well at least till the chorus exhibits all of Nichol's country chops. "That's What Love'll Get You" is a faster track, needed after the good, but slow "Talk Me Out Of Tampa". It isn't anything truly new or anything that we haven't heard from country singers in the past, but it is your typical country performance and it is above average.
What attracted me to III was a quick skip past Country Music Television's Top 20 Video Countdown. There I saw the excellent, yet underrated "I'll Wait For You". For me, "I'll Wait For You" is perhaps the most touching ballad I've heard for a while, country, pop, rock, reggae, or whatever it be. Nichols sounds fantastic here and the song makes you just want to burst into tears. I took the risk of buying the whole album because I loved "I'll Wait For You". Honestly, I wasn't the least bit disappointed either. "Should I Come Home (Or Should I Go Crazy)" is another straightfoward country number that doesn't wow me, but it is very catchy. The chorus is another that I enjoy to sing to myself and the vocal harmonies are very lovely. The production work is very strong as well and is simple enough that it truly highlights Nichol's deep baritone.
"My Old Friend The Blues" is another slow number, which starts out without drums and eventually adds them in. It is predictable, but Joe again sounds at his very best and he doesn't oversing the song. It is a number like this where you hear the "Alan Jackson" comparisons. The simplicity is what makes this number. "As Country as She Gets" is more rhythmic, but it is "Honky Tonk Girl" that revives the album for anybody who had doubts after the past few tracks preceeding it. Again, Nichols proves that his strongest material is he "riskier" numbers. "Just A Little More" ends the album with a very slow rhythmic feel. Again, the production is very simple with only traces of instruments adding to the feel occasionally. Nichol's subtle vocals again drive this number and it proves to pay off, even if it is predictable. It is a nice way to end a brief, but overall very strong album.
III is strong enough for me, but I do wish that it was a bit longer. I think that shorter albums are more consistent because there is less room for error (or filler), but 37 minutes maybe cutting it a bit too close. 45 minutes is more acceptable in my eyes. The positive thing is that III does feel complete enough and the extra 8-10 minutes may have hindered it as opposed to helped it. Sure, III isn't perfect, nor is it the best country album I've heard, but it is very good and it is a shame that just 500,000 country fans purchased it. But, Nichols I think has a promising future and if he keeps getting better and better he will hopefully one day get the recognition he deserves. 3 ½ Stars.
Awesome.......2007-01-10
Once you see the tequila video you will see us hicks have a sense of humour too.
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The Music of John Williams: 40 Years of Film Music
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C6K09 Release Date: 2003-10-07 |
Tracks:
- The Sugarland Express-Main Theme
- Jaws-Main Theme
- Close Encounters Of The Third Kind-Suite
- Raiders Of The Lost Ark-March
- Raiders Of The Lost Arc-The Map Room:Dawn
- E.T. The Extra-Terrestrail-Adventures On Earth
- Indiana Jones And The Temple Of Doom-Mine Car Chase
- Indiana Jones And The Temple Of Doom-End Credits
- Empire Of The Sun-Exsultate Justi
- Indiana Jones And The Last Crusade-Indy's First Adventure
Tracks:
- Indiana Jones And The Last Crusade-End Credits
- Always-Follow Me/Dorinda's Solo Flight
- Hook-Main Themes
- Jurassic Park-Main Themes
- Schindler's List-Main Theme
- Amistad-Dry Your Tears, Afrika
- Saving Private Ryan-Hymn To The Fallen
- A.I. Artificial Intelligence-Where Dreams Are Made
- Minority Report
- Catch Me If You Can
Tracks:
- The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
- Jane Eyre-Suite: The Jane Eyre Theme
- Jane Eyre-Suite: To Thornfield
- Jane Eyre-Suite: Restoration
- The Cowboys-Overture
- The Poseidon Adventure-Prelude
- The Towering Inferno-Main Titles
- Family Plot-End Titles
- The Fury-Main Titles
- Superman-Main Theme
- Dracula-Main Titles & Storm
- The River-Main Theme & Love Theme
- The Witches Of Eastwick- Dance Of The Witches
Tracks:
- Born On The Fourth Of July-End Credits
- Presumed Innocent-End Titles
- JFK-Arlington/End Titles
- Harry Potter And The Philosopher's Stone-Hedwig's Theme
- Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
- Star Wars: A New Hope- Main Theme
- Star Wars: The Empire Strikes Back-Hans Solo And The Princess
- Star Wars: The Empire Strikes Back-The Imperial March
- Star Wars: The Phantom Menace- Anakin's Theme
- Star Wars: The Phantom Menace-The Flag Parade
- Star Wars: Attack Of The Clones-Across The Stars
- Star Wars: The Phantom Menace-Duel Of The Fates
Customer Reviews:
Very disappointing, considering what it could have been.......2007-04-20
Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes
What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.
C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.
Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.
This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.
Always a pleaser.......2007-03-31
JOHN WILLIAMS 40 Years of Film Music.......2007-01-10
Movie Music Magic & Memorabilia.......2006-12-13
John Williams: 40 Years of Outstanding Film Music.......2006-11-28
Average customer rating:
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Beautiful World
Take That Manufacturer: Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000K9L32U Release Date: 2006-12-04 |
Tracks:
- Reach Out
- Patience
- Beautiful World
- Hold On
- Like I Never Loved You at All
- Shine
- I'd Wait for Life
- Ain't No Sense in Love
- What You Believe In
- Mancunian Way
- Wooden Boat
From Amazon.co.uk
It's been a long ten years since Take That disbanded. Their recent reformation and world tour offered overwhelming evidence that, far from being forgotten, the post-Robbie quartet can still command hysterical amounts of goodwill and adoration. Beautiful World illustrates why this is so. Written in conjunction with songwriter/producer John Shanks (Ashlee Simpson, Anastacia, Alanis Morissette), the album is crammed full with the songwriting magic that made their rise to fame so meteoric in the first place. Far from being an exercise in nostalgia, the project moves the band in a slightly new direction. The four come across as more mature, more democratic (all members share songwriting credits on the album, rather than just Barlow), and even more adept at making epic pop that somehow avoids the cheese factor. Lead single "Patience" is a perfect example of how powerful and accessible their songs can be. It'd be a good contender for the album's peak moment if the rest of the tracks weren't so damn good too. With traditional Take That style songs (the immediately likeable "Reach Out", the brimming "Like I Never Loved You At All"), nicely punctuated up by incongruous outings like Jason Orange's folkish "Wooden Boat" and Mark's upbeat, Beatles-esque "Shine", Beautiful World sets a whole new standard for a band previously known more for their singles than their long-players.--Danny McKennaAlbum Description
2006 'reunion' album from one of the UK's best selling boybands. Their first album in over 10 years, Beautiful World reunites four of the five original members including leader/songwriter Gary Barlow (the fifth member, international solo superstar Robbie Williams was invited but graciously declined). 11 tracks including the single 'Patience'. Polydor.Album Details
After a Successful Reunion Tour which Saw them Play to Over Half a Million People, Take that Present their First Single and Studio Album in Over Ten Years. They Follow the #1 Dvd Release that Captured the Magic of their 32-date Sell-out UK Tour, Including Footage of their Triumphant Homecoming Show in Manchester. Hot on the Heels of their Stunning Single "Patience", their Fourth Studio Album features Writing Contributions from Each Member of the Band. (And Robbie, the Light is Still for Ya....)Customer Reviews:
Great Music.......2007-07-14
Tkae That takes it.......2007-05-09
It was definitely worth the wait.......2007-04-30
Take That, welcome back...for good!.......2007-04-29
The greatest boy band of our time Take That have returned with a big bang.
Beautiful World is That's 4th studio recorded album, not counting the compilations. It's a nice collection of mellowed-down ballads along with some foot-stompers and crowd-pleasers.
The Manchester boys have grown up. It's been 10 years since the time Gary Barlow, Mark Owen, Howard Donald, and Jason Orange announced that they were parting ways -Robbie Williams ditched the band months earlier and ended up being the most successful of them all, he does not return to the lineup this time around (it's his loss really). The overall feel and sound of World reflects the boys' maturity and self assurance. It also symbolizes the first time the boys share songwriting duties: Gary Barlow isn't the sole writer, Mark, Howard, and Jason all are credited; Jason debuts as a lead singer on the fantastic album closer Wooden Boat.
The album opens up with the breathtaking Reach Out, a beautiful ballad and future single, that reminds us why we loved Take That in the first place. The UK Number 1 singles Patience and Shine are simply awesome, the latter written and sung with conviction by Mark is probably one of the best pop songs I've heard in a long time, while the former is sung by Gary with such an infectious passion; Patience is technically Gary's first hit single in about a decade. Mark's Shine is the most upbeat song on the album with a beat that is similar to ELO's Mr. Blue Sky, with Beatlesque harmonies and an incredible chorus; the music video to Shine includes references to The Beatles' Your Mother Should Know video. Howard's radio friendly self-reflective Mancunian Way, a potential single, is a cool song that will eventually grow on you after a couple of listens. Gary's lovely ballad Ain't No Sense In Love, another potential single, and the first group effort I'd Wait For Life produce a nostalgic sense of how great it was being a fan of Take That in the 90's. Mark's What You Believe In is an elusive bluesy pop-rock number. Finally, Jason Orange's breakthrough Wooden Boat is a country influenced acoustic number (Jason actually has learned to play guitar and write songs over the 10 years that passed), and turns out to be one of the highlights on World. There's also a bonus track that appears shorty after Boat fades out titled Butterfly, a sweet catchy ballad written by Gary.
Beautiful World might not be as great as Everything Changes or Nobody Else, and Take That might not be as young and exciting as they were once. The album does lack the typical Take That dance and upbeat tracks along with the piano-driven ballads that made past efforts much more balanced. However, their return with this album deserves a very warm welcome. I'm sure the fans will agree!
So I will end by saying: Take That, welcome back...and hopefully, for good this time!
Track Picks:
Reach Out
Patience
Shine
Ain't No Sense In Love
Mancunian Way
Wooden Boat/Butterfly
Recommended
B+
Take That all grown up!.......2007-03-09
"Beautiful world" sees them ditching the youthful pop sound of their past, in favour of a more adult rock/pop format, resulting in the strongest album of their career. All four guys pitch in lyrically and vocally. The album has already topped the UK album charts and sold over 1.2 million in the UK.
Opening is the sunny, upbeat "Reach out" with tight 60s sounding harmonies a-la Beach Boys, Beatles and Simon & Garfunkel (something showcased throughout this CD) and a catchy sound. In a similar vein is the floaty titletrack "Beautiful world".
Lead off single (and UK #1) "Patience" is a brilliant Beatles-like mid tempo charmer with a towering feel. With an even stronger Beatles feel is the upbeat "Shine", currently #1 in the UK. Need I mention the excellent harmonies?
A real surprise comes in the folk ballad "Wooden boat" with brilliant lyrics. The soaring piano ballad "I'd wait for life" is a real winner (great instrument build up towards the end). However, the melancholic "What you believe in" has got to be the best Take That ballad ever. Awesome!!
Take That are back, and all grown up!
Rock Music:
- Very Best Pop Album [Import]
- Vestavia
- Walk in My Shadow [Original recording remastered] [Import]
- What's Your Pleasure [Import]
- Wow! Disney Mix Mania [Import]
- Yoshimi Battles the Pink Robots [Import]
- You've Got to Believe in Something
- A Flashing Blur of Stripped Down Excitement
- All My Life [Limited Edition] [Import]
- Anthology [Import]
