Still the One [Import]

1. Good Enough

2. Dance With Me

3. Give One Heart

4. Miss Grace

5. Half Moon

6. You Can Dream Of Me

7. Two-Faced World

8. Sails

9. Power

10. Still The One

11. New Star Shining

12. Walk With You

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Rap & Hip-Hop | Styles | Music

General | Soundtracks | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Very Best Of Broadway Musicals
Average customer rating:

Very Best of Broadway Music

Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
General | Broadway & Vocalists | Styles | Music
General | Soundtracks | Styles | Music
Broadway & Vocalists | Indie Music | Stores | Music
Similar Items:

Greatest Songs from the Musicals

The Best of Broadway - The American Musical (PBS Series)

Only Broadway CD You'll Ever Need

The Best Of Broadway (Cast Recording Anthology)

Ultimate Broadway

ASIN: B000068CC4
Release Date: 2002-06-25

Tracks:

All That Jazz
If I Can't Love Her
Maybe This Time
People Will Say We're In Love
The Impossible Dream
Seventy Six Trombones
Can You Feel The Love Tonight?
Still
Send In The Clowns
One
Younger Than Springtime
This Is The Moment
Good Morning Starshine
Your Getting To Be A Habit With Me
Wunderbar
Maria
I Could Have Danced All Night
Singin' In The Rain
Written In The Stars
One Song Glory

Customer Reviews:

Very Best of Broadway Music.......2007-05-08

I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also

How Sweet the Sound: Spirituals & Traditional Gospel Music

Average customer rating:

Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound
Crystalline
Best Chanticleer CD Yet
How Angry the Sound?
This CD is the bomb!

How Sweet the Sound: Spirituals & Traditional Gospel Music
Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Where the Sun Will Never Go Down
Wondrous Love: A World Folk Song Collection
Our American Journey
Chanticleer: A Portrait
Sing We Christmas

ASIN: B00029CZPW
Release Date: 2004-09-14

Tracks:

Jesus Hits Like An Atom Bomb
Surely God Is Able
Amazing Grace
Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
Didn't It Rain
Sit Down Servant - Plenty Good Room
Keep Your Hand On The Plow (Hold On)
My Soul Is A Witness
There Is A Balm In Gilead
Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
Be Still And Know That I'm God

Amazon.com

Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler

Customer Reviews:

Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound.......2006-02-10

On this standard red book 16-bit CD we are offered that rare and special invitation: Come now, pilgrim - take yet another good step forward in gospel praise or supplication. How can we progress in our individual and collective spiritual journeys towards whatever transcendent glories ground us, revive us, and lead us on despite life's challenges, unless we sing?. Are you having set backs? This CD is good medicine, and it is both a worthy addition to the gospel music shelf and perhaps just the sort of musical medicine that turns out to be good for you, on more than one level of body, mind, and soul. Not a bitter root aftertaste, nor a nagging fishy oil payback in any of this welcome elixir. I guess that is why we call it, Good News.

The arrangements of new and old gospel standards have been set by counter-tenor Joseph Jennings - a leading Chanticleer member of long standing - intently drawing upon both the florid improvisations of the soloists and gospel groups climbing ever so dazzlingly into the fiery chariots that sacred texts say carried off the prophet; and yes, rooted as well in the impeccably crafted close harmonies and inwardly solid strength of gospel quartets and ensembles like Fisk University's Jubilee Singers and many other exemplars.

So, when you listen to this one you will be immediately surrounded by that amazing and great, gathering could of witnesses. The messages are familiar: Keep your hands on the plow. Surely God is able. There is a balm in Gilead.

Like the famous vocal work by Ralph Vaughan Williams, his Serenade to Music as written for a star-crossed group of well-known British soloists of the era; so this gospel outing brings the small male ensemble Chanticleer to the fore - both as a vocal group and as a fabulous collection of solo voices who are prodigiously gifted vocal stars in their own rights. Capping off Chanticleer as an embarrassment of riches is a guest turn by San Francisco's own Bishop Yvette Flunder. She is the real deal, too, as both an ordained minister whose leadership in black churches has blazed fireworks in celebration of melding religion with social justice, and a Jen-U-Wine good news singer who can preach and pray and moan with the best of them.

Only the superhumanly perfected intonation of their cappella group singing, as well as the superb blend and polish of the Chanticleer dozen, will remind a listener than this group is as famous for its Flemish medieval polyphony or its unerring Purcellian clarity, as any other ensemble of twelve voices now appearing before us.

So, forget all the categories and musicology boxes which would seal off gospel music from pre-Bach cathedral masters of polyphony. With this CD we can just revel in the mysteries of good music, regardless. Yeah, Josquin, I'm talking bout you - Sit down servant, there's plenty good room.

Five stars. Highly recommended.

Crystalline.......2005-04-08

I'm not a huge fan of gospel, because I find it to be led by emotion, and musically undisciplined. Rousing, yes - but a little goes a long, long way. I've also found most gospel recordings to be sonically challenged. Almost as if microphones were incapable of capturing the music with clarity. None of this holds true for "How Sweet the Sound." This is a beautifully recorded cd, and every tune is both musically precise, and emotionally resonant. It is, however, a little hard to listen to in one sitting because of the "sameness" of the arrangements. That's a small quibble - who says any cd has to be experienced all at once - and "There is a Balm in Gilead," alone is worth the price of admission.

Best Chanticleer CD Yet.......2005-02-01

This is the Best Chanticleer CD yet. I have listened to it dozens of times. Money well spent. I have even given copies to several of my friends.

How Angry the Sound?.......2005-01-02

My daughter gave me this CD, because, while I'm not religious, I'm a long time fan of gospel music. The first pass through the record, I found myself wandering off to other tasks. So, the second time I put it on the player I forced myself to sit completely through the record. I'm not familiar with Chanticleer, so I had no idea whey she thought I'd like it, but she's is right more often than not. This would be one of the "not" times.

I guess this as an attempt to make gospel music "hip." With songs like "Jesus Hits Like An Atomic Bomb" and "What You Gon' Do When the World's On Fire?" the lyrics are like walking a American urban street being threatened by strangers. Far from being uplifting, the songs are decidedly unfriendly. The feel of the music reminded more of the howling noises I suffered as a forced member of my parent's Kansas Methodist Church than the sweet, honest sounds of real gospel music. That intangible thing I get from listening to gospel music that is heartfelt and painfully honest, even if deluded, was nowhere to be heard in "How Sweet the Sound." Instead, the music is chant-like, monotonous, and cold.

I would not recommend this record to anyone outside of the Midwest. If you miss the sterile sounds of a Midwestern protestant church in full howl, this might be your cup of weak wine. If gospel music is what you're looking for, look elsewhere.

This CD is the bomb!.......2004-11-28

From "Jesus Hits Like an Atom Bomb" to "Amazing Grace", this CD is packed with glorius gospel spirituals and terrific talent. Highly recommend to music lovers of all faiths!

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn

Average customer rating:

An American Treasure
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
An American tragedy....
Gorgeous!
Defective disc.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Von Stade, Frederica | Divas | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Classic Musicals | Musicals | Broadway & Vocalists | Styles | Music

Revivals | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music
Similar Items:

Carousel (1987 Studio Cast)
Pal Joey: 1995 Original New York Cast Recording
Lady, Be Good! (1992 Studio Cast Recording)
Kiss Me, Kate (1948 Original Broadway Cast)
Oh, Kay! (1994 Studio Recording)

ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

The Door Is Still Open to My Heart/(Remember Me) I'm the One Who Loves You

Average customer rating:

Nice Collection in the Dino Style
AGAIN,ONE LESSER,ONE GOOD
Takes Me Back
The Door Is Still Open/I'm The One Who Loves You
ANOTHER GREAT COLLECTION FROM DINO..

The Door Is Still Open to My Heart/(Remember Me) I'm the One Who Loves You
Dean Martin
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Classic Vocalists | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music
Similar Items:

Dream with Dean/Everybody Loves Somebody
Happiness Is Dean Martin/Welcome to My World
French Style/Dino Latino
Country Style/Dean 'Tex' Martin Rides Again
Dean Martin Hits Again/Houston

ASIN: B00005REPP
Release Date: 2002-02-12

Tracks:

The Door Is Still Open To My Heart
We'll Sing In The Sunshine
I'm Gonna Change Everything
The Middle Of The Night Is My Cryin' Time
Every Minute, Every Hour
Clinging Vine
In The Misty Moonlight
Always Together
My Sugar's Gone
You're Nobody 'Til Somebody Loves You
Take Me
So Long Baby
(Remember Me) I'm The One Who Loves You
King Of The Road
Welcome To My World
My Shoes Keep On Walking Back To You
Born To Lose
The Birds And The Bees
Walk On By
Red Roses For A Blue Lady
Take These Chains From My Heart
Here Comes My Baby
I Don't Think You Love Me Anymore
Bumming Around

Album Description

'Door Is Still Open To My To Your Heart' / '(Remember Me) I'm The One Who Loves' are two of Dino's highest-charting albums, landing at #9 and #12, respectively! Both LP's are digitally remastered and available on 1CD from Collector's Choice Music.

Customer Reviews:

Nice Collection in the Dino Style.......2005-07-15

If you like Dean Martin's style of singing, this is a nice collection. The CD is a reissue of two of his older albums. It includes some of his standards as well as some less well known pieces. The transfer is of good quality and so is the album.

AGAIN,ONE LESSER,ONE GOOD.......2003-10-19

THE DOOR IS STILL OPEN TO MY HEART is the lesser one with a few hits and a lot of fillers, and again a few songs from the country albums of 1963.The pleasant surprize is WE'LL SING IN THE SUNSHINE.REMEMBER ME is the good one ,in which DEAN has fun with some modern standards of the time.Also included are BUMMING AROUND,one of his national anthems,MY SHOES KEEP WALKING BACK TO YOU and WALK ON BY(both wonderful).DINO'S fans will love this LP.It is a perfect selection of songs for him.Wouldn't it have been nice if they had coupled all the good albums together and left the others with a stamp labeled LEFTOVERS-COLLECTORS ITEMS?

Takes Me Back.......2002-12-22

I'm 42 years old and my mom was a die-hard Dino fan. Of all Dean's albums threse two were her favorite. We listened to them right through the Seventies. My brother found this CD in the music store and played it for me yesterday. Even though I hadn't listened to either album in many years I could still sing along with Dean right off the bat. It really took me back. My mom played these on an endless loop when we drove to Florida for our family vacation . . . . an avocado-green '73 Mercury Colony Park station wagon with faux wood-grain side-panels, cruising south, doing 80 on I-65 with Dino crooning on the eight track. That was livin'! Dean is enjoying a burst of popularity right now and deservedly so. The man had pipes and the coolest attitude of any pop singer. One of the only guys I'm not embarrassed to sing along with. This CD is a MUST for all Dino devotees. Not a weak track anywhere on either album. If you're new to Dino, this is the best place to start your collection. Go for it!

The Door Is Still Open/I'm The One Who Loves You.......2002-04-08

Dean Martin, one of the finest and most soothing pure vocalists of all time, is back on the market as the entire "Reprise" collection finally makes its way onto compact disc. At age 22, I'm perhaps one of Dino's youngest fans but by no means one of his least enthusiastic. This disc which comprises the albums "And The Door Is Still Open To My Heart" and "Remember Me, I'm The One Who Loves You" has been remastered beautifully and is pure pleasure to listen to for its duration of just over an hour. These albums are two of Dino's very best at Reprise, perhaps even of his entire career. Dean sings each and every song in his own unmistakable style and makes you feel that you've never heard them before he crooned them (even "Red Roses for a Blue Lady", a song I have ALWAYS hated). Giovanni's review covers all the territory I would have covered if he didn't beat me to the punch : ) Fans and collectors out there...Buy This CD!

ANOTHER GREAT COLLECTION FROM DINO.........2002-02-17

and the good people at Collector's Choice Music. The loyal masses who have long suffered and waited for Dean's Reprise albums will wait no longer; they're all available now! Here are two of Dean's gold albums on one fine CD. Riding the wave of the hugely popular "Hit Sound" from arranger/conductor Ernie Freeman and producer Jimmy Bowen, Dean undertook these two albums with full force. The first, the "DOOR IS STILL OPEN" sides, find Dean making wonderful music on the title track, not to mention his take on a popular song of the day, "WE'LL SING IN THE SUNSHINE", which seems tailor made to fit his easy swingin' approach (the original was considerably more folksy, and thus, not quite as happy-go-lucky as Dean's) The "sing-a-long" motif behind the country-tinged "CLINGING VINE" is classic Dean; as is the tender yet driving ballad "ALWAYS TOGETHER". The "REMEMBER ME" sides are just as wonderful, especially Dean's take on the Roger Miller hit "KING OF THE ROAD". Also included here is Dean's TV Theme song, "WELCOME TO MY WORLD". More covers here with Dean's own indelible stamp on them: "BORN TO LOSE" (immortalized by Ray Charles) and even the Donny Osmond semi hit "THE BIRDS AND THE BEES" as only Dean could deliver! THIS, my friends is, as Dino would say, AMORE. Original liner notes and album artwork included from the people at Collector's Choice. There are 11 other such volumes like this...get'em all!

Average customer rating:

Simply Wonderful
Music like this could make me a convert
Powerful!
Tenor terrific
oh molly oh

The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

General | Soundtracks | Styles | Music

Classical | Indie Music | Stores | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music
Similar Items:

Ronan
My Life Belongs to You
The Dawning of the Day
Halfway Home: My Life 'Til Now
The Very Best of The Irish Tenors

ASIN: B000078JM7
Release Date: 2002-11-12

Tracks:

The Impossible Dream (from Man of La Mancha)
Night and Day
(My Grandfather's) Immigrant Eyes
Isle of Hope Isle of Tears
He Ain't Heavy He's My Brother
What's Another Year
When I Look At You
My Irish Molly '0
Musica Prohibita
No One Is Alone
You Raise Me Up
Danny Boy
Both Sides Now
Smile
Life, Love & Happiness/I Still Haven't Found What I'm Looking For
Angel

Amazon.com

The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulley

Customer Reviews:

Simply Wonderful.......2005-08-29

This CD is just as great as the more recent "Ronan" CD. I clicked on 3 stars in error. This is a 5++ star album! His voice is sheer perfection, and the songs are wonderful. I also highly recommend the DVD of "The Impossible Dream," even though I didn't care at all for the London Community Choir who sing four songs. Note: The American version of the DVD doesn't have the 25-minute "Dr. Courageous" extra on it that the Irish version does. I saw him in concert last month, and besides having a voice that soars to the rafters, he is warm, funny and endearing.

Music like this could make me a convert.......2005-08-17

I've always been a rock and roll fan since back in the 60's. Listening to this cd could easily convert me into a classical music fan as well. Wow what a voice.

Powerful!.......2003-01-22

Having seen Ronan in person recently in the U.S., I was impressed first and foremost by his singing ability, and second by his stage presence and warmth. He is a special performer and human being. I am proud to be a Ronan Tynan fan.

Tenor terrific.......2003-01-18

I am not a fan of this kind of music, but I bought this after hearing a few sound snippets at amazon and WoW! what a find. Excellent song selection, powerful singing, fine music quality for a live recording. Expand your horizons and enjoy. (get this wayno)

oh molly oh.......2002-12-15

ronan tynan is a great role model for adults and children alike. he was born with a deformity and made a decision he would make something of himself, he had a goal and he surpassed it. no one puts as much of their heart into as he. he puts the audience into his songs, he makes us feel he is singing to each one of us individually. HE IS THE GREATEST IRISH TENOR I HAVE EVER HEARD, INCLUDING JOHN MC CORMAC the great irish tenor of the 30's

Average customer rating:

Loved this CD
I LOVE this CD!
Costello Partners with Hubris and Yields Variable Results
what's so funny about peace, love, and understanding?
No life in her (pop) art

For the Stars
Anne Sofie von Otter , and Elvis Costello
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Singer-Songwriters | Alternative Rock | Styles | Music

General | Opera & Vocal | Styles | Music

Singer-Songwriters | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Anne Sofie von Otter - Speak Low ~ Songs by Kurt Weill / Gardiner
North
The Juliet Letters
Deep Dead Blue, Live at Meltdown
When I Was Cruel

ASIN: B00005A46I
Release Date: 2001-04-10

Tracks:

No Wonder
Baby Plays Around
Go Leave
Rope
Don't Talk (Put Your Head On My Shoulder)
Broken Bicycles / Junk
The Other Woman
Like An Angel Passing Through My Room
Green Song
April After All
You Still Believe In Me
I Want To Vanish
For No One
Shamed Into Love
Just A Curio
This House Is Empty Now
Take It With Me
For The Stars

Amazon.com

At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.

Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley

Customer Reviews:

Loved this CD .......2006-06-13

Who would pair Costello and an opera singer?? Elvis, and somehow it works. I really love the tone and moodiness of it and lyrics that talk about love and life, failure and success. It's soulful, in a contemplative way, music for those tucked away, rainy days .

I LOVE this CD!.......2005-09-01

Finally, an opera singer who knows how to channel her Classical training into a sound that is, as one critic aptly described it, "what pop singers would sound like if they could actually sing"! Although Elvis Costello does not join Ms. von Otter very often in the vocals, when he does they harmonize beautifully. With great melodies (some beautiful, some catchy) and sensitive (but not sappy) lyrics, this album makes a fine addition to any CD collection.

Costello Partners with Hubris and Yields Variable Results.......2005-05-08

Having just heard Elvis Costello's masterful collaboration with Burt Bacharach, "Painted from Memory", for the first time this past month, I had high hopes for this equally unusual partnership with mezzo-soprano Anne Sofie von Otter released in 2001. This time, however, Costello acts as arranger and producer, and it is von Otter who is front and center on vocals. She is among the most revered of singers on the opera and recital stages, and she has impressed me in the past, in particular, with her Dejanira in the 2002 Marc Minkowski-led performance of Handel's "Hercules", among many other roles she has embodied. Here she is called upon to be a pop chanteuse, and while the beauty of her voice is inarguable in any setting, her ability to interpret the diverse lyrics in these songs is far more debatable. This is where a Marianne Faithfull, a Blossom Dearie or even a Joni Mitchell could capture more of the underlying feeling with a fraction of the vocal power von Otter can provide but with twice the nuance. There is a rather sterile sameness to the performances here, somewhat jazz-inflected in a cocktail lounge manner at times and at other times, rather morose and dirge-like.

Take, for example, her rendition of Brian Wilson's "Don't Ask (Put Your Head on My Shoulder)" from the legendary "Pet Sounds" album. It moves so glacially that it actually extricates the romantic subtext almost surgically. The same can be said for Jessie Mae Robinson's "The Other Woman", which has at least Magnus Persson's vibraphone to provide relief from the tedium. She's better on the other "Pet Sounds" classic, "You Still Believe in Me", where she cannily soars with the chorus, though Costello damages it by adding some odd, muffled rapping in the background. Ironically, it is on the Costello compositions where the recording most noticeably flails. The opener "No Wonder" starts as a "Greensleeves"-like madrigal and then turns into Beatlesque pop; "Baby Plays Around" seems to suffer from exhaustion by all parties; the two Fleshquartet collaborations, "Rope" and "Just a Curio", sound somewhat like extraterrestrial hymns done in a series of minor keys; and the closing title track, "For the Stars" includes peppy, Beach Boys-sounding harmonies which escape her grasp. In fact, "Just a Curio" would have been a more appropriate title for this entire recording.

On the other hand, the Gallic flavor of Benny Andersson's accordion effectively informs her rendition of Tom Waits' "Broken Bicycles", which melds perfectly with Costello's vocal on Paul McCartney's "Junk". Speaking of Andersson, a fellow Scandinavian, von Otter admirably covers a piano-led ABBA ballad, "Like an Angel Passing Through My Room". She also displays a meticulously casual bounce on Lennon-McCartney's "For No One", though it stops rather abruptly. Von Otter acquits herself surprisingly well on the jazzy "Shamed into Love", written by another unlikely duo, Costello and Rubén Blades, and performed as almost a smokier variation of Bacharach's "Alfie". And speaking of Bacharach, she does a nice turn on the lovely "This House Is Empty Now" from the 1998 Bacharach-Costello disc. Costello and von Otter are masters of their craft, but I think some of the collaborations reflect simply irreconcilable differences. While Costello seems to have an insatiable desire to expand musically, his hubris here appears to constrain the often preternatural vocal skill von Otter displays on the opera and recital stage. Consequently, what we have here is a nice album, a generous one with eighteen tracks, that doesn't seem to capitalize on either contributor's talent fully.

what's so funny about peace, love, and understanding?.......2004-04-22

Nothing's funny about this boring duo. I picked this up FREE at my library and it didn't take me too many tracks to see why it was donated. The musical arrangements are hapless and dull, and her voice is Dion without the Vegas power finale. Come to think of it, the lyrics remind me of Dion; they are as saccharine as anything Dion has ever sung. I wasted a blank CD on this limp, sleepy pairing of two otherwise good artists.

No life in her (pop) art.......2004-03-15

I am a big fan of both artists and wanted very much for this combination to work. It avoids the traditional trap of "oversinging" the pop material. But a few years after its release, in these American Idol era, is that really such a terror for pop music any more? So-called oversinging seems pretty popular these days!

The big problem is that von Otter has not found a way to communicate any emotion in this scaled-down form of singing. All her classical techniques are stripped away, and there's nothing to replace them. Sure, her voice is gorgeous, but it sounds exactly the same no matter what the lyrical content. The songs could have been made up of nonsense syllables for all the emotional life she communicates.

Tracks:

I. Der Engel
II. Stehe Still!
III. Im Treibhaus
IV. Schmerzen
V. Traume
Einsam In Truben Tagen
Euch Luften, Die Mein Klagen
Eine Waffe Lass Mich Dir Weisen
Ich Sah Das Kind
Dich, Teure Halle
Allmacht'ge Jungfrau
D'Amour L'Ardente Flamme
Nous Avons Vu Finir... Chers Tyriens
Ah, Je Vais Mourir... Adieu, Fiere Cite

Customer Reviews:

A Grand Lady, A Grand Collection.......2005-09-28

Few who have had the privilege of seeing and hearing Régine Crespin in person will be able to pass this fine album by. A beautiful voice, a beautiful presence, an intelligent and sensitive mind all informed her singing whether on the grand stages of opera or in recitals. Who could ever forget her inimitable Berlioz' 'Les Nuits d'été or Ravel's 'Shéhérazade'? Indeed, Crespin is a legend.

In this very fine album we hear a stunning 'Wesendonck Lieder' of Wagner with Georges Prêtre conducting the Orchestre National de la Radiodiffusion Française. While some singers find these songs matronly Crespin infuses the poems with frail and tender love. Staying with Wagner (she was after all a reigning Sieglinde in her day) she offers arias from 'Lohengrin', 'Die Walküre', 'Parsifal', and 'Tannhäuser' (with Otto Ackermann
conducting the Orchestre du Théâtre National de l'Opéra de Paris)
demonstrating that this very French singer could produce a huge sound that easily sails over Wagner's orchestration. Finally she is heard in Berlioz' 'Les Troyens' and 'La Damnation de Faust' (again with Otto Ackermann). There is not a weak moment in these selections.

Included with this CD is a well-produced DVD of Crespin singing French art songs, showing the poise and involvement she brought to every performance. This is a treasureable package and certainly commands the respect of the title 'Legend. It is brilliant! Highly recommended. Grady Harp, September 05

Average customer rating:

Still the One & Other Hits
Orleans
Manufacturer: Rhino Flashback
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Pop | Styles | Music

Soft Rock | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

General | Rock | Styles | Music

Rhino Records | Amazon.com Label Stores | Stores | Music
ASIN: B000LKAR6G
Release Date: 2007-01-30

Tracks:

Still The One
Fresh Wind
Golden State
Reach
Time Passes On
Dance With Me
Let There Be Music
Sails
Give One Heart
Spring Fever

Rock Music:

Rock Music