Just a Little [CD-single]

1. Just a Little [Single Version]

2. No Mercy [Live]

3. Across the Tracks [Live]

Tracks:

Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
Annie: Tomorrow - Andrea McArdle/Peter Howard
The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
Cabaret: Cabaret - Jill Haworth/Harold Hastings
Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
Show Boat: Ol' Man River - William Warfield/Franz Allers
A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings

Customer Reviews:

Great to Hear All those great Voices from the Past.......2007-07-05

I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!

A Good One!.......2006-11-10

This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

I'm Not That Lonely Yet [Live]
I'm Gettin' Over You [Live]
You Lift Me Up to Heaven [Live]
Can't Even Get the Blues No More [Live]
Every Second Someone Breaks a Heart [Live]
You're the First Time I've Thought About Leavin' [Live]
Daddy [Live] - Susie Luchsinger, Pake McEntire, Reba McEntire
(Love Lift Us) Up Where We Belong [Live] - Susie Luchsinger, Pake McEntire, Reba McEntire
There Ain't No Future in This [Live]
Open Road (Hot Rod Guitar) [Live]
Today All Over Again [Live]
What We Can't Have [Live]
Who Ever's Watchin' [Live]
Silver Eagle [Live]
He Broke Your Memory Last Night [Live]
Red Roses [Live]
Pins and Needles [Live]
Poison Sugar [Live]
Just a Little Love [Live]
Islands in the Stream [Live] - Susie Luchsinger, Pake McEntire, Reba McEntire

Album Description

20 track collection of Reba Country classics, recorded live. Although she first became a Country superstar in the early '80s, she had already been a recording artist for nearly a decade before her commercial breakthrough. Since then, she's gone from strength to strength and has become a household name with her own television show, movie roles and many more hits. Features 'I'm Not That Lonely Yet', 'Islands In The Stream', 'Today All Over Again', 'Silver Eagle', 'He Broke Your Memory Last Night' and more. Delta.

Album Details

Includes "i'm Not that Lonely Yet" and "i'm Getting Over You".

Customer Reviews:

Live traditional country recordings.......2007-05-16

Please note that this is a re-issue of a CD previously tithed I'm not that lonely.

Reba has, for a long time, been one the finest singers in country music and these live recordings provide yet further proof, as if that were needed. They were recorded at Doc Severinsen's Music Showplace in Oklahoma City. No date is given but it is likely to be around 1985, given the track selection. Around that time, Reba's recordings were firmly rooted in tradition and that is reflected in these recordings. Pop fans will find nothing of interest here.

Many of the songs are those that Reba recorded during her years on Mercury. Her first MCA album, Just a little love, is represented by five tracks and there is just one more recent song - Red roses won't work now, from Have I got a deal for you? It is, of course, possible that she was singing this in concert for a while before she recorded it in the studio.

There are three songs here that have never appeared on any of Reba's studio albums, these being Up where we belong (a cover of the Joe Cocker and Jennifer Warnes classic), Islands in the stream (a cover of the Kenny Rogers and Dolly Parton classic) and Open road (Hot rod guitar), a song that I've not come across elsewhere. The first two are duets featuring an un-credited male vocalist. Elsewhere, the album is filled with live versions of her early hits and album tracks including Can't even get the blues, You lift me up to heaven, Today all over again and Just a little love.

Reba's dedicated fans will no doubt want this anyway, but as an introduction to her early music, this is also excellent.

Reba - Just a Little Love.......2006-02-24

I am a huge Reba fan but unfortunately I was not overly impressed with this cd. There were a few good songs but most were just mediocre.

Land of My Fathers: 100 Great Welsh Choir Favourites

Average customer rating:

Land of My Fathers: 100 Great Welsh Choir Favourites

Manufacturer: Castle Pulse
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Favourite Welsh Choirs
Land of Song Welsh Choral Classics
Welsh Choirs: Wonderful Welsh Choirs
Bryn Terfel - We'll Keep a Welcome
Traditional Songs of Wales

ASIN: B0009SOFXG
Release Date: 2005-08-01

Tracks:

Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
Land of My Fathers - Caerphilly Make Voice Choir
Dies Irae
Men of Harlech
You'll Never Walk Alone
Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
Old Folks at Home
Il Liza Jane
Faust/Soldier's Chorus - Caerphilly Make Voice Choir
Vergine Degli Angeli
Ballard of Rourke's Drift - Cwt-Y-Collen Choir
My Hero
God Bless the Prince of Wales - Caerphilly Make Voice Choir
German Mass/Gloria
German Mass/Sanctus
Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
All Through the Night - Caerphilly Make Voice Choir
Arwelfa
Invictus
Softly as I Leave You

Tracks:

Diolch l'R L
Hine E Hine (Maori Lullaby)
Pererin Wyf (Amazing Grace)
Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
Memories of Martha
I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
Myfanwy - Treorchy Male Choir
Tales of Hoffman/Barcarolle
Creation's Hymn
In the Spirit!
Shall We Gather at the River
Nos a Bore
Very Best Time of Year
Soon Ah Will Be Done
Thanks Be to God
Flower That Shattered the Stone
Rhys - Treorchy Male Choir
Where Shall I Be?
Bywyd y Bugail
Lord's Prayer

Tracks:

Ave Maria
Pearl Fishers/Divine Brahma
She Was Beautiful (Cavatina) - Treorchy Male Choir
Cymru Fach
Nidaros
Jacob's Ladder - Treorchy Male Choir
Watching the Wheat
Pan Ddaw y Saint (When the Saints Go Marching In)
Misbles/Stars
Rachie
Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
There Is a Balm in Gilead
Rise Up Shepherd and Foller
My Lord, What a Mornin'
Bryn Myrddin
Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
Finnish Forest (Suomen Salossa)
Nabucco/The Glory of Israel
Ride the Chariot
Tydi a Roddaist - Treorchy Male Choir

Tracks:

Y Nefoedd
Phantom of the Opera/Think of Me
Morte Christe (When I Survey the Wondrous Cross)
By Babylon's Wave
I'm Gonna Sing
Where Could I Go But to the Lord?
Holy City - Treorchy Male Choir
Mefistofele: Ave Signor, Degli Angeli
Senzenina (Zulu Chant)
That's All I Want from You
Deep Harmony - Treorchy Male Choir
Give Me Jesus
Just a Closer Walk with Thee
My Wish for You
Jeptha/Waft Her Angels
Mose in Egitto/Prayer
Be Still My Soul (Finlandia Hymn)
God's Choir in the Sky
Floral Dance - Treorchy Male Choir
Smilin' Through

Tracks:

Calon Lan
True Love
Mor Fawr Wyt Ti (How Great Thou Art)
Aberystwyth
Comrades in Arms
Cats/Memory
They Led My Lord Away
State Fair/It's a Grand Night for Singing
When I Fall in Love
Let's Face the Music and Dance
Windmills of Your Mind
How Soon
Non Nobis Domine
Rhythm of Life
Kalinka
Sound an Alarm
Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
Turandot/Nessun Dorma
Christus Redemptor
Ann Evening's Pastorale

Album Details

Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.

Average customer rating:

SHE MADE ME CRY!!!
IF REBA WENT POP THEN THIS IS THE BEST OF IT!!
TAKE ME BACK TO 1984 PLEASE
COME AND FEEL THE LOVE!!!
ONE OF REBAS MOST ENGAGING CDS!!

Just a Little Love
Reba McEntire
Manufacturer: Mca Special Products
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music

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My Kind of Country
Have I Got A Deal For You
What Am I Gonna Do About You
Out Of A Dream
The Last One to Know

ASIN: B000002PBR
Release Date: 1991-07-01

Tracks:

Just A Little Love
Poison Sugar
I'm Gettin' Over You
You Are Always There For Me
Every Second Someone Breaks A Heaart
Tell Me What's So Good About Goodbye
He Broke Your Memory Last Night
If Only
Congratulations
Silver Eagle

Customer Reviews:

SHE MADE ME CRY!!!.......2005-09-23

She indeed made me cry on three songs: The title cut, "He Broke Your Memory Last Night" and "If Only" one of the saddest songs I've ever heard. Reba did everything brilliantly on this CD.

IF REBA WENT POP THEN THIS IS THE BEST OF IT!!.......2005-09-23

If Reba was going to go the pop route, this is a good example of it!! The songs are just the right blend of traditional country with contemporary production and her voice is great! Having good material always helps. This is one of her best! Enjoy!

TAKE ME BACK TO 1984 PLEASE.......2005-09-22

Actually I wasn't born yet in 1984 but when you're a Reba McEntire fan you want all of her music. In discovering her older stuff I am knocked over by the songs she used to sing and wonder why she doesn't do stuff like this any more. Except for maybe two or three songs on here, this album is a lot better than any of her new stuff. I especially like "You Are Always There For Me" and "I'm Gettin' Over You". But also noteworthy is the title track and "He Broke Your Memry Last Night". I listen to this one all the time because I really like it.

COME AND FEEL THE LOVE!!!.......2005-09-22

This is a beautiful album!! Especially the song "Just a LIttle Love", a great tune that surpasses anything she did before or since. Its my favorite Reba song and one I wish she would sing at her concerts!! I remember going to a concert of hers back when this CD was released and she sang this...and oh, what a performance!!!

ONE OF REBAS MOST ENGAGING CDS!!.......2005-09-22

Even the cover of the CD is beautiful!! Reba is not an especially attractive woman but made up correctly she is beautiful!! But this isn't what this review is about. Its about what is inside. What's inside is Reba doing what she does best and that is singing her heart out with good material and honest lyrics and tasteful production!! This one is a keeper!

Average customer rating:

A Funky Dance Album To Have
Great French House!
Dance with a soul--feel the love!!!!!
YES!!!
Interesting twists on dance/electronic

Just a Little More Love
David Guetta
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

House | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music
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Guetta Blaster
Guetta Blaster
Fuck Me I'm Famous
Fuck Me I'm Famous, Vol. 2
Pop Life

ASIN: B0000UJK6K
Release Date: 2004-02-10

Tracks:

Just A Little More Love (Wally Lopez Remix Edit)
Love, Don't Let Me Go (Original Edit)
Give Me Something (Deep In My Heart) (Vocal Edit)
Can't U Feel The Change
It's Allright (Preaching Paris)
Sexy 17
People Come People Go
Just For One Day (Heroes) (Radio Edit)
133
Distortion (Vocal Edit Remix)
You Are The Music
Lately
Just A Little More Love (Elektro Edit)

Amazon.com

Featuring gospel singer Chris Willis, with hints of Ibiza house and deep soul, David Guetta's "Just A Little More Love" was a huge dance hit in 2001, and now it's the showpiece title track for the DJ's second full-length release. Love is filled with crackling, electro-tinged grooves, and uses an element of glitzy cheese to give the record a silly, anything-goes club vibe. Made for parties, Guetta's work is endlessly positive, ranging from the sublime, Stardust-like "People Come, People Go," to his riff on David Bowie's "Just For One Day (Heroes)." A collection of singles like this can sound thrown together, and you can hear when Guetta is coasting ("Give Me Something (Deep In My Heart)," for example). But these songs really are meant to be heard as part of a larger set, on wax just pulled out of a crate. Even the most inept DJ would have an easy time getting people dancing with this compilation in their arsenal, and depending on the dance floor's pulse, any one of these tracks could be the night's high point. --Matthew Cooke

Customer Reviews:

A Funky Dance Album To Have.......2006-09-06

David Guetta is a French Dj and Remixer that's been around for quite awhile now, but this was actually his first album, released in 2004 despite countless of singles and remixes already. The music here is more commercial then actual house music though, we got soul singers Chris Willis and Barbara Tucker and the music is a mix between diffrenet genre's like House, Soul, Electro and Pop that isn't afraid of sampling old stuff, Not surprising that Mr. Guetta scored several club hits from this album. "Just A Little More Love" was a hit in 2001 and a highlight here. "Love, Don't Let Me Go" another hit single in a simular mood 'that blends soul and dance, the exellent "Give Me Something (Deep In My Heart)" that blends 70's disco with modern house. "Just For One Day (Heroes)" a ripp-off from David Bowie's classic. "Sexy 17" that infact sound like 80's Prince singing. Towards the end of the set there are several less commercial songs, house and electro instrumentals that would have suited well on a Daft Punk or Cassius album. On this american release there are several remixes, + there are 2 versions of "Just a Little More Love" instead of the song "You" that is part of the original Euro release and "Just For One Day" instead of "Atomic Food". For all dance fans, I think this is a must have. Considering that there a few really good dance albums out there and Guetta is a very talented and original dj, you must check this one out, if you liked Modjo, Cassius or even early Roger Sanchez, you'll like David Guetta too. 4/5 stars

Great French House!.......2005-05-03

Although this CD is over 2 years old I recently bought it and I am totally loving it as it is an awesome CD. Every track one after the other is beautifully produced and laid out. There's something about French house music and electronica that I can't get enough of. From Dimitry From Paris, Daft Punk, Cassius, Bob Sinclair and a slew of others that keep producing wonderful dance music that have retro feels to them. I especially love Give Me Something (Deep In My Heart) with the great vocals of Barbara Tucker on this album as well as the title song and Just For One Day (Heroes). Anyway check out the album and go buy it.

SJ
www.bestplaylists.com

Dance with a soul--feel the love!!!!!.......2004-12-15

This is a brilliant compilation cd, whether its meant to be heard as part of a DJ club set, or just something you pop into the player when you want to hear happy, well-done, varied, and party atmosphere House. Every song is good, and some are incredible. All I had heard before getting this disc was "Just A Little More Love" via Ministry of Sound Hot 100, and I have been really impressed with it. The beat is all cub, but the lyrics are all intelligence with heart (not about drugs or sex, the two club lyric standbys that get old *quick*).

If you have doubts, chuck them and buy it!!

YES!!!.......2004-04-01

This album is hottttt!!
I especially love the songs with Barbara Tucker, such as "It's Alright" and "Give me Something." Hello, it's the story of my life. Give me something... or nothing at all.
Preach it!

Interesting twists on dance/electronic.......2004-02-12

I first heard of Parisian DJ David Guetta (a fixture in Ibiza and Paris) on the "Pioneer: The Album Vol. 3" while living in Spain (Ibiza CDs are EVERYWHERE) with his fabulous single "Love Don't Let Me Go." After a long wait, "Just A Little More Love" is being released in North America---it's ABOUT TIME!!!. His album is a pleasing blend of styles and moods, all of it intensely danceable.

The main highlight for me was not only Guetta's fantastic mixing, but the soulful, searing vocals by gospel phenom Chris Willis (backing vocalist for Amy Grant ,CeCe Winans, Twilla Paris, Garth Brooks, and Dolly Parton among others) that made the album come alive. "Just A Little More Love" sounds like a throwback to the heyday of the `80s, with elements of funk and disco scattered throughout the driving beats. The album spawned a number of singles, including Ibiza megahit "Love Don't Let Me Go."

This North American release features an altered tracklist from the European debut, adding the Just For One Day (Heroes) remix from Guetta's new album F*** Me I'm Famous (named after an Ibiza tradition), cuts several others (Chris Willis' You, Atomic Food), and substitutes edits for several (Just a Little More Love Elektro edit, Distortion vocal edit, Just a Little More Love Wally Lopez remix edit). The majority of the thirteen songs are vocal-driven, with the exception of 133 and Lately, both instrumentals. Themes range from the noble: social reform (Can't U Feel The Change), self-empowerment (It's Alright), love and desire (the campy Sexy 17, People Come, People Go, Give Me Something, the riveting Love Don't Let Me Go, You Are The Music) and just plain fun (Distortion).

Tracks:

Overture : The World According To Snoopy
Edgar Allan Poe
Woodstock's Theme
I Know Now
The Vigil
Clouds
Where Did That Little Dog Go?
Daisy Hill
Friend
The Great Writer (It Was A Dark And Stormy Night)
Poor Sweet Baby
Don't Be Anything Less
The Big Bow-Wow
Just One Person

Customer Reviews:

This Shouldn't Be Getting Good Revues.......2007-01-03

All my revues are strictly from a listeners point of view, and this CD is not good from a listeners point of view. I haven't seen the show, and I feel other revues of this CD are based on having seen the show, which isn't fair. This CD isn't complete for one thing. The London cast, although I don't own it, nor have I ever listened to it, at least has the full score. But the main horror are the singers on this CD. They are just bad. People are turned off musical theater from CDs like this. I urge you not to buy this CD unless you are a collector, or have seen this show and want to hear a bad version. This is not for new listeners or even mature listeners looking for new musicals... this is not good. I don't know why people keep giving this CD more than three stars. The lyrics are decent, cute and funny, but the singing is unforgivable. Favorite song (only because I put one in every review): "Poor Sweet Baby"

I love the music.......2005-02-21

I got to see a one day benefit with Sutton Foster, Hunter Foster, ANn Harada, Christian Borle, Jennifer Cody and Deven May. That cast far outclasses this one AND the London one. Both casts are awful. The music is adorable, but that cast is so bad that it majorly brought down this rating. Buy the London one because it has more songs but if you buy either version, be wary of the awful casts.

Not to sing an old tune but..........2004-07-26

I have to be boring and agree with nearly everyone else. These are not the best versions of the songs. I recently saw the Snoopy Musical in the New Players Theatre, Charing Cross, London and it blew me away. Yes, it's light humour and couldn't possibly be described as deep, but it is still thoroughly enjoyable. I would give the show 5/5 stars and the London singing 6/5 stars. This recording is amusing and has most of the best songs, but the singing isn't quite up to scratch (and isn't even "singing" in parts). Good, but sadly not great.

Snoopy is good, but London's is better........2003-06-22

As a theatre teacher, I have both versions of Snoopy! I recommend the London Version because there are more songs on the recording that are now in the show. Its a good cd if you are looking to hear the original but this cd has piano accompanment only! London's has a band.

From a SNOOPY Expert.......2003-06-20

I'm one of the few lucky (?) souls that have had the opportunity (?) to be a part of SNOOPY: THE MUSICAL. I was Linus, complete with blankie and wisdom beyond my years (?). Yes, praise me, praise me, I endured SNOOPY...but I also bought the CD. Perhaps only a nerd would have the constitution to participate in and then buy an everlasting reminder of this schizophrenic little show.

Still, it's a sweet, subtle production with no social relevance and little ability to inspire anyone. It's nothing more than a vaudeville of Charles Schultz characters that is supremely difficult to be successful with. I mean, please, how plausible is a quintet of 5-year-olds singing about "Edgar Allen Poe" anyway? Still, once you've hurtled the point of annoyance, it's suddenly easy to appreciate the delicious rhymes employed and the hidden maturity of the themes and, sometimes, of the characters (cough cough, Linus).

Why only three stars? Because this recording is inferior to the London recording. I've only heard the other once, but it's an instanteous reaction: realizing that only a rethinking of the original can improve the whole. First, this CD only has piano accompaniment vs. the other's small band. It's surprising how different (and more entertaining) a small ensemble can make of this show. Also, this CD omits "The World According to Snoopy--Reprise" and "Snoopy's Song" for no good reason. The performances aren't particularly appealing either. I found Snoopy's unrefined, wobbly voice unsuited for the dry character and almost cowardly (believe it or not). Linus isn't all too great (I should know, remember?) and suffers from the same lack of confidence that Snoopy does. Not even the famous Pamela Myers could redeem this recording for me: she's too much of a screamer even for the caustic Peppermint Patty. I did like Sally, but she has little material to sing, unfortunately.

Tracks:

Fascinatin' Rhythm
Soon
Summertime
Embraceable You
Liza
A Foggy Day
'S Wonderful
The Man I Love
I Got Rhythm
He Loves And She Loves
They Can't Take That Away From Me
They All Laughed
Funny Face
Our Love Is Here To Stay
Lady Be Good
These Foolish Things
Laura
April In Paris
Autumn Leaves
Autumn In New York

Tracks:

Cheek To Cheek
Isn't This A Lovely Day?
Change Partners
Top Hat, White Tie And Tails
I've Got My Love To Keep Me Warm
Heat Wave
The Way You Look Tonight
Pick Yourself Up
A Fine Romance
All The Things You Are
Why Do I Love You?
I Get A Kick Out Of You
Night And Day
Looking At You
Just One Of Those Things
My Funny Valentine
Thou Swell
The Lady Is A Tramp
Blue Room
Jealousy
Skylark

Customer Reviews:

Most beautiful music.......2005-08-17

This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.

Average customer rating:

carousel
The Ideal Merry-Go-Round

Carousel Memories

Manufacturer: Dynamic Recording
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Classic Big Band | Swing Jazz | Jazz | Styles | Music

General | Pop | Indie Music | Stores | Music

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Good Old USA Carousel Music Vol. 1
Good Old USA Carousel Music Vol. 2
Fair Organ Follies
Wurlitzer Christmas Carousel Music Vol. 1
Clown and Midway Calliope Music Vol. 1

ASIN: B00005V7GA
Release Date: 2002-01-01

Tracks:

A Smile Will Go A Long, Long Way
The Petite Waltz
Die Regimentskinder
With The Wind and Rain In Your Hair
Nights Of Gladness
Espanita Waltz
Three Little Fishes
Scatter Brain
Beer Barrel Polka
Over The Top
Royal Trumpeters
Say It Again
Georgia On My mind
After the Ball
Unter Dem Siegesbanner
Just A Gigolo
The Sidewalks of New York
Deep Purple
Liberty Bell
Trisch-Trasch
The Kings Horses and The Kings Men
Sweet Rosie O' Grady
The Carousel Waltz (Recorded on Moving Carousel)

Album Description

More marches, waltzes, and fox trots in this recording of the New Verbeeck Band Organ at Seabreeze Park in Upstate New York. On a hill above scenic Lake Ontario, the music of the band organ can be heard on the breezes drifting over the blue water. Twenty-three tunes bring back the sounds of summer from Seabreeze Park - the whirling carousel and prancing horses spin around to the music of childhood, and this fabulous recording captures the wonderful memories. Grab the popcorn, and come for a ride! This completely digital recording is crystal clear and an oversized insert includes pictures and fond memories of Merrick Price - to whom the album is dedicated. The last song was recorded on the carousel while it was moving - an innovative idea that captures the sensation of really being on the ride is enhanced by wearing headphones. This piece of Americana in music - a must for the audio collector, carousel enthusiast, or fan of mechanical music, is a one-of-a-kind gift item.

Customer Reviews:

carousel.......2007-01-03

Carousel Memories does not have the luster that I had expected. The music is not as clear as I would have liked, however, it does have some good qualities that make it worth while to listen.

The Ideal Merry-Go-Round.......2005-07-18

This is a recording by and for merry-go-round lovers. It assembles 23 tracks of mostly characteristic carousel music, played upon a newly constructed band organ handmade by Belgian Johnny Verbeeck to replicate the old Wurlitzer 165 destroyed by a fire around 1995. The fire also claimed most of the carousel itself, which was rebuilt using some restored parts from the original (PTC#36). The recording site is Seabreeze Park on Lake Ontario in upper New York.

In another review I mentioned that that CD offered a partial and rather idealized carousel experience, for it could only provide the sound, and that sound was much more refined and free of ambient noise than would be encountered during an actual carousel ride. That comment applies as well to this recording, and perhaps more so, for the band organ in a typical operating carousel never sounded so good as the one here. This instrument has a remarkably lovely, sweet tone and, being brand new, is in perfect condition. The rolls used were obtained from no less a source than the Library of Congress, and represent a very choice selection.

The music itself includes mostly waltzes, marches, polkas, and one-time popular songs, such as Beer Barrel Polka, Sweet Rosie O'Grady, Liberty Bell, and Scatter-Brain. Less to be expected, but supremely apt, is the fine waltz from Richard Rodger's overture to the musical show Carousel. This last was experimentally recorded on the moving carousel, and thus provides an especially realistic auditory image.

For merry-go-round and band organ enthusiasts this recording might well occupy a place of honor in their CD collection. For those who desire a more realistic, though less ideal, recording I would recommend the old 1973 Takoma Records release "Last Chance on the Merry-Go-Round" (# A 1038), which I believe is no longer in the catalog. (Takoma Records was acquired in 1995 by Fantasy Records.) My personal copy of A 1038 is an LP, and I suspect no CD version was ever released. That recording was made at the carousel on the pier at Santa Monica, California, shortly before the pier was to be demolished. (Thus the title of the recording.) Since it was made while the carousel was actually in operation, the sounds of bystanders and children, along with the carousel drive motor are included. I don't know what ever became of that carousel or its band organ, but would guess they were moved to some collection somewhere. In any case, I have fond memories of wandering along the pier on a fine Saturday afternoon and watching and listening to the carousel and its excited young customers.

Average customer rating:

The songs stand on their own
Sounds Very Good
Nice remix but nothing outstanding
MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD

My Fair Lady

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

My Fair Lady (1964 Film Soundtrack)
The King and I (1956 Film Soundtrack)
West Side Story
Camelot (1960 Original Broadway Cast)
South Pacific (1958 Film Soundtrack)

ASIN: B00005J9XS
Release Date: 2001-05-22

Tracks:

Overture
Why Can't the English? - Alan Jay Lerner,
Wouldn't It Be Loverly?
I'm an Ordinary Man
With a Little Bit of Luck
Just You Wait
Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On the Street Where You Live - Orchestra African Fiesta
You Did It - Rex Harrison, , Wilfried Hyde-White,
Get Me to the Church on Time
Hymn to Him - Isobel Elsom, Marni Nixon
Without You
I've Grown Accustomed to Her Face - Stanley Holloway
Embassy Waltz [*] - Marni Nixon
You Did It - Rex Harrison, Marni Nixon
Just You Wait (Reprise) - Rex Harrison
On the Street Where You Live (Reprise)
Show Me
Flower Market
Get Me to the Church on Time
Hymn to Him
Without You
I've Grown Accustomed to Her Face
End Titles
Exit Music

Customer Reviews:

The songs stand on their own.......2006-05-27

Many people can associate this sound track with the movie, "My Fair Lady" that was that is a film version of Bernard Shaw's play "Pygmalion". This is a classic musical with many well known songs by Lerner and Loewe.

However unlike many musicals the songs have a life of their own. Even though they matched the story perfectly, they are they type of songs that one could instantly blurt out in the thrill of the moment. I my self found that "On the Street Where you live" matched perfectly when I was in love in my youth.

Sounds Very Good.......2006-05-16

This album and CD format sound very good. I was quite pleased. THE RAIN IN SPAIN and ON THE STREET WHERE YOU LIVE are favorites of mine. I am glad this soundtrack got a top notch presentation. Well worth the wait.

Nice remix but nothing outstanding.......2004-03-06

After reading one review that gave this recording five stars I purchased it. Although it probably is a better recording than past CDs - don't expect the sound of a modern recording. A couple of the songs are very much clearer, but over-all I did not find this recording to be a revelation.

MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD.......2001-08-02

Warner Bros' 1964 film version of My Fair Lady, Lerner and Loewe's brilliant musical adaptation of Bernard Shaw's Pygmalion, is a genuine motion picture classic, fully worthy of all the awards and praise it has garnered since it's release nearly forty years ago.

My Fair Lady boasted a discrete 6 track stereophonic sound mix, which was state of the art for it's time and still probably sounds better than the majority of today's pictures.

This new SACD format CD offers the best sonic presentation of this soundtrack ever made available to the music buying public. With this release Sony has corrected a horrible injustice done to My Fair Lady in its previous CD. Gone is the sloppy editing of bits and pieces of meaningless dialogue excerpts and intrusive Foley effects, which served only to show the total lack of respect the producers had for these performances. While this SACD is not completely free of such tampering, this time the small amount of dialogue is beautifully edited and serves properly as lead in to the songs. Unlike the original LP release the extended versions of all the songs are presented here, along with The Embassy Waltz and the Entr'acte music.

I won't get into the debate over Audrey Hepburn's casting except to say that at this point in time Julie Andrews, although obviously a better singer than Hepburn and probably wonderful on the stage, could not have even come close to the level of brilliance displayed by Audrey Hepburn in this role on the screen.

Unfortunately precious little of Hepburn's superb performance is to be heard on this SACD, which leaves us with a debate over how Marni Nixon, Hepburn's vocal double, compares to Julie Andrews. Other than the fact that her Cockney accent is not so great, Nixon acquits herself quite admirably in the role, although I believe that Hepburn should have been allowed to do more of the singing with Nixon stepping in vocally when the going got rough, such as she did for Deborah Kerr in The King and I. But even so, Marni Nixon is arguably every bit as good a singer as Julie Andrews and performs the songs beautifully.

Add to that the fact that this soundtrack offers Rex Harrison's most polished performance of Professor Henry Higgins and since his songs were recorded live at the time of filming, there is a spontinenity in them lacking in the Broadway and particularly in the London Cast Recordings.

Stanley Holloway performs his songs with much more zest in this recording as well. But the greatest improvements over the original are the outstanding orchestral arrangements and conducting by Andre Previn assisted by Robert Tucker's excellent choral work. The brassy, puny orchestras and shrill choruses on all other recordings pale by comparison.

Still, the Original 1956 Broadway Cast Recording should be a part of any serious music lover's collection, if only to savor Julie Andrews' sterling vocal performance as the original Eliza Doolittle. The 1964 soundtrack reviewed here should be equally enjoyed on its own merits, as mentioned above, and for allowing one to hear in brilliant stereo sound a more complete and better orchestrated version of Lerner and Loewe's musical masterpiece.

Now if only Sony would go back and correct another major injustice by redoing the horribly mutilated expanded CD soundtrack of West Side Story as well.

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