Den Gåtfulla Människan [Import]

Product Description
This album of organ music is the enigmatic debut solo release from Sweden based Eric Malmberg, the former songwriter and organist for the now defunct Sagor & Swing. Merging timeless melodies and quiet pastoral soundscapes, Malmberg's musicianship has often drawn comparisons to the early work of fellow-Swede Bo Hansson. Hapna. 2005.

Tracks:

II: Andante - Stephen Hough
I: Adagio Sostenuto - Dame Moura Lympany
Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
Nocturne No. 2 In E Flat - John Ogdon
Clair De Lune - Dame Moura Lympany
II: Adagio - Cecile Ousset
Tango - Dame Moura Lympany
Liebestraum No. 3 In A Flat - John Ogdon
Waltz No. 9 In A Flat - Dmitri Alexeev
Rhapsody On A Theme Of Paganini - Cecile Ousset
Traumerei - Dame Moura Lympany
La Maja Y El Ruisenor - Magda Tagliaferro
Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
Gymnopedie No. 1 - Aldo Ciccolini
Fur Elise - Dame Moura Lympany
Etude In E 'Tristesse' - John Ogdon
Fruhlingslied - Daniel Adni
II: Andante - Dmitri Alexeev

Tracks:

II: Adagio Cantabile - Walter Gieseking
II: Romanze - Annie Fischer
Aria - Maria Tipo
II: Romance (Larghetto) - Garrick Ohlsson
Granada - Gonzalo Soriano
Waltz No. 15 In A Flat - Maura Lympany
II: Largo - Andrei Gavrilov
An Den Fruhling - Daniel Adni
Nocturne No. 10 In A Flat - Daniel Adni
II: Adagio Un Poco Mosso - Walter Gieseking
La Fille Aux Cheveux De Lin - Dame Moura Lympany
Cancons I Dansas No. 1 - Gonzalo Soriano
II: Adagio Sostenuto (Opening) - Cecile Ousset
Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
Gnossienne No. 1 - Aldo Ciccolini
Berceuse - Jean-Philippe Collard
Minuet In G - Dame Moura Lympany
Berceuse In D Flat - Peter Donohoe

Customer Reviews:

something to have.......2007-03-14

These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.

Excellent Music.......2007-02-19

This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!

buy now.......2006-09-01

Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.

Lovely.......2006-02-22

This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.

Aesthetically Pleasing.......2005-09-14

I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.

As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!

I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!

Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan

Average customer rating:

lovely music, but . . . . .
Anna Magdalena Notebook-- a treasure trove of Baroque music
Music for Bach's Katy
Charming and beautiful
Bach's wifes' collection of her favorite pieces

Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
Lorraine Hunt , and Nicholas McGegan
Manufacturer: Harmonia Mundi Classical Express
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Bach: Cantatas BWV 82 and 199
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Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
Peter Lieberson: Neruda Songs

ASIN: B000056F7M
Release Date: 2001-03-13

Tracks:

Allemande
Courante
Sarabande
Minuet I & II
Gigue
Aria: 'Bist Du Bei Mir', BWV 508 Stl - Lorraine Hung Lieberson
Aria: 'Willst Du Mein Herz Mir Schenken', BWV 518 - Lorraine Hung Lieberson
Solo Per Il Cembalo
Polonaise In G Minor
March In D Major
March In E Flat Major
Rondeau In B Flat Major
Chorale: 'Wer Nur Den Lieben Gott Lasst Walten', BWV 691
'Goldberg' Variations: Aria, BWV 988
Recitative: 'Ich Habe Genug', BWV 82 - Lorraine Hung Lieberson
Aria: 'Schlummert Ein', BWV 82 - Lorraine Hung Lieberson
Aria: 'Gedenke Doch, Mein Geist', BWV 509 - Lorraine Hung Lieberson
Allemande
Courante
Sarabande
Prelude No. 1 In C Major, BWV 846
Polonaise In G Major
Polonaise In D Minor
Polonaise In G Minor
Polonaise In F Major
Two Minuets
Musette In A Major
'Menuet Fait Par M. Bohm'
Minuet In G Major

Customer Reviews:

lovely music, but . . . . ........2007-07-03

No one doubts that Bach's music is beautiful, and so many of the pieces in this album, favorites of his second wife, are lovely. Here are my objection. First of all, nowhere on the outside of this CD does this indicate that these are only *highlights* of the Anna Magdelena notebook. Furthermore, many of the tracks (from French Suites #1 & #2, from the Well-Tempered Clavier, from the Goldberg Variations) are pieces I already own in high quality recording by virtuosi. This CD does not limit itself, say, to pieces that Bach composed originally for this collection; in other words, there is nothing scholarly about the pieces that were chosen for these highlights. Rather, it is essentially selling a "Bach's Greatest Hits" kind of CD under a more respectable name. For those whose classical collections consist primarily of "Greatest Hits" collections of various composers, you might as well toss in this CD. For the discriminating collector, though, interested in collecting serious works by Bach, this CD is entirely unworthy.

Anna Magdalena Notebook-- a treasure trove of Baroque music.......2006-03-20

This is music for contemplating number and time and not realize you are doing that. These pieces from Anna Magdalena Bach's notebook are a significant part of the history of western culture, and the music is brilliant, lucid, and passionate. Just as, I suppose, Bach's wife was. Played on harpsichord and clavichord, the work-- not all by Bach-- seems rigourously, mysteriously modern, and the anonymous "Musette in A Major" one could even say had in it the roots of ragtime piano. Last but not least, it's quite possible that Lorraine Hunt Lieberson can never be less than sublime.

Music for Bach's Katy.......2005-03-31

Luther had his Katy who supported him and the Reformation magnificently and faithfully. Bach who was real student and follower of Luther's, had his second wife, Anna Magdalena who was so much for him and his family and music.

Here great notebook of the music she enjoyed immensely so we can as well.

Especially fond of harpsichord music, this has marvelous selection of that, but fond of Rondeau in B-flat major. Minuet in G major is one of my favorites. New to me are the Arias, especially "Bist du bei mir" and ""Ich habe genug". If you're not conversant in German, do go on the website the liner notes provides and get the translation in English for these are marvelous testimonies of their faith in words and song.

Charming and beautiful.......2004-12-13

This CD is a collection of music from the notebook of Bach's wife, who was a singer. It includes dances, arias and other favorite songs. Most of the pieces range from peppy little dance tunes(like Musette in A Major) to delicate baroque airs (like Prelude no.1), all played on the harpsichord, clavichord or cello. The pieces that really stand out are the arias, sung beautifully by Lorraine Hunt Lieberson in German. Most are religious, but there is one that is a nice love song "Willst du mein Herz mir schenken." The website on the back of the liner notes has the lyrics for the arias and they are worth reading. Besides the fact that this is good music, it also provides interesting insight into Bach's life and family and the liner notes have some interesting information about Anna and her notebook. This is a charming collection of music that is a great and cheap addition to any classical music collection.

Bach's wifes' collection of her favorite pieces.......2001-06-10

Yes Music of JS Bach chosen by his wife who was a singer. This collection is a lovely and beautifully performed collection of harpicord and intimate pieces that were Anna's most cherished favorites composed by her husband. What a lovely addition to any chamber music lovers collection. It affords not only wonderful selections but a rare window into the behind the scenes aspect of Bachs life and the commanding role music played in his and his family's life. The performances range from delicate to sublime and are beautifully recorded. It is an amazing bargin to have such an esoteric collection of Bachs' work so well done and so cheap. My god run and get the whole series; I have and when I want a perfect day I just pile them in my CD and press the forward button. The result is a day of glorious music on a scale to be both background as well as a breathtakingly elegant listening experience.

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Average customer rating:

Ultimate music for every time of day and every mood
Would give 5 stars if sound quality where better
Great collection for a great price
20 Fabulous Discs

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00012QLSW
Release Date: 2003-12-09

Tracks:

Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Overture Coriolan Op.62 - Dresdner Philharmonic
Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

Rustle of Spring Op.32, No.6 - Jennd
Novelette in F Major Op.21, No.1 - Jennd
Songs Without Words: E Major Op.19, No.1 - Jennd
Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
Songs Without Words: G Major Op.62, No.1 - Jennd
Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
Intermezzo in a Major, Op.76, No.6 - Jennd
Intermezzo in a Minor Op.76, No.7 - Jennd
Intermezzo in a Major Op.118, No.2 - Jennd
Intermezzo in E Flat Minor Op.118, No.6 - Jennd
Lyric Pieces: Arietta Op.12, No.1 - Jennd
Lyric Pieces: Folkevise Op.12, No.5 - Jennd
Lyric Pieces: Butterfly Op.43, No.1 - Jennd
Lyric Pieces: To Spring Op.43, No.6 - Jennd
Lyric Pieces: Notturno Op.54, No.4 - Jennd
Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
Melody in F Op.3, No.1 - Jennd
Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
Impromptu in B Flat Major D.935, No.3: Pito - Jennd
6 Moments Musicaux D.780: No. 1 in C Major - Jennd
6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
4 Impromptus D.899: No. 1 in C Minor - Jennd
4 Impromptus D.899: No. 2 in E Flat Major - Jennd
4 Impromptus D.899: No. 3 in G Flat Major - Jennd
4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

Sonata in a Major D.959: Allegro - Michael Endres
Sonata in a Major D.959: Andantino - Michael Endres
Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
Fantasy on Weber's FreischVilmos Fischer

Tracks:

Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Gnomus. Sempre Vivo
Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
Pictures at an Exhibition: Promenade. Tranquillo
Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

Prde Op.3, No.2 - Margarete Babinsky
Mdie Op.3, No.3 - Margarete Babinsky
Polichinelle Op.3, No.4 - Margarete Babinsky
Moment Musical Op.16, No.3 - Margarete Babinsky
Moment Musical Op.16, No.5 - Margarete Babinsky
Variations on a Theme by Corelli Op.42 - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Prde Op.23, No.5 - Margarete Babinsky

Tracks:

Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Bach: Matthaus-Passion (St Matthew Passion) BWV 244 /Bostridge * Selig * Rubens * Scholl * Gura * Henschel * Collegium Vocale * Herreweghe (+CD-Rom)

Average customer rating:

Beautiful
a voice teacher and early music fan
The True Drama of the St. Matthew Passion
My favorite too!
Excellent work - but problems with sound level

Bach: Matthaus-Passion (St Matthew Passion) BWV 244 /Bostridge * Selig * Rubens * Scholl * Gura * Henschel * Collegium Vocale * Herreweghe (+CD-Rom)
Collegium Vocale Gent
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Bach: St. John Passion
Bach: Mass In B Minor
Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner
Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw
Bach: The Art of Fugue; Musical Offering

ASIN: B00002R0ZL
Release Date: 1999-11-16

Tracks:

Kommt, ihr Toechter, helft mir klagen
Da Jesus diese Rede vollendet hatte
Herzliebster Jesu, was hast du verbrochen
Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu Bethanien / Wozu dienet dieser Unrat / Da das Jesus merkete
Du lieber Heiland du
Buss und Reu
Da ging hin der Zwoelfen einer
Blute nur, du liebes Herz
Aber am ersten Tage der suessen Brot / Wo willst du, dass wir dir bereiten / Er sprach: Gebet ihn in die Stadt / Un sie wurden sehr betrubt / Herr, bin ich's
Ich bin's, ich sollte buessen
Er antwortete und sprach:
Wiewohl mein Herz in Traenen schwimmt
Ich willdir mein Herze schenken
Und da sie den Lobgesang gesprochen hatten
Erkenne mich, mein Hueter
Petrus aber antwortete
Ich will hier bei dir stehen
Da kam Jesus mit ihnen zu einem Hofe
O Schmerz! hier zittert das gequaelte Herz
Ich will bei meinem Jesu wachen
Und ging hin ein wenig
Der Heiland faellt vor seinem Vater nieder
Gerne will ich mich bequemen
Und er kam zu seinen Juengern
Was mein Gott will, das g'scheh' allzeit
Und er kam und fand sie aber schlafend
So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden
Und siehe, einer aus denen
O Mensch, bewein' dein Suende gross

Tracks:

Ach! nun ist mein Jesus hin
Die aber Jesum gegriffen hatten
Mir hat die Welt trueglich gericht't
Und wiewold viel falsche Zeugen herzutraten
Mein Jesus schweigt zu falschen Luegen stille
Geduld, Geduld!
Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus in sein Angesicht / Weissage uns, Christe
Wer hat dich so geschlagen
Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen
Erbarme dich
Bin ich gleich von dir gewichen
Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf die Silberlinge in den Tempel
Gebt mir meinen Jesum wieder
Sie heilten aber einen Rat
Befiehl du deine Wege
Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen!
Wie wunderbarlich ist doch diese Strafe
Der Landpfleger sagte
Er hat uns allen wohlgetan
Aus Liebe will mein Heiland sterben
Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut komme uber uns / Da gab er ihnen Barrabam los
Erbarm es Gott
Koennen Traenen meiner Wangen

Tracks:

Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an
O Haupt voll Blut und Wunden
Und da sie ihn verspottet hatten
Ja! freilich will in uns das Fleisch und Blut
Komm, suesses Kreuz
Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen auch die Hohenpreister / Andern hat er geholfen / Desgleichen schmaeheten ihn
Ach, Golgatha, unsel'ges Golgatha
Sehet Jesus hat die hand
Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen / Halt, lass sehen / Aber Jesus schriee abermals laut
Wenn ich einmal soll scheiden
Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewesen / Und es waren viel Weiber da
Am Abend da es kuehle war
Mache dich, mein Herze, rein
Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen
Nun ist der Herr zu Ruh gebracht
Wir setzen uns mit Traenen nieder

Amazon.com essential recording

The St. Matthew Passion, Bach's monumental retelling of the story of the Last Supper and the arrest and execution of Jesus, typically runs from two-and-a-half to three hours. Yet this performance makes the time... well, not exactly fly past (consider the subject matter), but it's not tedious for even a second. Much of the credit for this goes to the marvelous Evangelist, Ian Bostridge. He's an outstanding narrator: the clear tone and diction, skillful timing, and intense involvement with words that made him a famous lieder singer are all in evidence; his part consists of nothing but recitative, yet he holds your interest unfailingly. Franz-Josef Selig gives a more dramatic reading of Jesus than you usually hear these days--he may be a bit too "operatic" for some listeners, but he really communicates his character's very human anguish and sorrow. Similarly, soprano Sibylla Rubens, tenor Werner Güra, and bass Dietrich Henschel sometimes unleash a bit too much vibrato for some tastes, but their singing is full-throated and attractive and they're very sensitive to the nuances in the text and music. Superstar countertenor Andreas Scholl is the standout--he combines unearthly purity with very earthly feeling and blends beautifully with the baroque instruments. The real stars of the record, however, are Philippe Herreweghe and his remarkable choir and orchestra. This conductor and his musicians (especially his radiant choir, Collegium Vocale) have always been superb at conveying warmth, devotion, and contemplation, but intense joy, anguish, or anger have sometimes seemed beyond them. Not here: they cover the full emotional range of this work--from reverent reflection to anguished remorse to churning fury--without ever crossing the line into melodrama or sacrificing clarity.

On top of all this, you get a CD-ROM chock full of interesting and well-organized information (in English, German, and French): texts as well as an overview with a timeline of Bach's life, a discussion of how the work is put together, marvelous graphics, sound clips, and an extensive interview with Herreweghe himself. A superb accompaniment to a superb release. --Matthew Westphal

Customer Reviews:

Beautiful.......2007-02-03

Do not hesitate for a moment to purchase this CD/CD ROM package. I researched thoroughly the many recordings of this work, and I am very pleased to have decided on this one. It is a gorgeous, moving recording.

a voice teacher and early music fan.......2007-01-08

Bach (1685-1750), a Lutheran, was specifically asked by St. Thomas' Church, Leipzig, to supply a non-theatrical Passion. In this context passion stands for the act of passive suffering, of watching and occasonally empathising in the suffering of Christ, a development which began in the Middle Ages when the church took steps to popularise the Bible. When sung, the role of the Evangelist would be taken by a tenor and that of Jesus by a bass. As various instruments were added they began to be associated with certain roles and as with opera any dramatic action in the text occurred during the recitative. The chorus has two functions: to participate in the action and then to reflect upon it, such reflections provided by the chorales which were familiar Lutheran hymns.
The St. Matthew Passion was composed for the Good Friday service at the St. Thomas Church in Leipzig in 1727. As time went on Bach revised and added other pieces and subsequently this Passion became the grandest and the largest of his works. He used a Double Chorus, included a third soprano group for the opening and close of Part One, two orchestras split so that they either accompanied the first or the second chorus, four soloists who carry specific parts and a number of other singers who have other roles. The Gospel of Matthew, Chapters 26 and 27 plus traditional Lutheran chorales and meditative poems (by Henrici also known as Picander) provide the text.The Evangelist narrates the action scene by scene.
Although the work as a whole is somewhat heavy and sombre there are some lighter moments to treasure, and none more delightful than the soprano aria in Part One "Ich will dir mein Herze schenken" (I will give my heart to Thee). Part two contains the best known and loved aria from the work "Erbarme dich,mein Gott" (Have mercy, my God) for alto and violin obligato and pizzicato bass. The death is terse but dramatic as is the earthquake following with the heartrending crying "Walrlich dieser ist Gottes Sohn gewesen" (Truly this was the Son of (God). It all ends with a Sarabande-like chorale bidding Jesus to rest in peace.
The packageing of this edition is outstanding; the booklet includes absolutely all the documentation that one may need to fully comprehend this monumental work of Bach's. In addition, the the 3 CD's, there is a CD-Rom that explains the entire procedure for the production of this recording (in 3 languages:French,English and German).
The performance itself is excellent and beyond reproach. Ian Bostridge is all that one would desire in a tenor Evangelist; a joy just to hear his voice. Andreas Scholl gives one of the most emotional performances I have ever heard from him; he tends to be somewhat 'laid-back' in some renditons, but not in this one. Just my opinion; all you Scholl fans, don't get excited!!!!!I suggest you allow yourself an entire day to explore this wonderful musical experience.

The True Drama of the St. Matthew Passion.......2006-04-11

There are gratefully many recordings of Bach's great St. Matthew Passion from which to choose, and the approaches to this long and mighty work of inspiration are varied. While this listener cut his teeth of the old Klemperer recording now re-mastered from the LP days to CD, this recording under the sensitive and commanding control of Philippe Herreweghe has become the recording most favored for return listenings, especially during the Holy Week. Herreweghe obviously knows the work from intense study, a fact that gives him all the stamina to make the overall Passion work both musically and dramatically.

Herreweghe draws sumptuous playing from his Collegium Vocale Orchestra and Chorus, keeping the period sound intact while adding the contemporary trend for finding the operatic aspects of the work in the lead of all the other recordings. Of course he has an extraordinary group of soloists who give definitive performances. The leading actor is the Evangelist who guides us through the arrest and assassination the Jesus according to the Gospel of Matthew: Ian Bostridge not only has a beautiful tenor voice, rich and warm, but he also offers perfect enunciation of the text and delivers his comments with the exact amount of propelling drama. The role of Jesus is strongly delivered by Franz-Josef Selig and matches his competition (Fischer-Dieskau, Quasthoff and Goerne included!) in conveying both the agony and the transcendence of Bach's lines.

Add to this strong matrix the exquisite singing of Andreas Scholl and the solo work by Sibylla Rubens, Werner G?ra, Dietrich Henschel, Dominik Worner, Elisabeth Hermans, Susan Hamilton and Frits Vanhulle and the beauty of the drama is perfect. This is truly the most dramatic performance of Bach's most dramatic Passion and one to cherish for years. Highly Recommended. Grady Harp, April 06

My favorite too!.......2005-09-17

I own six different St. Matthew Passion recordings, and this is my favorite. Herrweghe gets it right. I am not a stickler for HIP, but prefer it. In my opinion this is the most balanced high quality HIP treatment of the St. Matthew available. Get it!

Excellent work - but problems with sound level.......2005-05-29

I have no complaints about the performance, with the exception of two points: (1) the bass can at times sound too sharp and loud; (2) there is a bit of showing off, desire to impress the listener. Otherwise the work is awesome, but I am irritated by the recording quality. I thought that I would get used to it, but as I continue to listen to it, it irritates me more and more. The sound level is unequal. It is either too low, or annoyingly too high. I simply cannot just turn on the CD and listen through without adjusting volume levels all the time. Music becomes too quiet, then it bursts into sudden loudness, sharp, unpleasant sounds, which is extremely vexing. This is the main reason for my not listening to this recording more often. To add insult to injury, the bonus CD does not work on my computer, but freezes and muddles up. If I knew about this, I wouldn't have bought these CDs. Fortunately, I have also Herreweghe I, which I prefer to this one. But my all time favourite is - HARNONCOURT.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

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The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
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The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Customer Reviews:

a voice teacher and early music fan.......2007-02-09

'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

Hymns for every one.......2002-12-01

As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

Super Praise!.......2000-06-10

Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.

Average customer rating:

Very operettic though pissed I can't use on computer
Top band of their time.
Beautiful and empty.
powerful and enchanting
Where has this band been all my life?

The Silent Force
Within Temptation
Manufacturer: Sony / Bmg Import
ProductGroup: Music
Binding: Audio CD

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Enter

ASIN: B00062ZE3U
Release Date: 2004-11-22

Tracks:

Intro
See Who I Am
Jillian (I'd Give My Heart)
Stand My Ground
Pale
Forsaken
Angels
Memories
Aquarius
It's the Fear
Somewhere
Dangerous Mind [*]
Swan Song [*]
Bonus Material [CD-ROM Track][*]
Interviews [CD-ROM]

Album Description

For this 2004 album Within Temptation used foreign producers and Russian Choirs. Includes the hit single 'Stand My Ground'. Deluxe limited version contains digipak with cardboard sleeve, 26-page songbook, 2 bonus tracks 'A Dangerous Mind' & 'The Silence' plus video clip.

Album Details

This Premium Version Comes in a Digipack Slipcase and Includes Postcards. The Band was Formed in 1996 by Guitarist Robert Westerholt and Singer Sharon Den Adel. Their Single "Ice Queen" Reached the Number One Position in May Charts, Both in the Netherlands and in Belgium in 2002. Their 'mother Earth' Full Length Went Platinum in the Netherlands and the Gold Status in Belgium. Fans of Nightwish, Lacuna Coil Seven Evanescence Will Like this Band.

Customer Reviews: