Highway [Import]

Product Description
1970 album by the British hard rock group that broke the U.K. top 50. Nine tracks, including the U.S. top 50 hit 'The Stealer'. --This text refers to an out of print or unavailable edition of this title.

Tracks:

Lost Highway
Summertime
Make a Memory
Whole Lot Of Leaving
We Got It Going On
Any Other Day
Seat Next To You
Everybody's Broken
Stranger (feat. Leann Rimes)
The Last Night
One Step Closer
I Love This Town

Amazon.com

Given the chart success of their Grammy-winning country single "Who Says You Can't Go Home," it's no surprise Bon Jovi upped the ante by recording an entire album paying homage to Nashville. In some ways, it's amazing they didn't do this sooner, given the way Keith Urban in particular is blurring country-pop lines, much as Garth Brooks and others did in the 1990s. To their credit, you won't find predictably shallow invocations of past country icons or any self-conscious, in-your-face down-home twang added strictly to remind the listener of the musical premise. In fact, Lost Highway isn't "Bon Jovi goes country" so much as a meaningful tribute to the Nashville ethos done on their own terms. They honor the spirit of the town through 12 simple, direct originals. The intimate, smoldering "(You Want To) Make a Memory," the ballad "Seat Next To You," "Lost Highway" and its roaring celebration of freedom, and "Stranger," an effective duet with LeAnn Rimes, all invoke country's spirit, and "I Love This Town," an eloquent nod to Nashville itself, ties it together admirably. --Rich Kienzle

Album Description

"Artistic freedom made this record possible," says Jon Bon Jovi. "Musical freedom to explore--and emotional freedom to express what was in our hearts."

The result of that freedom is Lost Highway, an album Jon describes as "a Bon Jovi record influenced by Nashville."

Bon Jovi explains. "Nashville is all about songs and songwriters. If you're someone like me who loves songs and hanging out with songwriters, Nashville is the place. I thrive on that feeling and I'm inspired by that creative ambience."

The result, a haunting set of 12 new and original sounding songs, is a stunning, multi-layered look into the nature of love and life in all its glory. Love, like life, is lost, found, forgotten and reclaimed in this collection.

The moods are many, but the core feeling is pure Bon Jovi.

"Writing this record with Jon was deeply cathartic," says Richie Sambora, who collaborated on ten of the songs. "I was going through emotional changes that were new for me. An ailing father. A painful divorce. The start of a new chapter in my life. I poured everything I had into this project, every last bit of soul at my command."

"For over twenty years now," Jon explains, "Richie and I have been close collaborators. Even when our songs create fictional stories, they reveal our states of mind. To a large degree, Lost Highway focuses on the light that love brings. When you shine the light on love, you see the chinks in the armor. You see every crevice, every crack. And that's all right".

Lost Highway is Bon Jovi's tenth studio album since the band formed in the early eighties. One hundred and twenty million albums and 2500 concerts in over 50 countries later, Bon Jovi is enjoying the greatest popularity in their history.

Customer Reviews:

Great! Exactly what I wanted!!!.......2007-07-20

With their hit single "I Wanna Make a Memory," this album didn't dissapoint! I got it for my birthday and it was exactly what I wanted. Other favorite tracks include the first few. I can't recommend it enough!! While it does have more of a country sound than their other albums, it grows on you!!

Bon Jovi does The Jayhawks.......2007-07-18

Yeah, if I'd never heard this sound before I may have given it 5 stars, because it sounds very good.

However, if you're at all familiar with The Jayhawks, especially the brilliant and criminally overlooked "Smile" then you've heard this before.

They may call it country in some reviews but others have identified this sound as "Americana" and that's what I'm going with. Harmonies, strings, beats and rhythms, it's all here as clear and crisp as Bon Jovi can give it.

Go ahead and give it a whirl and, if you like it, listen to "Smile" by The Jayhawks also.

Nice stuff.

How about NO?.......2007-07-18

Wow, I can't believe all the glowing reviews for this album.

Heres my quick review of it - you don't have to agree with everything I'm saying:

1. If you likes Bon Jovi's work so far, then you would love this. Its more of the same, nothing Groundbreaking, nothing revolutionary.

2. This is one of those `flavor of the month' albums that garner a lot of blog praise, but later in the year no one will even remember it.

3. Though some of the rock tunes here are good (in an `averagey' sort of way), none of them are memorable (even after three listens)

4. Theres this OVERWHELMING feeling of `been there, done that'. In fact, the entire album sounds very tired to me.

5. You could do much better than fall for the hype.

I would highly recommend the new White STripes album over this one, anyday.

Two Stars. Skip this one.

Never Disappointed.......2007-07-18

I absolutley love this CD, even with the country sound. I have been a fan of Bon Jovi for a very long time, have every CD they have ever made (plus DVD). This is way better than the last CD.

Jon Bon Jovi just keeps getting better.......2007-07-17

Country music done Bon Jovi-style is something worth investing in. Though a lot of people feel that Bon Jovi has `sold out', the truth is that this is a very solid country-rock album, in the best sense of that term.

Credit Jon Bon Jovi for knowing exactly what to do with the right tune. Every song here is a killer, and don't judge the album by the merits of the first single (as great as the song is). "Lost Highway" only suffers when it tends to get a little sappy for its' own good (the lyrics tend to veer toward Richard Marx territory every so often), but the core of the album screams `country'!

The standout tracks are "Stranger" - a strangely successful duet with LeAnn Rimes, and "I Love this Town", where the boys sing to Nashville.

Everything on this record just WORKS. Yes, its no `Slippery When Wet' or even `Blaze of Glory', but if you like tuning into an artists' evolution, then this is the album for you. Just can't go wrong.

Average customer rating:

Solid Album
A true Ryan Adams classic
Yea right
Little too country for my tastes
One Man's Trash Ain't Another Man's "Ripoff"

Easy Tiger
Ryan Adams
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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West
New Moon

ASIN: B000P29B1W
Release Date: 2007-06-26

Tracks:

goodnight rose
two
everybody knows
halloween head
two hearts
tears of gold
the sun also sets
off broadway
rip off
oh my god, whatever, etc.
pearls on a string
these girls
i taught myself how to grow old

Amazon.com

Easy Tiger, Ryan Adams's ninth solo studio album, is a return to form in every way. He's already shown that he can bash out three albums in one year--not to mention the hilarious fake hip-hop records posted for free on his Web site--and that he can sound as much like the Grateful Dead as he wants to in his constant subsequent touring. Backed once again by the Cardinals, Adams synthesizes and refines his approach to smooth, gorgeous country-pop. "Tears of Gold" is one of the best songs he's written in ages, while "Two" is a slowly percolating, sweet little number that recalls Sean Hayes in its soulful folksiness (someone named Sheryl Crow accompanies Adams on vocals). One of the greatest treats of this languorous, twangy album is the subtle ways that genre gets played with. "I Taught Myself How to Grow Old" is the best Harvest outtake Neil Young never wrote, while the treated, synth-sounding guitar solo on the druggy, chooglin' "Halloweenhead" sounds like it comes straight out of Journey. And "The Sun Also Sets" sounds more than a little like Rufus Wainwright covering Fred McDowell's "Write Me a Few of Your Lines." It bursts with enough melodrama as to border on musical theater. But, as is clear on these songs of love and loss, Adams has always been at his best when giving into his most mellow, dramatic side. --Mike McGonigal

Ryan Adams Photos

More Ryan Adams

Heartbreaker
Gold
Love Is Hell

Album Description

I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil Young...but I won't say he isn't, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it's got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful--the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.

Now there's this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention.

In other words--easy, Tiger.

--Stephen King

Customer Reviews:

Solid Album.......2007-07-19

Once again Ryan Adams makes another solid album. every song is great. My favorites are Hallowenhead, Tears of Gold and Everybody Knows. So go ahead and buy it you won't regret it.

A true Ryan Adams classic.......2007-07-18

I've been trying for years to nail down who Ryan Adams reminds me of, and I've finally figured it out: Van Morrison. Both are roots-bound almost to the point of being revivalists, both are notoriously temperamental, and both are wildly, erratically prolific, sometimes to a fault; yet both are unquestionably geniuses (almost unarguably so, much to the chagrin of their detractors).

So what does this analogy have to do with a review of "Easy Tiger?" To put Ryan Adams's new album in perspective, it would be the equivalent of Van Morrison's "Moondance." It is the first record that comes across as being almost conservative in its polished professionalism. If you're a Van fan who hated "Moondance" because its warm, relaxed, pastoral vibe felt like a "sellout" after the wild abandon of Them and the heady experimentalism of "Astral Weeks" (and I'm sure there were more than a few people of that opinion at the time), then likewise, "Easy Tiger" is going to sound too safe, too pat. But if you think "Moondance" is a beautiful masterpiece, then you may well love "Easy Tiger."

This is the album where Ryan Adams sobers up, bears down, and actually turns out an album of "all-killer, no filler" (arguably the first since "Heartbreaker"). And if that comes at the expense of the roughness and raggedness that has accompanied his best work to this point, then so be it. But ten years down the road (if Ryan Adams keeps getting songs like "When the Stars go Blue" covered by enough mainstream artists to make him a mainstream artist himself), my money is on this album being considered as one of his true classics.

In a way, it's almost a career summation up to this point. It has the acoustic front-porch "Heartbreaker" vibe on "These Girls," the lush "Gold"-ballad feel on "Two, and "I Taught Myself How to Grow Old" the "Demolition"-style late-night laments of "Everybody Knows and "The Sun Also Sets," the atmospheric "Love Is Hell" angst of "Off Broadway," the "Rock and Roll" crunch on "Halloweenhead," the jam-band "Cold Roses" sound on "Goodnight Rose," the "Jacksonville City Nights" countrypolitan of "Tears of Gold," and to make it complete, "Pearls On a String" and "Two Hearts" even harken back to his Whiskeytown days.

In fact, this album plays almost like a Ryan Adams Greatest Hits album that, like a good hits comp, manages the trick of being summative without being disjointed or haphazard. And like a good compilation, these songs are all keepers. If this is what being sober means, here's hoping Ryan can stay on the straight and narrow from here on out and have a later-day career as interesting and rich as Van Morrison's.

Yea right.......2007-07-18

Why don't y'all shut up. Don't care for the critique. Dumb losers it's just music.

Little too country for my tastes.......2007-07-17

Upon my first listen to this album I could not finish it...the songs were a little too twangy and Adams' voice was as well. My taste is more on the rock side of things, and this album falls definitely more on the country side.

One Man's Trash Ain't Another Man's "Ripoff".......2007-07-16

As with many artists, Ryan Adams has two kinds of fans: A) Those who pour over and worship his every utterance, and B) people who have or dig songs from an album or two. I fall a little closer to the former. But I'm a recent convert, so I can still remember life before impending fandom set in. There are good and bad things about Easy Tiger. The uber-slick production on every track tends to sound forced. Snare drums hit with razor-clarity and guitars are pro-tools polished, and crisp. This might attract some listeners, but his last two albums (Jacksonville City Nights and 29) had pretty rough edges, evoking alt. country bleed-through of a bygone era. As for whether or not the songwriting is still good, again that's entirely subjective. Some people admire where he's at as an artist, and some will just never forget that song they loved 6, 8, or 10 years ago. Moments like that are hard for even the most prolific writers to re-duplicate. I say put the record on, drive around for a few days listening, but not giving it your full attention. See if it becomes the soundtrack to what you're going through. It did with me, which is why I can't stop playing Easy Tiger now.

Average customer rating:

Glad I bought this
Lucinda Williams, Who Knew...
Please Don't Say "This Is Her Best"
Very disappointed....
Good; not great

West
Lucinda Williams
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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A Hundred Miles or More: A Collection

ASIN: B000LXHGFI
Release Date: 2007-02-13

Tracks:

Are You Alright?
Mama You Sweet
Learning How To Live
Fancy Funeral
Unsuffer Me
Everything Has Changed
Come On
Where Is My Love?
Rescue
What If
Wrap My Head Around That
Words
West

Amazon.com

Though the arrangements stray from Lucinda Williams's motherlode blend of blues, country, and folk, West may well be her best album. It is easily her most musically adventurous, and often her most lyrically inspired. Williams's singing has never sounded better, from the aching tenderness of "Where Is My Love?" to the ravaged catharsis of "Unsuffer Me." New York producer Hal Willner, who has worked with artists such as Marianne Faithful and Lou Reed, enlists the support of eclectic progressives like guitarist Bill Frisell, keyboardist Bob Burger, and violinist Jenny Scheinman, along with harmonies from the Jayhawks' Gary Louris, to weave a subtly rich sonic tapestry. Much of the material was inspired by the death of Williams's beloved mother ("Mama You Sweet," "Fancy Funeral") and the bitter breakup of a relationship (the jagged-edged emasculation of "Come On," the repetitive incantation of "Wrap My Head Around That"), though "Are You Alright?," "Learning How to Live," and "Everything Has Changed" could reflect the aftermath of both. Other highlights include "Rescue," with a languid subtlety and ambient pulse reminiscent of Beth Orton, and the dreamy, wistful title track. Where Williams's music has long cut close to the bone, the best of West slices right through it. --Don McLeese

Lucinda Wiliams Photos

More Lucinda Williams

Car Wheels on a Gravel Road
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Customer Reviews:

Glad I bought this.......2007-07-17

I had never listened to Lucinda Williams before and saw her performance recently on Jay Leno and liked it. I sampled the album and decided to buy it. Some of her older fans have shown disappointment in this album but I don't have anything of hers to compare it to and I love it. At first the songs sound overly simple and the lyrics seem plain. But it grows on you more and more each time you listen to it. It just gets better and better. It's a unique style, I think, a little blue grass, soft rock and blues all in one. If you saw her performance on Jay Leno and liked that, you'll like this CD and it's a bargain now at $9.99.

Lucinda Williams, Who Knew..........2007-07-12

I know a lot of people have listened to Ms. Williams for years. I had heard of her, but never listened to her music. I was definitely missing out!

This cd was incredible. I loved all of the songs.

I mostly listen to mainstream country music, and I think it's sad that people like Lucinda Williams and Alison Moorer aren't played. Their music is amazing.

I have since bought two more of her cds, and plan to buy more!

It's nice to listen to songs that actually have something to say.

Please Don't Say "This Is Her Best".......2007-07-10

Disclaimer: I am new to Lucinda's own albums, so maybe I shouldn't be reviewing this just yet before hearing a few more. But it does seem like everything else has been steering me right here, with everybody telling me to proceed no further before checking this out. So now *please* tell me that West is some kind of fly in the ointment. She sounds totally rasped out, like Stevie Nicks with a really bad cold. Please tell me that she's in a songwriting slump, too. I find myself in accord with Big Jim's one-star review below - these songs don't feel like stories, let alone lyrics - there's too much line repetition to communicate much except dull emotion. If this were a blues album it would be one thing, but clearly it's not. And how can these be called melodies when all they do is hover around one or two notes in practically every song, showing off very little of her range (somebody please tell me that she displays some vocal range somewhere else).

Coming from a pretty good appreciation of lady singer/songwriter/interpreters like Emmylou Harris, Bonnie Raitt, Alison Krauss, Gillian Welch, and others with similar talents, even ones with narrow but beautiful instruments like Rickie Lee Jones, I was hoping to add a little bit of spice to the rack - but this album is a huge let-down. When I learned that Hal Willner, Bill Frisell and Jim Keltner were major contributors to West, I figured that I would at least be intrigued by *some* of the tracks - sorry - even after several listenings that's not happening. I really do like Lucinda's one track on the 2001 MJH tribute album Avalon Blues: A Tribute to the Music of Mississippi John Hurt, but then again I like ALL of that 5-star gem. Somebody *please* confirm for me that this is not the best way to be introduced to Ms. Williams on a large scale. How much longer should I listen to my trusty sources when West is what they are telling me is my next "must have".

Very disappointed...........2007-07-08

that's that I was when I heard this record. Even in concert, Lucinda just seems like such a drag anymore. I know, her mom died recently, but this whole record is such a downer, and her voice just drones on and on and on.

Give me Lucinda's self titled CD any day over her last 2 records...

Good; not great.......2007-07-07

She has a couple of excellent tracks on this CD. I especially like "Are You Alright", but the overall work seems uninspired. I find it a bit of a downer, in the main (and, yes, I understand the inspiration.) I recognize her artistry as a songwriter, but her voice on this CD -- after a while, its nasal quality begins to grate; she doesn't do that as well as Tracy Chapman.

Average customer rating:

Great Country Music
Last of the Breed - Well Done
The Title Says It All
The rocks of this kins of music .
Better in theory than in practice

Last of the Breed
Willie Nelson , Ray Price , and Merle Haggard
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

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ASIN: B000NA1ZLA
Release Date: 2007-03-20

Tracks:

My Life's Been A Pleasure
My Mary
Back To Earth
Heartaches By The Number
Mom And Dad's Waltz
Some Other World
Why Me Lord
Lost Highway
I Love You A Thousand Ways
Please Don't Leave Me Any More Darlin'
I Gotta Have My Baby Back

Tracks:

Goin' Away Party
If I Ever Get Lucky
Sweet Memories
Pick Me Up On Your Way Down
I Love You Because
Sweet Jesus
Still Water Runs The Deepest
I Love You So Much It Hurts
That Silver Haired Daddy Of Mine
I'll Keep On Loving You
Night Watch

Amazon.com

Once an Outlaw, later a Highwayman, now an elder statesman, Willie Nelson joins forces with Merle Haggard and Ray Price (both of whom have recorded duet albums with Nelson) in a celebration of the classic country song. Everything about this is defiantly old school, from the production by veteran Fred Foster and the musical support from steel guitarist Buddy Emmons and Texas Playboy fiddler Johnny Gimble and vocal backing from the Jordanaires to songs from the likes of Harlan Howard, Leon Payne, and Lefty Frizzell. For all of the artists' generational ties, their differences are what distinguish the project: Nelson is the reediest and most conversational vocalist, Haggard the bluesiest; and Price remains the quintessential countrypolitan crooner. Whether they're harmonizing on Mickey Newbury's "Sweet Memories" or trading verses on Howard's "Pick Me Up on Your Way Down," the vocal blend suggests old friends having the time of their musical lives. Guests include Vince Gill (on "Heartaches by the Number") and Kris Kristofferson (on his Why Me Lord"), but a trio like this doesn't need much outside assistance. --Don McLeese

Album Description

Let's be clear: Last of the Breed is a story - actually, a novel, if not an epic - unto itself. The title sums it up pretty well: On these two discs three classic performers, Ray Price, Willie Nelson, and Merle Haggard, band together on songs they've known and loved for years.

Their contributions don't need elaboration. Each is a legend. All three hark back to a time that's in some ways gone. When you consider the lives they've lived, the world that formed them as artists, and even the landscapes they knew as they began playing in beer joints and backwater clubs long ago, then the truth of those four words, Last of the Breed, comes clear.

Look a little closer, and they take on another reference, to the songs as well as to the giants who celebrate them here. Whether drawn from deep in the tradition, back from the well of Gene Autry, Lefty Frizzell, and Floyd Tillman, or picked from the more recent catalogs, this music conveys a feeling that might be mistaken for nostalgia but is in fact a timeless eloquence.

They don't write or sing `em like this anymore.

Customer Reviews:

Great Country Music.......2007-07-12

This is truly the last of the breed of real country musicians.
There aren't many country pickers and singers left. All the "New Country" folks are just rock stars with a cowboy hat on. This is really good listening. Just relax, sit back and enjoy.

Last of the Breed - Well Done.......2007-07-03

This CD is a well rounded selection of music with three of the best artists to deliver it. When it comes to Country music, these three artists can give you the best there is. The production is first class and this is a big part of the sound. If you haven't purchased this album, do so. You'll love it.

The Title Says It All.......2007-06-28

Last of the Breed is the best of the best. The songs, words, music, and especially Willie, Merle & Ray you will simply & totally enjoy.

The rocks of this kins of music . .......2007-06-28

ANYTIME willie and ray have ever gotten together to record it has been a TREASURE for your ears . WILLIES VOICE WORKS WELL with any ray price style music . And vice versa . many a people will say oh waylon/ willie were the best together . And yeah they were very good . But for some reason these two know when to let the other shine and when it is time to carry a part in any given song .BETTER then any other two singers in any music format . Then THERE IS merle who is so good at what he does that people dont realize it is the music behind him that has made him shine .He knows so well how to use the band behind him it is awesome .Anytime you get a recording of merle you will see he knows how to use every bit player around him so well that it seems each are enjoying themself s so much that it just has to be great . But this IS ALMOST the last of the breed . This would have been the last of a breed if the three artists that were left out at least made a little showing on this recording. yes the other three that would have made this release complete would have been the 3 top guys left . GEORGE JONES / HANK JR / GENE WATSON . and these 6 are the last of the best of the best left touring . THIS LIST IS THE LIST OF ARTISTs THAT NO ONE WILL EVER FILL THIER SHOES .

Better in theory than in practice.......2007-06-23

What's not to like about this album? Great singers, old familiar songs, it seems like just my cup of tea. But, for whatever reason, this music just didn't "click" with me. After just a couple of listens, I found myself skipping over these CDs in my CD player. I realize that this review might not be very helpful to others because I can't manage to put my finger on what it is I didn't like about these CD - I just didn't. If you don't already know and love the individual material of all three of the artists, I suggest you try and listen to it before you buy it.

Average customer rating:

O Brother, Where Art Thou?
MORE OF AN IMPULSE PURCHASE FOR ME
A real cheer-me-up CD
Great Listening
For everyone who loved the movie

O Brother, Where Art Thou?
Various Artists - Soundtrack
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004XQ83
Release Date: 2000-12-05

Tracks:

Po Lazarus - J. Carter & Prisoners
Big Rock Candy Mountain - Harry McLintock
You Are My Sunshine - Norman Blake
Down In The River To Pray - Alison Krauss
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Angel Band - The Stanley Brothers

Amazon.com's Best of 2001

The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese

Customer Reviews:

O Brother, Where Art Thou?.......2007-05-28

My 1-year old grandson goes to sleep listening to some of the songs on the album, unless he is bouncing up and down to the faster numbers. I have therefore listened to the songs many, many times, and enjoy them every time. They are easy to listen to, to sing along with and to rock the baby with!

MORE OF AN IMPULSE PURCHASE FOR ME.......2007-05-26

I regretted buying this after listening to it once. I haven't listened to it since and that's about three months ago. Simply put, without the movie to provide a context, the music itself doesn't sell itself. There are four cuts of 'I'm a Man of Constant Sorrow", two by the same artists which goes a long way to proving my point. I haven't seen the movie in a few years and I'm sure there's a logical reason for the song being repeated in the soundtrack that many times, but I can't remember what it is. Sometimes I like roots music with clear acoustic instrumental sounds and soulful voices. But as for an introduction to this type of music for a general listener, this is not the CD to get. It's mostly for the already converted.

A real cheer-me-up CD.......2007-05-22

Couldn't feel bad while listening to this soundtrack - skipped over the serious stuff and just played "Happy"!!

Great Listening.......2007-05-12

What a wonderful alternative to todays so called music. I never tire of the great variety of down home melodies.

For everyone who loved the movie.......2007-05-12

Oh Brother if you liked the movie you will love this CD, a great blend of poignant, funny and foot-tapping music.

Average customer rating:

The title says it all, this is not music.....
Absolute Classic!!!
The legend of Bon Scott....4.5 stars
Bon Scott at his best
The best of AC/DC's albums

Highway to Hell
AC/DC
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Back in Black (Deluxe Digipak)
High Voltage
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Let There Be Rock

ASIN: B00008BXJG
Release Date: 2003-02-18

Tracks:

Highway To Hell
Girls Got Rhythm
Walk All Over You
Touch Too Much
Beating Around The Bush
Shot Down In Flames
Get It Hot
If You Want Blood (You've Got It)
Love Hungry Man
Night Prowler

Amazon.com essential recording

What Highway to Hell has that Back in Black doesn't is Bon Scott, AC/DC's original lead singer who died just months after this album was released. Scott had a rusty, raspy, scream of a voice, like he might break into a coughing fit at any moment. In other words, on crunchy, hook-heavy metal classics like the title track, and on "Get It Hot" which is more roadhouse rock than metal, he had the perfect instrument for such wild-living anthems. Too perfect, it turned out. --David Cantwell

Album Description

AC/DC's 1979 album digitally remastered and reissued in a special digipak plus a 16 page full color booklet containing all original album art, many unpublished photos, classic memorabilia and new 2003 liner notes. Epic.

Customer Reviews:

The title says it all, this is not music............2007-07-04

Thankfully the noise is so loud, you can not make out the lyrics unless you look at the record label for the text to all the songs. But even if you could understand the music, it would make no difference. This is not music, just loud noise. The music industry stopped making music twenty years ago.

Absolute Classic!!!.......2007-06-27

The only album better than this one in AC/DC's catalog is Back in Black. Buy them both!

The legend of Bon Scott....4.5 stars .......2007-05-15

The last of the '70's Bon Scott albums, "Highway to Hell" is arguably the best AC/DC CD, save for "Back in Black". What Bon had that his successor does not is an authentic bluesy swagger, and wolf- like howl. When Bon sang it, you believed it. This is real bar brawl music and requires a swig of whiskey and some Camels to thoroughly enjoy. These songs rock from start to finish, and with no dogs, this is just about as good as AC/DC gets. Highly recommended, especially "Night Prowler", one of the best ending songs ever recorded. Nanu-Nanu

Bon Scott at his best.......2007-05-13

Bon Scott is at his best.
Every song is good.
This is a classic.
Buy it.
Shot down in flames, Highway to Hell, and If You Want Blood You've Got it are my favorites.

The best of AC/DC's albums.......2007-05-13

In my opinion this is the best of the AC/DC albums. If you do not like all their music you will still find songs on this album you will enjoy.

Average customer rating:

My favorite Johnny Cash cd
Johnny Cash is classic.
Best of the American Series
this CD turned me into a Johny cash fan...
American IV : The Man Comes Around

American IV: The Man Comes Around
Johnny Cash
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music
Similar Items:

American III: Solitary Man
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At San Quentin

ASIN: B00006L7XQ
Release Date: 2002-11-05

Tracks:

The Man Comes Around
Hurt
Give My Love To Rose
Bridge Over Troubled Water
I Hung My Head
First Time Ever I Saw Your Face
Personal Jesus
In My Life
Sam Hall
Danny Boy
Desperado
I'm So Lonesome I Could Cry
Tear Stained Letter
Streets of Laredo
We'll Meet Again

Amazon.com

On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own "The Man Comes Around," filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' "In My Life," you'll very nearly cry. Go ahead. He sounds as if he's about to, too. Unforgettable. --Alanna Nash

Album Description

UK special edition reissue of The Man In Black's brilliant 2002 album includes two bonus tracks, 'Big Iron' (previously vinyl only) & 'Hurt' (video). American Recordings. 2003.

Album Details

"the Man Comes Around" is the Fourth in the Legendary Singer's American Recordings Series and Boasts Some of his Most Interesting Work to Date, Including his First (And Some Say his Best) Compositions in Many Years. Other Material Includes Cover Versions of Depeche Mode's "Personal Jesus", Simon and Garfunkel's "Bridge Over Troubled Water", the Eagles' "Desperado" and a Rumbling Version of "Danny Boy". This Special Edition Includes an Added Audio Track of "Big Iron" and the Enhanced Video of his Cover of Nine Inch Nails' "Hurt".

Customer Reviews:

My favorite Johnny Cash cd .......2007-07-04

I honestly can't say I like country music. I just don't care for most of the genre. The only artist from this genre that I do listen to is Johnny Cash. Of all of the American recordings Johnny has worked on with record producer Rick Rubin, American IV: The Man Comes Around" is easily my personal favorite. As much as I like Johnny's last album American V, I just didn't think the material held up as well as the fourth volume.

What I love about American IV: The Man Comes Around is the sparse, haunting melodies that lingers through out the album. Secondly I love Johnny's deep baritone vocals on this cd especially on his covers of "Hurt" and "I'm So Lonesome I Could Cry". One of my personal favorite tracks is Johnny's cover of the Nine Inch Nails' track "Hurt". The emotions he puts into the song really moved me. I also loved the Sting song "I Hung My Head". Johnny does a great job at storytelling through this song. His voice is so warm and deep on this track. Johnny's duet with Nick Cave on the Hank Williams' classic "I'm so Lonesome I Could Cry" is absolutely stunning. Both men really compliment each other with their own deep vocals.

While I do like Johnny's other American recordings, they weren't as perfect to me as American IV: The Man Comes Around is. I can listen to this cd without skipping a single track.

Johnny Cash is classic. .......2007-06-26

I popped this CD in on the way to Vegas from Los Angeles in the middle of the night. Johnny's haunting voice came booming through the speakers like a soundtrack to the desert. Full of stories and vivid descriptions this CD cant be described as anything less than epic. Moving along like a Steam Train up hill the music gains momentum and impresses more with each bar sung. If youre looking for a little dark night, outlaw country Johnny Cash's American IV: The Man Comes Around is just what you need.

Best of the American Series.......2007-06-26

I've got the last two American series recordings that Johnny Cash did and this one is way better than his last. I love them both, but if you have neither, get this one first. His cover of "Hurt" is outstanding. You can see the video on YouTube of both his cover and the original by Nine Inch Nails. It's amazing just how much better he does this song, its as if it was written just for him.

Note: I am not generally a Country Western fan, and yet this series hits a strong note in me.

this CD turned me into a Johny cash fan..........2007-06-08

Ive never really was into country music, but last week Ive bought 2 Cash CD's . One of them, the American V , is an instant pleasure, no need to adjust. Its WARM, acoustic, filling, emotional, calm. Great CD!

American IV : The Man Comes Around.......2007-05-12

I have always liked Johnny Cash but had none of his CDs. This CD shows the difference between a performer and an artist. This CD is true art. The whole Cd has a very deep message, if you listen and then think of what Johnny is saying. The 1st song "The Man Comes Around" is maybe the BEST SONG I HAVE EVER HEARD, but certainly one of the best.

Average customer rating:

there is bob dylan and then there is everybody else
As Great as Everybody Says it is.
the proof....even Dylan can't escape the evidence (but oh, how he tries...lol)
A Stunning Masterpiece
incredible

Highway 61 Revisited
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Blonde on Blonde
Bringing It All Back Home
Blood on the Tracks
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The Times They Are A-Changin'

ASIN: B00026WU82
Release Date: 2004-06-01

Tracks:

Like A Rolling Stone
Tombstone Blues
It Takes A Lot To Laugh, It Takes A Train To Cry
From A Buick 6
Ballad Of A Thin Man
Queen Jane Approximately
Highway 61 Revisited
Just Like Tom Thumb's Blues
Desolation Row

Amazon.com

Dylan was virtually gushing great songs when this masterpiece arrived in the summer of 1965. From the epochal opening of "Like a Rolling Stone" through the absurdly apocalyptic closer, "Desolation Row," his command of surrealistic language was daring and amazing. As a vocalist, he was rewriting the rules of the game. Jimi Hendrix made note of Mr. Z's technically suspect pitch and decided that he too was a singer. And the backing, though ragged, is precisely right. Is this the essential Dylan album? It's certainly one of them. --Steven Stolder

Customer Reviews:

there is bob dylan and then there is everybody else.......2007-06-26

this is the absolute TRUTH on REALITY. bob dylan mixes up surrealism, symbolism (from rimbaud)and good old fashioned rock 'n roll to make on of the seminal albums of the lifetime of rock 'n roll. he mixes up a tremendous lyrical beat, wild frenzy and articulated truth in his lyrics to make a classic that will stand the test of time for as long as time goes on. along with blonde on blonde, and bringing it all back home, he reached the absolute pinnacle of describing real reality in poetical terms. in all his later albums, he would never attain this wild greatness again.

As Great as Everybody Says it is. .......2007-06-19

I giggled a little bit when I saw that the 5 star to 4 star ratio for this record was 29 to 1 with no negative ratings whatsoever. Well, there's a very good reason for this imbalance; the perceptions of my fellow critics are totally correct. Yes, Highway 61 revisited is every bit as wonderful as everyone says it is. I'm not sure if I'm qualified to speak about it though as I've only listened to it 123,343 times over a two decade period. I do agree though that in life one quickly discovers that many things are overrated--but not this CD. It is unknown how one could improve on it very much. There's not much better out there unless it's Blonde on Blonde and even then it's close. The tracks here are absolutely seamless and the lyrical brilliance (at the time) was without precedent. If we rate songs on a scale from 1 to 100 I'd have to say that not one of these tunes would merit anything below a 90. Had Dylan only released this CD he would still have been remembered as a genius. The making of Highway was something unknown to me until I saw Martin Scorsese's No Direction Home in which Al Kooper tells the story of the recording sessions, and the interview with him became one of my favorite parts of the documentary. I won't spoil it for you but, for the Dylan fan, you must at least rent it. Hearing about the way Kooper stumbled into immortality is worth five bucks or more. Well, I'll stop raving now but these tracks are Olympian in their proportion.

the proof....even Dylan can't escape the evidence (but oh, how he tries...lol).......2007-03-26

The best and most important Rock and Roll album ever? Yeah, definitely. Blonde on Blonde may have come after, but for me this album was always a distillation of Blonde on Blonde...other people see that album as filling out the ideas on Highway 61, but to me it's just the opposite. I've owned one LP, 2 cassettes and am now on my second CD of this album. (no I'm not an old hippie...born in '64, thank you). Buy it, steal it,...but definitely get it.

A Stunning Masterpiece.......2007-03-17

If there's ever been a better album made in the rock era, I have not heard it. It opens with the landmark "Like a Rolling Stone" and sustains that high level all the way through. Combines various genres of music: rock, folk, blues, Tex Mex, country and the effect is mesmerizing. It's nice to hear Dylan when he could actually carry a tune, and his rich, raspy voice serves the material well. The musicianship is first rate. Especially noteworthy is the blend of organ, guitar and harmonica on several songs. Dylan kept raising the bar with his albums and it never rose higher than w/ this incredible album. Check it out.

incredible.......2007-03-11

this is probably my all time favorite album. its right up there with sgt pepper. the way it is with most dylan cds is i will like half the songs and the other half is just okay...highway 61 revisited...every song is just the best. when i first heard "it takes a lot to laugh, it takes a train to cry" i put my ipod on loop and just listened to that song over and over.

Average customer rating:

He called my name and my heart stood still, when He said, "John, go do My will!"
Goodbye Old Friend
Fabulous Farewell Album
A hundred highways
Johnny Cash was "The Man"...

American V: A Hundred Highways
Johnny Cash
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music
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Modern Times

ASIN: B0002W18MU
Release Date: 2006-07-04

Tracks:

Help Me
God's Gonna Cut You Down
Like The 309 (the last song Johnny wrote & recorded)
If You Could Read My Mind
Further On Up the Road
The Evening Train
I Came To Believe
Love's Been Good To Me
A Legend In My Time
Rose Of My Heart
Four Strong Winds
I'm Free From The Chain Gang Now

Amazon.com

The ethical questions surrounding this final album in the American Recordings series are as unavoidable as they are, ultimately, peripheral. While the vocal tracks were recorded in the months just prior to Johnny Cash's passing in September 2003, the arrangements weren't undertaken until two years later. And though producer Rick Rubin had become a trusted friend, the Man in Black wasn't around to approve or disapprove, let alone guide, the final sessions. However, if the pure power of these recordings doesn't quiet the skeptics, nothing will. With Heartbreakers Mike Campbell and Benmont Tench and slide guitar session pro Smokey Hormel on board (all three of whom appear on earlier Cash albums), along with guitarists Matt Sweeney and Johnny Polansky, the sound is stately and acoustic, but rarely staid, even as the dynamics of earlier recordings in the series are absent. Instead, the songs have a measured, elegiac intensity, the sound of musicians choosing their notes carefully and making just the right choices.

The songs Cash sings are, unsurprisingly, confessional and reflective: his mortality and his mistakes, his maker and his salvation, and the loss of his wife June and the end of his career may have weighed on his mind, but in these songs he both embodies and transcends his personal history. On "God's Gonna Cut You Down," as the musicians clap and stomp behind him, his voice cuts through the air like that same avenging hand. On the new original "Like the 309"--the last song Cash ever wrote--he cops to being short of breath, and that voice becomes a metaphor for what each of us will one day face. On Gordon Lightfoot's "If You Read My Mind," Rubin flirts with overwhelming the damp bittersweetness of Cash's phrasing in tasteful atmospherics, but the voice is implacable, hitting and finding notes one never expected he'd have the will to find. Likewise, it's hard to believe this is his first recording of Ian Tyson's "Four Strong Winds"; the elemental narrative seems to have been written for him. Two songs, however, Cash has recorded before: the born-again hymn "I Came to Believe" and the final spiritual, "I'm Free from the Chain Gang Now." The latter especially is a definitive testament, as is his version of Bruce Springsteen's "Further On (Up the Road)." "One sunny morning we'll rise, I know / And I'll meet you further on up the road," he sings. If only, John, if only. --Roy Kasten

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American IV: The Man Comes Around
The Legend
The Complete Sun Recordings 1955-1958

Customer Reviews:

He called my name and my heart stood still, when He said, "John, go do My will!".......2007-07-11

This, obviously, is the fifth album in Johnny Cash's American Recordings series. Johnny Cash recorded several dozen songs after his wife June died and up until his death. A couple of years later, enough time had past so that producer Rick Rubin finally felt comfortable listening to the tapes. He chose twelve of the songs to be included on this album. It's a very powerful but sad album. Johnny's voice was very ragged by this point, but that just adds to the poignancy. Some people have conjectured that Cash knew he didn't have long to live, due to the type of songs incuded here. But I think you have to keep in mind the fact that the songs here are the ones that Rick Rubin chose to include, out of the many that Cash recorded. There will be an American VI, which reportedly will feature "lighter" songs from the same same sessions as this album. If American VI is only half as good as American V, it will be well worth getting.

Goodbye Old Friend.......2007-06-27

If you like Johnny Cash, then you have to have this CD. It's a chance to say goodbye to an old friend. No, I never met the Man In Black, but I did see him in concert, I have read his books, I have watched his rare TV and theatrical movie performances, I have enjoyed his television show - and I have listened to his music. Goodbye John . . . and Thanks.

Fabulous Farewell Album.......2007-06-21

Johnny Cash croons like a dying old man, and I mean that in the most endearing, Johnny Cash loving way. If you like Johnny, you must have this album. The emotion sung in this album is sincere and that of his last wishes! It's a must have for any Cash lover!

A hundred highways.......2007-05-20

I am by no means a fan of country music. Most of it does not interest me. One of the few artists I love and can proudly admit is Johnny Cash. Johnny has such a wonderfully rich, warm voice that always brings a tear to my eye. I recently came across his last album "American V: A Hundred Highways" at my local library. I didn't think he could outdo "American IV: The Man Who Came Around" but he did with this album. The twelve song album is a haunting reminder of the legendary singer/songwriter. I could hear in his voice that the man in black was coming towards the end of his life. I could hear the weariness in his voice. I mean that in a good way. I think his weariness added an emotional depth to each song that is rarely heard in music nowadays. Rick Rubin did a great job of maintaining an intimate, raw sound to the album. I felt like I was in the studio watching Johnny performing. I loved every song. Johnny sang with such heartfelt conviction that it broke my heart. May the man in black rest in peace. He will always be missed.

Johnny Cash was "The Man"..........2007-05-14

Great album, even if Johnny's vocals were added posthumously,,, honestly , you can't tell, they have done it so well. For an almost heart-rending look into the true soul of the man nearly on his deathbed, give this album a listen

Average customer rating:

Finally..What should have been the 2nd Travelling Wilbury's Album!
A discovery
More great work from a master craftsman
Good Title
Good Stuff

Highway Companion
Tom Petty
Manufacturer: American
ProductGroup: Music
Binding: Audio CD

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Modern Times
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ASIN: B000FP2O2C
Release Date: 2006-07-25

Tracks:

Saving Grace
Square One
Flirting With Time
Down South
Jack
Turn This Car Around
Big Weekend
Night Driver
Damaged By Love
This Old Town
Ankle Deep
The Golden Rose

Amazon.com

Four years after he took Elvis Costello's advice and bit the music/radio biz hands that have simultaneously fed and frustrated him for decades on the scabrous The Last DJ, Tom Petty returned to the studio with more personally introspective matters on his mind. Reuniting with producer/Wilbury sideman Jeff Lynne sans Heartbreakers for his third solo release proper, the veteran doesn't so much retool his trademark sound here as allow it the freedom to roam. The sonic landscape here is bluesier ("Saving Grace's opening shuffle, the haunting "Turn This Car Around") and more country-fried (the twangy energy of the blue collar lament "Big Weekend"), a return to familiar roots that produces subtly different results this time around. That sensibility now seasons songs as different as the stoned-elegant languor of "Night Driver" and the playful "Jack," where Petty and Lynn give a knowing nod and wink to the contemporary pop milieu. The stately, pop-perfect closer "Golden Rose" may lean on the Beatle-y side of their familiar sound, but it's a cliché the duo use both sparingly and shrewdly throughout, forging one of the veteran's most free-ranging and warmly satisfying efforts in a decade. Jerry McCulley

Recommended Tom Petty Discography

The Last DJ
Anthology: Through the Years
Wildflowers

Album Description

Highway Companion, Tom Petty's third solo album and first in a dozen years, is a timeless album about the passing of time. A constant companion on the road of rock n' roll, Petty, says Rolling Stone, is "rock aristocracy".

Customer Reviews:

Finally..What should have been the 2nd Travelling Wilbury's Album! .......2007-07-19

Sure, there are familiar Tom Petty themes and melodies on Highway Companion, but I can't help but get the same vibes as from Full Moon Fever and the first Travelling Wilbury's album. The songs Saving Grace and Big Weekend sound like Running Down a Dream and at least 4 of the tracks on the Wilbury's first. These are good things for fans of, what is now coined, traditional rock'n'roll.

HC has a rhythm and blues sound and just over half the tunes are medium to down-tempo or as another reviewer imparted -- melancholic. So, don't plan on playing this CD at any keggers (unless it is real late).

I agree with another reviewer noting that the songs could have been more fully fleshed-out had the rest of the Heartbreakers been involved, in particular, keyboardist Benmont Tench (see Don Henley's Boys of Summer and Sunset Grill). As it were, Tom, along with Jeff Lynne from ELO, and Mike Campbell (Heartbreakers lead guitarist), holed up in the studio to play and record HC. With these three playing all the instruments, along with the minimalist production by Lynne, Tom has achieved the simplicity that he wanted to tell these parables about the passage of time. However, the additional keyboards and more complex drum patterns that the Heartbreakers would have added may well have created a better record. But, not that much better, and maybe only different. The strength of this material with these particular musicians are a force to be reckoned with.

Some have an issue with Tom partnering with ex-Wilbury and ELO chief Jeff Lynne. Their contention is that Jeff over-produces, or turns into pop, Tom's rock'n'roll, heavy rhythm and blues sound. If Jeff has a bad influence on Tom, then what about the unchallenged success of the Travelling Wilburys, Full Moon Fever, or one of the Heartbreakers best -- Into the Great Wide Open. All of these were produced by Jeff and forged this 3-decade musical partnership. The song Learning to Fly, from Great Wide Open, has become to the 1990s what Boys of Summer was to the 1980s.

WHY DOES HIGHWAY COMPANION STANDOUT?
There is a unique sonic attribute to HC that took several listens to uncover, i.e., the sound of the electric/acoustic guitars. Between Tom, Jeff, and Mike, these guys have a combined 100 years of writing, playing, and recording guitar sounds. Whom better than this trio to reinvent and invigorate the sound of the recorded guitar. Jeff has been producing and engineering music since the 1970s. Take the HC tracks Jack, Square One, or This Old Town. Although they sound as comfortable as your favorite pair of shoes, listen deeper to discover the virtuoso guitar playing and the resultant unique textures and tones coming from your speakers or headphones. These sounds can only be created by mucho-experienced craftsman such as Petty, Lynne, and Campbell.

Let's hope Petty and company will get back into the studio to create more guitar-driven rock'n'roll pearls. There may not be that many more chances to experience the magic of collaborations like Highway Companion.

A discovery.......2007-07-12

An amazing record a bit melancolic though but loved every song. Big Weekend is very Wilbury-like. More more of it Tom !

More great work from a master craftsman.......2007-04-12

Ok, so Tom Petty isn't exactly wandering into new unknown musical waters very often these days. But he is still churning out very solid material with memorable, well written songs and tasteful, sonically stimulating production that really pulls the listener in. Just like his fellow Traveling Wilbury Bob Dylan, he is still a master craftsman doing what he does best. "Saving Grace", "Flirting with Time", "Damaged by Love", and "Big Weekend", are my personal faves, all of which fit nicely in his vast catalog of great songs. Tom, please go on tour again!

Good Title.......2007-04-04

Great CD for the car. If you enjoy Tom's other CD's you'll love this.

Good Stuff.......2007-03-31

The first half of the cd is as good as Wildflowers, but beyond that... Even Tom Petty can't save Rock And Roll. We're living in a time when the Billboard is dominated by sappy, wussy pop music, and hip-hop.... especially hip-hop. Sob sob

Rock Music:

Rock Music

At Folsom Prison	American Recordings	At San Quentin
American IV: The Man Comes Around	The Legend	The Complete Sun Recordings 1955-1958