Goodbye [EP]

1. Goodbye

2. Amateur Actors

3. It's Not Real

4. Run

Goodbye,Silver Scooter,Peek-a-Boo Records,Alternative Pop/Rock,Indie Pop,Pop,Rock,Rock/Pop

Average customer rating: Bias I Confess An Italianized Englishman... Romancing the listeners Amazing!!! Andrea in the 90's

Romanza Andrea Bocelli Manufacturer: Philips ProductGroup: Music Binding: Audio CD Bocelli, Andrea | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Italy | Continental Europe | Europe | International | Styles | Music General | Opera & Vocal | Styles | Music Bocelli, Andrea | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Adult Contemporary | Pop | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Andrea Bocelli - Amore Sogno Andrea Cieli di Toscana Time to Say Goodbye ASIN: B0000041OG Release Date: 1997-09-23

Tracks:

1. Con Te Partiro
2. Vivere
3. Per Amore
4. Il Mare Calmo Della Sera
5. Caruso
6. Macchine Da Guerra
7. Le Tue Parole
8. Vivo Per Lei
9. Romanza
10. La Luna Che Non C'e
11. Rapsodia
12. Voglio Restare Cosi
13. E Chiove
14. Miserere-Live
15. Time To Say Goodbye (Con Te Partiro) - A Tribute To Henri Maske

Amazon.com essential recording

From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett

Customer Reviews:

Bias I Confess.......2007-07-06

I confess to loving Italian music and opera in addition to Rock & Roll, Country and music in general.

This music is good when you want to relax or have a lady over 40 you want to entertain.

An Italianized Englishman..........2007-06-01

Is the Devil incarnate." (Inglese italianato e un diavolo incarnate) Or so I've heard. I suppose the author (I read it in a copy of Machiavelli's The Prince) could be forgiven for not having heard Don Bocelli and Donna Brightman sing "Con Te Partiro" - can we now say Inglese italianata e un angelo incarnate?

The rest of the album is a collection of ballads, most of which suffer from weak or clashing instrumentals. An exception is "Macchine Da Guerra" which has a pleasant and comparatively strong piano accompaniment.

I'd like to thank Kenny McCormick of South Park, CO for turning me on to Don Bocelli.

Romancing the listeners.......2007-05-30

What a voice, it soars with the arias and bops with the more contemporary. Especially love the song about Caruso. Andrea is un cantante bello, un uomo bello! Turn this one up with the top down and let it sing you home.

Amazing!!!.......2007-05-18

I bought this cd again after losing my original copy that I bought the year it was released. Out of all my Bocelli cds this is my favorite. It has a good mix of classic opera with popera and really shows his abilities. I have used this cd to turn people on to opera and popera, and the results have been incredible! Once you hear him, you cannot deny his talent and passion. Simply AMAZING!!!

Andrea in the 90's.......2007-04-20

Andrea is incredible.His romantic poetry with music is unparalleled.The only downside to this album is the inescapable 90's feel.If you don't mind it,then buy this album.If you do,then buy 'Time To Say Goodbye'off iTunes and get Sogno,Andrea,or Cieli di Toscana.

Average customer rating: Outstanding ambient with melody true to the title. Decadent Ambient Perfection So long, farewell...

Goodbye Ulrich Schnauss Manufacturer: Domino ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Electronic Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music Similar Items: We Are the Night Our Love to Admire Idealism Pocket Symphony From Here We Go Sublime ASIN: B000RGSOOG Release Date: 2007-07-10

Tracks:

1. Never Be The Same
2. Shine
3. Stars
4. Einfeld
5. In Between The Years
6. Here Today, Gone Tomorrow
7. Song About Hope, A
8. Medusa
9. Goodbye
10. For Good

Amazon.com

Goodbye is not a farewell from German electronic artist Ulrich Schnauss, but it does mark the last in a trilogy that includes Far Away Trains Passing By and A Strangely Isolated Place. Both are landmark albums of melodically ecstatic electronica, and Goodbye flows from their digital loins. Tracks like "Never Be the Same" and "In Between the Years" share the same surging rhythms, heroic electronic melodies, and jangly shoe-gazer guitars heard on the earlier discs. A slight tweak on Goodbye is the shift toward more overt vocal tracks as opposed to the textural, chanting choruses Schnauss has always employed. Rob McVey, the singer from Longview, intones the epic strains of "Shine," while "Stars" places singer Judith Beck deep in echoes, singing like a delay-drenched, surf-music dervish. In fact, "delayed," "drenched," and "dervish" pretty much sum up Goodbye. Schnauss piles on effects and layers in a psychedelic melee that would leave Ozric Tentacles and Pink Floyd standing transfixed by his stroboscopic strategies. Unlike on his previous CDs, Schnauss doesn't let you get comfortable. Reverb-smeared vocals, feedback-oscillated synthesizers, and raging guitars of destruction crush through on tracks like "Medusa." But there are also moments of sublime beauty and the kind of haunting melodies that have made Schnauss a favorite for chill-out soundtracks of the imagination. Ice crystals glisten on the branches of "Einfeld" and the deliriously euphoric "Goodbye" simply lifts you higher, in a spiritual way. It may be goodbye to this era of Ulrich Schnauss, but it promises many happy returns. --John Diliberto

Album Description

Ulrich's third album marks his first new release in four years. "An altogether lusher, more slouched, musical approach. The results have strong echoes of My Bloody Valentine or a turbo-charged Brian Eno..." - Music Week (May 2007). "A triumph of simplicity over pretension, of melody and harmony over pops and clicks and of the humane over the elusive" - Impose.

Customer Reviews:

Outstanding ambient with melody.......2007-07-19

Melodic, extremely listenable ambient music. It has elements of trance and downtempo, but is definitely ambient. Slight female vocals like some of the more ambient Bent. Some of the beats remind me of Chicane, but make no mistake, this is original and unique music.

true to the title........2007-07-16

still brilliant, but there is a level of sadness in this disk not evident in FATPB or ASIP. the latter two used heavy percussion to "brighten" the music considerably. that is largely absent here, and the result is more mellow, and melancholy.

Decadent Ambient Perfection.......2007-07-10

Delicate and sublime with a stirring of ecstasy dancing over a driving powerful intoxication is what you will find if you listen to Goodbye first. It is the perfect place to start this journey into soul shivering musical escape. The song surges and sways bursting from the limits of sound into an unbelievably ecstatic moment in time. This goes beyond inspiration to new levels of creativity where modern technology and ancient longings collide. At times it is crystalline perfections and at others the warm sounds completely surround you enveloping you in a dreamy haze.

If you listen to the album from start to finish you will first encounter silky washes of sound with ethereal vocals. "Stars" is almost chilling with dramatic elements that seem to seek to overwhelm with psychedelic swirls and epic sonic power. Vocals cascade over driving beats like a waterfall and then a plane suddenly lands. The dreamy "Einfeld" has a renewed clarity but still retains the warm washes of sound ebbing and flowing from the first tracks. "In Between the Years" is like a snowstorm and a warm fire with distant echoes of haunting chill. It invites you closer and then sends you spinning off into starscapes.

"Here Today, Gone Tomorrow" wakes up this album with a spontaneous fusion of lush layering and nostalgia. You can sink deeply into the memories of this track and yet it has the excitement of new discovery. This song and the mesmerizing "Goodbye" both give me shivers. "A Song about Hope" is much more mellow and has a captivating rhythm that keeps your full attention as the song soars in luminous orchestral beauty. "Medusa" is much darker introspective piece with static urban elements and echoes. "For Good" has the sounds of lonely acoustic guitar and distant brooding longing.

As a relaxing chill out album this offers a sinking into the feeling of escape while it plays with the ideas of fragility and power. Warm washes of sound mingle with ethereal vocals throughout and capture many moods and places that are exciting and serene all at once.

If you love this album you may also enjoy music by Feist, Evening Ocean, Hooverphonic, Between Interval, Zero 7 and The Album Leaf.

~The Rebecca Review

So long, farewell..........2007-07-10

Ulrich Schnauss has always specialized on sweeping, ghostly wintry electronica, the sort of thing that gives you tundra dreams.

Technically, you can only do that so many times before people start getting tired of it. But in "Goodbye," he explores some new sounds -- Britpop meldings, ambient sweeps, and some truly epic explorations into a strange new electronic world.

It opens with gently ringing synth, which practically smothers the gentle beats and a murmuring voice that never quite forms words. Call it angel electronica. The second song is something of a stumble -- Schnauss collaborates with Long-View, in a song that sounds like a merry-go-round of stoned vocals.

But then with "Stars," he erupts into a a tightly wound melody that slowly builds to a messily epic crescendo. From there, Schnauss mingles new work with old: sleepily ambient electronica, haunting fuzz experimentals, angular creepy electropop, and more soaring epics like "Song About Hope."

It ends with a sort of mellow acoustic guitar that slowly melts into a soft synth tune... and what sounds like a musician cleaning up and leaving the studio. It's a suitable ending to what sounds like a transition album, as if Schnauss is feeling out what he can do other than sleepy electronica.

And somehow, without giving it a jumbled feel, he succeeds -- you can hear some drum machines and piano buried down there, and there's a flicker of ringing guitar in places, giving the nebulous melodies some solidarity and helping build them up.

But the overriding presence is synth. Synth, synth, synth. And here's Schnauss's real skill: he molds them into soaring epics, windblown stretches, fuzzy twists, and -- in "Medusa" -- elaborately twisted dark explorations of just how far you can push a complex melody.

Ulrich Schnauss explores some new territory in his third full-length album, the hopefully unportentous "Goodbye." But we just said hello!

Average customer rating: The multi-talented Elton Elton John in top form. The Definetive Elton John album Elton! Elton! Elton John rocks strong and even does some "lighter" music to give us all a golden nugget of an album !!!

Goodbye Yellow Brick Road Elton John Manufacturer: Island ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Glam | Classic Rock | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Madman Across the Water Captain Fantastic and the Brown Dirt Cowboy Tumbleweed Connection Honky Chateau Don't Shoot Me I'm Only the Piano Player ASIN: B000001DQI Release Date: 1996-02-20

Tracks:

1. Funeral For A Friend (Love Lies Bleeding)
2. Candle In The Wind
3. Bennie And The Jets
4. Goodbye Yellow Brick Road
5. This Song Has No Title
6. Grey Seal
7. Jamaica Jerk-Off
8. I've Seen That Movie Too
9. Sweet Painted Lady
10. The Ballad Of Danny Bailey (1909-34)
11. Dirty Little Girl
12. All The Girls Love Alice
13. Your Sister Can't Twist (But She Can Rock 'N Roll)
14. Saturday Night's Alright For Fighting
15. Roy Rogers
16. Social Disease
17. Harmony

Amazon.com essential recording

Rarely mentioned as one of the great double albums, Goodbye Yellow Brick Road had to settle for ending up in a few million record collections. So sprawling that it doesn't quite measure up to the earlier, more laid-back Honky Chateau or the later, pushy Rock of the Westies, this still holds claim to a lot of brilliant, very pop-savvy music: the winking rebellion of "Bennie and the Jets" and "Saturday Night's Alright for Fighting," the ready-made nostalgia of "The Ballad of Danny Bailey," the downbeat melodicism of "Harmony." --Rickey Wright

Customer Reviews:

The multi-talented Elton.......2007-07-17

Rightly this album is rated as the greatest album Elton John ever made. In fact its not my favourite but thats a different story.

The breadth of material on this is amazing. It opens with 'Funeral for a Friend/Love Lies Bleeding' which is a stunning prog-rock overture followed seamlessly by a hard rock song. Remember before he became Elton John the young Reg Dwight auditioned for both King Crimson and Gentle Giant!
Following track 1 is the original and best version of Candle in the Wind. Sadly this tune has been overplayed... Bennie and the Jets is track 3. A great crowd pleaser (with artificial live feel on the track). This track was huge in the U.S. and it went to the top of the R&B charts. It also best displays Elton's Piano playing and has a completely unique feel to it.

The title track Goodbye Yellow Brick Road sounds like a standard that was written in the 40's or 50's. This is one of those songs that Elton will be remembered for in the decades to come.

On these opening tracks you can hear (but not see!) everything that made Elton such a huge star:
Primarily great song-writing, but also high quality musicianship - listen to Nigel Olsson's drumming or Davey Johnstone's guitar playing on this album.

With one exception the rest of the album maintains a similar high standard. Jamaica Jerk-Off is the one track I really don't like but there's 16 others so I'm not complaining!

Elton John in top form........2007-07-13

In 1973, Elton John released his first and only double-album, "Goodbye Yellow Brick Road". While he also made several other truly fantastic albums in that era, this one always stands out for me as being a completely flawless and true masterwork.

First off, the album opens with the epic "Funeral For A Friend/Love Lies Bleeding" which easily ranks as one of my favorite songs of all time. The placement of the songs on this record make for smooth transitions between each song. There's never a track for me that makes me want to skip. Elton John is in top form here. While technically considered a "pop" album, it easily ranks next to such classic albums as Pink Floyd's "Dark Side of the Moon", The Beatles' "Sgt. Pepper's Lonely Hearts Club Band", or Led Zeppelin's "Zoso". It's a mostly upbeat album, with a few mellower songs (Candle in the Wind, Sweet Painted Lady, I've Seen That Movie Too) and makes for a great album to bring along on a road trip.

It's not as compact and ragtime-ish as "Honkey Chateau", and not as personal as "Captain Fantastic", but it's downright fun the entire way through and will always stand as the pinnacle in Elton's career.

The Definetive Elton John album.......2007-06-21

If there was ever an album that defined the seventies, "Goodbye Yellow Brick Road" has got to be one of them. It is also the album that comes closest to being what Elton was about in his grandest. Extravagant, over-the-top, melodic and brash, this double album is probably how many from the period would describe both the album and the performer. As such, it redefined music and super stardom, and is a classic.

Stylistically, the 1973 version of Elton John and Bernie Taupin were now fearless. They were (to quote a line that eventually became part of "Captain Fantastic and the Brown Dirt Cowboy") turning them out thick and fast. There was the beautiful, melodic piano work on the title track and "Candle In The Wind," the hard rocking "Funeral For A Friend/Love Lies Bleeding" and "Saturday Night's Alright For Fighting," the western looking "Social Disease" and the melodrama in "I've seen that movie too" and "Harmony." Seventeen near flawless songs over two albums, and that was following the breakthrough of "Don't Shoot Me I'm Only the Piano Player" and the number one "Crocodile Rock" from earlier that same year.

It wasn't just the seeming effortlessness to Elton and Bernie's prolific pace that was so attractive, it was the extravagance. Elton's reputation as a showman had already become the stuff of legend, and in the feverish time of the seventies, he allowed that into the "Goodbye Yellow Brick Road" artowrk. The original album was a thing of ornate beauty, a triple-fold gate sleeve that expanded out to show Elton stepping into a magic kingdom in ruby red platform shoes. The inner-sleeves were decorated with illustrations for each lyric and the band photos. It was everything you wanted in an album at the time...the full experience. Something you really don't get from too many performers these days. (And better reproduced in the Deluxe "Goodbye Yellow Brick Road.")

As such, "Goodbye Yellow Brick Road" is as good as gold. I know it is a cliche, but they just don't make 'em like this anymore.

Elton! Elton!.......2007-06-08

This is one of my favorite Elton John albums. I had it on vinyl when it first came out (was that yesterday?) and bought it recently as a CD because of technology.

Elton John rocks strong and even does some "lighter" music to give us all a golden nugget of an album !!!.......2007-06-03

Elton John has enriched us all with his incredible artistry. He remains a prolific writer and he sings with all his heart. This double LP album entitled Goodbye Yellow Brick Road, here on one CD, shows us just a glimpse of Elton's great artistry in rock, reggae and "lighter" music as well.

The CD starts with one of Elton's greatest masterpieces entitled "Funeral For A Friend (Love Lies Bleeding)." Elton's piano and the work of his band make a smashing musical intro to a song about a love gone bad. Elton displays his raw emotion on this track as he sings about how "love lies bleeding in (his) hands."

The CD track set remains incredibly strong with "Candle In The Wind" and "Bennie And The Jets." "Candle In The Wind" explores how people can be misunderstood and abused and it uses Marilyn Monroe as an example. "Candle In The Wind" also features Elton's piano playing to reflect the sensitivity of the song. In addition, "Bennie And The Jets" paints a portrait of a fictional female rock star and her band. The rock beat on "Bennie And The Jets" is strong, solid and awesome.

The title track actually comes fourth on the set: "Goodbye Yellow Brick Road" allows Elton to sing of a supposedly beautiful and luxurious lifestyle that he realizes is not as special as he thought it would be. The use of the image of the yellow brick road to a better life from The Wizard Of Oz works well; and we see, just like Dorothy concluded, that there's no place like home.

If you REALLY want to hear Elton at his most versatile, listen to "This Song Has No Title." Elton plays farfisa organ, electric piano, mellotron AND piano!!! This number shines like pure gold and the mixing reflects excellent judgment. The melody of this song is wonderful.

On "Jamaica $erk-Off" Elton and the band turn out an excellent reggae tune that beckons to you to love it; Elton sings his praises for the island of Jamaica and Prince Rhino's "vocal interjections" rule!

Other gems on this CD include the stunningly beautiful "I've Seen That Movie Too;" for this song Elton sings of how he won't let himself be fooled by a woman who doesn't truly love him. The piano and percussion work wonders in the arrangement; and Del Newman's orchestral arrangement stuns you with its beauty. "Sweet Painted Lady" tells the story of a woman who "rents by the hour" as she "satisfies" the sailors in the port; Elton sings this with a type of sensitivity that I rarely experience. Del Newman once again gives "Sweet Painted Lady" a gorgeous orchestral arrangement. Excellent!!!

"All The Girls Love Alice" lets Elton sing about a young lady who enjoys pleasing some of the other girls in town; however the ending is most definitely glum. The musical arrangement shifts back and forth between a hard rockin' song and a type of love ballad with a much slower tempo and great key changes--and this impresses me greatly.

Of course, there's that Elton John classic number, "Saturday Night's Alright For Fighting." This number showcases the youthful rebellion young people experience when they are starting their own lives separate from their parents. I can just envision all these young people marching and dancing through the streets chanting this anthem as they shake their fists in the air!

Sadly, all good things must come to an end. "Harmony," the last track on this CD, moves you with its sensitivity; and Elton delivers this with great panache. An excellent number to close the track set!

The liner notes feature an awesome essay by John Tobler; and you get all the lyrics and song credits. The beautiful art work enhances the liner notes as well.

Elton John is a living legend. Long after most "celebrities" are dead and forgotten, Elton John will remain in our hearts and minds because of his incredible music and his legendary performances. Thank goodness Elton has shared his work with us; and, if we're lucky, Elton will be performing for many more years to come.

Average customer rating: How to shake depresion Gorgeous and accessible... A Bit Disappointed Amazing and touching... Perfection

Time to Say Goodbye Sarah Brightman , and London Symphony Orchestra Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Bocelli, Andrea | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music Brightman, Sarah | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Classical | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Sarah Brightman Classics Eden (US Release - 16 tracks) Andrea Bocelli - Amore The Andrew Lloyd Webber Collection La Luna ASIN: B000002SMW Release Date: 1997-09-23

Tracks:

1. Time To Say Goodbye (Con Te Partiro) - Andrea Bocelli
2. No One Like You
3. Just Show Me How To Love You
4. Tu Quieres Volver
5. In Pace
6. There For Me
7. Bilitis-Generique
8. Who Wants To Live Forever
9. La Wally
10. Naturaleza Muerta
11. En Aranjuez Con Tu Amor
12. In Trutina
13. O Mio Babbino Caro
14. Alleluja

Amazon.com essential recording

Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's "O mio babbino caro" (performed better by almost any other operatic soprano elsewhere), and "Alleluia" from Mozart's Exsultate Jubilate. One might call this a crossover disc; others might just see it as a recording featuring a pop singer with artsy aspirations. Whatever it is, Brightman's fans love her; others do not. Two duets with tenor Jose Cura remind the listener what opera singing really ought to sound like. --Robert Levine

Amazon.com

Sarah Brightman Photos

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Customer Reviews:

How to shake depresion.......2007-07-07

I have a bit of sadness in me at times. While driving home tonight to my shangrila in the Wyoming mountains (a 35 mile drive) I inserted this disk in my receiver and listened to Sarah's beautiful voice (and Bocheli's pretty good too). By the time I got home, no more depression.

Gorgeous and accessible..........2007-05-27

I love this CD - Sarah Brightman's voice is exquisite, clear and sweet, it sweeps through my head and heart, clearing out the mental/emotional debris of the day. Fewer than half of the songs are in English, but that is entirely irrelevant to me, it just focuses my attention on the purity and loveliness of her voice. Just the thing for instilling a sense of peace and profound gratitude that a sound so beautiful exists.

A Bit Disappointed.......2007-04-02

Her voice reigns supreme, but there are just too many selections on this CD in foreign languages. I knew that when I bought it, but...I still find it distracking. My solution? I bought two other Sarah CDs!!

Amazing and touching..........2007-02-03

Time to say goodbye is wonderful and touching to the mind, heart, and soul. There is nothing greater than hearing a voice of an angel before you sleep our just want relaxation. Not only does this CD sound great but it is super cheap (should cost even more) and delivered 2 days after order. So listen to the CD and feel moments and experience an unbelievable feeling just tingling through you as you listen to Sarah Brightman's album, "Say Goodbye."

Perfection.......2007-01-11

My horseshoer told me about this singer, once I heard the cd I ended up buying several more as Christmas gifts. It is fabulous music.

Average customer rating: Sarah's Best Easy Listening CD Best Brightman CD Sarah Brightman is a Classic Not The Best - Not the Worst - From Sarah Brightman Nice Cover

Sarah Brightman Classics Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Canteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Brightman, Sarah | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Time to Say Goodbye Eden (US Release - 16 tracks) The Andrew Lloyd Webber Collection Diva: The Singles Collection La Luna ASIN: B00005RD78 Release Date: 2001-11-20

Tracks:

1. Ave Maria (new recording)
2. La Wally (from Time To Say Goodbye)
3. Winter Light (new recording)
4. Anytime, Anywhere (from Eden)
5. Alhambra (new recording)
6. Lascia Ch'io Pianga (from Eden)
7. Dans La Nuit (new recording)
8. Serenade/How Fair This Place (from La Luna)
9. O Mio Babbino Caro (new recording)
10. La Luna (from La Luna)
11. Pie Jesu (new recording)
12. Figlio Perduto (from La Luna)
13. Nessun Dorma (new recording)
14. Bailero (from Eden)
15. Time To Say Goodbye (New solo version--previously unavailable)

Amazon.com

Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye	Diva: The Singles Collection	Eden
Diva: The Video Collection	Live from Las Vegas	La Luna (Live in Concert)

Customer Reviews:

Sarah's Best Easy Listening CD.......2007-03-15

Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).

Best Brightman CD.......2007-02-07

A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.

Sarah Brightman is a Classic.......2007-01-02

Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.

Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30

After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.

OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!

Nice Cover.......2006-12-27

I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).

As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.

In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...

Average customer rating: This is ok... #1 Jewel Fan Highly Underrated Jewel the way I know and love her Still Shining

Goodbye Alice in Wonderland Jewel Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Similar Items: Taking The Long Way I'm Not Dead Stand Still, Look Pretty Spirit This Way ASIN: B000ESSTMO Release Date: 2006-05-02

Tracks:

1. Again and Again
2. Long Slow Slide
3. Goodbye Alice in Wonderland
4. Good Day
5. Satellite
6. Only One Too
7. Words Get In the Way
8. Drive To You
9. Last Dance Rodeo
10. Fragile Heart
11. Stephenville, TX
12. Where You Are
13. 1000 Miles Away

Amazon.com

The word "confessional" is frequently applied to folk of all stripes, including folk-rock and folk-pop, which is where Jewel comes in. Even within the bounds of folk, however, her music is more nakedly confessional than most. (Too nakedly, some have carped.) Along with a coterie of Nashville pros, she began her latest musical journey by laying down another introspective song cycle in the vein of 1995's Pieces of You. Dissatisfied with the results, the Texas-based artist scrapped that effort and re-recorded with Rob Cavallo (Green Day). This lends her sixth album the expected rock edge, but Jewel hasn't changed her spots. If anything, she sounds more like, well, Jewel than she did on dance-oriented departure 0304. She's still pop star ("Fragile Heart"), sensitive folkie ("Long Slow Slide"), and scrappy country gal ("Stephenville, TX"). Her Joni Mitchell-esque soprano soars as high as ever, with more of a sardonic Dylan chaser than before. What's changed is that maturity has granted Jewel, now in her early 30s, greater perspective--"Growing up is not an absence of dreaming," she states in the title track--and a sense of humor missing from her more earnest early work. On "Satellite," for instance, written when she was 18, but revamped since, she notes that "the Pope," "rock and roll," "Valium," even "Miss Cleo" can't fix her broken heart. In her statement about the album, Jewel claims that, after years of ups and downs, she's "not broken, just more myself." --Kathleen C. Fennessy

Album Description

Jewel is about to deliver her most personal and autobiographical record so far-Goodbye Alice in Wonderland. Not content to relegate herself to a traditional music arena, or to be typecast, Jewel has established herself as a culturally significant and relevant brand. Author, songwriter, actress, poet-there are no limits to how Jewel can and will deliver her message. The underlining truth that ties it all together is the integrity of that message.

Customer Reviews:

This is ok..........2007-07-15

I LOVE Jewel but this album sure doesnt beat Spirit or Peices of you. I dunno, its hard to explain, its like the songs are a bit generic, Goodbye Alice in Wonderland is good, and so is a Good Day. I think maybe its just lacking a bit of soul, it just doesnt seem alot like the old Jewel we are all used too.

#1 Jewel Fan.......2007-07-05

Jewel will always have a special place in my heart. I've loved her music since the day I heard "You Were Meant For Me" come on the radio. I wasn't too fond of 0304 but in Goodbye Alice in Wonderland she brings a bit more of the real Jewel back into our hearts. I really enjoy this album.

Highly Underrated.......2007-06-21

Jewel through many a curveball back in 2003 when she released 0304, which took her trademark confessional lyrics and set them against a mostly upbeat(and occasionally dance-driven)beat, much to the consternation of many of her fans. I was in the minority, as it was in my opinion her best album to that point, and follow-up GOODBYE ALICE IN WONDERLAND is on an even level of quality with that disc. Returning more to the sound of her THIS WAY album, Jewel again keeps things rather upbeat(musically) this time around, not thanks to dance backdrops but with the addition of a slightly harder rock sound, probably due to producer Rob Cavallo's hand in things. It's a good fit for the singer, who rocks out harder than ever on such tracks as "Only One Too", "Works Get In The Way", and "Drive To You". It also provides her with her most accessible set of songs to date, which is a shame considering that the album has been all but ignored since its' release--as was noted elsewhere, nearly every song here could have been a single. Too bad her record company didn't have the good sense to see that.

Jewel the way I know and love her.......2007-04-28

I was aghast at 0304 when it seemed Jewel gave up her folk music so I was more than relieved by Goodbye Alice in Wonderland. I was like, oh thank GOOOOOOOD Jewel did another album that shows off her great songwriting and guitar talents. It was really hard to watch her video for Intuition with the back up dancers and trashy wardrobe. Jewel is beautiful just the way she always has been. Love this album.

Still Shining.......2007-04-24

I think it strange that Jewel's latest album did not top the charts. It was certainly masterful in design and execution. And therein lies the problem. I suggest that she do another tour and record a live album with some new material. We all know how wonderful her concerts can be, and how beautifully her voice can soar underneath the stars and trees... I caught her act in Central Park, and of course ..... I just had to say yes to all of that heartfelt emotion that poured over me like a pristine waterfall - splendid Jewel!

Average customer rating: The Most Relaxing Classical Album In the World Eveer, Volume II Great music listein to while you read in bed A must buy for the non-snobbish classical music fan. A bliss of spirit. Boring

The Most Relaxing Classical Album In the World Ever, Volume II Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. 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Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music 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Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Hollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Music in the Universe The Most Relaxing Piano Album in the World...Ever! Mozart for Relaxation Best of the Millennium: Top 40 Classical Hits ASIN: B00002439O Release Date: 2003-03-11

Tracks:

1. Sheep May Safely Graze - Sir Neville Marriner
2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
5. Miserere Mei, Deus - Stephen Cleobury
6. Schindler's List - Tasmin Little
7. Traumerei - Dame Moura Lympany
8. Dance Of The Sylphs - Sir Neville Marriner
9. Water Music - Berlin Philharmonic Orchestra
10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
11. Jean De Florette - Toots Thielemans
12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
14. Waltz No.15 In A Flat - Dame Moura Lympany
15. Romance - Piers Lane
16. Pavane - Maurice Handford
17. Woodbrook - Micheal O Suilleabhain
18. Time To Say Goodbye - Orchestra

Tracks:

1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
6. The Lark Ascending - Hugh Bean
7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
8. Pie Jesu - Choir Of King's College, Cambridge
9. Salut D'Amour - Richard Hickox
10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
11. The Coventry Carol - Medeval Babes
12. Pavane For A Dead Princess - New Philharmonia Orchestra
13. Liebestraum No.3 In A Flat - John Ogdon
14. Panis Angelicus - Elisabeth Schwarzkopf
15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
16. Agnus Dei - Peter Barley
17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
18. My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating: Axe Rufus Wainwright, and it would be 5 stars Yes, it's one of the best albums I own Brokeback Mountain A matter of taste... Perfect, just like the movie...

Brokeback Mountain Gustavo Santaolalla , and Various Artists Manufacturer: Verve Forecast ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Vocal Pop | Pop | Styles | Music Verve | Verve Music Group | Specialty Stores | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Brokeback Mountain (Widescreen Edition) Brokeback Mountain: Story to Screenplay Brokeback Mountain: Now a Major Motion Picture Close Range: Wyoming Stories Memoirs of a Geisha ASIN: B000BEZQ18 Release Date: 2005-11-01

Tracks:

1. Opening - Gustavo Santaolalla
2. He Was A Friend Of Mine - Willie Nelson
3. Brokeback Mountain 1 - Gustavo Santaolalla
4. A Love That Will Never Grow Old - Emmylou Harris
5. King Of The Road - Rufus Wainwright
6. Snow - Gustavo Santaolalla
7. The Devil's Right Hand - Steve Earle
8. No One's Gonna Love You Like Me - Mary McBride
9. Brokeback Mountain 2 - Gustavo Santaolalla
10. I Don't Want To Say Goodbye - Teddy Thompson
11. I Will Never Let You Go - Jackie Greene
12. Riding Horses - Gustavo Santaolalla
13. An Angel Went Up In Flames - The Gas Band
14. Its So Easy - Linda Ronstadt
15. Brokeback Mountain 3 - Gustavo Santaolalla
16. The Maker Makes - Rufus Wainwright
17. The Wings - Gustavo Santaolalla

Amazon.com

Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side.

The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack to a contemporary Western? What a shock! Still, they're all wonderful and Santaolalla wrote at least a couple of classic-sounding country ballads ("A Love That Will Never Grow Old," sung by Emmylou Harris, and "No One's Gonna Love You Like Me," sung by Mary McBride). And don't miss Teddy Thompson and Rufus Wainwright's sweet cover of Roger Miller's 1964 "King of the Road." --Elisabeth Vincentelli

Customer Reviews:

Axe Rufus Wainwright, and it would be 5 stars.......2007-06-13

This album is a mixture of the instrumental theme, which is incredibly beautiful and haunting, and some very solid country songs. I was surprised by how good the other songs were (you still have to like country music, though). There are only two songs that I don't like at all, and those are the two by Rufus Wainwright - one a cover of "King of the Road" (originally by Roger Miller). They are great demonstrations of him at his most nasal and whiny. It sounds like he is a French guy holding his nose and singing too slow. It's too bad, because they are good songs otherwise. I guess if you like him, you're golden; but I can't stand these versions. Fortunately, the rest of the disc is really good.

Yes, it's one of the best albums I own.......2007-06-03

I listened to it over and over and over last year. Such quality all 'round.

Brokeback Mountain.......2007-05-13

The product is what I expected. It arrived on time and in the condition advertised.

A matter of taste..........2007-05-08

I didn't really pay a lot of attention to the music in the film, except for in the most intense of scenes. Perhaps this is why I was so, completely, disappointed with this soundtrack. I felt that if it did even half of what the film did for me it would be a worthy buy. My friends, this soundtrack is shat. It's mostly country and folk, which I am plainly not into. If you like these things then check this out - if not, turn away.

Perfect, just like the movie..........2007-04-21

It is so wonderful, relaxing..if you`re thinking in buying...Just do it!

Average customer rating: A great disc You reel you feel you kneel down so overrated A LIGHT FROM THE 60s THAT STILL SHINES BRIGHTLY... One of Buckley's best

Goodbye and Hello Tim Buckley Manufacturer: Elektra / Ada ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music CDs $7 - $10 | Folk Rock | Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Folk Rock | Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Oldies | Pop | Today's Deals in Music | Formats | Music General | Folk | Indie Music | Stores | Music Folk Rock | Folk | Indie Music | Stores | Music 4-for-3 Classic Rock | 4-for-3 Music | Stores | Music 4-for-3 Jazz | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Greetings from L.A. Dream Letter: Live in London 1968 Morning Glory: The Tim Buckley Anthology Buffalo Springfield Again Grace ASIN: B000005ITY Release Date: 1989-07-10

Tracks:

1. No Man Can Find The War
2. Carnival Song
3. Pleasant Street
4. Hallucinations
5. I Never Asked To Be Your Mountain
6. Once I Was
7. Phantasmagoria In Two
8. Knight-Errant
9. Goodbye And Hello
10. Morning Glory

Amazon.com

Before Tim Buckley got carried away with jazz rhythms in the '70s, he made profoundly moving folk-rock albums that showcased his stunning vocal range, thoughtful lyrics, and penchant for occasionally imbuing tracks with surprisingly soulful, non-blue-eyed grooves and infectious jangle-pop melodies. Goodbye and Hello, his second album (recorded in 1967 when he was only 20), runs the gamut. Here Buckley hints at the sensual howl that would blossom in the '70s ("I Never Asked to Be Your Mountain," "Pleasant Street," "Hallucinations"). While he goes into hippie-poet-deep-thinker mode on a few songs, the excellent folk-soul tracks win out. --Lorry Fleming

Customer Reviews:

A great disc.......2006-03-19

A great disc from Buckley's folksie period. "Once I Was," one of Buckley's best songs, is worth the price of admission by itself. Pure angst. Musically, this is a five-star disc. Downrated to four stars because of sound quality. Although never the world's greatest sounding disc even on LP, this disc sounds like it may be a generation or two removed from the master tapes, and would DEFINITELY benefit from a remastering job by one of the boutique audiophile lables like Audio Fidelity or Mobile Fidelity Sound Labs. Don't let that deter you though; this is a great disc, and a great introduction to Buckley for anyone who isn't already a convert.

You reel you feel you kneel down.......2005-11-13

Tim Buckley recorded quite a few albums and even his live recordings can't capture what it was like to actually see him perform live. Goodbye and Hello is in my estimation his finest studio album because it highlights his extraordinary vocal talent. His voice was like no other artist, at times powerful, sexy and angelic it defied the usual labels and stood alone.
This album would be worth owning just for the song Pleasant Street, but most of the songs are first rate and Once I Was is a heartbreaker.

so overrated.......2005-03-29

Is it me? Critics and now you lot give this album praise it simply doesn`t deserve. I love Tim Buckley, but this - in spite of two of his loveliest songs, Once I Was and Morning Glory, which represent two stars of my three-star rating - is mostly pseudo-poetic, musically angular stuff.
I`d suggest getting the mid-priced two-in-one of this and his wonderful debut album, and then look for Blue Afternoon, Happy Sad, Lorca - well, all the rest, really. Yes, even the much-maligned Sefronia and underrated Look at the Fool.

A LIGHT FROM THE 60s THAT STILL SHINES BRIGHTLY..........2004-01-25

There's no denying that some of the lyrics on this album apply specifically to the incredible era that was the 1960s - but have the values and beliefs they espoused so vibrantly faded into nonexistence? I don't think so. Emphasis shifts, forms of expression change - but the things about which Tim Buckley sang so eloquently on this recording are eternal: war and peace (both internal and external); love and loneliness; the strife that is born between generations. The 60s era was full of bands and songwriters wrestling with these subjects, striving to help us all deal with them - and more than a few who tagged along for the ride with the hope of making a buck out of the movements that arose around them. Buckley - and his (then-) lyricist Larry Beckett were, as artists, reaching desperately and honestly for something higher, not for any accolades that might come their way as a result, but to latch onto something they could use to pull themselves (and the rest of us) up to a higher level. Tim Buckley succeeded in this more than most of his contemporaries.

The musicianship on the album is superb. Buckley has moved to a 12-string acoustic guitar, the instrument which was soon to become his main choice. Lee Underwood is along on lead guitar - and I can't say too much about Lee's contributions to Tim's music (and his life - he was one of Buckley's closest friends). Carter C. C. Collins makes his first recorded appearance on congas - another musician who would become a close friend to Buckley, as well as a frequent, welcome accompanist. Jim Fielder is along on bass on some of the tracks. Most of the rest of the musicians, while talented, are studio players brought into the recording by producer Jerry Yester - Elektra recognized Tim's potential, and wanted a fairly slick, commercial recording. It turned out pretty good from all angles - but it would be the last bow to commerciality that Buckley would make.

The album begins with a song dealing with the horrors of war - it was, after all, the era of Vietnam - but in the case of `No man can find the war', the lyrics suggest that the real war is not in the jungle, but in the minds of men and women: `Is the war across the sea? Is the war behind the sky? Have you each and all gone blind? Is the war inside your mind?' It is only when we fight - or at least make an attempt to do so - the battles that rage within us that real peace will come. `Carnival song', the next track (written by Buckley alone) speaks to hypocrisy and truth, and does so more directly than many of the more popular tunes of the day that addressed this subject. `Pleasant Street' (also written by Buckley alone) is one of his finest tunes - `Hallucinations' is just that - the melody, lyrics and arrangement combine to produce a gently swirling maelstrom that draws the listener into the images spun by the singer.

The next track, `I never asked to be your mountain', is in my opinion one of the best things Buckley ever wrote. In it, he addresses his first wife, speaking openly and poetically of the forces that pull two people together and drive them apart. His 12-string guitar thunders out the rhythm on this track, drawing the other musicians along with him into one of the most powerful pieces he ever recorded. At the end of the song, the listener aches to hear Tim cry out `...please come home...' over and over - this is piercing music straight from the heart, which is where all of Tim's songs originated.

`Once I was' follows, a song that speaks gently of love and change - a beautiful song. `Phantasmagoria in two' (which Tim and Lee called `The fiddler'), is a deceptively progressive step in Tim's songwriting - giving free rein to the meaning at the heart of the song, Tim abandons completely attempting to force the words into rhyme. The effect is perfect - Tim's lyrics are so moving, combined with his amazing voice and the melody, that it almost goes unnoticed, form being overshadowed (as it should be) by substance. `Knight-errant' is next - a nod to the romantic attitudes of the era that uses the images of a knight and his lady nicely, if a bit naïvely.

`Goodbye and hello' is Larry Becket's magnum opus - at least among the songs he co-wrote with Tim. It's quite a piece of poetry, with two stanzas existing side-by-side in several places (and sung that way by Tim) - the fact that Tim was able to take this challenge up and write the melody for it says a lot about his skills as well as his determination. This is a tune that, due to its complexity, was only performed live on a couple of occasions. It borders on being overwrought - but it stands nevertheless as a valuable document.

`Morning glory' ends the set - this was covered more popularly by Blood Sweat and Tears - a gentle song that is deceptive in its depth, dealing with the romantic notion (held by the `character' who sings it) that simply by asking a hobo about his life, that life can be experienced by the questioner. The hobo makes his point by his refusal to tell his stories to the singer - and Beckett's lyrics make the point as well, that experience is the greatest teacher.

This is an amazingly good album - a wonderful example of Tim's most `accessible' work - and one which will shine for many years to come. Once you've dipped into the rich well that is Tim Buckley's voice, allow yourself to become adventurous and move on into his jazz explorations (on HAPPY SAD and BLUE AFTERNOON), then on to his more experimental works (LORCA and STARSAILOR, which he considered to be his greatest achievement). It's a journey you won't regret.

One of Buckley's best.......2003-07-01

This, of course, was Tim's second album for Elektra, and where his first seemed a bit tentative at times (though still good), Goodbye and Hello shows Buckley more in command of his songwriting and singing talents. Favourite tracks: "Phantasmagoria in Two," "Morning Glory" (an oft-covered classic, but few have done it as well as Tim did originally), "Hallucinations" and "I Never Asked to Be Your Mountain." The title cut itself seems a little overproduced or overarranged at times, but that in no way detracts from the overall excellence of the album. For a true masterpiece, however, Tim's next album, Happy Sad, comes highly recommended. Goodbye and Hello is, nonetheless, a fine companion piece. Get them both, as these are *the* Tim Buckley albums to have.

Average customer rating: Just what I wanted I Want to be a producer Spring Time for "The Producers" Mel Brooks = Brilliant it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast) Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck Manufacturer: Sony ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Classical | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Monty Python's Spamalot (2005 Original Broadway Cast) Hairspray (2002 Original Broadway Cast) Wicked (2003 Original Broadway Cast) The Producers (2005 Movie Soundtrack) Dirty Rotten Scoundrels (2005 Original Broadway Cast) ASIN: B00005AY6I Release Date: 2001-04-17

Tracks:

1. Overture
2. Opening Night
3. The King of Broadway
4. We Can Do It
5. Unhappy
6. I Wanna Be a Producer
7. In Old Bavaria
8. Der Guten Tag Hop-Clop
9. Keep It Gay
10. When You Got It, Flaunt It
11. Along Came Bialy
12. That Face
13. Have You Ever Heard the German Band?
14. It's Bad Luck to Say Good Luck on Op'ning Night
15. Springtime for hitler
16. Where Did We Go Right?
17. Betrayed
18. 'Til Him
19. Prisoners Of Love (Leo & Max)
20. Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

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