| 1. To You |
| 2. Morning Rain |
| 3. Twist |
| 4. 86 TV's |
| 5. Bigger Wheels |
| 6. Loch |
| 7. Strom Warning |
| 8. Dark Star |
| 9. Stop |
| 10. Sunlight Hits the Snow |
| 11. No Fear of Falling |
| 12. Because |
Editorial Reviews
Import edition of 2001 album for UK indie act who have a genius for capturing the dark side of love almost as great as their ability to make a calamity out of a casual affair. 12 tracks in all including the ace singles, 'Twist', 'Dark Star' & 'Morning Rain'.
Natural History,I Am Kloot,EMI Int'l,Alternative Pop/Rock,British Trad Rock,Indie Pop,Pop,Rock,Rock/Pop
Average customer rating:
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Natural History: The Very Best of Talk Talk
Talk Talk Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UWE Release Date: 1990-10-16 |
Tracks:
- Today
- Talk Talk
- My Foolish Friend
- Such A Shame
- Dum Dum Girl
- It's My Life
- Give It Up
- Living In Another World
- Life's What You Make It
- Happiness Is Easy
- I Believe In You
- Desire
- Life's What You Make It (Live)
- Tomorrow's Started (Live)
Amazon.com
Who would have imagined that the missing link between Miles Davis and Portishead would be a pasty Brit band whose synth-driven hits show up from time to time on rock-of-the-'80s collections? For those only familiar with MTV hits like "Talk Talk" and "It's My Life," this compilation is the beginning of a revelation. Talk Talk mastermind Mark Hollis is an eccentric genius whose hook-laden hits hide an equally satisfying catalog of art-rock experimentation. As Talk Talk evolved, Hollis (opting for a cut-up technique that anticipated the Pro-Tools revolution) ditched synth-pop and produced some of the most sublime late-night records ever. Think Stevie Winwood tranquilized by listening to too much Blue Nile and you start to get the picture. But fair warning: buy this album, and there's a good chance you'll end up purchasing the whole catalog. --Bill FormanCustomer Reviews:
Evolution: Pop Gets Artsy.......2007-02-16
And the music is great, too. The early material is poppy fare that's quite in tune with the times. "Today" and "Talk Talk" are sing-along ditties that anyone with a sense of fun can instantly appreciate. The next few tracks possess a slight moodiness that serve as a precursor for the ambient sensibilities that are to come. Then, we get the hit "It's My Life." It's the apex of their pop sensibilities, as far as I'm concerned. You can't top that track. It's impossible.
As such, the music changes direction following that song. "Life's What You Make It," despite its popularity, is still a bit of a plodder. "Happiness is Easy," despite its kids chorus, is artier than most of the material that preceded it. And then things get even more abstract. "I Believe In You" is beautiful, as is "Desire." However, these tracks inhabit a totally different plane than the first tracks on CD. These are mood pieces, intended to establish an atmosphere rather than make the day-glo kiddies dance. Hollis is still there to provide insight, but he's merely adding colours to a picture as opposed to telling a story.
And then there are the two live tracks. That's the way to make a compilation: Chronologically-arranged studio tracks with some live stuff tacked at the end. I don't care for "Life's What You Make It," so I could've done without it. But thankfully, the compilers decided to give us a miraculous version of "Tomorrow's Started." That track can move my soul like no other. It's a highlight, and a great closer.
Overall, this collection will appeal to a wide audience. The new wave kids will like the early stuff. Pretentious arty kids will like the latter material. Your average Joe will probably enjoy the whole thing, although he might get a bit bored at the end. That's okay, though; this is a great primer that present a great band. Sure, there are a few less-than-perfect tracks scattered about, but in the end, this CD has mass appeal and is totally worth purchasing.
This Music Defines the 80's.......2007-01-22
Deeper than you might think.......2006-03-09
music the way I remember it.......2006-01-30
Get to know Talk Talk.......2006-01-24
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Of Natural History
Sleepytime Gorilla Museum Manufacturer: Mimicry ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002Y4SQ6 Release Date: 2004-11-02 |
Tracks:
- A Hymn To The Morning Star
- The Donkey-Headed Adversary Of Humanity Opens The Discussion
- Phthisis
- Bring Back The Apocalypse
- FC: The Freedom Club
- Gunday's Child
- The 17-Year Cicada
- The Creature
- What Shall We Do Without Us?
- Babydoctor
- Cockroach
- Bonus Track 1
Customer Reviews:
Great Album.......2007-06-05
I love this album, most of the songs are great alone, but the album doesn't quite stand on its own the whole time through. My favorite tracks include TDHAOHOTD, Phthisis, Apocalypse, FC, and Babydoctor.
3.5/5
Nothing short of devastating..........2006-10-03
Then I moved up to Meshuggah, which was quite a leap. I thought, "Wow, this is intense."
And then I have come to this. This might already be some sort of cliche, but if you can picture the way the apocalypse might sound, you're still not hitting this album. Seriously, I listened to "Freedom Club", went along with the soft part with the vibe-like instruments playing, and then the math professor dream, and WHAM!!!
I'm surprised I came out alive. Mind you, these were large speakers, and I didn't expect anything that infernal to come out. Think Meshuggah with more instruments, a more demanding singer, and an overall greater burden for a listener to bear. I was in shock for about ten minutes. Well, not really, but this song in particular just made me flip.
Even before that magnum opus, there's the opening song, which has to be some sort of tongue-in-cheek stab at evangelical music, or something. I was confused, but then the lyrics to the female-male sung part clued me in. "The greatest lie ever told" and a song about "the infant God" usually don't go together. But, surely enough, they do here. Great background harmonies, by the way.
"Phthisis" is another thing completely. The female vocals are absolutely amazing, in that they convey tons of emotion. One of the things I noticed about this album is that the lyrics are genius, something that doesn't stop on any one song. But the vocals on this song always make shivers go up my spine. They're not scary, they're just aurally arresting.
Oh, and don't let me forget "Babydoctor", which could be even more intense than "Freedom Club" plus all the other songs. If one song could define a band's career, it would be this one. Agonizingly brutal vocals, without all the cookie-monster/Dani Filth scream [...]. The guy sounds like he needs therapy. But, given the album's message, the assault might be necessary to implant an idea into one's head. Just a theory.
So, all ends with the twisted kid song parody "Cockroach", and then there's a hidden track that is basically just ambience. But you've made it through the abyss. The word harsh takes on a whole new meaning on this album.
Don't expect other types of intensity. There's no black metal, no gore metal, no stereotypical death metal, no stereotypical thrash. It's completely in its own little world. For instance, most percussion on this album was hand made from things like kitchen utensils and trash cans and other common "non-instruments". Who else does that? I can't think of any other metal band that uses homemade percussion.
It's not death metal. It's not really anything that's been documented previously. If it's not your favorite, you're eventually going to admit it was at least a memorable experience. Trust me, if you dig Bungle or Thinking Plague, you'll go apes**t after hearing this.
AWESOMELY AWESOME TOTALLY RECOMMENDED FOR FANS OF: Meshuggah, Mr. Bungle (or other non-FNM Patton metal projects), Thinking Plague, Rock-In-Opposition, Frank Zappa (although that's almost a stretch, almost)
loose sphinctered & over ambitious.......2006-06-19
what of natural history sounds like to me........2006-04-25
In other words... pretty freaking wierd. good stuff. The musicianship of this band is amazing. The cd is very hard to listen to and definitly takes more than one listen to even come close to appreciating it. I do suggest listening to it if nothing else to expand your mind, and like another reviewer said you definitly have to have an IQ in the mid to upper 3 digit range.
Of natural brilliance.......2006-03-05
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Natural History: The Very Best of Talk Talk
Talk Talk Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LZ6DM8 Release Date: 2007-04-02 |
Tracks:
- Today
- Talk Talk
- My Foolish Friend
- Such a Shame
- Dum Dum Girl
- It's My Life
- Give It Up
- Living in Another World
- Life's What You Make It
- Happiness Is Easy
- I Believe in You
- Desire
Tracks:
- Today [DVD]
- Talk Talk [DVD][Version]
- My Foolish Friend [DVD]
- Such a Shame [DVD]
- Dum Dum Girl [DVD][Take]
- It's My Life [DVD]
- Life's What You Make It [DVD]
- Living in Another World [DVD]
- Give It Up [DVD]
- I Believe in You [DVD]
Album Description
Import only CD/DVD (PAL/Region 0) pressing features 12 tracks on the audio disc, all of them were hits for them in UK while the bonus DVD features music videos to all of their nine singles along with two alternate versions of 'Talk Talk' and 'Dum Dum Girl'. EMI. 2007. * Please note you will need an All Code DVD player to view.Album Details
Talk Talk were Formed in North London in 1981 by Mark Hollis with Bassist Paul Webb, Drummer Lee Harris, and Keyboardist Simon Brenner (Later Replaced by Tim Friese-greene, which also Signalled the End of their Early Electronic Sound). 1982 Brought a Support Slot with Duran Duran, and the Album 'the Party's Over', but 1983 was the Breakthrough Year with the Album 'it's My Life'. The Album features Nine UK Hit Singles Including the Biggest Hits 'today', the Insistent and Expansive 'life's What You Make It' and 'it's My Life' Which, in 2003 it was Covered as a Very Successful Swan Song for No Doubt. Comes in a Brilliant Box which Includes a 12 Page Booklet and Sight and Sound Sticker.
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Lunchroom Tales: A Natural History of the Cafetorium
Bill Harley Manufacturer: Round River ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000000HK Release Date: 1997-05-30 |
Tracks:
- Intercom-Morning Announcements
- Everyone's A Little Bit Different
- Saturday
- Mr. Anderson-Bus Driver
- In The Back Of The Bus
- Happy Birthday, Mrs. Nottingham
- Looking In The Mirror
- I'm Gonna Do It Tomorrow
- Kevin's Story
- We've Been Friends
- Intercom-Conclusion
- Something Happened To Her
Customer Reviews:
Great family entertainment.......2006-07-22
I now play them for all the children who enter my life, and even catch myself listening with no kids around once in awhile!
His lyrics are fun and intelligent and the music is sophisticated. I highly recommend all of his CDs and if you ever get the chance to see him live - do it! I recently played the songs "Tomorrow" and "Everyone's a little bit different" at a children's camp and they were huge hits. I wish every child could listen to Bill Harley!
Back to the 6th grade!.......2000-07-27
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Natural History
I Am Kloot Manufacturer: We Love You ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059TMR Release Date: 2001-03-26 |
Tracks:
- To You
- Morning Rain
- Twist
- 86 TV's
- Bigger Wheels
- Loch
- Strom Warning
- Dark Star
- Stop
- Sunlight Hits the Snow
- No Fear of Falling
- Because
Customer Reviews:
"The gods and the saints preserve you..........2001-10-14
The first line from the song 'To You' and the opening line of the album 'Natural History.' That flavor and wit flow throughout this clever, melodic album. If U2 or Radiohead made a folk album with a dark sense of humor they would be I Am Kloot. Each song is a melody and story in itself, but also adds beautifully to the album as a whole.
I first learned of the band when author Neil Gaiman mentioned them in his online journal, and am so glad as 'Natural History' is one of the best albums of 2001. Take a chance you won't regret it. Preview tracks and video at their website iamkloot.com. A quick listen will leave you hooked. Enjoy!
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Natural History
Natural History Manufacturer: Star Time ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AGD1 Release Date: 2002-07-30 |
Tracks:
- Telling Lies Will Get You No Where
- The Progress Chart
- So He'll Say
- The Right Hand
- Broken Language
Customer Reviews:
Thankfully it cost me under a buck.......2005-07-11
I live in the New York City area and a local TV show about the secrets of New York City uses a snippet of the song "Broken Language" as their theme song. So after multiple listenings, I decided that I'd try to fing their CD. I went looking all over town (figured I could get a CD of a local NY band in NY)and I saw sections for The Natural History, but no Natural History CDs. This should have been a clue.
I will readily admit that I do still like the song "Broken Language". It was worth the cost of the CD and cheaper than a legal download.
But as for the other songs:
"Telling Lies will get you No Where" - I grooved along with it during the first runthrough, but this singer's voice is annoying. It is a decent somewhat catchy song. Garage Band Punk that is almost ready to come out of the garage
The other songs are somewhat sub-par. I like the underlying music, but the lyrics of the songs are VERY weak and again, the lead singer's voice annoyed me too much.
Naturally..........2004-12-08
It opens with the roiling, almost-catchy "Telling Lies Will Get You No Where," heavy on the bass and percussion. It's followed up with the smoother lo-fi "The Progress Chart," before switching to a slower tempo for the generic "So He'll Say." The EP rounds off with the lumbering bass-rocker "Right Hand," and the awkward "Broken Language."
Garage rock bands from NYC are a dime a dozen, so it takes something at least a little special (Strokes, Interpol) to make them stand out. Sadly, Natural History don't have that special something -- or if they do, then it doesn't show up with any clarity in their self-titled EP.
The music has echoes of the Strokes, although Natural History tries to sound bigger and badder. It never really gets to be either. Julian Tepper lays the bass heavy over this music, but the blasts of thunderous bass and percussion can't disguise the fact that the tunes tend to be repetitive, and not very creative. And Max Tepper always sounds like his vocals chords are strained.
The Natural History makes a less-than-historic debut in their self-titled EP. They have one or two mildly catchy songs, but their sound never evolves enough to be good.
........2002-12-21
That more than sums up this 5 song debut EP from New York's The Natural History. The group brings absolutely nothing new to the table in their ever watered down "real rock and roll" genre. They sound like Radio 4 [who in turn sound like Wire and Gang of Four], but not nearly as good [which is pretty bad, since the last Radio 4 album was a stinker].
Singers Max and Julian Tepper try their best to create a mixture of Julian of the Strokes and Jack of the White Stripes, with mediocre results. The best part is, their one-sheet tries to pass them off as "blending the melodicism of Elvis Costello with the experimentation of XTC." Maybe they sent me the wrong CD, because all I hear is cut rate New York hipster rock. Pass on this.
Those Damn Teppers and Their Catchy Music.......2002-09-19
Nice Riffs, Melodies, and Beat.......2002-09-07
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North America: Winds Across a Continent
Gordon Hempton Manufacturer: Sound Tracker ProductGroup: Music Binding: Audio CD ASIN: B0001SF2AY Release Date: 2005-04-16 |
Tracks:
- Pacific Surf
- Sea Breeze
- Night Wind
- Coyote Grassland
- Thunder Cloud
- Sage Wind
- Rattlesnake Canyon
- Aspen Grove
- Short Grasswind
- Tern Springs
- Juniperwind
- Meadowlark
- Strong Winds of the Prairie
- Thunder Song
- Bare Branch Windwith Singing Frogs
- Tall Winds of Ancient Hardwood Forest
- Palmetto Wind
- Atlantic Surf
Product Description
Over one hour of nature sounds by the world famous nature recordist Gordon Hempton.Customer Reviews:
Finally sounds of winds.......2004-06-08
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Beat Beat Heartbeat
The Natural History Manufacturer: Vagrant Startime ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008ZZ4Z Release Date: 2003-05-06 |
Tracks:
- Facts Are
- Watch This House
- The Right Hand
- Its A Law
- Broken Language
- Beat Beat
- Run de Run
- Do What You Should
- Hours From My Life
- Telling Lies Will Get You Nowhere
- Dance Steps
Customer Reviews:
Pretty good, actually........2006-06-15
Pretty good, but not great - there's a good chance you'll like it.......2006-01-12
Highlights include:
the entire album!
Not sliced bread, but it'll do........2003-12-28
YES!.......2003-05-15
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Natural History
I Am Kloot Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD ASIN: B000059M79 Release Date: 2005-07-19 |
Tracks:
- To You
- Morning Rain
- Twist
- 86 TV's
- Bigger Wheels
- Loch
- Strom Warning
- Dark Star
- Stop
- Sunlight Hits the Snow
- No Fear of Falling
- Because
Album Description
Import edition of 2001 album for UK indie act who have a genius for capturing the dark side of love almost as great as their ability to make a calamity out of a casual affair. 12 tracks in all including the ace singles, 'Twist', 'Dark Star' & 'Morning Rain'.Album Details
John Bramwell, Pete Jobson and Andy Hargreaves make up this Manchester trio. This, their dubt album, sets out their alternative agenda to that of other Nu Acoustica acts. It vacillates between self loathing, cynicism and moments of profound tenderness, and really it's only their instrumentation that's traditional.Customer Reviews:
No Fear Of Falling..........2006-08-15
Besides making beautiful acoustic pop songs, it also has it's funny and sarcastic moments: "there's blood on your legs, I love you".
One of the best 'song' albums of the new century.
Bad review, I know, maybe i can think of something better soon. Just buy it.
artsy, dreamy and british........2004-10-16
I Am Kloot: the evolution of Bob Dylan.......2004-04-14
stunning.......2003-02-18
monotoneous record.......2002-08-01
Leadman Charles L. Deck hasn't got the vocal capacities for a full CD. Perhaps some their long awaiting new album 'lamotrigine' will prove otherwise.
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