Young Now

Product Description
The debut American release from Japan's favorite pop band! The best power pop band to come out of Japan, The Oranges produce incredibly pure, hip, catchy Japanese bubblegum-power music. With their Bay City Roller "look" and Bo Donaldson and the Heywoods haircuts, this foursome--Jeff (vocals, guitar), Robin (bass, vocals), Pea (drums, vocals) and Nelo (guitar, vocals)--display catchy riffs and power guitars while singing of love and dreams. Jeff, the leader of The Oranges, is a former member of the popular Japanese band The Shamrock, who were influenced by the sound of the British beat bands such as The Who and The Small Faces throughout their 6 albums/11 EP career. Songs: Orange Time, Love Song, All OK!, Miracle Child, White Cloud, Scootering, Young Now, Little Rabbit, Hot Chocolate, Flower, 99%, Ijimetai, All Day All Night, Love Song (Reprise).

Young Now,Oranges,Image Entertainment,Pop,Popular Music,Rock,Rock/Pop

Average customer rating: NEVER RECEIVED THIS ITEM!! Perlman, Williams reunite in wonderful Serenade sequel Some of the most beautiful music you'll ever hear Don't compare it to Cinema Serenade 1 I can't stop listening to this CD....

Cinema Serenade II: The Golden Age Manufacturer: Sony ProductGroup: Music Binding: Audio CD Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Israel | Middle East | International | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Korngold, Erich Wolfgang | ( K ) | Composers, A-Z | Classical Music Blowout | Stores | Music Newman, Alfred | ( N ) | Composers, A-Z | Classical Music Blowout | Stores | Music Walton, Sir William | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Cinema Serenade Itzhak Perlman's Greatest Hits, Vol. 2 Itzhak Perlman's Greatest Hits Classic Perlman: Rhapsody Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more ASIN: B00000JQG0 Release Date: 1999-07-27

Tracks:

1. Laura
2. Now, Voyager
3. Modern Times
4. Lost Weekend
5. The Quiet Man
6. The Adventures Of Robin Hood
7. Casablanca
8. Henry V
9. The Uninvited: 'Stella By Starlight'
10. My, Foolish Heart
11. Gone With The Wind
12. Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: A Slight Innacuracy Excelente Hard to Find Orchestral Instrumentals, Vol. 2 Not totally an instrumental Another Collection You Wonr Find Anywhere else

Hard to Find Orchestral Instrumentals II Manufacturer: Eric Collection ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Oldies | Compilations | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Hard to Find Pop Instrumentals II All-Time Great Instrumental Hits, Vol. 1 All-Time Great Instrumental Hits, Vol. 2 Rock Instrumental Classics, Vol. 3: The Seventies Rock Instrumental Classics, Vol. 2: The Sixties ASIN: B00008L3O0 Release Date: 2003-04-22

Tracks:

1. Gonna Fly Now (Theme From 'Rocky') - Bill Conti
2. Theme From 'Ben Casey' - Valjean
3. Theme From 'The Apartment' - Ferrante & Teicher
4. The Long Ships (Part 1) - Charles Albertine (mono)
5. The Day The Rains Came - Raymond Lefevre (mono)
6. Beautiful Obsession - Sir Chauncey
7. Theme From 'The Sundowners'- Felix Slatkin
8. Chariot (I Will Follow Him) - Franck Pourcel
9. That's The Way With Love - Peter Soffici (mono)
10. Theme From 'The Dark At The Top Of The Stairs' - Percy Faith
11. Theme From 'A Man And A Woman' (from The Soundtrack) - Francis Lai
12. Route 66 Theme - Nelson Riddle
13. Moonglow & Theme From 'Picnic' - George Cates (mono)
14. Swinging Sweethearts - Ron Goodwin (mono)
15. Ringo's Theme (This Boy) - George Martin
16. Song For Anna (Chanson D'Anna) - (Herb) Ohta-San
17. Nadia's Theme (The Young & The Restless) - Barry Devorzon & Perry Botkinc Jr.
18. Danny Boy - Sil Austin
19. Trumpeter's Prayer - Tutti Camarata
20. One Moment In Time - Vienna Symphonic Orchestra (VSOP)

Album Description

A spectacular follow-up to Volume One in this instrumental series featuring 15 songs that have never been on a U.S. CD before. But this set isn't just for collectors, but also for listeners. All recordings have been digitally mastered from the original master tapes & are in True Stereo wherever possible. Includes a full 8-page booklet with detailed liner notes on each song.

Customer Reviews:

A Slight Innacuracy.......2007-06-13

The version of "Nadia's Theme" (Theme from The Young and the Restless) isn't actually the one you're expecting. I believe it's actually the original arrangement made for "Bless the Beasts and the Children". So what later became the Young and the Restless theme (the one that was a hit) still remains unreleased on CD.

Hopefully, we can see that version on a future release. Maybe they could get "Little Ballerina Blue" on one while they're at it.

Still, some great stuff here.

Excelente .......2007-03-22

El tema de nadia es una de las canciones mas excelentes de la historia de la musica

Hard to Find Orchestral Instrumentals, Vol. 2.......2006-03-22

The purchase went as we had hoped. The delievry was as promised, and the quality of the product equal too, or above our expectations.

Not totally an instrumental.......2006-03-10

I was excited to find this album. I bought it but was horrified to find a loud vocal on the first track. The rest of the music is all instrumental but this one track simply JARS you when it plays. Very disappointing!

Another Collection You Wonr Find Anywhere else.......2003-05-06

Well, ERIC records has done it again.

Continuing their unique practice of giving us both well known hits and impossible to find rarities, Eric presents Volume 2 of "Hard to Find Orchestral Instrumentals". This one is, in my opinion, even better than the first.

First off, the sound quality of this disk is ASTOUNDING. ERIC has gotten the various reissue departments to provide them with absolute first generation mono and stereo masters and this CD proves it. The aural quality is breathtaking. The fact that Orchestral music is so beautifully suited for true stereo playback is exhibited here, as a whopping 15 of the 20 tracks are True Stereo and sound magnificent.

There are, of course, the big soundtrack hits here, like 'The Day The Rains Came" "Rocky", "Ben Casey", "Theme from The Apartment", and " Nadias Theme". All top 30 and well remembered. However, for this 43 year old fan, it was the some of the lessor known tracks, in particulatr the 1963 Colpix low level charter "Theme From The Long Ships" that really makes this collection the gem that it is. Outstanding tracks include "Theme From The Sundowners" , "The Dark At The Top of The Stairs" and "I Will Follow Him" , all tracks that will suddenly sound familiar again after first listen.

Therein lies the BEST part of this collection. When you put this on your player, you will be treated to a nostalgic feast,
a time when the magic of Orchestral music still ruled the charts, and existed in all our homes. And you'll certainly remember most of these once you hear them, which is the fun part!!

There arent enough great things I can say about this collection AND its sister CD "Hard To Find pop Instrumentals- Part 2" I personally liked this volume better, but if you dont have either yet, give yourself a musical treat, and some REAL listening enjoyment and pick these up...

Its listening the way it used to be.

MA....

Average customer rating: Selections from the Greatest Voice of the Last Hundred Years A Must Have The Mario Lanza Collection The MARIO LANZA Collection WONDERFUL!!!!!

The MARIO LANZA Collection Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Lanza, Mario | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Kern, Jerome | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Hardelot, Guy d' | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lara, Agustin | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Brodszky, Nicholas | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Buzzi-Peccia, Arturo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Capua, Eduardo di | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Jazz | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical | Box Sets | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Mario Lanza: At His Best! Christmas with Mario Lanza Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello American Caruso Lanza: Greatest Hits ASIN: B000003F6V Release Date: 1991-11-12

Tracks:

1. Be My Love
2. I'll Never Love You
3. Because You're Mine
4. The Song Angels Sing
5. Drink, Drink, Drink
6. Serenade
7. The Loveliest Night of the Year
8. La Donna E Mobile
9. Because
10. For You Alone
11. Golden Days
12. Deep In My Heart, Dear
13. If I Loved You
14. Yours Is My Heart Alone
15. One Night Of Love
16. Beloved
17. Beautiful Love
18. With A Song In My Heart
19. You Are My Love
20. Call Me Fool

Tracks:

1. All The Things You Are
2. My Song,My Love
3. Love Is The Sweetest Thing
4. Will You Remember
5. Granada
6. Lolita
7. Serenade
8. Temptation
9. Lygia
10. Lady of Spain
11. This Land
12. Lee-Ah-Loo
13. Tina-Lina
14. Boom Biddy Boom Boom
15. The Bayou Lullaby
16. The Lord's Prayer
17. And Here You Are
18. Song of Songs
19. Somewhere A Voice Is Calling
20. I Never Knew

Tracks:

1. Ciribiribin
2. Wonder Why
3. Come Dance With Me
4. O Sole Mio
5. Younger Than Springtime
6. For the First Time (Come Prima)
7. Never Till Now
8. Arrivederci, Roma
9. If You Were Mine
10. Behold!
11. A Night to Remember
12. Love in a Home
13. Do You Wonder
14. Softly as in a Morning Sunrise
15. One Alone
16. Aida:Celeste Aida
17. Carmen: Flower Song
18. La Traviata: Brindisi
19. Rigoletto:Questa O Quella
20. Pagliacci:Vesti La Giubba
21. Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating: Excellent CD Better than Gareth's Effort From now on I'm Straight Our Idol Will Young is AWESOME

From Now On Will Young Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Teen Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | R&B | Styles | Music General | Rock | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Rock | Imports | Stores | Music Pop | Imports | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Friday's Child Keep On What My Heart Wants to Say Keep On Anthony Callea ASIN: B00006L3YO Release Date: 2002-10-14

Tracks:

1. Evergreen
2. Anything Is Possible
3. Light My Fire
4. Lover Won't You Stay
5. Lovestruck
6. The Long And Winding Road
7. You And I
8. Side By Side
9. What's In Goodbye
10. Cruel To Be Kind
11. Over You
12. From Now On
13. Fine Line

Album Description

Will Young needs no introduction. He was voted the UK's favorite Pop Idol, & shot into the Guinness Book of Records with the fastest selling debut single of all time. He also recently appeared on the US show, 'American Idol' which was seen by millions of viewers. With a timeless quality all of its own, & yet instantly recognizable as Will Young, this myriad of jazz & soul influences makes 'From Now On' a must have. Will has worked with some of the most renowned song writers in the world including Cathy Dennis & Burt Bacharach. 13 tracks. BMG. 2002.

Album Details

Debut Full Length from the UK Popstars Winner.

Customer Reviews:

Excellent CD.......2006-09-07

My first from this artist. But it has now been playing constantly in my truck wherever I go for the past 3 weeks or so. There is not a dud on this CD. I am looking forward to getting the next one.

Better than Gareth's Effort.......2005-04-21

This album is not really my thing, but it's better than Gareth Gates's effort. I used to like it, but I don't really listen to it much, but I did recently.

Songs worth 1 star:
None

Songs worth 2 stars:
"Lover Won't You Stay"
"Love Struck"
"Long And Winding Road"
"Side By Side"
"What's In Goodbye"
"Fine Line"

Songs worth 3 stars:
"You And I"
"Over You"

Songs worth 4 stars:
"Evergreen"
"Anything Is Possible"

Songs worth 5 stars:
"Light My Fire"
"Cruel To Be Kind"
"From Now On"

Worst Song: "What's In Goodbye"
Best Song: "Light My Fire"
Overall Verdict: 3.1 out of 5.0 stars

This album is okay, but if you'd like a better effort buy "Friday's Child".

From now on I'm Straight.......2004-08-04

Will Young, the guy who fooled the voters into the fact that he had a girl all the way through the competition and then announced he was gay. The singing is alright. But I prefer a musican who is more thruthful than this guy.

Our Idol.......2004-04-28

Will Young WOW!! An album to be proud of. From start to finish this album will blow you away. You and I, Evergreen, Anything Is Possible, Light My Fire and many many more. A Pleasure to own and listen to. If you dont own this take a chance and you wont be disapointed

Will Young is AWESOME.......2004-03-26

I first heard Will Young on the World Idol television special. I immediately fell in LOVE with his voice. His sound is very soulful, with a hint of jazz and pop in the mix. I think his voice sounds similar to that of frontman Mick Hucknall of Simply Red. On this cd, you can definitely hear why he won the UK Pop Idol competition. I was a huge fan of the British music scene back in the 80's, and still love most of them that are still making music (Boy George, Simply Red, Annie Lennox, etc), but I have completely fell for Will. Not only does he have a voice like an angel...he has the look of one as well. What a perfect package.

Average customer rating: Spirited performance of charming work Alexander's Feast - English version One of Handel's great works Handel's Great "Feast" in an Impeccable Rendition

Handel: Alexander's Feast G. F. Handel , The Sixteen , Harry Christophers , and Symphony Of Harmony And Invention Manufacturer: Coro ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Harp | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Samson Handel - Joshua / Kirkby, Bowman, Oliver, Ainsley, George, The King's Consort Handel: The Occasional Oratorio /Gritton * Milne * Bowman * Ainsley * George * The King's Consort * King Handel: Belshazzar George Frideric Handel: Esther ASIN: B0007DBXJC Release Date: 2005-03-15

Tracks:

1. Alexander's Feast: Overture
2. Alexander's Feast: 'Twas at the Royal Feast
3. Alexander's Feast: Happy, Happy, Happy Pair
4. Alexander's Feast: Timotheus plac'd on high
5. Harp Concerto Op.4, No.6 in B flat: Allegro
6. Harp Concerto Op.4, No.6 in B flat: Larghetto
7. Harp Concerto Op.4, No.6 in B flat: Allegro moderato
8. Alexander's Feast: The song began from Jove
9. Alexander's Feast: The list'ning Crowd
10. Alexander's Feast: With ravish'd Ears
11. Alexander's Feast: The praise of Bacchus
12. Alexander's Feast: Bacchus, ever fair and young
13. Alexander's Feast: Sooth'd with the sound
14. Alexander's Feast: He chose a Mournful Muse
15. Alexander's Feast: He sung Darus Great and Good
16. Alexander's Feast: With downcast Looks
17. Alexander's Feast: Behold Darius Great and Good
18. Alexander's Feast: The Mighty Master smil'd to see
19. Alexander's Feast: Softly sweet
20. Alexander's Feast: War, he sung, is Toil and Trouble
21. Alexander's Feast: The Many rend the Skies
22. Alexander's Feast: The Prince, unable to conceal
23. Alexander's Feast: The Many rend the Skies

Tracks:

1. Alexander's Feast: Now strike the Golden Lyre
2. Alexander's Feast: Revenge, Revenge, Timotheus cries
3. Alexander's Feast: Give the Vengeance due
4. Alexander's Feast: The Princes applaud with a furious joy
5. Alexander's Feast: Thais led the way
6. Alexander's Feast: Thus long ago
7. Alexander's Feast: At last Divine Cecilia came
8. Alexander's Feast: Let old Timotheus yield the Prize
9. Alexander's Feast: Let old Timotheus yield the Prize
10. Organ Concerto Op.4, No.1 in G minor: Larghetto e staccato
11. Organ Concerto Op.4, No.1 in G minor: Allegro
12. Organ Concerto Op.4, No.1 in G minor: Adagio
13. Organ Concerto Op.4, No.1 in G minor: Andante
14. Alexander's Feast (conclusion): Your Voices tune

Album Description

"A remarkable recording." - REPERTOIRE

The nature of Alexander's Feast is perhaps better summed up by its other title, The Power of Music. It is a celebratory ode for St. Cecilia's Day, written by Dryden in 1697 for the traditional celebration of the patron saint of music and set in celebratory style by Handel in 1736. At its first performance that year, he incorporated two delightful concertos, one for harp and one for organ, and these are included on this recording. Winner of the Deutschen Schallplattenkritic prize.

Customer Reviews:

Spirited performance of charming work.......2007-03-10

This performance of Alexander's Feast is, in my opinion, exactly right for the work; beautiful, clear voices singing the solos with good diction, a lovely balance in the small chorus, and superb playing of appropriate instruments for the piece and for the period. The notes on the flyer are also excellent, presenting the background and intention of the work.

Alexander's Feast - English version.......2006-02-26

This recording is a very complete version of Alexander's Feast, following the composer's practice of inserting other pieces to create a performance of appropriate length. Excellent soloists, orchestra, and chorus. A high quality recording.

One of Handel's great works.......2005-11-19

I just attended a live performance of Alexander's Feast and I saw many people who probably never heard anything else than Messiah, suddenly finding out that there is more to Handel than Hallelujah chorus. This music is exciting and original, you may know several arias like "War he said is toil and trouble" or "Revenge!" but it is great as a complete work. It was written for St. Cecilia's Day celebration, then re-written several times, but it remains as a beautiful example of Handel's mastery in choral composition and writing showcase arias. The soloists are great, especially Ian Partridge, and the chorus is outstanding. This is a wonderful performance of one of Handel's great works.

Handel's Great "Feast" in an Impeccable Rendition.......2005-08-22

"Alexander's Feast," Handel's 1736 setting of Dryden's ode in honor of St. Cecilia's Day (patron saint of music) is a masterpiece and a delight, but its odd length - too long for a mixed program, too short for a full evening - gave Handel trouble and apparently still presents a problem: this is at present the only recording of this inspired work in the catalogue, though some good ones have come and gone. Fortunately, this reissue of the Sixteen's 1990 version is first-rate, in fact the best I ever recall hearing, with chorus, orchestra, soloists and conductor all in top form. Furthermore, music director Harry Christophers has wisely chosen to include the two concerti - one for harp, the other for organ - that Handel inserted in his original performances. Not only do they lengthen the piece to a satisfactory 115', they serve a satisfactory dramatic purpose by representing respectively the power of music in its pagan form - the bard Timotheus's lyre represented by the harp - and Christian - Cecilia's (apocryphal) organ. Both receive sparkling interpretations here.
If you enjoy such Handel works as "L'Allegro..." and "Acis and Galatea," you will certainly enjoy "Alexander's Feast," which finds the composer in peak form, responding with eagerness to the high quality of the English verse before him. And it's hard to imagine a better way to get to know it than this wonderful performance.

Average customer rating: One last touch of Paris (but oversold by the critics) wonderful perforance of excellent songs Classic Rorem Songs! Come To Pop, Baby! Worthy indeed - a gem

Susan Graham - Songs of Ned Rorem Susan Graham , Martin Martineau , and Ensemble Oriol Manufacturer: Erato ProductGroup: Music Binding: Audio CD Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Divas | Opera & Vocal | Styles | Music | Bartoli, Cecilia | Battle, Kathleen | Bonney, Barbara | Caballe, Montserrat | Callas, Maria | Crespin, Regine | Eaglen, Jane | Ferrier, Kathleen | Flagstad, Kirsten | Fleming, Renée | Freni, Mirella | Gheorghiu, Angela | Horne, Marilyn | Janowitz, Gundula | Jones, Gwyneth | Kasarova, Vesselina | Kirkby, Emma | Larmore, Jennifer | Ludwig, Christa | McDonald, Audra | Milanov, Zinka | Modl, Martha | Nilsson, Birgit | Norman, Jessye | Otter, Anne Sophie von | Podles, Ewa | Ponselle, Rosa | Price, Leontyne | Sayao, Bidu | Scotto, Renata | Soderstrom, Elisabeth | Sutherland, Joan | Te Kanawa, Kiri | Troyanos, Tatiana | Upshaw, Dawn | Vishnevskaya, Galina | Von Stade, Frederica Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music | Rachmaninov, Sergei | Ramirez, Ariel | Ravel, Maurice | Rodgers, Richard | Rossini, Gioacchino | Saint-Saens, Camille | Satie, Erik | Scarlatti, Alessandro | Schubert, Franz | Schumann, Robert | Shostakovich, Dmitri | Sibelius, Jean | Spontini, Gasparo | Strauss Jr., Johann | Strauss, Richard | Stravinsky, Igor | Tchaikovsky, Peter Ilyich | Thomas, Ambroise | Toselli, Enrico C to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music | Caballe, Montserrat | Callas, Maria | Caruso, Enrico | Cassinelli, Ricardo | Christie, William | Church, Charlotte | Corelli, Franco | Crespin, Regine | Della Casa, Lisa | Di Stefano, Giuseppe | Eaglen, Jane | Ferrier, Kathleen | Fischer-Dieskau, Dietrich | Flagstad, Kirsten | Fleming, Renee | Ford, Bruce | Freni, Mirella | Gahmlich, Wilfried | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gigli, Beniamino | Gruberova, Edita Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music ( G ) | Featured Performers, A-Z | Classical | Styles | Music | Gahmlich, Wilfried | Galbraith, Paul | Galway, James | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gieseking, Walter | Gigli, Beniamino | Gilels, Emil | Glennie, Evelyn | Goode, Richard | Goodman, Benny | Gould, Glenn | Grainger, Percy Aldridge | Graves, Denyce | Grimaud, Hélène | Gruberova, Edita | Grumiaux, Arthur | Guarneri String Quartet General | Classical | Styles | Music Similar Items: Ned Rorem: Selected Songs The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn) Susan Graham ~ Berlioz - Les nuits d'été Poèmes de l'Amour ASIN: B00004R9BK Release Date: 2000-04-04

Tracks:

1. Sonnet [Bynner]
2. Clouds [Goodman]
3. Early In The Morning [Hillyer]
4. The Serpent [Roethke]
5. Now Sleeps The Crimson Petal [Tennyson]
6. Opus 101 [Bynner]
7. I Strolled Across An Open Field [Roethke]
8. To A Young Girl [Yeats]
9. Jeanie With The Light Brown Hair [after Foster]
10. Ode [de Ronsard]
11. For Poulenc [O'Hara]
12. Littlle elegy [Wylie]
13. Alleluia
14. Look Down, Fair Moon [Whitman]
15. O You Whom I Often And Silently Come [Whitman]
16. I Will Always Love You [O'Hara]
17. The Tulip Tree [Goodman]
18. The Wintry Mind [Bynner]
19. I Am Rose [Stein]
20. The Lordly Hudson [Goodman]
21. O Do Not Love Too Long [Goodman]
22. Far - Far - Away [Tennyson]
23. For Susan [Goodman]
24. A Journey [Glaze]
25. Sometimes With One I Love [Goodman]
26. Love [Lodge]
27. Orchids [Roethke]
28. Stopping By The Woods On A Snowy Evening [Frost]
29. Do I Love You More Than A Day [Larson]
30. Ferry Me Across The Water [Rossetti]
31. The Sowers [Bynner]
32. That Shadow, My Likeness [Whitman]

Amazon.com

Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

Customer Reviews:

One last touch of Paris (but oversold by the critics).......2005-10-11

Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

wonderful perforance of excellent songs.......2005-01-20

I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

Classic Rorem Songs!.......2004-05-18

Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

Come To Pop, Baby!.......2004-03-12

Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

Worthy indeed - a gem.......2002-08-27

I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.

Average customer rating:

Divas of Broadway Manufacturer: North Star ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Easy Listening | Compilations | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music ASIN: B0000AGWEL Release Date: 2003-07-22

Tracks:

1. All That Jazz [From Chicago] - Liza Minnelli
2. Send in the Clowns [From A Little Night Music] - Gladys Johns
3. I Could Have Danced All Night [From My Fair Lady] - Julie Andrews, Philippa Bevans,
4. My Own Morning [From "Hallelujah, Baby"] - Leslie Uggams
5. I Feel Pretty [From West Side Story] - Marilyn Cooper, Carmen Gutierrez, Carol Lawrence, Elizabeth Taylor
6. How Can I Win? [From the Goodbye Girl] - Bernadette Peters
7. Tomorrow [From Annie] - Andrea McArdle
8. Hello Young Lovers [From The King and I] - Barbara Cook
9. Cry Me a River [From Swing!] - Andrea Benanti
10. If My Friends Could See Me Now [From Sweet Charity] - Gwen Verdon
11. Someone Like You [From Jekyll & Hyde] - Linda Eder
12. Diamonds Are a Girls Best Friend [From Gentlemen Prefer Blondes] - Carol Channing
13. I'm Gonna Wash That Man Right Outa My Hair [From South Pacific] - Mary Martin
14. Party's Over [From Bells Are Ringing] - Carol Channing

Average customer rating: One of America's great songwriters

Over the Rainbow Manufacturer: Pearl ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Get Happy: The Harold Arlen Centennial Celebration Harold Arlen Centennial Celebration Harold Arlen Sings Sweet and Hot Ella Fitzgerald Sings the Harold Arlen Songbook Somewhere Over the Rainbow: Harold Arlen ASIN: B000000WMG Release Date: 1997-11-18

Tracks:

1. (You Got Me In Between) The Devil And The Deep Blue Sea
2. I've Got The World On A String
3. I Gotta Right To Sing The Blues
4. Public Melody No. 1
5. When The Sun Comes Out
6. Hittin' The Bottle
7. Let's Fall In Love
8. Let's Put Our Heads Together
9. Now I Know
10. As Long As I Live
11. Rasin' The Rent
12. Blues In The Night
13. Down With Love
14. Over The Rainbow
15. It's Only A Paper Moon
16. Bud's Won't Bud
17. One For My Baby (And One More For The Road)
18. Stormy Weather
19. Kickin' The Gong Around
20. Two Blind Loves
21. That Old Black Magic
22. Ac-Cent-Tchu-Ate The Positive
23. Ill Wind
24. Get Happy

Customer Reviews:

One of America's great songwriters.......2001-03-09

Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.

Average customer rating: Magnificent

Gershwin: Porgy And Bess/Blue Monday Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music ASIN: B000007OMA Release Date: 1998-05-26

Tracks:

1. Introduction
2. 'Summertime'
3. 'A Woman Is A Sometime Thing'
4. 'Gone, Gone, Gone'
5. Overflow
6. 'My Man's Gone Now'
7. Leavin' For The Promise Lan'
8. 'I Got Plenty O' Nuttin'
9. 'Bess, You Is My Woman Now'
10. 'Oh, I Can't Sit Down'
11. 'I Ain't Got No Shame'
12. 'It Ain't Necessarily So'
13. 'I Loves You, Porgy'
14. Opening Scene
15. Lonely Boy
16. 'Oh Bess, O Where's My Bess'
17. 'Oh, Lawd, I'm On My Way'
18. Blue Monday - CENTRAL STATE UNIVERSITY CHORUS

Customer Reviews:

Magnificent.......2002-02-21

If you have ever been, or think you might ever be, a fan of the music of George Gershwin, opera, musical theatre, jazz, powerful, triumphant singing by trained African-American voices, orchestral music, historical/cultural documents layered in innovative artistry, hearing the next generation of Opera Grand Dammes and Divos before the sun also rises on their already international careers...all of this and more is to be found on this CD. One might say I'm a little biased, as my ex-fiancee/best friend (Angela Brown, Soprano) and a number of friends of mine in the business are on this CD. But you don't have to know them to love them when they sound like this.

Angela, who has one of the most powerful voices in the industry (she recently covered AIDA at the Met for an all of a sudden slightly nervous and miraculously recovered from illness [upon hearing Angela warm up on stage] Debra Voigt), sings PORGY's "My Man's Gone Now" about as well as I've ever heard her--which is by definition (trust me) better than most of the sopranos of the last century, BAR NONE...the master Greg Baker, who has done Amonasaro and John The Baptist at the Met to incredibly deserved acclaim, performs excerpts from his signatue role Crown and Porgy at the top of his game...the rich tones of Marquita Lister, whose debut as Bess in the Goetz Friedrich production of PORGY in the Theatre Des Westens of Berlin in 1993 was a shot to all established divas heard 'round the world (now singing with her on that stage at that time was FUN, let me tell you), sounds like a ringy, milk chocolate/black velvet version of the milky, white velvet Rene Fleming...Diva Harolyn Blackwell, not to be outdone, rings and soars in everything she does...

This CD would be a treat even without the introduction of BLUE MONDAY, the DNA of PORGY AND BESS work that gives us a window into the creative mind of George Gershwin, and the embryonic existence of PORGY AND BESS itself. BLUE MONDAY gives us much of the thematic material and revolutionary artistic ideas that led to Gershwin triumphantly blurring the lines separating grand Musical Theatre in the tradition of Jerome Kern (think SHOWBOAT) from the high art of Wagnerian/Verdian/Russian Opera with PORGY; influencing everyone from Richard Rogers to Leonard Bernstein to Stephen Sondheim in American composition thereafter. BLUE MONDAY, in its simple, deceptive beauty (with parts sung immaculately by Angela and Marquita) gives you the clue to just how powerfully Gershwin planned to shake up the world with the debut of PORGY and BESS in 1935--and did.

And can you even imagine how it feels to hear the voice of Cab Calloway, linking every conceivable strand of High African-American music, American musical theatre, American opera and Jazz of the 20th century together with every word he says? Could there have been a better Sportin' Life? (Gershwin actually wrote the part of Sportin' Life in PORGY both for and based on the personality and artistry of Calloway--the friend of Ellington and biggest influence on the music and personality of Dizzy Gillespie--while he played in Harlem's Cotton Club in the 1930's.)

But this CD is not a Museum piece made for music academics or an excuse for me and others in the business to party with singer friends (I don't need this good an excuse for that!). This is absolutely beautiful music that will sweeten your home and soul on the first hearing.

This could easily be like Miles Davis' KIND OF BLUE for all enthusiasts of good music who (smartly) don't lay claim to liking, being an "expert" of or sticking to one particular style. Just as anyone who kind of likes any of the jazz they've heard loves KIND OF BLUE, if you have ever heard strong American music sung with powerful American voices over a tight orchestra, but had too much fun listening to it to call it "opera", you will love this CD.

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