| 1. Sunday |
| 2. Cactus |
| 3. Slip Away |
| 4. Slow Burn |
| 5. Afraid |
| 6. Ive Been Waiting For You |
| 7. I Would Be Your Slave |
| 8. I Took A Trip On A Gemini Spaceship |
| 9. The Angels Have Gone |
| 10. Everyone Says Hi |
| 11. A Better Future |
| 12. Heathen (The Rays) |
| 13. Wood Jackson (Bonus Track) |
Editorial Reviews
Japanese edition of his 2002 album includes one exclusive bonus track, 'Wood Jackson'. 13 tracks in all including the lead off single, 'Slow Burn'.
Heathen,David Bowie,Sony,Rock
Average customer rating:
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Heathen Chemistry
Oasis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068QY7 Release Date: 2002-07-02 |
Tracks:
- The Hindu Times
- Force Of Nature
- Hung In A Bad Place
- Stop Crying Your Heart Out
- Songbird
- Little By Little
- A Quick Peep
- (Probably) All In The Mind
- She Is Love
- Born On A Different Cloud
- Better Man
Amazon.com
At their career zenith, Oasis were lauded as the best band in the world. They were actually never the greatest rock & roll band at any time, but for a few years they were the biggest. While they offered the '90s two of its most defining albums, and a resurgence of '60s-influenced Manchester rock, Oasis tumbled off the top of the mountain in the last half of the decade. Heathen Chemistry is their first step back up the ascent, albeit a small step. The album opens with "The Hindu Times," which will certainly be listed among Oasis's best anthems, and it closes with "Better Man," a distorted-guitar-driven thrill that revs up to 60 mph in second gear. But between the strongest songs on the disc, Noel "Walrus" and Liam "Eggman" Gallagher exploit the Beatles references almost to the breaking point. It's no secret that the Gallaghers worship the Beatles (who doesn't?), but here they've gone beyond obvious influences and stepped right into infringement territory. On "Born on a Different Cloud," Noel's guitar weeps a little too gently, and Liam's signature rasp now sounds like a deliberate imitation of Lennon with a cold. Further, Liam shares the mic with Noel, who sings lead on several tracks, the best being "Force of Nature." Unlike on Beatles albums, however, the switch back and forth is jarring (Liam might be the biggest troublemaker, but he is also the better singer). Nonetheless, if a band is going to unapologetically rip off what was unquestionably the best band in the world, no one does it better than Oasis. --Beth MassaCustomer Reviews:
Defintion of average.......2007-04-02
Overall pretty good and I do feel the need to play it through over but hold no hesitation in skipping one or two tracks.
The MacDonalds of Rock Music.......2007-03-09
Unfortunately underrated.......2006-04-19
This is also the first Oasis album with songs written by the non-Gallagher members of the band, and the first album to feature more than one song by Liam (three, in fact).
"The Hindu Times" (Noel) - Neo-psychedelic. Big guitars with raga-sounding lead guitar licks and Liam's braying vocals. In the rhythm guitar you'll hear a smidgeon of "Jumpin' Jack Flash." This is a song (apparently) about nothing ("I get so I high I just can't feel it."). It's one of the better songs on the album and a good one to crank with the windows down.
"Force of Nature" (Noel) - This song floated around for a year or two before HC as Noel solo song (he's the singer.) Noel's vocals are great; he really screams it out. There's a healthy dose of anger and cynicism in this one, rare for Oasis. The best line: "I betcha knew right away/It's all over town that the sun's going down/on the days of your easy life." The ghost of Marc Bolan has certainly possessed this tune.
"Hung in a Bad Place" (Gem Archer) - Though not written by a Gallagher, "Hung" sounds like it would have fit right in on Definitely Maybe. It's another big guitar song with Liam's nasally snarl. The more I hear it the more I dig it! Lyrically, it's in the vein of "Free" by Jagger/Richards: "I can go where I wanna/be where I wanna be now . . ." This has the makings of a great live tune.
"Stop Crying Your Heart Out" (Noel) - When I hear this song all I can think of is "Dear Friend" off of Wings' Wild Life. After the slowly plodding piano intro, it turns into a power ballad. The lyrics are weak and cliche. Sample: "`Cuz all of the stars are fading away/just try not to worry/you'll see them someday . . ." This is one of the more disappointing songs on the album and, unfortunately, it ended up being a single.
"Songbird" (Liam) - Liam, with typical braggadocio, declared this one, "Better than anything on Revolver." The only Beatles song this tune might be better than is "Mister Moonlight" or "Revolution # 9," and even that would be a stretch. The guitar and rhythm sound like they're taken directly from "Lyin' Eyes" by the Eagles. It's a throw away and shouldn't be on the album.
"Little by Little" (Noel) - Noel sings this one and does a great job on vocals. The verses sound like many a Pink Floyd tune. The chorus makes this a good pop-rock tune. It has a nice guitar solo. It's basically about a relationship and inner searching ("Why am I really here?") There's nothing new in it, musically or lyrically, but it's a pretty good track, nonetheless.
"A Quick Peep" (Andy Bell) - Instrumental. I can't decide whether this is Pink Floyd doing The Pogues or The Pogues doing Pink Floyd. Either way, it should have been saved for an EP or a B-side.
"(Probably) All in the Mind" (Noel) - Perhaps a bit of a twist on the whole neo-psychedelic thing. Instead of dealing with personal exploration, it's about wanting to run away with someone else to another "life" that may only exist in his imagination. Not bad.
"She is Love" (Noel) - Has a folk-rock-pseudo-soul feel. Definitely pot-laced. I think the Black Crowes rubbed off on Noel when they toured together last year. It's Oasis doing a stripped-down version of "Soul Singing" on Lions. Very catchy.
"Born on a Different Cloud" (Liam) - A blatant Lennon rip off, this song is drenched in "I'm Losing You"from Double Fantasy. I swear Noel dug up George Harrison up and got him to replay the guitar solo from "How Do You Sleep?" The lyrics are even more of an obvious theft, ala "living on borrowed time" and "It's no surprise to me/that you're classless, clever and free." Yoko should sue have sued Liam for this one. There's a kind of clever . . . er . . . interesting line: "Talking to myself again/this time I think I'm getting through." If you like covers of John Lennon's solo work, you'll love this one.
"Better Man" (Liam) - The younger Gallagher takes his turn with a slightly Crowes-esque blues based rocker. Don't get me wrong, it's not a rip off. Very good song, certainly Liam's best. Positive lyrics from Liam who, by all accounts, is a drunken lout. Very, very subtly, it ends like "Nineteen Hundred Eighty Five" by Paul McCartney/Wings, which probably is no accident. This track is something like 38 minutes long. I thought something was wrong with my CD or the player because there was almost a ? hour of silence. Fast forward to minute 33 and there's a nice little surprise.
Heathen Chemistry falls squarely in the middle of the pack of Oasis albums. It's better than some but worse than others. It is a nice transition album between Standing on the Shoulders of Giants and Don't Believe the Truth. 3.5 stars would be a more than fair rating for it, but I'm rounding up rather than down, and giving it 4 stars.
Two stars is generous!.......2006-03-11
Heathen Chemistry is pretty watered down and weak, it does not stand up well as a entire listen and too much of the tracks sound more filler than anyhting else.
"The Hindu Times" "Stop Crying Your Heart Out" "Little By Little" would make you think that Oasis are back with a vengeance, to re claim their status, but they just don't cut it with their best songs, and in their own way lack alot of life.
Whats worse is that "Don't Beleive the Truth" is even worse, much worse, and unfortunatly saw Oasis previewing their entire album, miming to the album on TV, just before its release.
If Oasis want to pull out a stunner they need to get out the electric guitars, crank up the amps and get Owen Morris who produced their first three albums to make them sound "live" and "loud again." Oasis are a live band, thats the sound thats missing from this album.
Weak.......2006-01-30
That said, "Heathen Chemistry" is a really weak performance. It's slightly better than "Standing on the Shoulders of Giants," but that's not saying much. In all, there are really only three decent songs here-- "The Hindu Times," "Hung In a Bad Place," and "Better Man."
The production sucks too. The production on "Be Here Now" was big and loud, but so were the songs. The songs on "Heathen Chemistry" just can't stand up to all of this clutter. Noel was smart to hand over the production reigns to someone else for "Don't Believe the Truth."
Like "Standing on the Shoulders of Giants," "Heathen Chemistry" is an album that only hardcore fans will want. Still, the fact that Oasis put out two crappy albums doesn't mean they're not a great band. Out of their 7 major releases, 5 have been great. Look at how many awful albums the Stones and Bob Dylan have put out
Average customer rating:
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Heathen
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065V1V Release Date: 2002-06-11 |
Tracks:
- Sunday
- Cactus
- Slip Away
- Slow Burn
- Afraid
- I've Been Waiting For You
- I Would Be Your Slave
- I Took A Trip On A Gemini Spaceship
- 5:15 The Angels Have Gone
- Everyone Says 'Hi'
- A Better Future
- Heathen (The Rays)
Amazon.com
Heathen is, in essence, the first "traditional" Bowie album worthy of kudos in years, as it successfully reunites Bowie with producer Tony Visconti, the man at the controls during Bowie's Berlin period. Heathen finds rock's greatest chameleon once again remolding his past, advancing to new vistas by moving up that metaphorical hill backward. Even more gratifying is the universally high quality of the songwriting craftsmanship on offer, where even a ditty as frivolous as "Everyone Says 'Hi'" ("Don't stay in a sad place where they don't care how you are") hits the mark. For heavyweights who like their Bowie with furrowed-brow, the monastic aura of opener "Sunday" sounds like a post-rock Enigma covering Nico's interpretation of Tim Hardin's "Eulogy to Lenny Bruce," whilst the strident savagery evidenced on an apt cover of the Pixies' "Cactus" disposes with Frank Black's hound-dog yelp and reasserts the melody without undermining the original's obsessional score. Tin Machine ought to have sounded like this. Watch out, too, for the Robert Fripp-impersonating flamethrowing of Pete Townshend on "Slow Burn" and the guitar of the Foo Fighters' Dave Grohl lending a slacker swagger to a cover of Neil Young's "I've Been Waiting for You" (again, much better than Tin Machine's live version). Heathen proves that Bowie's still got it. All of it. And in abundance. Awaken all ye nonbelievers. --Kevin MaidmentCustomer Reviews:
It has my song of this particular moment on it.......2007-05-13
Twinkle Twinkle..........2007-04-17
'Sunday' and 'Slip Away' are particular highlights, showcasing this tasteful use of dark electronic sound scapes in two amazing tracks that prove highlights of his post-70s career.
Unlike most, I find 'Everyone Say's Hi' to be a cloying, insipid, stain on the album, which significantly brings down it's second half. Well, that sounds very harsh...the song is tolerable, but it really does distract from the mood set by the rest of album.
The cover versions are all well done, but none are revelations. But it's the fact that Bowie seems comfortable, less self-conscious, and consequently much more settled, that gives this album staying power. Things are more concise, and the album is more cohesive than some of his 90s material. Apart from 'Everyone Say's Hi' the mood is sombre but still urgent.
An impressive achievement and a perfect place to start if you love his 70s output but have never delved into his more recent outings.
Good for Latter Day Bowie.......2007-04-15
So, if you are a Bowie fan, you will like this album. I personally wish this album was more ambient or post-rock sounding. This album is much better than 'hours...'
Bowie Is Sooo Cool, Like A Slooow Burn...........2007-01-28
A complete return to form..........2006-11-21
"Heathen" is the not only the most critically aclaimed album since 1980s "Scary Monsters", but is my personal favourite Bowie album that started my Bowie fascination. The opening track "Sunday" is possibly the best album opener, of any album, ever, and tracks like "Slip Away", "Slow Burn" and "Afraid" is classic Bowie at his best.
The album is 100% recommended to not only Bowie fans, but fans of classic rock in general.
Average customer rating:
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Victims of Deception
Heathen Manufacturer: Metal Mind Poland ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000K2Q660 Release Date: 2006-11-13 |
Tracks:
- Hypnotized
- Opiate of the Masses
- Heathen's Song
- Kill the King
- Fear of the Unknown
- Prisoners of Fate
- Morbid Curiosity
- Guitarmony
- Mercy Is No Virtue
- Timeless Cell of Prophecy
- Hellbound [*]
Customer Reviews:
If you like ...And Justice For All.......2007-05-26
4.5 great stuff.......2007-05-09
Stronger than all.......2007-02-12
Average customer rating:
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Heathen [Limited Edition w/Bonus Disc]
David Bowie Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066SX2 Release Date: 2002-11-12 |
Tracks:
- Sunday
- Cactus
- Slip Away
- Slow Burn
- Afraid
- I've Been Waiting For You
- I Would Be Your Slave
- I Took A Trip On A Gemini Spaceship
- 5:15 The Angels Have Gone
- Everyone Says 'Hi'
- A Better Future
- Heathen (The Rays)
Tracks:
- A Better Future (Air Remix)
- Sunday (Moby Remix)
- Panic in Detroit (Alternative Take)
- Conversation Piece (Previously Unreleased)
Amazon.com
Heathen is, in essence, the first "traditional" Bowie album worthy of kudos in years, as it successfully reunites Bowie with producer Tony Visconti, the man at the controls during Bowie's Berlin period. Heathen finds rock's greatest chameleon once again remolding his past, advancing to new vistas by moving up that metaphorical hill backward. Even more gratifying is the universally high quality of the songwriting craftsmanship on offer, where even a ditty as frivolous as "Everyone Says 'Hi'" ("Don't stay in a sad place where they don't care how you are") hits the mark. For heavyweights who like their Bowie with furrowed-brow, the monastic aura of opener "Sunday" sounds like a post-rock Enigma covering Nico's interpretation of Tim Hardin's "Eulogy to Lenny Bruce," whilst the strident savagery evidenced on an apt cover of the Pixies' "Cactus" disposes with Frank Black's hound-dog yelp and reasserts the melody without undermining the original's obsessional score. Tin Machine ought to have sounded like this. Watch out, too, for the Robert Fripp-impersonating flamethrowing of Pete Townshend on "Slow Burn" and the guitar of the Foo Fighters' Dave Grohl lending a slacker swagger to a cover of Neil Young's "I've Been Waiting for You" (again, much better than Tin Machine's live version). Heathen proves that Bowie's still got it. All of it. And in abundance. Awaken all ye nonbelievers. --Kevin MaidmentCustomer Reviews:
This Heathen could be a cult item!.......2005-09-19
The first time I played this record, I was not impressed, I was even dissapointed. I could not get a hold on any song.
Then I played it again. And again. And again. I even played it four times in a single day. I believe it is a hit or miss. "Reality" is my favorite Bowie disc, but this one has something special, you do not even realize, you just have to play it.
Overall a dark feeling rules over the whole disc. The opening track "Sunday", "Slip away" ( I adore this gloomy song! ), "The angels have gone" and "Heathen" which is the title song, and the one that closes the album.
Nevertheless, there are some beautiful soft songs like "Everyone says Hi", or "I would be your slave". The cover songs are great too, particularly "Gemini Spacecraft". It sounds so deep, with lots of instruments in the background. It is futuristic yet has disco feelings ( the violins ) which remind me of the future people portrayed in the 60's ( like the Jetsons )
There are three songs that go without interruption between them "The Angels have gone", "Everyone says Hi" and "A better future" And look at their titles: One of them is in past tense, the other is the present, and then the obvious future tense. I still think this was made on purpose.
The extra CD just adds fun to an awesome package. Indeed the Moby remake of Sunday adds little to the original song, but the other tracks are excellent. "Conversation Piece" is the best of these 4 extra songs, soft and beautiful. The remake of "Panic in Detroit", in my opinion, makes the original pale in comparison, being more fast paced, and I like the singing better.
The final word: if you like Bowie, buy it. And play it many times, play songs separately, shuffle them, just play it. If you hate it, you'll like it; if you like it you'll love it, and if you love it, you'll make a religion out of it! Well. maybe not so.... ;)
And GET THE TWO CD VERSION. The second disc barely runs 20 minutes, yet it is awesome!!
Slightly better than the single-disc release.......2005-05-19
The Air remix is also quite pleasing. Air allows the notes to breathe (no pun intended). I actually favor it to the overcooked album version.
I can't figure out why Moby, supposedly such an electronica luminary, couldn't come up with anything better than this simplistic mix of Sunday. The album version is far more interesting.
The funked up version of Panic in Detroit is okay.
better with every listen.......2004-08-23
When I first heard this, sure, there were a few decent tracks but initially I thought it as BLAH as the previous ones.
Then 'Reality' hit and I knew his chops were coming back. Seeing the 'Reality' tour reinforced that. He played only a couple of unfamiliar songs , which when I did my research of the show, came from the Heathen CD.
I was mistaken on Heathen.
It really gets better with every listen. Between the covers and originals, a nice nice CD. Cactus originally by the Pixies, gets a very TRex-y feel to it (much better live though). Slip Away is great sing-a-long much in the manor of All The Young Dudes.
'Twinkle twinkle Uncle Floyd'. And for those of you who don't know who that is, he's a cult TV hero from WOR NY/NJ who had a goofy late hour weekend show during the late 70's through the 80's. The 'house' bands were the Ramones and Bon Jovi.
On a whole, this CD is very positive, for once. See 'A Better Future' & 'Everyone Says Hi'.
DB's vocals are strong for the most part (Christ he's pushing 60!) and on a few songs, it seems like Bowie/Visconti have summoned back to earth, the soul of Mick Ronson (God Bless Mick-you're missed)
A more subdued bowie.......2003-05-05
The Limited Edition is the one to get.......2002-12-30
There are some good songs on Heathen. The best of them is only on the bonus disk of the Limited Edition CD though!
For the life of me I can't figure out why they did not include "Conversation Piece" on the standard edition, it is one of my favorite Bowie songs, along with "I Have Not Been to Oxford Town" and "Teenage Wildlife".
Average customer rating: |
Dupré: Works for Organ, Vol. 9
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000038I7V Release Date: 2000-02-22 |
Tracks:
- Son in a, Op.60: Allegro Marcato - Clyde Beavers/Bruce Neswick
- Son in a, Op.60: Allegro Moderato - Clyde Beavers/Bruce Neswick
- Son in a, Op.60: Allegro Ma Non Troppo - Clyde Beavers/Bruce Neswick
- Trio, Op.55: I. (Withoug Movt Indication) - Timothy Durbin/Clyde Beavers/Bruce Neswick
- Trio, Op.55: II. Lento - Timothy Durbin/Clyde Beavers/Bruce Neswick
- Trio, Op.55: III. (Energico-Largo-Presto) - Timothy Durbin/Clyde Beavers/Bruce Neswick
- Qt, Op.52: Prld - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
- Qt, Op.52: Scherzando - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
- Qt, Op.52: Larghetto - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
- Qt, Op.52: Rondo - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 31. Lord God Now Open Wide Thy Heaven
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 32. Lord Jesus Christ, Turn To Us
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 33. My Soul Longeth To Depart In Peace
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 48. Descend, O Jesus, From Heaven To Earth
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 49. Kyrie, God The Everlasting Father
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 50. Kyrie, Christ The Comforter Of The World
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 51. Kyrie, God The Holy Ghost
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 52. Beloved Jesus, Here We Stand
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 53. Praise The Lord Almighty
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 54. Praise God, All Ye Christians
- Chorales, Op.28, Nos.31-33, 48-54 & 57: 57. Now Thank We All Our God
- Regina Coeli, Op.64
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 58. Rejoice Now, Beloved Christians
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 59. Come Now, Saviour Of The Heathen
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 60. O Gracious God
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 63. The Child Was Born In Bethlehem
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 64. Deck Thyself, O Beloved Soul
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 68. Out Of High Heaven Have I Come
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 69. From Heaven Come Angels
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 70. I Will Never Part From God
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 71. Before Thy Throne I Will Appear
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 72. Awake! Hear The Call Of Watchmen
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 73. He That Suffereth God To Guide Him
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 74. How Bright Shineth The Day-Star
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 75. We Christians
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 76. We Thank Thee, Lord Jesus, For Thy Redemptive Death
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 77. We All Believe In One God
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 78. We All Believe In One God
- Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 79. Whither Shall I Flee?
Amazon.com
Marcel Dupré is an important historical as well as musical figure, his compositional freedom linking the golden age of Widor and Vierne with the radical rethinking that Messiaen saw through in his great organ cycles. Never doing things by halves, Naxos has reached Volume 9 of the complete organ works--mainly chamber pieces involving organ. Most substantial is the "Trio for Violin, Cello, and Organ," in one sense a throwback to the Baroque line of trio sonatas, but with a harmonic richness that indicates a late-19th-century inheritance--thoughtful, undemonstrative music, persuasively realized by Bruce Neswick and colleagues. The "Quartet" adds a viola to the lineup, but a delightful scherzando apart is a lesser affair, while the "Sonata for Cello and Organ" is a modest but interesting work (at least for the way Dupré makes a telling contrast between the sonorities of the two instruments). Again, perceptive playing from Neswick, whose Indiana organ has a clear, bright sound that makes the generous selection of Chorales interesting for the listener as well as the player. At the price, a worthwhile collection of some unusual repertoire. --Richard Whitehouse
Average customer rating:
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Heathen Earth
Throbbing Gristle Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003Z5G Release Date: 1993-12-02 |
Tracks:
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Adrenalin
- Subhuman
Customer Reviews:
Live Gristle.......2006-08-06
Industrial essential.......2006-01-29
The intensity and tension of Heathen Earth is amazing. No editing of any kind has split up the performance. As you listen it's almost as if TG were playing in front of you, you can imagine the band members movements as they made these sounds. The sounds themselves are very subconscious, emotional and expressive. Some of the most beautiful, memorable sounds are the bubbling and guitar effects in "After Cease to Exist", the melodic vocals of "The World is a War Film", the buzzing, solitary melody at the end of "Still Walking" and the strangely soothing improvised conversation between Cosey and Chris Carter. "Cornets" is the characteristic TG introduction (wailing cornets), and it builds tension and eases the listener into the album perfectly.
The art and packaging compliments the album wonderfully.
The actual song names aren't in the album notes or on Amazon, but these songs do have names. They are-
1. Cornets
2. The Old Man Smiled
3. After Cease to Exist
4. The World is a War Film
5. Dreamachine
6. Still Walking
7. Don't Do As You're Told, Do As You Think
8. Painless Chlldbirth
Bonus Songs-
9. Adrenalin
10. Subhuman
This is a unique and classic industrial album, and so is "D.O.A".
Either one is a good first purchase to a new TG fan.
Industrial.......2005-07-31
Complete Cacophany.......2005-06-17
(and they are all pretty bizarre), this is an all out aural assault of found sound, primitive, synthetic percussion, spoken word, creative tape manipulation and chaotic atonal noise. Brilliant. Brutal. And creepy as all hell. Essential listening.
...Throbbing..........2003-07-31
Average customer rating:
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Breaking the Silence
Heathen Manufacturer: Combat ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AAVEO6 Release Date: 2004-02-23 |
Tracks:
- Death by Hanging
- Goblin's Blade
- Open the Grave
- Pray for Death
- Set Me Free
- Breaking the Silence
- World's End
- Save the Skull
- Heathen [*]
Customer Reviews:
An underrated and lesser known Thrash gem........2007-07-18
breaking the silence-the best from the bay area.......2007-04-10
Average customer rating:
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Handel: Belshazzar
Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ZWGHY Release Date: 2004-06-15 |
Tracks:
- Overture
- Vain, Fluctuating State Of Human Empire!
- Thou, God Most High, And Thou Alone
- The Fate Of Babylon, I Fear, Is Nigh
- Lament Not Thus, Oh Queen, In Vain!
- Behold, By Persia's Hero Made
- Well May They Laugh/Oh Memory! Still Bitter To My Soul
- Opprest With Never-Ceasing Grief
- Dry Thoes Unavailing Tears
- Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
- Now, Tell Me, Gobrias
- Behold The Monstrous Human Beast
- Can You Then Think It Strange
- Great God! Who, Yet But Darkly Known
- My Friends, Be Confident
- All Empires Upon God Depend
- Oh Sacred Oracles Of Truth!
- Rejoyce, My Countrymen
- Sing, Oh Ye Heav'ns!
Tracks:
- Let Festal Joy Triumphant Reign!
- For You, My Friends
- The Leafy Honours Of The Field
- It Is The Custom, I May Say, The Law
- Recall, Oh King! Thy Rash Command
- They Tell You True
- Oh Dearer Than My Life, Forebear!
- By Slow Degrees The Wrath Of God
- See, From His Post Euphrates Flies!
- You See, My Friends, A Path
- Amaz'd To Find The Foe So Near
- To Arms, To Arms! No More Delay!
- Ye Tutelar Gods Of Our Empire
- Let The Deep Bowl Thy Praise Confess
- Where Is The God Of Judah's Boasted Pow'r?
- Call All My Wise Men
Tracks:
- A Singony (Allegro Postillions)
- Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
- Oh Misery! - Oh Terror! - Hopeless Grief!
- Oh King, Live For Ever!
- No! To Thyself Thy Trifles Be
- Yet, To Obey His Dread Command
- Oh Sentence To Severe!
- Oh God Of Truth! Oh Faithful Guide!
- You, Gobrias, Lead Directly To The Palace
- Oh Glorious Prince!
- Alternate Hopes And Fears
- Fain Would I Hope
- Can The Black Aethiop Change His Skin?
- My Hopes Revive
- Bel Boweth Down!
- I Thank, Thee, Sesach
- A Martial Symphony
- To Pow'e Immortal My First Thanks
- Be It Thy Care, Good Gobrias
- Great Victor, At Your Feet I Bow
- Say, Venerable Prophet
- Tell It Out Among The Heathen
- Yes, I Will Build Thy City
- I Will Magnify Thee
Customer Reviews:
ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19
Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.
I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.
The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.
Enjoiyable, but lacking, too........2004-08-16
Average customer rating:
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Sacred Music Complete
Purcell , King , and Kings Consort Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006RHQJ Release Date: 2002-12-10 |
Customer Reviews:
great, great!!!.......2006-12-05
ALL THE MUSIC YOU EVER NEED!!.......2003-05-23
Average customer rating:
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Carp & Bones
Rosavelt Manufacturer: Heathen ProductGroup: Music Binding: Audio CD ASIN: B00000DU4A Release Date: 1998-10-20 |
Tracks:
- Dexedrine Lover
- Carp & Bones
- Impossible Me
- Late Great Singer
- Eleanor
- Satellite Chevy
- Lonely
- These 2 Hands
- Everytimeitrytosleep
- Sink Me Higher
Customer Reviews:
BUY THIS NOW........1999-12-26
Rock Music:
