M.a.N. (Memories Are New) [Import]

m.a.n. (memories are new) [import]

Track Listings

1. Present From Nancy (Live)
2. Radio (Live)
3. Mexico (Live)
4. Judy Goes On Holiday (Live)
5. (2x3=) 6 Blauwe Dwergen
6. Hommage
7. Sweet Suicide
8. Modest Man
9. Wine Melody
10. Nothing Is Real
11. Workman's Song
12. House In The Country
13. Seven Ways To Die
14. Woods Of Frustrated Men
15. Corporating Comboboys
16. Manke Boerenwals
17. Psalm

Editorial Reviews

Product Description
Rarities collection for recently re-formed Dutch prog rock act. This limited edition release includes live tracks and several previously unreleased tracks. 17 tracks in all including, 'Present From Nancy' (Live), 'Radio' (Live) and the previously unreleas

M.a.N. (Memories Are New),Supersister,Rock/Pop
The Great Recordings
Average customer rating: 5 out of 5 stars
  • RIP, BEVERLY SILLS 1929-2007
  • Brava Sills!
  • Sills fits my bill
  • The Great American Soprano
  • My Favorite Woman
The Great Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MeyerbeerAll Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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Sills, BeverlySills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Very Best of Beverly Sills
  2. Art of Beverly
  3. Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
  4. Beverly Sills: Made in America
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ASIN: B0001Y4JG6
Release Date: 2004-05-11

Tracks:

  1. Son Vergin Vezzosa - Paul Plishka
  2. Eccomi... Oh! Quante Volte
  3. Mira, O Norma
  4. Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
  5. Contro Un Cor Che Accende Amore - Nicolai Gedda
  6. Che M'apporti? - Ambrosian Opera Chorus
  7. Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
  8. Vorrei Spiegarvi, Oh Dio, K.418
  9. Amor, Op.68 No.5

Tracks:

  1. Martern Aller Arten
  2. E Strano! E Strano!
  3. Ah, Fors'e Lui
  4. Follie! Follie!
  5. Sempre Libera
  6. Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
  7. Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
  8. N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
  9. Robert, Toi Que J'aime
  10. Tu Ne Chanteras Plus?
  11. Chere Enfant Que J'appele
  12. Meine, Lippen, Die Kusen So Heiss
  13. Wien, Wien, Nur Du Allein
  14. Always Through The Changing

Customer Reviews:

5 out of 5 stars RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

5 out of 5 stars Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

5 out of 5 stars Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

5 out of 5 stars The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

5 out of 5 stars My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.
Grease - Deluxe Edition
Average customer rating: 4.5 out of 5 stars
  • You 're The One That I Want
  • Prepare to be transported to Summer Nights
  • Great Soundtrack & Fun Extras from an Enduring Musical.
  • If You Love Grease, You'll Love This - Only 1 Major Flaw
  • Grease CD Reveiw
Grease - Deluxe Edition
Olivia Newton-John , John Travolta , and Stockard Channing
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
Soft RockSoft Rock | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. Grease (Rockin' Rydell Edition)
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  3. Grease - The New Broadway Cast Recording (1994 Revival)
  4. Grease II (1982 Film)
  5. Saturday Night Fever: The Original Movie Sound Track

ASIN: B0000C16OQ
Release Date: 2003-09-23

Tracks:

  1. Grease - Fankie Valli
  2. Summer Nights - Olivia Newton-John
  3. Hopelessly Devoted To You - Olivia Newton-John
  4. You're The One That I Want - Olivia Newton-John
  5. Sandy - John Travolta
  6. Beauty School Drop-Out - Frankie Avalon
  7. Look At Me, I'm Sandra Dee - Stockard Channing
  8. Greased Lightnin' - John Travolta
  9. It's Raining On Prom Night - Cindy Bullens
  10. Alone At The Drive-In Movie (Instrumental) - Jim Jacobs
  11. Blue Moon - Sha-Na-Na
  12. Rock N' Roll Is Here To Stay - Sha-Na-Na
  13. Those Magic Changes - Sha-Na-Na
  14. Hound Dog - Sha-Na-Na
  15. Born To Hand-Jive - Sha-Na-Na
  16. Tears On My Pillow - Sha-Na-Na
  17. Mooning - Cindy Bullens
  18. Freddy, My Love - Cindy Bullens
  19. Rock N' Roll Party Queen - Louis St. Louis
  20. There Are Worse Things I Could - Stockard Channing
  21. Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
  22. We Go Together - Olivia Newton-John
  23. Love Is A Many Splendored Thing (Instrumental) - Sammy Fain
  24. Grease (Reprise) - Frankie Valli

Tracks:

  1. Grease (Instrumental Version) - Gary Brown
  2. Summer Nights (Sing-A-Long Version) - Jim Jacobs
  3. Hopelessly Devoted To You (Sing-A-Long Version) - John Farrar
  4. You're The One That I Want (Sing-A-Long Version) - John Farrar
  5. Sandy (Sing-A-Long Version) - Louis St. Louis
  6. Greased Lightnin' (Single Version) - John Travolta
  7. Rydell Fight Song (Instrumental) - Jim Jacobs
  8. Greased Up And Ready To Go (Instrumental) - Jim Jacobs
  9. Grease Megamix: You're The One That I Want/Greased Lightnin'/Summer Nights - Olivia Newton-John
  10. Grease Dream Mix: Grease/Sandy/Hopelessly Devoted To You - Olivia Newton-John
  11. Summer Nights (Martian Remix) - Olivia Newton-John
  12. You're The One That I Want (Martian Remix) - Olivia Newton-John

Amazon.com

There's no better example of American pop culture's hall-of-mirrors ethos than producer Alan Carr's relentlessly buoyant 1978 film adaptation of the stage musical Grease. Inspired by that decade's rampant 50's nostalgia, it now paradoxically evokes the campy 70's excesses that spawned it. That sense of recycled decades in collision is underscored repeatedly on this deluxe, double-disc Grease-fest, especially on the set's second disc of bonus materials that spans vintage singles of the title track (its instrumental B-side) and "Greased Lightnin'," some sing-along karaoke tracks, and a handful of alternately slick/techo-savvy remixes (originally produced for the film's 20th anniversary) that are testament to its enduring, era-defying appeal. The original soundtrack itself has been treated to a stellar digital remastering that fills disc one, and remains a joyous monument to camp, sheer ambition, and exuberant nostalgic illusions. Includes a slip-cased, double-fold-out case and new booklet with complete song lyrics. --Jerry McCulley

Customer Reviews:

5 out of 5 stars You 're The One That I Want.......2007-04-03


The complete Grease experience. This cd is a two disc-set with disc one being the complete soundtrack, while disc two is all bonus material including the popular Grease Megamix. Fans of the movie would want to make this cd an essential part of their music collection.

5 out of 5 stars Prepare to be transported to Summer Nights.......2006-03-26

Well here we are with a great piece of history.

This album has not only captured the spirit of the movie but the essence of a 1970's version of the 1950's. I have seen this play live and yes some things are different. Yet I grew up on the movie. I even find myself singing some of the songs now and then. Of course you will never see me singing "Look At Me, I'm Sandra Dee." However I do keep this in my car as great driving music. This album is not you can pick apart and say things like missing songs, in the wrong order etc. It sounds and feels just right. There will be many versions yet this one is the Grease - Deluxe Edition [ORIGINAL RECORDING REMASTERED] [SOUNDTRACK] gives you more information about each of the tracks allowing you to feel that you have inside information and to feel that you know more of what went into the making of each song.

5 out of 5 stars Great Soundtrack & Fun Extras from an Enduring Musical........2004-07-06

I'm enjoying listening to this great soundtrack that I loved as a child after a long hiatus. I had it on 8-track 25 years ago. So it's fitting that I should get the 25th Anniversary Edition on CD. The 24 songs from the movie are just as everyone remembers them, so I'll talk about the Bonus Disc, which contains 10 alternative versions of the songs plus 2 previously unreleased instrumentals from the film.

Track 1 on the Bonus Disc is an instrumental version of the film's theme, "Grease", written and produced by Barry Gibb. Frankie Valli's voice has been replaced by a saxophone. The chorus is vocal, but the voices are not those in the original song. You could use this as a sing-along version, as it would be easy to sing over the sax. Tracks 2-5 are officially sing-along versions. "Summer Nights" includes the chorus vocals from the film and sounds good. "You're the One That I Want" has new chorus vocals of questionable merit. "Sandy" is a new arrangement. It's not as good as the film version, but you can sing along. Track 6 is the single version of "Greased Lightning" that you may have heard on the radio back in the day. It's differs from the original in that the bad words have been replaced for radio airplay. Tracks 7-8 are previously unreleased instrumentals from the film. "Greased Up and Ready to Go" is lively. Tracks 9-10 are mixes that I occasionally hear on the radio. The "Grease Megamix" and the "Grease Dream Mix" are fun, if awkward. Tracks 11-12 are Martian Remixes of "Summer Nights" and "You're the One That I Want". They retain the original vocals, but set them to a Latin rhythm. They make pretty good dance tracks.

This 2-disc set isn't in a jewel case. The case is paperboard with 4 panels that fold out. This is inside of a clear vinyl slip case on which the tracks are written. This isn't convenient packaging. On the bright side, the case won't crack in the mail. Tucked inside one of the panels is a booklet that contains lyrics and credits.

The "Grease: 25th Anniversary Deluxe Edition" is a terrifically fun soundtrack to one of the all-time great movie musicals. And for all those preteen girls who go wild over the movie with each new generation, the bonus material is perfect for parties and horsing around.

3 out of 5 stars If You Love Grease, You'll Love This - Only 1 Major Flaw.......2004-05-15

Disc 1 is like the original album, which I also own. 1 major flaw is that "Love Is A Many Splendored Thing" cuts off at the very end of it! I was upset by this, hence the 3 stars instead of 4. Disc 2 is a lot of fun w/some remixes and sing-a-longs, all in all, I'm pretty happy with it being that I'm a HUGE Grease fan. If you like Grease, you'll love this, it's fun. Too bad when they "remastered" it, they didn't catch there 1 mistake. Oh well, at least I have it on another album.

5 out of 5 stars Grease CD Reveiw.......2004-04-26

This Grease CD is the best! I listen to it every week. I just love Your The One That I Want.:) Amazon.com has everything!Olivia Newton-John and the boy singer have the best voices. Now thatnks to Amazon.com I can listen to it! The Grease CD is the best!:)
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Renée Fleming
Average customer rating: 4.5 out of 5 stars
  • Glorious Renee
  • One of Miss Fleming's absolute bests!
  • An amazing cd and a great introduction into the world of opera
  • The New La Divina
  • Gorgeous
Renée Fleming
Giacomo Puccini , Jules Massenet , Georges Bizet , Alfredo Catalani , Ruggero Leoncavallo , Francesco Cilea , Charles Gounod , Giuseppe Verdi , Vincenzo Bellini , London Philharmonic Orchestra , Sir Charles Mackerras , Renée Fleming , and London Voices
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
  2. Renee Fleming: By Request
  3. Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
  4. Renée Fleming: Bel Canto
  5. Sacred Songs

ASIN: B00004YLU5
Release Date: 2000-09-26

Tracks:

  1. Puccini: O mio babbino caro - Gianni Schicchi
  2. Puccini: Un bel di vedremo - Madame Butterfly
  3. Puccini: Quando men vo - Musetta's waltz - La Boheme
  4. Puccini compl. Alfano: Signore, ascolta - Turandot
  5. Leoncavallo: Stridono lassu - I Pagliacci
  6. Cilea: Io son l'umile ancella - Adriana Lecouvreur
  7. Catalani: Ebben? Ne adnro lontana - La Wally
  8. Massenet: Je suis encore etourdie - Manon
  9. Massenet: Adieu notre petite table - Manon
  10. Bizet: Micaela's aria - Carmen
  11. Gounod: Je veux vivre - Romeo & Juliette
  12. Verdi: come in quest'ora bruna - Simon Boccanegra
  13. Bellini: Casta Diva - Norma
  14. Verdi: Bolero - Les Vepres Siciliennes

Amazon.com essential recording

Surely, Renée Fleming has one of the most beautiful voices to be heard anywhere today. It combines velvety warmth, creamy richness, soaring radiance, and flawless purity, and seems to flow out without effort, every tone impeccably centered and in tune, capable of almost too much variety of color and nuance. Fleming's breath control is incredible; she can spin out long, arching phrases and build up climaxes with thrilling intensity. The program of this recital displays Fleming's vocal and dramatic gifts to full advantage, and includes both familiar and lesser-known arias from Italian and French operas. Although some of these are not in her repertoire, she clearly feels close to them. The three opening Puccini favorites from Gianni Schicchi, Madama Butterfly, and La Bohème are a bit fussy and over-inflected, hardly suited to the characters' simplicity; but, from then on, Fleming seems completely at one with both her tragic and her lighthearted heroines. She captures their warm inwardness, rapture, passion, ecstasy, and desperation; darkening and lightening her voice at will. Her top notes soar gloriously, her trills laugh. The orchestra is splendid, supporting her all the way and sounding wonderful. --Edith Eisler

Customer Reviews:

5 out of 5 stars Glorious Renee.......2007-03-28

I just love Renee Fleming's voice. It reminds me so much of the fabulous Anna Moffo - my personal favorite since childhood. My mother played Anna Moffo records for me while I was a tiny bit in my crib. So try to reprogram oneself after hearing such loveliness in the universe. Both ladies have a creamy voice, elegant phrasing and classical beauty. I agree with the prior reviewer that every soprano should record "O mio babbino caro". And if Renee did not record it, well then we'd be missing her version.
The more that I listen to Renee's music or see her in recitals, the more I adore the lady. The standouts on this disc are "Casta diva", "Lo son l'umile ancella", "Je suis encor tout etourdie", and "Ah! Je veux vivre", "Signore ascolta", etc.

5 out of 5 stars One of Miss Fleming's absolute bests!.......2006-05-09

This is definitely one of my all-time favorite Renee Fleming albums if not THE favorite! Her voice totally shines in every single aria on here, and she seems can totally drag you into the world of each of the characters. What can I say? Ms. Fleming just never fails to impress me. Everything that she sings she seems to be able to bring something unique to it.

5 out of 5 stars An amazing cd and a great introduction into the world of opera.......2006-04-20

I recommend this cd for those who want to get into opera but don't know where to start. Fleming tackles a diverse range of styles and never disappoints. Her Un bel di vedremo ranks up there with the best sopranos and is the standout track for me.

5 out of 5 stars The New La Divina.......2005-11-22

Renee Fleming is the most sheerly beautiful voice in opera since Montserrat Caballe. Her Casta Diva is stunning, and the high note at the end of Merci jeune amies is pure virtuoso. I love her Puccini, Massenet and Verdi as well. Fleming said that she doesn't class herself amongst "the greats", but I do!

5 out of 5 stars Gorgeous.......2005-09-30

This album says soprano standard repertoire all over it, but Renee will knock your socks off with her interpretations of these standard hits. Although she doesn't sing much Puccini, her Puccini arias are to die for. Her "Un bel di vedremo" (Madama Butterfly) gives me chills everytime I hear it. Her French arias are also breathtakingly gorgeous. Micaela's aria is so warm and beautiful, as is Juliette's. This is a fabulous recording, and I recommend it to everyone.
Very Best of
Average customer rating: 5 out of 5 stars
  • A great introduction to the art of Placido Domingo
  • This is really the best.
  • If you like Placido at all, you must have this CD.
  • Rare And Great Domingo Classics
  • A real Bobby Dazzler
Very Best of
Placido Domingo
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
GeneralGeneral | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
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ASIN: B000083GOJ
Release Date: 2003-04-22

Tracks:

  1. Ill Mio Tesoro
  2. Un'aura Amorosa
  3. Dies Bildnis Ist Bezaubernd Schon
  4. La Ci Darem La Mano
  5. Vani Sono I Lamenti...Svegliatevi Nel Core
  6. Pays Merveilleux...O Paradis
  7. Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
  8. Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
  9. None But The Lonley Heart
  10. Lensky's Aria
  11. Donna, Non Vidi Mai (Manon Lescauy Act, II)
  12. Ah, Manon, Mi Tradisce
  13. Dammi I Colori...Recondita Armonia
  14. E Lucevan Le Stelle (Tosca, Act III)
  15. Ch'ella Mi Creda (La Fanciulla Del West, Act III)
  16. Dai Campi, Dai Prati (Mefistofele, Act I)
  17. Virgini Muse...Quando Al Soave Anelito
  18. O Sink Hernieder, Nacht Der Liebe
  19. Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

  1. Se Quel Guerrier Io Fossi!...Celeste Aida
  2. Su, Profetessa...Di Tu Se Fedele
  3. Forse La Soglia Attinse...Ma Se M'e Forza Perderti
  4. O Tu Che In Seno Agli Angeli
  5. Su, Cacciator...Fontainebleau!...
  6. Niun Mi Tema
  7. Ach, Wie So Herrlich Zu Schau'n
  8. Sckenkt Man Sich Rosen In Tirol
  9. Gern Hab'ich Die Frau'n Gekusst
  10. O Vaterland...Da Geh'ich Zu Maxim
  11. Dein Ist Mein Ganzes Herz
  12. Mi Aldea
  13. Cancion Del Sembrador
  14. No Puede Ser
  15. Serenata
  16. Copillas De Belen
  17. Coplas Del Pastor Enamorado
  18. En Aranjues Con Tu Amor
  19. Jealousy Tango
  20. La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

5 out of 5 stars A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

5 out of 5 stars This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

5 out of 5 stars If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

5 out of 5 stars Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

5 out of 5 stars A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.
Two's Company
Average customer rating: 4 out of 5 stars
  • A Long Awaited "Gem"
  • Bette Davis in a musical...yes, you heard right
Two's Company

Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

Duke, VernonDuke, Vernon | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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  2. A Family Affair
  3. Seventeen & High Button Shoes (Original Broadway Cast)
  4. Baker Street, A Musical Adventure of Sherlock Holmes (1965 Original Broadway Cast)
  5. Inside U.S.A./The Band Wagon

ASIN: B0007X9URY
Release Date: 2005-04-11

Tracks:

  1. Overture - Orchestra
  2. Theatre Is A Lady - Bill Callahan
  3. Turn Me Loose On Broadway - Bette Davis
  4. It Just Occurred To Me - Peter Kelley
  5. A Man's Home - Hiram Sherman
  6. Roundabout - Ellen Hanley
  7. Roll Along, Sadie - Betty Davis
  8. Out Of The Clear Blue Sky - Peter Kelley
  9. Esther - David Burns
  10. Haunted Hot Spot - Ellen Hanley
  11. Purple Rose - Bette Davis
  12. Just Like A Man - Bette Davis
  13. Finale - Bette Davis And The Company
  14. Bonus Track: A Like The Likes Of You/What Is There To Say/I Can't Get Started With You/Who's To Blame - Vernon Duke
  15. Cabin In The Sky/Honey In The Honeycomb/Taking A Chance On Love/The Love I Longed For - Vernon Duke
  16. Out Of The Clear Blue Sky/Roundabout/Autumn In New York/Island In The West Indies - Vernon Duke
  17. Introduction/April In Paris/Rendevous Sans Addresse/Summer Is A-Comin' In/La Musique Avant Toutes Choses/April In Paris - Vernon Duke
  18. I Can't Get Started - Vernon Duke
  19. I'm Gonna Ring The Bell Tonight - Vernon Duke

Album Description

The 1952 original Broadway cast recording, on CD for the first time! Features Oscar winner Bette Davis in her only musical stage appearance. Bonus tracks include a song by Nancy Walker and material composed & performed by composer Vernon Duke.

Customer Reviews:

5 out of 5 stars A Long Awaited "Gem".......2007-07-09

My LP of this show was totally worn out, so I'm absolutely delighted to have this on such a great sounding CD. Davis is right up there with other musical luminaries such as Hepburn in COCO and Bacall in WOMAN OF THE YEAR and APPLAUSE. All three were non-singers who acted, and their recordings are really just a joy to have to offset soprani like Cook, Chenowith, and Lukker.

This really is a must have recording for any true musical comedy lover who wants the unusual and historical. Davis's "Turn Me Loose on Broadway" is wonderful from her "Mistah conductah, iff You Pleeees" to her slightly off tempo "hey" in the dance break. Davis did try to sing several times through her career. Frank Loesser's "They're Either Too Young or Too Old" has been on a few collections, and there was that failed musical version of THE CORN IS GREEN entitled MISS MOFFAT that closed in Philadelphia. Betty Davis wasn't a good singer, but she tried!

The supporting cast is excellent, and I think it's just a joy to hear an old-school musical by one of the forgotten greats, Vernon Duke. That's why I'm really pleased to have the Duke bonus tracks on the CD as well. It's a great value with Davis, Duke, and Lawrence Welk and his orchestra as well. The album was coveted for years, and it's just wonderful to have it in better sound than it ever was.

3 out of 5 stars Bette Davis in a musical...yes, you heard right.......2006-10-05

Bette Davis in a musical? In 1952, when her film career started on yet another downward spiral and she was unceremoniously labelled as "box office poison", the legendary Ms Davis decided to do the unthinkable, and made her Broadway musical debut in TWO'S COMPANY, a fluffy little revue that would have certainly folded a lot quicker if a mega-watt star like Davis was not in the starring role.

TWO'S COMPANY ran on the box office power of Davis, and the moment she became ill and started missing performances, the closing notices were posted (the show limped along for 90 performances). Nevertheless, this curious jewel of a show was recorded, and now gets it's CD premiere thanks to British boutique label Sepia.

Apparently, Davis was so embarrased by her performance, that she attempted to buy every single copy of the original LP in order to destroy them. One can just imagine Davis (in full Margo Channing mode) swaggering into a record store and slamming a pile of TWO'S COMPANY albums onto the sales counter ("don't bother to wrap `em!").

While Davis was never a singer, she croaks out her songs quite well, and what she lacks in musicality she compensates with comedy and sheer brio.

Performing the more demanding material is Ellen Hanley, known to musical fans for her Tony-winning role as Thea in "Fiorello!"; as well as Adrianna in the 1963 Off-Broadway revival of "The Boys from Syracuse", and replacing Polly Bergen in "First Impressions" (the Jane Austen/'Pride & Prejudice' musical of 1959).

Sepia's remaster of the TWO'S COMPANY album (taken from original 78's) is quite crisp and clean, with some slight hiss and sonic wobble in certain areas (like towards the end of "Haunted Hot Spot"), although we are lucky to have this title on disc in the first place.

Known for their copious bonus tracks, Sepia do not disappoint, and the TWO'S COMPANY disc is filled out with extensive supplementaries (Nancy Walker singing "I Can't Get Started" and Jack Smith with "I'm Gonna Ring the Bell Tonight"); and a whole "Vernon Duke plays Vernon Duke" section.

Now that TWO'S COMPANY has been released on compact disc, we can finally hear what all the fuss was about.
S.O.N.O.G.R.A.M.
Average customer rating: 4.5 out of 5 stars
  • a few words for the two people who gave one star...
  • SUBTERRANEOUS is The Movement!
  • Could do without the anti-semitism
  • Underground classic
  • a classic
S.O.N.O.G.R.A.M.
One Be Lo
Manufacturer: Fatbeats
ProductGroup: Music
Binding: Audio CD

East CoastEast Coast | Rap & Hip-Hop | Styles | Music
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  1. Masters of the Universe
  2. Masters of the Universe
  3. Shadows On The Sun
  4. Murs 3:16: The 9th Edition
  5. True & Livin'

ASIN: B00078FALE
Release Date: 2005-02-08

Tracks:

  1. Intro(1)
  2. The UNDERground
  3. EnecS Eht No KcaB
  4. Questions
  5. Oggie
  6. Propaganda
  7. The Ghetto
  8. Axis
  9. Sleepwalking
  10. True Love
  11. Interlude
  12. Used 2 Be Fly
  13. Deceptacons
  14. Can't Get Enough
  15. Assassinations
  16. Evil Of Self
  17. The Future
  18. E.T.
  19. The Capital IST
  20. Rocketship
  21. Unparalleled
  22. Follow My Lead

Customer Reviews:

5 out of 5 stars a few words for the two people who gave one star..........2007-06-09

...i just dont get it. how delicate weve become, hey?

5 out of 5 stars SUBTERRANEOUS is The Movement! .......2007-04-04

No Doubt: The MOST Under-rated, Under-played, Under-promoted, Un-known, Un-heard of, Un-seen album that I can even think of in THE UNDERGOUND. In the spirit of BDP (KRS-One for those that dont know), 3rd Eye Vision (Heiroglyphics), Lupe Fiasco and Mr. West Himself (to add a few well known and, in their own time, underrated, Highly Intelligent artists), One.Be.Lo (aka: OneManArmy) front man for the S-U-B-T-E-R-R-A-N-E-O-U-S Crew (and yes, they do it the best!), one-half of the would-be legendary Binary Star (Senim Silla is also the bomb, check him out on Sleeper Cell Records), one-half of the would-be classic Trackazoids, and the One Man who "the only paraphanelia [he] need to rock the spot is One Hip-Hop Fan, and it dont stop. Without a Mic, without a Beat with no DJ. Without a Pen/Pad, without a Blunt or Fifth of E.J. Without a doubt [he] still turn it out without a delay. On the track [he'll] beat your whole team without a relay." Yes: Genius is the word you are looking for.

From the begining, Subterraneous has been a WaterWorld (Michigan, for the un-educated) staple. One.Be.Lo, Majestic Legend, Octane and Illite (whose album "Forgotten...Choosen" is also Tops), Decompose (unfortunately I have not had the pleasure to check out the new album "Decompositions"), Kodac, Dj Phrikshum (if you figure out who that is, I'll give you a cookie!) and the Entire Sub Crew, who you may not love but you know Loves You, have been producing albums, rockin shows at the Blind Pig (another Ann Arbor staple), teachin the kids what Hip-Hop should be, even keeping up with their academic pursuits (check out One.Be.Lo's Double-S-A.). Yes, the Can do it ALL.

If I were trapped on a desert island with only one CD...it would probably be Outkast, "ATLiens" (sorry, I'm a bad lier)...
BUT! If I could only listen to one Lable for the rest of my life...it would be the SUB.

Trust me. I've seen the man at the show, sharing the stage with RJD2, Blueprint, GhostFaceKillah, DEL (not no phoney phranchise!), and yes, I've even seen him steal the show!
I've seen him in the crowd, shakin the hands, dancin with the fans, givin props to those that deserve it, and kickin out those that deserve it as well! (please, dont drink and dance...its bad for everyone)
He said it himself, "you buy the CD for Ten, and I'll sign it for Free." And yes, he will!! (Much thanks to my Bro for the SUB-Crew poster from Tha Zoo, best birthday present EVER!)
Call me PlayaHater if it'll make you feel better! But buy the disc, listen to the disc, and when you're in the MI, come to the show. I promise, you wont be upset.

1 out of 5 stars Could do without the anti-semitism.......2007-03-09

There's nothing worse than popping in a CD, listening several times and enjoying it more, then hearing a racist lyric. I played the track twice more to confirm what I heard, Jews control what I say.

5 out of 5 stars Underground classic.......2007-02-26

One Be Lo is hands down the most talented emcee out there. There is not a weak track on here. enecS eht Kcab, Deceptacons, and Rocketship are the standouts. I could easily have just listed three others tracks and been right.

Buy this album.

5 out of 5 stars a classic.......2006-06-05

i love this album.onebelo is one of my favorite indie artist,so when i received this as a b-day gift last year i knew i was in for a treat.this is what a concept album should sound like.there were no weak topics plus you can tell everything was well thought out.the production(mostly by himself & the trackezoids)compliments lo's liquid flow.i recomend this to any binary star fan or anyone just curious to who onebelo is.copp this,you won't regret it.
Lock 'N Load
Average customer rating: 4 out of 5 stars
  • Whinig f-ing maggots
  • This was the breakthrough, not "No Cure for Cancer"
  • Some of the greatest rants ever
  • Not worth the money
  • Exact Bits Leary Stole from Hicks
Lock 'N Load
Denis Leary
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002GP1
Release Date: 1997-11-18

Tracks:

  1. F**k This
  2. A**Hole Of The Dance
  3. Marv Marv Marv
  4. Save This
  5. Deaf Mute Cocktail Party
  6. Coffee
  7. Beer
  8. F**k Santa
  9. Elvis And I
  10. I'm Happy
  11. F**k The Kennedys
  12. President Leary
  13. A Reading From The Book Of Apple
  14. Love Barge
  15. Fat F**ks
  16. Insane Cowboy (In Africa)
  17. My Kids
  18. Life's Gonna Suck
  19. F**k The Pope
  20. Lock 'N Load

Amazon.com

Lots of comedians like to think of themselves as rock stars, but Leary makes good on that threat with Lock 'n Load. Leary's frantic concert ranting is intercut MTV-style with comic song parodies (including a gothic mocking of the Love Boat theme), idle chatter, noise bursts, sound collages, and guest spots from the likes of Janeane Garofalo (slamming Fiona Apple) and musicians Adam Roth and Greg Dulli. Leary takes no prisoners as he goes after Michael Flatley, Marv Albert, Hanson, the Kennedy clan, the pope, ecology activists, 7-Eleven counter help, fat Vegas gamblers, and even his own kids. He's at his angry, acid best when he takes on the annoying '90s trends of multiple body piercings, microbrews, and flavored coffee. --Michael Ruby

Customer Reviews:

5 out of 5 stars Whinig f-ing maggots.......2006-08-03

Leary is a darn funny guy. I do not care if he stole each and every joke from some other guy. He is a riot - and he put it out there. I am sick of reading all these little crybaby comments about how he has ripped off Hicks and blah, blah, blah. Go cry about it on some Hicks website, forum, message board, or whatever. Nobody cares about Hicks when trying to read a review of a DENIS LEARY CD. I do not know who this Hicks guy is, and I never want to know who he is, because of all the whining and crying going on here. Hicks apologists shut your cake-holes.

4 out of 5 stars This was the breakthrough, not "No Cure for Cancer".......2006-01-08

"No Cure for Cancer" is the top selling album that catapulted Leary to success, but here he develops into more of a unique individual. People always bug him about ripping off Bill Hicks: On No Cure for Cancer, he may have crossed the line a few times. But by this point he had headed in a different direction; rather than becoming a spiritualist and misanthrope like the late Hicks, Leary got married, had kids, and became the "crazy guy trying to adjust to mundane, family life and never quite fitting in". A bit commercial? Maybe. But Leary's always been a talented, aggressive performer, and here he's working with a fresh perspective as well.

4 out of 5 stars Some of the greatest rants ever.......2005-09-06

The "Coffee" rant is one of the best I've ever heard. The fat f-cks routine was great and his jokes about his kids was excellent. My only complaint was that there some short songs that were lame. Still, there were so many great takes this album is well worth buying.

2 out of 5 stars Not worth the money.......2005-01-14

I thoroughly enjoy listening to Dennis Leary rant and rave about life. But, this was a dissapointment. Too many skits (not even funny), this was more of a let down than I had hoped. There are moments where it is funny, but I do not recommend purchasing this

1 out of 5 stars Exact Bits Leary Stole from Hicks.......2005-01-07

Leary is a hack. He wasn't "influenced" by Bill Hicks, he STOLE material. That makes him a hack. How can you Leary fans argue with the definition of the word hack? Take it up with Webster's Dictionary.

The exact bits Leary stole are described in the book AMERICAN SCREAM on pages 201-202. Bill Hicks was incensed when he heard Leary's tape.

On behalf of Bill's memory, give credit to the original.

Sackcloth 'n' Ashes
Average customer rating: 4.5 out of 5 stars
  • This is what American music was supposed to sound like
  • Very nice
  • Hillbilly Acid !!
  • Bandoneon?
  • Unique in Every Way
Sackcloth 'n' Ashes
Sixteen Horsepower
Manufacturer: Fontana a&M
ProductGroup: Music
Binding: Audio CD

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  1. Folklore
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  4. Secret South
  5. Black River Falls

ASIN: B000002G47
Release Date: 1996-02-06

Tracks:

  1. I Seen What I Saw
  2. Black Soul Chair
  3. Scrawled In Sap
  4. Horse Head
  5. Ruthie Lingle
  6. Harm's Way
  7. Black Bush
  8. Heel On The Shovel
  9. American Wheeze
  10. Red Neck Reel
  11. Prison Shoe Romp
  12. Neck On The New Blade
  13. Strong Man

Amazon.com

With its use of banjo, accordion, lap steel, and stand-up bass and its songs about creaking pine porches, shallow graves, prison shoes, and big horses, Sixteen Horsepower would seem to be drawing from the same ancient wells of Americana as the Band. The Band, however, handled this tradition from a working-class perspective of Monday morning blues and Saturday night release. By contrast, Sixteen Horsepower takes the leisure-class approach of existentialist angst, bad college poetry, and no release whatsoever. Edwards simply throws evocative phrases together without bothering to make one fit with the other. Such a technique could be called "experimental," but it could also be called "lazy." Drummer Jean-Yves Tola and bassist Keven Soll help Edwards create a spare, agitated, rock & roll string-band sound behind his doom-and-gloom howlings. --Geoffrey Himes

Customer Reviews:

5 out of 5 stars This is what American music was supposed to sound like.......2007-04-25

The best way I can describe this album is that it conjures images from John Steinbeck's novel The Grapes of Wrath (Penguin Classics) and like that great American classic, this album puts you under a spell and does not let you go until its over, leaving you exhausted but utterly satisfied. The band takes traditional American roots music and fuses it into a dark and intense blend of folk rock, the perfect backdrop for lyrics dealing with spirituality and human suffering. David Eugene Edwards delivers the vocals with the same ferocity with which I imagine his grandfather, a traveling Nazarene preacher, must have addressed his flock. I recommend their entire catalog.

4 out of 5 stars Very nice.......2007-01-09

Each song on this album is at least solid, folk fun a la 16 Horsepower.
Tracks 8 through 12 seemed especially strong, being rather catchy and enjoyable.

5 out of 5 stars Hillbilly Acid !!.......2005-09-08

Wow, these guys are putting back things they didn't take! Listen to the tracks I Seen What I Saw and American Wheeze and you will think the Doors have been resurrected from Appalachia. These guys are one of the most unique bands of the nineties. Brooding, dark tunes of violence, self righteousness and redemption. Jim Morrison would have loved this band!

5 out of 5 stars Bandoneon?.......2005-01-17

I think I'd have to look up the spelling which I wont since this is a music review and not a written' review. Anyway a Band0neon is like an accordian but different in ways I dont understand, they feature this instument on a number of cuts with very haunting results.The lyrics are haunting as well, its a Flannery O'Connor mood crossed with all the greats of bluegrass ghosts, it creates a unique sound you would be a fool not to enjoy. It reminds me of the times as a child we visited old man Ritz's house deep in the woods behind our house, Mr. Ritz worked for Nasa and seldom visited his family farm getaway, so we ran amok on his property,never at ease mind you, but amok we ran. He was a scary figure who we never met and never expected to meet until one day I landed a job picking up rocks in a freshly plowed field, we would ride on a trailer behind a tractor and every so often the tractor would stop and we would hop off and pick up the rocks and throw them on the trailer. I suggested to Uncle Leon (the farmer who farmed Mr Ritz's property for him) that we just paint all the rocks red and have the migrant workers pick them up thinking they were tomatoes, he didnt think to much of this suggestion so we continued with our work. The next day we were picken' up rocks when a man walks up to Leon and told him we should paint the rocks red and tell the migrant workers they was tomatoes...This album reminds me of my first and only meeting with old man Ritz.Buy the album.

5 out of 5 stars Unique in Every Way.......2004-11-02

This is perhaps the most unique CD I have in my collection. If I had to describe the music I would have to say it is a mix of bluegrass, Johnny Cash, and the Old Testament. The only thing that even comes close is the O Brother Where Art Thou? Soundtrack. Great for anyone seeking a break from the commercial crapola that is put out nowadays. I really enjoy putting it on the CD player going down the dirt roads of West Virginia. Its a great CD and I reccomend it to anyone who is a fan of great music
Land of My Fathers: 100 Great Welsh Choir Favourites
Average customer rating: Not rated
    Land of My Fathers: 100 Great Welsh Choir Favourites

    Manufacturer: Castle Pulse
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Favourite Welsh Choirs
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    4. Bryn Terfel - We'll Keep a Welcome
    5. Traditional Songs of Wales

    ASIN: B0009SOFXG
    Release Date: 2005-08-01

    Tracks:

    1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
    2. Land of My Fathers - Caerphilly Make Voice Choir
    3. Dies Irae
    4. Men of Harlech
    5. You'll Never Walk Alone
    6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
    7. Old Folks at Home
    8. Il Liza Jane
    9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
    10. Vergine Degli Angeli
    11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
    12. My Hero
    13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
    14. German Mass/Gloria
    15. German Mass/Sanctus
    16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
    17. All Through the Night - Caerphilly Make Voice Choir
    18. Arwelfa
    19. Invictus
    20. Softly as I Leave You

    Tracks:

    1. Diolch l'R L
    2. Hine E Hine (Maori Lullaby)
    3. Pererin Wyf (Amazing Grace)
    4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
    5. Memories of Martha
    6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
    7. Myfanwy - Treorchy Male Choir
    8. Tales of Hoffman/Barcarolle
    9. Creation's Hymn
    10. In the Spirit!
    11. Shall We Gather at the River
    12. Nos a Bore
    13. Very Best Time of Year
    14. Soon Ah Will Be Done
    15. Thanks Be to God
    16. Flower That Shattered the Stone
    17. Rhys - Treorchy Male Choir
    18. Where Shall I Be?
    19. Bywyd y Bugail
    20. Lord's Prayer

    Tracks:

    1. Ave Maria
    2. Pearl Fishers/Divine Brahma
    3. She Was Beautiful (Cavatina) - Treorchy Male Choir
    4. Cymru Fach
    5. Nidaros
    6. Jacob's Ladder - Treorchy Male Choir
    7. Watching the Wheat
    8. Pan Ddaw y Saint (When the Saints Go Marching In)
    9. Misbles/Stars
    10. Rachie
    11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
    12. There Is a Balm in Gilead
    13. Rise Up Shepherd and Foller
    14. My Lord, What a Mornin'
    15. Bryn Myrddin
    16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
    17. Finnish Forest (Suomen Salossa)
    18. Nabucco/The Glory of Israel
    19. Ride the Chariot
    20. Tydi a Roddaist - Treorchy Male Choir

    Tracks:

    1. Y Nefoedd
    2. Phantom of the Opera/Think of Me
    3. Morte Christe (When I Survey the Wondrous Cross)
    4. By Babylon's Wave
    5. I'm Gonna Sing
    6. Where Could I Go But to the Lord?
    7. Holy City - Treorchy Male Choir
    8. Mefistofele: Ave Signor, Degli Angeli
    9. Senzenina (Zulu Chant)
    10. That's All I Want from You
    11. Deep Harmony - Treorchy Male Choir
    12. Give Me Jesus
    13. Just a Closer Walk with Thee
    14. My Wish for You
    15. Jeptha/Waft Her Angels
    16. Mose in Egitto/Prayer
    17. Be Still My Soul (Finlandia Hymn)
    18. God's Choir in the Sky
    19. Floral Dance - Treorchy Male Choir
    20. Smilin' Through

    Tracks:

    1. Calon Lan
    2. True Love
    3. Mor Fawr Wyt Ti (How Great Thou Art)
    4. Aberystwyth
    5. Comrades in Arms
    6. Cats/Memory
    7. They Led My Lord Away
    8. State Fair/It's a Grand Night for Singing
    9. When I Fall in Love
    10. Let's Face the Music and Dance
    11. Windmills of Your Mind
    12. How Soon
    13. Non Nobis Domine
    14. Rhythm of Life
    15. Kalinka
    16. Sound an Alarm
    17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
    18. Turandot/Nessun Dorma
    19. Christus Redemptor
    20. Ann E