Two Man Band

two man band

Editorial Reviews

Product Description
First time on CD for the British blues act's 1976 album. Featuring Tony Ashton, Morgan Fisher & BJ Cole. Includes 12 page booklet from John Fiddler's personal archive & three bonus tracks 'Me And Suzie (Hit The Floor)', 'Moon Child' & 'Midnight'.

Two Man Band,Medicine Head,Angel Air,British Blues,Pop,Rock
Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
Average customer rating: 5 out of 5 stars
  • Universal music
  • Long-Time Favorite
  • Best Copland Album I've Ever Listened To
  • Test of Time--Passed with honors!
  • the PERFECT Bernstein recording
Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Gershwin: Rhapsody In Blue/An American In Paris
  2. Copland: Rodeo/Billy The Kid
  3. Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
  4. Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite
  5. Barber's Adagio

ASIN: B0000025MO
Release Date: 1990-10-25

Tracks:

  1. Appalachian Spring: Very Slowly
  2. Appalachian Spring: Allegro
  3. Appalachian Spring: Moderato
  4. Appalachian Spring: Fast
  5. Appalachian Spring: Subito allegro
  6. Appalachian Spring: As At First (Slowly)
  7. Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
  8. Fanfare For The Common Man
  9. El Salon Mexico
  10. Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

5 out of 5 stars Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

5 out of 5 stars Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

5 out of 5 stars Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

5 out of 5 stars Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

5 out of 5 stars the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.
Let Yourself Go
Average customer rating: 4.5 out of 5 stars
  • One of the best ever!
  • Kristen Chenowith
  • Has its moments
  • Great CD!
  • This woman has what it takes, and then some...
Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. As I Am
  2. Still I Can't Be Still
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  4. Leonard Bernstein's Candide (Great Performances)
  5. WICKED: THE GRIMMERIE, A BEHIND-THE-SCENES LOOK AT THE HIT BROADWAY MUSICAL

ASIN: B000059T4T
Release Date: 2001-05-29

Tracks:

  1. Let Yourself Go
  2. If
  3. How Long Has This Been Going On?
  4. My Funny Valentine
  5. Hanging Around with You (with Jason Alexander)
  6. The Girl in 14G
  7. I'll Tell the Man in the Street
  8. I'm a Stranger Here Myself
  9. Nobody Else But Me
  10. Nobody's Heart Belongs to Me/Why Can't I?
  11. Should I Be Sweet?
  12. He's Just an Ordinary Guy
  13. Going to the Dance with You
  14. On a Turquoise Cloud
  15. You'll Never Know
  16. Daddy

Amazon.com

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

Customer Reviews:

5 out of 5 stars One of the best ever!.......2007-04-24

Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

5 out of 5 stars Kristen Chenowith.......2007-02-26

I bought this CD for the Girl in 14G. Yes, it's that good...

4 out of 5 stars Has its moments.......2007-02-19

After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

4 out of 5 stars Great CD!.......2007-01-19

I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

5 out of 5 stars This woman has what it takes, and then some..........2007-01-12

Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
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  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
100 Favorite Patriotic Songs
Average customer rating: 2 out of 5 stars
  • not to great
  • Not so bad, 100 tunes for 4$
  • You get what you pay for.
  • Now I know why there were no song samples to listen to ...
100 Favorite Patriotic Songs

Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Opera & Vocal | Styles | Music
Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:
  1. America's Favorite Patriotic Songs
  2. United We Stand: Songs for America
  3. American Pride: Sixteen Stirring Patriotic Themes
  4. America's Bugle Calls
  5. Patriotic Country

ASIN: B0000A1HT8
Release Date: 2003-08-12

Tracks:

  1. America the Beautiful
  2. All Quiet on the Potomac Tonight
  3. Ballad of the Green Berets
  4. On Top of Old Smokey
  5. Coyote Warrior
  6. Semper Fidelis
  7. Breeze from Alabama
  8. Onward Christian Soldiers
  9. Come Where My Love Lies Dreaming
  10. Patriot
  11. Sweet Betsy from Pike
  12. Marines' Hymn
  13. America Is
  14. When Johnny Comes Marchin' Home
  15. Happy the Soldier
  16. American Trilogy
  17. Home Sweet Home
  18. Washington Post March
  19. Enraptured I Gaze
  20. Jeannie With the Light Brown Hair
  21. Yellow Rose of Texas
  22. Over There
  23. Simple Gifts
  24. Liberty Bell
  25. Star Spangled Banner

Tracks:

  1. God Bless the USA
  2. Yankee Doodle Dandy
  3. Katy Cruel
  4. I Vow to Thee My Country
  5. King Cotton
  6. Beautiful Dreamer
  7. America
  8. American Patrol
  9. Mine Eyes Have Seen the Beauty
  10. Mohican Dream
  11. Red, White and Blue
  12. Some Folks
  13. Liberty Song
  14. Pomp and Circumstance
  15. Hail to the Chief
  16. Bennington Rifles
  17. Peace on the Battlefield
  18. I've Been Working on the Railroad
  19. Under the Double Eagle
  20. Red River Valley
  21. My Country 'Tis of Thee
  22. Camptown Races
  23. Wild Blue Yonder
  24. Hands Across the Sea
  25. Fanfare for the Common Man

Tracks:

  1. Stars and Stripes Forever
  2. Living in America
  3. Home on the Range
  4. Old Colony Times
  5. Clementine
  6. Invincible Eagle
  7. Ring Ring de Banjo
  8. Yankee Doodle
  9. Largo from "The New World"
  10. To a Wild Rose
  11. Hail Columbia
  12. Alexander's Ragtime Band
  13. Gettysburg
  14. Carry Me Back to Old Virginny
  15. Capitan
  16. Prairie Daughter
  17. Little Brown Jug
  18. Marching Through Georgia
  19. Entertainer
  20. Steamboat Around the Bend
  21. Revolutionary Tea
  22. Cassions Keep Rollin' Along
  23. Johnny Has Gone for a Soldier
  24. Amazing Grace
  25. Grand Old Flag

Tracks:

  1. God Bless America
  2. National Emblem
  3. Soldier, Soldier Won't You Marry Me
  4. Anchors Away
  5. Oh, Susannah
  6. Tramp, Tramp, Tramp
  7. Toast
  8. Dixie
  9. St. Louis Blues
  10. Appalachian Spring
  11. Bonnie Blue Flag
  12. Old Hundreth
  13. Swanee River
  14. Battle Cry of Freedom
  15. U. S Field Artillery
  16. Sidewalks of New York
  17. Chester
  18. Auld Lang Syne
  19. Kingdom Come
  20. My Old Kentucky Home
  21. Hail to the Spirit of Liberty
  22. Battle Hymn of the Republic
  23. Shenandoah
  24. Abraham's Daughter
  25. This Land Is Your Land

Customer Reviews:

2 out of 5 stars not to great.......2007-04-04

We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.

3 out of 5 stars Not so bad, 100 tunes for 4$.......2005-06-22

I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.

1 out of 5 stars You get what you pay for........2004-07-04

You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.

1 out of 5 stars Now I know why there were no song samples to listen to ..........2004-07-04

I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
The Copland Collection: Orchestral & Ballet Works, 1936-1948
Average customer rating: 5 out of 5 stars
  • Bought this for Concerto for Clarinet
  • Aaron Copland: Populist and Conductor
  • Tribute to Lincoln
  • A great way to get your dose of Copland....
  • Well balanced retrospective, -or- Listen to this!
The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
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General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Copland, AaronCopland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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GeneralGeneral | Soundtracks | Styles | Music
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Similar Items:
  1. The Copland Collection: Orchestral Works, 1948-1971
  2. A Copland Celebration Vol. 3
  3. Copland: Music for Films
  4. A Copland Celebration Vol. 1
  5. Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

  1. El Salon Mexico
  2. An Outdoor Overture
  3. Billy The Kid: Introduction: The Open Prairie
  4. Billy The Kid: Street In A Frontier Town
  5. Billy The Kid: Prairie Night (Card Game At Night)
  6. Billy The Kid: Gun Battle
  7. Billy The Kid: Celebration (After Billy's Capture)
  8. Billy The Kid: Billy's Death
  9. Billy The Kid: The Open Prairie Again
  10. Quiet City
  11. John Henry
  12. Our Town
  13. Las Agachadas
  14. Fanfare For The Common Man

Tracks:

  1. Rodeo (Four Dance Episodes): I. Buckaroo Holiday
  2. Rodeo (Four Dance Episodes): II. Corral Nocturne
  3. Rodeo (Four Dance Episodes): III. Saturday Night Waltz
  4. Rodeo (Four Dance Episodes): IV. Hoedown
  5. The City: New England Countryside
  6. Of Mice And Men: Barley Wagons
  7. The City: Sunday Traffic
  8. Our Town: Grovers Corners
  9. Of Mice And Men: Threshing Machines
  10. Appalachian Spring (Suite From The Ballet): Very Slow
  11. Appalachian Spring (Suite From The Ballet): Fast
  12. Appalachian Spring (Suite From The Ballet): Moderato
  13. Appalachian Spring (Suite From The Ballet): Fast
  14. Appalachian Spring (Suite From The Ballet): Still Faster
  15. Appalachian Spring (Suite From The Ballet): As At First (Slowly)
  16. Appalachian Spring (Suite From The Ballet): Calm And flowing
  17. Appalachian Spring (Suite From The Ballet): Moderato; Coda
  18. Letter From Home
  19. Danzon Cubano

Tracks:

  1. Lincoln Portrait: Lento
  2. Lincoln Portrait: Subito Allegro
  3. Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
  4. Symphony No. 3: I. Molto Moderato-With Simple Expression
  5. Symphony No. 3: II. Allegro Molto
  6. Symphony No. 3: III. Andantino Quasi Allegretto
  7. Symphony No. 3: IV. Molto Deliberato
  8. Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

5 out of 5 stars Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

5 out of 5 stars Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

5 out of 5 stars Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

4 out of 5 stars A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

5 out of 5 stars Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.
Copland: The Music of America
Average customer rating: 4.5 out of 5 stars
  • + 1/2 stars...The Dean of American Composers
  • This is not Copland at his best
  • The title says it all
  • An outstanding Copland collection
  • An outstanding Copland collection
Copland: The Music of America

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Similar Items:
  1. Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man
  2. Copland: Music for Films
  3. Grofé: Grand Canyon Suite; Gershwin: Porgy & Bess Symphonic Suite "Catfish Row"
  4. Aaron Copland: Greatest Hits
  5. Ultimate Copland Album

ASIN: B000003CZE
Release Date: 1997-01-28

Tracks:

  1. Fanfare For The Common Man
  2. Buckaroo Holiday
  3. Corral Nocturne
  4. Saturday Night Waltz
  5. Hoe-Down
  6. Quiet City
  7. Billy The Kid
  8. Appalachian Spring

Amazon.com

When it comes to light, folk-flavored listening, the music of Aaron Copland is some of the best and most popular. When it comes to crowd-pleasing conducting, Erich Kunzel is one of the great successes. This album contains most of Copland's essential compositions, in all or part: "Fanfare for the Common Man," four movements from "Rodeo," "Quiet City," "Billy the Kid," and "Appalachian Spring." All are performed in fine form; it would be nice to have all of "Rodeo," but this is otherwise all the Copland that most folks will need, and in one package. --Sarah Bryan Miller

Customer Reviews:

4 out of 5 stars + 1/2 stars...The Dean of American Composers.......2004-03-18

Aaron Copland (1900-1990)was the quintessential American composer of the 20th Century, and conductor Erich Kunzel with his Cincinnati Pops Orchestra is the leading popularizer of classical music.

This album brings together some of Copland's most well known pieces like "Fanfare for the Common Man," along with his three great ballets: "Billy the Kid," "Appalachian Spring" and "Rodeo." [The "Rodeo" extract "Hoe-Down" will be immediately recognized as the American Beef Council's theme music.]

Copland reamins the defining sound of American concert music and this recording is both accessible and very enjoyable. HIGHLY RECOMMENDED

4 out of 5 stars This is not Copland at his best.......2003-05-05

Aaron Copland is without a doubt my favorite composer of all time. I have collected many CDs of his work over the years, and have therefor have many recordings of all his most famous works. With that knowledge, I have to say that this is not the best recording on the market.

The sparkle and jazz of Copland's style is missing from this CD. The orchestra doesn't show off the playful side of Copland's work, which is what I think sets Copland apart from every one else. That is why I don't feel that is the best Copland CD availiable today

5 out of 5 stars The title says it all.......2003-04-13

Aaron Copland created classical music for about and by America. This extremely well performed and well selected album served as my true introduction to Copland's work. Vibrant,dramatic, passionate and utterly beautiful, this sampler of Copland's oevre really captivates the listener. I have lost many hours listening to "Quiet City" and "Appalacian Spring" two breathtakingly poetic pieces that approach religious like rapture. I have also used this CD in both my Writing and Acting classes as stimuli designed to inspire original performances and short stories. In short, this is a must own CD.

5 out of 5 stars An outstanding Copland collection.......2002-04-02

This album is an inclusive anthology of Copland's most popular orchestral works. I don't know what a previous reviewer was referring to when he/she said that Rodeo was incomplete, it seems like it's all there to me, and I've played it.

Solid, energetic, musically sensitive performances by the Cincinnati Pops. The recording is well-balanced and vibrant. This is not just a pops CD. Classical music snobs (like me) will find it very satisfying.

Incidentally, I really like the cover art.

5 out of 5 stars An outstanding Copland collection.......2002-04-02

This album is an inclusive anthology of Copland's most popular orchestral works. Solid, energetic performances by the Cincinnati Pops. The recording is well-balanced and vibrant. A wonderful CD!

Incidentally, I really like the cover art.
AMERICA'S BUGLE CALLS
Average customer rating: 5 out of 5 stars
  • A Masterpiece
  • Clear and simple
AMERICA'S BUGLE CALLS

Manufacturer: Documentary
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Similar Items:
  1. Mel Bay Bugler's Handbook
  2. Mel Bay Fun with the Bugle
  3. One Nation Under God
  4. Marching Cadences of the U.S. Marines
  5. Mel Bay Presents Infantry Bugle Calls of the American Civil War

ASIN: B00005OA52
Release Date: 1996-01-01

Tracks:

  1. Reveille/Morning Colors Sequence
  2. First Call
  3. Attention
  4. To the Colors
  5. Carry On
  6. Assembly
  7. First Sergeant's Call
  8. Adjutants Call
  9. Mass Call
  10. Pay Call
  11. Officer's Call
  12. Semper Fi
  13. Roast Beef of Old England
  14. Marines Hymn
  15. Anchors Aweigh
  16. Army Song
  17. Semper Paratus
  18. Air Force Song/Evening Colors Sequence
  19. First Call
  20. Attention
  21. Retreat
  22. Carry On
  23. Tattoo
  24. Call to Quarters
  25. Taps [Single Bugler Version]
  26. To Arms
  27. General Quarters
  28. General Muster
  29. To Horse
  30. Fligh Quarters
  31. Man Torpedo Defense Battery
  32. Main Battery Fire Control Exercise
  33. Call Away All Boats
  34. Fix Bayonets
  35. Commence Firing
  36. Charge! [Version One]
  37. Charge! [Version Two]
  38. Cease Firing
  39. Abandon Ship
  40. Light Smoking Lamp
  41. Out Smoking Lamp
  42. Company Left March
  43. Company Right March
  44. Liberty Call
  45. Church Call
  46. Recall
  47. Mail Call
  48. Police Call
  49. Sick Call
  50. Stable Call
  51. Band Call
  52. Movie Call
  53. Surgeon's Party
  54. Hail to the Chief - Matthew Farquhar, The Flourishes
  55. General's March - Matthew Farquhar, The Flourishes
  56. Flag Officer's March
  57. Secure
  58. Taps [Two Bugler Version]

Album Description

Music: Instrumental only

The famous bugle calls from America's Armed Services including Reveille and Taps.

Customer Reviews:

5 out of 5 stars A Masterpiece.......2007-06-20

Clear and crisp and played with vigor and heart. Mass call is of course Mess Call that someone spelled wrong. What worked for me is that I review four or five calls each night before bed. I hum them first and then listen to the call on the CD. The next day, I work out on the bugle until lip fatigue sets in.

5 out of 5 stars Clear and simple.......2006-08-04

Single bugle calls, clear and simple-recognizable to this Navy/Marine Corps veteran. Also some army stuff if you desire that sort of thing. Quite a lot of quality stuff.
Philip Jones Brass Ensemble Greatest Hits
Average customer rating: 5 out of 5 stars
  • The Greatest brass ensemble...
  • Nothing better than this!
  • Welcome Back PJBE
  • Great start! Now where is the rest?
  • Nec plus ultra
Philip Jones Brass Ensemble Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Music from the Royal Court
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  3. The Lighter Side
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  5. Glorious Sound of Brass

ASIN: B000056PRA
Release Date: 2001-01-23

Tracks:

  1. The Earle Of Oxfords March
  2. Renaissance Ste: La Mourisque
  3. Renaissance Ste: Bransle Quatre Bansles
  4. Renaissance Ste: Ronde
  5. Renaissance Ste: Basse Danse Bergeret
  6. Renaissance Ste: Ronde Mon Amy
  7. Renaissance Ste: Pavane Bataille
  8. Battle Ste: Galliard Battaglia
  9. Battle Ste: Courant Dolorosa
  10. Battle Ste: Canzon 'In Imitation Of An English Bergamask'
  11. Pavane
  12. The King's Hunting Jig
  13. Greensleeves
  14. Qnt No.1 in b flat, Op.5: Moderato
  15. Qnt No.1 in b flat, Op.5: Adagio
  16. Qnt No.1 in b flat, Op.5: Allegro Moderato
  17. Fanfare 'Narcisse'
  18. Sonatine: Allegro Vivo
  19. Sonatine: Andante Ma Non Troppo
  20. Sonatine: Vivo
  21. Sonatine: Largo - Allegro
  22. Qnt, Op.73: Allegro Vivace
  23. Qnt, Op.73: Chaconne
  24. Qnt, Op.73: Con Brio
  25. Spitfire: Prld And Fugue

Tracks:

  1. Fanfare For The Common Man
  2. Etude Characteristique No.1
  3. Sleeping Beauty: Waltz
  4. Four Pieces For Brass Qnt: Maestoso Alla Marcia
  5. Four Pieces For Brass Qnt: Scherzo
  6. Four Pieces For Brass Qnt: Andante Con Moto
  7. Four Pieces For Brass Qnt: Allegro Grazioso
  8. Ser in G, K.525 'Eine Kleine Nachtmusik'
  9. Ragtime Dance
  10. Frere Jacques
  11. Easy Winners
  12. Le Petit Negre
  13. Tarantella, Op.122
  14. Humoresque, Op.101 No.7
  15. Borage
  16. Tico-Tico
  17. La Peri: Fanfare
  18. Stadt Wein: Fanfare
  19. Pictures At An Exhibition: Promenade I
  20. Pictures At An Exhibition: The Gnome
  21. Pictures At An Exhibition: Promenade II
  22. Pictures At An Exhibition: The Old Castle
  23. Pictures At An Exhibition: Promenade III
  24. Pictures At An Exhibition: The Tuilerie Garden
  25. Pictures At An Exhibition: Bydlo
  26. Pictures At An Exhibition: Promenade IV
  27. Pictures At An Exhibition: Ballet Of Chicks In Their Shells
  28. Pictures At An Exhibition: Two Jews - One Rich, The Other Poor (Samuel Goldenberg And Schmuyle)
  29. Pictures At An Exhibition: Promenade V
  30. Pictures At An Exhibition: The Weekly Market At Limoges/Catacombs
  31. Pictures At An Exhibition: With The Dead In A Language Dead
  32. Pictures At An Exhibition: Baba Yaga/Great Gate Of Kiev

Customer Reviews:

5 out of 5 stars The Greatest brass ensemble..........2007-01-19

Philip Jones brass ensemble shows you musicality on a high level. The feelings they are playing with are suberb...music is feelings, not technical.

Buy it...

5 out of 5 stars Nothing better than this!.......2006-07-11

There are many brass recordings available today with ensembles which are even technically more advanced, but nothing can compare with Philip Jones, because the PJBE is not only pure precision playing, it's musicality too and it's smart arranging. Jones understands how to use the characteristics of each instrument. He lets room for Tuba or Horn too, its not just Trumpet always playing the big parts like Empire Brass does.

5 out of 5 stars Welcome Back PJBE.......2001-10-19

It is ironic that London/Decca waited until many of the important members of the Philip Jones Brass Ensemble were dead before finally releasing this collection of highlights from the ensemble's considerable catalog. Don't misunderstand me! I am thankful for this substantial 2 cd set. For fans of the PJBE there is real cause for celebration; and for those who are just discovering the work of this important brass ensemble, you are in for a treat.

The remastering is first rate and you can't beat the 2-fer pricing. Get this set while its available because the wait for more will at best be a long one. Thankfully, I still have most of the PJBE recordings on vinyl and a good turntable for playing them. But I would still be near the head of the line to snatch up any subsequent reissues. Years ago I saw several of their recordings on cd, but foolishly passed on them, thinking they would be in circulation for awhile. Silly me. Like I said, grab this before they post the infamous notice "no longer available."

When the PJBE made it's first American tour back in the 70s I was already a huge fan. I went to hear them play, never expecting the concert to sound as good as the recordings. They opened with the Tylman Susato Renaissance Suite and their playing immediately blew away any Memorex memories of their recordings. Unfortunately, we will never again hear live such virtuosity and musicianship. The recordings DO serve as a fine memory of the first and foremost brass ensemble.

5 out of 5 stars Great start! Now where is the rest?.......2001-05-31

I have always been a huge fan of the Philip Jones Brass Ensemble. They set a very high standard of playing and the recordings, most of which are not available on CD, are excellent.

Where are their landmark recordings of such works as the Hindemith works for brass ensembles: Concert music for strings and brass, Morgenmusik for brass, Concert music for piano, brass and harps which they played flawlessly?

Where is their outstanding recording of the Gunther Schuller Symphony for Brass?

Please, Decca, give us more of the full course, not merely the teasers and encores.

Partial LP discography:

Baroque Brass: 1979 Baroque Venice: 1972 La battaglia (Battles for brass): 1981 Carnaval des animals: 1984 Classics for brass: 1972/73 Gabrielis in Venice: 1983 Golden brass: 1974 Just Brass: 1970 Konzertmusik (Hindemith): 1981 Modern brass: 1979 Renaissance brass: 1976 Arrival of the Queen of Sheba: 1983 Strings and brass (Gabrieli, Vejvanovsky, Vivaldi): 1970 Voices and brass: 1969 The world of brass: 1976

5 out of 5 stars Nec plus ultra.......2001-04-01

Un grand merci aux créateurs de ce projet. Retrouvez les pionniers du cuivres en 2cds, qu'elle superbe idée. Byrd, Bozza, Arnold, Susato, Ewald, Arban, et j'en passe. Vraiment se double album est un délice pour nos oreilles. Alors à quant un double album avec les oeuvres contemporaines telles que: Addison, Dodgson, Salzedo, Premru, Bennett ? Le plus vite possible !!! Merci
Gershwin: Piano Music
Average customer rating: 4 out of 5 stars
  • Peculiar
  • Gershwin Never Sounded Better!
Gershwin: Piano Music

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  4. Gershwin Plays Gershwin: The Piano Rolls
  5. Sing Gus Kahn

ASIN: B000005IY8
Release Date: 1992-04-09

Tracks:

  1. George Gershwin's Song Book (1932): Swanee
  2. George Gershwin's Song Book (1932): Nobody But You
  3. George Gershwin's Song Book (1932): I'll Build A Stairway To Paradise
  4. George Gershwin's Song Book (1932): Do It Again
  5. George Gershwin's Song Book (1932): Fascinating Rhythm
  6. George Gershwin's Song Book (1932): Oh, Lady Be Good
  7. George Gershwin's Song Book (1932): Somebody Loves Me
  8. George Gershwin's Song Book (1932): Sweet And Low Down
  9. George Gershwin's Song Book (1932): That Certain Feeling
  10. George Gershwin's Song Book (1932): The Man I Love
  11. George Gershwin's Song Book (1932): Clap Yo' Hands
  12. George Gershwin's Song Book (1932): Do Do Do
  13. George Gershwin's Song Book (1932): My One And Only
  14. George Gershwin's Song Book (1932): 'S Wonderful
  15. George Gershwin's Song Book (1932): Strike Up The Band
  16. George Gershwin's Song Book (1932): Liza
  17. George Gershwin's Song Book (1932): I Got Rhythm
  18. George Gershwin's Song Book (1932): Who Cares?
  19. Other Piano Pieces: Rialto Ripples
  20. Other Piano Pieces: Three Preludes-Allegro ben ritmato e deciso
  21. Other Piano Pieces: Three Preludes - Andante con moto e poco rubato
  22. Other Piano Pieces: Three Preludes - Allegro ben ritmato e deciso
  23. Other Piano Pieces: Impromptu In Two Keys
  24. Other Piano Pieces: Three-Quarter Blues
  25. Other Piano Pieces: Merry Andrew
  26. Other Piano Pieces: Piano Playin' Jazzbo Brown (Jasbo Brown Blues)
  27. Other Piano Pieces: Promenade
  28. Songs By George And Ira Gershwin: I'll Build A Stairway To Paradise
  29. Songs By George And Ira Gershwin: How Long Has This Been Going On?
  30. Songs By George And Ira Gershwin: By Strauss
  31. Songs By George And Ira Gershwin: Someone to Watch over Me
  32. Songs By George And Ira Gershwin: Nice Work If You Can Get It
  33. Songs By George And Ira Gershwin: The Man I Love
  34. Songs By George And Ira Gershwin: Just Another Rhumba
  35. Songs By George And Ira Gershwin: Isn't It A Pity?
  36. Songs By George And Ira Gershwin: They All Laughed
  37. Songs By George And Ira Gershwin: Love Is Here To Stay

Amazon.com

William Bolcom is my kind of musician. He writes music that is sometimes adventurous but always based in a recognizable American idiom. And he's a terrific ragtime pianist, the best Joplin player I've heard. With these credentials, of course he's a wonderful Gershwin player. These are the best piano performances of Gershwin I know. After you hear those, Bolcom joins his wife Joan Morris for very flavorful versions of 10 George and Ira Gershwin songs. The whole disc is a delight, and the original analog recordings still sound fine. Highly recommended to all Gershwin lovers. --Leslie Gerber

Customer Reviews:

3 out of 5 stars Peculiar.......2005-01-26

I can see how someone might enjoy this album. William Bolcom is a top-flight pianist and the idea of playing the tunes as George Gershwin played them at parties is intriguing.

Because my ear is used to it, I guess, I would like to have heard longer performances of fewer songs. Each one sounded to me like a snippet -- over too soon. Because of that, plus the fact that I'm not a fan of Joan Morris' showy voice, I give the album one thumb up.

5 out of 5 stars Gershwin Never Sounded Better!.......2002-06-25

This is a fantastic CD! Back in the 70's, pianist William Bolcom and his singer wife Joan Morris made a delightful series of albums on the Nonesuch label of old songs from the first half of the twentieth century - just glorious voice backed by brilliant piano. As Ira Gershwin might say - who could ask for anything more? The music is not only beautifully performed, you can hear the joy of the performance in every note. And Bolcom and Morris were never better than when doing Gershwin.

A combination of two albums, the first part of this CD is all piano. The Gershwin Songbook consists of brief (some under a minute) versions of some of his more popular songs in the way that Gershwin himself famously played them at parties. They demonstrate that Gershwin was as gifted a pianist as he was a composer. The other instrumental tracks are some of Gershwin's solo piano pieces, including the wonderful Rialto Ripples, a rag written when he was just seventeen. For me, the pinnacle of both Gershwin's and William Bolcom's artistry is reached on the second of the three preludes - a classic study of a bluesy mood.

Just when you think things can't get any better, Joan Morris arrives. She effortlessly sings and swings her way through ten of Gershwin's best songs from the cheeky comedy of By Strauss to the smoky moodiness of Someone To Watch Over Me. Maybe I'm just an incurable old romantic, but the ballads are the best of all.

No Gershwin collection can be complete without this CD. Now if only I could find a copy of that Bolcom/Morris song about Humphrey Bogart...

Rock Music:

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  2. What's The Damage, Nick Nack?
  3. 70's Collection, Vol. 1
  4. Ac/Dc: a Hometown Tribute [Import]
  5. A Collection of Thoughts
  6. At Their Best
  7. Auberge [Import]
  8. Automind [Enhanced]
  9. Back to School [Import]
  10. Battle of the Bands, Vol. 1

Rock Music

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