| 1. Real World |
| 2. Long Day [Live] |
| 3. 3 a.m. [Live] |
Editorial Reviews
Tour edition of single from the hit adult alternative act.It's backed with live versions of 'Long Day' & '3am'recorded at 2MMM Studios in Sydney, Australia on September22, 1997. Also includes a 10' x 14' full color, fold-outposter with a group shot & Aust
Real World (UK Import),Matchbox Twenty,Pid,5" CD Singles,Adult Alternative Pop/Rock,American Trad Rock,Pop/Rock,Post-Grunge
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Spirit of the Century
Blind Boys of Alabama Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059MEM Release Date: 2001-04-24 |
Tracks:
- Jesus Gonna Be Here
- No More
- Run On For A Long Time
- Good Religion
- Give A Man A Home
- Amazing Grace
- Soldier
- Nobody's Fault But Mine
- Way Down In The Hole
- Motherless Child
- Just Wanna See His Face
- The Last Time
Amazon.com's Best of 2001
Long known as the Five Blind Boys of Alabama, this venerable gospel institution has seen its ranks fluctuate in recent years. Rarely, however, have the soul-stirring harmonies of the group, recording here as a quartet, benefited from such stellar support. Producer John Chelew (best known for John Hiatt's breakthrough Bring the Family) has enlisted guitarists David Lindley and John Hammond, bassist Danny Thompson, drummer Michael Jerome, and harmonica ace Charlie Musselwhite for a set that celebrates the bluesy underpinnings of gospel.The selection of material mixes the traditional spirituals the group has been performing for more than a half century ("Nobody's Fault but Mine," "Motherless Child") with soulful readings from the more contemporary songbooks of Tom Waits, the Rolling Stones, and Ben Harper. Harper's "Give a Man a Home" receives a majestic vocal from Clarence Fountain, while the album's most audacious cut pairs the lyrics to "Amazing Grace" with the melody from "House of the Rising Sun." --Don McLeese
Customer Reviews:
Fantastic album.......2007-06-13
Blind Boys are Great!.......2007-01-11
You don't have to be a big gospel fan to enjoy this.......2006-02-11
This won a number of awards and deservedly so. I'm sure there's many people who didn't realize that they can enjoy gospel music until they listened to this.
You'll fall in love with the Blind Boys after listening to this CD.......2005-09-23
Prior to hearing this, I wasn't a gospel fan, and wasn't really sure what my reaction would be. Since I bought this CD I have purchased about five others by the Blind Boys - and while they're all superb, this one is my favorite.
It's hard to pick favorite songs on this CD, although, "Run on for a Long Time," "Soldier," and "The Last Time" are a few. You'll find a lot of variety here, from uptempo tracks to more solemn and slow songs.
You might also recognize "Way Down in the Hole" as the opening track from HBO's series "The Wire."
Having toured with Elvis Costello, Tom Petty and the Heartbreakers, and Peter Gabriel, the Blind Boys have earned their place in mainstream music culture, but maintain the traditional sounds that appeal to audiences around the world.
Unbelievable.......2004-11-15
I heard a new song of their's (equally fabulous) on the radio a few days ago but suppose the CD has not yet been released -- I'm waiting!
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Volume 3: Further in Time
Afro Celt Sound System Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ASHF Release Date: 2001-06-19 |
Tracks:
- North - Part 1
- North - Part 2
- When You're Falling (featuring Peter Gabriel)
- Shadow Man
- Lagan
- Colossus
- Life Begins Again (featuring Robert Plant)
- Further in Time
- Go on Through
- Persistence of Memory
- Silken Whip
- Onwards
Amazon.com's Best of 2001
While not as out-of-left-field revelatory and astonishing as their exalted debut, nor as darkly magnetic as their sophomore follow-up, Volume 3: Further in Time finds Afro Celt Sound System fleshed out, funky, and fiercely fresh. Now a band of 20-some-odd players, the Afro Celts push forward with unbounded energy and focus, organically driven beats, and a thoroughly joyous fusion of West African and Irish traditional music enhanced with dissonant Eastern influence, psychedelic trip-hop groove, and a monster flood of sonic waves. The resultant sound is somehow both cutting-edge futuristic and primitive in its visceral virility. Demba Barry steps up with an unexpectedly punchy African hip-hop-styled vocal on "Shadowman," "Lagan" plays out into an orchestral swan dive, and, throughout, Johnny Kalsi and Moussa Sissokho come on like gangbusters with the drums. Real World label honcho and world-music champion Peter Gabriel does a stunning turn on the eminently catchy "When You're Falling," and Robert Plant contributes a powerfully epic rock vocal on "Life Begins Again." Fine as all these moments are, the centerpiece of volume 3, where the band achieves beyond perfect synthesis, is the ecstatic groove-lock on the African acid ceilidh of "Colossus." Volume 3 is the tune-in turn-on we've been waiting for. --Paige La GroneCustomer Reviews:
Awesome CD!.......2006-11-26
Unique and upbeat.......2006-11-06
Incredible - the only word to describe it.......2006-08-02
She bought me the CD (and also "Seed, which is great too), and I've been listening to it obsessively since. I know it's now a cliche so rate this CD 5 stars, but the beautiful, haunting melodies and the catchy, rythmic tehcno beats make this CD one of the best in my collection. It was a great find for me especially, since I'm getting sick of all the horrible pop/rock/rap that's out there. If you're like me, and you're sick of all "today's hits" and are looking for something to dance to and have a great time listening to, BUY THIS ALBUM! It is something very fresh and amazing. Aah, North 2 just came on with that awesome celtic instrument riff and dance club style techno beat. I gotta get back to dancing!
My mind has been blown.......2006-05-30
Afro celt all the best the world has to offer in one band..........2006-04-20
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En Mana Kuoyo
Ayub Ogada Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000HP1 Release Date: 1993-06-18 |
Tracks:
- Obiero
- Dala
- Wa Winjigo Ero
- Thum Nyatiti
- Kronkrohinko
- Chiro
- 10%
- Ondiek
- Kothbiro
- En Mana Kuoyo
Amazon.com
Prior to a lot of travel and his eventual settling in England, Ayub Ogada was a member of the Luo tribe from a wedge of northern Kenya pinched between Uganda and Tanzania. Ogada's music is based on repetitious patterns plucked on the nyatiti, a stringed instrument reminiscent of the lyre. On En Mana Kuoyo (meaning "just sand"), he sings mellifluous, almost hypnotic, and yet ultimately lackadaisical melodies concerning home, his instrument, the weather, and injustice. By way of attempting a subtle fusion of African and European (not to mention urban and rural) styles, Ogada is accompanied by a small ensemble that adds surprisingly little to almost too-pretty songs more alike than not. --Richard GehrAlbum Details
One of the Finest UK-BASED African Musicians Explores the Traditional Culture of his People, the Luo: 'go Far, See the World, but Don't Forget Where You Come Fromà'Customer Reviews:
a faraway place.......2006-12-02
What beautiful music!.......2006-10-20
wonderful ethnic sound.......2006-08-30
Soothing, haunting and soulful sounds of Africa.......2006-03-13
I bought the disk for my wife who has played it over and over. She loves the simple, beautiful rhythms, Ogada's liltingly sensual voice and the sense-pictures his music provides of the unforgettable African countryside and people.
lovely.......2006-02-28
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Volume 5: Anatomic
Afro Celt Sound System Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AMUUIU Release Date: 2005-10-04 |
Tracks:
- When I Still Need You
- Secret Bliss
- Mojave
- Sene
- Beautiful Rain
- Anatomic
- Mother
- Dhol Dogs
- Drake
Amazon.com
Their debut album broke down many tediously outdated barriers. Now the Afro-Celts are back with another genre-bursting, non-preachy, multi-culti soundscape. There has never been anything bland or generic about the ensemble's output as their concept of one-world music is less color-blind than color-appreciative; in other words, they don't ignore our differences but celebrate them. Anatomic continues an ongoing pilgrimage of respectful collaboration, wherein Western studio mastery abuts Irish flutes and percussion, harp-like West African koras, keening bagpipes, and gutty Greek bouzoukis, all presented over a resonant, crunchy bottom with beats and electronica for days. Iarla Ó Lionáird sings in English and Gaelic, sitting in with Sevara Nazarkhan from Uzbekistan (who is lovely if disembodied on "My Secret Bliss") and Dorothee Munyaneza, a genocide survivor whose soulful pipes made such a strong impression on the soundtrack to Hotel Rwanda. As always, Simon Emmerson's guitar fulfills dual roles as a melodic vector and tireless rhythmic powerhouse. --Christina RodenCustomer Reviews:
An Antti Keisala Comment: The Temples of Sound.......2007-02-06
I prefer the quietude of Ó Lionáird, but the Afro Celt Sound System is, in its inexorable energy, a rather successful blend of the kind of febrile search of tapestries of sound, a play of culturally coloured and multilayered instrumentations and polyrythms, all tied together by the modern Western sonic dance beat heritage. Most people use the word 'fusion' with their music mostly because it resembles so seemingly and seamlessly the well-known formula of dance beats straight from the club floor, that somehow this is an intergration of the realm of world music and club beats. But I think the whole idea of their music goes beyond mere fusion of genres, a 'definition' already turgid enough to provoke resentment to the writer who unknowingly and happily happens to use the word. Let's talk about more cultural a word, that being 'tradition'. I'm no historist at heart, but to think of the streams of musical influence as traditions of influence is an attractive one. So we get to think of the collision of world music and modern dance music in this album as not as collision of genres but of the ways of approaching to music as tradition. Tradition, that is, the perspective of listening and producing music.
At this writing I've compiled only a single list of records, a Top 40 with only a single album from each artist. "Anatomic" was my selection for the Afro Celts, although their debut "Sound Magic" came close. And they are similar.
If you listen to the five volumes in retrospect, there is the visible (or rather, audible) change and evolution in how the different instruments are being blended together. The harshness, almost extraneous soundscapes of "Sound Magic" have in time been turned into lush and broad landscapes, temples of sound. I really like the solacing and otherwordly primitive atmosphere of "Magic", yet what was lost then and what has now been found is the ability to integrate. That is, to integrate and unify the whole traditions, concepts, into not only sweeps, but into dimensional sounds and impressions. In this they are growing and advancing with each new release, but what is not as easily determined is the other side of unity, and that's how the songs fit together.
"Magic", although being a sort of an impressionistic sound-piece, is surprisingly whole. The other albums in between, rather not. There were the epics like "North" and the transcendentals like "Cyberia", the pearls, but the whole was smaller than its parts. At last I've found an album that pragmatically states otherwise. There are some of the best Afro Celts songs to be found from here, "When I Still Needed You" and "Mojave", but also the most sophisticated structure they've yet pulled on us. Don't get me wrong, I could never critize the state-of-the-art engineering of these albums, as they are all as expertly made as ever, and at the same time they offer us the purest experiences in music; sort of sonic profundity. My idea on the other hand is that the whole album grows into and out of itself, through songs that complement rather than just follow each other. And whereas "North" is epic, "Mojave" is majestic. The only flipside is perhaps Sevara Nazarkhan's "My Secret Bliss", of which "Nevermore" or "Green" is the fuller counterpart; Nazarkhan doesn't fit perfectly (which in itself in its friction makes it still interesting), but you should really listen to her album "Yol Bolsin", which is deliciously gigantic in its intimacy, reminding me of the serenity of Yungchen Lhamo.
At its best, Afro Celt Sound System is soulful and as far from discrepancy as their size as a group would imply, and "Anatomic" sounds their finest moment yet; and never have they lost, even if they've changed, the huge energy and passion for music, for which I give extra points in any case. I recall the autumn of 2005 with fondness, for then were we blessed with two astonishing records: the first one is this, of course, and the other is Ó Lionáird's blissful "Invisible Fields". This is an amazing record.
With best regards,
AK
Relaxing envigorating refreshing music for your day.......2007-01-27
My current favorite song is "Mojave" - the third track on this album. I love to put ACSS on in the background as I'm working through the day, and Mojave takes me from a quiet start on an emotional journey through different stages and moods and then gently back down at the end. One day I was playing my way through the album and after hearing Mojave (which is nearly 11 minutes long) I wanted to hear it again, so I just set it to repeat. About 90 minutes later I got up and realized that I wasn't tired, wasn't bored, wasn't even remotely tired of taking the same journey again and again. That, to me, is the test of great music.
Afro Celt Sound System Volume 5: Anatomic.......2007-01-09
Very Mellow.......2007-01-03
Buy it - now!.......2006-11-23
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The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027WD Release Date: 1992-11-24 |
Tracks:
- Eden Prelude
- Here In Eden
- Feelings
- Eve
- Friends
- The Apple Tree (Forbidden Fruit)
- Beautiful, Beautiful World
- It's A Fish
- Go To Sleep, Whatever You Are
- What Makes Me Love Him?/Eden Postlude
- The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
- Forbidden Love (In Gaul)
- The Apple Tree (Reprise)
- I've Got What You Want
- Tiger, Tiger
- Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
- Passionella Prelude
- Oh, To Be A Movie Star
- Gorgeous
- (Who, Who, Who, Who) Who Is She?
- I Know
- Wealth
- You Are Not Real
- Passionella Postlude/Finale
Customer Reviews:
Very good show which I hadn't heard of..........2007-05-13
THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10
I still remember these songs after 40 years.......2006-11-05
Really 2.5.......2006-07-25
Boring material that you forget very easily.......2006-06-29
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Delta Hardware
Charlie Musselwhite Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EMG6VG Release Date: 2006-05-16 |
Tracks:
- Church Is Out
- One Of These Mornings
- Sundown
- Black Water
- Clarksdale Boogie
- Just A Feeling
- Gone Too Long
- Invisible Ones
- Town To Town
- Blues For Yesterday
Amazon.com
As authentic as the lines on his forehead and his droopy eyes, veteran bluesman Charlie Musselwhite gets better with age. (At 62, he's a respected survivor with dozens of albums to his credit.) On Delta Hardware the journeyman musician pays tribute to, and revels in, his Mississippi roots. Although he's spent time in Chicago and on the West Coast, for this album of churning swamp and deep Southern blues he taps his formative years in the town of Kosciusko. Musselwhite's poignant voice and crying harmonica convey loss and sadness on the tense, swirling "Black Water," one of two tracks dealing with Hurricane Katrina. His full-bodied, amplified harp cuts like Paul Butterfield and especially Little Walter, two of whose songs he covers here. Give Musselwhite's backing group credit too, especially guitarist Chris "Kid" Anderson, who slices into the slow, riff-based, Walter-penned "Just a Feeling" with Ronnie Earl-styled precision. Even on the straight-ahead shuffle of "Blues for Yesterday," the band nails a sweaty, edgy groove that's as genuine as it is driving. Producer Chris Goldsmith keeps the sound lean, mean, and just muddy enough to conjure images of the band churning out these dark, dusky Delta blues on a porch in the midst of a sweltering summer's night. The no-frills approach is perfect for Musselwhite's otherworldly harp playing to express his years and miles on the endless blues highway. --Hal HorowitzCustomer Reviews:
A bit disappointing.......2007-05-07
Awesome!.......2007-01-24
One of the harp greats!!!.......2007-01-19
harmonica at it's best.......2007-01-13
church is out! Yeeha.......2007-01-10
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A Beautiful Mind: Original Motion Picture Score
James Horner Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TPFV Release Date: 2001-12-11 |
Tracks:
- A Kaleidoscope Of Mathematics
- Playing A Game Of 'Go!'
- Looking For The Next Great Idea
- Creating 'Governing Dynamics'
- Cracking The Russian Codes
- Nash Descends Into Parcher's World
- First Drop Off. First Kiss
- The Car Chase
- Alicia Discovers Nash's Dark World
- Real Or Imagined?
- Of One Heart, Of One Mind
- Saying Goodbye To Those You So Love
- Teaching Mathematics Again
- Prize of One's Life... The Prize of One's Mind
- All Love Can Be - Charlotte Church
- Closing Credits
Amazon.com
This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted Princeton mathematics professor tormented for decades by paranoid schizophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Church's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulleyCustomer Reviews:
Haven't I heard this before?.......2007-06-20
And another thing that gets me is no one even bothered to mention "Alicia Discovers Nash's Dark World" I happened to like this one this is the song that plays when he is in the hospital.
a beautiful score.......2007-02-09
James Horner's soundtrack for A BEAUTIFUL MIND is as psychologically intense as the film it so effectively embellishes.
Charlotte Church provides an appropriately eerie and largely non-verbal soprano to this remarkable motion picture score, yet one that would seem only quirky were it not so beautifully embedded in a musical stream that draws one inexorably and almost vicariously into the emotional turbulence of the Princeton mathematician John Nash.
There is an angelic nature to the shape and texture of this music, one that is able to turn demonic as the story line requires. Both by brilliance and by dementia, Nash seems the object of external forces, rising with supreme heroism (at least in the film's version of events) to conquer. The music is there at each score, coaxing the viewer into empathic solidarity with this deeply troubled man and his long-suffering and preternaturally beautiful wife.
This is mood music of the deeply engaging variety. Its lush tonal landscape is achieved under the baton of the composer himself. The score's vast range of volume and expression would certainly have made it a joy to watch in performance.
Alas, we don't have that.
But we have this.
An ethereal, compelling, even gripping tone poem. Buy it.
A Beautiful Mind.......2006-08-09
Haunting, lovely, majestic.......2006-04-04
Dark.......2006-02-20
Best soundtrack ive ever heard.
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Kawaipunahele
Keali'i Reichel Manufacturer: Punahele Productions ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003ZVJ Release Date: 1997-04-22 |
Tracks:
- Kawaipunahele
- In My Life
- Hanohano Ka Lei Pikake
- If We Hold On Together
- E Ho'i I Ka Pili
- Wanting Memories
- Kauanoeanuhea
- Ku'u Wehi O Ke Aumoe
- 'Akaka Falls
- Pua Mikinolia
- Come Sail Away
- He Mele Inoa No Kawaipunahele
Customer Reviews:
Hula with an R & B spin!.......2007-05-13
Awesome for KIDS! Puts them to sleep!.......2006-03-19
My Favorite CD.......2006-02-17
His Music is so soothing and Kawaipunahele is my favorite CD of his works!
Keali'i Reichel includes familar songs along with the Hawaiian theme that puts you in a very mellow mood.
Only wish I had this CD when my kids were all small.
I have bought two of this CD one I bought in Hawaii and this one I bought for my girlfriend because she drives a Limo and would use it in the Limo.
Feel the Spirit of Aloha.......2006-02-08
You've got to have this one!.......2005-08-30
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Volume 1: Sound Magic
Afro Celt Sound System Manufacturer: Real World ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000HPO Release Date: 1996-09-24 |
Tracks:
- Saor/Free/News From Nowhere
- Whirl-Y-Reel 1
- Inion/Daughter
- Sure-As-Not/Sure-As-Knot
- Nu Cead Againn Dul Abhaile/We Cannot Go Home
- Dark Moon, High Tide
- Whirl-Y-Reel 2
- House of the Ancestors
- Eistigh Liomsa Sealad/Listen to Me/Saor Reprise
Amazon.com
Bodhran and kora? Talking drums and Uilleann pipes? Echoing ancient trade roots from a thousand years ago, Sound Magic reunites two seemingly disparate music traditions in a contemporary setting, reaching for a dance-oriented but spiritual hybrid that takes on a life of its own. Producer Simon Emmerson assembles some noteworthy artists including Ayub Ogada, Davy Spillane, Manu Katche, Caroline Lavelle, James McNally (of the Pogues), Iarla O Lionaird, and Masamba Diop to create evocative, clubby grooves that also incorporate samples and flavors from Armenia and the East. With its multilayered rich textures, Sound Magic grafts cultural respect and urban hipness for the global village of the '90s. --Derek RathCustomer Reviews:
Musical Erotica............2005-09-28
This album is the musical equivalent of a languorous, blissfully exhausting sexual encounter. From the undeniably seductive SAOR/FREE, to the tranquil lulling afterglow of SAOR REPRISE, The Afro Celt Sound System will having you rushing through that obligatory post-coital cigarette in order to do it all over again....
Where to from here?.......2005-07-16
So... if you want to discover similarly inspired, upbeat dance/world music where to? Well, Afro Celt's second album - "Release" - moves them much closer to the club area but, while good, loses a lot of the melodic intricacy & instrumental interplay that made "Sound Magic" such a success; better to go for their third outing - "Further in Time" - which more effectively combines the inspired enthusiasm of their early tracks with the driving club beats of "Release".
Better still, check-out their virtually unknown UK contemporaries, Elephant Talk, whose difficult to find albums follow a similarly infectious, more jazz tinged club/world "fusion" formula with more consistently upbeat and enjoyable results. Check out Amazon.co.uk for Elephant Talk's first two albums, "In a Big Sea" and the even better "Head", and the group's own web site at http://www.infrasound.co.uk/index2.htm for their quite brilliant last release "Leap". You won't be disappointed but you may be left wondering how such equally innovative and exciting music can remain so little known.
Ditto.......2004-05-20
This, along with Enya, is truly my above all, favorite music across the board. Beats all my other faves in every other music category.
A true merger of Celtic and African styles........2003-07-09
The Afro Celt Sound System isn't a band so much as a cooperative of musicians intrigued by an idea. United under the umbrella of Peter Gabriel's Real World label, nearly two dozen musicians added their personal touch to make the idea a reality.
The initial product of their joining is Volume 1: Sound Magic. It cannot be described as Celtic or African in nature; yet, both styles are evident in spades. Sound Magic is a true union of two completely dissimilar musical genres.
Excellent!.......2003-06-26
Although there isn't exactly any filler on here, I'm not so much into the final track but that's just because it doesn't quite rank up there with the others. Still, it's pretty good, just the others are better.
Although not exactly up there with latter albums, This CD is nonetheless a need! Go out and buy it!
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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