This Is My Life [Import]

this is my life [import]

Track Listings

1. This Is My Life
2. Something
3. Goldfinger
4. As Long As He Needs Me
5. What Now My Love
6. I Who Have Nothing
7. Kiss Me Honey Honey
8. As I Love You
9. Big Spender
10. For All We Know
11. Send In The Clowns
12. I Am What I Am
13. Medley: New York New York
14. And I Love You So
15. Power Of Love
16. Never Never Never

This Is My Life,Shirley Bassey,Brilliant,Easy Listening/Vocal,Vocal
Haunted Heart
Average customer rating: 4 out of 5 stars
  • Sublime and ridiculous
  • Eeeeeeeeeeewwwwwww
  • Better than I thought it would be
  • Brava Renee
  • Art is always new.
Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Sacred Songs
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ASIN: B0007Z9QUS
Release Date: 2005-05-10

Tracks:

  1. Haunted Heart
  2. River
  3. When Did You Leave Heaven?
  4. You've Changed
  5. Answer Me
  6. My Cherie Amour
  7. In My Life
  8. The Moon Is A Harsh Mistress
  9. Wozzeck/The Midnight Sun
  10. Liebst du um Schit
  11. My One And Only Love/This Is Always
  12. Can do Amor
  13. Psych
  14. Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

\

Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

2 out of 5 stars Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

2 out of 5 stars Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

3 out of 5 stars Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

5 out of 5 stars Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

5 out of 5 stars Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Varese Sarabande 25th Anniversary Celebration
Average customer rating: 4.5 out of 5 stars
  • A good value
  • The Sound Track Since Bernard Hermann
  • Good mix of film music
  • A mixed collection of movie music
  • Uplifts your soul, takes your mind into the heavens
Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Paramount 90th Anniversary Collection: Scores
  2. In Session: Film Music Celebration
  3. The Essential Elmer Bernstein Film Music Collection
  4. Jerry Goldsmith: 40 Years of Film Music
  5. Music In Film (National Public Radio Milestones Of The Millennium)

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

  1. The Man from Snowy River (Bruce Rowland)
  2. The Winds of War (Bob Cobert)
  3. Blue Velvet (Angelo Badalamenti)
  4. Witness (Maurice Jarre)
  5. Raising Arizona (Carter Burwell)
  6. Pee Wees Big Adventure (Danny Elfman)
  7. Halloween (John Carpenter)
  8. A Nightmare On Elm Street (Charles Bernstein)
  9. The Fly (Howard Shore)
  10. RoboCop (Basil Poledouris)
  11. The Empire Strikes Back (John Williams)
  12. The Right Stuff (Bill Conti)
  13. The Final Conflict (Jerry Goldsmith)
  14. The Abyss (Alan Silvestri)
  15. Brainstorm (James Horner)
  16. Peggy Sue Got Married (John Barry)
  17. My Left Foot (Elmer Bernstein)
  18. The Dead (Alex North)
  19. Stanley & Iris (John Williams)
  20. The Milagro Beanfield War (Dave Grusin)
  21. Driving Miss Daisy (Hans Zimmer)

Tracks:

  1. Steel Magnolias (Georges Delerue)
  2. Unforgiven (Lennie Niehaus and Clint Eastwood)
  3. Raggedy Man (Jerry Goldsmith)
  4. The Grifters (Elmer Bernstein)
  5. Green Card (Hans Zimmer)
  6. City Slickers (Marc Shaiman)
  7. Father Of The Bride (Alan Silvestri)
  8. While You Were Sleeping (Randy Edelman)
  9. Babe (Nigel Westlake)
  10. The Adventures Of The Great Mouse Detective (Henry Mancini)
  11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
  12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
  13. The Secret Garden (Zbigniew Preisner)
  14. A Little Princess (Patrick Doyle)
  15. Rudy (Jerry Goldsmith)
  16. Iron Will (Joel McNeely)
  17. Memphis Belle (George Fenton)
  18. Eye Of The Needle (Mikl)
  19. Total Recall (Jerry Goldsmith)
  20. Back To The Future Part III (Alan Silvestri)

Tracks:

  1. To Die For (Danny Elfman)
  2. The Player (Thomas Newman)
  3. Black Robe (Georges Delerue)
  4. Medicine Man (Jerry Goldsmith)
  5. 2001 (Alex North)
  6. Star Wars: Shadows Of The Empire (Joel McNeely)
  7. The Crow (Graeme Revell)
  8. Blade (Mark Isham)
  9. The Omen (Jerry Goldsmith)
  10. Vertigo (Bernard Herrmann)
  11. Scream (Marco Beltrami)
  12. The Sixth Sense (James Newton Howard)
  13. Xena: Warrior Princess (Joseph LoDuca)
  14. Air Force One (Jerry Goldsmith)
  15. Starship Troopers (Basil Poledouris)
  16. The Matrix (Don Davis)
  17. The Iron Giant (Michael Kamen)
  18. Youve Got Mail (George Fenton)
  19. A Little Romance (Georges Delerue)
  20. Pleasantville (Randy Newman)

Tracks:

  1. Sunset Boulevard (Franz Waxman)
  2. L.A. Confidential (Jerry Goldsmith)
  3. Rounders (Christopher Young)
  4. The Score (Howard Shore)
  5. The Replacements (John Debney)
  6. Gone In 60 Seconds (Trevor Rabin)
  7. The Bourne Identity (John Powell)
  8. Rush Hour 2 (Lalo Schifrin)
  9. XXX (Randy Edelman)
  10. Die Hard (Michael Kamen)
  11. The Last of the Mohicans (Trevor Jones)
  12. Moby Dick (Christopher Gordon)
  13. The Mists Of Avalon (Lee Holdridge)
  14. Cleopatra (Alex North)
  15. Life As A House (Mark Isham)
  16. Emma (Rachel Portman)
  17. In The Bedroom (Thomas Newman)
  18. Cast Away (Alan Silvestri)
  19. One True Thing (Cliff Eidelman)
  20. Unfaithful (Jan A.P. Kaczmarek)
  21. Far From Heaven (Elmer Bernstein)
  22. Ice Age (David Newman)
  23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

5 out of 5 stars A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

4 out of 5 stars The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

4 out of 5 stars Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

4 out of 5 stars A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

5 out of 5 stars Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Moondog 1 & 2
Average customer rating: 5 out of 5 stars
  • This needs a more articulate review...
  • happy music
Moondog 1 & 2
Moondog
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Moondog
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  5. Rare Material

ASIN: B00004YU0K
Release Date: 2000-11-06

Tracks:

  1. Theme
  2. Stamping Ground
  3. Symphonique No. 3 (Ode to Venus)
  4. Symphonique No. 6 (Good for Goodie)
  5. Minisym No. 1
  6. Lament, No. 1
  7. Witch of Endor
  8. Symphonique No. 1 (Portrait of a Monarch)
  9. Bells Are Ringing
  10. Voices of Spring
  11. What's the Most Exciting Thing
  12. All Is Loneliness
  13. My Tiny Butterfly
  14. Why Spend a Dark Night With Me
  15. Coffee Beans
  16. Down Is Up
  17. Be a Hobo
  18. Remember
  19. I Love You
  20. Nero's Expedition
  21. No, The Wheel Was Never Invented
  22. With My Wealth
  23. This Student of Life
  24. Some Trust All
  25. Wine, Women and Song
  26. Sadness
  27. Maybe
  28. Each Today Is Yesterday's Tomorrow
  29. Imagine
  30. You the Vandal
  31. Trees Against the Sky
  32. Behold
  33. Sparrow
  34. Pastoral

Customer Reviews:

5 out of 5 stars This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

5 out of 5 stars happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France
Be My Love
Average customer rating: 4.5 out of 5 stars
  • A mixed bag of romantic offerings
  • The best tenor ever
  • The greatest singer of all time!
Be My Love

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. You'll Never Walk Alone
  2. Lanza: Greatest Hits
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ASIN: B000003F3C
Release Date: 1991-01-18

Tracks:

  1. Be My Love (The Toast Of New Orleans)
  2. Serenade (The Student Prince)
  3. Temptation (Going Hollywood)
  4. Wanting You (The New Moon)
  5. I'll Be Seeing You (The Royal Palm Revue)
  6. With A Song In My Heart (Spring Is Here)
  7. Without A Song (Great Day)
  8. Danny Boy (Londonderry Air)
  9. My Wild Irish Rose
  10. And This Is My Beloved (Kismet)
  11. Because
  12. Only A Rose (The Vagabond King)
  13. Funiculi, Funicula
  14. Come Back To Sorrento
  15. Maria Mari'
  16. O Sole Mio
  17. Neapolitan Love Song
  18. Arriverderci, Roma
  19. Ah! Sweet Mystery Of Life (Naughty Marietta)
  20. Look For The Silver Lining (Sally)
  21. Memories
  22. The Song Is You (Music In The Air)
  23. Ave Maria
  24. You'll Never Walk Alone (Carousel)

Customer Reviews:

3 out of 5 stars A mixed bag of romantic offerings.......2001-12-17

BMG's Lanza collections are usually a mixed bag, and this album of love songs is no exception. Interspersed with some magnificent performances are an assortment of the good, the bad, and the mediocre. Part of the problem, I suspect, is that BMG simply doesn't appreciate what treasures it has buried in its recording vaults. It's enough to bring back Lanza from the grave, swearing in High C (as Time Magazine once tut-tutted) at the injustice of it all.

Lanza, in fairness to BMG, was an inconsistent performer. In the earlier part of his brief career, he had a tendency to sing sharp, and at times his approach to various arias and songs lacked sensitivity. That's not to say he couldn't get it right. At his best he was extraordinary, combining one of the most powerful voices on record with just the right degree of melting mezza voce and a dazzling array of vocal colours. His sense of phrasing was, as Enrico Caruso Jr noted, "instinctively right", and his ability to get into the heart of a song was unquestionable. Even at his roughest, his singing was usually compelling, and one could never label any of his performances "boring".

The bad recordings generally fall into three periods of his life: the Coca-Cola Radio shows of 1951-52, the disastrous Lanza on Broadway album of 1956, and the illness-affected stereo remakes of his Christmas Carols and Student Prince albums, both recorded in 1959, the year of his death. The present CD includes material from the first two periods.

The "Coke" shows, as I've opined in a number of other reviews, produced some amazing performances of both arias and love songs. Unfortunately, however, lack of rehearsal time coupled with poor arrangements often led to the kind of wild, unrestrained singing that Lanza's detractors love to attack (while at the same time overlooking his great performances). On this CD, a number of Coke recordings were released for the first time: Danny Boy; My Wild Irish Rose; Neapolitan Love Song; and Torna a Surriento. The first two are lovely, notwithstanding a poor ending on Danny Boy and some uncertain moments in the tenor's lower register in this song. Victor Herbert's Neapolitan Song contains some piercingly sharp singing, a rough ending and some agreeable mezza voce. Torna a Surriento is too fast, too unpolished and not a patch on the piano accompaniment-only version that Lanza recorded three years later for the movie Serenade.

Among the other Coke selections is the sublime Memories, and the alternately touching and thrilling I'll Be Seeing You, with a B Flat climax that will knock your socks off. Wanting You is rough and exciting in equal measure - ditto the powerhouse Ah Sweet Mystery of Life with its ridiculously fast tempo.

Two songs from the ill-fated Lanza on Broadway album have been inexplicably included, though it must be said that at least these represent the better moments from this dreadful session. You'll Never Walk Alone contains more sharp singing, uneven rhythm and a certain bleariness, while the Borodin-adapted And This Is My Beloved is alternately belted and seductive. Incidentally, Lanza recorded a superior version of You'll Never Walk Alone for his Coke Shows; this is featured on the CD of the same name.

The real highlights for me are the immortal Serenade from The Student Prince; a thrilling Only a Rose (recorded three months after the Lanza on Broadway session and featuring a completely different voice); the aforementioned My Wild Irish Rose & I'll Be Seeing You and a mature rendition of Schubert's Ave Maria. Fans will also enjoy Arrivederci, Roma, and the ubiquitous Be My Love.

All in all an enjoyable hour, but if only more thought had been put into some of the selections...

5 out of 5 stars The best tenor ever.......2001-03-01

Mario Lanza is indeed my favourite of all tenors either living or not. I must have almost everything he ever recorded. This album has a whopping 24 tracks including 5 previously unreleased recordings, which make this a must for any true fan of Lanza. This album has some of his most romantic songs, mostly from stage and film. You won't find any opera here, which is fine, there's plenty of his other albums that have that. These are songs that are guaranteed to stir your heart and soul while Mario's voice will melt them. This is a must-have and at this price there's no reason not to have it.

5 out of 5 stars The greatest singer of all time!.......2000-06-29

This is one of the greatest compilations of Tenor Mario Lanza, The Voice of the Century, ever made. Mario Lanza had such a broad, well focused voice and he is represented to good measure here on songs like "Wanting You", "Neapolitan Love Song", and "Without a Song". On these selections one hears how the Lanza voice had a largeness, depth, and warmth from the bottom all the way to the very top. One will never hear songs like "O Danny Boy", "My Wild Irish Rose", "You'll Never Walk Alone", "Torna Surriento", "O Solo Mio", and "Ah! Sweet Mystery of Life" sung any better or with more feeling. My favorite on this CD, "And this is my Beloved" from Kismet displays the full Lanza Range. This, in my opinion, is one of the greatest single recordings ever made. Here Mario sings the most melting pianissimo and builds to an exciting, full bodied, heart stopping fortissimo High B flat. What passion! The particular recording of "Only a Rose" on this album has been regrettably absent from the catalogs for quite some time. It is a shame too, because Lanza makes this Vagabond King selection sound free and effortless like only Mario Lanza could. Lanza takes the listener through a guided tour, so speak, of truly the greatest singing the world has ever heard. After hearing the final selection, "You'll Never Walk Alone", there won't be a dry eye in the house. This, along with the "Don't Forget Me" Lanza CD, is one of the greatest single CD collections ever put together of Mario, or anyone else for that matter. Lanza was the greatest singer of all time and this is a must have album. The sooner you own this one, the better.
The Juliet Letters
Average customer rating: 4.5 out of 5 stars
  • The definition of Musical Genius
  • Epistolary reflections on Costellian themes...
  • Beauty? Truth? You Can't Handle Either!!
  • Deep and moving music from Elvis Costello.
  • Give it a Try
The Juliet Letters

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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  1. For the Stars
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ASIN: B000002MI4
Release Date: 1993-01-19

Tracks:

  1. Deliver Us
  2. For Other Eyes
  3. Swine
  4. Expert Rites
  5. Dead Letter
  6. I Almost Had A Weakness
  7. Why?
  8. Who Do You Think You Are?
  9. Taking My Life In Your Hands
  10. This Offer Is Unrepeatable
  11. Dear Sweet Filthy World
  12. The Letter Home
  13. Jacksons, Monk And Rowe
  14. This Sad Burlesque
  15. Romeo's Seance
  16. I Thought I'd Write To Juliet
  17. Last Post
  18. The First To Leave
  19. Damnation's Cellar
  20. The Birds Will Still Be Singing

Amazon.com

Good on Elvis for risking the ridicule of a blinkered pop world with this unprecedented (for him, certainly, and most anyone short of Kurt Weill) and quite lovely album of bitchy, wise, and funny art songs accompanied by strings. His freshest, most evolved work in years. --Jeff Bateman

Customer Reviews:

5 out of 5 stars The definition of Musical Genius.......2007-05-22

If/when this ever is reprinted you MUST purchase it. It is beautiful in ways that I can't describe. For a writer/musician who is known for writing some amazing pieces, this is his pinnacle.

You will sob. You will laugh. You will rage. You will be haunted.

From a purely musical perspective, when you listen to this CD you are in the presence of great genius.

Listen to it alone, at least at first. Listen in the dark and let the imagery flow over you like fog.

4 out of 5 stars Epistolary reflections on Costellian themes..........2006-01-16

Elvis Costello (Declan MacManus) has done his fair share of collaborations in the past decade. From the Grammy-award winning project with Burt Bacharach in 1998 to 2001's subdued "For the Stars" with Anne-Sophie von Otter Costello has branched out from his rock roots in diverse directions. "The Juliet Letters" from 1993 was the first in a long line of such collaborations. Costello and the Brodsky Quartet were brought together by mutual appreciation (Costello went to Brodsky Quartet concerts while the Brodsky Quartet attended Costello concerts). And Costello's now ex-wife Cait O'Riordan provided the epistolary theme for the project. She spotted a newspaper article about a professor that responded to letters addressed to "Juliet Capulet". Costello then presented the article to the quartet for inspiration. The group of five ended up writing all of the music and words (though much of the music is credited to "MacManus"). The results fall somewhere between classical song cycles and Beatle-inspired "string rock" (a la "Yesterday" and "Eleanor Rigby"). Feelings of melancholy and anger pervade most of the songs. The strings punctuate these feelings perfectly. Fans of Costello's rock music probably won't find much to appreciate here. But the album contains many of the same classic Costello themes and vocal styles utilized in his rock.

Like a Richardson novel, letters provide the basis for the project. Failed and frustrated relationships abound. "Thank you for the flowers / I threw them on the fire / And I burned the photographs that you had enclosed / GOD they were ugly children" Costello sings venemously on the driving "I Almost Had a Weakness". After all, nothing seeps loneliness more than an unanswered love letter. But more than love gets the treatment here. Other songs include a suicide note ("Dear Sweet Filthy World"), a letter from a soldier to a stranger ("I Thought I'd Write to Juliet"), a bizarre experiment in selective exhumation ("Damnation's Cellar"), a reflection on separation ("Why?"), and a letter full of hope in the face of despair ("The Birds Will Still Be Singing"). Many songs explore the sad one-sided nature of letter writing. And no song responds to any other song. This fills the songs that deal with ineffable questions with an almost desparing isolation. But not everything is doom and gloom. "This Offer is Unrepeatable" picks up the mood with a humorously exaggerated letter from a scam artist (and it more than a little resembles the Tom Waits' classic "Step Right Up"). The final song injects some hope into the stark themes in the manner of "Old Man River": "Banish all dismay / Extinguish every sorrow / If I'm lost or I'm forgiven / The birds will still be singing". So in the end, things aren't as bad as they seem. The world goes on regardless of our ephemeral concerns. And as long as the world goes on hope exists.

This CD contains a lot of very beautiful and moving music. Two violins, a viola, a violincello, and voice provide all of the instrumentation. Costello branched out into something very different here. And not all of his fans appreciated it. Regardless, in retrospect "The Juliet Letters" pointed to the future. This year Costello will tour orchestra halls. Not only that, he also wrote a full orchestral score ("Il Sogno"). Strings appear more frequently in his recent music. And year by year he seems to embrace "classical" music more intensely. Still, he hasn't abandoned rock and pop (as "When I Was Cruel" and "The Delivery Man" testify). Though this early collaboration remains somewhat underappreciated, it nonetheless fully showcases Elvis Costello's diverse, adaptable, and broad musical scope. Costello will doubtless appear somewhere on the list of accomplished twentieth and twenty-first century musicians.

5 out of 5 stars Beauty? Truth? You Can't Handle Either!!.......2006-01-06

The reason the Costello/Brodsky collaboration "Juliet Letters" is such a difficult listen is also why its the MOST SINGULARLY BRILLIANT ALBUM IN THE ENTIRE ELVIS COSTELLO DISCOGRAPHY! And this declaration is coming from a man who could write a thesis on "Armed Forces" and "Imperial Bedroom" in his sleep! The idea of setting "letters" to music has certainly been done before, but Costello sticks his neck out, both as a composer and singer in ways he'd never done before. Accompanying yourself with just a string quartet (no snarling guitars or euphonious keyboard filigrees,) is the surest way to test your mettle as a vocalist. And sure, sometimes Costello's voice isn't exactly the strongest, but like say, Billie Holliday it always seems to occur precisely when the lyric calls for it: check out "Who Do You Think You Are?" or "The Birds Will Still Be Singing" and you'll hear exactly what I mean. Even his ode to a chain letter, "This Offer Is Unrepeatable" serves up a cheeky bit of satire worthy of "Three Penny Opera." Of course, you can only experience this album sporadically - could anyone watch "Death Of A Saleman" or "Long Day's Journey Into Night" repeatedly without losing one's mind? Emotionally-wrought exercises like "Letters" take a lot out of you, even when you're merely the observer (or listener,) rather than the participant. But that's what makes the journey, however bittersweet, one worth taking.

5 out of 5 stars Deep and moving music from Elvis Costello........2005-06-18

The Juliet Letters is a moving colaboration from Elvis Costello and the Brodsky String Quartet. His deep vocals are complemented by the string quartet. This album is
neither fish nor fowl (classical or pop) it's just a musical
exercise. The strings are some of my favorite compositions,
(viola, cello and violin). Elvis Costello not only got the Brodsky Quartet a bigger audience but he inspired them to
write their own music (a third of the songs are composed by the Quartet).

While it might not be everyones cup of tea, the music is brilliant and Elvis reaches octave levels I thought I would never imagine he could ever attain. Maybe sometime in the near future he'll work with them again. I applaud him for taking such a bold step in making a non-commercial album.

Highly recommended.

3 out of 5 stars Give it a Try.......2004-03-03

I've been listening to a lot of Philip Glass and Steve Reich lately,and its caused me to go back to this album to give it another go.Previously I thought that it was an interesting experiment which hadn't worked out very well.Now I think that it is a good album for rockers and classical music lovers to use to stretch their ears a little.So called crossover albums are usually horrifying-does anyone else remember that album that Procol Harum did with the Edmonton Symphony Orchestra? Elvis flatly denounces the concept in the liner notes.And not everything on this album works.It isn't the brilliant work that some of the other reviewers seem to think that it is.But it is a worthwhile experiment and a work that should be given a fair chance.Rockers and classical music lovers tend to be snobbish and dismissive of one another.This is a good work for them to live with for a while.When Elvis and the Brodsky's click-on "Jackson Monk and Rowe" or "Romeos Seance"-the results are as beautiful and valid as anything either of them have ever done.
Three stars because some of this simply doesn't work. But this is a work anyone who likes Elvis or the Brodsky's should have in their collection.
The English Lute Song
Average customer rating: 5 out of 5 stars
  • Too cool for some
  • Ethereal and Hauntingly Beautiful
The English Lute Song

Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Greensleeves: A Collection of English Lute Songs
  2. Heavenly Love, Earthly Joy

ASIN: B000001Q7S
Release Date: 1993-08-02

Tracks:

  1. This Merry Pleasant Spring
  2. Woods, Rocks And Mountains
  3. April Is In My Mistress' Face
  4. No More Shall Meads Be Deck'd With Flow'rs
  5. Lute Solo: The French King's Masque
  6. Come My Celia
  7. O Death, Rock Me Asleep
  8. Where The Bee Sucks
  9. Full Fathom Five
  10. Come Away, Hecate
  11. The Willow Song
  12. Lute Solo: Alman, 'Hit And Take It'
  13. Dear, Do Not Your Fair Beauty Wrong
  14. Come Hither You That Love
  15. Have You Seen But A White Lily Grow
  16. I Must Complain
  17. Nothing On Earth
  18. Fain Would I Wed
  19. Miserere, My Maker
  20. O That Mine Eyes
  21. Lite Solo: Alman
  22. Care, Charming Sleep
  23. Cupid Is Venus' Only Joy
  24. O Let Us Howl
  25. As Life What Is So Sweet
  26. Turn, Turn Thy Beauteous Face Away!
  27. Take, O Take Those Lips Away

Customer Reviews:

5 out of 5 stars Too cool for some.......2005-02-22

Julianne Baird is breathtakingly good at what she does: intelligent, stylistically convincing, technically brilliant ornamentation, in a sweet, phenomenally accurate voice. I love it. Those not accustomed to this sort of thing, though, may find it lacking emotional immediacy. Consider also Kathleen Battle with some of the same material: not that she's better, but the appeal is more directly sensual rather than intellectual.

5 out of 5 stars Ethereal and Hauntingly Beautiful.......2003-11-05

How could you go wrong with the clear seraph voice of Julianne Baird accompanied by the delicate skill of Ronn McFarlane on the Lute. Not only is the talent exceptional but the composed works of Lute music divine.

You listen to each song and are carried away to time/place devoid of any worry let alone any task other than to listen to Julianne and Ronn execute perfection. You truely feel part of the Elizabethan Court listening to this CD it is both beautiful and dark simutaneously.

Another fabulous feature to this CD is the simplicity of the recording of only lute and vocals with no special effects. To retain the warmth and purity of the composition it was recorded on location in 'The Troy Savings Bank Music Hall' in Upstate New York and is one of the finest acoustical settings in the world. Unlike modern pop music Lute music as written needs no manipulation or adjustment in the studio if executed by skilled artists and musicians in an acoustical atmosphere and this recording does exactly that.

I highly recommend this CD of beautiful music. It truely will evoke deep feeling and emotion.
Weill: Lady in the Dark / Risë Stevens, Adolph Green, Lehman Engel, Danny Kaye
Average customer rating: 4.5 out of 5 stars
  • stunning studio album in creamy stereo
  • STELLAR STAR!
  • There IS a more complete recording. . .
  • Great Fun
  • A fun, if abbreviated, recording
Weill: Lady in the Dark / Risë Stevens, Adolph Green, Lehman Engel, Danny Kaye
Kurt Weill , Maurice de Abravanel , Risë Stevens , Adolph Green , Danny Kaye , Lehman Engel , Michael Kellman , Dennis D. Rooney , and John Reardon
Manufacturer: Sony
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Binding: Audio CD

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Similar Items:
  1. Lady In The Dark (1997 Original London Cast)
  2. Lost In The Stars (1949 Original Broadway Cast)
  3. Knickerbocker Holiday
  4. Lady in the Dark/Down in the Valley
  5. Lady In The Dark (1950 Original Cast Members)

ASIN: B0000029VA
Release Date: 1997-06-03

Tracks:

  1. Lady In The Dark: Glamour Dream: Oh, Fabulous One
  2. Lady In The Dark: Huxley (Liza, Beekman)
  3. Lady In The Dark: One Life To Live (Liza)
  4. Lady In The Dark: Girl Of The Moment (Liza)
  5. Lady In The Dark: Wedding Dream: Liza, Liza
  6. Lady In The Dark: Mapleton High Chorale
  7. Lady In The Dark: This Is New (Randy, Liza)
  8. Lady In The Dark: The Princess Of Pure Delight (Liza, Randy)
  9. Lady In The Dark: Circus Dream: The Greatest Show On Earth (Ringmaster, Randy)
  10. Lady In The Dark: The Best Years Of His Life (Ringmaster, Randy, Liza)
  11. Lady In The Dark: Tschaikowsky (Ringmaster)
  12. Lady In The Dark: The Saga Of Jenny (Liza)
  13. Lady In The Dark: Childhood Dream: My Ship (Liza)
  14. Lady In The Dark: One Life To Live
  15. Lady In The Dark: The Princess Of Pure Delight
  16. Lady In The Dark: It's Never Too Late To Mendelssohn
  17. Lady In The Dark: Tschaikowsky And Other Russians
  18. Lady In The Dark: Jenny
  19. Lady In The Dark: My Ship

Customer Reviews:

4 out of 5 stars stunning studio album in creamy stereo.......2004-08-05

This studio album of Weill and Gershwin's LADY IN THE DARK features the lovely Rise Stevens making the role of Liza Elliott her own, with Adolph Green in the role that made Danny Kaye a star in the original production.

This sumptuous reissue on the Columbia 'Masterworks Heritage' label presents the recording in creamy stereo, with the orchestra under the baton of Lehman Engel. Rise Stevens is perhaps the best singer to have played Liza on any recording of LADY IN THE DARK. The trained opera singer lets her hair down for the manic "Saga of Jenny", and yields glowing versions of "My Ship" and "One Life to Live". Also featured among the cast are John Reardon and Stephanie Augustine.

My only qualm about the release is the horrid packaging. The disc is enclosed in a cardboard sleeve at the back of a booklet-style slipcase, leaving the CD vulnerable to scratches and dust (I remedied the problem by putting the CD in a separate plastic jewel case and filing it on the shelf next to the empty booklet case). However this should not deter collectors and musical theatre fans from seeking out this lovely recording.

5 out of 5 stars STELLAR STAR!.......2003-01-03

MISS STEVENS shinesas Liza Eliot in this perfect recording of "Lady in the Dark". [For the first time - with repect to the other artists - the lyrics are pristine!] THE recording? IF you own a 'surround system' - this one IS flawless - just a perfect balance of voice and instrument. [A great restoration job - if only they could do the same to the Lawrence version....]

FOR the collector - get all three recordings currently available - the 1997 London version is the most complete, the Gertrude Lawrence? It's more of a Star Vehicle for Miss Lawrence - lots of dialogue - with really only the two "Liza' numbers - "Saga of Jenmny" and "My Ship" intact - but also well worth the journey.

AS A BONUS - Miss Stevens recording contains the Danny Kaye contribution missing from the Gertrude Lawrence recording - plus his versions of "My Ship" and "The Saga of Jenny".

4 out of 5 stars There IS a more complete recording. . ........2000-12-06

This recording is terrific, but for a more complete recording with much better quality, look for the Original Cast Recording from the Royal National Theatre Production. It's got all the bridging music which is phenomenal.

5 out of 5 stars Great Fun.......1999-04-15

Until the definitive full version of the score comes out--with all the bridging material and orchestral interludes--this is probably the most complete of one of the greatest and most charming classic Broadway scores (and probably Ira Gershwin's masterpiece). Rise Stevens was born to play the part, and though at times she gets a bit excessive (especially in the dialogue) her voice is beautiful and confident (a high point is her counterpointing the chorus during "The Best Years of His Life"), and iat times really soars, as in "This is new." Adolph Green is hilarious--it's a great tragedy he never got to play this role on Broadway.

4 out of 5 stars A fun, if abbreviated, recording.......1999-04-02

A nifty performance of one of Broadway's classic scores. The biggest problem is that just about everything is slightly abridged (mostly verses, connecting material, dialogue underscoring and choral repeats--although if I'm reading the vocal score right, most of this would still be interesting to listen to); still, a reasonably good taste of the whole thing. The liner notes also don't really give a story synopsis, so if you aren't familiar with the plot, seek out a summary so you aren't completely confused by what is going on. Rise Stevens' acting is pretty mannered, and she goes over the top vocally every now and then; she seems to be shouting, not singing at the end of "Jenny." Adolph Green is hysterically funny and acquits himself supremely well in "Tchaikovsky." How you'll enjoy the appendix of Danny Kaye's recordings depends on how much you like Danny Kaye--enough said.
Enclosure Two: Harry Partch
Average customer rating: Not rated
    Enclosure Two: Harry Partch

    Manufacturer: INNOVA
    ProductGroup: Music
    Binding: Audio CD

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    1. The Harry Partch Collection, Volume 1
    2. Harry Partch: Enclosure 7
    3. Enclosure Five: Harry Partch
    4. The Harry Partch Collection, Volume 2

    ASIN: B000004AF9
    Release Date: 2000-12-06

    Tracks:

    1. I am Harry Partch - Harry Partch
    2. By the Rivers of Babylon - Harry Partch
    3. Texts and Music: A Wagnerian Wrestling Match - Harry Partch
    4. Ten Li Po Lyrics: 1 - A Dream - Harry Partch
    5. Ten Li Po Lyrics: 2 - An Encounter in the Field - Harry Partch
    6. Ten Li Po Lyrics: 3 - On Hearing the Flute - Harry Partch
    7. Ten Li Po Lyrics: 4 - The Intruder - Harry Partch
    8. Ten Li Po Lyrics: 5 - I am a Peach Tree - Harry Partch
    9. Ten Li Po Lyrics: 6 - With a Man of Leisure - Harry Partch
    10. Ten Li Po Lyrics: 7 - A Midnight Farewell - Harry Partch
    11. Ten Li Po Lyrics: 8 - Before the Cask of Wine - Harry Partch
    12. Ten Li Po Lyrics: 9 - On the Ship of Spicewood - Harry Partch
    13. Ten Li Po Lyrics: 10 - By the Great Wall - Harry Partch
    14. The Use of English in Serious Music - Harry Partch
    15. Barstow - Eight Hitch-Hiker's Inscriptions. . . - Harry Partch
    16. San Francisco - Newsboy Cries - Harry Partch
    17. Life is too precious to spend it with important people - Harry Partch
    18. U. S. Highball - A Musical Account of Slim's Transcontinental Hobo Trip - Harry Partch
    19. While my Heart Keeps Beating Time - Harry Partch
    20. San Francisco II - Harry Partch

    Tracks:

    1. I'm going to start right off by giving you some sounds - Harry Partch
    2. Two Settings from Joyce's Finnegan's Wake: 1 - Isobel - Harry Partch
    3. Two Settings from Joyce's Finnegan's Wake: 2 - Annah the Allmaziful - Harry Partch
    4. Dark Brother - Harry Partch
    5. A Quarter-Saw Section of Motivations and Intonations - 1 - Harry Partch
    6. A Quarter-Saw Section of Motivations and Intonations - 2 - Harry Partch
    7. A Quarter-Saw Section of Motivations and Intonations - 3 - Harry Partch
    8. A Quarter-Saw Section of Motivations and Intonations - 4 - Harry Partch
    9. A Quarter-Saw Section of Motivations and Intonations - 5 - Harry Partch
    10. A Quarter-Saw Section of Motivations and Intonations - 6 - Harry Partch
    11. A Quarter-Saw Section of Motivations and Intonations - 7 - Harry Partch
    12. A Quarter-Saw Section of Motivations and Intonations - 8 - Harry Partch
    13. A Quarter-Saw Section of Motivations and Intonations - 9 - Harry Partch
    14. A Quarter-Saw Section of Motivations and Intonations - 10 - Harry Partch
    15. A Quarter-Saw Section of Motivations and Intonations - 11 - Harry Partch
    16. A Quarter-Saw Section of Motivations and Intonations - 12 - Harry Partch
    17. A Quarter-Saw Section of Motivations and Intonations - 13 - Harry Partch
    18. A Quarter-Saw Section of Motivations and Intonations - 14 - Harry Partch
    19. A Quarter-Saw Section of Motivations and Intonations - 15 - Harry Partch
    20. A Quarter-Saw Section of Motivations and Intonations - 16 - Harry Partch
    21. A Quarter-Saw Section of Motivations and Intonations - 17 - Harry Partch
    22. A Quarter-Saw Section of Motivations and Intonations - 18 - Harry Partch
    23. A Quarter-Saw Section of Motivations and Intonations - 19 - Harry Partch

    Tracks:

    1. June 11, 1935 - Santa Rosa, California - H. PARTCH
    2. June 12 - Federal Shelter, Stockton - H. PARTCH
    3. June 13 - H. PARTCH
    4. June 14 - H. PARTCH
    5. June 16 - Huntington Ranch, San Joaquin - H. PARTCH
    6. June 17 - H. PARTCH
    7. July 4 - H. PARTCH
    8. July 14 - H. PARTCH
    9. July 16 - H. PARTCH
    10. July 19 - H. PARTCH
    11. July 20 - Heading north, between Sacramento and Redding (Later incorporated into The Wind) - H. PARTCH
    12. July 24 - Federal Shelter, Portland - H. PARTCH
    13. July 25 - Blue Ox Lodge, Seattle, Washington - H. PARTCH
    14. July 27 - H. PARTCH
    15. July 29 - H. PARTCH
    16. July 30 - H. PARTCH
    17. August 7 - Between Grants Pass and Klamath Falls, Oregon - H. PARTCH
    18. August 15 - H. PARTCH
    19. October 22 - Nearing Monterey (reworked in 1943 as The Letter) - H. PARTCH
    20. October 24 - Leaving Big Sur - H. PARTCH
    21. October 25 - Near Slate's Hot Springs (Now the Esalen Institute) - H. PARTCH
    22. October 26 - H. PARTCH
    23. October 27 - H. PARTCH
    24. October 28 - H. PARTCH
    25. October 29 - H. PARTCH
    26. October 30 - Big Creek - H. PARTCH
    27. November 12 - Santa Barbara - H. PARTCH
    28. November 14 - H. PARTCH
    29. November 15 - Leaving Santa Barbara - H. PARTCH
    30. November 16 - Ojai - H. PARTCH
    31. November 17 - H. PARTCH
    32. November 23 - Los Angeles - H. PARTCH
    33. November 28 - H. PARTCH
    34. December 4 - H. PARTCH
    35. December, 1935 - H. PARTCH
    36. Feburary 1, 1936 - San Bernardino - H. PARTCH

    Tracks:

    1. Yankee Doodle Birds - H. PARTCH
    2. Y.D. Fantasy - On the Words of an Early American Tune - H. PARTCH
    3. O Frabjous Day! - H. PARTCH
    4. You are charged with being guilty. Are you drunk or not drunk? - H. PARTCH
    5. Ring Around the Moon - A Dance Fantasm for Here - H. PARTCH
    6. Bless This Home - H. PARTCH
    7. Harrys Wake - H. PARTCH

    Amazon.com

    Enclosure 2, all four cds, is curated as a sprawling notebook filled with sounds and speech instead of sketches and words. Of any Partch recording extant, it gives the best picture of the man--as the curmudgeonly, extremely innovative misanthrope that he was, as the composer who was impossibly unlike anyone else before or since. The essence of Partch's music reflects the history of the world--from his particular perspective--the imaginings of ancient Greece to the influence of Chinese musical melodrama, all propelled by homemade instruments based on a 43-tone scale named things like the "Kithara" and the "Boo." These recordings also give the best sense of his philosophy of language in music. Lamenting the whole time how text in music had become detached from the language of everyday life, Partch ran music alongside newsboys' cries and hobos' diaries, following the forms, cadence, and dynamics of speech, rather than the other way around. From his juvenilia (a wonderful song he wrote at 18) to a 45-minute segment of his wake in 1974, the first steps towards exploring Partch's sparkling works fully are made here. --Robin Edgerton
    Moondog
    Average customer rating: 5 out of 5 stars
    • 35 unmistakable tracks
    • Wonderful
    • The Different Drummer We Once Were
    • For those who love the music
    • Moondog
    Moondog

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000026QJ
    Release Date: 1989-07-20

    Tracks:

    1. Madrigals: Rounds And Canons: No. 12-Nero's Expedition
    2. Madrigals: Rounds And Canons: No. 13-No, The Wheel Was Never Invented
    3. Madrigals: Rounds And Canons: No. 14-With My Wealth
    4. Madrigals: Rounds And Canons: No. 15-This Student Of Life
    5. Madrigals: Rounds And Canons: No. 16-Some Trust All
    6. Madrigals: Rounds And Canons: No. 17-Wine, Woman And Song
    7. Madrigals: Rounds And Canons: No. 18-Sadness
    8. Madrigals: Rounds And Canons: No. 19-Maybe
    9. Madrigals: Rounds And Canons: No. 20-Each Today Is Yesterday's Tomorrow
    10. Madrigals: Rounds And Canons: No. 21-Imagine
    11. Madrigals: Rounds And Canons: No. 22-You The Vandal
    12. Madrigals: Rounds And Canons: No. 23-Trees Against The Sky
    13. Madrigals: Rounds And Canons: No. 24-Behold
    14. Madrigals: Rounds And Canons: No. 25-Sparrow
    15. Madrigals: Rounds And Canons: No. 26-Pastoral

    Customer Reviews:

    5 out of 5 stars 35 unmistakable tracks.......2005-02-24

    You don't need to buy the double-disc "Moondog 1 & 2" to hear the two albums - all that music can also be heard on this (75 minute) single disc.
    Even though the only cover art of this edition is the original front cover of the 1969 "Moondog" (no original back-cover thereof nor any art from the 1971 "Moondog II",) all 35 tracks are nicely crammed in here.
    What's listed under "Listen to samples" on the amazon page are only the last 20 tracks of this CD and all titles are linked to the wrong tracks.

    "Moondog I" (tracks 1-9) opens with "Theme" and "Stomping Ground" - two somewhat coherent pieces which a few years ago were made quite famous through the soundtrack of Coen Brothers' wonderful movie "The Big Lebowski." The album features a 50+ piece orchestra, which, among other greats, includes jazz veterans Don Butterfield (tuba) and Ron Carter (double bass.) In the list of personnel, Moondog is not credited for playing percussion, but the bass, which I assume is a misprint.
    The beautiful Charlie Parker homage "Lament I: Bird's Lament" is here performed in its original form, but can also be found on the 1994 Moondog recording "Sax Pax For a Sax" on only saxes and percussion.
    The orchestral performances on "Moondog I" aren't flawless, but should not be judged harshly because of the very personal, highly individual, and wonderfully eccentric form of compositions that they are. Budget, which is a very common issue when it comes to orchestral recordings, is another element that probably has not allowed much rehersing or many (if any) re-takes.

    Before ordering this disc I knew that I'd love "Moondog I" since I'd heard most of it previously, but I was skeptical towards "Moondog II" because of some reviews I'd read of it. I was however curious, and listening to it when it had arrived was a very nice surprise.
    Aside from performances by Louis "Moondog" Hardin (percussion, piano, vocals) and his daughter June (vocals,) "Moondog II" features 6 other musicians who, at different points throughout the album, play virginals, recorders, harpsichords, ancient organs, guitars, schom, viola de gamba, and troubadour harp. These instruments alone make a very individual sound, but the compositions (many of which are in 5/4 and 5/8) and the poetry make this the most wonderful group of rounds (short vocal canons) you've ever heard.

    In my 700+ CD collection, this is among my favorites.

    4 out of 5 stars Wonderful.......2004-01-26

    Beautiful, quirky, fascinating. A combination of classical, jazz, and improv, this collection made me close my eyes and just feel the music. Interspersed with several of Hardin's two-line poems as punctuation, the musical pieces are truly a wonder.

    5 out of 5 stars The Different Drummer We Once Were.......2004-01-05

    I bought this album because of a memory, but the music stands up remarkably well to a more objective listening.

    It was my first trip to New York City, and my father approached the wildly-dressed, tall and intiimidating figure standing on the corner of 56th St. and 7th Ave. They conversed in Norwegian long enough for me to draw nearer and realize the stranger represented no threat. In fact, I left with a book of hs canons, which remains in my collection of piano literature to this day.

    I met Moondog once again--serendipitously, on Milwaukee's Wisconsin Avenue one day in the seventies. I have no idea how he got there or how he left, but this time I wanted to protect him from the insensitive pedestrians swirling around us and threatening our shared moment.

    Moondog's music is as singular as he is, and offers a glimpse into his creative spirit. It begins with an idea and a form, not with an emotion or sentiment. Each piece is simple and brief, but not simplistic or fragmentary. He avoids any form of dissonance, even seventh chords and "blue" notes (flatted thirds). Music, like life, he seems to be saying, can be a straightforward, delighting adventure, providing one cherishes the quest itself above its so-called object and maintains a focused attention on the wonders of the present moment.

    My only slight disappointment with this recording is that the madrigals, sung by Moondog and his daughter, are subjected to some studio effects that make them sound more artificial and commercial than they deserve to be.

    5 out of 5 stars For those who love the music.......2003-11-29

    It is simple, it is clear, it is wonderful! I don`t know what style is this. Some people call it `jazz`, but second disc is strongly attached to european madrigal canons. I think, if we listen really good music, we never asked about styles. I heard familiar tunes from Tchaikovsky to Resident`s Duck Stab. You must have this if you`re music lover. If you`re musician (who plays music, dont `have a job`) you must have it too. Listen once or twise, if you don`t like it, simply put it on the shelf. Properly time will come.
    P.S. My favorite `I love you` and `Nero`s Expedition`

    5 out of 5 stars Moondog.......2002-05-16

    I was in the St. Thomas Boys Choir in the early 70's. We would walk to church for rehearsal, and pass Moondog, standing on the corner, usually by the ABC building. A couple of us would talk to him in our free time...he knew our names by our voices. We would listen to his poetry, and he seemed intigued by our choir, although he never heard us, I think. I got his album around this time, and have had it ever since. Fascinating pieces, very intricate, but also with "a hook"...that you find yourself humming along with. I heard he moved to Germany, where he wrote a nine hour canon. Overall, an amazing life story, and an incredible talent.

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