God Came

1. Angels We Have Heard On High

2. No Room For A King

3. JOY To The World

4. O Come All Ye Faithful

5. Here Comes Santa Claus / Jingle Bells

6. O Come, O Come Emmanuel / What Child Is This?

7. God Came

8. God Rest Ye Merry Gentlemen

9. O Holy Night

10. Silent Night

Editorial Reviews

About the Artist
basic is a husband/wife duo from Palmyra, NY. They perform original acoustic rock music in their region and all over the country. You can find them in coffee shops, bookstores, malls, outdoor venues and churches across the USA.

Product Description
A collection of old Christmas carols in a fun new way. Lots of fun guitar stuff, some surprises, and just a great Christmas CD! The title song is a basic (Greg Campbell) original taken from the first chapter of the Book of John. The amazing story of the Creator becoming the created, so that we could be adopted as children of God. Awesome. That's Christmas. God Came.

Tracks:

Deck The Halls With Broughs Of Holly
Lo, How A Rose E're Blooming
Bring A Torch, Jeanette, Isabella
The First Nowell
Angels We Have Hard On High
We Three Kings Of Oreint Are
O Come, All Ye Faithful
O Sanctissima
O Tannenbaum
O Come, O Come, Emmanuel
Good King Weceslas
Silent Night, Holy Night
Joy To the World
The Twelve Days Of Christmas
Conventry Carol
God Rest Ye Merry, Gentlemen
Hark! The Herald Angels Sing
It Came Upon A Midnight Clear
Good Christian Men Rejoice
O Holy Night
What Child Is This?
Wassial Song
O Little Town Of Bethlehem
Away In A Manger
We Wish You A Merry Christmas

Customer Reviews:

Nice music but..........2007-03-08

I liked the music and the performances a lot, but there is no booklet to depict the performers, nor analyse the music or the arrangements, which are superb

Great CD.......2007-02-16

This is a great holiday CD. We used it for several holiday dinners this year.

A Noble and Festive Christmas.......2007-01-21

This is the best Christmas album you could ever get. It is the most stable as you do not have to think about it. This is the album you really sing along to. Brass makes everything festive, grand and noble; so will your Christmas! A gem for every year!

Meat and Potatoes.......2007-01-18

Since the release of this fine recording in 1967 there have been many fine
brass groups:The Canadian Brass, the Empire Brass, just to name a few.
Whereas these latter groups have all resorted to "gimmicks" such as unique arrangements to sell their albums this group of brass players from the Philadelphia Orchestra give us an album of good old "meat and potatoes" playing spiced with fine tone,good ensemble playing, and good tempos.

Totally Awesome.......2007-01-12

I love listening to this cd at christmas. The brass is so crisp, almost like being right there. You have to add this to your holiday collection, and for those of you who like brass, you will love it. I play the french horn and I esp. love hearing the french horn in it.

A Festival Of Carols / Robert Shaw Chorale

Average customer rating:

Traditional Christmas Music
The quintessential Christmas recording
A Top List Christmas CD
The best
How do you describe perfection?

A Festival Of Carols / Robert Shaw Chorale
Robert Shaw Chorale
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Songs of Angels - Christmas Hymns and Carols
The Many Moods of Christmas (1963 RCA Victor Version) Robert Shaw Chorale and Orchestra
Joy to the World - Eugene Ormandy, Philadelphia Orchestra
A Festival of Carols in Brass
A Robert Shaw Christmas - Angels on High

ASIN: B000003EPA
Release Date: 1990-10-25

Tracks:

Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
It Came Upon The Midnight Clear
O Come, O Come, Emmanuel
Shepherd's Carol
Go, Tell It On The Mountain
Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
I Wonder As I Wander
We Three Kings
My Dancing Day
Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
Coventry Carol
God Rest You Merry, Gentlemen
Lo, How A Rose E'er Blooming
Carol Of The Bells
Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly

Customer Reviews:

Traditional Christmas Music .......2007-01-24

If you love traditional Christmas music, done in traditional style (i.e., no rock or jazz influence), this CD is for you. The Robert Shaw Chorale, the "gold standard" of quality choral music, sings much loved carols, with some lesser-known pieces as well. Some are a cappella; some include a full orchestral accompaniment. My favorites on this CD are "We Three Kings," "Bring a Torch, Jeannette Isabella," and "I Saw Three Ships."

The quintessential Christmas recording.......2005-12-09

This recording seems to elicit universal and heartfelt praise. Who am I to dispute that? The performance is terrific, just as described by the other Amazon reviewers, no doubt about it.

However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!

A Top List Christmas CD.......2004-12-28

I bought this cd long ago, and have enjoyed it immensely each year. It is the perfect blend of celebration and meditation. Orchestra and choir combine in four distinct groupings, and a capella arrangements complete the masterful collection. The orchestral arrangements will make the hairs on your neck stand up, and your stomach quiver with all the excitement you ever felt as a child at Christmas. Adeste Fidelis is performed as few other ensembles have ever come close. The a capella arrangements will all, without exception, be on your yearly list of must-hear holiday arrangements. Truly a top list Christmas CD, essential for every family who celebrates this feast.

The best.......2004-01-02

I own approximately 35 Christmas choral CDs - including choirs and groups such as the Cambridge Singers and the King Singers. I also own two Christmas albums with Robert Shaw and the Atlantic symphony. This performance with the Robert Shaw Chorale is old but it is still my favorite. The arrangements are magnificent, the sound is brilliant, and the choir and orchestra are precise with wonderful volume control. Buy and enjoy!

How do you describe perfection?.......2003-12-14

This is my favorite Christmas CD. Nothing comes close. I thoroughly enjoyed learning much of the music in high school choir over 30 years ago. The music has never left me. The four medleys are the arrangements of Robert Russell Bennett titled "The Many Moods of Christmas". The arrangements seem to have a freshness about them even after listening numerous times.

Interspersed with the medleys are a cappella carols.

All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.

Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Average customer rating:

Superb Christmas Album
Love Mario Lanza
Mario Lanza - fantastic
Christmas Hymns & Carols: You Do Something to Me
Pure hymnal power.

Christmas with Mario Lanza

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Lanza: Greatest Hits
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You'll Never Walk Alone

ASIN: B000003EP6
Release Date: 1990-10-25

Tracks:

Deck The Halls
Hark! The Herald Angels Sing
God Rest You Merry Gentlemen
Joy To The World
O Christmas Tree
I Saw Three Ships
It Came Upon The Midnight Clear
Ave Maria
O Holy Night
The Virgin's Slumber Song
Pieta Signore
The First Nowell
O Come All Ye Faithful
Away In A Manger
We Three Kings
O Little Town Of Bethlehem
Silent Night
Guardian Angels
I'll Walk With God
The Lord's Prayer

Customer Reviews:

Superb Christmas Album.......2007-02-19

Mario Lanza infuses his characteristic beautiful vocal intensity into this collection of carols and Christmas songs.
The result is an outstanding album which will bring a lump to your throat and tears to your eye.
The recordings are old, but the Lanza magic makes this album a must-buy

Love Mario Lanza.......2007-01-28

I love Mario Lanza. He is in my top favs. I have wanted this album for ages and it is just as great as I knew it would be. I'll be back to buy more of Mario Lanza.

Mario Lanza - fantastic.......2007-01-15

Fantastic voice, wonderful classic Christmas songs. My all-time favourite version of O Holy Night - spine tingling.

Christmas Hymns & Carols: You Do Something to Me.......2007-01-12

Wonderful songs, great selections of songs sung by the greatest singer, Mario Lanza.

Pure hymnal power........2006-12-20

I have just spent the past six hours listening to snippets of every Christmas CD that I can find on Amazon, and this is the best by far. It's the purest rendition of the best Christmas hymns that are sung in church on Christmas Eve. No inane flourishes, no ignorant alterations, no arrogant amendments, just pure hymnal power. Don't agree? Type "christmas" in the Amazon music search box, listen to all the renditions of all the classic hymns such as "O Come All Ye Faithful" and when you are done you cannot but agree that Mario Lanza is not surpassed.

Update: I am now listening to the full CD and it is better even than I had hoped for. The beauty of Lanza's voice brings tears to my eyes and joy to my heart.

Average customer rating:

A Christmas Tradition for the Ages: Leontyne Price & Xmas
DECEMBER 1965 IN CHICAGO

Christmas With Leontyne Price (Dig)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Lakatos
Joy to the World

ASIN: B0002JZ28Y
Release Date: 2004-10-12

Tracks:

Silent Night
Hark! The Herald Angels Sing
We Three Kings of Orient Are
Angels We Have Heard on High
O Tannenbaum
God Rest Ye Merry Gentlemen
It Cam Upon a Midnight Clear
Von Himmel Hoch, Da Komm Ich Her
Sweet Li'l Jesus
Ave Maria
O Holy Night
Ave Maria
Alleluja [From Exsultae, Jubilate]

Customer Reviews:

A Christmas Tradition for the Ages: Leontyne Price & Xmas.......2006-05-26

This Christmas is THE Cd to own above all others, as most anyone who's heard it will tell you - critics worldwide included.

Without a doubt, the singing of soprano Leontyne Price -"La Splendissima" - is incomparable here. There has never been a soprano with a timbre so incredibly distinctive & beautiful that also infuses her music with a rare humanity and humility. Every Christmas is inauguarated with this recording at my home, and those fortunate enough to receive this CD as a gift from me, are infinitely grateful & astounded by Ms. Price's gifts.(especially those not inclined to Opera singers!)
Her collaboration here with Maestro Von Karajan is just as rewarding as all of the others including "Carmen", "Tosca", the Verdi "Requiem"(VHS/DVD), and a legendary "Il Trovatore". These (2) musical 'giants' seem to derive inspiration from each other that ignites a passionate response from each as well. Nowhere is this more evident than in their now 'classic' rendition of the Schubert "Ave Maria". Listen to the ethereal, voice-like intro of the orchestral strings that precedes Ms. Price's celestial vocalism. It's magical! The programme is diverse and deeply satisfying for the Season. Miss Price's singing, whether in this rep, singing Spirituals, the recital stage, or Grand Opera, is almost always an inveterately soulful experience. It is no less so here. Celebrate the Season (any Season you like) with "La Splendissima" Leontyne Price singing classical 'Soul' music at Christmas. Get this!!!!!!!! Note: This particular packaging includes the original picture and liner notes from the original 1960 Decca release. Its so nostalgic, and makes this collection all the more treasurable. Enjoy.

DECEMBER 1965 IN CHICAGO.......2005-12-21

The group of bored fifth grade boys are huddled into the public school library. The weeks drag on before we break for the holidays, of spending time at home with our families and the anticipated loot we'll get for Christmas. The librarian/teacher insists on playing Christmas music on the record player. We sit and giggle about the long-haired musical arrangements and the high soprano voice singing. The librarian tells us all to shut up and listen "to one of the greatest voices in the world". We do. And at that tender age I first heard the voice of Leontyne Price and this beautiful Christmas album that has been part of my holiday music ever since.

Nothing is amiss in this collection. The Price instrument was young and spontaneous, the arrangements are spectacular and von Karajan is (for once) taking a back seat to his soloist. Thank you, Mrs. Farrell, for the introduction to this wonderful album. All I have to do is put this CD on and I'm transferred back to the public school library, my classmates eagerly waiting for Christmas to come, and to my family and Christmas home in Chicago.

Average customer rating:

Christmas Adagios
christmas adagios
Nice Background for the Holidays
One of my very top 5 favorite holiday albums!
Wonderful POCOCAT?

Christmas Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005NY7D
Release Date: 2001-10-09

Tracks:

O Holy Night - Leontyne Price
Ave Maria - Luciano Pavarotti
In The Bleak Midwinter - Rosemary Joshua/Ian Bostridge
Coventry Carol - The Choir Of King's College, Cambridge/David Willcocks
Away In A Manger - Mark Tinkler
Gabriel's Message - The Choir And Orchestra Of Clare College, Cambridge
Pastoral Sinfonia - Academy Of St Martin In The Fields/Neville Marriner
Il S'en Va Loin De La Terre - Acadamy And Chorus Of St Martin In The Fields/Neville Marriner
Panis Angelicus - Kiri Te Kanawa
Schlafe, Mein Liebster - Marilyn Horne
Wiegenlied - Renata Tabaldi
O Jesu So Meek - Simon Preston
While Shepherds Watched - Stephen Cleobury
Susser Trost, Mein Jesus Kommt - Agnes Giebel
Lute Concerto, RV 93: Largo - Eduardo Fernandez
Alma Redemptoris Mater - Julian Podger
O Magnum Mysterium - John Angelo Messana
Zastupnitse Userdnaya - St Petersburgh Chamber Choir/Nikolai Korniev
Iubi-Te-voi (I Will Love Thee, O Lord) - Angela Gheorghiu/Romanian National CHamber Choir 'Madrigal'/Constantin Marin
Once In Royal David's City - Robin Barter/David Briggs
O Tannenbaum - Vienna Boys Choir/Uwe Christian Harrer
O Little Town Of Bethlehem - The Choir Of King's College, Cambridge/David Willcocks

Tracks:

Stille Nacht - The Bach Choir/David Willcockes
Gloria In Excelsis Deo - Katherine Fuge/Nicola Jenkin/Elinor Carter/Julian Podger
Winter, RV 297: Largo - Alan Loveday
The First Nowell - The Choir Of Kings College, Cambridge/David Willcocks
In Dulci Jubilo - The Bach Choir/David Willcocks
The Three Kings - Gerald Finley
Es Ist Ein Ros Entsprungen - Monteverdi Choir
Still, Still, Still - Ian Bostridge
The Crown Of Roses - The Choir Of Clare College, Cambridge/John Rutter
Christmas Concerto, Op.6 No.8: Largo Pastorale - Academy Of Saint Martin In The Fields/Neville Marriner
The Lamb - Monteverdi Choir/John Eliot Gardiner
Balulalow - Anthony Way/Lucy Wakeford/St Paul's Cathedral Choir/John Scott
Ave Maria - Leontyne Price
Mille Cherubini In Coro - Luciano Pavarotti
Vesperae Solennes De Confessore, K.339: Laudate Dominum - Kiri Te Kanawa
The Infant King - The Choir Of King's College, Cambridge/David Willcocks
Lullaby My Jesus - The Choir Of Winchester Cathedral/David Hill
What Child Is This? - Anthony Way/Tom Finucane
The Tales Of Hoffmann: Barcarolle - L'Orchestra De La Suisse Romande/Richard Bonynge
See Amid The Winter's Snow - The Choir Of King's College, Cambridge/David Willcocks
The Blessed Son Of God - The Choir Of Winchester Cathedral/David Hill
It Came Upon The Midnight Clear - Leontyne Price
White Christmas - Kiri Te Kanawa/London Voices

Customer Reviews:

Christmas Adagios.......2007-03-03

This is the BEST Christmas collection that I have ever heard. I would like
to purchase 15 more to give as gifts this year; however, it appears that
Decca is out of stock or no longer releasing it. HELP!!

christmas adagios.......2007-01-14

this was one of the best assortment of classical holiday songs that i have ever heard. it contains a marvelous array of the best composers and performers that the world has to offer. if you are a fan of classical music, i think this cd will be a positive addition to your music collection

Nice Background for the Holidays.......2007-01-11

Beautiful Adagios and a rich selection for the price. Audio travels to Vienna, London, Cambridge etc

One of my very top 5 favorite holiday albums!.......2005-11-19

What a delightful surprise this 2 disc album was and I'm not a big fan of Christmas music. I loved all the selections and felt they were well performed. This is a true "must have" for any Christmas collection. Superior to many other compliations on the market. This one is a keeper! It is the one album I'll pick first to listen to after Thanksgiving.

Wonderful POCOCAT?.......2005-07-16

Great CD. The reviewer who calls him/herself POCOCAT says he/she is an opera singer. Wonder how much work an uninformed singer gets?
A "fast spinning" vibrato,as you describe Ms. Price, is not the same as a wide vibrato. The former is a speed issue, the latter a width issue. Therefore, 4 variables exist: fast, slow, wide, slim. Thus, 4 types of voice exist: fast/wide, fast/slim, slow/wide, and slow/slim. Most often a singer leans toward fast/slim or slow/wide, in varying degrees. A matter of taste, yes, but learn more about the voice before you expound.

Average customer rating:

The Little Drummer Boy
Little Drummer Boy
Good but not great
Still looking for my favorite album
Mom's Recording: The Little Drummer Boy.

The Little Drummer Boy

Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Opera & Vocal | Holiday | Miscellaneous | Styles | Music

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General Christmas | Holiday Music | Special Features | Music

$7 - $10 | Today's Deals | Holiday Music | Special Features | Music

Pop Vocal | Holiday Music | Special Features | Music
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The Little Drummer Boy

ASIN: B000001F93
Release Date: 1990-10-25

Tracks:

Medley: Sing We Now Of Christmas/Angels We Have Heard On High/Away In A Manger/What Child Is This...
Go Tell It On A Mountain
Medley: It Came Upon A Midnight Clear/Good King Wenceslas/We Three Kings/Villancio/Hark...
Medley: Bring A Torch, Isabella/Lo, How A Rose E'er Blooming
Medley: Deck The Halls/Christian Men Rejoice/Master's In The Hall/O Tannenbaum
O Holy Night
The Little Drummer Boy
Medley: Conventry Carol/Rise Up Shepherds/God Rest Ye Merry Gentlemen/O' Little Town Of Bethlehem...
Medley: Ding Dong/While Shepherds Watched Their Flocks By Night/The First Noel/The Friendly Beasts
Medley: Silent Night/Adeste Fidelis/A Christmas Greeting

Customer Reviews:

The Little Drummer Boy.......2007-01-19

I was trying to purchase the original Harry Simeone Chorale's Drummer Boy and received this. It was okay, a mixture of songs, but I treasure the original one. Very short album, but price was good, so I was not disappointed.

Little Drummer Boy.......2007-01-10

Listened to the album every Christmas growing up. Recording is the same. Very good Christmas music with terrific attention to Christmas story.

Good but not great.......2007-01-10

I too was hoping this was going to be the gorgeous rendition of the music I grew up with. It wasn't, but it did help cheer up the holidays this year anyway.

Still looking for my favorite album.......2006-12-31

I have this cd and I love it because I love choral singing at Christmas but I am still looking for the first Harry Simeone Chorale album I ever bought. It is also titled " The Little Drummer Boy" , was released in 1981 by Holiday Records, a product of Phoenix Entertainment and Talent, distributed by Audiofidelity Enterprises, Inc. Why do I eagerly search the Christmas cd releases every year? I'm looking for 'A Simple Prayer', the absolute best version of the Prayer of St. Francis I have ever heard. (actually the only commercial version I have ever heard, although I get to sing a different song based on the same prayer at my church every once in a while). The man who sings the actual prayer on my album has a wonderful voice that makes me shiver every time I hear the song. I know it's not a 'Christmas ' song but I keep hoping it will show up one of these days. In the meantime, I keep and play my lp every year. Jo Haase

Mom's Recording: The Little Drummer Boy........2006-11-09

This record was done by my Mother, Frances Wyatt, and a group of her musical buddies from the old "Voice of Firestone" days. She is the one singing the soprano solo's on the album and can be heard above the others in the choral works. Mom was one of the lyric sopranos soloists on the "Voice of Firestone" ABC-TV program who became easily recognized here on the streets of NYC in the late 1950's and early 1960's. She also toured with Fred Warings Pennsylvanians extensively. Pretty cool!

I am proud that so many people have enjoyed this album over the years!

We, her family and children, grew up listening to this album along with her many Fred Waring recordings.

This one simple album, through years of continued sales, rocketed off the charts eclipsing all sales of LP's by The Beatles, The Rolling Stones, and every Pop musical group from L.A. to London. It made it into the Guinness Book of World Records! : A distinction it held for over 20 years!

When The Guiness people called us at home, we of course though it was some kind of prank. It wasn't.

I hope you truly enjoy this album and pass it on to your kids.

My mother died October 30, 2006. I will never forget her voice.

John Wyatt

Handel - Messiah / McNair · von Otter · Chance · Hadley · Lloyd · Marriner

Average customer rating:

a voice teacher and early music fan
I really love this recording
Some very good parts
Great mezzo and trumpet
And He Shall Reign Forever and Ever, Amen.

Handel - Messiah / McNair · von Otter · Chance · Hadley · Lloyd · Marriner
George Frideric Handel , Neville Marriner , Anne Sofie von Otter , Michael Chance , Academy of St. Martin-in-the-Fields , Sylvia McNair , Jerry Hadley , and Robert Lloyd
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music

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Handel - Messiah - The 250th Anniversary Performance / Marriner, Academy and Chorus of St. Martin in the Fields
Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
Bach: Goldberg Variations, BWV 988 (The Historic 1955 Debut Recording)

ASIN: B00000414Y
Release Date: 1992-11-17

Tracks:

Messiah: Part I: Symphony
Messiah: Part I - No. 1 Accompagnato: Comfort Ye, Comfort Ye, My People
Messiah: Part I - No. 2: Air Ev'ry Valley Shall Be Exalted
Messiah: Part I - No. 3 Chorus: And The Glory Of The Lord
Messiah: Part I - No. 4 Accompagnato: Thus Saith The Lord
Messiah: Part I - No. 5 Air: But Who May Abide The Day Of His Coming
Messiah: Part I - No. 6 Chorus: And He Shall Purify The Sons Of Levi
Messiah: Part I - No. 7 Recitative: Behold, A Virgin Shall Conceive
Messiah: Part I - Nos. 8-9 Air And Chorus: O Thou That Tellest Good Tidings
Messiah: Part I - No. 10 Accompagnato: For Behold, Darkness Shall Cover The Earth
Messiah: Part I - No. 11 Air: The People That Walked In Darkness
Messiah: Part I No. 12 Chorus: For Unto Us A Child Is Born
Messiah: Part I No. 13 Pifa: Pastoral Symphony
Messiah: Part I No. 14 Recitative: There Were Shepherds - And Lo, The Angel Of The Lord - And The Angel Said Unto Them - And Suddenly There Was
Messiah: Part I No. 15 Chorus: Glory To God In The Highest
Messiah: Part I No. 16 Air: Rejoice Greatly, O Daughter Of Zion
Messiah: Part I No. 17a Recitative:Then Shall The Eyes Of The Blind
Messiah: Part I No. 18a Duet: He Shall Feed His Flock
Messiah: Part I No. 19 Chorus: His Yoke Is Easy
Messiah: Part II No. 20 Chorus: Behold The Lamb Of God
Messiah: Part II No. 21 Air: He Was Despised
Messiah: Part II No. 22 Chorus: Surely He Hath Borne Our Griefs
Messiah: Part II No. 23 Chorus: And With His Stripes We Are Healed
Messiah: Part II No. 24 Chorus: All We Like Sheep

Tracks:

Messiah: Part II No. 25 Accompagnato: All They That See Him
Messiah: Part II No. 26 Chorus: He Trusted In God
Messiah: Part II No. 27 Accompagnato: Thy Rebuke Hath Broken His Heart
Messiah: Part II No. 28 Arioso: Behold, And See
Messiah: Part II No. 29 Accompagnato: He Was Cut Off
Messiah: Part II No. 30 Aria: But Thou Didst Not Leave
Messiah: Part II No. 31 Chorus: Lift Up Your Heads
Messiah: Part II No. 32 Recitative: Unto Which Of The Angels
Messiah: Part II No. 33 Chorus: Let All The Angels Of God
Messiah: Part II No. 34a Air: Thou Art Gone Up On High
Messiah: Part II No. 35 Chorus The Lord Gave The Word
Messiah: Part II No. 36 Air: How Beautiful Are The Feet
Messiah: Part II No. 37a Arioso: Their Sound Is Gone Out
Messiah: Part II No. 38 Air: Why Do The Nations
Messiah: Part II No. 39 Chorus: Let Us Break Their Bonds Asunder Let us break their bonds asunder
Messiah: Part II No. 40 Recitative: He That Dwelleth In Heaven
Messiah: Part II No. 41 Air: Thou Shalt Break Them
Messiah: Part II No. 42 Chorus: Hallelujah
Messiah: Part III No. 43 Air: I Know That My Redeemer Liveth
Messiah: Part III No. 44 Chorus: Since By Man Came Death
Messiah: Part III No. Accompagnato: Behold, I Tell You A Mystery
Messiah: Part III No. 46 Air: The Trumpet Shall Sound
Messiah: Part III No. 47 Recitative: Then Shall Be Brought To Pass
Messiah: Part III No. 48 Duet: O Death, Where Is Thy Sting?
Messiah: Part III No. 49 Chorus: But Thanks Be To God
Messiah: Part III No. 50 Air: If God Be For Us
Messiah: Part III No. 51 Chorus: Worthy Is The Lamb - Blessing And Honour
Messiah: Part III: Amen

Customer Reviews:

a voice teacher and early music fan.......2006-10-21

The "Messiah" was composed by Handel at his London home in the late summer of 1741..Charles Jennens described his libretto for the 'Messiah' as a "Scripture Collection", because it consists of a cleverly-arranged selection of biblical texts. Musically speaking, the recitatives and arias are definately in a style derived from opera, supplemented by choruses of the type Handel has developed in his English odes and oratorios-the presentation of the story was unconventional. The work is divided into three acts or parts, but the narrative is largely confined to Part Two: Part One is mainly concerned with prophecy and its fullfilment and Part Three with commentary on the importance of the previous story. This recording of the famous 1992 performance at Dublin took place at the Point Theatre on the 250th anniversary of the work's premeire which took place in Dublin on April 13th 1742. It is an outstanding performance, especially chorally and instrumentally. The soloists: Sylvia McNair(soprano)-Anne Sofie von Otter(mezzo)-Michael Chance (alto) were superb!!! Personally I was not pleased by Jerry Hadley's interpretation of Handel; I have a recording of him singing show tunes, and I think he does that best! Robert Lloyd's (bass) diction was most peculiar and annoyed me. However, the last 2 comments may not be universally accepted. All in all, it's one of the best 'Messiahs' I have heard, and is actually my favorite of many that I own.

I really love this recording.......2005-03-26

While I haven't sampled that many different recordings of the Messiah, I really like this version. I sometimes find myself singing it, and this is the version I hear. One thing I don't like about it is that it is a 2-disc set, but the Messiah has three parts. Part II is divided -- the first half on disc 1 and the second part on disc 2. It would be nice if the parts weren't divided in the middle.

Some very good parts.......2002-12-14

This is my fifth Messiah disk and I had hoped my last. Von Otter is a real draw and she is truly great. Marriner's pacing is still good. But many aspects of this CD pull it down. I have a theory that the tenor (Jerry Hadley) was mad at Marriner and sang technically perfect with zero emotion. I don't how he was allowed to get away with this. I also did not like the baritone. While I think varying the size of the chorus in this piece has merit, this choir is generally on the small side and does not have the punch when needed. Messiah choirs carry a two edged burden, either the choir is large and it gets muddy in the delicate sections or it is small and can't punch the big sections. This disk errs on the small side. The recording quality is very good, something that dodges many Messiahs. The violins are too close to the soloist microphone (or poorly mixed) and come in much too loud. So whenever there is an sprite from the violins it jumps out at you and drowns the soloists.

The best Messiah for me is still Marriner's 1976 disk, much better overall rendition.

Great mezzo and trumpet.......2002-05-17

This is one of the better Messiahs, although not quite up to Westenberg's level.

Its world-beater aspects include mezzo Anne-Sophie von Otter, whose "He was despised" is well north of magnificent: Warmly mournful in the slow sections, snarling and spitting in the center section.

Trumpeter Mark Bennett does by far the best trumpeting on any of my 30 complete Messiahs. "Glory to God" and "Hallelujah" are as good as it gets -- no, better than any other recording gets.

Countertenor Michael Chance is quite good in "If God be for us" -- I say that as someone who doesn't like countertenors.

Some of the other choruses are also well done. But tenor Jerry Hadley seems to have thought he had more lucrative things to do with his time than to think about Messiah.

And He Shall Reign Forever and Ever, Amen........2002-01-01

This recording ranks itself on the top of the greatest recordings of Handel's Messiah. Being a live recording, it surpasses every other studio recordings of this piece in terms of interpretation and drama. The soloists are superb, the chorus are crisp and vital, and the ensemble plays with great virtuoso. My special remark goes to Miss McNair, I simply cannot grow tired of her! Her lyrical voice is simply destined for this work, especially in aria no 16 `Rejoice greatly, o daughter of Zion' - rejoice indeed! It is to Marriner we should all be grateful for producing this remarkable recording in the first place. Known mainly for his stupendous recordings of Mozart, it is not surprising that he's able to interpret in a true Handelian way. It's a pity that he seldom records works by Handel - I don't know if he performs them unrecorded.
There are actually two versions of this live performance, the one here and the other is available on LaserDisc. I believe that they were recorded on two different performance time, for on some arias the soloists have different style in singing the cadenza. Whichever you prefer, this is a recording you must simply own - even when your music library boasts a dozen or so of Handel's Messiah!!

Average customer rating:

Dupré: Works for Organ, Vol. 9

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Dupré: Works for Organ, Vol. 7
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Dupré: Works for Organ, Vol. 3
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ASIN: B000038I7V
Release Date: 2000-02-22

Tracks:

Son in a, Op.60: Allegro Marcato - Clyde Beavers/Bruce Neswick
Son in a, Op.60: Allegro Moderato - Clyde Beavers/Bruce Neswick
Son in a, Op.60: Allegro Ma Non Troppo - Clyde Beavers/Bruce Neswick
Trio, Op.55: I. (Withoug Movt Indication) - Timothy Durbin/Clyde Beavers/Bruce Neswick
Trio, Op.55: II. Lento - Timothy Durbin/Clyde Beavers/Bruce Neswick
Trio, Op.55: III. (Energico-Largo-Presto) - Timothy Durbin/Clyde Beavers/Bruce Neswick
Qt, Op.52: Prld - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Scherzando - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Larghetto - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Rondo - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Chorales, Op.28, Nos.31-33, 48-54 & 57: 31. Lord God Now Open Wide Thy Heaven
Chorales, Op.28, Nos.31-33, 48-54 & 57: 32. Lord Jesus Christ, Turn To Us
Chorales, Op.28, Nos.31-33, 48-54 & 57: 33. My Soul Longeth To Depart In Peace
Chorales, Op.28, Nos.31-33, 48-54 & 57: 48. Descend, O Jesus, From Heaven To Earth
Chorales, Op.28, Nos.31-33, 48-54 & 57: 49. Kyrie, God The Everlasting Father
Chorales, Op.28, Nos.31-33, 48-54 & 57: 50. Kyrie, Christ The Comforter Of The World
Chorales, Op.28, Nos.31-33, 48-54 & 57: 51. Kyrie, God The Holy Ghost
Chorales, Op.28, Nos.31-33, 48-54 & 57: 52. Beloved Jesus, Here We Stand
Chorales, Op.28, Nos.31-33, 48-54 & 57: 53. Praise The Lord Almighty
Chorales, Op.28, Nos.31-33, 48-54 & 57: 54. Praise God, All Ye Christians
Chorales, Op.28, Nos.31-33, 48-54 & 57: 57. Now Thank We All Our God
Regina Coeli, Op.64
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 58. Rejoice Now, Beloved Christians
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 59. Come Now, Saviour Of The Heathen
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 60. O Gracious God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 63. The Child Was Born In Bethlehem
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 64. Deck Thyself, O Beloved Soul
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 68. Out Of High Heaven Have I Come
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 69. From Heaven Come Angels
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 70. I Will Never Part From God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 71. Before Thy Throne I Will Appear
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 72. Awake! Hear The Call Of Watchmen
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 73. He That Suffereth God To Guide Him
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 74. How Bright Shineth The Day-Star
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 75. We Christians
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 76. We Thank Thee, Lord Jesus, For Thy Redemptive Death
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 77. We All Believe In One God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 78. We All Believe In One God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 79. Whither Shall I Flee?

Amazon.com

Marcel Dupré is an important historical as well as musical figure, his compositional freedom linking the golden age of Widor and Vierne with the radical rethinking that Messiaen saw through in his great organ cycles. Never doing things by halves, Naxos has reached Volume 9 of the complete organ works--mainly chamber pieces involving organ. Most substantial is the "Trio for Violin, Cello, and Organ," in one sense a throwback to the Baroque line of trio sonatas, but with a harmonic richness that indicates a late-19th-century inheritance--thoughtful, undemonstrative music, persuasively realized by Bruce Neswick and colleagues. The "Quartet" adds a viola to the lineup, but a delightful scherzando apart is a lesser affair, while the "Sonata for Cello and Organ" is a modest but interesting work (at least for the way Dupré makes a telling contrast between the sonorities of the two instruments). Again, perceptive playing from Neswick, whose Indiana organ has a clear, bright sound that makes the generous selection of Chorales interesting for the listener as well as the player. At the price, a worthwhile collection of some unusual repertoire. --Richard Whitehouse

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