Shadow [Import]

Product Description
2001 Spikefarm release for Japanese metal act. For all fans of melodic death metal a'la In Flames, Children Of Bodom & Dark Tranquility.

Shadow,Shadow,Spinefarm,Rock,Rock/Pop

Average customer rating: The music is good but the movie is better A grand sountrack... Lord of the Rings Original Soundtracks, films 1 and 3 Awe inspiring! It is the best of the three CDs!!!

The Lord of the Rings: The Fellowship of the Ring Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Celtic New Age | New Age | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Celtic | International | Styles | Music Pop | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: The Lord of the Rings: The Two Towers The Lord of the Rings: The Return of the King Pirates Of The Caribbean: The Curse Of The Black Pearl Gladiator: Music from the Motion Picture Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack ASIN: B00005QZWI Release Date: 2001-11-20

Tracks:

1. The Prophecy
2. Concerning Hobbits
3. The Shadow Of The Past
4. The Treason Of Isengard
5. The Black Rider
6. At The Sign Of The Prancing Pony
7. A Knife In The Dark
8. Flight To The Ford
9. Many Meetings
10. The Council Of Elrond [featuring the song "Aniron (Theme For Aragorn And Arwen)" composed & performed by Enya]
11. The Ring Goes South
12. A Journey In The Dark
13. The Bridge Of Khazad Dum
14. Lothlorien
15. The Great River
16. Amon Hen
17. The Breaking Of The Fellowship
18. May It Be [composed & performed by Enya]

Amazon.com

Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulley

Customer Reviews:

The music is good but the movie is better.......2007-04-10

I really enjoyed the 3 series of The Lord of the Rings movie so I wanted the music. The soundtracks are good but if you like the movie the soundtracks watch the movie. They remind you of certain parts in the movie like the song Concerning Hobbits. The song is whimsical. Enyna has a great voice, very haunting. The Ring Goes South is another favorite of mine. I can enjoy these soundtracks as classical or dramatic music. I bought them because I loved the Lord of the Rings which has many similarities to Braveheart. Bravery, courage, strength, honesty, selflessness, love and other good human qualities people try to attain and admire them in the people and movies they view.

A grand sountrack..........2007-01-10

One of Howard Shore's best soundtracks around. The music is strong enough to tell its own separate story apart from FOTR. You will never tire of the heart-pounding excitement from The Bridge of Kazaad-Dum track.

Lord of the Rings Original Soundtracks, films 1 and 3.......2006-11-08

Having made an earlier mistake of buying 2 C.D.'s which were not original soundtrack, I can truthfully say these are the best. If you are a Lord of the Rings fan, look no further - no one does it better than The London Philharmonic Orchestra conducted by the composer Howard Shore. You will be back in Middle Earth reliving all those wonderful scenes. I bought only The Fellowship of the Ring and The Return of the King from Amazon.com because I already had the Two Towers from Amazon.co.uk and I would recommend all three - magical.

Awe inspiring!.......2006-10-02

What can I say that hasn't already been said about Howard Shore's magnificent score for the "Lord of the Rings" trilogy? A soundtrack can define the whole atmosphere of a film, and this fully orchestrated work certainly does that with sweep, splendor and wonder, alternately humanizing (hobbit-izing?) the characters, imbuing the landscape with magic and capturing the world-shaking impact of events of mythic proportions. And this was no easy task considering the iconoclastic status of the story and the superb quality of Peter Jackson's filmmaking. This is a truly a soundtrack for the ages--a fitting accompaniment to a film for the ages! Every aspect of life, from the extreme to the mundane, is captured in this music. Listening to it can make every remembered moment of the movie come alive again in your mind, from the most horrific battle to the smallest moment of humor or kindness. I think this first one is my favorite of the three "Lord of the Rings" soundtracks. I enjoy the juxtaposition of the lighter moments, like the sweet, simple hobbit theme, with the grander and more menacing sections of the music. (That despite the fact that said hobbit theme begins exactly like the first phrase of the Protestant hymn "This Is My Father's World," which prompts me to think of the hobbits trouping off to Sunday school every time I hear it. But now when I hear the hymn, I think of Lord of the Rings, so I suppose all's fair!) What impressed me most as I watched "The Fellowship of the Ring" was how scary the music was when the hobbits were being pursued. Those relentless drums and eerily screaming drums made the hairs on the back of my neck stand up, even though I knew the story like the back of my hand and knew for a fact that the poor little heroes would manage to escape. But the music truly made me wonder otherwise ... Now that's good composition! And the fact that the filmmakers chose to include background music in so many of the scenes, almost continuously ... well, that's just good filmmaking! The other impressive thing about Howard Shore's score is how the voicing and repeating motifs tie the whole thing together, like the finest of symphonies. The total effect is utterly convincing and utterly transporting. Peter Jackson chose well when he picked Shore as his score writer. Very, very well! Be sure to get the scores from the other two movies in the trilogy as well - "The Two Towers" and "Return of the King." They seem to be available in no end of different packagings, including ones with bonus DVDs about the creation of the score. Also, make sure to get the extended edition DVDs of the movie itself, with hours and hours of fascinating commentaries and behind-the-scenes documentaries about the making of the films. Truly a bargain at any price! And for more seminal soundtracks, try John Williams' defining scores for the "Star Wars" series and Basil Poledouris's spectacular score for the original "Conan the Barbarian."

It is the best of the three CDs!!!.......2006-09-10

For me, the music of the first sequel is my favourite since this is also the sequel that I prefer in the trilogy (I remember being blown away by the quality of this movie, the actors, the setting, the action scenes, the special effects, the moving relationships between all the characters and of coourse the music)
I think that the other CDs are a bit repetitive once you've got this one, even if I still like the music of the second soundtrack 'The Two Towers'. As for the 3rd sequel, I seldom listen to it as there is only one track that I like, 'The Return of the King'.
Now, this first CD of the trilogy is actually very good. Thanks to Enya, it is haunting and the songs are beautiful. There are a few eery but melodious songs like 'The Council of Elrond', 'Lothlorien', 'May it Be'. I love the change of tempo, the balance between fast and slow movements in 'A Knife in the Dark', 'Flight to the ford', and 'Amon Hen' which is my favourite piece (the Death of Boromir) with the oboe sound mixed with the beat of the drums and finaly the haunting voice of the singer. Track 17 is also worth listening. I like this CD because you've got different tempos and melodies and Anya is a great singer to me. But I also enjoy listening to Emiliana Torrini's song 'Gollum's Song'in the second soundtrack...

Average customer rating: FINALLY, KEER AND NIXON BOTH SING The King and I--a distinguished, beautiful score laced with tenderness and sorrow A fine King and I soundtrack reissue great album a classic

The King and I (1956 Film Soundtrack) Deborah Kerr , Yul Brynner , Marni Nixon , Rita Moreno , and Alfred Newman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Oklahoma! (1955 Film Soundtrack) South Pacific (1958 Film Soundtrack) Carousel (1956 Film Soundtrack) My Fair Lady (1964 Film Soundtrack) The Music Man (1962 Film Soundtrack) ASIN: B00005A7XC Release Date: 2001-03-13

Tracks:

1. Main Title - 20th Century-Fox Orchestra/Alfred Newman
2. I Whistle A Happy Tune - Marni Nixon/Rex Thompson
3. My Lord And Master - Rita Moreno
4. The March Of The Siamese Children - 20th Century-Fox Orchestra/Alfred Newman
5. Anna And The Royal Wives - 20th Century-Fox Orchestra/Alfred Newman
6. Hello, Young Lovers - Marni Nixon
7. A Puzzlement - Yul Brynner
8. Getting To Know You - Deborah Kerr/Marni Nixon
9. Garden Rendezvous - 20th Century-Fox Orchestra/Alfred Newman
10. We Kiss In A Shadow - Leona Gordon/Reuben Fuentes
11. I Have Dreamed - Leona Gordon/Reuben Fuentes
12. Shall I Tell You What I Think Of You? - Deborah Kerr/Marni Nixon
13. Something Wonderful - Terry Saunders
14. Prayer To Buddha - Yul Brynner
15. Waltz Of Anna And Sir Edward - 20th Century-Fox Orchestra/Alfred Newman
16. The Small House Of Uncle Thomas - Rita Moreno
17. Song Of The King - Yul Brynner/Marni Nixon
18. Shall We Dance? - Deborah Kerr/Marni Nixon/Yul Brynner
19. The Letter - 20th Century-Fox Orchestra/Alfred Newman
20. Something Wonderful (Finale) - Chorus/Alfred Newman
21. Overture (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com essential recording

Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James Hendrickson

Customer Reviews:

FINALLY, KEER AND NIXON BOTH SING.......2007-05-26

WHAT A COMPLETE JOY TO HEAR MARNI NIXON AND
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.

The King and I--a distinguished, beautiful score laced with tenderness and sorrow.......2007-04-08

The King And I soundtrack is presented magnificently on this excellent 76 minute CD. This CD offers us much music and vocals that were cut from the film as well as material that never made it to the record album release of the soundtrack back in 1956. We get stunning performances by giants including Yul Brynner, Terry Saunders and Marni Nixon. This CD is so complete and generous with it's treatment of the soundtrack that it must be considered as the definitive soundtrack edition of the music from The King And I.

The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.

Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.

As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.

The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.

The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.

This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.

A fine King and I soundtrack reissue.......2007-02-10

Of the three recent EMI-Angel R&H film soundtrack reissues, I find that this reissue of the King & I soundtrack is the best-executed. The King and I shows a new maturing of the R&H element and this superb 1956 film adaptation more than certainly does it justice. The superb soundtrack presented here includes the complete score, along with some of Alfred Newman's underscoring, and boasts splendid performances by Marni Nixon and Yul Brynner. And of course the orchestra is sumptuous and properly lush, enveloping us in sweltering renditions of some of Rodgers' most heartfelt melodies.

I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.

This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.

In short, this is a superb presentation of a fine R&H film soundtrack.

great album.......2006-07-15

Great songs for kids to learn to sing along, instead of bubble gum fluff.

a classic.......2006-06-05

A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific

My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!

Average customer rating: Still yourself... A Most Relaxing and Peaceful Collection A Deeply Worshipful Album personal worship One of his best

The Shadow of Your Wings: Hymns and Sacred Songs Fernando Ortega Manufacturer: Curb Records ProductGroup: Music Binding: Audio CD General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music Similar Items: Hymns & Meditations Storm Hymns of Worship The Breaking of the Dawn Fernando Ortega ASIN: B000IHYWAY Release Date: 2006-10-24

Tracks:

1. Grace And Peace
2. All Flesh Is Like The Grass
3. Let The Words Of My Mouth
4. Open My Lips
5. Come, Let Us Worship
6. All Creatures Of Our God And King
7. Great Is Thy Faithfulness
8. Oh God, You Are My God
9. I Heard The Voice Of Jesus Say
10. There Is Power In The Blood
11. Sing To Jesus
12. Crown Him With Many Crowns
13. Savior, Like A Shepherd Lead Us
14. Doxology

Album Description

A mixture of hymns and new songs composed by Fernando Ortega with simple and thoughtful arrangements. Produced by Gary Paczosa (Alison Krauss, Nickel Creek) and featuring background vocals by Alison Krauss, Susan Ashton, Vince Gill, Dan Tymniski, Marsha Skidmore, Jonathan and Amanda Noel, and others.

Customer Reviews:

Still yourself..........2007-07-06

Still yourself... and listen to this fine work by Fernando Ortega. As you listen and think of excellent and noble things you will experience Grace and Peace in your world-weary soul. In fact if you see Fernando's name on it - - buy it. Like all of Fernando Ortega's music, The Shadow of Your Wings: Hymns and Sacred Songs does not disappoint!

A Most Relaxing and Peaceful Collection.......2007-07-01

This album was my first introduction to Fernando Ortega, and I'm absolutely hooked now. This has to be one of the most peaceful and relaxing collections I have ever heard. The melodies are beautiful and the words are so simple and pure (most are direct quotes from scripture). I even use it in my 3 year-old son's bedroom for lullabies. These songs make you think and reflect on God and His Son. I particularly like how Fernando blends scriptures from the Old and New Testaments into one song (Let the Words of My Mouth). I am an oncology nurse, and at the end of a stressful work day, I can listen to this in my car, and I am instantly refocused & refreshed. I wholeheartedly recommend this album - you won't regret it!

A Deeply Worshipful Album.......2007-02-24

I have grown to love Fernando's work. As I get older, I enjoy his music--it really draws me into God's presence, especially as I'm reading the Word or praying. Not all Christian music does that for me, but Fernando's does.

This album is wonderful, its pensive, thoughtful. I really sense that Fernando means what he says, that he's deeply into the music and not just creating another CD.

I really recommend this CD, it really helps draw you into the heart of God.

personal worship.......2007-02-09

A great CD for personal worship time. Fernando Ortega does a great job to perpare your heart for worship.

One of his best.......2007-01-12

If you like Fernando Ortega's past works, you'll love this new edition. It has everything and more than the old stuff. Very spiritual and beautiful music.

Average customer rating: "The Music Comes Through Me..." In Car Freestyle Session Instrumentals (Rating: 9 out of 10- -4.5 stars) Endtroducing An Outstanding Album! Sonic Alchemy

Endtroducing... DJ Shadow Manufacturer: Fontana Island ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Turntablists | Dance & DJ | Styles | Music Trip-Hop | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Dance & DJ | Indie Music | Stores | Music General | R&B | Indie Music | Stores | Music Similar Items: Preemptive Strike Private Press Dead Ringer Psyence Fiction Deltron 3030 ASIN: B000005DQR Release Date: 1996-11-19

Tracks:

1. Best Foot Forward
2. Building Steam With A Grain Of Salt
3. The Number Song
4. Changeling
5. What Does Your Soul Look Like (Part 4)
6. Untitled
7. Stem/Long Stem
8. Mutual Slump
9. Organ Donor
10. Why Hip Hop Sucks In '96
11. Midnight In A Perfect World
12. Napalm Brain/Scatter Brain
13. What Does Your Soul Look Like (Part 1-Blue Sky Revisit)

Amazon.com

DJ Shadow, a.k.a. Josh Davis, could be credited with bringing newfound introspection to the gloating sounds of hip-hop. Condensed with urban oscillations and scatological beats, Endtroducing shutters with eclectic samples and aural montages that reach beyond the constraints of hip-hop style. Enhancing the mix with fundamentals of rock, soul, funk, ambient, and jazz, the modern fusions fail to go unnoticed, even by the casual listener. While most of the tracks are compiled by layering samples from vinyl treasures found in used-record bins, the production quality of the mosaic is unmatched. Darkened melodies carry throughout the album with its eye on the end of the tunnel. The narration samples come from numerous sources and keep the listener involved and waiting for resolution. With a message as fragmentary as an overheard conversation, Endtroducing conveys no apparent conclusion, but begs the mind, body, and soul for some rewind. --Lucas Hilbert

Album Description

DJ Shadow, a.k.a. Josh Davis, could be credited with bringing newfound introspection to the gloating sounds of hip-hop. Condensed with urban oscillations and scatological beats, Endtroducing shutters with eclectic samples and aural montages that reach beyond the constraints of hip-hop style. Enhancing the mix with fundamentals of rock, soul, funk, ambient, and jazz, the modern fusions fail to go unnoticed, even by the casual listener. While most of the tracks are compiled by layering samples from vinyl treasures found in used-record bins, the production quality of the mosaic is unmatched. Darkened melodies carry throughout the album with its eye on the end of the tunnel. The narration samples come from numerous sources and keep the listener involved and waiting for resolution. With a message as fragmentary as an overheard conversation, Endtroducing conveys no apparent conclusion, but begs the mind, body, and soul for some rewind. Universal. 2004.

Customer Reviews:

"The Music Comes Through Me...".......2007-07-06

Listening to this now sounds pretty much like it did listening to it when it was first released. And that will be over ten years ago.

I try to avoid cliches but sometimes they are exactly that for a particular reason. In other words they're right. Okay, this still sounds like music beamed down from above. It sounds other-worldly, it sounds elsewhere...very, very different.

One of my friends is almost exclusively into dance music, has seen DJ Shadow live, and yet still can't quite get into this. My own take on it is that it's a DJ album you can't actually dance to. I mean you could if you wanted to but that's not quite the point. It's far more important than that.

It's just the sound of it all. And this is bass-heavy sampled heaven. 'Building Steam With A Grain Of Sand' builds to a scenario where it sounds like the tinkling ivories are battling the angels of heaven or your imagination whereas 'The Number Song' sounds simultaneously like it's old school excitement, something approaching the here and now, and the very future. Scratching and the skattering, clattering drums. Just excitement. And things like trying to remember that this is all sampled music. It is not live. Just very much alive. 'Changeling' has swampy drums drowned in some muddy production before it takes off and that scratching arrives followed by that bass and then...

Listening to this now I'm struck by how fearless it is, how it taps into a neglected part of you. How it just is. How I struggle sometimes to believe there could actually be a mass market for this. For something this challenging.

You may want stand out tracks but if that's the case, i think I'm struggling. Music this spontaneous (and yes, I know it isn't and there's the trick, the very height of the artistry here...)washes over you as a whole. You feel it or you don't but you hardly worry about which track you're listening to.

Having said that though, if you did want moments, that tension in music when things just work, then you might, just might go for 'Stem/Long Stem'. It soothes and then it builds and then...

'Midnight In A Perfect World' is possibly the most perfect song title ever but i'm still stunned that the song itself doesn't disappoint. A most mellow start until the drums arrive but then keyboards soothe and soulful vocals double that effect. An undercurrent of scratching and repeated mantra-like vocals. Midnight. Midnight. Midnight.

I'm probably more stunned though by 'Napalm Brain/Scatter Brain'. That bass. That bass...And then those drums. And the spectral keyboards at the end. Where does he get all this stuff from? And what happens next? And it goes without saying that we will never have an inkling as to how he then does what he does and makes it all fit together.

'What Does Your Soul Look Like' is definitely the most perfect song title ever and as a song surfaces twice here. You decide which version you prefer.

When people talk about an album being groundbreaking they usually mean 'worthy' and not necessarily something you'll want to listen to over and over again. This though is groundbreaking in the real, the true sense of the word...things beyond. Just listen and expect to be swept away.

The beginning and the end of something not yet heard.

In Car Freestyle Session Instrumentals (Rating: 9 out of 10- -4.5 stars).......2007-05-20

What I like about DJ Shadow's album "Entroducing..." is that his music blends in the music of jazz & hip hop. It seems like everytime I'm listening to this album, I'm always driving, stuck in traffic on I-75/85. So to help pass the time, I always drop a rhyme to some of the beats on here. And I don't mean to toot my own horn, but I'm pretty good at it. For all you rappers/lyricists out there, don't tell me "Why Hip Hop Sucks in '96" doesn't make you start flowing. "What Does Your Soul Look Like" is another song to get at.

DJ Shadow really shows the art of turntablism and blending vinyl records and sampling (and I mean at it's best). You really have to understand the type of sound that he is trying to create on every track, and it flows real nice. Most of the track vibe real well, something that a lot of instrumental tracks don't have that much, if at all. "Building Steam With A Grain Of Salt" is one of the tracks that flow so easily

There were some tracks that I weren't feeling too much. "The Number Song" really didn't stand out to me because of it's high energy and high live sounding effect. Also, I personally thought some of the songs were a minute too long (mostly those two song in one track songs). At a point, I was like, "Damn, how long is this song???". Also I'm mad that "Why Hip Hop Sucks In '96" is only 35 seconds long. In my opinion, that is one of the best beats on the album. But thats all the bad things I can think of.

"Entroducing..." is one of the best instrumental tracks you'll hear. At a time in '96 when hip hop was changing, this would have been a breath of fresh air to hear (espically when people were starting to loose their origonality). This album blows The Outsider as well as Funky Skunk away. There are no vocals on here, except for the samples. This is just pure music to vibe to real easily. Whether if you're driving in traffic, or chillin' in your bed, or if your preference is jazz, or hip hop, this is one album that you will enjoy. Peace.

Lyrics: N/A
Production: A+
Guest Appearances: N/A
Musical Vibes: A

Top 5 Favorite Tracks:
1. What Does Your Soul Look Like (Part 4)
2. Building Steam With A Grain Of Salt
3. Why Hip Hop Sucks In '96
4. Organ Donor
5. Midnight In A Perfect World

Endtroducing.......2007-03-26

I wish that I could have sampled this selection prior to it's purchase. There may be some entries that might be good for sampling, but I got no goosebumps listening to it. DJ Shadow has some wonderfully creative grooves out there.....just not on this disc.

An Outstanding Album!.......2006-10-05

I got this album about 2 years ago at a mall. What made me get this great album was after hering a song of a music channel playing a song titled:"Building Steam With A Grain of Salt". After hearing that awesome song, I instantly knew I had to get the cd. I listen to every song on the cd and all are very goog indeed. Right now, "Building Steam With a Grain of Salt", "What Does Your Soul Look Like" (Part 4), and "Midnight In A Perfect World". Im sure I left out a couple, but still, all of them are great. Recommendeed to anyone. Enjoy this great artifact.

Sonic Alchemy .......2006-09-01

This record is a perfect example of how a sampler can be used as a instrument to make a album. Midnight In A Perfect world is my favorite track on this album and is probably one of the 25 best songs written or composed in the 20th century. If you see this record missing from someone's collection or know someone who hasn't listened to it , you need to step up and turn them on to it.

Average customer rating: Pretty good. MANSON No Longer Popular Attention: Marilyn Manson Peaked Here... The Further Decline of Marilyn Manson

Holy Wood (In The Shadow Of The Valley Of Death) Marilyn Manson Manufacturer: Nothing ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Industrial | Goth & Industrial | Alternative Rock | Styles | Music | Alt Industrial | Industrial Dance General | Opera & Vocal | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Mechanical Animals (Explicit Cover) Antichrist Superstar The Golden Age Of Grotesque Portrait of an American Family Smells Like Children ASIN: B000050ITX Release Date: 2000-11-14

Tracks:

1. Godeatgod
2. The Love Song
3. The Fight Song
4. Disposable Teens
5. Target Audience (Narcissus Narcosis)
6. 'President Dead'
7. In The Shadow Of The Valley Of Death
8. Cruci-Fiction In Space
9. A Place In The Dirt
10. The Nobodies
11. The Death Song
12. Lamb Of God
13. Born Again
14. Burning Flag
15. Coma Black: A. Eden Eye B. The Apple Of Discord
16. Valentine's Day
17. The Fall Of Adam
18. King Kill 33
19. Count To Six And Die (The Vaccuum Of Infinite Space Encompassing)

Amazon.com

The impact of Marilyn Manson's subversive musical agenda has waned, and what's left is a provocative, talented artist writing affecting, powerful, and yes, controversial songs. Although Holy Wood is the third title of a trilogy that began with 1996's Antichrist Superstar, the album stands on its own. Rife with references to the Beatles and the Kennedys, and full of pop-culture barbs, Holy Wood is a musically diverse and powerful statement. The memorable sing-along "Disposable Teens" boasts the same kind of staccato, Teutonic, first-thrusting power introduced with "Beautiful People," while "Fight Song" is the Sex Pistols meets Blur by way of Nirvana. While a futuristic, nihilistic tint pervades Manson's work, passion is also prevalent, notably in the spooky acoustic number "A Place in the Dirt" and the brutal "Death Song." Like Marilyn Manson the man, Holy Wood is intelligent, dynamic, and multifaceted, with myriad charms that are evident to the tuned-in listener. --Katherine Turman

Customer Reviews:

Pretty good........2007-06-18

This Manson album settles pretty well with me. It has some great tracks, such as "Disposable Teens", "The Fight Song", "Godeatgod", "The Nobodies", "The Love Song", "The Death Song" and even more. It also has some great and well thought out lyrics to accompany its many hit songs. Most of the lyrical content revolves around Manson's feelings toward the Columbine High School incident in 1996 and how the media claimed that the two assassins involved had been great fans of his while only a short time after it was found that not one of the two boys had been even remote fans of Manson's and their statements were disproved.

The only downfall I saw with this album was how it seemed to drag on a bit. It's almost as if Manson was trying to fit just a little too many songs into one disc. Otherwise, the album doesn't have too many noticeable flaws.

Overall, this CD will definitely turn the listener's stomach with its passionately riveting sound and corresponding lyrics. This is definitely one of Manson's more emotionally driven LP's and it's very recognizable to anyone who listens that Manson put his heart and soul into it. This CD will definitely give you something to swallow. Recommended.

MANSON.......2007-05-10

THIS CD IS EXCELLENT!IT'S ALSO INTERESTING.I LOVE THE SONG TITLED: KING KILL 33. THE MUSIC'S HYPNOTIC. THE SONG TITLED: COUNT TO 6 AND DIE IS SOMETHING DIFFERENT.THE SONG TITLED: IN THE SHADOW OF THE VALLEY OF DEATH IS SO SAD.THERE'S SO MANY DIFFERENT STYLES OF MUSIC ON THIS CD,AND SO MANY EMOTIONS.MANSON'S REALLY SOMETHING SPECIAL!

No Longer Popular.......2007-04-26

The first Manson release of the millenium sees both the singer and his backing band's popularity in doubt, as Emenem and other rappers were all the rage. Not even a throwback to his gothic days could save this from going only gold certified, and gold certified years after its original release date. By this time they were stuck in the 70s, and Manson was again controversial but didn't draw much protest. The music itself is a throwback to his Potrait days, but like I said, the band's popularity was in doubt. It seemed more like the Thrill Kill Kult- famous, but not popular, camp industrial music only someone who didn't care if they were popular themself could get into.

Attention: Marilyn Manson Peaked Here..........2007-03-13

Yes folks, this is Marilyn Manson at his best. After this album, Marilyn Manson would begin their decline.

The Positives: John5's guitar work is at its peak on this album. Songs like "Disposable Teens", "The Fight Song", "The Nobodies", "The Death Song", "Lamb of God", and "The Love Song" are some of the finest Manson guitar tunes to date. Also, the lyrics reach their peak with this album. Lyrically, this album is a proper fuse of Antichrist Superstar and Mechanical Animals. Therefore, I believe this to be the peak of Marilyn Manson. Everything is running on full power (lyrics, guitars).

The Negatives: None...every track on this record is very intelligent and enjoyable.

Personal Favorites: The Fight Song, Disposable Teens, The Death Song, The Nobodies, Lamb of God, The Love Song, Coma Black, and King Kill 33.

The Further Decline of Marilyn Manson.......2007-01-25

Marilyn Manson was a phenomenon to be reckoned with. Musically, Manson is inferior to other contemporaries of his day (ie, Nine Inch Nails); however, they were overshadowed by the fact that Manson was more than a band: it was a statement perfectly crafted for alienated teens. Manson gradually transformed from a band with a message to a lifestyle with its very own 'poster band'. Manson reached his musical zenith with 'Antichrist Superstar' (his best album), and then declined with 'Mechanical Animals'. 'Holy Wood (In the Shadow of the Valley of Death)', although better than 'Mechanical Animals', is still not Manson at his best. He seems to sacrifice the music for the concept behind the album. The album seems long drawn out, and some songs are extremely repetitive (ie, 'The Fight Song', 'Disposable Teens'). The best song on the album is probably 'Cruci-fiction in Space'.

Average customer rating: HOW TO DO COMPARE THIS GREATNESS TO ANYTHING?

Too Much Too Soon New York Dolls Manufacturer: Hip-O Select ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Proto Punk | Hardcore & Punk | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music American Punk | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Glam | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: New York Dolls L.A.M.F.: The Lost '77 Mixes Hard Night's Day The Dictators Go Girl Crazy! All Dolled Up ASIN: B000BQW88K Release Date: 2006-08-01

Tracks:

1. Babylon
2. Stranded in the Jungle
3. Who Are the Mystery Girls?
4. (There's Gonna Be A) Showdown
5. It's Too Late
6. Puss 'N' Boots
7. Chatterbox
8. Bad Detective
9. Don't Start Me Talkin'
10. Human Being

Product Description

The New York Dolls didnt look punk. And when they were busy inventing the American version of what would eventually get called punk, it really didnt have a name. Despite being championed by critics from coast to coast, the Dolls had more of a critical than commercial impact. Too Much Too Soon is the bands second album, produced by Shadow Morton, who had the distinction of having worked with both the Shangri-Las and Vanilla Fudge. In some ways, it could be said that this album splits the difference between those two bands, plenty heavy, but with a melodic undercurrent. The Dolls were not only talented writers, they were skilled musical interpreters, covering not only the Cadets 1956 hit Stranded In The Jungle, but Gamble & Huffs more contemporary (Theres Gonna Be A) Showdown, which had been a hit for Archie Bell& The Drells in 1968. At thirty years remove, the album sounds a lot less radical than it did in 1974, but with the thigh-high boots and platform heels, the lipstick, the poodle-on-steroids hair, the snarling vocals, and the slashing guitars, they didnt just push the envelope; the Dolls threw the envelope in a wood chipper and peed on the shreds. This album has just plain been out of print too long. Happy to fax that up for you. Incidentally, a reformed version of the band (only 40% of the lineup on Too Much Too Soon is alive today, and neither of them are original Dolls) is out on tour and is planning a new album, so you may get to hear David Johansen (a/k/a Buster Pointdexter) perform some of these songs live in the not-too-distant future.

Customer Reviews:

HOW TO DO COMPARE THIS GREATNESS TO ANYTHING?.......2007-03-03

Wow, reviewing the Dolls is much like reviewing the Stooges or MC5. Maybe even the Clash. My experience w/the Dolls started as a stoned out trip while in college to the local KMART (Kame a Part). I always cruised to the bargin bin (LPs to be sure)to check on what treasures some unwitting idiot of a clerk would mark down. And I found it there too. Blue Cheer, Black Sabbath (Live, Bootleg, no less), and even a rare copy of T2's classic, It Will All Work Out in Boomland. Anywho, one such journey yielded the 2nd Dolls classic, Too Much Too Soon. Talk about an chilling name for the future of this band. Mind you, this was less than a year after it's release! Back to dorm land to spin and drink. Now I can look back and see the blueprint for what was to come only 3-4 years later...Punk Rawk! Guitarist Johnny Thunders has been copied hundreds of times for his raw Chuck Berry influenced playing. Has there really been a drummer w/the force of Nolan for pure RnR? Right up there w/Exile on Main Street as far as classics. Showdown has to be one of the most exciting dancable tunes ever penned. Image, chops, and balls...yep the Dolls had it all. It you need any intro to this band, skip the crap w/reissues and bad live stuff. Get this CD and the 1st. You'll love it, baby...

Average customer rating: From a Nilsson Fanatic THE BEST AUDIO VERSION AVAILABLE Essential two-albuns-in-one-cd and gorgeous bonus tracks!!! Changing the name of your favourite song... Everybody should be talking about it...

Pandemonium Shadow Show/Aerial Ballet/Aerial Pandemonium Ballet Harry Nilsson Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Contemporary Folk | Folk | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Oldies | Pop | Styles | Music Baroque Pop | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Rock | Styles | Music General | Oldies & Retro | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music General | Pop | Box Sets | Stores | Music Pop Rock | Pop | Box Sets | Stores | Music General | Rock | Box Sets | Stores | Music Folk | Imports | Stores | Music Rock | Imports | Stores | Music Pop | Imports | Stores | Music Similar Items: Harry / Nilsson Sings Newman Skidoo / The Point Son of Schmilsson Nilsson Schmilsson Duit on Mon Dei / Sandman ASIN: B00004VXG8 Release Date: 2000-08-21

Tracks:

1. Ten Little Indians
2. 1941
3. Cuddly Toy
4. She Sang Hyms Out Of Tune
5. You Can't Do That
6. Sleep Late, My Lady Friend
7. She's Leaving Home
8. There Will Never Be
9. Without Her
10. Freckles
11. It's Been So Long
12. River Deep - Mountain High
13. Daddy's Song
14. Good Old Desk
15. Don't Leave Me
16. Mr. Richland's Favorite Song
17. Little Cowboy
18. Together
19. Everybody's Talkin'
20. I Said Goodbye To Me
21. Little Cowboy
22. Mr. Tinker
23. One
24. The Wailing Of The Willow
25. Bath

Tracks:

1. Introduction
2. 1941 (Slowed Down Track & Remixed)
3. Daddy's Song (New Vocals, Guitar/Piano/Out Of Sync)
4. Mr. Richland's Fav. Song (New Background Vocals & Remixed)
5. Good Old Desk (Slowed Down Track & Remixed)
6. Everybody's Talkin' (Dumped Second Voice & Remixed)
7. Bath (Re-Eq'd Original Tracks)
8. Fill
9. River Deep - Mountain High (New Vocals & Remixed)
10. Sleep Late, My Lady Friend (Remixed)
11. Don't Leave Me (Remixed)
12. Without Her (New Vocals & Remixed)
13. Together (New Vocals, Edited Out Bridge & Remixed)
14. One (Remixed)
15. Closing
16. As I Wander Lonely
17. Miss Butter's Lament
18. Sister Marie
19. Wasting My Time

Album Details

Three Albums on Double CD: 'Pandemonium Shadow Show', 'Aerial Ballet' and 'Aerial Pandemonium Ballet' (A Remix Album). Includes Four Bonus Tracks..

Customer Reviews:

From a Nilsson Fanatic.......2007-01-15

I first heard of Nilsson from a song he did with John Lennon on Lennon's album Walls and Bridges. I later found out that the hypnotizing backing vocals on Ringo Starr's cover of "You're Sixteen" were also Nilsson's. So when I found out that Nilsson was declared the Beatles favorite singer I realized I had to check him out. This album is simply sensational all the songs show a man who loves to sing and who can sing with the best of them. Pandemonium Shadow show has the powerful and humorous "Ten little Indians" the beautiful and heartwrenching "1941", the wry and catchy "cuddly toy", the gorgeous "sleep late my lady friend" the simply genius "without Her" and the clever Beatles tributes "You Can't Do That" and "She's leaving home". These tracks are all of high quality and are sung beautifully.
The next album Aerial Ballet starts with the fun, catchy, and unsettling "daddy's song" the adorable "Good Old Desk" the beautiful "Don't Leave Me" the thought provoking "Mr. Richland's Fav. Song" which, according to legend, was John Lennon's favorite. The legendary cover of "Everybody's Talkin'" which made Nilsson a Star and the song does not disappoint. Three Dog night also covered Nilsson's original song "One" which is both haunting and reminiscent of Paul McCartney's Rubber Soul-Revolver songs while maintaining a distinctive voice of it's own. The remix album besides being the first one in history is fun and the bonus tracks are smashing. Overall this compilation is fantastic and if I have not convinced you then I will say that this music is perfect for dating because it sets a terrific and fun mood. Thanks Nilsson for all the wonderful music!

THE BEST AUDIO VERSION AVAILABLE.......2006-08-17

If you are looking for the best audio versions, navigating the array of domestic, European and Japanese releases for each Nilsson album can be a frustrating experience.

I have purchased and painstakingly A/B'd them all, and have posted this review on the best editions of each Nilsson title. All you have to do is find this review and the guesswork is eliminated.

As with all my A/B reviews, the discs were compared on two Sony XA7 transports wired via identical Acoustic Zen coax cables to a Camelot Uther DAC.

The entire catalog was issued in 2002 with Japanese K2 remastering. In terms of remastering, K2 would usually be the end of the story, but this catalog is the rare exception: The final six albums in the K2 offering are the best audio versions, but in the front half of the catalog, the UK and one domestic editions are superior.

The 2004 RCA remaster of "Schmilsson" is the only domestic release that is better than the imports.

Here is a list of the best audio versions:

1. Pandemonium Shadow Show/Aerial Ballet/Aerial Pandemonium Ballet (2CD) (2000) UK BMG/Camden Deluxe (catalog number) 74321 757422
2. Skidoo/The Point (2000) UK BMG/Camden Deluxe 74321 757432
3. Harry/Nilsson Sings Newman (2000) UK BMG/Camden Deluxe 74321 757442
4. Schmilsson USA (2004) RCA 82876 572652
5. Son Of Schmilsson (2000) UK BMG/Camden Deluxe 74321 757462
6. A Little Touch Of Schmilsson In The Night (2002) Japan K2 BVCM-37249
7. P*ssy Cats (2002) Japan K2 BVCM-37251 (the UK has one extra track not on the K2)
8. Duit On Mon Dei (2002) Japan K2 BVCM-37252
9. Sandman (2002) Japan K2 BVCM-37253
10. That's The Way It Is (2002) Japan K2 BVCM-37254
11. Knnillssonn (2002) Japan K2 BVCM-37255

The three 2000 BMG Camden UK releases offer more clarity than the Japanese K2's. Perhaps they were working from better source material.

However, the Japanese K2's are definitely better than the UK "2-fer" discs in the later titles. Unfortunately, the K2's are now OOP, more difficult and expensive to locate, although the Japanese frequently re-issue catalog titles.

Before purchasing any OOP Nilsson title off Amazon Marketplace, Half or eBay, I would highly suggest e-mailing the seller (with the catalog number info I have provided above) and confirm the listing. The seller may have another edition of these titles mis-listed.

Essential two-albuns-in-one-cd and gorgeous bonus tracks!!!.......2005-11-18

Harry Nilsson entered in my life about a couple of years ago and God, I just don't knew what I was losing!!! I firstly bought a twenty-two-tracks-best-of, but rapidly I was delighted and got his records in single cd's...But I was mad to find his first two, "Pandemonium Shadow Show" and "Aerial Ballet" and only this compilation could satisfy my true desire!! I must say that the sound of this Camden Deluxe is not the clearest, but damn that, I was so happy (and moved) in hear this beautiful songs of a superlative composer/singer, I think too (and shamelly!) underrated...
Well, we can forget, for moments, the remix-album "Aerial Pandemonium Ballet" (seems it was the "first" remix-album, chronologically!) that came with this edition, it's only a experted reworking of some songs of both albuns, with a couple of good ideas...In fact, I'll give all the money for the bonus-tracks, everyone of higher quality, not deserving the second-hand interest. "As I wander Lonely" (hey, is it Divine Comedy!??), "Miss Butter's Lament" and "Wasting My Time" are prime-Harry Nilsson moving songs, with that peculiar melancholic tenderness. And "Sister Marie" a bit appart with a much more acid arrangement (dubbed keyboards?).
But first cd is a masterpiece, both of records being a perfect collection of songs...Harry Nilsson is so inventive in his solid musical ground, playing with a dozen of recording possibilities, just in time with the masters Beatles, certainly his great influence. It's not saying that he was the nearest american-clone of Lennon-McCartney (like a Janus statue!), no, he just deserves a great place in musical pantheon and be recognized by the masses!!
What we could say about the intrepid rhythm of "Ten Little Indians" with intriguing nursery-rhyme lyrics; the truly sentimental beauty of "1941" (delicious harmonium and trombone!) and "Sleep Late, My Lady Friend" (gorgeous, gorgeous!) or the happy-erotic keyboard (with Nilsson's comment "Oh, beautiful") of "Cuddly Toy"??? Say nothing, just give a thousand listens and bring joy to our life!!
The two covers here are quite great, in fact I think "She's Leaving Home" surpasses the original, more rich in details (magic tablas here!); "River Deep-Mountain High" is not so "Spectoresque" but it works in dramatic pulsation...
Nilsson is simply gorgeous in love songs, giving only the essential, sometimes with a sad regret and disappointment, like in "There Will Never Be" (a lonely dance), "It's Been So Long" and "Without Her", the latter one the most perfect whispered love song (great flute!), the true loneliness without indulgence...In another hand, he chose happy counterpoints in the ragtime approach of "Freckles" or the extraordinary meddle of Beatles work "You Can't Do That"...
"Aerial Ballet" is a kind of second chapter to "Pandemonium...", some more of magnificient crafted songs in an ecclectic manner (Nilsson's scat is a copyright!), so distinctive and not a single moment dated!! Truly masterpieces here are "Don't Leave Me" (another touching love song! Notice the superlative last scat!), "Together" (probably his second best song!!Impeccable!!), "I Said Goodbye To Me" (superb bass backing vocals!) and all the last four tracks!! More commercial-oriented hits like "Mr.Richland's Favorite Song" and "Everybody's Talkin'" aren't also easy listening.
"Mr.Tinker" is a deep social meditation of a lonely person; "One" is probably Nilsson's best song (beautiful lamenting cello at the middle section) and "The Wailing of the Willow" is that late-sixties new thing called "bossa-nova" so softly inspired in Nilsson's hands!! "Bath" is a remarkable shouting farewell...And then go straight to bonus tracks again, the remix-album is just a interesting variation, this edition is an essential one!!!!

Changing the name of your favourite song..........2002-03-01

This is an irresistible package for anyone tracing (or revisiting) Harry Nilsson's sadly under-rated and neglected catalogue.

The "Pandemonium Shadow Show" album is a 1967 charmer, introducing Nilsson's unique and brilliant singing/songwriting talents. It features classics like "1941" and "Without Her". It could be accused of being overly in the thrall of the Beatles, but that would be to deny the charm of "You Can't Do That", which manages to cram much of the Beatles stylistic repertoire into one arrangement. At least he's wearing it on his sleeve. This playfulness remained one of Nilsson's many endearing characteristics.

The "Aerial Ballet" album is a real revelation; an achievement on equal terms with the Beatles, rather than standing in their shadow. With only one non-original song on the album ("Everybody's Talkin'", the one Nilsson song I guess everyone's familiar with), the strength of the songwriting ("Good Old Desk", "I Said Goodbye To Me", "One", etc) would stand alone even without the often breathtaking vocal performances. Most of the songs dissolve into Nilsson's inimitable "scat" vocalising in the final verse, which adds a level of poignancy and poetry beyond language. Running out of lyrics was an opportunity for such a talent! The vocal multilayering is very effective, and, I guess, technically advanced for its time.

The "Aerial Pandemonium Ballet" remix album is an interesting addition for the sake of completion. It was more successful saleswise than the original two albums, but I find myself sticking more with the original versions of the songs.
The bonus tracks are all very worthwhile, particularly the spine-tingling "Wasting My Time".

The sound quality appears to be fine, although I have my doubts about the "remastering" on these BMG reissues. I have nothing to compare "PSS" and "AB" to, but the reissue of "The Point" (double with "Skidoo") sounds markedly inferior to my original CD of that album.
Now, speaking of reissues, what about the post "Pussycats" albums?

Everybody should be talking about it..........2000-11-02

The original mastertapes were in shambles. When BMG went back to Harry's original masters for his first two albums for the Personal Best Anthology they found that the tapes needed tender loving care to bring out the best sound. Like lots of recordings from the same time frame, the tapes hadn't aged well.

This 2 disc set gets things right. Yes, there is still a significant amount of hiss but, trust me on this, it's better than having BMG reissue these classics using sonic solutions no noise (which was used on the Badfinger reissues from Apple--it's one of the reasons they sound so bad).

Of the three albums included here APB sounds the best. Harry went back and remixed many of these tracks reducing many of the overdubs and, hence, improving the sound quality in many cases. Fans should note, however, that the bonus tracks on APB here are different from those found on the US edition.

Average customer rating: Pitiful enchanting voice... Nice blend - Rock On!!! Wonderful Music! Pleasant Surprise

Shadow of the Moon Blackmore's Night Manufacturer: Steamhammer Us [Spv] ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Classic Rock | Rock | Indie Music | Stores | Music Metal | Hard Rock & Metal | Rock | Indie Music | Stores | Music Similar Items: Under a Violet Moon Fires at Midnight Ghost of a Rose The Village Lanterne Beyond the Sunset: The Romantic Collection ASIN: B00005J9YN Release Date: 2001-06-12

Tracks:

1. Shadow Of The Moon
2. The Clock Ticks On
3. Be Mine Tonight
4. Play Minstrel Play
5. Ocean Gypsy
6. Minstrel Hall
7. Magical World
8. Writing On The Wall
9. Renaissance Faire
10. Memmingen
11. No Second Chance
12. Mond Tanz
13. Spirit Of The Sea
14. Greensleeves
15. Wish You Were Here
16. Possum's Last Dance

Customer Reviews:

Pitiful.......2007-07-16

What a shame! One of the brilliant hard rock guitarists has turned into a clown.

enchanting voice..........2007-06-04

i got hooked on blackmore's night a few months ago after listening to 'ghost of a rose' and 'fires of midnight'. candice night's voice is simply angelic... dreamy in some songs, light-hearted in others. this album is more upbeat and pop than their earlier releases. i prefer their earlier renaissance tunes, but this is still a good listen. recommended for those who want a dose of of medieval music but enjoys a modern beat.

Nice blend - Rock On!!!.......2007-03-09

I love hard rock, heavy metal, and allot of the new age music,(some Celtic in nature) this is a very pleasant way to blend the two highly structured music forms together. Yeah, you can hear some quick little guitar riffs here and there. Glad Richie Blackmore and Candace Night got together!!!

I first bought the DVD, and enjoyed so much I have begun collecting the CD's. Hopefully a new DVD is forthcoming!!!

Wonderful Music!.......2007-01-07

"Shadow of the Moon" is my second Blackmore's Night CD and I enjoy listening to it as much as "Fires at Midnight" my first of their CDs. I listen to these over and over again without growing tired of their music. I like these CD's so much that I have given them as gifts to my sisters.

Pleasant Surprise.......2006-10-15

I was def. not expecting what was on this CD; This was the first of many similar outings by Blackmore and wife Candy, and certainly the best. While some may find the vocals a little too 'sweet', others will just get used to it. 'Wish You Were Here' is pure genius, and there are only a handful of so-so songs. I have always been a fan of Blackmore's guitar playing, and he does no wrong here...This is a nice 'semi-mystical-down-time' CD with alot of nice melodies, harmonies, and mood. Some sappy lyrics, but overall refreshing. Nice production, too.

Average customer rating: what is it? The Nevilles, hijacked by a hip-hop producer Incredible Don't pass up this record Live

Walkin' in the Shadow of Life The Neville Brothers Manufacturer: Chordant ProductGroup: Music Binding: Audio CD Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Funk | R&B | Styles | Music General | Adult Contemporary | Pop | Styles | Music Similar Items: Fiyo on the Bayou Yellow Moon 20th Century Masters - Millennium Collection: The Best of the Neville Brothers Live on Planet Earth Uptown Rulin': The Best of the Neville Brothers ASIN: B0002XL24I Release Date: 2004-10-19

Tracks:

1. Walkin' In The Shadow Of Life
2. Poppa Funk
3. Can't Stop The Funk
4. Ball Of Confusion (That's What The World Is Today)
5. Kingdom Come
6. Middle Passage
7. Junkie Child
8. Streets Are Callin'
9. Your Life (Fallen Soldiers)
10. Scrape Scat
11. Carry The Torch
12. Brothers
13. Rivers Of Babylon

Customer Reviews:

what is it?.......2007-05-23

what is this album?
is it Neville Brothers?
is it a try of a music fusion?
is it a try to show the variety af Neville's possibilities?
it's definitely not like Neville's albums before.
Some songs are great (Ball of confusion) others are strange.
Keep your mind open and try to find your own valuation.

May be it leads younger people to the Neville's - that's good!

The Nevilles, hijacked by a hip-hop producer.......2006-11-01

Bought this with no preview at all, I figured a newer Nevilles has to be fine, right? Wrong. I gave this two stars instead of one because I have loved the Nevilles for 30 years and danced to them at Tipitinas after the big parade at Mardi Gras in '78, so out of respect I have to give it a two. This album does not SOUND like the Nevilles, despite their signature Nawlins funk tunes and vocals. Their sound has beed hijacked by producer Milton Davis and replaced with extremely harsh and synthetic sounds that are impossibly grating to the ear. Even a nice organic pop of the snare drum is nowhere to be found, because the drums have been processed to sound like a tinny drum machine. Maybe I just don't get it and they wanted to be edgy on this album but - song after song - there's NOTHING that reminds me of the Nevilles I love, not until track 12 (Brothers). Harsh intruding synthesizers, trebly artificial percussion... no fun. I'm selling mine on eBay, not bothering to rip the tracks.

Get Valence Street if you want a fantastic recent Nevilles album (track 1 "Over Africa" is simply amazing), and you must own Brother's Keeper and my #1 favorite recording overall, Yellow Moon. Heck, I can't think of a single Nevilles album that I don't love - except this one. God bless the Nevilles....

Incredible.......2005-02-08

I just heard the cut, "Junkie Child" on the radio station WWOZ. (For those out of town, you can listen to great New Orleans Jazz @ www.wwoz.org) This song has a very nice twist with a local rapper turned big, BG. Also features Trombone Shorty who is absolutely incredible in person. The Neville Brothers will be touring all over the world coming up very soon. New Orleans is an incredible place. If you like this band, try Rebirth Brass Band, or Kermit Ruffins.

Don't pass up this record.......2004-12-10

The Neville brothers together and individually have been making music in New Orleans and around the world for nearly 50 years. Their better known incarnations include The Meters which had only two of the brothers, The Wild Tchoupitoulas which was a brief single LP with all four of them, and under their own name probably best known for the hit "Fiyo on the Bayou" or "Hey Pocky-a-Way".

This new record represents a true culmanation of the talent of the Nevilles - not just the four brothers but several offspring that join in to help imploy some modern recording techniques and greatly improve the end result. The songs are strong, personal and socially aware. They are varied yet very cohesive - pure New Orleans R&B / Funk.

I hope the Grammy people don't get too consumed with the current trend to synthetic grooves, and still have time to appreciate and honor some of the masters of the organic traditions.

Live.......2004-12-01

I saw them a few weeks ago in Tahoe, I have to say, this album is hot, but hearing them perform live, unreal. To experience musicians now, who sound better in person than on the cd, are few and far between. Great cd, songs with heart and originality. Love it.

Average customer rating: "Decent" Comes to Mind Lost Abstract crazy Powerful What the what the

Private Press DJ Shadow Manufacturer: Mca ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Turntablists | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music R&B | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Preemptive Strike Psyence Fiction Endtroducing... The Outsider Dead Ringer ASIN: B000067AT9 Release Date: 2002-06-04

Tracks:

1. Letter From Home
2. Fixed Income
3. Un Autre Introduction
4. Walkie Talkie
5. Giving Up The Ghost
6. Six Days
7. Mongrel...
8. ...Meets His Maker
9. Right Thing/GDMFSOB
10. Monosylabic
11. Mashin On The Motorway
12. Blood On The Motorway
13. You Can't Go Home Again
14. Letter From Home

Amazon.com

Countless copycats have landed on the bandwagon since Josh Davis's debut, Endtroducing..., wreaked havoc in the dance and hip-hop world. But Davis, a.k.a. DJ Shadow, kept on top of his game with various collaborations--Blackalicious, U.N.K.L.E., Cut Chemist--and superlative 12-inches like "High Noon" and "Pre-Emptive Strike."

Now, a full six years later, he's back with a follow-up that is every bit as impressive as his debut, albeit in a different way. Once again, the producer has pushed his sampler to the limits, but this time he's brought with it a deeper, hungrier, more bad-ass spirit that's rarely found in modern dance music. There's a fabulous '80s vibe throughout (principally on tracks like "Monosylabik" and "You Can't Go Home Again"), along with the expected forays into b-boy culture (check the growling, massive "Treach Battle Break" and the funky-ass "Mashin' on the Motorway"). While it's identifiably Shadow, it ain't Endtroducing...Part 2. It is, however, a worthy and imaginative follow-up, with humor, wisdom, and musical understanding aplenty. --Paul Sullivan

Customer Reviews:

"Decent" Comes to Mind.......2007-05-12

The sophomore slump has by far become the norm in music and when you cake on the monumental disappointing effect that could have by following a landmark piece of art, well, to put it modestly, the stakes are high. 'The Private Press' is by no means the disaster it could have been, but it is nowhere near the cohesive groundbreaking masterpiece its predecesor was. A compilation of B-Sides is the generic thought that comes to mind.

"Monosylabik", with its geek-out sampler-effects extravaganza does not belong on any respectable album. Not only is the track an annoyance to the ears, it just goes to show that maybe Davis' music is all about sound or technique over substance.

"Mashin' on the Motorway", again, filler and very out of place. I think this could have been a novelty B-Side but should have DEFINITELY been replaced with "100 Metre Dash" from the "Six Days" single. "Mashin'" just sounds immature with its failed attempts at comedic road rage.

Those are the only two tracks I can say are bad. The rest of the songs are solid, just not album material.

The bookends (Letters from Home) are there for concept purposes, though you'd be hard-pressed to dissect any sort of concept in the body of the album. So instead of adding to the experience, they distract and are constant skips.

What works?

"Fixed Income", "Giving Up the Ghost" and the 2-part "Mongrel... Meets his Maker" are all showstoppers. An album created around those pieces may have been able to match 'Endtroducing...' in impact, though not in relevance and depth.

I admit, my expectations were ridiculously high back in '02 when I picked this up. It has since been five years and the album gets very little to no rotation. There is no mood, so I steer away from putting it in for the two tracks at a time that may fit how I feel that day. Instead, I take the highlights and include them on compilations where they DO stand out as opposed to sound desperately stranded as they do on this album.

Lost Abstract.......2006-07-01

I can appreciate the fact that Davis is moving in his own direction but this just didnt do it for me. His style took a complete turn from the trip-hop aspect and presents more conversation filled segments that are rather boring. There are a couple tracks that showcase Shadow's DJ talent and a few other alright tracks but if your looking for endtroduing or preemtive strike you wont find it here.

crazy.......2006-04-10

I first read the hype about the endtroducing album on amazon. but my experience with best sellers has not been good especially if they are old. I like to stick to the albums which are recent in case of artists i like. so i first got private press. and i was completely blown away. highlight of the album is the 5th track givin up the ghost. It has a very haunting feeling to it. starts with a synth rhythm and carries it for several measures. until drums are added after a pause. its a freak show after that. try to listen this song on church or hall setting in your surround system and it would magnify the feeling manyfolds. i cant give the name to the emotion which i feel when i hear this track. 8th is also good. 3rd track is hilarious.

Powerful.......2006-02-07

DJ Shadow refuses to be labeled, and that is abundantly clear in this album. With elements of every genre under the sun, hip-hop, electronic, and even flashes of ambience to name a few.

Rarely have used words like "powerful" or "moving" with a hip-hop artist, but they apply here. "Blood On the Motorway" hits hard, and is the centerpiece of the album in my opinion. It touches a chord in the listener, and is truly one of those songs that makes the hair on the back of your neck stand up.

DJ Shadow is fearless, and I thank him for being that way.

What the what the.......2005-12-18

This is every bit as good as "Endtroducing...". People are crazy.

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