Natural Magic

About the Artist
Natural Magic is the band of the new millennium. Formed in January of 2001,driven by their passion for original music with a message,this six piece group is like a family and have a genuine love for each other. Each member brings their own unique style as well as a deep sense of dedication to the band. Natural Magic will not only lift the soul, they will get your toes tapping as well. The band ’s blend of musical talent and theatrical style engages the listener with melodic harmonies, danceable rhythms and a magical experience for all.

Product Description
Natural Magic's Debut CD is full of great upbeat and uplifting songs! Powerful harmonies and positive messages woven around wonderfully diverse styles of Rock and R&B with an original jammin' sound.

Natural Magic,Natural Magic,Natural Magic Music,Rock/Pop,varied rock & r&b styles with positive, empowering messages & harmonies.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating:

Natural Magic Music Masai Bey Manufacturer: Raptivism ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music ASIN: B000E0OFBQ Release Date: 2006-01-31

Tracks:

1. Thee Agenda
2. Aural Tradition
3. Stanza X
4. Neurodome
5. Ego Power
6. Street Music
7. Versastyle
8. Radical Radio
9. Natural Magic
10. Rite in Rimes
11. Life Alight
12. Five Loaves
13. Mascience
14. Environmental Change

Average customer rating: Martha's best!!!!!! Two early seventies albums Worth The Wait They Saved the Best for Last Features Martha Reeves at her vocal peak

Natural Resources / Black Magic Martha & the Vandellas Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Classic R&B | R&B | Styles | Music General | R&B | Styles | Music Motown | R&B | Styles | Music General | Soul | R&B | Styles | Music R&B | Imports | Stores | Music Similar Items: Ridin' High/Sugar n' Spice Dance Party/Watchout! Come and Get These Memories/Heat Wave Knight Time/A Little Knight Music Silk & Soul/Nitty Gritty ASIN: B0000647GT Release Date: 2002-04-29

Tracks:

1. Something
2. Easily Persuaded
3. Didn't We
4. I'm in Love
5. Love, Guess Who
6. Everybody's Talkin'
7. Put a Little Love in Your Heart
8. Hurt Is Over (Since I've Found You)
9. Take a Look
10. Won't It Be So Wonderful
11. I Should Be Proud
12. People Got to Be Free
13. No One There
14. Your Love Makes It All Worthwhile
15. Benjamin
16. Tear It on Down
17. I've Given You the Best Years of My Life
18. Bless You
19. I Want You Back
20. In and Out of My Life
21. Anyone Who Had a Heart
22. Hope I Don't Get My Heart Broke
23. I Gotta Let You Go [Stereo Mix][#][*]
24. Earthquake [#][*]
25. People Got to Be Free [Alternative Version][Alternate Take][*]

Album Description

UK two-on-one remastered reissue includes 'Natural Resources' (1970) & 'Black Magic' (1972) plus three previously unreleased bonus tracks, 'I Gotta Let You Go' (Stereo Mix), 'Earthquake' & 'People Got To Be Free' (Alternative Version). Slimline 2CD case housed in a slipcase with one CD.

Album Details

Digitally Remastered Two Original Albums on a Single CD.

Customer Reviews:

Martha's best!!!!!!.......2006-03-30

These two albums are by far the best of Martha Reeves & The Vandellas. It is so refreshing to finally see them on CD. 'Natural Resources' is far better than 'Black Magic.' The best song I feel on the album is 'The Hurt is Over,' which would have skyrocketed to No.1 had it been released. Another standing out is 'Easily Persuaded,' which Reeves has said she thought could have been a No.1. Too bad Diana Ross squatted Berry Gordy. It's sad to say that sex gets you farther than talent, that of which Ross had very little of, if none at all. I also love the track 'Something,' which is filled soul, and 'Didn't We' which shows Martha can sing standards like the best of 'em. In fact ...all of the tracks not used on the album, were issued on the 'Spellbound: Lost & Found' 2-CD set. Those tracks are 'Talking 'Bout Love,' 'Build Your Love on a Strong Foundation,' 'Earthquake [stereo mix],' and 'There's Love in the World,' just to name a few. "Black Magic,' boasted two fine tracks, the highly collected 'No One There,' now a cult classic, and a very emotional 'Benjamin.'

Two early seventies albums.......2003-05-25

By the time these albums were recorded, Martha and the Vandellas were no longer the attraction they had been in the sixties, but the albums are still worth a listen by committed Motown fans.

The first album, Natural resources, was released in 1970. Only one single was released in America (I should be proud, which failed to chart) and no single was released in Britain. I should be proud is an anti-Vietnam song, which Martha delivers with real feeling. There are some covers here, including Something (Beatles), Put a little love in your heart (Jackie De Shannon) and Everybody's talking (Harry Nilsson), but most of the songs are original, though none are as impressive as I should be proud.

The second album, Black magic, was released in 1972. The cover of Something re-appeared on that album but is not duplicated here as no changes were made to it. The American singles from this album were Bless you, In and out of my life and I want you back. The British singles were Bless you and No one there. None of these singles climbed very high and some failed to chart at all. The only cover here is Anyone who had a heart.

Three bonus tracks include I gotta let you go, another minor hit, and an alternative version of People got to be free.

While this set could hardly be described as essential, it is enjoyable.

Worth The Wait.......2002-12-14

This compilation includes two of my favorite albums I purchased 30 years ago as a teenager. I don't think there's a bad track on either album with many of the songs favorites of mine until today. I'm sure many fans of early Motown have never heard these songs as neither album sold well at the time. I was thrilled to finally get remastered versions of two albums I wore out years ago.

They Saved the Best for Last.......2002-06-21

After criminally neglecting Martha Reeves in his obssessive quest to make Diana Ross the greatest star who ever lived, Berry Gordy Jr. began having second thoughts. In "Natural Resources" the Vandellas were allowed to move beyond albums of random tracks to something a little more ambitious mixing Motown originals with important material from outside the company and the orchestrators were given the go-ahead to be experimental and imaginative. "Natural Resources" glows with this freedom for the group, as does the cover which frees them from evening gowns and girl groupiness and lands the trio squarely in the middle of the back to nature movement. The album is terrific start to finish (the harmonies on "Something" are something!) and Martha finally is allowed to show she can do more than be a Vandella, that she can do ballads, showtype tunes, whatever, but the release went barely noticed as Motown was frying other fish. "Black Magic," with the best cover the Vandellas ever got, was strictly the result of Martha's own enterprise. The company had moved to L.A. and left her behind in Detroit but, again, had second thoughts. The idea was to put her on the new MoWest label out of L.A. working with the Jackson Five's producers the Corporation. That project never got completed, but some of the tracks ended up on this album. Beyond that, Martha got attention from George Gordy, resulting in one of her greatest records, "In and Out of My Life;" Ashford and Simpson for "Tear It on Down" and somehow got the gorgeous ballad "No One There," which opened the album and should have been a #1 single but--guess what--never got out AS a single in the U.S. Martha herself found some of the tracks at Motown and managed to get herself recorded with them and from this total botched mess comes surprisingly a beautiful piece of work. "Benjamin" is particularly noteworthy, showing Martha way, way beyond her shout days to being a thoughtful, deep singing actress. Meanwhile, Motown, mysterious as usual, repeated "Something" from the previous album while leaving off two amazing tracks, "Baby Don't Leave Me" and the followup to "In and Out of My Life," "I Won't Be Fooled The Way I Was Before." They appeared 30 years later. This album (originally to have been titled "Black Lace") got zip promotion and was hard to find. But together on C.D. these two albums represent a revelation--here is a truly great singer truly ignored by the record company she helped raise to success and, despite it all, she ends up triumphant. And doing better than ever now, thank you very much.

Features Martha Reeves at her vocal peak.......2002-05-20

Martha Reeves & The Vandellas always had a loyal cult following in Britain, so it's not surprising that Motown UK has finally reissued all their original albums as twofers in CD format. The good news is that they're all given the royal treatment (similar to the Supremes reissue), with annotated track listings, bonus tracks including alternative takes, glorious colour pictures on the covers and booklets and above all. great audio quality from digital remastering. The not-so-good news is that the albums themselves are of variable qaulity and not always essential to all but hardcore fans. The best of the 3 later releases is to my ears "Natural Resources/Black Magic", the weakest and least essential being "Riding High/Sugar & Spice". "Dance Party/Watchout" is worth buying if only for the dance set.

Released in the early 70s when the group was considered to have passed its sell by date, "Natural Resources/Black Magic" contained surprisingly some of the most accomplished and mature work Martha ever did with Motown. By then, the music scene had changed and the practice of loosely throwing together a bunch of familiar covers for an album release was considered passe for artistes who wanted to be taken seriously. So, with these two albums, Motown tried to upgrade the group's image a bit by getting them to record more contemporary material. The results were mixed. But vocally, Martha was in peak form. She never sounded better. On gems like "I Should Be Proud", she lets rip with a new confidence, allowing her gorgeous voice to soar and her passionate vibrato to convey emotions that must have registered on the richter scale. Her phrasing on some of her earlier recordings could be sloppy occasionally, but by the early 70s, she had tightened up professionally and was hitting the sweet spot with deadly accuracy.

The release of "Natural Resource" went virtually unnoticed. It yielded no hits. But even with its fair share of fillers, it was memorable for the half dozen songs that genuinely worked and showcased Martha's growing prowess as a vocalist. Aside from the devastating "I Should Be Proud" - a high watermark of the group's latter day work with Motown - Martha also experimented with jazz and come up with the goods on Jimmy Webb's "Didn't We" and a searing performance on "Love, Guess Who". Another particular highlight for me was the raunchy "Easily Persuaded" featuring some of the most impressive and soulful singing Martha ever did. Unfortunately, their covers of the Beatles ("Something"), Nilsson ("Everybody's Talking"), Jackie de Shannon ("Put A Little Love In Your Heart") and the Rascals ("People Got To Be Free"), though respectable, didn't work so well, reflecting Motown's own A & R limitations.

Nevertheless, the group went out in style with "Black Magic", which like its predecessor, wasn't perfect but delivered some truly good stuff. By 1972, the Jackson 5 was Motown's priority act, so Martha & the girls benefited from the spillover effect. "Bless You", written and produced by The Corporation, was their most catchy number in a long while and a modest sized Top 40 hit for them. Their cover of the Jacksons' "I Want You Back" was also different and interesting. But the piece de resistance was "Benjamin", an emotional ballad which showed off Martha's vocal dexterity to great effect. There was also Ashford & Simpson's "Tear It On Down", which once again distinguished Martha's choices from Diana's when they were picking from the same songbook. Martha always went for the heavier, grittier, though less tuneful stuff. The non-album single "I Gotta Let You Go" was a good bonus track.

"Natural Resources/Black Magic" is my own personal favourite and the most satisfying of the 3 later twofers.

Average customer rating:

Flambeau Fire-Politically Hot Manufacturer: Wolford and Harvey Studios ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music ASIN: B000CA6YFI Release Date: 2004-11-16

Average customer rating:

Natural Feeling King Errisson Manufacturer: Acklins Records ProductGroup: Music Binding: Audio CD ASIN: B000N54J86

Product Description

14-track CD on Acklins Records, 1996. Album is divided into "vocal concert" and "instrumental concert."

Average customer rating:

The King of Glory - Newly commissioned anthems from St. Marylebone - The Choir of St. Marylebone, London Manufacturer: Priory Records UK ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B00004T212 Release Date: 2000-05-30

Average customer rating:

Dressed To Kill Records Presents, 17 Classic Ska Cuts by Original Artists FEATURING: DESMOND DEKKER, INTERNATIONAL BEAT, BIG 5, SPECIAL BEAT, NATURAL RHYTHM, THE ETHIOPIANS, DENNIS BROWN, HOT KNIVES, THE SKADOWS, DELROY WILSON, THE SELECTER, JUDGE DREAD, KING HAMMOND, MAROON TOWN, BUGSY MALONE, BOB MARLEY RUDI GOT SOUL - DESMOND DEKKER / MAGICAL FEELING - INTERNATIONAL BEAT , LIVE INJECTION - BIG 5 / MONKEY MAN - SPECIAL BEAT , BLUE BEAT AND SKA - NATURAL RHYTHM / TRAIN TO SKAVILLE - THE ETHIOPIANS , IT'S MAGIC - DENNIS BROWN / DRIVING ME MAD - HOT KNIVES , TWICE - THE SKADOWS / THIS OLD HEART OF MINE - DELROY WILSON , SHE'S MINE - INTERNATIONAL BEAT MISSING WORDS - THE SELECTER / HANDS OFF , REGGAE AND SKA - JUDGE DREAD / KING HAMMOND SHUFFLE - KING HAMMOND , CITY RIOT - MAROON TOWN , BEST FRIEND - BUGSY MALONE , and DUPPY CONQUEROR - BOB MARLEY ProductGroup: Music Binding: Audio CD ASIN: B000QJZQ4K

Average customer rating:

Natural Magic Natural Magic Manufacturer: Natural Magic Music ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Indie Music | Stores | Music ASIN: B000063V0L Release Date: 2002-03-20

Tracks:

1. Natural Magic
2. Life's Highway
3. Somehow
4. The Stone
5. New Millenium
6. Rob's Song
7. Through The Fire
8. That's A Fact
9. My Own Way
10. Get On With Your Life
11. The Clown Inside
12. Shining Through
13. Pray For You
14. One September Mournin'

Album Description

Natural Magic's Debut CD is full of great upbeat and uplifting songs! Powerful harmonies and positive messages woven around wonderfully diverse styles of Rock and R&B with an original jammin' sound.

Average customer rating:

Interstates Manufacturer: Magic Crow ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music ASIN: B000CAG8D6 Release Date: 2005-09-13

Average customer rating:

Strange Tales Manufacturer: Rokit ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music General | Classic Rock | Styles | Music ASIN: B000CA92SE Release Date: 2003-10-07

Rock Music:

1. Never a Dull Moment [Import]
2. One [Import]
3. Orchestral Favorites [Import] [Limited Edition]
4. Paper White [EP]
5. Parle Avec Elle: Un Film de Pedro Almodovar [Import] [Soundtrack]
6. Red White & Crue [Import]
7. Ride [Import]
8. Rock Around the Clock! [Import]
9. Rover Songs
10. Rusted Root

Rock Music