Ignoto [Import]

Product Description
Ignoto is one of the most unique, exciting and unparalleled British debuts in recent years. Milo have drawn comparisons to acts as diverse an Joy Division, Fugazi, Radiohead and Mars Volta and their Flood produced album justifies all of this. Album includes the singles '17' & 'Schteeve' Fiction. 2005.

Ignoto,Your Codename Is Milo,Umvd Import,Pop,Rock,Rock/Pop

Average customer rating: Jaroussky has a gifted voice a voice teacher and early music fan Jaroussky is exceptional A pleasant surprise Another Fine Countertenor Lights Up The World!

Vivaldi: Virtuoso Cantatas Philippe Jaroussky , Unspecified , Antonio Vivaldi , Ensemble Artaserse , and Claire Antonini Manufacturer: Virgin Classics ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Vivaldi Heroes Beata Vergine Vivaldi: Griselda Vivaldi: Bajazet [Includes Bonus DVD] Un Concert Pour Mazarin ASIN: B0006IQM4O Release Date: 2005-04-12

Tracks:

1. Aria: Alla Caccia Dell'alme E De' Cori
2. Recitativo: Ma Sia Crudele O Infida
3. Aria: Preso Sei Mio Cor Piagato
4. Recitativo: Qual Per Ignoto Calle
5. Aria: Quel Passagier Son Io
6. Recitativo: Deh, Piu Non Regni Nel Tuo Gentil Petto
7. Aria: Qual Dopo Lampi E Turbini
8. Piangero Sinche L'onda - Ruggiero
9. Prelude After Vivaldi (Theorbo Solo)
10. Aria: Care Selve, Amici Prati
11. Recitativo: Ben Mal'accorto E Folle All'or Io Fui
12. Aria: Placido In Letto Ombroso
13. Largo
14. Allegro
15. Largo
16. Allegro
17. Recitativo: Perfidissimo Cor! Iniquo Fato!
18. Aria: Nel Torbido Mio Petto
19. Recitativo: Cosi Dunque Tradisci Chi Contenta
20. Aria: Piu Amar Non Spero, No
21. Di Verde Ulivo - Vitellia
22. Recitativo: Pianti, Sospiri E Dimandar Mercede
23. Aria: Lusinga E Del Nocchier
24. Recitativo: O Ingannato Nocchiero
25. Aria: Cor Ingrato Dispietato

Customer Reviews:

Jaroussky has a gifted voice.......2006-06-21

In early polyphony, the contratenor was a voice part in melodic counterpoint against the tenor. It was written roughly in the same range as the tenor. In the 15th century, contratenor split into contratenor altus and contratenor bassus, which were respectively above and below the tenor. By the 16th century, however, the term became obsolete as Latin lost popularity. In Italy, the contratenor altus became simply alto; in France, haute-contre; in England, countertenor.

Countertenors remained in the niche of sacred vocal music, in part because women were banned from singing in church services. However, they were not prominently featured in the rise of opera. Handel would occasionally write a part specifically for a countertenor, but the castrati were vastly more popular. As a result, the countertenor voice was found only in cathedral choirs and the occasional early music ensemble for a few centuries.

The most visible icon of the countertenor revival was Alfred Deller, an English singer and champion of authentic early music performance. Deller initially called himself an "alto", but his collaborator Michael Tippett recommended the archaic term "countertenor" to describe his voice. In the 1950s and 60s, his group, the Deller Consort, increased audiences' awareness of (and appreciation for) renaissance and Baroque music. Benjamin Britten wrote the role of Oberon in his setting of A Midsummer Night's Dream for him. Deller was the first modern countertenor to achieve such celebrity, but he would not be the last. Russell Oberlin was Deller's American counterpart, and another early music pioneer. Oberlin's success was entirely unprecedented in a country that had seen little exposure to anything before Bach, and it paved the way for the next generation of countertenors.

Today, countertenors are much in demand in many forms of classical music. In opera, many roles originally written for castrati are now sung by countertenors, as are some trouser roles. Modern composers write countertenor parts, both in choral works and opera. Men's choral groups such as Chanticleer and the King's Singers employ them to great effect in a variety of genres, including early music, gospel, and even folk songs.
A few countertenors have a range comparable to a female soprano. They are usually called sopranists, and often sing higher castrato arias. As there are not many of them, Jaroussky is the latest countertenor and should the word "gifted" for him suits his special talent, this CD deserves a 4 star.

a voice teacher and early music fan.......2006-05-20

The vocal selections on this disc include 2 arias from Vivaldi operas. However, at that time the cantatas and the operas were very closely aligned using the same instrumentation and truthfully it would be difficult to tell the difference between them had I not been previously informed. Jaroussky has excellent vocal technique;in fact in some passages he astounds the listener. His aria :Cor ingrato dispietato (from an opera) displays amazing breath control and clean clear notes. If there is something lacking it is in slow passages that demand more intensity and emotion; age and experience will certainly help!!!And his voice sounds better when the music has a high tessitura. He's a fresh new voice in the world of countertenors. My appreciation knows no bounds for the "Ensemble Artaserse";they are truly excellent and skilled on their instruments; wonderful to hear. This is really a great disc!!!!

Jaroussky is exceptional.......2005-09-07

Jaroussky's singing adds to the growing interest in Vivaldian opera. His performance of "Qual Dopo ..." is both a demonstration of the great technique and artistry of his beautiful voice. For those curious to explore his singing range, try his masterful deliverance of arias such as "Tu m'offendi",from La Verita en Cimento, and "Sol da te", from "Orlando Furioso" where he honors the composer with the nuances, adornments, and melodic draws of his voice. This CD would have showcased the cantata genre much better had the musical selection been more diverse in note and tempo. Nonetheless, Jaroussky is at his best!

A pleasant surprise.......2005-05-20

Countertenor is not this reviewer's favorite range of male singer. That's probably so because it is both unfamiliar and underperformed and, when it is sung, never comes off as quite natural to the singer himself. In many respects, it really is an outdated male vocal range that should have gone the way of castrati. Interestingly, it seems to going in just the opposite direction. At least Virgin Classics must think so because last month it released a new CD by countertenor Philippe Jaroussky singing Vivaldi Cantatas, with the Ensemble Artaserse -- and it is surprisingly good. The CD consists of a couple quite beautiful period solo ensemble selections, theorbo etc. (See cut #9 "Prelude to Vivaldi") and vocals that demonstrate the best of what a countertenor sounds like, most notably Piangero Sinche L'onda, Ruggiero. Mr. Jaroussky's voice is both agile and open and his diction is punctuated and enhanced by a smooth delivery that is passionate enough, such that each piece comes off as a personal story that truly captivates the listener. An added plus is the fact that the thematic organization of this CD is even. In other words, you won't be reaching for the "skip" button here. The quality of the recording, too, is excellent. Although many listeners prefer the live aspect of concert performances, the very thing that attracts, can also produce a hollow, almost metallic sound in a live hall. In Cantatas, you won't find any unevenness or harsh selections. You might even find that you are pleasantly surprised by how intriguing it is.

Another Fine Countertenor Lights Up The World!.......2005-04-13

This exciting recording of Vivaldi cantatas for solo voice and instrumental ensemble is one of the more compelling releases of the year to date! While the music of the glorious Venetian Antonio Vivaldi is well known, especially the standard repertoire `The Four Seasons' and the choral works and chamber works - even some operas - the cantatas are rarely performed and this CD of his best ones should change that.

Philippe Jaroussky is yet another fine countertenor who is rather recent on the scene. With the growing popularity of musicians courageous and gifted enough to become successful in the countertenor repertoire (just pause for a moment and think of the significant number a star quality countertenors on the stages today), the numerous pieces for this range of voice continue to appear. Vivaldi's cantatas are refined, beautifully embellished, demanding consummate artistry of not only the high hurdles for the voice but also for the accompanying forces. Jaroussky seems to have endless breath, singing the long extended lines with total ease. His embellishments alter with each da capo as to the period born! This is a voice a great power and warmth and one that feels married to the texts.


Providing brilliant collaboration is the Ensemble Artaserse and period instruments. The variety of color is awe-inspiring and the technique of these unique musicians is impeccable. In their solo portions they produce a richly elegant - yes, Venetian sound. And in tandem with Jaroussky the complete effect is one of single purpose, line, and harmony.

This is a new CD to treasure and the sampling is generous. For this reviewer this is a new repertoire to explore and it would be difficult to imagine forces better suited to these treasures than those on this CD. Highly recommended. Grady Harp, April 05

Average customer rating: Not bad at all ... for what it is An honor roll of Verdi recordings Una compra obligada para todos los verdianos An excellent little compilation An incredible celebration! Viva Verdi!

Viva Verdi! A 100th Anniversary Celebration Giuseppe Verdi , Hungarian State Opera Orchestra , New Philharmonia Orchestra , National Philharmonic Orchestra , Wiener Philharmoniker , Orchestra del Teatro all Scala , Munich Bavarian State Orchestra , Los Angeles Philharmonic Orchestra , Neville Marriner , Lamberto Gardelli , Nello Santi , Fabio Luisi , Claudio Abbado , Peter Maag , Carlo Maria Giulini , Tullio Serafin , Carlos Kleiber , Francesco Molinari-Pradelli , Herbert von Karajan , Plácido Domingo , Carlo Bergonzi , Fiorenza Cossotto , Lajos Miller , Sylvia Sass , Jose Carreras , Montserrat Aparici , Sherrill Milnes , Giovanni Foiani , Shirley Verrett , Ruggero Raimondi , Montserrat Caballe , Alexander Oliver , Luciano Pavarotti , Matteo Manuguerra , Thomas Moser , Maria Venuti , Piero Cappuccilli , Anthony Michaels-Moore , and Roberto Scandiuzzi Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music ASIN: B00004ZB9N Release Date: 2000-11-14

Tracks:

1. Oberto: Sinfonia - Academy Of St. Martin In The Fields
2. Un giorno di regno: Scena e cavatina: Ah non m'hanno ingannata!...Grave a core innamorato (Marchesa) - Fiorenza Cossotto
3. Nabucco: Coro: Va, pensiero, sull'ali dorate - Wiener Staatsopernchor
4. I lombardi: Scena E Cavatina: La Mia Letizia Infondere... Come Poteva Un Angelo (Oronte, Sofia) - Placido Domingo
5. Ernani: Duetto: Da qual di che t'ho veduta (Don Carlo, Elvira) - Lajos Miller
6. I due Foscari: Atto II, preludio - Scena: Notte! perpetua notte (Jacopo) - Jose Carreras
7. Giovanna d'Arco: Sotto una quercia parvemi (Carlo VII) - Carlo Bergonzi
8. Alzira: Scena a cavatina: Riposa. Tutte, in suo dolor vegliante...Da Gusman (Alzira, Chorus, Zuma) - Marina Mescheriakova
9. Attila: E' gettata la mia sorte (Ezio) - Sherrill Milnes
10. Macbeth: Scena e cavatina: Vieni! t'affretta!...Or tutti sorgette (Lady Macbeth) - Giovanni Foiani
11. I masnadieri: Racconto: Un ignoto (Massimiliano) - Ruggero Raimondi
12. Jerusalem: Je veux encore entendre ta voix - Marcello Giordani
13. Il corsaro: Cavatina: Ne sulla terra creatura alcuna (Gulnara) - Alexander Oliver
14. la battaglia di Lagnano: Coro: Viva Italia! - Chor und Synphonieorchester des ORF
15. Luisa Miller: Quando le sere al placido (Rodolfo) - Luciano Pavarotti
16. Stiffelio: Scena finale: Stiffelio! - Eccomi! - Sylvia Sass

Tracks:

1. Rigoletto: Quartetto: Bella figlia dell'amore - Piero Cappuccilli
2. Il Trovatore: Stride la vampa! (Azucena) - Fiorenza Cossotto
3. La Traviata: Atto I, preludio - Bayerisches Staatsorchester
4. La Traviata: Brindisi: Libiamo ne' lieti calici (Alfredo, Violetta) - Placido Domingo
5. La Traviata: Scena ed aria: Finale (Violetta): E' strano!...Ah, fors'e lui - Bayerisches Staatsorchester
6. La Traviata: Follie! Delirio vano e questo!...Sempre libera - Ileana Cotrubas
7. Les Vepres sicilliennes: Giorno di pianto (Arrigo) - Carlo Bergonzi
8. Simon Boccanegra: Atto I, preludio - Orchestra Del Teatro Alla Scala
9. Aroldo: Scena e quartetto finale (excerpt): Allore che gl'anni - Neil Shicoff
10. Un ballo maschera: Di' tu se fedele (Riccardo) - Luciano Pavarotti
11. La forza del destino: Pace, pace mio Dio (Leonora) - Renata Tebaldi
12. Don Carlos: Dio, che nell'alma infondere (Don Carlos, Posa) - Dietrich Fischer-Dieskau
13. Aida: Se quel guerrier io fossil...Celeste Aida (Radames) - Jon Vickers
14. Aida: Qui Radames verra...O patria mia (Aida) - Leontyne Price
15. Otello: Ave Maria (Desdemona) - Renata Tebaldi
16. Falstaff: Facciamo il parentado...Tutto nel mondo e burla - Renato Bruson
17. Requiem: Requiem aeternam, Kyrie - Luciano Pavarotti

Amazon.com

It's rare for sampler albums to demonstrate originality, but Decca's Giuseppe Verdi compilation honoring the 100th anniversary of the composer's death in 1901 goes beyond putting a smorgasbord of Verdiana on your plate. Its lavishly illustrated 100-page book includes a potted bio of the composer and sections on each of his operas, along with Universal's complete Verdi catalog (but no texts or translations). The discs contain samples from each opera, arranged in chronological order, featuring most of the top singers of the past 40 years. They're all here, from the Three Tenors to their betters, like Jon Vickers, whose powerfully sung "Celeste Aida" is a demonstration of individuality at the service of character portrayal, and Carlo Bergonzi, whose two selections (arias from Giovanna del Arco and Les Vêspres siciliennes) are magnificent demonstrations of the true Verdi style. And this is not just another Great Hits compilation, for many of the operas are represented by rarely heard arias and ensemble pieces. The result: a neat introduction to Verdi's glorious music for neophytes and a nice supplement for Verdians, who will discover new aspects to the Bard of romantic opera. --Dan Davis

Customer Reviews:

Not bad at all ... for what it is.......2007-05-03

This two-CD set purports to celebrate the hundredth anniversary of Giuseppe Verdi's death by highlighting the whole arc of his operatic career (including his Requiem) in thirty-three tracks. This is, of course, plainly an impossible task. In general, each opera gets a single selection taken from complete performances that happened to be issued by Decca, Phillips or Deutsche Grammaphon. Since none of the three organizations had recorded either "I vespri Siciliani" or "Giovanna D'Arco," appropriate tenor arias were taken from a concert selection by Carlo Bergonzi. As the previous reviewer, Mr. Listener, pointed out, exceptions were made for "La Traviata" with four selections (all from the same recording) and "Aida" with two (ditto). In addition to those, the much more obscure "Stefellio" sneaked in the back door with a second selection from the re-written and re-named "Aroldo." The same can be said for "I Lombardi alla prima Crociata," subsequently Frenchfied as "Jerusalem."

Ten operas, "Oberto," "I Lombardi," "Ernani," "Alzira," "Macbeth," "Jerusalem," "Simon Bocanegra," "Aroldo," "Un ballo in maschera," and "Falstaff," were recorded digitally, the most recent being "Alzira" from 1999. The remaining selections were taken from digitally re-mastered analogue recordings. The oldest of them, by far, is the fabulous 1955 Tebaldi recording of "La forza del destino." Each of these recordings was made with the leading-edge technology of its day. None has lost anything in this re-issue. Their sound should be more than satisfactory to anyone except the most narrow-minded audio purist.

Among the singers, Bergonzi, Caballe, Carreras, Cortrubas, Cosotto, Domingo, Horne, Ricciarelli, Sutherland, Tebaldi and Vickers are certainly on the A-list. The others, for the most part, are also good. The conductors are uniformly strong, although none of the others was as perfectly suited to this music as the venerable Tullio Serafin, heard here only in "Il trovatore."

The set comes with the two CDs tucked away in pockets on the front and back boards of a small, bound book. The book consista of 103 pages of historical commentary, illustrations of Verdi, his wife, his collaborators, premiere productions of the operas and, just by chance, advertisements touting opera recordings from Decca, Phillips and Deutsche Grammophon.

All the original recordings were good, but only the "Otello," "Aida" and "Forza" would have any great number of fans regarding them as the best of the best, although the curiously underrated and largely forgotten "Trovatore" under Serafin is very, very good, too. As a matter of purely personal taste, I would rank only the "Forza" as without peer.

No collection that ignores the catalogues of EMI and RCA--or even the old, rough and ready CETRA, can possibly be regarded as definitive. Nevertheless, on the whole, this is a respectable attempt at its self-imposed impossible task. As I write, "Viva Verdi!" is available from various Amazon sellers at prices ranging from $8.70 to $18.68. If you are interested in a Verdi sampler, this one is a bargain.

Four sampled stars.

An honor roll of Verdi recordings.......2005-10-28

This is a commercial sampler whose 100-page book is basically a promo for the Verdi operas made by Decca, Philips, and DG. Usually such products offer insubstantial snippets, and in a sense that's true here. Verdi's operatic output from Oberto to Falstaff is given one exceprt each except for La Traviata (4) and Aida (2). The Requiem also gets a piece of the action.

The second CD, beginning with the quartet from Rigoletto, carries us into completely familiar territory. And the book is only interesting as a reminder of an honor roll of recordings that Verdi has received. It was admirable for Philips to record so much early music with great singers like Carreras and Caballe in their absolute prime.

It's the exposure of these thrilling voices that ties this collection together. Every snippet is in good osund and displays some kind of vocal excellence, often in operas like Jerusalemma or Giovanna d'Arco that few of us are likely to buy. Azira, I Due Foscari, Atila? Without this sampler these would still just be names on a page to me. Now I have a vivid, living memory of them, which is all a composer could ask for.

Una compra obligada para todos los verdianos.......2005-02-09

Este doble cd acompañado de un libro de mas de 100 paginas con comentarios sobre Verdi, sus óperas una a una, y un catalogo de discografia verdiana recomendable incluye 33 fragmentos musicales de TODAS las operas de Verdi, ademas de uno de su Requiem.
Mas alla de los fragmentos de las obras realmente conocidas (todos aqui presentes en versiones de primera clase, con solistas como Domingo, Carreras, Tebaldi, Verrett, Millnes...) el principal punto de interes de este disco radica en encontrar autenticas rarezas, como una amplia escena (12') de "Alzira" a cargo de la prometedora Marina Mescheriakova, o el poder comparar el 'La mia letizia infondere' (de I Lombardi) con el 'Je veux encore entendere' (de Jerusalem, la revision francesa de I Lombardi). En la primera encontramos a un Placido Domingo pletorico y en la segunda (mas aguda) a un Marcello Giordani sin miedo al agudo. Dos operas (Alzira y Jerusalem) nunca antes grabadas en estudio.
Una fiesta verdiana obligada, tanto para los aficcionados que quieran iniciarse como para aquellos que ya son iniciados y quieren disfrutar una vez mas con Verdi en estado puro. ¡VIVA VERDI!

An excellent little compilation.......2003-05-29

This is a great little set, better in its breadth than its depth. I came to appreciate this collection when I was putting together a score for a show entitled: "Eat your greens; The complete operas of Verdi performed in 20 minutes by a cast of vegetables" Let me assure you, when you're trying to get every Verdi opera down to 20 or so seconds and score it with a pithy arrangement of a passage, you're going to need someone to narrow it down to about one number per opera for the bulk of the shows. If I wasn't able to reference this, I would have had to look much harder and spent a lot more money to get things like the complete Oberto, Conte di San Bonifacio and Alzira. This collection provided me with stellar recordings of the cream of each Verdi opera, all well recorded by major artists. In addition to this admittedly obscure usage, the collection provides a splendid overview of Verdi's truly massive career, from his early beginnings, where he nearly out-Rossinis Rossini (if that were possible) to his colossal Requiem, Falstaff, and Otello, which are arguably Wagnerian in scope and ambition. Short of a college course, and the Budden book, I can't think of any better way to internalize his acheivement than to listen to this superbly compiled and elegantly packaged delight. I recommend it highly.

An incredible celebration! Viva Verdi!.......2000-12-05

This album which is celebrating Verdi's works, is wonderful. I could say these cds present the best singers of our times singing Verdi's operas. I also noticed that here we can hear many less known works. In fact, almost all the Verdi's operas are contained in this magnificent album. As the title says: " a great celebration"

Average customer rating: great UK band Great songs, not so great production

Ignoto ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music Similar Items: All Roads to Fault ASIN: B000A2H5GA Release Date: 2005-07-26

Album Description

Ignoto is one of the most unique and exciting British debuts in recent years. Yourcodenameis:Milo have drawn comparisons with acts as diverse as Joy Division, Fugazi, Radiohead and The Mars Volta. Their Flood-produced album justifies all of this. This Newcastle five piece of extremely creative young men have made an uncompromising album that combines distorted guitars with existentially disorientated lyrics, as is made clear from the opening bars of 'I Am Connecting Flight', through to the live favorite 'Schteeve' and the single, '17'. Universal. 2005.

Customer Reviews:

great UK band.......2006-05-24

A cacophany of noise and what seems to be bad production, that somehow combines to make a unique, time consuming (once started, hard to turn off) sound. Great for those moody/dark/rainy nights while lying on your bed... drift off & find yourself lost in excessively twisted time beats, huge guitaring & a voice heavy with effects. Progressive, but not as much as, say, The Mars Volta. A definite recommendation for fans of Radiohead & The Cure.

Great songs, not so great production.......2006-03-22

I really enjoyed this album and most of the songs on it, but I didn't like the effect on Paul's voice (he's a good singer, why hide it) and a lot of the songs sounded like I was listening to a demo record, which made little sense. Other than the questionable production quality, this is a great buy for anyone that is into original music or has already heard and liked the band.

Average customer rating:

Handel, Vivaldi: Cantatas and Sonatas Manufacturer: Gaudeamus ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00004VXDT Release Date: 2000-09-26

Tracks:

1. Son in B flat, RV45: Largo - The Four Nations Ens/Andrew Appel
2. Son in B flat, RV45: Allegro - The Four Nations Ens/Andrew Appel
3. Son in B flat, RV45: Largo - The Four Nations Ens/Andrew Appel
4. Son in B flat, RV45: Allegro - The Four Nations Ens/Andrew Appel
5. Cant 'Mi Palpita Il Cor': Recit: Mi Palpita Il Cor - Matthew White
6. Cant 'Mi Palpita Il Cor': Aria: Ho Tanti Affanni In Petto - Matthew White
7. Cant 'Mi Palpita Il Cor': Recit: Clori Di Te Mi Lagno - Matthew White
8. Cant 'Mi Palpita Il Cor': Aria: Se Un Di M'adora - Matthew White
9. Son in c, RV83: Allegro - Matthew White
10. Son in c, RV83: Largo - The Four Nations Ens/Andrew Appel
11. Son in c, RV83: Allegro - The Four Nations Ens/Andrew Appel
12. Cant 'Qual Per Ignoto Calle' RV677: Recit: Qual Per Ignoto Calle - Matthew White
13. Cant 'Qual Per Ignoto Calle' RV677: Aria: Quel Passegier Son Io - Matthew White
14. Cant 'Qual Per Ignoto Calle' RV677: Recit: Deh Piu Non Regni - Matthew White
15. Cant 'Qual Per Ignoto Calle' RV677: Aria: Qual Doppo Lampi - Matthew White
16. Son in D, Op.1 No.13: Affettuoso - The Four Nations Ens/Andrew Appel
17. Son in D, Op.1 No.13: Allegro - The Four Nations Ens/Andrew Appel
18. Son in D, Op.1 No.13: Larghetto - The Four Nations Ens/Andrew Appel
19. Son in D, Op.1 No.13: Allegro - The Four Nations Ens/Andrew Appel
20. Son in d, Op.1 No.12: La Follia - The Four Nations Ens/Andrew Appel

Average customer rating:

Oltre L'Ignoto Malibran Manufacturer: Dark Matter Distribution ProductGroup: Music Binding: Audio CD ASIN: B000OPO25K Release Date: 2006-08-01

Average customer rating:

Ives: Trio kw9; Bresnick: Trio Manufacturer: Composers Recordings ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Ives, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music General | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000005TUA Release Date: 1994-06-10

Tracks:

1. Trio: Moderato
2. Trio: Tsiaj
3. Trio: Moderato con moto
4. Piano Trio: Semplice, Inesorabile
5. Piano Trio: Leggiermente, con accenti diversi - ('Cat's Cradel')
6. Piano Trio: Parlando, Affetuoso
7. Piano Trio: Ardente, Sperduto
8. Ignoto Numine

Average customer rating:

Ignoto Your Codename Is Milo Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music ASIN: B00081R7BQ Release Date: 2005-04-25

Tracks:

1. I Am Connecting Flight
2. 17
3. Titan Grip
4. Rapt. Dept.
5. Schteeve
6. Team Radar
7. Fivefour
8. Yesterday's Head
9. Empty Feat
10. 2-Stone
11. General
12. Audition
13. Unfinished Drawings of Cats [UK Bonus Track]

Album Description

Ignoto is one of the most unique, exciting and unparalleled British debuts in recent years. Milo have drawn comparisons to acts as diverse an Joy Division, Fugazi, Radiohead and Mars Volta and their Flood produced album justifies all of this. Album includes the singles '17' & 'Schteeve' Fiction. 2005.

Average customer rating:

Antonio Vivaldi - Cantatas - "Lungi dal Vago Volto" RV 680; "Perfidissimo Cor! Iniquo Fato!" RV 674; "Amor, Hai Vinto" RV 651; "Qual per Ignoto Calle" RV 677; "All'Ombra di Sospetto" RV 678 Antonio Vivaldi , and Charles Humphries (countertenor) Manufacturer: Gaudeamus ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B0000Y37GA Release Date: 2004-02-24

Tracks:

1. Recitative
2. Largo
3. Recitative
4. Allegro
5. Recitative
6. Larghetto
7. Recitative
8. Allegro Non Molto
9. Recitative
10. Largo
11. Recitative
12. Andante
13. Recitative
14. Andante
15. Recitative
16. Allegro
17. Recitative
18. Larghetto
19. Recitative
20. Allegro

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Ignoto ProductGroup: Music Binding: Audio CD ASIN: B0009PZQ00 Release Date: 2005-07-26

Average customer rating:

Alessandro Nini: La Marescialla d'Ancre Manufacturer: Bongiovanni ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music ASIN: B0006NH68K Release Date: 2005-01-25

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