Lost & So Strange Is My Mind [Import]

1. All Be the Same

2. No Space to Spare

3. Zonked

4. Mist

5. Fools and Silent Callers

6. Sad Soul

7. Feel It

8. Dab Nekan

9. Last of Many

Lost & So Strange Is My Mind,Carpet Knights,Transubstans,9 tracks of music inspired by the underground sounds spanning over 4 decades.,Rock,Rock/Pop

Average customer rating: Great! Exactly what I wanted!!! Bon Jovi does The Jayhawks How about NO? Never Disappointed Jon Bon Jovi just keeps getting better

Lost Highway Bon Jovi Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Similar Items: My December It Won't Be Soon Before Long Big Dog Daddy 5th Gear Have a Nice Day ASIN: B000P2A24W Release Date: 2007-06-19

Tracks:

1. Lost Highway
2. Summertime
3. Make a Memory
4. Whole Lot Of Leaving
5. We Got It Going On
6. Any Other Day
7. Seat Next To You
8. Everybody's Broken
9. Stranger (feat. Leann Rimes)
10. The Last Night
11. One Step Closer
12. I Love This Town

Amazon.com

Given the chart success of their Grammy-winning country single "Who Says You Can't Go Home," it's no surprise Bon Jovi upped the ante by recording an entire album paying homage to Nashville. In some ways, it's amazing they didn't do this sooner, given the way Keith Urban in particular is blurring country-pop lines, much as Garth Brooks and others did in the 1990s. To their credit, you won't find predictably shallow invocations of past country icons or any self-conscious, in-your-face down-home twang added strictly to remind the listener of the musical premise. In fact, Lost Highway isn't "Bon Jovi goes country" so much as a meaningful tribute to the Nashville ethos done on their own terms. They honor the spirit of the town through 12 simple, direct originals. The intimate, smoldering "(You Want To) Make a Memory," the ballad "Seat Next To You," "Lost Highway" and its roaring celebration of freedom, and "Stranger," an effective duet with LeAnn Rimes, all invoke country's spirit, and "I Love This Town," an eloquent nod to Nashville itself, ties it together admirably. --Rich Kienzle

Album Description

"Artistic freedom made this record possible," says Jon Bon Jovi. "Musical freedom to explore--and emotional freedom to express what was in our hearts."

The result of that freedom is Lost Highway, an album Jon describes as "a Bon Jovi record influenced by Nashville."

Bon Jovi explains. "Nashville is all about songs and songwriters. If you're someone like me who loves songs and hanging out with songwriters, Nashville is the place. I thrive on that feeling and I'm inspired by that creative ambience."

The result, a haunting set of 12 new and original sounding songs, is a stunning, multi-layered look into the nature of love and life in all its glory. Love, like life, is lost, found, forgotten and reclaimed in this collection.

The moods are many, but the core feeling is pure Bon Jovi.

"Writing this record with Jon was deeply cathartic," says Richie Sambora, who collaborated on ten of the songs. "I was going through emotional changes that were new for me. An ailing father. A painful divorce. The start of a new chapter in my life. I poured everything I had into this project, every last bit of soul at my command."

"For over twenty years now," Jon explains, "Richie and I have been close collaborators. Even when our songs create fictional stories, they reveal our states of mind. To a large degree, Lost Highway focuses on the light that love brings. When you shine the light on love, you see the chinks in the armor. You see every crevice, every crack. And that's all right".

Lost Highway is Bon Jovi's tenth studio album since the band formed in the early eighties. One hundred and twenty million albums and 2500 concerts in over 50 countries later, Bon Jovi is enjoying the greatest popularity in their history.

Customer Reviews:

Great! Exactly what I wanted!!!.......2007-07-20

With their hit single "I Wanna Make a Memory," this album didn't dissapoint! I got it for my birthday and it was exactly what I wanted. Other favorite tracks include the first few. I can't recommend it enough!! While it does have more of a country sound than their other albums, it grows on you!!

Bon Jovi does The Jayhawks.......2007-07-18

Yeah, if I'd never heard this sound before I may have given it 5 stars, because it sounds very good.

However, if you're at all familiar with The Jayhawks, especially the brilliant and criminally overlooked "Smile" then you've heard this before.

They may call it country in some reviews but others have identified this sound as "Americana" and that's what I'm going with. Harmonies, strings, beats and rhythms, it's all here as clear and crisp as Bon Jovi can give it.

Go ahead and give it a whirl and, if you like it, listen to "Smile" by The Jayhawks also.

Nice stuff.

How about NO?.......2007-07-18

Wow, I can't believe all the glowing reviews for this album.

Heres my quick review of it - you don't have to agree with everything I'm saying:

1. If you likes Bon Jovi's work so far, then you would love this. Its more of the same, nothing Groundbreaking, nothing revolutionary.

2. This is one of those `flavor of the month' albums that garner a lot of blog praise, but later in the year no one will even remember it.

3. Though some of the rock tunes here are good (in an `averagey' sort of way), none of them are memorable (even after three listens)

4. Theres this OVERWHELMING feeling of `been there, done that'. In fact, the entire album sounds very tired to me.

5. You could do much better than fall for the hype.

I would highly recommend the new White STripes album over this one, anyday.

Two Stars. Skip this one.

Never Disappointed.......2007-07-18

I absolutley love this CD, even with the country sound. I have been a fan of Bon Jovi for a very long time, have every CD they have ever made (plus DVD). This is way better than the last CD.

Jon Bon Jovi just keeps getting better.......2007-07-17

Country music done Bon Jovi-style is something worth investing in. Though a lot of people feel that Bon Jovi has `sold out', the truth is that this is a very solid country-rock album, in the best sense of that term.

Credit Jon Bon Jovi for knowing exactly what to do with the right tune. Every song here is a killer, and don't judge the album by the merits of the first single (as great as the song is). "Lost Highway" only suffers when it tends to get a little sappy for its' own good (the lyrics tend to veer toward Richard Marx territory every so often), but the core of the album screams `country'!

The standout tracks are "Stranger" - a strangely successful duet with LeAnn Rimes, and "I Love this Town", where the boys sing to Nashville.

Everything on this record just WORKS. Yes, its no `Slippery When Wet' or even `Blaze of Glory', but if you like tuning into an artists' evolution, then this is the album for you. Just can't go wrong.

Average customer rating: Solid Album A true Ryan Adams classic Yea right Little too country for my tastes One Man's Trash Ain't Another Man's "Ripoff"

Easy Tiger Ryan Adams Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Alt-Country & Americana | Country | Indie Music | Stores | Music Similar Items: Sky Blue Sky Icky Thump The Reminder West New Moon ASIN: B000P29B1W Release Date: 2007-06-26

Tracks:

1. goodnight rose
2. two
3. everybody knows
4. halloween head
5. two hearts
6. tears of gold
7. the sun also sets
8. off broadway
9. rip off
10. oh my god, whatever, etc.
11. pearls on a string
12. these girls
13. i taught myself how to grow old

Amazon.com

Easy Tiger, Ryan Adams's ninth solo studio album, is a return to form in every way. He's already shown that he can bash out three albums in one year--not to mention the hilarious fake hip-hop records posted for free on his Web site--and that he can sound as much like the Grateful Dead as he wants to in his constant subsequent touring. Backed once again by the Cardinals, Adams synthesizes and refines his approach to smooth, gorgeous country-pop. "Tears of Gold" is one of the best songs he's written in ages, while "Two" is a slowly percolating, sweet little number that recalls Sean Hayes in its soulful folksiness (someone named Sheryl Crow accompanies Adams on vocals). One of the greatest treats of this languorous, twangy album is the subtle ways that genre gets played with. "I Taught Myself How to Grow Old" is the best Harvest outtake Neil Young never wrote, while the treated, synth-sounding guitar solo on the druggy, chooglin' "Halloweenhead" sounds like it comes straight out of Journey. And "The Sun Also Sets" sounds more than a little like Rufus Wainwright covering Fred McDowell's "Write Me a Few of Your Lines." It bursts with enough melodrama as to border on musical theater. But, as is clear on these songs of love and loss, Adams has always been at his best when giving into his most mellow, dramatic side. --Mike McGonigal

Ryan Adams Photos

More Ryan Adams

Heartbreaker

Gold

Love Is Hell

Album Description

I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil Young...but I won't say he isn't, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it's got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful--the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.

Now there's this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention.

In other words--easy, Tiger.

--Stephen King

Customer Reviews:

Solid Album.......2007-07-19

Once again Ryan Adams makes another solid album. every song is great. My favorites are Hallowenhead, Tears of Gold and Everybody Knows. So go ahead and buy it you won't regret it.

A true Ryan Adams classic.......2007-07-18

I've been trying for years to nail down who Ryan Adams reminds me of, and I've finally figured it out: Van Morrison. Both are roots-bound almost to the point of being revivalists, both are notoriously temperamental, and both are wildly, erratically prolific, sometimes to a fault; yet both are unquestionably geniuses (almost unarguably so, much to the chagrin of their detractors).

So what does this analogy have to do with a review of "Easy Tiger?" To put Ryan Adams's new album in perspective, it would be the equivalent of Van Morrison's "Moondance." It is the first record that comes across as being almost conservative in its polished professionalism. If you're a Van fan who hated "Moondance" because its warm, relaxed, pastoral vibe felt like a "sellout" after the wild abandon of Them and the heady experimentalism of "Astral Weeks" (and I'm sure there were more than a few people of that opinion at the time), then likewise, "Easy Tiger" is going to sound too safe, too pat. But if you think "Moondance" is a beautiful masterpiece, then you may well love "Easy Tiger."

This is the album where Ryan Adams sobers up, bears down, and actually turns out an album of "all-killer, no filler" (arguably the first since "Heartbreaker"). And if that comes at the expense of the roughness and raggedness that has accompanied his best work to this point, then so be it. But ten years down the road (if Ryan Adams keeps getting songs like "When the Stars go Blue" covered by enough mainstream artists to make him a mainstream artist himself), my money is on this album being considered as one of his true classics.

In a way, it's almost a career summation up to this point. It has the acoustic front-porch "Heartbreaker" vibe on "These Girls," the lush "Gold"-ballad feel on "Two, and "I Taught Myself How to Grow Old" the "Demolition"-style late-night laments of "Everybody Knows and "The Sun Also Sets," the atmospheric "Love Is Hell" angst of "Off Broadway," the "Rock and Roll" crunch on "Halloweenhead," the jam-band "Cold Roses" sound on "Goodnight Rose," the "Jacksonville City Nights" countrypolitan of "Tears of Gold," and to make it complete, "Pearls On a String" and "Two Hearts" even harken back to his Whiskeytown days.

In fact, this album plays almost like a Ryan Adams Greatest Hits album that, like a good hits comp, manages the trick of being summative without being disjointed or haphazard. And like a good compilation, these songs are all keepers. If this is what being sober means, here's hoping Ryan can stay on the straight and narrow from here on out and have a later-day career as interesting and rich as Van Morrison's.

Yea right.......2007-07-18

Why don't y'all shut up. Don't care for the critique. Dumb losers it's just music.

Little too country for my tastes.......2007-07-17

Upon my first listen to this album I could not finish it...the songs were a little too twangy and Adams' voice was as well. My taste is more on the rock side of things, and this album falls definitely more on the country side.

One Man's Trash Ain't Another Man's "Ripoff".......2007-07-16

As with many artists, Ryan Adams has two kinds of fans: A) Those who pour over and worship his every utterance, and B) people who have or dig songs from an album or two. I fall a little closer to the former. But I'm a recent convert, so I can still remember life before impending fandom set in. There are good and bad things about Easy Tiger. The uber-slick production on every track tends to sound forced. Snare drums hit with razor-clarity and guitars are pro-tools polished, and crisp. This might attract some listeners, but his last two albums (Jacksonville City Nights and 29) had pretty rough edges, evoking alt. country bleed-through of a bygone era. As for whether or not the songwriting is still good, again that's entirely subjective. Some people admire where he's at as an artist, and some will just never forget that song they loved 6, 8, or 10 years ago. Moments like that are hard for even the most prolific writers to re-duplicate. I say put the record on, drive around for a few days listening, but not giving it your full attention. See if it becomes the soundtrack to what you're going through. It did with me, which is why I can't stop playing Easy Tiger now.

Average customer rating: Glad I bought this Lucinda Williams, Who Knew... Please Don't Say "This Is Her Best" Very disappointed.... Good; not great

West Lucinda Williams Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music Alternative Folk | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Not Too Late The Calling Van Morrison At The Movies: Soundtrack Hits Freedom's Road A Hundred Miles or More: A Collection ASIN: B000LXHGFI Release Date: 2007-02-13

Tracks:

1. Are You Alright?
2. Mama You Sweet
3. Learning How To Live
4. Fancy Funeral
5. Unsuffer Me
6. Everything Has Changed
7. Come On
8. Where Is My Love?
9. Rescue
10. What If
11. Wrap My Head Around That
12. Words
13. West

Amazon.com

Though the arrangements stray from Lucinda Williams's motherlode blend of blues, country, and folk, West may well be her best album. It is easily her most musically adventurous, and often her most lyrically inspired. Williams's singing has never sounded better, from the aching tenderness of "Where Is My Love?" to the ravaged catharsis of "Unsuffer Me." New York producer Hal Willner, who has worked with artists such as Marianne Faithful and Lou Reed, enlists the support of eclectic progressives like guitarist Bill Frisell, keyboardist Bob Burger, and violinist Jenny Scheinman, along with harmonies from the Jayhawks' Gary Louris, to weave a subtly rich sonic tapestry. Much of the material was inspired by the death of Williams's beloved mother ("Mama You Sweet," "Fancy Funeral") and the bitter breakup of a relationship (the jagged-edged emasculation of "Come On," the repetitive incantation of "Wrap My Head Around That"), though "Are You Alright?," "Learning How to Live," and "Everything Has Changed" could reflect the aftermath of both. Other highlights include "Rescue," with a languid subtlety and ambient pulse reminiscent of Beth Orton, and the dreamy, wistful title track. Where Williams's music has long cut close to the bone, the best of West slices right through it. --Don McLeese

Lucinda Wiliams Photos

More Lucinda Williams

Car Wheels on a Gravel Road

World Without Tears

Essence

Customer Reviews:

Glad I bought this.......2007-07-17

I had never listened to Lucinda Williams before and saw her performance recently on Jay Leno and liked it. I sampled the album and decided to buy it. Some of her older fans have shown disappointment in this album but I don't have anything of hers to compare it to and I love it. At first the songs sound overly simple and the lyrics seem plain. But it grows on you more and more each time you listen to it. It just gets better and better. It's a unique style, I think, a little blue grass, soft rock and blues all in one. If you saw her performance on Jay Leno and liked that, you'll like this CD and it's a bargain now at $9.99.

Lucinda Williams, Who Knew..........2007-07-12

I know a lot of people have listened to Ms. Williams for years. I had heard of her, but never listened to her music. I was definitely missing out!

This cd was incredible. I loved all of the songs.

I mostly listen to mainstream country music, and I think it's sad that people like Lucinda Williams and Alison Moorer aren't played. Their music is amazing.

I have since bought two more of her cds, and plan to buy more!

It's nice to listen to songs that actually have something to say.

Please Don't Say "This Is Her Best".......2007-07-10

Disclaimer: I am new to Lucinda's own albums, so maybe I shouldn't be reviewing this just yet before hearing a few more. But it does seem like everything else has been steering me right here, with everybody telling me to proceed no further before checking this out. So now *please* tell me that West is some kind of fly in the ointment. She sounds totally rasped out, like Stevie Nicks with a really bad cold. Please tell me that she's in a songwriting slump, too. I find myself in accord with Big Jim's one-star review below - these songs don't feel like stories, let alone lyrics - there's too much line repetition to communicate much except dull emotion. If this were a blues album it would be one thing, but clearly it's not. And how can these be called melodies when all they do is hover around one or two notes in practically every song, showing off very little of her range (somebody please tell me that she displays some vocal range somewhere else).

Coming from a pretty good appreciation of lady singer/songwriter/interpreters like Emmylou Harris, Bonnie Raitt, Alison Krauss, Gillian Welch, and others with similar talents, even ones with narrow but beautiful instruments like Rickie Lee Jones, I was hoping to add a little bit of spice to the rack - but this album is a huge let-down. When I learned that Hal Willner, Bill Frisell and Jim Keltner were major contributors to West, I figured that I would at least be intrigued by *some* of the tracks - sorry - even after several listenings that's not happening. I really do like Lucinda's one track on the 2001 MJH tribute album Avalon Blues: A Tribute to the Music of Mississippi John Hurt, but then again I like ALL of that 5-star gem. Somebody *please* confirm for me that this is not the best way to be introduced to Ms. Williams on a large scale. How much longer should I listen to my trusty sources when West is what they are telling me is my next "must have".

Very disappointed...........2007-07-08

that's that I was when I heard this record. Even in concert, Lucinda just seems like such a drag anymore. I know, her mom died recently, but this whole record is such a downer, and her voice just drones on and on and on.

Give me Lucinda's self titled CD any day over her last 2 records...

Good; not great.......2007-07-07

She has a couple of excellent tracks on this CD. I especially like "Are You Alright", but the overall work seems uninspired. I find it a bit of a downer, in the main (and, yes, I understand the inspiration.) I recognize her artistry as a songwriter, but her voice on this CD -- after a while, its nasal quality begins to grate; she doesn't do that as well as Tracy Chapman.

Average customer rating: Just an amazing group! This is how prog metal should sound like... What a Bummer Good stuff ONE OF THE GREATEST BANDS OF OUR TIME! ASTOUNDING!

Paradise Lost Symphony X Manufacturer: inside out ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Ghost Opera Systematic Chaos Systematic Chaos Unia United Abominations ASIN: B000I8ON6Q Release Date: 2007-06-26

Tracks:

1. Oculus Ex Inferni
2. Set The World On Fire (The Lie Of Lies)
3. Domination
4. The Serpentís Kiss
5. Paradise Lost
6. Eve Of Seduction
7. The Walls Of Babylon
8. Seven
9. The Sacrifice
10. Revelation (Divus Pennae Ex Tragoedia)

Album Description

The masters of Symphonic Power Metal are back!

Symphony X are recognized by-and-large as one the most important acts in the worldwide metal scene. After the release of their hugely successful CD, The Odyssey - and after nearly five years - Michael Romeo and his band have returned with what is already being praised as their best work to date. Paradise Lost has all the trademarks that have come to be associated with Symphony X: Incredibly intricate and powerful, yet-melodic compositions that showcase every member's unrivaled technical skill as instrumentalists. However, once again it must be said that the spotlight is squarely on the ferocious vocal force of singer Russell Allen and the almost inhuman pyrotechnics of guitarist Michael Romeo.

The North American version of Paradise Lost features a fantastic foldout and diecut digipack that was designed by Warren Flanagan, who has done art-direction for major motion picture blockbusters such as I Robot, X-Men and Blade.

This is thee guitar release of the summer!

Customer Reviews:

Just an amazing group!.......2007-07-19

When I first heard the sample song from Symphony X's web site, I wasn't too sure about the direction they took with this CD. It's a deeper, darker, and harder CD than any of their previous releases. I impatiently waited for the arrival of my new CD and when it came I quickly unwrapped it and stuck it on my Zune for a private screening. From the opening track, I was struck with awe at this group who defies modern generalizations of their genre by adding an arsenal of instruments into their tracks that mold together with the traditional "metal" sound rather than mixing in and sounding out of place. From the first time I heard one of their songs, I was thrilled to find another group that wasn't afraid to add in some piano and orchestration into their music, much like Jon Oliva, who is the mastermind behind Savatage and Trans-Siberian Orchestra, or Artension.

So, as I sat listening to the first track of Paradise Lost, I couldn't help but feel that same excitement that I felt the first time I heard a Symphony X song. It's an instrumental with what sounds like Latin vocals chanting. It really sets the stage for the rest of the album and is a fantastic way to open a album. I was very impressed.

When the second song came on, I knew I was going to love the album, yet I also realized something else: they kicked up the level of intensity enough that it might turn some people off. If you barely tolerated their music before, then you'll be pushed over the edge with the new CD. But if you loved their previous offerings, you'll be in heaven with the new sound. Russell Allen's vocals are deeper, heavier, and certainly filled with an intensity that hasn't been reached before on a Symphony X album. The guitar and bass riffs are more intense and even made my niece exclaim, "Could you imagine playing that on Guitar Hero?!" Michael Pinnella's keyboards are toned down a bit in most of the songs compared to previous releases, but they are there when needed and add that unique element to Symphony X's music much like Vitalij Kuprij gives to Artension's.

As I finished the album the first time, I sat there for a minute contemplating the whole experience. The first time through I had my headphones on and followed the lyrics in the book. Yet, as I listened to it, I found myself in awe of the artwork found within the insert that had the lyrics on it. Much as the picture on the front shows, this is a battle between angels and demons. As the title states, Paradise Lost, it's clear from the music and pictures who ends up winning. My favorite picture (which I need to find a poster of!) is of a dark angel standing over a fallen white angel with a glaive at the fallen angel's back. There are lakes of fire with billowing clouds and lava erupting all around. I know, strange picture to be fascinated with, but the picture goes so well with the music and is just amazing.

I'm finding that the more I listen to this CD, the more I like it. It's certainly more intense than any other Symphony X CD, though it's not quite their best (I give that to The Odyssey, followed by V The New Mythology Suite), but it's definitely amazing. I'm just in awe at this group's ability to keep the quality of their releases so high and their music so unique and captivating. I've had their music for two years now and have not grown tired of any of it. They are just that good.

The bottom line here is that this is a great CD. The heavier sound still works great and that amazing "Symphony X" style is still in full force. These guys know how to impress, and this album is no exception.

This is how prog metal should sound like..........2007-07-17

Awesome riffs, virtuous keyboard player and an evil voice by Mr. Allen. This is the best vocal performance from Russel Allen and the fastest craziest and most insane guitar playing I've heard in a long time. THe dark lyrics are grrrreat. Everything from the opening track -operesque-Rhapsody sound alike- to the artwork is amazing. Sit down, listen and enjoy. By far, the best from 2007

What a Bummer.......2007-07-17

Big letdown from this great band. Like ketchup pouring out of a bottle, I waited with eager anticipation for the release of this CD. However, the final product was just ordinary- some nice moments here, some good playing. But, overall this has to be the biggest disappointment of the summer of 2007. Don't listen to the super fans. This is a weak CD lacking any memorable songs. I love this band, so it pains me to write this. I am even going to go as far as saying that I hate the way Allen sings on this CD and he is one of my favorites. Oh well, I hope their next effort is a lot better. Sorry if I made you mad super fans...but I am a super fan also...I'm just an honest one.

Good stuff.......2007-07-16

Good writing...not as good overall as "Odyssey" or "V", but well worth buying if you're a Symphony X fan.

ONE OF THE GREATEST BANDS OF OUR TIME! ASTOUNDING! .......2007-07-16

I'm a huge Symphony X fan and as I expected when I put this CD in ..I was floored. This is their best and greatest effort so far...and trust me all their work is amazing. What ever you do do not pass this up, If your a Dream Theater fan you will LOVE this. I don't see how anyone could say their a really big fan of the band and give them less then 3 stars on this..if so, then your not really a Symphony X fan. Great work...true artist.

Average customer rating: Great Country Music Last of the Breed - Well Done The Title Says It All The rocks of this kins of music . Better in theory than in practice

Last of the Breed Willie Nelson , Ray Price , and Merle Haggard Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Outlaw & Progressive Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music Similar Items: Jones Sings Haggard, Haggard Sings Jones: Kickin' Out the Footlights... Again Live at Texas Stadium A Hundred Miles or More: A Collection You Don't Know Me: The Songs of Cindy Walker Waking Up Laughing ASIN: B000NA1ZLA Release Date: 2007-03-20

Tracks:

1. My Life's Been A Pleasure
2. My Mary
3. Back To Earth
4. Heartaches By The Number
5. Mom And Dad's Waltz
6. Some Other World
7. Why Me Lord
8. Lost Highway
9. I Love You A Thousand Ways
10. Please Don't Leave Me Any More Darlin'
11. I Gotta Have My Baby Back

Tracks:

1. Goin' Away Party
2. If I Ever Get Lucky
3. Sweet Memories
4. Pick Me Up On Your Way Down
5. I Love You Because
6. Sweet Jesus
7. Still Water Runs The Deepest
8. I Love You So Much It Hurts
9. That Silver Haired Daddy Of Mine
10. I'll Keep On Loving You
11. Night Watch

Amazon.com

Once an Outlaw, later a Highwayman, now an elder statesman, Willie Nelson joins forces with Merle Haggard and Ray Price (both of whom have recorded duet albums with Nelson) in a celebration of the classic country song. Everything about this is defiantly old school, from the production by veteran Fred Foster and the musical support from steel guitarist Buddy Emmons and Texas Playboy fiddler Johnny Gimble and vocal backing from the Jordanaires to songs from the likes of Harlan Howard, Leon Payne, and Lefty Frizzell. For all of the artists' generational ties, their differences are what distinguish the project: Nelson is the reediest and most conversational vocalist, Haggard the bluesiest; and Price remains the quintessential countrypolitan crooner. Whether they're harmonizing on Mickey Newbury's "Sweet Memories" or trading verses on Howard's "Pick Me Up on Your Way Down," the vocal blend suggests old friends having the time of their musical lives. Guests include Vince Gill (on "Heartaches by the Number") and Kris Kristofferson (on his Why Me Lord"), but a trio like this doesn't need much outside assistance. --Don McLeese

Album Description

Let's be clear: Last of the Breed is a story - actually, a novel, if not an epic - unto itself. The title sums it up pretty well: On these two discs three classic performers, Ray Price, Willie Nelson, and Merle Haggard, band together on songs they've known and loved for years.

Their contributions don't need elaboration. Each is a legend. All three hark back to a time that's in some ways gone. When you consider the lives they've lived, the world that formed them as artists, and even the landscapes they knew as they began playing in beer joints and backwater clubs long ago, then the truth of those four words, Last of the Breed, comes clear.

Look a little closer, and they take on another reference, to the songs as well as to the giants who celebrate them here. Whether drawn from deep in the tradition, back from the well of Gene Autry, Lefty Frizzell, and Floyd Tillman, or picked from the more recent catalogs, this music conveys a feeling that might be mistaken for nostalgia but is in fact a timeless eloquence.

They don't write or sing `em like this anymore.

Customer Reviews:

Great Country Music.......2007-07-12

This is truly the last of the breed of real country musicians.
There aren't many country pickers and singers left. All the "New Country" folks are just rock stars with a cowboy hat on. This is really good listening. Just relax, sit back and enjoy.

Last of the Breed - Well Done.......2007-07-03

This CD is a well rounded selection of music with three of the best artists to deliver it. When it comes to Country music, these three artists can give you the best there is. The production is first class and this is a big part of the sound. If you haven't purchased this album, do so. You'll love it.

The Title Says It All.......2007-06-28

Last of the Breed is the best of the best. The songs, words, music, and especially Willie, Merle & Ray you will simply & totally enjoy.

The rocks of this kins of music . .......2007-06-28

ANYTIME willie and ray have ever gotten together to record it has been a TREASURE for your ears . WILLIES VOICE WORKS WELL with any ray price style music . And vice versa . many a people will say oh waylon/ willie were the best together . And yeah they were very good . But for some reason these two know when to let the other shine and when it is time to carry a part in any given song .BETTER then any other two singers in any music format . Then THERE IS merle who is so good at what he does that people dont realize it is the music behind him that has made him shine .He knows so well how to use the band behind him it is awesome .Anytime you get a recording of merle you will see he knows how to use every bit player around him so well that it seems each are enjoying themself s so much that it just has to be great . But this IS ALMOST the last of the breed . This would have been the last of a breed if the three artists that were left out at least made a little showing on this recording. yes the other three that would have made this release complete would have been the 3 top guys left . GEORGE JONES / HANK JR / GENE WATSON . and these 6 are the last of the best of the best left touring . THIS LIST IS THE LIST OF ARTISTs THAT NO ONE WILL EVER FILL THIER SHOES .

Better in theory than in practice.......2007-06-23

What's not to like about this album? Great singers, old familiar songs, it seems like just my cup of tea. But, for whatever reason, this music just didn't "click" with me. After just a couple of listens, I found myself skipping over these CDs in my CD player. I realize that this review might not be very helpful to others because I can't manage to put my finger on what it is I didn't like about these CD - I just didn't. If you don't already know and love the individual material of all three of the artists, I suggest you try and listen to it before you buy it.

Average customer rating: O Brother, Where Art Thou? MORE OF AN IMPULSE PURCHASE FOR ME A real cheer-me-up CD Great Listening For everyone who loved the movie

O Brother, Where Art Thou? Various Artists - Soundtrack Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Compilations | Folk | Styles | Music Country Gospel | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 2000s | By Decade | Soundtracks | Styles | Music General | Traditional Country | Country | Styles | Music Bluegrass | Compilations | Country | Styles | Music General | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music Similar Items: O Brother, Where Art Thou? Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou? Appalachian Stomp: Bluegrass Classics Lonely Runs Both Ways Alison Krauss & Union Station - Live ASIN: B00004XQ83 Release Date: 2000-12-05

Tracks:

1. Po Lazarus - J. Carter & Prisoners
2. Big Rock Candy Mountain - Harry McLintock
3. You Are My Sunshine - Norman Blake
4. Down In The River To Pray - Alison Krauss
5. I Am A Man Of Constant Sorrow - The Soggy Bottom Boys featuring Dan Tyminski
6. Hard Time Killing Floor Blues - Chris Thomas King
7. Man Of Constant Sorrow (Instrumental) - Norman Blake
8. Keep On The Sunny Side - The Whites
9. I'll Fly Away - Gillian Welch & Alison Krauss
10. Didn't Leave Nobody But The Baby - Gillian Welch, Alison Krauss & Emmylou Harris
11. In The Highways - The Peasall Sisters
12. I Am Weary - The Cox Family
13. I Am A Man Of Constant Sorrow (Instrumental) - John Hartford
14. O Death - Ralph Stanley
15. In The Jailhouse Now - The Soggy Bottom Boys featuring Tim Blake Nelson
16. I Am A Man Of Constant Sorrow (With band) - The Soggy Bottom Boys featuring Dan Tyminski
17. Indian War Whoop (Instrumental) - John Hartford
18. Lonesome Valley - The Fairfield Four
19. Angel Band - The Stanley Brothers

Amazon.com's Best of 2001

The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese

Customer Reviews:

O Brother, Where Art Thou?.......2007-05-28

My 1-year old grandson goes to sleep listening to some of the songs on the album, unless he is bouncing up and down to the faster numbers. I have therefore listened to the songs many, many times, and enjoy them every time. They are easy to listen to, to sing along with and to rock the baby with!

MORE OF AN IMPULSE PURCHASE FOR ME.......2007-05-26

I regretted buying this after listening to it once. I haven't listened to it since and that's about three months ago. Simply put, without the movie to provide a context, the music itself doesn't sell itself. There are four cuts of 'I'm a Man of Constant Sorrow", two by the same artists which goes a long way to proving my point. I haven't seen the movie in a few years and I'm sure there's a logical reason for the song being repeated in the soundtrack that many times, but I can't remember what it is. Sometimes I like roots music with clear acoustic instrumental sounds and soulful voices. But as for an introduction to this type of music for a general listener, this is not the CD to get. It's mostly for the already converted.

A real cheer-me-up CD.......2007-05-22

Couldn't feel bad while listening to this soundtrack - skipped over the serious stuff and just played "Happy"!!

Great Listening.......2007-05-12

What a wonderful alternative to todays so called music. I never tire of the great variety of down home melodies.

For everyone who loved the movie.......2007-05-12

Oh Brother if you liked the movie you will love this CD, a great blend of poignant, funny and foot-tapping music.

Average customer rating: Ok... this is true metal 5 Frickin' Stars! Danzig's best album? A Real Treat For Long Time Danzig Fans

The Lost Tracks Of Danzig (2CD) Danzig Manufacturer: Megaforce ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Black Aria II Eat Me, Drink Me Give Me Your Soul...Please Dead Again United Abominations ASIN: B000PFU9TW Release Date: 2007-07-10

Tracks:

1. Pain Is Like An Animal
2. When Death Had No Name
3. Angel of the Seventh Dawn
4. You Should be Dying
5. Cold, Cold Rain
6. Buick McKane
7. When Death Had No Name
8. Satans Crucifiction
9. The Mandrake's Cry
10. White Devil Rise
11. Come to Silver (Acoustic)
12. Deep
13. Warlok

Tracks:

1. Lick the Blood Off My Hands
2. Crawl Across Your Killing Floor
3. I Know Your Lie
4. Caught In My Eye
5. Cat People
6. Bound by Blood
7. Who Claims the Soulless
8. Malefical
9. Soul Eater
10. Dying Seraph
11. Lady Lucifera
12. Under Belly of the Beast
13. Unspeakable Shango Mix

Album Description

The long awaited LOST TRACKS OF DANZIG 2 CD set will be released on May 29th. Packaged in a collectible book-like format, this release features a full color 12 page booklet of rare and unseen photos and short anecdotes about each song as remembered by Glenn Danzig.

Customer Reviews:

Ok..........2007-07-20

First of all, I really liked Danzig's first 3 Cds (All 5 stars in my book).

That being said, I liked 3 or 4 tracks from "The Lost Tracks" but unfortunately most songs sound like record rejects. Not worth the high cost of the CD.

this is true metal.......2007-07-19

what i like about danzig is that he doesnt repeat himself, for this reason this 2 cd set shows the progress that danzig made from the 80s till today my fav danzig era had always been the early 90s on this cd its not just the 90's or what ppl say that the classic line is the best that danzig had ever had the most powerful songs are all over the 2 cds i cant make a choice but i recommand you buy this 2 cds in order you can experince true metal.

5 Frickin' Stars!.......2007-07-18

This is not just one of the best metal albums released this year, this is one of the best metal albums released in a looooong time! I hardly ever write reviews on here but after seeing people actually giving this thing one star...I felt it was my obligation to say don't listen to them. This album is great! The majority of reviews for this album have all been great and it's hard to really follow up on them because of how accurate they are. Yes, we all have different songs on this album we like but can agree that almost all of them are really good. I don't need to go into detail because it's all been pretty much covered by the other reviews so far but Glen deserves a five star on this one! Great job, dude!

Danzig's best album?.......2007-07-16

The definition of an album has changed, I think, due to technology. It's so easy to mix and match tracks these days, does anybody but dinosaurs like me actually ever listen to records in their original order? Aren't there a lot of "albums" these days that take the form of nothing but a computer download? If an album doesn't even really physically exist, what is an "album", anyway?

For that reason, I decided to approach this double-cd set as a double album. My rationale was this: could a reasonably consistent and coherent album be constructed simply by arranging the track selection in an order other than the chronological (as presented in the original)? If so, how good would the result be?

The answers: yes, and great. This might even be Danzig's best album, which obviously means its an instant classic by any reasonable standard. This is Danzig's White Album, his Exile on Main St., his Physical Graffiti (only far more interesting than all that old fossilized rock, of course).

First on an album, obviously, we need a killer opener. We have the best he has ever written in "White Devil Rise" (if that one doesn't get your blood pumping, you're not a real Danzig fan. It has an impressive, almost progressive structure, with a time change into a break. And what an amazing break, the best I recall on any Danzig record. Don't worry about the politically correct, conformist hacks who downgrade this album because of this song; the riff is a little recycled (from Pain in the World) but man, is it ever pure evil old-fashioned Danzig just the way we like it, and his vocals on this track are incredibly aggressive).

Power ballad? Check. Danzig's purest and best power ballad is here, "Cold, Cold Rain"; it edges "Blood and Tears" and "Sistinas" by an angel hair, but it is better. (Also a perfect album closer; it should have been on Lucifuge). And "Bound by Blood", which is on here, is also in the elite league of classic Danzig ballads. It features some of the most beautiful and intelligent lyrics he has ever written, though almost Manowar-ish in their point of view. "Dying Seraph" (a typical Danzig soft-to-loud track) isn't bad, either.

How about an acoustic changeup along the lines of "I'm the One"? We got that covered, and with a better song: the best version ever made of "Come to Silver". This one is a little superior to Johnny Cash's version of the Danzig-penned "13", which it recalls sonically, just because Danzig's voice is even better than the Man in Black's, in my view. Glenn sings every word very clearly on this one, unusual for him, but very effective. Superb.

Of course, we need some songs with monster hooks in the bulk of the album to fill the role of singles. No problem. "When Death Had No Name", which might just be the very best Danzig song, and with his doomiest-ever riff, makes its debut on an album at last (I remember being amazed that he left this off III after it appeared as the B-side of the "Dirty Black Summer" single.) "Satan's Crucifiction" is another sinister tune worthy of the Danzig name (the riff is the most evil on any song ever that is not named "Snakes of Christ"), as are the double whammy of "Malefical" and "Soul Eater". These are the ones that caught me right away, at least, but there are a number of other strong songs, enough to form a heart of the lineup the `27 Yankees would envy. (By the way, it seems like these discs have a disproportionate amount of relatively upbeat rockers, at least by Danzig standards. "Lick the Blood off My Hands", for example, lives up to the nickname "Evil Elvis", with a 50's-ish verse melody. "Pain is Like An Animal" is just awesome straight-up hard rock and should have been the opener of Danzig I. And the "Buick McKane" cover had my jaw on the floor. As much as I liked the original Danzig band, I never thought they could just go out and absolutely smoke performance-wise like this).

I was quite pleasantly surprised to hear that there's very little of the electronic goofing around that marred the second (bad) half of the Danzig run of albums, even on the tracks from that era; and that his pipes evidently were in better shape than I had thought at the time. All these songs have his voice right up front of the mix, exactly where it belongs. The vocal tracks all sound like prime Glenn Danzig, on both cds. Enough said.

Summary: Whatever sins Danzig has committed against the holy religion of heavy metal since 4p are hereby expunged. There's some filler here, but Danzig's B sides turn out to be better than just about anyone else's A sides, and the good stuff here is good enough to form an album that is worthy of standing alongside anything he has done. The rest we can account bonus material. (This record proves what I suspected all along, due to Danzig's poor choices of singles releases: his taste, like Rubin's, in his own music is mystifyingly bad).

This is simply the best pure metal album released in years. There will be naysayers with the usual biases and agendas; ignore them and treat your black soul to "Lost Tracks" as soon as possible. You have tread in the light too long, and it is time to feel once more that cold wind out of the blue hells, the one that your heart has so long ached for...thank you, Glenn, from an original "Angel of the Seventh Dawn".

A Real Treat For Long Time Danzig Fans.......2007-07-16

First, let's get one thing straight. To the other poster that said that Danzig is merely trying to "cash in" with this album.. Well OF COURSE he is, but that's the business that Glenn is in. You make music, and you sell it if people are buying. If you were in Danzig's place and had these songs to release knowing that his fans would pay money for them - tell me you wouldn't do exactly the same thing. And be honest with yourself. If you say you would give them away for free or wouldn't release them, then I'm calling BS.

Now, on to this release itself. This 2 cd set is basically a collection of unreleased stuff including a couple of covers, and a ton of original Danzig songs that didn't make the final cut for the final studio album for one reason or another. Also a couple remixes/alternates of songs we have heard before. The songs range from stuff that was originally Samhain tunes, all the way up through Circle Of Snakes, and the cd's have the songs on them in chronological order. Also included is a booklet with some cool pictures, and most interestingly (in my opinion) are Glenn's comments about most of these songs saying how he feels about them, why they weren't on the studio releases, etc.

I'm still getting familiar with some of these songs, but some songs that jump out to me right away are:
Pain Is Like An Animal
When Death Had No Name (either version)
Cold, Cold Rain
Satan's Crucifiction
Warlok
Crawl Across Your Killing Floor

There is some really good stuff on this album that in my opinion definitely was good enough to be on the official releases of Danzig's albums, and Disc 1 of this set really took me back in time to the good old days of Danzig 1-4, when the band was at its peak. Disc 2, while not as strong as the first, still has some good songs on it and I'll listen to it more than once. This is not just a collection of unreleased junk just designed to rake in a few bucks.. Glenn's comments in the booklet state that several of these songs he either regretted leaving off the albums, or he really liked but they weren't finished in time, etc. I wholeheartedly agree after listening to some of these tracks. Sure, some aren't real good, but there's some gems on here.

My only complaint about this set is that the boxed set itself is made out of softer cardboard and is easily dinged, scuffed, dented, etc. If you plan to carry this music around with you alot, I would recommend putting the 2 cd's in individual jewel cases and leaving the book itself at home, or I guarantee you that before long, it will turn into a beat up piece of junk. I've had mine for only 2 days and it already has a couple of dings on it. Otherwise, the set is visually attractive, with some cool artwork, and great photos on the inside and generally pretty well thought out and put together. Just try your best to keep it from getting damaged!

Bottom line, this is a great set of unreleased music, and at $28, which is $14 per cd (not all that bad really) it's a must-have. If you're like the one poster and you can't find anything in this set that you really like, then I question if you're really all that big of a Danzig fan, because there are alot of songs on here that I've already listened to several times because they grabbed me right away, and just felt like classic Danzig. As you can see by the reviews this set is getting, most people are loving it, so don't let the few naysayers throw you off. Buy this set now!

Average customer rating: A timeless classic Comments on a few favorite songs My personal favorite almost perfect moody blues album! 4.75 stars House of 5 incredible musicians and songwriters

In Search of the Lost Chord The Moody Blues Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music CDs $7 - $10 | Pop Rock | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Pop Rock | Pop | Today's Deals in Music | Formats | Music CDs $7 - $10 | Album-Oriented Rock (AOR) | Classic Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Album-Oriented Rock (AOR) | Classic Rock | Today's Deals in Music | Formats | Music CDs $7 - $10 | Psychedelic Rock | Classic Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Psychedelic Rock | Classic Rock | Today's Deals in Music | Formats | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Classic Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: On the Threshold of a Dream To Our Children's Children's Children Days of Future Passed Question of Balance Every Good Boy Deserves Favour ASIN: B000002GQG Release Date: 1997-05-20

Tracks:

1. Departure
2. Ride My See-Saw
3. Dr. Livingstone, I Presume
4. House Of Four Doors
5. Legend Of A Mind
6. House Of Four Doors (Part 2)
7. Voices In The Sky
8. The Best Way To Travel
9. Visions Of Paradise
10. The Actor
11. The Word
12. Om

Customer Reviews:

A timeless classic.......2007-07-17

It is hard to believe that this record is almost 40 years old, but it is. And it couldn't have aged any better. It still sounds as fresh, creative, and innovative as it did back in the day. The seven-album run that the Moody Blues reeled off from 1967 to 1972 is quite stunning, and opinions are often all over the map as to what their best of those seven is, but in my mind, it is an easy question to answer. With all due respect to the other six albums, all of which are excellent in their own way, as well, the answer for me will always be In Search of the Lost Chord.

Comments on a few favorite songs.......2007-06-06

I am not going to offer up a review of the entire album. There are MANY talented folks here who have done a much better job of it than I ever could hope to, so what's the point? I'd just like to offer up my 2 cents on my favorite songs from this great Moody Blues work.

First off is John Lodge's classic, feel-good rocker 'Ride My See-Saw'. (This tune and 'I'm Just a Singer' frequently trade places as my favorite Moodies song). I might as well admit it right now: I am a HUGE John Lodge fan and he is my fave Moody. That will become glaringly apparent if you read any more of my Moody Blues product reviews. Am I the least bit biased towards this living legend? Not at all! While I am not totally sure of the exact meaning of the lyrics, on the surface RMSS seems to be rife with double entendres and sexual innuendo, at least that's what I've read many times. But knowing of JL's deep religious beliefs, I strongly guess that that's not the case at all. This song is just plain fun to listen and sing along to. John and Justin's great guitar work ain't none too shabbily showcased either. RMSS is John Lodge at his rocking best.

I am also a big fan of Ray Thomas' often overlooked (and in my opinon) under-used talents. His ode to 'Dr. Livingstone' is a cheery, cute song that I could listen to all day long while having a goofy smile on my face. Ray's next offering, 'Legend of a Mind' is a legend of a song, and perfectly shows off this man's awesome vocal skills, not to mention the fact that he can blow the living tar out of a flute. This song has the best series of build-ups (for lack of a better word) and crescendos of any song I have ever heard. (You'll have to over-look the fact that I am not at all musical nor versed in music lingo, so that's the best description I could give. I hope most will understand what I'm talking about). I can literally listen to this song over and over w/o growing tired of it. The subject matter of this song doesn't matter to me one iota. The melody, the beat, the musicianship, and John's fabulous high note harmonies all combine to make this song a pure delight to my ears.

Next on my list is Lodge's 'House of Four Doors'. I'll spare you the details of how great I think this song is. I'll briefly just state that HOFD is hauntingly eerie and beautiful all at the same time. Maybe- just maybe- I could have done w/o 'some' of the sound effects of the creaking door, but hey John didn't ask me for my opinion before including them. It really doesn't affect my overall opinion of this great song. Yes, it's a John Lodge tune, and yes I darn well love it.

I am ending my little synopsis with two songs from the sublime Justin Hayward.(BTW, I like him, too. He's my 2nd fave Moody). Firstly is 'Voices in the Sky'. I have to admit that it took me a while to really love and appreciate this one (I don't exactly know why) but it is a truly lovely song. This song DOES make me wonder what the birds could say to me if they only could. As usual, Justin does a superb vocal and the song fits him and this album really well. But.... my favorite Hayward tune on this record is by far 'The Actor'. In fact, it's one of my all-time favorite songs of his. Both the lyrics and the sound of this song are as timeless today as when JH penned it many years ago. Something in this song really strikes a chord in me. Perhaps it's the fact that we all tend to put on a good front for the world and get caught up in playing our little roles? I heard Justin sing this song live recently and I have to say the man's voice sounds just as good as it did way back when. He truly is a gifted singer, guitarist and performer.

Well, I guess I'm just about through telling y'all (I'm from the South, after all) about my favorite songs from ISOTLC. I hope this "review" makes someone want to go and listen to these songs (or the entire album) anew- or better yet- hear them for the very first time. Either way, I do hope you enjoy!

My personal favorite.......2007-04-15

I own 14 Moody Blues albums and this is my favorite one . The band's ability to learn 37 different instument including Mike Pindar's mastery of the mellotron is remarkable all in and of itself . The album contains my favorite Moody Blues song , Voices In The Sky . While this album never received the critical acclaim that was given to Days Of Future Passed , it was more like the other 5 concept albums . Yes , the material is some what dated , but , this is the begining of the art rock era . Any one who likes the band should own this .

almost perfect moody blues album! 4.75 stars.......2007-03-19

Though it doesnt contain a song like the epic beautiful "nights in white satin" the Moodies second album from 1968 is their most pyschedelic and solid album of their career. This album segues nicely into a track by track tour of what the end of pyschedlia and the beginning of progrock sounded like. There isnt really a song i dislike and this fits in nicely with the best of the post summer of love albums. Lots of flute mellotron sitars and instruments played by the band themselves. Lost chord is a very strong followup to days of future passed and exceeds it in material for me. Great acoustic guitars and truly great singing all mingled in with LSD musical interludes( though apparantly without drugs). A few moments recall early Pink Floyd late Beatles etc but the Moody Blues were a special band for a time-1967-1972 in my humble opinion. Their first three albums are all excellent but this is the one to get. This one seems heavily influenced by George Harrison Ravi Shankar- with most of the album flaoting by a in a mellow transcendental state. Great for evening listens sunday mornings and for contemplation.

House of 5 incredible musicians and songwriters.......2007-01-30

Locked in a studio for a few weeks, the Moodies come up with an "orchestral" sounding album. It's a little dated at times, but it's wonderfully spacey and good.

Average customer rating: My favorite Johnny Cash cd Johnny Cash is classic. Best of the American Series this CD turned me into a Johny cash fan... American IV : The Man Comes Around

American IV: The Man Comes Around Johnny Cash Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Similar Items: American III: Solitary Man American Recordings Unchained American V: A Hundred Highways At San Quentin ASIN: B00006L7XQ Release Date: 2002-11-05

Tracks:

1. The Man Comes Around
2. Hurt
3. Give My Love To Rose
4. Bridge Over Troubled Water
5. I Hung My Head
6. First Time Ever I Saw Your Face
7. Personal Jesus
8. In My Life
9. Sam Hall
10. Danny Boy
11. Desperado
12. I'm So Lonesome I Could Cry
13. Tear Stained Letter
14. Streets of Laredo
15. We'll Meet Again

Amazon.com

On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own "The Man Comes Around," filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' "In My Life," you'll very nearly cry. Go ahead. He sounds as if he's about to, too. Unforgettable. --Alanna Nash

Album Description

UK special edition reissue of The Man In Black's brilliant 2002 album includes two bonus tracks, 'Big Iron' (previously vinyl only) & 'Hurt' (video). American Recordings. 2003.

Album Details

"the Man Comes Around" is the Fourth in the Legendary Singer's American Recordings Series and Boasts Some of his Most Interesting Work to Date, Including his First (And Some Say his Best) Compositions in Many Years. Other Material Includes Cover Versions of Depeche Mode's "Personal Jesus", Simon and Garfunkel's "Bridge Over Troubled Water", the Eagles' "Desperado" and a Rumbling Version of "Danny Boy". This Special Edition Includes an Added Audio Track of "Big Iron" and the Enhanced Video of his Cover of Nine Inch Nails' "Hurt".

Customer Reviews:

My favorite Johnny Cash cd .......2007-07-04

I honestly can't say I like country music. I just don't care for most of the genre. The only artist from this genre that I do listen to is Johnny Cash. Of all of the American recordings Johnny has worked on with record producer Rick Rubin, American IV: The Man Comes Around" is easily my personal favorite. As much as I like Johnny's last album American V, I just didn't think the material held up as well as the fourth volume.

What I love about American IV: The Man Comes Around is the sparse, haunting melodies that lingers through out the album. Secondly I love Johnny's deep baritone vocals on this cd especially on his covers of "Hurt" and "I'm So Lonesome I Could Cry". One of my personal favorite tracks is Johnny's cover of the Nine Inch Nails' track "Hurt". The emotions he puts into the song really moved me. I also loved the Sting song "I Hung My Head". Johnny does a great job at storytelling through this song. His voice is so warm and deep on this track. Johnny's duet with Nick Cave on the Hank Williams' classic "I'm so Lonesome I Could Cry" is absolutely stunning. Both men really compliment each other with their own deep vocals.

While I do like Johnny's other American recordings, they weren't as perfect to me as American IV: The Man Comes Around is. I can listen to this cd without skipping a single track.

Johnny Cash is classic. .......2007-06-26

I popped this CD in on the way to Vegas from Los Angeles in the middle of the night. Johnny's haunting voice came booming through the speakers like a soundtrack to the desert. Full of stories and vivid descriptions this CD cant be described as anything less than epic. Moving along like a Steam Train up hill the music gains momentum and impresses more with each bar sung. If youre looking for a little dark night, outlaw country Johnny Cash's American IV: The Man Comes Around is just what you need.

Best of the American Series.......2007-06-26

I've got the last two American series recordings that Johnny Cash did and this one is way better than his last. I love them both, but if you have neither, get this one first. His cover of "Hurt" is outstanding. You can see the video on YouTube of both his cover and the original by Nine Inch Nails. It's amazing just how much better he does this song, its as if it was written just for him.

Note: I am not generally a Country Western fan, and yet this series hits a strong note in me.

this CD turned me into a Johny cash fan..........2007-06-08

Ive never really was into country music, but last week Ive bought 2 Cash CD's . One of them, the American V , is an instant pleasure, no need to adjust. Its WARM, acoustic, filling, emotional, calm. Great CD!

American IV : The Man Comes Around.......2007-05-12

I have always liked Johnny Cash but had none of his CDs. This CD shows the difference between a performer and an artist. This CD is true art. The whole Cd has a very deep message, if you listen and then think of what Johnny is saying. The 1st song "The Man Comes Around" is maybe the BEST SONG I HAVE EVER HEARD, but certainly one of the best.

Average customer rating: He called my name and my heart stood still, when He said, "John, go do My will!" Goodbye Old Friend Fabulous Farewell Album A hundred highways Johnny Cash was "The Man"...

American V: A Hundred Highways Johnny Cash Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Similar Items: American III: Solitary Man Personal File American IV: The Man Comes Around American Recordings Modern Times ASIN: B0002W18MU Release Date: 2006-07-04

Tracks:

1. Help Me
2. God's Gonna Cut You Down
3. Like The 309 (the last song Johnny wrote & recorded)
4. If You Could Read My Mind
5. Further On Up the Road
6. The Evening Train
7. I Came To Believe
8. Love's Been Good To Me
9. A Legend In My Time
10. Rose Of My Heart
11. Four Strong Winds
12. I'm Free From The Chain Gang Now

Amazon.com

The ethical questions surrounding this final album in the American Recordings series are as unavoidable as they are, ultimately, peripheral. While the vocal tracks were recorded in the months just prior to Johnny Cash's passing in September 2003, the arrangements weren't undertaken until two years later. And though producer Rick Rubin had become a trusted friend, the Man in Black wasn't around to approve or disapprove, let alone guide, the final sessions. However, if the pure power of these recordings doesn't quiet the skeptics, nothing will. With Heartbreakers Mike Campbell and Benmont Tench and slide guitar session pro Smokey Hormel on board (all three of whom appear on earlier Cash albums), along with guitarists Matt Sweeney and Johnny Polansky, the sound is stately and acoustic, but rarely staid, even as the dynamics of earlier recordings in the series are absent. Instead, the songs have a measured, elegiac intensity, the sound of musicians choosing their notes carefully and making just the right choices.

The songs Cash sings are, unsurprisingly, confessional and reflective: his mortality and his mistakes, his maker and his salvation, and the loss of his wife June and the end of his career may have weighed on his mind, but in these songs he both embodies and transcends his personal history. On "God's Gonna Cut You Down," as the musicians clap and stomp behind him, his voice cuts through the air like that same avenging hand. On the new original "Like the 309"--the last song Cash ever wrote--he cops to being short of breath, and that voice becomes a metaphor for what each of us will one day face. On Gordon Lightfoot's "If You Read My Mind," Rubin flirts with overwhelming the damp bittersweetness of Cash's phrasing in tasteful atmospherics, but the voice is implacable, hitting and finding notes one never expected he'd have the will to find. Likewise, it's hard to believe this is his first recording of Ian Tyson's "Four Strong Winds"; the elemental narrative seems to have been written for him. Two songs, however, Cash has recorded before: the born-again hymn "I Came to Believe" and the final spiritual, "I'm Free from the Chain Gang Now." The latter especially is a definitive testament, as is his version of Bruce Springsteen's "Further On (Up the Road)." "One sunny morning we'll rise, I know / And I'll meet you further on up the road," he sings. If only, John, if only. --Roy Kasten

More Cash

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Customer Reviews:

He called my name and my heart stood still, when He said, "John, go do My will!".......2007-07-11

This, obviously, is the fifth album in Johnny Cash's American Recordings series. Johnny Cash recorded several dozen songs after his wife June died and up until his death. A couple of years later, enough time had past so that producer Rick Rubin finally felt comfortable listening to the tapes. He chose twelve of the songs to be included on this album. It's a very powerful but sad album. Johnny's voice was very ragged by this point, but that just adds to the poignancy. Some people have conjectured that Cash knew he didn't have long to live, due to the type of songs incuded here. But I think you have to keep in mind the fact that the songs here are the ones that Rick Rubin chose to include, out of the many that Cash recorded. There will be an American VI, which reportedly will feature "lighter" songs from the same same sessions as this album. If American VI is only half as good as American V, it will be well worth getting.

Goodbye Old Friend.......2007-06-27

If you like Johnny Cash, then you have to have this CD. It's a chance to say goodbye to an old friend. No, I never met the Man In Black, but I did see him in concert, I have read his books, I have watched his rare TV and theatrical movie performances, I have enjoyed his television show - and I have listened to his music. Goodbye John . . . and Thanks.

Fabulous Farewell Album.......2007-06-21

Johnny Cash croons like a dying old man, and I mean that in the most endearing, Johnny Cash loving way. If you like Johnny, you must have this album. The emotion sung in this album is sincere and that of his last wishes! It's a must have for any Cash lover!

A hundred highways.......2007-05-20

I am by no means a fan of country music. Most of it does not interest me. One of the few artists I love and can proudly admit is Johnny Cash. Johnny has such a wonderfully rich, warm voice that always brings a tear to my eye. I recently came across his last album "American V: A Hundred Highways" at my local library. I didn't think he could outdo "American IV: The Man Who Came Around" but he did with this album. The twelve song album is a haunting reminder of the legendary singer/songwriter. I could hear in his voice that the man in black was coming towards the end of his life. I could hear the weariness in his voice. I mean that in a good way. I think his weariness added an emotional depth to each song that is rarely heard in music nowadays. Rick Rubin did a great job of maintaining an intimate, raw sound to the album. I felt like I was in the studio watching Johnny performing. I loved every song. Johnny sang with such heartfelt conviction that it broke my heart. May the man in black rest in peace. He will always be missed.

Johnny Cash was "The Man"..........2007-05-14

Great album, even if Johnny's vocals were added posthumously,,, honestly , you can't tell, they have done it so well. For an almost heart-rending look into the true soul of the man nearly on his deathbed, give this album a listen

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