One of Us [CD-single]

1. One of Us

2. Dracula Moon

One of Us,Joan Osborne,Polygram,Adult Alternative Pop/Rock,American Trad Rock,Pop/Rock

Average customer rating: Mamma Mia Mamma Mia Musical CD JUST GREAT MUSIC Mamma Mia Not good at all

Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast) Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Swedish Pop | Euro Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: ABBA - Gold: Greatest Hits Hairspray (2002 Original Broadway Cast) Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast) Wicked (2003 Original Broadway Cast) Jersey Boys (2005 Original Broadway Cast) ASIN: B000031WEN Release Date: 2000-10-17

Tracks:

1. Overture/Prologue
2. Honey, Honey
3. Money, Money, Money
4. Thank You For The Music
5. Mamma Mia
6. Chiquitita
7. Dancing Queen
8. Lay All Your Love On Me
9. Super Trouper
10. Gimme! Gimme! Gimme!
11. The Name Of The Game
12. Voulez-Vous
13. Entr'acte
14. Under Attack
15. One Of Us
16. S.O.S.
17. Does Your Mother Know
18. Knowing Me, Knowing You
19. Our Last Summer
20. Slipping Through My Fingers
21. The Winner Takes It All
22. Take A Chance On Me
23. I Do, I Do, I Do, I Do, I Do
24. I Have A Dream

Amazon.com

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

Customer Reviews:

Mamma Mia.......2007-03-22

I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

Mamma Mia Musical CD.......2007-03-21

This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

JUST GREAT MUSIC.......2007-03-08

I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

Mamma Mia.......2007-01-29

Every time I hear the music and songs it brings back memories of seeing the Broadway Show

Not good at all.......2007-01-09

This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.

Average customer rating: Good companion for Battlestar Fans Captures the feel of the show Awesome Soundtrack BSG Agree with everyone else

Battlestar Galactica: Season One Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough Manufacturer: La-La Land Records ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: Battlestar Galactica: Season 2 Battlestar Galactica Battlestar Galactica: Season 2.5 (Episodes 10-20) Battlestar Galactica - Season One Battlestar Galactica - Season 2.0 (Episodes 1-10) ASIN: B0009Q0F5U Release Date: 2005-06-21

Tracks:

1. Prologue
2. Main Title (US Version)
3. Helo Chase
4. The Olympic Carrier
5. Helo Rescued
6. A Good Lighter
7. The Thousandth Landing
8. Two Funerals
9. Starbuck Takes On All Eight
10. Forgiven
11. The Card Game
12. Starbuck On The Red Moon
13. Helo In the Warehouse
14. Baltar Speaks With Adama
15. Two Boomers
16. Battlestar Operatica
17. The Dinner Party
18. Battlestar Muzaktica
19. Baltar Panics
20. Boomer Flees
21. Flesh And Bone
22. Battle On The Asteroid
23. Wander My Friends
24. Passacaglia
25. Kobol's Last Gleaming
26. Destiny
27. The Shape Of Things To Come
28. Bloodshed
29. Re-Cap
30. Main Title (UK Version)

Album Description

Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.

Customer Reviews:

Good companion for Battlestar Fans.......2007-05-07

If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.

Captures the feel of the show.......2007-04-11

Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!

Awesome Soundtrack.......2007-04-11

If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!

BSG.......2007-04-10

Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.

Agree with everyone else.......2007-03-28

There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: No Fistful of Ennio I would call some of these pieces "newage"... Simply a 'Must Purchase' for those with a passing interest in Morricone's work ENNIO MORRICONE - FILM MUSIC, VOL. 1 A collection of Morricone's most popular and entertaining

Ennio Morricone - Film Music, Vol.1 Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: Film Music, Vol. 2 Very Best of Ennio Morricone The Mission: Original Soundtrack From The Motion Picture Ennio Morricone, Vol.3: Main Titles Yo-Yo Ma Plays Ennio Morricone ASIN: B00000DR51 Release Date: 1992-06-29

Tracks:

1. The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
2. Maddalena: Come Maddalena
3. The Sicilian Clan: The Sicilian Clan
4. The Life And Times Of David Lloyd George (BBC TV): Chi Mai
5. Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
6. Moscow Farewell: Moscow Farewell
7. Espion Leve Toi: Marcia In La
8. Lady Caliph: Lady Caliph
9. Battle Of Algiers: The Battle Of Algiers
10. The Infernal Trio: The Infernal Trio
11. La Banquiere: Dedicace
12. For Love One Can Die: For Love One Can Die
13. Sacco And Vanzetti: Sacco And Vanzetti
14. The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
15. Quartiere: Romanza Quartiere
16. Once Upon A Time In The West: Once Upon A Time In The West
17. The Mission: On Earth As It Is In Heaven (Remix)

Customer Reviews:

No Fistful of Ennio.......2007-01-31

Ennio Morricone wrote great soundtrack music, that's for certain. But no retrospective of his work is complete without the inclusion of more than one lone example from the three mid-60's "spaghetti westerns" he scored for Sergio Leone and Clint Eastwood. Anyone familiar with the UNITED ARTISTS label LPs of "Fistful Of Dollars," "For A Few Dollars More" and "The Good, The Bad And The Ugly" might agree with this.

As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.

I would call some of these pieces "newage"..........2006-08-02

Moscow Farewell is definitely my pick of the lot. Sacco And Vanzetti was a pleasant surprise once I listened to it a couple of times. It is lively and could be played on a wedding dance floor for the whole family. This is great album to listen to while in bed!

Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13

Arguably one of the greatest (if not the greatest) Film composer of the 20th Century. Not only has he scored some of the most influential and instantly recognisable pieces of film music during his roughly 50 years of composing atmospheric film scores. Whether he's providing the spooky dramatics for a spaghetti Western" or constructing the ingenious use of classical arrangements of brooding cinematic pieces, he has (in most cases) consistently delivered contemporary music that has provided the atmospheric foil for the picture in question. And with a collection of musical influences that were as far ranging as: classical, jazz, pop, rock, electronic, avant-garde, and Italian music, he is able to deliver a variety of film scores that are as diverse as they are beautifully composed.

This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.

If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.

ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16

HAVING HEARD EXERPTS OF THE MUSIC BEFORE, IT WAS EXACTLY WHAT I
WANTED.

A collection of Morricone's most popular and entertaining.......2005-07-31

Volume I of III, of this 'best of' Morricone trilogy, is the best of the three. This volume consists of music that can be listened to alone and socially, with some of the most catchy and minimalist rhythms you'll ever hear. You'll listen to this album and wonder what movie you've heard that song from before(Morricone's canon being primarily for film scores). If you're hear because you're trying to get the song from a movie, and you've never really heard of Morricone before, then you've luckily stumbled upon some of the best music I've ever heard. Or, if you're a Morricone fan and you'er looking for a good compilation, since Morricone has done too many film scores to even possibly own them all, then this is good to have. I wouldn't really reccommend Volume II and III unless you're looking or a very comprehensive collection of Morricone, since Volume I seems to me to carry his most absolute best. Definetely buy this album, it's very good.

Average customer rating: The Twilight Singers turn in another epic, rollicking, rock n' roll revelation KEEP EM COMING Never A Dulli Moment Proof that music ain't dead yet. Greg Dulli is the master of lustful, dreamy and dark rock...

Powder Burns The Twilight Singers Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Trip-Hop | Dance & DJ | Styles | Music Similar Items: Greg Dulli's Amber Headlights She Loves You Blackberry Belle Twilight Live Twilight as Played by the Twilight Singers ASIN: B000EWBMVA Release Date: 2006-05-16

Tracks:

1. toward the waves
2. im ready
3. theres been an accident
4. bonnie brae
5. forty dollars
6. candy cane crawl
7. underneath the waves
8. my time (has come)
9. dead to rights
10. the conversation
11. powder burns
12. i wish i was

Product Description

1. Toward The Waves
2. I'm Ready
3. There's Been An Accident
4. Bonnie Brae
5. Forty Dollars
6. Candy Cane Crawl
7. Underneath The Waves
8. My Time (Has Come)
9. Dead To Rights
10. The Conversation
11. Powder Burns
12. I Wish I Was

Format: CD

Amazon.com

Recorded in New Orleans a few months after Katrina devastated it, generators at the ready to supply electricity when the power failed, Powder Burns is former Afghan Whigs frontdude Greg Dulli's finest work in a decade. It's widely and wisely been hailed as the most solid Twilight Singers release to date, as it combines the sultry and hazy lounge air of the first three Singers records with the scorched earth intensity of the Whigs. Fancy guests abound--Ani DiFranco, Joseph Arthur, former A.W. bassist John Curley--but the focus rarely strays from Dulli's sex-soaked, melodramatic croon. "I Wish I Was" sounds like a great lost Chocolate Genius song until the bombastic chorus kicks in. There are dozens of elements here--super multi-tracked choruses, Beatles-referring hooks, ridonculously classic rock guitar solos, vaguely dance-y drum programming, rousing piano lines, etc.--that would sound poseur-y or played out most anywhere else. But on Powder Burns, they just sound like damn good music. --Mike McGonigal

Customer Reviews:

The Twilight Singers turn in another epic, rollicking, rock n' roll revelation.......2007-03-25

I wrote this review in May 2006 but I'm starting to lift reviews from my blog and post them on Amazon: The Twilight Singers' new record, "Powder Burns," is a revelation. Which is saying something for Greg Dulli, who is one of the most consistent songwriters in rock. The liner notes for this album, like the ones it follows, charts its recording locales with the phrase "shot on location" because Dulli's records feel cinematic...

Like an Altman film, instead of progressing, the album unravels, exploring themes of addiction, despondency, isolation, sexuality, self destruction, unhealthy codependency, and taking the dark corners of the id out for a good stretch regardless of the consequences.

In a genre which either ignores classic R&B, or injects it into the music as a hokey novelty, Dulli stands alone in his effortless, hybrid tour-de-force. It is an esthetic that owes as much to Marvin Gaye's vanguard musical and vocal arrangements from the latter years at Motown, when the album slows for quick breathers on "Candy Cane Crawl" and "Dead To Rights", as it does to the darkness of the very best Rolling Stones records. In a time of pretenders and transient flavors-of-the-month in so-called "alternative," independent music, Dulli is unique,...lasting. Ironically, this may be why a higher level of popularity and success will always elude him. The audience which will by a Twilight album but is unfamiliar with Dulli may struggle with a record which departs from the "alternative" genre's established, narrow parameters. Not very alternative, eh? But then, Gaye challenged his following with "I Want You" very much in the same way...and here I am in 2006 calling on him and it as an exemplar so...

Sounding more like Dulli's former band, the Afghan Whigs, than any of the past Twilight records, the album bristles with taut, grinding riffs which fill the background of each scene; they are a supporting cast for dark and aggressive vocals- especially on stand-outs "I'm Ready," "Bonnie Brae," and seemingly ever building "There's Been An Accident." Dulli's arrangement of "Accident" is brilliant, reaching a dramatic crescendo which captures maybe his most-passionate vocal performance ever.

And yet, I think Dulli is still developing,...improving. Why shouldn't I? Every album in his career is a testament to his progress toward a plateau of song writing in rock that many of his contemporaries will never see...they can't.
- Raindog (5.21.06)

KEEP EM COMING.......2007-01-19

I enjoy this one a little more each time I listen to it. If you like rock music (alternative, punk) but have matured somewhat or if your just tired of the crap on the radio.. give this one a go. It is a little slow at times, but is well written and very good over all.

Never A Dulli Moment.......2006-08-03

One of the premier songwriters who always delivers a tormented musical portrait is Greg Dulli, one-time leader of the criminally overlooked Afghan Whigs and current chief of The Twilight Singers.
It's a wry album title for someone who's long battled a nose candy addiction, but Greg Dulli never ceases to turn in a staggering performance on record. Even 2004's covers album She Loves You - in hindsight an obvious stopgap while Dulli attempted to break free of drug addiction and rediscover his lyrical fire - offered an amazing retelling of divergent tracks made famous by everyone from Billie Holliday to Bjork.
My Time Has Come is The Twilight Singers' take on Sympathy For The Devil, exhibiting the danger of The Rolling Stones of the late `60s. The song conjures visuals of Dulli walking hand in hand with the Prince Of Darkness as the songwriter documents his own demise.
Where once Dulli found himself backed by soul singers and crooning his way through albums, Powder Burns finds the frontman relying more heavily on his alternative tattered style of vocal delivery. Fellow gnarled drug survivor Mark Lanegan again pops up on a Twilight Singers release, albeit in sampled form on Candy Cane Crawl, while Dulli's interest in Beatles (having previously worked on the Fab Four biopic Backbeat and performing John Lennon's Real Love) also rears its head on Forty Dollars, where he reprises their early smash She Loves You.
Recorded in New Orleans in the aftermath of Hurricane Katrina, Dulli still proves to be a rogue wave in a sea of listless rock performers.

Proof that music ain't dead yet........2006-07-24

There are people out there listening to the radio. They want to be rescued. Long since tired of riding dirty on a honkytonk badonkadonk that makes one want to la-la, there are some that would argue that Y2K was really the day the music died. (If not even sooner, but those folks didn't like Nirvana, Alice in Chains or Soundgarden. Go figure.)

Well, anyone who's heard "Gentlemen" or "Congregation" or any other record by the Afghan Whigs should be yelling "Rescue me, Dulli!" And on "Powder Burns," Greg's delivered the goods.

Possibly the most soul-infused yet forward-thinking rock record since the Whigs' "Black Love," the new Twilight Singers record still shouldn't be construed as an Afghan Whigs album without the name. Despite Dulli wearing lead singer shoes, which definitely aids in stamping any project with a signature raspy-throated, tunelessly-endearing sound, the backing band and instrumentation are a far cry from the rabies-inflicted punk animal that was the Whigs. Sure, it's dirty, dirty, grungy blues-rock, but one might be surprised what creeps into a song here and there. "Bonnie Brae" is a melancholy headbanger that could almost be called blue-collar shoegaze. Piano and violin pepper tracks like "There's Been An Accident," while rushing, watery electronic influence is lovingly splashed here and there, most obviously on the intro piece "Toward the Waves"/"I'm Ready."

Of course to think ahead, people usually end up looking back to see how good music was made in the first place. Dulli liked smashing Beatles riffs around on his covers record so much that he's taken to purloining lyrics, too, reframing the timeless refrain of "She loves you, yeah, yeah, yeah" with a derisive sneer and a cranky guitar din ("Forty Dollars").

Not every word on "Powder Burns" is an homage, however. Lyrically, Dulli has always struck me as a singing Charles Bukowski. Sometimes it's exactly who you need to hear from to fall asleep at night when you're too bleary-eyed to read.

Greg Dulli is the master of lustful, dreamy and dark rock..........2006-06-20

Greg Dulli is the master of lustful, dreamy and dark rock and his new Twilight Singers endeavor, Powder Burns is a fervent roller-coaster ride. Opening with an industrial thrill, this collection of songs drips in an icy, cool and seductive vibe. Always keen on employing talented collaborators, Dulli includes exciting guest work from Joseph Arthur and Ani Difranco among others. Tinted with a graceful layer of hope and a great bit of that expected sophistication, Powder Burns smokes through haunting ballads and turbulent, bittersweet rock numbers with unshakable vigor.
Standout Tracks: "There's Been An Accident", "Dead To Rights" -Antonia Santangelo

Average customer rating: Wonderfull A Masterpiece Indeed! blowingmasterscream This album is really amazing and you should buy it.

Screaming Masterpiece Sigur Ros , and Bjork Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Takk... Hoppípolla Ágætis Byrjun Finally We Are No One Angels of the Universe ASIN: B000BITTDU Release Date: 2005-11-15

Tracks:

1. Fero Til Breioafjaroar
2. All Is Full of Love - Bj , Icelandic String Octet, Matmos, Zeena Parkins
3. #8 A.K.A. Popplagio
4. Odi et Amo - H, , , Gudmundur Kristmundsson
5. Green Grass of Tunnel
6. Find What You Get - Bang Gang
7. Romantica - Apparat Organ Quartet
8. Brostnar Borgir
9. Within Tolerance - Slowbow
10. Conversation
11. Motorcrash - The Sugarcubes
12. Bank = Fyjar, Bruxelles, Barcelona, Reykjav- Ghostigial, , Frosti Logason,
13. I'd Ask - Mugison
14. Fjarskanistan - Amina
15. Oceania - Bj
16. Hrafnagaldur/Odin's Raven Magic - Schola Cantorum, Guamundss, The Icelandic Symphony Orchestra, ,

Product Description

1. Steindor Andersen & Sigur Ros - A ferd til Breidafjardar
2. Bj?rk - All is Full of Love
3. Sigur R?s & Amina - #8 aka Popplagid
4. Johann Johannsson - Odi et Amo
5. M?m - Green Grass of Tunnel
6. Bang Gang - Find What You Get
7. Apparat Organ Quartet - Romantica
8. Eivor Palsdottir - Brostnar borgir
9. Slowblow - Within Tolerance
10. Finnbogi Petursson - Conversation
11. The Sugarcubes - Motorcrash
12. Ghostigital - Bank
13. Mugison - I'd Ask
14. Amina - Fjarskanistan
15. Sigur R?s etc - Odin's Raven Magic (10 minutes extract)


Format: CD

Amazon.com

The tiny, strange, and environmentally harsh Viking country of Iceland has produced some of the world's most original pop music of the past few decades, despite being inhabited by just 300,000 people. Fostered by a physical isolation from the world and temperatures that strongly encourage humans to stay inside, the nation has developed a music that tends just as much towards a light ethereality as it does jagged, experimental harshness. The soundtrack to this ironically-titled music documentary (originally called Gargandi Snilld) mixes lesser-known Icelandic acts (Bang Gang, Minuswith, Slowblow, Mugison) with ones that we can presume live inside the iPods of every other college kid (Sigur Rós, Múm, Björk). And while there is an unfortunate paucity of rarities by the better known acts, true discoveries abound: Mugison imagines the Kings of Convenience matched with White Hassle; Jóhann Jóhannsson's flotational sounds with the Kraftwerk voice trick are a joy; and you just have to hear the Apparat Organ Quartet. -Mike McGonigal

Customer Reviews:

Wonderfull.......2007-06-14

A great stage compilation. Singers, musicians, stage performance... all well done to represent the spirit of far, distant and chilly Iceland. Modern sound and contemporary artists singing their lungs while musicians harmoniously pulling strings and banging drums. I liked it. HOWEVER! IF YOU WERE EXPECTING A SOLO Sigur Ros album - it is not. That is a compilation of various artists and Sigur Ros are only presented in the first and last pieces.

A Masterpiece Indeed!.......2007-02-07

This album is probably one of the most unique and excellent soundtracks/compilations I've ever heard. It's nice to get a mixture of lesser known Icelandic artists and well known Icelandic artists. Listening to this album makes you feel like you're getting into a one of a kind Icelandic experience. Definitely worth buying.

blowingmasterscream.......2006-06-14

i wanted so badly to get to see the Screaming Masterpiece movie. and finally i did. the experience is amazing, mindblowing. just to get to see Bjork performing live pluto and all is full of love in her last 2003 world tour worth the movie ticket. everything else is a bonus track!!! and what a bonus!!!
from the start with sigur ros, then bang gang and múm... worldless... in between you discover little jewels like the amina girls and apparatt...so you leave the movie theater hoping to make your next holidays trip to iceland!. first step for most of us, poor humans, is get the ost!. you will love this songs, they are all great, original,emotional stuff. if you are about to discover what`s next after Bjork and Sigur ros, well, here`s the first step to heaven. enjoy!

This album is really amazing and you should buy it........2006-01-23

This is an amazing compilation and well worth it. It will make you feel deeply and experience a high within yourself and open new closets within yourself. I didn't know what to expect of the artists I didn't know ---usually compilations scare me away even if they have some of my favorite artists on it----but I must say I like every single song (except for sugarcubes). It gives you an idea of Iceland and mixes the energy of the pieces- from high energy to low - in a way that works very well. This is a unqiue compilation- and one of the few that is worth interest in my opinion. Beautiful. And I'm at a loss for good words.

Average customer rating: Joan Osborne, ONE OF US Deceptive Amazon Good place to start... Great Singer - Strange Collection

One of Us Joan Osborne Manufacturer: Artemis Strategic ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music Similar Items: How Sweet It Is Pretty Little Stranger Relish Breakfast in Bed Righteous Love ASIN: B0009ML1WA Release Date: 2005-06-28

Tracks:

1. One Of Us
2. How Sweet It Is
3. Why Cant We Live Together
4. Everybody Is A Star
5. Smiling Faces Sometimes
6. These Arms of Mine
7. Right Hand Man
8. Only You Know and I Know
9. Think
10. Ill Be Around
11. Loves In Need of Love Today

Amazon.com

Joan Osborne's One of Us is billed as a career retrospective by one of the more impressive, if now largely forgotten soul/rock (and folk) stars of the `90s. Unfortunately, One of Us does not live up to expectations. Not quite as retrospective as advertised, this album is simply a repackaging of most of the tracks on 2002's How Sweet it Is, with a few seminal tracks (such as her explosive hit title song) thrown in where other songs are deleted. There is much, however, to appreciate and listen to with new ears. The 1995 title track remains thought-provoking and musically engaging, as does "Right Hand Man," Osborne's killer song of sexual afterglow with its provocative 'panties' line. And if she went out on a big limb in attempting to cover Aretha Franklin's "Think," she succeeds beautifully in recasting other soul classics. Otis Redding's "These Arms of Mine" becomes an even franker declaration of naked want. By bending the melody away from an upbeat cry of exuberant joy to a slower burn of redemptive gratitude (with accents of Eastern music, yet), she almost totally remakes the Marvin Gaye/James Taylor hit "How Sweet it Is."--Alanna Nash

Album Description

One of the most distinctive vocalists to arise out of the 1990's, Joan Osborne has impressed audiences with her energetic and heartfelt performances for well over a decade, developing a loyal fan base that continues to expand today. One Of Us showcases Osborne's powerful and emotive vocal style with eleven incredible songs, including "How Sweet It Is", "Love's In Need Of Love Today", and the smash single "One Of Us", a must-have for Joan Osborne fans and rock music devotees everywhere.

Customer Reviews:

Joan Osborne, ONE OF US.......2007-01-15

I heard a great rendition of "I'll Be Around" while in an Eddie Bauer Outlet store in Phoenix. The clerks could not tell me who the artist was, so I e-mailed Eddie Bauer, they couldn't help either. SO, I search the net especially Amazon.com to see if I could hear a snippet. Wouldn't you know,it was Joan Osborne. I then looked at her video for "Love's in Need of Love." It was great!! I discocvered the "One of Us" CD and it had several songs I like including that cover of "I'll Be Around" and "One of US." Highly recommend for a mellow mood.

Deceptive Amazon.......2005-09-23

I bought this album under the mistaken impression that this was the long-awaited next album from joan Osborne, only to see that what I received was a repacked "How Sweet It Is" into a mock "new" album. Now that I have received it, Amazon posts the track listings, which would have clued me in that it was NOT the new album. Haven't decided whether to open it and keep it, give it away or send it back.

The track listing is still worthy of a four star review, but not a single track from her second album shows up, and there are some fatastic pieces on her first album that are not at all represented in the two selections that appear here.

Really, though, we didn't need this CD. We want the next album from Joan Osborne. It was supposed to be finished over a year ago. Where is it? The fans want new work? And what about the Dolly Parton tribute she recorded songs on? Why can't we find that on Amazon?

And the real "new" album is out, but only available at Barnes and Noble. Look for "Christmas Means Love" on the B&N website. I bet this is a political statement to not have the new album available on Amazon, and the above "greatest hits" is Amazon's response...pathetic...

Good place to start..........2005-08-22

if you are new to Joan Osborne but she is one artist that doesn't have an album full of "throwaway tracks", so you are better off just purchasing the 3 studio albums and, if you really want a bluesy treat, get the "Early "recordings" album. Son Of A Preacher Man has never been more intense! Joan is a diamond that sadly gets lost in the zirconia of the world. If you love Joss Stone, get Joan Osborne and see how soul music can really be done!

Great Singer - Strange Collection.......2005-07-02

First of all, I'm completely biased in that Joan Osborne is my favorite singer, bar none. But this collection, ONE OF US, repackages almost all the tracks off her wonderful HOW SWEET IT IS CD and includes just a few older songs. So, be warned - you might be better off buying her full-length CDs as this one is hardly a proper compilation of her stellar work. Of course, if you have NO Joan music, this is a fine place to start, just not the best. She also has a new CD of brand new music coming soon that undoubtedly will be terrific.

My only caveat about this ONE OF US collection being that it's always possible this is a collection of acoustic versions or alternate takes or something, but I doubt it. I suspect it's a record company project and something Joan herself has little, if any, control over or participation in.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Blood Type: A+ Most original band I've heard in YEARS Take all that crap you like and throw it in a blender... Acoustic Power is worth it all The world's best unknown band part 3

Power in the Blood A3 Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Last Train to Mashville, Vol. 2 Outlaw The Sopranos: Music From The HBO Original Series Come On In The Sopranos - Peppers and Eggs: Music from the HBO Series ASIN: B0000AKY59 Release Date: 2003-08-12

Tracks:

1. Two Heads
2. Power In The Blood
3. Reachin'
4. Woody Guthrie
5. Year Zero
6. R.EH.A.B.
7. Strobe Life
8. R.EH.A.B.
9. The Moon Has Lost The Sun
10. Let The Caged Bird Sing
11. Yellow Rose
12. Bullet Proof
13. Badlands
14. Lord Have Mercy
15. Come On Home

Tracks:

1. Woke Up This Morning
2. Power In The Blood
3. Disneyland Is Burning
4. U Don't Dans 2 Tekno Anymore
5. Year Zero
6. Mansion On The Hill

Product Description

1. Two Heads
2. Power In The Blood
3. Reachin'
4. Woody Guthrie
5. Year Zero
6. The Devil Went Down to Ibiza
7. Strobe Life
8. R.E.H.A.B
9. The Moon Has Lost The Sun
10. Let The Caged Bird Sing
11. Yellow Rose
12. Bullet Proof
13. Badlands
14. Lord Have Mercy
15. Come On Home

*First 10K CDs have bonus acoustic disc included
1. Woke Up This Morning
2. Power In The Blood
3. Disneylad Is Burning
4. U Don't Danse 2 Tekno Anymore
5. Year Zero
6. Mansion On The Hill

Format: CD

Amazon.com

With Power in the Blood, A3 may have finally gotten everything right. Their first album, as good as it was, came across as a bit of a novelty record (maybe the world just wasn't quite ready for a mix of country and techno music?). Their second album, La Peste, upped the production stakes a bit too much, to the sacrifice of their country soul. So it's reassuring that Power in the Blood takes the best bits of both previous releases, resulting in their best album yet. It's still as slickly produced as the best dance music (they are, after all, labelmates with Bjork), but they manage to infuse their electronics with genuine heart and soul--they may be the first dance act that would sound just as good unplugged. Best of all, they manage to combine guitars and drum machines with catchy anti-establishment songs while never fully lapsing into the dubious realm of Chumbawamba, which is why it's perfectly acceptable to dance along to the banjos and fiddle on standout track "Woody Guthrie", even if it does boast a chorus that says "Don't need no country / Don't fly no flag / Cut no slack for the Union Jack / Stars and Stripes have got me jetlagged". Granted, Power in the Blood is not a perfect album--it's too long and the lyrics get a bit preachy and heavy handed--but it is a good one. The lyric "Mommas don't let your babies grow up to be DJs" (on the superbly-titled "The Devil Went Down to Ibiza") is alone worth the price of admission. --Robert Burrow

Customer Reviews:

Blood Type: A+.......2007-02-10

A3 has done it again. Their first album, "Exile on Coldharbour Lane," was a western-gospel inspired acid house party album, a blossoming transufsion of sparkling wit and musical genius. Their second album, "La Peste," was a darker, earthier treatise on pain, regret, and hope. "Power in the Blood," their third album, mixes the country harmonics and electro-house frequencies of the one with the crooning prison-cell flavor of the other, making for a product that is soulfully liquid but buzzing with dance-floor energy.

As always, the lyrics are rather political (in some cases, their message is almost too weighty to take -- see "Lord Have Mercy"), but this rarely gets in the way of their remarkably unique sound. As before, they slide between beautiful extremes, offering up uncut house with "Strobe Life" and acoustic spiritualism with "Let The Caged Bird Sing." There is the wickedly funny ("Yellow Rose"), the playfully ironic ("R.E.H.A.B."), the incriminating ("Woody Guthrie"), and the delightfully dark ("Power In The Blood").

The blend is wickedly sharp as usual. Their mix of soothing prarie psalms with the sneering static of hard house is something I never get tired of, a combo that lights a fire behind and beneath each of the songs. A3 is still belting out the beats, and they're still doing it in a way you have very likely never heard of before.

Most original band I've heard in YEARS.......2005-06-18

If you're not listening to Alabama 3 (A3 in the U.S.) you are definitely missing out on some amazingly original and refreshing music. This is the best "NEW" stuff I've heard in maybe 10 years. Thank goodness for "The Sopranos" which turned me on to the band(theme song).

These guys don't even fit into a typical genre . . . we might need to invent one just for them. From the intense beats of the title track to the gospel beauty of REHAB, this album (and all of their albums) are filled with profound lyrics and a broad mixture of vocal and instrumental variety. One listen and you'll be ordering all of their albums.

Take all that crap you like and throw it in a blender..........2003-11-23

So you like music, huh? You're picky too, eh? You say you like a little country, a dab of electronica, some crazy-cool techno, acid jazz, rock AND the blues!!!??? Well, why not listen to all of them at the same time? Alabama 3 can help you do just that, my little friend!! This disc has everything you'd ever want readily available to you, the demanding listener.

Acoustic Power is worth it all.......2003-10-28

Power in the Blood is my least favorite album by this band. Having grown up in the south and in a gospel church most of my life, I loved the fusion of music styles on the first two albums. Power, is more of a pure house flavor, and Im not a big fan of house. Alas, I am an Alabama 3 fan and I have both the 1 CD England version and the US 'A3" 2CD album of Power, that has the 2ed CD Acoustic Power. It was worth it for these cool country flavored tunes from their albums.
Id do it again.

The world's best unknown band part 3.......2003-09-20

Power in the blood is a melting pot of the first two albums from Alabama 3 (A3 in America.) With the deep dark gritty blues from La Peste to the sweet upbeat country groove of Exile on Coldharbour lane. But with mixing the two it still falls slightly short of it's predecessors. I feel the flashy production took a bit away from the band being musicians. No harmonica and less acoustica shifts "Power" to a more Moby atmosphere. It's great album in itself but Exile and Le Peste really shows what this band can do. The album kicks off with a short little acoustic story that always makes me smile. Then rips into the album's title track with great lyrics but again turns me off a bit with the techno. The album's first single "Reachin" gives us the A3 we all know and love; smooth tranquility. Other tracks that stick out above the rest are Woody Guthrie, R.E.H.A.B. and Let the Caged Bird Sing which sound like sweet leftover Exile work and Load Have Mercy has a haunting Le Peste groove. New fans of A3; I'd pick up the albums in order to really appreciate a great band's original sound and progression.

Average customer rating: An Australian discovers the Dolls A disappointment back to the rock jungle THE DOLLS RETURN! Can't Lose

One Day It Will Please Us to Remember Even This New York Dolls Manufacturer: Roadrunner Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: All Dolled Up The Weirdness New York Dolls New York Doll Rockford ASIN: B000G73ULI Release Date: 2006-07-25

Tracks:

1. Were All in Love
2. Runnin Around
3. Plenty of Music
4. Dance Like a Monkey
5. Punishing World
6. Maimed Happiness
7. Fishnets and Cigarettes
8. Gotta Get Away from Tommy
9. Dancing on the Lip of a Volcano
10. I Aint Got Nothin'
11. Rainbow Store
12. Gimme Luv and Turn on the Light
13. Take a Good Look at my Good Looks

Amazon.com

Three decades-and-change since they disintegrated in a burst of self-abuse and self-fulfilling prophecy, the darlings of '70s proto-punk/glam stage a return to the recording studio that's as unlikely as it is good-natured. The opening triptych of "We're All in Love," "Runnin' Around," and the downright nostalgic "Plenty of Music" argues that remaining band members David Johanson and Syl Sylvain are more interested in celebrating their survival with a little sass than rehashing the sonic anarchy that made them. Yet veteran producer Jack Douglas never lets the band (now featuring Hanoi Rocks bassist Sammi Yaffa, guitarist Steve Conte, Brian Koonin on keyboards, and drummer Brian Delaney) become too absorbed in more focused songcraft here, injecting the same edgy, pop-buzz he imparted to Cheap Trick and Aerosmith on the infectious soul-punk single "Dance Like a Monkey" and elsewhere. Helping celebrate the Dolls revival in fine fashion are guest turns by Iggy Pop (the frantic "Gimme Luv & Turn On the Light") and Michael Stipe (who harmonizes on the ballad "Dancing on the Lip of the Volcano"), as well as Against Mel's Tom Gabel on the trademark rave-up "Punishing World." The Dolls have always been a triumph of attitude over art; ultimately little has changed here other than the bracing exuberance they bring with them this time 'round. First pressings of the release contain a 45-minute "making of" featurette as well as the bonus track "17," a lugubrious workout featuring Dolls inspiration/rock progenitor Bo Diddley. --Jerry McCulley

Album Description

Now in 2006, The NEW YORK DOLLS return with the follow-up to 1974's Too Much Too Soon that proves that the band hasn't lost a step and that they are ready to show the world what they've been missing. The new studio album "One Day It Will Please Us To Remember Even This" captures the spirit of a band that had disappeared long before rock n roll became about big business, and presents the essence of fun, revelatory Rock N Roll in its purest form.

Customer Reviews:

An Australian discovers the Dolls.......2007-06-27

Having recently taken an interest in the New York scene and the wonderful music that has fermented there over the past 30 years or so it was inevitable that I look closer at the "Dolls" I love every track on this cd and regard it a must have along with the 2 original Dolls albums. David Johansen is a great talent with his Dolls persona and the Buster Poindexter phase. Such depth of talent lasts and grows. This cd, 30 years after their first releases is missing 3 of the original band but is not diminished by that although it would be just wonderful to have had Johnny Thunders still with us. This oustanding piece of work is a credit to David and Syl who have created a wonderful work that stands out in these days of impoverished commercial with no roots.

A disappointment.......2007-06-24

We all know that Johansen and Sylvain are the only original Dolls on this project. That's OK since they were part of the NY Dolls creative core and most of David Johansen's best solo material was cowritten with Sylvain. I had high hopes, but the songs on this disc have the feel of something that was cobbled together in a studio under a time restraint rather than that of songs that came to the New Dolls in moments of inspiration. The Dolls trademard dueling left speaker/right speaker half-lead-half-rhythm guitars is sorely missed. David Jo's voice sounds kind of shot. I don't know. This sounds like OK rock and roll. There's just nothing really special about it. This is too bad because I really wanted to like this.

back to the rock jungle.......2007-06-09

I will remember "the Dolls" for more than the debut in 1973 with songs like "personality crises" and the second album with songs like "stranded in the jungle".The album "one day it will please us to remember even this" is the best album yet, well produced and mixed by Jack Douglas." the Dolls"
has been better musicians over the years and is not so revolutionary now.Its a pop-party album with rock touch and some various ballads.The best tracks are punishing world, gotta get away from tommy, and running around which is miles better than the rolling stones has been recorded the last 10 years so i will always remember this record as the best new york dolls ever did?

THE DOLLS RETURN!.......2007-05-10

Granted there are only 2 original members on this album, but it still rocks. The production is a little too slick for my taste, but the songs are phenomenal (with the exception of "Rainbow Store") and more than worth the money.

Can't Lose.......2007-04-11

If you've bought this album, you either know the Dolls and their music, or you don't. But no matter which side of that tautology you fall on, you can't lose.

If you don't already know the Dolls, this is a collection of great rock songs, tightly written, well-produced, with smart and funny lyrics. Just listen to "Dance Like A Monkey," a hilarious shot at creationism with a thick, bouncy bass line. Or try "Gotta Get Away From Tommy," which combines piano work, a Ramones riff, and one of the funniest first verses I've ever heard. Possibly the best song on the album is "Dancing On the Lip Of A Volcano," a tremendous, building anthem. You might also recognize the voice of Michael Stipe on this song. Some other names on this album that might sound familiar: Sami Yaffa, Steve Conte, and Iggy Pop. So if you like what you hear here, find out just who the New York Dolls were and are by getting their first two albums.

The rest of you know the story. You know that David Johansen and Sylvain Sylvain are the only surviving members. The rest of the players on this album, regardless of how good they are, are more or less session members. The result is that the album sounds less like a New York Dolls album, and more like an album by a band that has been influenced by the Dolls. Anticipating this, Johansen, Sylvain, and company have crafted a work that celebrates the Dolls's music and legacy. Songs like "Maimed Happiness," "Fishnets & Cigarettes," and "Take A Good Look At My Good Looks" tell the story of where they've been and where they are. For further proof just look to the album's title.

Far from lacking in authenticity, this album proves the spirit of the Dolls is alive and well, even if most of the original members aren't.

Rock Music:

1. Paris 76 [Import]
2. Plays a Tribute to Santana [Import]
3. Pop Art: Underground Sounds from the Warhol Era [Import]
4. Project Shangri-La [Import]
5. Pushing the Senses [Import]
6. Rebellious Jukebox
7. Reptile Rock
8. Retrospective [Import]
9. Revealing Damnation
10. Rockin' at the Barn, Vol. 3 [Import]

Rock Music