For the Love of Todd

for the love of todd

Track Listings

1. International Feel - Mitch Easter
2. Long Flowing Robe - Viral Satellite
3. Healer - Ben McMurtie
4. Izzat Love? - Jamie Hoover
5. The Fire of Mind - Greg Jennings
6. Too Far Gone - Rocket Scientists
7. Couldn't I Just Tell You - The Guild
8. Compassion - Missy Miller
9. Hello, It's Me - Mitch Cooper
10. Pretending To Care - Fred Froom
11. There Goes My Inspiration - Parthenon Huxley
12. Lucky Guy - Roy Goldberg
13. Broke Down and Busted - Don Dixon
14. Torch Song - Van Cooper
15. The Wheel- David Melbye
16. You Cried Wolf - Ken Gullac and Kirk Carlson
17. Cliche - Kenny Collins
18. Slut - The Woods
19. Love of the Common Man - Nate Kenerly
20. I Don't Want To Tie You Down - Bill Lloyd
See all 21 tracks on this disc

For the Love of Todd,For the Love of Todd,Third Lock Records,Rock/Pop Collections
Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Average customer rating: 5 out of 5 stars
  • Great CD
  • Simply the Best
  • Inconsistent, but mostly excellent
  • "Celebration" is not strong enough a word
  • A maginificent evening, a magnificent album
Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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  1. Sondheim Evening: A Musical Tribute (1973 Concert Cast)
  2. Side By Side By Sondheim (1976 Original London Cast)
  3. Send in the Clowns: The Ballads of Stephen Sondheim
  4. Sondheim - A Celebration at Carnegie Hall
  5. Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

  1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
  2. Evening Introduction--Bill Irwin
  3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
  4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
  5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
  6. Being Alive--Patti LuPone
  7. Good Thing Going--The Tonics
  8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
  9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
  10. Anyone Can Whistle--Billy Stritch
  11. Water Under the Bridge--Liza Minnellli, Billy Stritch
  12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

  1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
  2. Sooner or Later--Karen Ziemba
  3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
  4. Green Finch and Linnet Bird--Harolyn Blackwell
  5. The Ballad of Booth--Patrick Cassidy, Victor Garber
  6. Broadway Baby--Daisy Eagan
  7. I Never Do Anything Twice--BETTY
  8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
  9. Not a Day Goes By--Bernadette Peters
  10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
  11. Send in the Clowns--Glenn Close
  12. Old Friends--Liza Minnelli
  13. Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

4 out of 5 stars Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

5 out of 5 stars Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

4 out of 5 stars Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

5 out of 5 stars "Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

5 out of 5 stars A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)
Average customer rating: 4.5 out of 5 stars
  • Wow!
  • Everyone Should Whistle
  • An amazing intro to the body of work of a true master
  • Beautiful, moving concert
  • ... and I love Barbara Cook
Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059LFF
Release Date: 2001-05-08

Tracks:

  1. Everybody Says Don't
  2. I Wonder What Became of Me?
  3. The Eagle and Me
  4. I Had Myself a True Love
  5. Into the Woods / Giants in the Sky (Malcolm Gets)
  6. Another Hundred People / So Many People (Malcolm Gets)
  7. Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
  8. Happiness
  9. Loving You
  10. You Could Drive a Person Crazy
  11. Not A Day Goes By / Losing My Mind

Tracks:

  1. Buds Won't Bud
  2. I Got Lost in His Arms
  3. West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
  4. Move On (duet with Malcolm Gets)
  5. Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
  6. Ice Cream
  7. Send in the Clowns
  8. The Trolley Song
  9. Not While I'm Around (duet with Malcolm Gets)
  10. Anyone Can Whistle

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Wow!.......2004-02-20

Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

5 out of 5 stars Everyone Should Whistle.......2003-10-11

After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

5 out of 5 stars An amazing intro to the body of work of a true master.......2003-06-16

When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

4 out of 5 stars Beautiful, moving concert.......2003-04-13

This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

1 out of 5 stars ... and I love Barbara Cook.......2003-02-11

This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.
The String Quartet Tribute to Fleetwood Mac
Average customer rating: 4 out of 5 stars
  • very nice
  • Great!
The String Quartet Tribute to Fleetwood Mac

Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

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  5. The String Quartet Tribute to Queen

ASIN: B0000AM6L6
Release Date: 2003-08-12

Tracks:

  1. Second Hand News
  2. Dreams
  3. Don't Stop
  4. Go Your Own Way
  5. The Chain
  6. You Make Loving Fun
  7. I Don't Want To Know
  8. Gold Dust Woman
  9. Landslide
  10. Rhiannon
  11. Gypsy
  12. Little Lies
  13. Peacekeeper
  14. Tomorrow's Love Song (Original Composition)

Product Description

1. Second Hand News
2. Dreams
3. Don't Stop
4. Go Your Own Way
5. The Chain
6. You Make Loving Fun
7. I Don't Want To Know
8. Gold Dust Woman
9. Landslide
10. Rhiannon
11. Gypsy
12. Little Lies
13. Peacekeeper
14. Tomorrow's Love Song

Format: CD

Customer Reviews:

4 out of 5 stars very nice.......2007-07-16

If you are a fan of Fleetwood Mac, you will enjoy this. Beautifully done and very soothing to listen to.

4 out of 5 stars Great!.......2004-06-21

If you're into classical music and Fleetwood Mac then this album is for you! It's actually quite nice! I think this string quartet did a very nice job remaking Fleetwood Mac's masterpieces! It's quite interesting to listen to, especially if you're a big Fleetwood Mac fan! I would most definately recommend this album for big Fleetwood Mac and classical music fans!
Sings Sondheim
Average customer rating: 3 out of 5 stars
  • Patinkin Live
  • Sondheim recital
  • Also a very dissapointed fan
  • Adequate performance; poor entertainment
  • a very disappointed fan
Sings Sondheim
Mandy Patinkin
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. Dress Casual
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ASIN: B00006JP2C
Release Date: 2002-10-29

Tracks:

  1. Opening
  2. Lesson #8
  3. Another Hundred People
  4. When?
  5. Someone Is Waiting
  6. Johanna
  7. Green Finch and Linnet Bird
  8. Pretty Women
  9. Finishing the Hat
  10. If You Can Find Me, I'm Here
  11. Live, Laugh, Love
  12. Live Alone and Like It
  13. Everybody Says Don't
  14. Rich and Happy, Part 1
  15. Our Time
  16. Broadway Baby
  17. Rich and Happy, Part 2
  18. Uptown, Downtown
  19. Liaisons
  20. Send in the Clowns
  21. Live, Laugh, Love (reprise)
  22. You Could Drive a Person Crazy

Tracks:

  1. Free
  2. Company
  3. Waiting For The Girls Upstairs
  4. Pleasant Little Kingdom/Too Many Mornings
  5. Not While I'm Around
  6. All Things Bright and Beautiful
  7. It Takes Two
  8. In Someone's Eyes
  9. Beautiful
  10. Losing My Mind
  11. Take the Moment
  12. Sunday

Amazon.com

Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Patinkin Live.......2007-07-19

I am a huge Mandy Patinkin fan, and this is, without a doubt, one of the best CDs in my collection. The transitions between songs are excellent and seamless, plus the song selection was top-notch.

5 out of 5 stars Sondheim recital.......2007-01-22

Probably the best way to approach these disks is to treat them like a recital in a concert hall. Rather as you would listen to a Schubert or Schumann song cycle. Taken together this way, we come to hear Sondheim as one of our finest composers, serious, comic, manic, depressive, always dead on target no matter what the subject matter. And Patinkin is perfect for these songs; he understands the meaning and value of every note and every word, just as a fine concert singer would do, and he makes his listeners understand, too. One of the most intriguing concept albums in recent memory, and a joy all the way through. Bob Finley, Palm Springs, CA.

2 out of 5 stars Also a very dissapointed fan.......2003-08-22

I too LOVE Mandy and Stephen Sondheim and own just about everything both has ever made! I also have been to 6 of Mandy's live performances. This was truly a big dissapointment to me. Every concert I have seen Mandy in has been filled with emotion and his personality just grabs hold of you for an evening of wonderful escape-ism. This to me was very un-entertaining and I actually became irritated after awhile of listening to it. It seemed to drone on with out the wonderful feelings and emotions and soaring voice that Mandy typically puts into his music. I gave this as a gift too (since my friend and I had missed Mandy at his Sondheim review in DC last year) and felt badly that I had. There are so many other great recordings of Mandy...Kidults, Saturday in the Park with George, The Secret Garden, Mandy sings Rogers & Hammerstien and Sondheim. This one has just sat on my shelf after I played it through twice hoping to warm up to it...while my other recordings are very worn out with years of playing!

2 out of 5 stars Adequate performance; poor entertainment.......2003-05-04

I received this disc the same day a "Philip Quast Live at the Donmar". The Quast disc has its own flaws (and I dont wish to compare the two performers) but it has been strung together in a more thoughtful manner, with witty imagination and using a more dangerous in the choice of songs, which is really where this disc fails. The songs here are generally enjoyable though rather standard, and the lack of cohesion (running the songs together doesnt count) means I just dip into the discs listening to a few favourites, rather than enjoying the whole show.

2 out of 5 stars a very disappointed fan.......2003-02-05

I have every recording Patinkin appears on, even if he's only on one track; I adore his voice, his flair, his emotion, his ability to deliver a song.

But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).

And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.

Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.

I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been
Back in Baroque: The String Quartet Tribute to AC/DC
Average customer rating: 3.5 out of 5 stars
  • Not Bad, but need a second album...
  • An Excellent CD!!!!!!
  • ew
  • Totally Suprised!!!
Back in Baroque: The String Quartet Tribute to AC/DC

Manufacturer: Vitamin Records
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ASIN: B0000A0WHM
Release Date: 2003-07-22

Tracks:

  1. Hells Bells
  2. Shoot To Thrill
  3. What Do You Do For Money Honey
  4. Give The Dog A Bone
  5. Let Me Put My Love Into You
  6. Back In Black
  7. You Shook Me All Night Long
  8. Have A Drink On Me
  9. Shake A Leg
  10. Rock & Roll Ain't Noise Pollution

Product Description

1. Hells Bells
2. Shoot To Thrill
3. What Do You Do For Money Honey
4. Give The Dog A Bone
5. Let Me Put My Love Into You
6. Back In Black
7. You Shook Me All Night Long
8. Have A Drink On Me
9. Shake A Leg
10. Rock & Roll Ain't Noise Pollution

Format: CD

Customer Reviews:

3 out of 5 stars Not Bad, but need a second album..........2007-06-24

How can you have an ACDC tribute album without Highway To Hell. The music on this album is very good, but is unfullfilling without the aforemenioned number. I encourage them to make a second CD with more ACDC tunes on it, to really cover all the bases.

5 out of 5 stars An Excellent CD!!!!!!.......2003-12-19

I think that the reviewer that gave this CD a single star has not heard this CD because:

1. It is an excellent CD
2. The guy who did it, did the Coldplay CD
3. The site he gave is the Record Label that this CD is on and this CD can be bought there

I have listened to this CD over and over again and it is one of my favorite string tribute CDs. I own all of the CDs that this group has put out and if you want to see a list of all of the CDs they have done, you can check out their String Tribute Forum at:

http://tmrpro.com/phpBB2

1 out of 5 stars ew.......2003-12-15

i respect the whole neo-classical thing, but this cd is bad. sounds like somone sequenced the songs in their synthesizer. check out http://www.thetributeto.com/acdc/ . they perform their tributes, and do it well. i haven't heard their ac/dc tribute, but their other tributes (linkin park, 311, coldplay) are awesome.

5 out of 5 stars Totally Suprised!!!.......2003-09-01

I read about this CD on an AC/DC Fan site and they had a link to purchase it here. I bought the CD without hearing any clips or anything. So, buying it sight unseen, made me feel a little aprehensive.

Well, when it arrived I couldn't wait. I took it with me to work and played it in the car on the way. WHAT A GREAT CD & A GREAT IDEA!!! I love this CD! After hearing how well done this CD was, I decided to do something special for my wife ....and .... I took the next day off from work (which was a Friday) and prepared a wonderful steak dinner while my wife was at her job. I got a really good bottle of wine and I set the table with our finest table settings ... Candles lit and everything prepared ...When she got home, I had the candles burning, the lights were out, the table was set and I started the CD.... KAHPOWW!!! She freaked completely out! Needless to say, we had a wonderful time and what a way to romance my Rock & Roll Queen!!!

We've been fans of AC/DC since the 80s and this is probably one of our favorite AC/DC CDs, now!

I would suggest this CD to anyone who loves AC/DC and wants to add some spark to their romance .... We have candlelit dinners a couple times a month now and this CD is the main attraction!!!
Cello
Average customer rating: 5 out of 5 stars
  • Wonderfully resonant, playful cello music!
  • Barry Trivia
  • Carefully chosen melodies beautifully played
  • Celtic classics with a twist
  • Lush, haunting melodies
Cello
Barry Phillips , Todd Phillips , Shelley Phillips , Lars Johannesson , Shira Kammen , Alfonso X (el Sabio) , Anonymous , Peter Erson , Balkan Traditional , and English Traditional
Manufacturer: Gourd Music
ProductGroup: Music
Binding: Audio CD

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  1. Wondrous Love
  2. The World Turned Upside Down
  3. Fire & Grace
  4. Celtic Crossing

ASIN: B00004T92E
Release Date: 2000-06-27

Tracks:

  1. The Braes Of Lacheil
  2. Elizabeth Kelly's Delight
  3. Lochaber No More
  4. Old Heddon Of Fawsley
  5. O Ho The Pretty Chain
  6. Jesterpolska
  7. Cantiga de Santa Maria #206
  8. Trotto
  9. Gypsy's Lament
  10. I Love To See The Wheels In Motion
  11. Shto Mi E Milo
  12. Ladom Se, Goro Zalade
  13. Polska efter Pelle Fors
  14. We Brought The Summer With Us
  15. Inishere

Album Description

Introducing Cello, the second solo recording by longtime Gourd cellist and producer Barry Phillips.

Cello's expansive soundscape features traditional and contemporary cello solos, duos, and trios gleaned from traditions around the globe and from eight centuries of music. The 15 tracks present instrumentation and arrangements of melodies from Western and Eastern Europe, Scandinavia and North America.

Phillips has recently been touring with and arranging for sitar legend Ravi Shankar. This influence is heard on his new recording as Phillips blends the sounds of harmonium, tabla and tanpura with traditional Celtic tunes and instrumentation.

Customer Reviews:

5 out of 5 stars Wonderfully resonant, playful cello music!.......2006-09-30

Another great recording from Gourd music, "Cello" features Celtic, medieval and traditional European tunes arranged for cello and a host of other acoustic instruments too numerous to mention. I just love this CD, especially when played on a stereo system with a good bass! I've said it before and I'll say it again: there's something about the deep, rich tones of a cello that centers my body and awakens my soul, and I'm always glad to hear cellists breaking out of their customary role as accompanists and really strutting their stuff. On this album, Barry Phillips wanders far and wide, exploring musical traditions through the centuries and across the Old World, and creating clever, engaging arrangements that vary in flavor from traditional and "modern" classical to New Age and world fusion. Often the cello takes the lead, but just as frequently, Phillips is happy to switch off with one or more of his guest artists, transitioning easily from melody to harmony to accompaniment and back again. This jaunty, sonorous music is sure to be enjoyed by everyone, but musicians will especially appreciate it for its seemingly effortless complexity of texture, rhythm and line. In addition to performing cello, Phillips also plays cittern (a Renaissance strummed instrument with metal strings), harmonium, pipe organ, dilruba (a bowed, broad-necked lute from India), tanpura (a Near Eastern lute), zither and percussion. Joining him on what seems to be, in part, a family outing, are Shelley Phillips on oboe, English horn, whistle and harp, Nathan Phillips on guitar, and Todd Phillips on bass. Also joining the party are early music expert Shira Kammen on vielle and violin, Jared White on Scottish smallpipes and recorder, Lars Johannesson on flute, Theo Paige on fiddle, Muireann Nic Amhlaoibh on low whistle, Bikram Ghos on tabla, Martin Simpson on guitar, Neal Hellman on mountain dulcimer, Chris Caswell on bodhran, tar and tambourine, Harris Moore on hammered dulcimer, and Karuna Ault on tanpura. The prolific Barry and Shelley Phillips can be heard together on many other recordings, including "The Crooked Road" by frequent collaborator William Coulter , "Celtic and Contemporary Music" by Orison, and the releases of Aine Minogue. For more great cello music, try also "Cello Blue" by David Darling, "Eastern Twin" by Martin Tillman, and "Spirit and Light" by Rasa cellist Hans Christian.

5 out of 5 stars Barry Trivia.......2004-02-03

This brilliant CD is a collage of music from all over the world. When people pick up this album I think they may be expecting something with more of a Classical flare, but in fact Barry is known for his gifts as an interpreter of world music as well as an arranger/composer. Little Known Barry Facts: #1, He's a student of legendary sitarist Ravi Shankar, and played in Ravi's orchestra at the Concert for George. #2, Barry's first instrument was the drums, and he had a rock band at age ten. #3, His cello features a carving of a lion's head that looks uncannily similar to Teddy Rosevelt. #4, Barry has a degree in composition and has written chamber music inspired by 'Frog and Toad'. #5, He arranged a version of 'Purple Haze' for three cellos and performed it at a Celtic camp ceilidh. Anyway, the trivia could go on forever. I hope you enjoy this wonderful CD!!!

5 out of 5 stars Carefully chosen melodies beautifully played.......2002-02-08

On this CD Barry Phillips has assembled a collection of compelling melodies from a whole range of traditions. The tunes are predominately Celtic, but there are also some lovely Shaker melodies and music from Sweden and Spain. The arrangements are wonderful - original combinations of acoustic instruments including zither, tanpura, oboe, cittern, fiddle and of course cello. It's not for strict traditionalists, but any fan of acoustic music would find this worth a listen.

4 out of 5 stars Celtic classics with a twist.......2001-10-25

Barry provides a really excellent album. If you're looking for pure cello music with only mild accompaniment, you're probably looking in the wrong place, but this is pretty good. The songs reminisce of other things i've heard from other Celtic artists, but that may just mean that the composer is providing different renditions. It's a relaxing set of songs that will provide lots of enjoyment if you like Celtic music, particularly strings. But if you want more in-depth Cello music, look elsewhere.

5 out of 5 stars Lush, haunting melodies.......2001-01-04

I first heard Barry Phillips performing Shaker music in Santa Cruz on New Year's Eve. I went up to ask him about cds and Celtic music for cello, and my sister said, "I have his cd, and it's wonderful!" So I had to rush back to her place to hear it. I'm a cellist, and a fan of Celtic music, and it's such a treat to have those two passions combined on this recording. Besides cello, there are many other traditional instruments featured, such as bagpipe, wooden flute, and Celtic harp played by Barry's wife. I highly recommend this cd for fans of traditional Celtic and folk music, and also those eager to hear the rich voice of solo cello.
Gershwin Performs Gershwin: Rare Recordings 1931-1935
Average customer rating: Not rated
    Gershwin Performs Gershwin: Rare Recordings 1931-1935

    Manufacturer: Music Masters Jazz
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    1. Plays George Gershwin
    2. The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
    3. George Gershwin: His Life and Work
    4. Levant Plays Gershwin
    5. Gershwin Plays Gershwin: The Piano Rolls

    ASIN: B000000FMO
    Release Date: 1991-08-13

    Tracks:

    1. 'Music by Gershwin' Radio Program, February.19, 1934: Signature
    2. 'Music by Gershwin' Radio Program, February.19, 1934: Of Thee I Sing: Overture
    3. 'Music by Gershwin' Radio Program, February.19, 1934: The Man I Love
    4. 'Music by Gershwin' Radio Program, February.19, 1934: I Got Rhythm
    5. 'Music by Gershwin' Radio Program, February.19, 1934: Commercial
    6. 'Music by Gershwin' Radio Program, February.19, 1934: Swanee; Sign-off
    7. 'Music by Gershwin' Radio Program, April.30, 1934: Signature
    8. 'Music by Gershwin' Radio Program, April.30, 1934: Mine
    9. 'Music by Gershwin' Radio Program, April.30, 1934: Variations On 'I Got Rhythm'
    10. 'Music by Gershwin' Radio Program, April.30, 1934: Love Is Sweeping The Country
    11. 'Music by Gershwin' Radio Program, April.30, 1934: Commercial
    12. 'Music by Gershwin' Radio Program, April.30, 1934: Wintergreen For President; Sign-Off
    13. Rudy Vallee 'Fleischmann Hour' Radio Program, November 10, 1932: Variations On 'Fascinating Rhythm'.
    14. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: Second Prelude
    15. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: Interview
    16. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: I Got Rhythm
    17. Second Rhapsody Rehearsal Performance, June.26, 1931
    18. Porgy And Bess Rehearsal Performance, July.19, 1935: Introduction; Summertime
    19. Porgy And Bess Rehearsal Performance, July.19, 1935: A Woman Is A Sometime Thing
    20. Porgy And Bess Rehearsal Performance, July.19, 1935: Act 1, Scene 1: Finale
    21. Porgy And Bess Rehearsal Performance, July.19, 1935: My Man's Gone Now
    22. Porgy And Bess Rehearsal Performance, July.19, 1935: Bess, You Is My Woman Now

    Amazon.com

    More interesting (and--predictably--less mechanical) than his piano rolls, Gershwin Performs Gershwin showcases the Gershwin-conducted rehearsal sessions for Second Rhapsody and Porgy and Bess along with two Gershwin radio specials recorded in the early '30s titled Music by Gershwin. These are period pieces, for sure--the sound is shoddy, and the radio spots' commercials are as entrancing as the music that's being played. But, yes, that is Gershwin conducting and playing piano, and this is as close as we'll get to hearing these familiar tunes being played the way he wanted them. --Jason Verlinde
    George Gershwin Memorial Concert
    Average customer rating: 4.5 out of 5 stars
    • An Absolute Must For Lovers of Music and History
    • A real collector's item, especially for old-time radio buffs
    George Gershwin Memorial Concert

    Manufacturer: North American Class
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    PreludesPreludes | Forms & Genres | Classical | Styles | Music
    Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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    ASIN: B000006PDF
    Release Date: 1998-04-28

    Tracks:

    1. Opening Comments
    2. Prelude #2
    3. Commentary
    4. An American In Paris
    5. Commentary
    6. Eulogy
    7. Swanee
    8. The Man I Love
    9. They Can't Take That Away From Me
    10. Station Identification : Commentary
    11. 1st Movement : Allegro
    12. 2nd Movement : Andate con moto
    13. Concerto In F: 3rd Movement : Allegro con brio

    Tracks:

    1. Intermission : Mrs. Leiland Atherton Irish; Oscar Hammerstein Tribute; Edward G. Robinson Tribute; Commentary
    2. Introduction To The Second Half
    3. Anthology : The Man I Love, Liza, Lady Be Good, Somebody Loves Me, Do It Again, I Got Rhythm, Wintergreen For President, Strike Up The Band
    4. Commentary
    5. Porgy And Bess: Introduction And Summertime
    6. Commentary
    7. Porgy And Bess: My Man's Gone Now
    8. Porgy And Bess: The Buzzard Song
    9. Porgy And Bess: The Train Song
    10. Porgy And Bess: I've Got Plenty O' Nuttin'
    11. Porgy And Bess: Bess, You Is My Woman Now
    12. Porgy And Bess: I'm On My Way
    13. Commentary
    14. Rhapsody In Blue

    Customer Reviews:

    5 out of 5 stars An Absolute Must For Lovers of Music and History.......2001-01-20

    This album contains the best works of George Gershwin, played by the very best artists of the period. The quality of the recording is excellent, actually amazing considering that this recording was made in 1937. The music of the master, George Gershwin, and the authenticity of the playing is more than enough reason to buy the CD set. But there is more: The album consists of the complete two and one half hour historic radio program, broadcast as the announcer says "by short wave to the four corners of the earth." It is so moving that you can feel like you are experiencing it live. The 16 pages of liner notes that come with CD set have been carefully researched for historical accuracy and competent critical evaluation of the music. One could have wished the producers would have found room on the cover of the CD set to list Charles Previn, who conducted Concerto in F, which accounted for approximately thirty minutes of the playing time and for Nathaniel Shilkret and Nathaniel Finston who, as conductors, were the featured artists for another approximate half hour of playing time. One could only wish that there were only such minor complaints with all musical recordings. The producers deserve thanks for making this wonderful piece of history available to the public.

    4 out of 5 stars A real collector's item, especially for old-time radio buffs.......2000-09-24

    This recording preserves,for all posterity and in quite listenable sound for its time, one of the most important and moving cultural events of the early twentieth century--the full-length memorial tribute to George Gershwin, the USA's greatest composer ever,IMHO.

    This was broadcast on CBS Radio in September,1937, barely two months after the composer's shocking and untimely death from a brain tumor at the age of thirty-eight. All of his most famous pieces for concert hall are heard here,and the advantage of hearing them in a live performance is that they are not edited, as they often would have been in recordings made during that era. (Gershwin's own recording of the "Rhapsody in Blue",made in the 1920's in a recording studio,is rather severely cut.)

    Many of the performers, such as Fred Astaire and Oscar Levant, give memorable performances,but there are a few clinkers. The great German conductor Otto Klemperer may be brilliant in Beethoven and Bach, but he was not the man to conduct Gershwin's Second Prelude, heard here in an orchestral arrangement. He has no feel for jazz idioms whatsoever, and he makes this slow, blues-like piece sound like a dirge out of Mahler or Bruckner. It is,sad to say, the worst performance of the Prelude I have ever heard. And whatever possessed the producers of this concert to get Lily Pons,with her pronounced French accent,to sing "Summertime", rather than an American soprano,which they could have gotten easily? It throws the whole "Porgy and Bess" segment out of whack.

    That "Porgy" segment, however, is one of the most valuable historical documents ever recorded. It presents members of the original 1935 cast of the opera performing unedited versions of several arias,duets and ensemble pieces from the opera, conducted by Alexander Smallens, the original conductor. And it presents perhaps the only surviving recording of Ruby Elzy,the original Serena, singing "My Man's Gone Now". (Miss Elzy was NOT featured on the so-called Broadway cast album; Anne Brown,the original Bess,sang Serena's music on that one,as well as singing Bess and Clara's arias.) And we finally get to hear Todd Duncan perform "The Buzzard Song", which was cut from the opera for a very long time.

    Fred Astaire's spoken tribute to Gershwin is very moving, and at one point, his voice is heard cracking with emotion. The announcer and narrator, however, speaks in that overenunciated, dramatic, actorish style which was apparently the norm for radio announcers of that period. He sounds as if he were getting ready to either impersonate Orson Welles, or audition for "Hamlet", and his style of speaking is almost quaint nowadays.

    But this album is still irreplaceable.

    An update to this review - This edition of the memorial concert is apparently out of print, and the concert itself has been reissued as part of the ongoing CD series "The Radio Years". DO NOT BUY THAT VERSION. It is vastly inferior to this one. This version has spectacular sound for its time, and the new reissue sounds as if had been recorded through a tin can. And not only is the sound bad on the reissue, but there is tons of surface noise and the program itself seems to be abridged.

    We can only hope that the edition listed on this page will be re-issued some day. This historic concert deserves no less.
    The String Quartet Tribute to Switchfoot
    Average customer rating: 3.5 out of 5 stars
    • Disappointing
    • For the complete Switchfoot Fan
    • Another good one!
    • Very awesome String-Quartet Tribute
    The String Quartet Tribute to Switchfoot

    Manufacturer: Vitamin Records
    ProductGroup: Music
    Binding: Audio CD

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    5. Nothing Is Sound

    ASIN: B0007PAM3S
    Release Date: 2005-03-08

    Tracks:

    1. Meant To Live
    2. 24
    3. Love Is The Movement
    4. Let That Be Enough
    5. Sooner Or Later
    6. The Economy Of Mercy
    7. Dare You To Move
    8. This Is Your Life
    9. Learning To Breathe
    10. Chem 6A
    11. Erosion
    12. The Sharing Of Tries

    Product Description

    1. Meant To Live
    2. Twenty Four
    3. Love Is The Movement
    4. Let That Be Enough
    5. Sooner Or Later
    6. The Economy Of Mercy
    7. Dare You To Move
    8. This Is Your Life
    9. Learning To Breathe
    10. Chem 6A
    11. Erosion
    12. The Sharing Of Tries (Original Composition)

    Format: CD

    Customer Reviews:

    2 out of 5 stars Disappointing.......2006-03-09

    First of all, I'm a big Switchfoot fan. I also occasionally enjoy classical music. I've even enjoyed previous string tributes to other bands. Strung Out on OK Computer comes to mind, as well as a Pink Floyd tribute.

    But this just doesn't work for me. I liked maybe two of the songs on here, the rest sounded cheesy and pretentious. I ended up giving my copy away to my little brother for Christmas. :o)

    And I don't even know what "The Sharing of Tries" is.

    3 out of 5 stars For the complete Switchfoot Fan.......2005-10-11

    Most people will enjoy this album if they are fans of Switchfoot's older music. Although the album has a few hits from "The Beautiful Letdown", most of the CD features hits from earlier albums. My only complaint about the album, is that it is an entirely digital recording from what I hear. The songs are not performed by a real string quartet. If you are a fan of classical music then this might bother you, otherwise it is a pretty good album.

    4 out of 5 stars Another good one!.......2005-06-05

    I'm not a big fan of Switchfoot...but this Quartet versions of these songs are amazing. I think this album takes Switchfoot's songs to a whole new level and improves upon their composition. Switchfoot should do more work with strings, especially if the outcome is as great as this!

    5 out of 5 stars Very awesome String-Quartet Tribute.......2005-04-03

    This is my favorite String-Quartet Tribute so far. If you're a fan of Switchfoot (and definately orchestra type instrumentals) you're probably going to like this. Songs like Meant To Live, Dare You To Move, Learning To Breathe, Chem 6A, and some of your other favorites are all here. This was the second type of these String Tributes I heard, and I was very impressed. This isn't the switchfoot your used to with singing and guitar, but replaced with violins and cello's and that sort. Even though an odd replacement, it's just as good as the original Switchfoot and gives you a different hear on the music. 2 thumbs up.
    Bright Eyed Joy: The Songs of Ricky Ian Gordon
    Average customer rating: 4.5 out of 5 stars
    • Phenomenal!
    • Incredible
    • Quite an enjoyable CD
    • Don't Walk, run ...run ...run ...to your stores
    • Where did all the decent singers go?
    Bright Eyed Joy: The Songs of Ricky Ian Gordon
    Dawn Upshaw , Todd Ellison , Judy Blazer , Ted Sperling , Kenneth Burward-Hoy , Jesse Levy , Lawrence Feldman , and Darius de Haas
    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    1. Only Heaven: A Musical Work by Ricky Ian Gordon Based on the Poetry of Langston Hughes
    2. My Life with Albertine (2003 Original Off-Broadway Cast)
    3. Dream True
    4. Finding Home - The Songs of Ricky Ian Gordon
    5. Myths And Hymns (1998 Off-Broadway Cast, Originally Saturn Returns)

    ASIN: B000059LY2
    Release Date: 2001-04-24

    Tracks:

    1. Heaven
    2. Poor Girl's Ruination/The Dream Keeper
    3. A Contemporary
    4. Run Away
    5. When Sue Wears Red
    6. Afternoon On a Hill
    7. Love Song For Lucinda
    8. Wild Swans
    9. I'm Open All Night
    10. Souvenir
    11. New Moon
    12. Resume/Wail/Frustration
    13. The Red Dress
    14. Dream Variations
    15. Song For a Dark Girl
    16. Daybreak In Alabama
    17. Once I Was
    18. Joy

    Amazon.com

    Along with Michael John LaChiusa and Adam Guettel, Ricky Ian Gordon is one of the Young Turks of New York's musical theater. Like them, Gordon shuns both the accessible pop of a David Yazbek and the bombast of a Frank Wildhorn, preferring instead to write post-Sondheimian art songs. The numbers here (with lyrics by Langston Hughes, Edna St. Vincent Millay, Dorothy Parker, James Agee) span two decades. They are marvelously interpreted by the likes of Audra McDonald, Dawn Upshaw, Darius de Haas, and Judy Blazer. Blazer ambles through "Resumé/Wail/Frustration" with delicious jazz-age wit, while Upshaw once more proves that she's a classical singer with an uncanny flair for the nonclassical repertoire. Note that anyone who's expecting anything resembling a beat is advised to look elsewhere. --Elisabeth Vincentelli

    Customer Reviews:

    5 out of 5 stars Phenomenal!.......2001-09-27

    Ricky Ian Gordon is a very talented composer and poet, and the songs on "Bright Eyed Joy" display his magnificent gifts. There is not a contemporary composer who has his talent of fitting text to music, and the singers on this disc bring his compositions alive. Track 17, "Once I Was," will make you weep!

    5 out of 5 stars Incredible.......2001-06-02

    This is an incredible CD, from the sparkling orchestrations which are chamber but in the way they are mixed everything dances out at you, to the vocal interpretations which are so innovative for a recording of this type...settings of poetry but sung by regular, albeit, extraordinary regular people (except people like Dawn Upshaw and Audra McDonald who have already established themselves as major vocal artists)so that the songs feel personal. There is about this CD an incredibly meaningful air...moving, magisterial, powerful...straight from "Heaven" to "Joy" Gordon takes us on an inexorable journey through life towards transcendence and he and his brilliant players and performers succeed...Nonesuch does it again...Superb! Kudos all around. Gordon is a REAL composer, with a deep understanding of poetry as well as a fabulous gift for writing words himself!

    4 out of 5 stars Quite an enjoyable CD.......2001-05-20

    Being a fan of Mr. Gordon's, I couldn't wait until this CD came out. And I was not disappointed. The music is a cross between classical art songs and standard Broadway fare. Perhaps most enjoyable are the tracks sung by Audra McDonald, some of which were previously released on her first solo album, Way Back to Paradise, but which were supplimented with some additional tracks that really suit her dramatic voice and extensive range. Two other highlights include "Afternoon on a Hill", "Souvenir", and "Once I Was", which demostrate clever writing on the part of the composer, as well as true understanding of the texts on the part of the performers...I feel that Mr. Guettel performs well on this disc. It may appear that he does not have the vocal training that others do, however, his interpretive skills as well as his clear understanding of texts and emotions make his tracks poignant, and his voice is quite pleasant. My only complaint would be that Darius De Haas was included on the disc instead of Billy Porter, who I have seen performing these songs live, and quite well. Mr. De Haas is quite adequate, I simply prefer the power and exultation that Mr. Porter displays when he sings the compositions. Overall, however, this is a wonderful inclusion to anyone's collection, especially anyone who is a fan of anyone writing new, sophisticated theatre music.

    5 out of 5 stars Don't Walk, run ...run ...run ...to your stores.......2001-05-08

    A huge fan of Donald Katz's "Home Fires" in which Mr. Gordan and his family are the central characters in a moving biographical tribute to an American Family, I have followed the story of this talent ever since. What I have to say of this incredible cd is nothing less then INCREDIBLE. Though there are some major comparisons to the likes of Stephan Sondheim, I am sure Mr. Gordan does not mind in the lease, but in the ened, he is all his own. Do not walk to get this cd, run to get it ....run like there is a wild fire following you to your nearest cd store ....If you don't love it, if you aren't moved by every lyric and strong and chord, then all I can say is, your not a real musical theater fanatic.

    3 out of 5 stars Where did all the decent singers go?.......2001-05-07

    It is such a tragedy that such beautiful music such as this CD is ruined by inadequate singing on behalf of the performers. There is ONE exception to this, of course, and that being Audra McDonald. Darius De Haas and Theresa McCarthy are both excellent musicians in an artistic sense, but they lack any sort of vocal substanance needed to carry off these difficult songs. Unsupported and in need of clarity are how I would describe their performances. Dawn Upshaw must posses some of the most glorious high notes ever to be heard, unfortunately, she swoops and scoops all over the place and manipultes her vowels in such a way as to distract the listener. Since when did this become acceptable? Adam Guettel is not a singer and I never understood why he insists on attempting to sing anyway. I still remember the first time I heard "Come to Jesus" with he and Audra. He paled so much in comparison... In conclusion - if you can stand the singing (which is very hard, I still can't force myself to listen to McCarthy attempt to sing track 4, or maybe 5)then this CD is excellent. Gordon tends to be very elementary in his compostions, so there are many hummable tunes due to his repititious themes. As a fan of art songs and Dawn Upshaw/Audra McDonald, I've been looking forward to this CD. If you are fans of them as well, and don't mind paying [the price] for about 4 good songs, then have a go at this CD!!

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