Take Them & Break Them [Import]

take them & break them [import]

Track Listings

1. Take Them and Break Them
2. Backbiter
3. Make It Go Away [Live]
4. Where's the Fire John? [Live]
5. Just Because You're Paranoid [Live]
6. Relationshipwrecked [Live]

Editorial Reviews

Product Description
Japanese exclusive release for the former Hanoi Rocks' frontman. Six tracks all produced by Monroe, 'Take Them & Break Them', 'Back Biter' (Ruts cover), 'Make It Go Away', 'Where's The Fire John' (live), 'Just Because You're Paranoid' (live) & 'Relationshipwrecked' (live). 2002.

Take Them and Break Them,Michael Monroe,Japanese Import,Hard Rock,Heavy Metal,Rock,Rock/Pop
Mendelssohn: Elijah
Average customer rating: 4.5 out of 5 stars
  • Wonderful, but not my first choice
  • THE BEST recording of the BEST oratorio ever...
  • Too bad there are so few recordings of Elijah
Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Franz Joseph Haydn: The Creation
  2. Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
  3. Mahler: Das Lied von der Erde
  4. Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
  5. Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

  1. Introduction: As God The Lord Of Israel Liveth
  2. Overture
  3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
  4. No.2: Lord! Bow Thine Ear To Our Prayer!
  5. No.3: Ye People, Rend Your Hearts
  6. No.4: If With All Your Hearts
  7. No.5: Yet Doth The Lord See It Not
  8. No.6: Elijah! Get Thee Hence
  9. No.7: For He Shall Give His Angels Charge Over Thee
  10. Recitative: Now Cherith's Brook Is Dried Up
  11. No.8: What Have I Do To Do With Thee?
  12. No.9: Blessed Are The Men Who Fear Him
  13. No.10: As God The Lord Of Sabaoth Liveth
  14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
  15. No.12: Call Him Louder, For He Is A God!
  16. No.13: Call Him Louder! He Heareth Not!
  17. No.14: Lord God Of Abraham, Isaac And Israel!
  18. No.15: Cast Thy Burden Upon The Lord
  19. No.16: O Thou, Who Makest Thine Angels Spirits
  20. No.17: Is Not His Word Like A Fire?
  21. No.18: Woe Unto Them Who Forsake Him!
  22. No.19: O Man Of God, Help Thy People!
  23. No.20: Thanks Be To God!

Tracks:

  1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
  2. No.22: Be Not Afraid, Saith God The Lord
  3. No.23: The Lord Hath Exalted Thee
  4. No.24: Woe To Him, He Shall Perish
  5. No.25: Man Of God, Now Let My Words Be Precious
  6. No.26: It Is Enough; O Lord Now Take My Life
  7. No.27: See, Now He Sleepeth
  8. No.28: Lift Thine Eyes To The Mountains
  9. No.29: He, Watching Over Israel, Slumbers Not
  10. No.30: Arise, Elijah, For Thou Hast A Long Journey
  11. No.31: O Rest In The Lord
  12. No.32: He That Shall Endure To The End, Shall Be Saved
  13. No.33: Night Falleth Round Me, O Lord!
  14. No.34: Behold! God The Lord Passed By!
  15. No.35: Above Him Stood The Seraphim
  16. No.36: Go, Return Upon Thy Way
  17. No.37: For The Mountains Shall Depart
  18. No.38: Then Did Elijah The Prophet Break Forth
  19. No.39: Then Shall The Righteous Shine Forth
  20. No.40: Behold, God Hath Sent Elijah
  21. No.41: But The Lord, From The North Hath Raised One
  22. No.41a: O Come Everyone That Thirsteth
  23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

4 out of 5 stars Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

5 out of 5 stars THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

4 out of 5 stars Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Take Them On, On Your Own
Average customer rating: 4 out of 5 stars
  • Just buy this right now.
  • Love this album
  • why did this bomb?
  • Love It
  • Motorcycle Club rides again!
Take Them On, On Your Own
Black Rebel Motorcycle Club
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000BV1ZE
Release Date: 2003-09-02

Tracks:

  1. Stop
  2. Six Barrel Shotgun
  3. We're All in Love
  4. In Like the Rose
  5. Ha Ha High Babe
  6. Generation
  7. Shade of Blue
  8. US Government
  9. And I'm Aching
  10. Suddenly
  11. Rise Or Fall
  12. Heart + Soul

Amazon.com

More poised and less self-conscious after two years of continuous touring, Black Rebel Motorcycle Club has taken a huge artistic leap forward with their second album, stripping away much of florid guitar work and anxious drumming featured on their self-titled debut and replacing it with a sleeker sound. On their previous disc, you could barely make out their enigmatic and half-formed lyrics buried underneath the feedback and thick psychedelic swirls, but they've fixed all that and have turned out a collection of tetchy but intelligent post-modern protest songs that are a huge departure from their earlier compositions about the capricious nature of love. Titles like "Stop," "Six Barrel Shotgun," "(Kill the) US Government" crackle with anger and confrontation, much like MC5's "Kick Out the Jams" was to earlier generations. No longer sounding like Jesus & Mary Chain retreads, BRMC has carved out their own niche by combining dark poetry with a sharp disgust with the way the world is being run. --Jaan Uhelszki

Customer Reviews:

5 out of 5 stars Just buy this right now........2007-05-25

BRMC are the best of the newer bands around today. So just buy this now if you love rock music that is dark, loud and very very beautiful. This is their second release and as good as anything they have done before or since. All the potential from their first is realized here. Not a bad song on here. Half the record is a complete classic for the genre, the other is just extraordinary. Forget what you have heard about JMAC rip off's, false false false. This band is consistant, talented and are like no one else. Live they are the absolute finest. All the attitude of punk, all the musicianship of classic rock and all the melodies of english pop (stone roses, primal scream , new order et all). I urge you catch this band before they are gone. A must buy!

4 out of 5 stars Love this album.......2005-12-26

Great record. One of the best I've heard in the last years. Lots of attitude, lots of great guitars and an overall great sound.Includes some glorious moments like "In like the rose" "Rise or fall" and "Heart and soul". You can tell they worked hard on this one. It's ALMOST perfect because a couple of tracks could be skipped, that's why I give it four stars. If you are looking for a consistent pop-rock album this is what you need. You won't be disappointed.

5 out of 5 stars why did this bomb?.......2005-11-15

this is a superb second album from the leather rockers
with the guitars distorted and fuzzy and the vocals clear yet murky ad lyrics expressing love government and pain what more could fellow fans want not much in my opipion this should of been thier first album not their second oh well
highlights include
stop[the bass driven single]
we're all in love
us government
and i'm only aching
suddenly
heart and soul

classic future album from a band who hasn't got the belief they deserve

5 out of 5 stars Love It.......2005-07-06

I love this band and its darkness and the way they deliver the music. They have lot of faded out/fuzzed vocals and the music dial is up. Every song is alive with music and alive with power driven guitar. A lot of people would relate this band to other bands like The Strokes and some other garage bands. I see the relevance, but I don't really like those bands that people would associate BRMC with...I think it's because BRMC offers something different. If you only like pop and soft rock, then don't even waste your money. This is not "nu-metal" (at least i don't consider it to be), this is not "emo" or "screamo". This is not your average mainstream band and I don't think they get the attention they deserve.

Standout tracks for me:
"We're All in Love" 8/10
"In Like The Rose" 9/10
"My Generation" 9/10
"US Government" 9/10 (a lot of people will like the guitar work in here)
"Suddenly" 10/10 (a softer song but well managing of the rock and a melodious song)
"Rise or fall" 9/10 (the vocals and music really hit you)

5 out of 5 stars Motorcycle Club rides again!.......2005-04-24

This being their sophomore effort, BRMC had to have had a lot riding on "Take Them On...". Cutting right to the chase, they surely did not disappoint with this endearing outing. It is filled with much of the same melodramatic poetry and captivating sound that defined them thus far.

The leadoff track and single, "Stop" is not only the best on the cd, it was the track that started it all for me. I quickly immersed myself into the sensuous BRMC world, bought this cd and remain floored since then. Other really great tunes include the roaring "Six Barrel Shotgun", the tranquil "Shade Of Blue", and the epic "Heart + Soul".

Ride on with this cd, you'll be relieved afterwards.















Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Carmen (Sung in English)
    Average customer rating: 4 out of 5 stars
    • English is an asset and a drawback
    • You Will Love Opera After Hearing Carmen In English
    • A wholly credible "Carmen" -- finally!
    • I love Carmen!
    Carmen (Sung in English)
    Bizet , Bardon , Gavin , Plazas , Magee , and Parry
    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

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    5. Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

    ASIN: B00007JGRN
    Release Date: 2003-03-11

    Tracks:

    1. Prelude
    2. In The Plaza
    3. Just Look At That Delicious Morsel
    4. Here Come Our New Soldier Boys
    5. Jose! There Was A Girl Here Looking For You Just Now
    6. Off With You Old Soldier Boys
    7. Corporal! Sir!
    8. We Have Heard The Bell Summon Us To Meet Here
    9. Ah, Just Look!
    10. But Why Hasn't She Come, Our Carmencita?
    11. Love's A Bird Wild As Any Rebel
    12. Carmen! We Will Follow You High And Low!
    13. The Cheek Of It!
    14. Give Me News Of My Mother!
    15. Your Dear Mother And I Were Leaving Church This Morning
    16. I See My Mother's Face!
    17. Wait A Moment - I'm Going To Read The Letter
    18. Come And Help
    19. So, Corporal: Tell Me What Happened
    20. Well, Carmencita: What Do You Have To Say For Yourself?
    21. Where Are You Taking Me?
    22. There's An Old Bar In The City
    23. Careful - It's Lieutenant!
    24. Entr'acte
    25. From Far Away Mysterious Sounds
    26. Bravo, Bravo! More! Keep Dancing!
    27. Hurrah! Hurrah! The Torero!
    28. Who's That? It's Escamillo, The Bullfighter From Granada
    29. Hurrah! Hurrah! The Torero!
    30. You're Most Kind
    31. We'll Come With You, Senor Torero
    32. Toreador, Be Ready!
    33. At Last! We Got Rid Of Them As Quickly As We Could
    34. There's A Little Job That We're Starting!
    35. Being In Love Is Not A Reason

    Tracks:

    1. To Bid You Welcome To Our Bar
    2. La La La La La La La La...
    3. Back To Camp!... Go At Once!
    4. That Flow'r You Threw To Me I Treasured
    5. No, It's Not Love At All!
    6. Hello! Carmen!
    7. Lieutenant Fair, It's True
    8. The Sky Above The Open Road
    9. Entr'acte
    10. Keep Going, Dear Old Friend, Kep Going!
    11. Right! Let's Stop For A While
    12. Shuffle! Cut Them!
    13. In Vain You Would Avoid The Bitter Things They're Saying
    14. You're Back!
    15. As For That Man, It Should Be Easy!
    16. Is This The Place?
    17. I Say That There's Nothing To Fear
    18. It's Him! I'm Sure It's Him Over There!
    19. Escamillo Is My Name, And I Come From Granada
    20. She Had A Lover Here
    21. Hola! Hola! Jose!
    22. You Should Take Care, Carmen
    23. Alas! Jose, Your Mother Is Ill
    24. Entr'acte
    25. A Few Cuartos! A Few Cuartos!
    26. Here They Come! Here They Come!
    27. If You Love Me, Carmen
    28. It's You! It's Me!
    29. Viva! Viva! What A Corrida!

    Customer Reviews:

    3 out of 5 stars English is an asset and a drawback.......2004-07-20

    The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

    Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

    This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

    5 out of 5 stars You Will Love Opera After Hearing Carmen In English.......2004-02-09

    What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

    The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

    5 out of 5 stars A wholly credible "Carmen" -- finally!.......2003-09-17

    This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

    4 out of 5 stars I love Carmen!.......2003-08-15

    I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

    And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

    The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

    The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

    A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
    Bad Timing
    Average customer rating: 4 out of 5 stars
    • Hey Mac....
    • BAD MEANS BAD AS IN REALLY BAD
    • BEST PUNK AND ROLL CD IN YEARS!!
    • A brand new "Classic" you must own if you love rock and roll
    Bad Timing
    Big Daddy Chrome
    Manufacturer: Workers United Records
    ProductGroup: Music
    Binding: Audio CD

    PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
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    ASIN: B00068G8FC
    Release Date: 2004-10-10

    Tracks:

    1. Alone Again Blues
    2. Never Change
    3. Bad Timing
    4. Sorry Darlin'
    5. Lush
    6. Dark Cloud
    7. Another Day, Another Letdown
    8. Giving Up On Me
    9. Flashin' Lights
    10. Won't Let You Down
    11. Double Barrel Cure

    Album Description

    11 hard hitting booze swilling rock and roll anthems. Hop in the '66 pop this cd in and cruise!

    Customer Reviews:

    5 out of 5 stars Hey Mac...........2006-03-17

    Sorry you think the disc sucks, but a lot of other people disagreed. So much so, that we're almost sold out, and could really use another copy to sell at our merch table. So, if you email us through the site, we'll give you a few bucks for it.
    -Mike, the totally sucky lead singer who really takes the cake

    1 out of 5 stars BAD MEANS BAD AS IN REALLY BAD.......2006-02-26

    I GOT TRICKED INTO BUYING THIS CD. THE LEAD SINGER SUCKS.
    I KNOW THERE ARE ALOT OF GREAT BANDS OUT THERE WITH A NOT SO GOOD LEAD SINGER. BUT I WOULDNT LIE. THIS GUY TAKES THE CAKE.
    NOT TO MENTION, WEAK LYRICS. NOT ORIGINAL AT ALL.
    GO TO THIER WEBSITE AND DOWNLOAD A WHOLE SONG. SEE FOR YOURSELF. YOU WILL THANK ME LATER.

    5 out of 5 stars BEST PUNK AND ROLL CD IN YEARS!!.......2004-10-23

    This CD happens to be one of the best Punk -n- Roll CD's by far. The opening track has a very Social D sound to it without sounding like Social D... You get a good mix of Punk, Country and even some hardcore breakdowns, like in the end of Double Barrel Cure. Not only is the musician ship great, the production and quality of the total package is incredible! the six page book with lyrics is a big plus! Overall this is by far the best thing i have heard in years!

    5 out of 5 stars A brand new "Classic" you must own if you love rock and roll.......2004-10-22

    A kid described BDC as "Sick of It All meets Skynard" and their singer/rhythm guitarist "All American Hero" Mike Belt, took that as high praise.

    This is a genuine, high octane, power chord crushing American band that loves rock and roll as much as muscle cars, whiskey and the flag. Bad Timing is a tour de force of pure rock along the lines of early Social Distortion and the Blasters, laying down one beefy slab of intoxicating, heel kicking, beer drinking music after another. You will travel through gruff voiced "morning after the bar" laments like "Alone Again Blues", humorous relationship miscues in "Sorry Darling" and find yourself singing along to the title track "Bad Timing", a REAL rocker with guitar work John Doe would be proud of (lead guitarist Nicky O'Steen makes it cry and scream and turns it out!). Rhythm section Jimbo Viner on a booming bass and thunderous drummer Craig Thomas pick up the tempo and pound it on "Lush"....with awesome lyrics "You say I drink too much, well baby that's just tough! I've been thinking you don't drink enough."

    Buy this record all ready! You will thank yourself in the morning.
    Being Julia
    Average customer rating: 4 out of 5 stars
    • Beautiful melody but lacks variety
    Being Julia
    Various Artists
    Manufacturer: Varese Sarabande
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
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    Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
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    ASIN: B00065U0NG
    Release Date: 2004-11-16

    Tracks:

    1. Curtain Up
    2. Real World - The Mills Brothers
    3. Lift
    4. Bei Mir Bist du Sch
    5. Farewell My Love
    6. Life Is Just a Bowl of Cherries
    7. Never Seen Them Shine Like That Before
    8. Birthday Presents
    9. It Will Only End in Tears
    10. They Didn't Believe Me
    11. Charades
    12. I Saw the Light On
    13. Am I Late
    14. Not That Sort of Girl
    15. Take a Break
    16. Yes, Yes - Alison Jiear
    17. Avice Gets the Part
    18. Reunion - The Andrews Sisters
    19. Play for the Other Side
    20. Mad About the Boy
    21. Jimmy's Magic
    22. Avice Takes a Bow
    23. For Old Times' Sake
    24. Laird O'Drumblair
    25. Stage Is Set
    26. Curtain Call
    27. Smoke Gets in Your Eyes
    28. Quite Alone

    Amazon.com

    Based on Somerset Maugham's middling novel Theater, Annette Bening stars as the title character, an aging star of the London stage whose life and the melodramas she performs have come to mirror each other. Composer Mychael Danna sets those conflicts to a score that emphasizes theatrical surfaces and rigid role-playing, utilizing a finely honed classical pastiche approach with parallels to his previous period-evoking work on Vanity Fair. His cues here are rooted in the light romantic chamber music of the 19th century, though they frequently bristle with a more contemporary energy and aplomb. Offering counterpoint to Danna's dignified, oft-precious classical confections and mining the story's more sensual human dimensions are pop chestnuts from the era (The Andrews Sisters' saucy "Bei Mir Bist Du Schon" and Mills Brothers' jaunty "Life Is Just a Bowl of Cherries"), as well as fine contemporary takes of "They Didn't Believe Me" and Noel Coward's "Mad About the Boy" by Denzel Sinclair and Alison Jicar's elegant read of "Smoke Gets in Your Eyes." --Jerry McCulley

    Customer Reviews:

    4 out of 5 stars Beautiful melody but lacks variety.......2005-04-11

    Being Julia OST has a beautiful main melody which occurs over and over again throughout the tracks. I especially like "Curtain Up" and "Quite Alone". However, Being Julia OST doesn't have other strong melody to show along side with the main melody which seems a little too simple for a complete album. The movie is great too. Annette Bening's performance is outstanding.
    Glorious Handel Soprano Arias
    Average customer rating: 5 out of 5 stars
    • Baird is Tops
    Glorious Handel Soprano Arias

    Manufacturer: Newport Classic
    ProductGroup: Music
    Binding: Audio CD

    All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
    GeneralGeneral | Arias | Opera & Vocal | Styles | Music
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    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    OratoriosOratorios | Opera & Vocal | Styles | Music
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    ASIN: B00000K0S4
    Release Date: 1999-08-17

    Tracks:

    1. Faramondo: Se ben mi lusinga
    2. Faramondo: Virtu che rende
    3. Acis & Galatea: Shepherd, What Art Thou Pursuing
    4. Joshua: Oh, Who Can Tell?
    5. Siroe: Vedesti mai sul prato
    6. Berenice: No, che servire altrui
    7. Berenice: Traditore
    8. Semele: Where're You Walk
    9. Mi Palpita Il Cor: Ho tanti affanni in petto
    10. Messiah: How Beautiful Are The Feet Of Them
    11. Messiah: He That Dwelleth...Thou Shalt Break Them
    12. Alexander Balus: O Take Me
    13. Alexander Balus: Calm Thou...Convey Me

    Customer Reviews:

    5 out of 5 stars Baird is Tops.......2002-01-16

    I don't know just how many of these wonderful performances by the Handelian soprano have been extracted from actual full CD recordings, but clearly some are unique to this album and if one likes Baird as much as I do, who cares!!
    The Faramondo arias here are for the title character and on the complete recording (also with fine conductor Rudolph Palmer) she sings the soprano lead, not the castrato assignment--so this is a first, I believe.
    The cover art is a little misleading--nothing the wonderful artist gives us here exactly fits the Marilyn Monroe look, but her singing is entirely glamorous, so--again--whatever it takes to induce a listener to buy this...whatever! The singer is at once clean of sound and diction, exact with ornamentation and yet passionate as well in her involvement with the music. An American treasure. Kudos also to the conductor for the lively and sympathetic accompaniments. Bravo to all, in fact.
    Teacher and the Rockabots: America
    Average customer rating: 3 out of 5 stars
    • Some good songs, but lots of inaccuracies
    Teacher and the Rockabots: America

    Manufacturer: Power Arts Company, Inc.
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Children's Music | Styles | Music
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    ASIN: B000CA8JUG
    Release Date: 2005-08-16

    Tracks:

    1. Intro
    2. Revolution, Revolution
    3. The National Anthem
    4. Civil War
    5. Grew To The West
    6. Holidays
    7. Let's Learn The 50 States
    8. Symbols Of America
    9. Natural Wonders
    10. Pledge Of Allegiance
    11. What Does The Pledge Mean?
    12. Branches Of Government
    13. Washington DC
    14. Bill Of Rights

    Customer Reviews:

    3 out of 5 stars Some good songs, but lots of inaccuracies.......2006-07-11

    My review is only about the lyrics on the CD; the music has a grungy garage band sound. To each his own; maybe the kids will like the music.

    I'm going to try using this occasionally in my classroom for reviewing some Social Studies lessons. I think the students (ages 8 and 9) will enjoy the music. The lyrics are great, pretty much on target; only a few notable mistakes or misconceptions:

    1. In "National Anthem" the printed lyrics correctly mention the War of 1812, but the singer says Revolutionary War (oops).

    2. The second stanza of "Civil War" makes it sound as if Lincoln's issuance of the Emancipation Proclamation STARTED the war!! Nope, the E. P. was issued in 1863, and it freed only the slaves in the Union (as we all know). Most historians think it was issued only to allow black soldiers to fight for the Union; it was also the first time the war had actually been linked to slavery (the war was a failed Southern revolution). And oh my, to refer to Reconstruction as a time when the states all worked together again...oh my, someone skipped History class to practice guitar chords I guess. Eek, those are pretty egregious mistakes - I don't plan to use that song at all!

    3. In "Grew to the West" the song refers to the Louisiana purchase. The lyrics say France sold the land, but Napoleon actually sold only France's CLAIM to the land west of the Mississippi (not the same thing at all). Also, the song mentions buffalo, but of course we didn't have buffalo, we had BISONS.

    4. In "Symbols of America" the words say the Liberty Bell hasn't RANG since 1835 (should be RUNG).

    OK, so I am a teacher and I notice these things because I will have to skip them or teach around them. The rest of the CD has some good words for the kids to hear.




    You Call This Swing?
    Average customer rating: 1 out of 5 stars
    • Nothing Like Beating A Dead Horse . . . .
    You Call This Swing?
    Eight to the Bar
    Manufacturer: Jitterbop Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
    GeneralGeneral | Classic Rock | Styles | Music
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    ASIN: B000BPYKMS
    Release Date: 2005-08-05

    Tracks:

    1. Rock and Roll
    2. Hello, I Love You
    3. Living in the USA
    4. Rag Doll
    5. Synchronicity II
    6. White Rabbit
    7. Ticket To Ride
    8. Low Down
    9. Satisfaction
    10. Young Americans
    11. Foxey Lady
    12. I Want You

    Product Description

    What happens when swing and rock collide? You get our new CD, "You Call This Swing?" We've taken 12 of the world's best-known rock classics, broken them down and recreated them as swing tunes. Swingers love them, rockers love them, you'll love them!

    Customer Reviews:

    1 out of 5 stars Nothing Like Beating A Dead Horse . . . ........2006-03-26

    I was very disappointed when I got this CD as it turns out to be another one of those "let's turn modern rock songs into swingy lounge tunes" albums. And it's not even good. After past albums where the band shines, this one jsut shows them jumping on the bandwagon. It's too bad that this particular bandwagon fell apart from too many bad "swing" bands. 8 to the bar is too good of a band to do something like this. Or so I thought. I think they need to take a step back and think of something new rather then trying to keep their swing status alive in the main stream. Especially by copying Richard Cheese and Paul Anka. And let's face it, Paul Anka's attempt wasn't that great either. It really is a shame that they had to stoop so low on this.
    Science
    Average customer rating: Not rated
      Science

      Manufacturer: Power Arts Company, Inc.
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      GeneralGeneral | Children's Music | Styles | Music
      GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
      RockRock | Alternative Rock | Indie Music | Stores | Music
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      ASIN: B0009OPMTG
      Release Date: 2005-05-17

      Tracks:

      1. Intro
      2. Animals Belong in Class
      3. Where Will I Go? (digestive system)
      4. Food Chain
      5. Water Cycle
      6. Simple Machines
      7. Electricity
      8. Scientific Method
      9. Complicated Machine (human organs)
      10. Nine Planets
      11. Things in Space
      12. Lemonade Stand (liquid measurement)
      13. Light
      14. How's the Weather?

      Product Description

      "Guess-the-Answer" songs about the weather, solar system, human organs, electricity and more!

      Rock Music:

      1. Taste The Walker
      2. The Hard Way
      3. The Layla Sessions: 20th Anniversary Edition [Box set]
      4. The Old New Me
      5. The Sacrilicious Sounds of the Supersuckers
      6. The School of Rock 'N' Roll: Best of Gary U.S. Bonds
      7. The Singles [Import]
      8. The Story of the Ghost
      9. Tombola [Import]
      10. Tome 87 [Enhanced] [Live]

      Rock Music

      Rock Music