Tempest

About the Artist
Sorry, no bio just yet.

Product Description
A Progressive Rock album of endless proportions. Mellow to driving guitars, swirling keys/synth work, great bass lines and even a Sitar thrown in for good measure! The latest album from one of Progressive Rock's most popular festival entertainers!

Tracks:

Sonata No.1 In F Minor, Op.2 No.1: Allegro
Sonata No.1 In F Minor, Op.2 No.1: Adagio
Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
Sonata No.3 In C Major, Op.2 No.3: Adagio
Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
Sonata No.3 In C Major, Op.2 No.3: Allegro assai

Tracks:

Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
Sonata No.6 In F Major, Op.10 No.2: Allegro
Sonata No.6 In F Major, Op.10 No.2: Allegretto
Sonata No.6 In F Major, Op.10 No.2: Presto
Sonata No.7 In D Major, Op.10 No.3: Presto
Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
Sonata No.22 In F Major, Op.54: In tempo di Menuetto
Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro

Tracks:

Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
Sonata No.4 In E Flat Major, Op7: Allegro
Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
Sonata No.9 In E Major, Op.14 No.1: Allegro
Sonata No.9 In E Major, Op.14 No.1: Allegretto
Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
Sonata No.10 In G Major, Op.14 No.2: Allegro
Sonata No.10 In G Major, Op.14 No.2: Andante
Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai

Tracks:

Sonata No.11 In B Flat Major, Op.22: Allegro con brio
Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
Sonata No.11 In B Flat Major, Op.22: Menuetto
Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
Sonata No.12 In A Flat Major, Op.26: Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace

Tracks:

SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto

Tracks:

Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
Sonata No.15 In D Major, Op.28 'Pastoral': Andante
Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
Sonata No.19 In G Minor, Op.49 No.1: Andante
Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto

Tracks:

Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco

Tracks:

Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
Sonata No.25 in G major, Op.79: Presto alla tedesca
Sonata No.25 in G major, Op.79: Andante
Sonata No.25 in G major, Op.79: Vivace
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
Sonata No.28 In A Major, Op.101: Vivace alla Marcia
Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)

Tracks:

Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
Sonata No.30 In E Major, Op.109: Prestissimo
Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
Sonata No.31 In A Flat Major, Op.110: Allegro molto
Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni

Customer Reviews:

Barenboim's Beethvoen.......2007-06-27

I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.

One of the very best ever.......2007-02-15

This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!

dead in the water.......2007-01-12

Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".

Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)

Sublime expression nourished by a colossal vision!.......2006-03-23

Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.

And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.

In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.

If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.

Performed with great enthusiasm.......2004-05-16

This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]

Personally, I think his style is just right for Beethoven (but perhaps just a bit much when he plays Mozart). I'm very glad that I bought this set, but some might prefer Brendell's (Phillips) or Kempff's (DG) more sedate versions.

Average customer rating:

HOLY COW! "YOU CAN DANCE TO IT!" ICP is B-A-C-K!

i really liked this album

Much better than the Calm.

THE CLOWNZ ARE BACK NINJA STYLE

The Tempest is bumpin'!!!

The Tempest
Insane Clown Posse
Manufacturer: Psychopathic Records
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
Pop Rap | Rap & Hip-Hop | Styles | Music
General | Hard Rock & Metal | Styles | Music
Pop Rock | Pop | Styles | Music
Rap Rock | Rock | Styles | Music
Similar Items:

The Wraith: Remix Albums

The Calm

Carnival of Carnage

The Ringmaster

The Riddle Box

ASIN: B000MTFFYA
Release Date: 2007-03-20

Tracks:

The Sky is Falling
Ride the Tempest
Alley Rat
Haunted Bumps
Growing Again
Hum Drum Boogie
I Do This!
What About Now?
Watch My Ride
News at 6 O'Clock
The Tower
The Party
Bitch I Lied
Play My Song
Mexico City
If I Was a Serial Killer

Album Description

You find yourself locked in place, bound by forces both familiar and frightening. A rumble, a tremble travels up your spine, a bass blast from supernatural speakers. Strobing lights blind your eyes, an unearthly spectacle beyond any made by man. Strap on your seatbelts, for you have entered... The Tempest.

You have reached a pinnacle, a peak in a journey that began years ago, when the Dark Carnival opened its gates and the Insane Clown Posse unleashed the Carnival of Carnage. That was the first of six mighty Joker's Card albums, a decade-spanning saga that climaxed with the platinum-selling Great Milenko and Amazing Jeckel Bothers, and wrapped with a vision of the afterlife, The Wraith: Shangri-La and Hell's Pit. The Joker's Cards had been dealt, but the Carnival carried on, as the caravan entered The Calm, 2005's record-breaking EP. That was just a prelude, an opening chapter to a new era for the Insane Clown Posse's Dark Carnival chronicle. The storm has loomed on the horizon, but now The Tempest is here...

Hold on tight, cuz that's not just your life flashing before your eyes. It's a story of life, death, sin and redemption, conducted in the clouds by the Insane Clown Posse, and you're about to drop in. get ready to ride the wind...

Customer Reviews:

HOLY COW! "YOU CAN DANCE TO IT!" ICP is B-A-C-K!.......2007-07-08

I have to admit it.

I only bought this album because I knew that Mike E Clark had hooked up with ICP again.

After wasting money on The Wraith and The Calm....well, all I can say is that I really don't like throwing money at guys who are just barely trying.

BUT...

THIS ALBUM RE-ESTABLISHES AND RE-DEFINES ICP + Mike E Clark.

Believe it or not, Violent J ...and Shags actually sing on this album ...and it ROCKS.

There are some genuinely EXCELLENT "tunes" on this CD....

And while Violent J and Shags have both mellowed a bit...they can still produce BRILLIANT "NUTTY" material when they want to.

I really enjoyed this CD...and I think you will too!

It's DEFINITELY a KEEPER!

i really liked this album .......2007-05-22

icp for the most part has disappointed me in the past with the releases of abk,amb and Esham. but i have to say this album is up there with the Jeckel Brothers era.

Much better than the Calm........2007-05-10

(This review is for Juggalos, it ain't for people who just want to hear some pop BS rapping about rims and BS. So if you like Mush Mouth, AKA 50 pennies, you won't like the ICP. Oh and Quit snitchen! <:-D)....

On to the review, this wan an excellent CD. With The Calm many people were jumping off of bridges saying "ICP sucks now!" ect... Well F you if you were saying that sheet moron! They have made more god dammed CDs than any other artist out there, they are like dope fiends who need a hit and the only way to get that hit is by making CDs, so naturally when you make as many as they do, one or two will not be the best CD out there. "But what about us, we paid good money for this CD?" If you have not learned now to steal CD's (because the artists still get paid), you're a lame.

OK really on to the review.

Songs

The Sky is Falling: ***** Excellent intro, makes you want to sing this drunk reaking of alcohol while carrying a baseball bat.

Ride The Tempest ***** This one makes you want to speed, drunk, driving the wrong way down a major street, another excellent song.

Alley Rat **** Some reason this song reminds me of the 80s, not a bad song. It is good.

Haunted Bumps *** It is OK.

Growing Again ***** A good storytelling type song. This is where ICP excels in the music industry, they tell a story the best.

Hum Drum Boogie ***** Their token hilariously sexually explicit song on their CD. Very entertaining.

I Do This! ***** I love this song, I just friggin love it.

What About Now *** It is OK.

Watch My Ride **** Nice anger song, good to listen to when you are hungry for a fight.

News at 6 O'Clock ***** Excellent song. Good commentary on our society, especially important with the recent VA Tech Shootings.

The Tower ***** Great anger song. Reminds me of my Iraq war Vet friends.

The Party ** Shaggy really likes house, I like house but ain't in love with the whole DJ scene. I still lub em, but I just ain't digging it. Maybe others do, if so good for them. This is just a personal taste thing to me.

B---- I lied ***** A song that is core to juggalo ideology with regard to anger over being rejected by these sl-ts. Excellent song to listen to while thinking about some chick who pissed you off.

Play My Song **** Another good song to listen to while in a violent mood.

Mexico City ***** I love this song, when I get caught with some felony, I will be listening to this song while taking the Greyhound South.

If I Was a Serial Killer ***** A song that juggalos will be holding lighters up to. I love this song and play it at least 10 times a day.

Over all, Tempest is a ***** 5 Star Album. Mike Clark makes a hell of a comeback, you can really here it in this CD. It reminds me of the good Ole days.

THE CLOWNZ ARE BACK NINJA STYLE.......2007-05-10

What can I say but a brilliant album. from start to finish. I recommend this. Juggalo or not.

The Tempest is bumpin'!!!.......2007-04-30

Now, all you haters of this album, come on if you don't like it then you're not a real juggalo. Mike E. Clark provides ICP with some different funk and sounds, it's got it all-the wicked rhymes,the happy rhymes,the storytelling,tight beats,rock beats,and shaggy scratching it up. It's another classic in ICP's catalog!!! I'm going to the show in Norfolk at the end of May biatches it's gon be tight!
Tightest Tempety Temp Tracks:
-Ride the Tempest
-I DO This
-Haunted Bumps
-The Tower
-The Party
-Play My Song
-The Sky Is Falling
-Mexico City

Average customer rating:

Excellent sample
Some of the Best
Storms
Wonderful selections
Great intro to Beethoven

Essential Beethoven

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Essential Mozart: 32 Of His Greatest Masterpieces
Essential Bach
Essential Tchaikovsky
Essential Vivaldi: 20 Greatest Masterpieces
Essential Rachmaninov

ASIN: B00005KBJQ
Release Date: 2001-06-12

Tracks:

Sym No.5 in c, Op.67: I. Allegro Con Brio - Concertgebouw Orch/Bernard Haitink
Sym No.7 in A, Op.92: II. Allegretto - LSO/Antal Dorati
Romance No.2 in F, Op.50 - Arthur Grumiaux
Pno Son No.14 'Moonlight' in c#, Op.27 No.2: I. Adagio Sostenuto - Vladimir Ashkenazy
Fur Elise (Bagatelle in a, WoO 59) - Vladimir Ashkenazy
Pno Son No,17 in d, Op.31 No.2: III. Allegretto - Stephen Kovacevich
Spt in E flat, Op.20: V. Scherzo: Allegro Molto E Vivace - Members Of The Berlin Phil Octet
Pno Con No.3 in c, Op.37: II. Largo - Alfred Brendel
Sym No.8 in F, Op.93: IV. Allegro Vivace - Chicago SO/Sir Georg Solti
Ov 'Egmont', Op.84 - VPO/George Szell
Vn Con in D, Op.61: III. Rondo: Allegro - New Philharmonia Orch/Alceo Galliera

Tracks:

Pno Con No.5 'Emperor' in E flat, Op.73: II. Adagio Un Poco Mosso - Vladimir Ashkenazy
Sym No.6 'Pastoral' in F, Op.68: V. Allegretto: Shepherd's Song. Happy And Thankful Feelings... - Staatskapelle Dresden/Colin Davis
Pno Con No.2 in B flat, Op.19: III. Rondo: Molto Allegro - Radu Lupu
Pno Son No.8 'Pathetique' in c, Op.13: II. Adagio Cantabile - Vladimir Ashkenazy
Str Qt in B flat, Op.130: V. Cavatina: Adagio Molto Espressivo - Qt Italiano
Bagatelle, Op.126 No.6 - Alfred Brendel
Vn Son No.5 in F, Op.24: IV. Rondo: Allegro Ma Non Troppo 'Spring' - Itzhak Perlman/Vladimir Ashkenazy
Minuet No.11, WoO 7 - ASMF/Neville Marriner
Pno Son No.14 'Moonlight' in c#, Op.27 No.2: III. Presto Agitato - Vladimir Ashkenazy
In Questa Tomba Oscura, WoO 133 - Luciano Pavarotti
Mir Ist So Wunderbar - Hildegard Behrens/Sona Ghazarian/David Kuebler/Hans Sotin
Oh Welche Lust (Prisoner's Chor) - Robert Johnson/Philip Kraus/Chicago Sym Chor/Margaret Hillis
Sym No.9 in d, Op.125: Chor Finale (Excerpt) - Joan Sutherlan/Marilyn Horne/James King/Martti Talvela/Wiener Staatsopernchor

Customer Reviews:

Excellent sample.......2005-10-25

This two disc set is a good sampler of Beethoven; I had forgotten how inspiring his work could be. This set has motivated me to order all three of the Deutch Grammaphone two disc which together include all 9 of Beethoven's symphonies.

Some of the Best.......2005-09-11

Some of these songs are the best that I've heard. I also enjoy the fact that this album provides the ENTIRE movement or selection, unlike some of the other albums that I've heard that only play for a little bit of the song. One example is Beethoven's Symphony No. 7 in A Major Second Movement, this movement is one of my favorites to begin with and hearing it so smoothly and masterfully recorded made my heart sing the first time I heard this all the way to end (the other recordings usually stop after the major key shift after the first theme). Also the Egmont Overture is one of the best full versions that I've had the pleasure of enjoying performed this well. The Moonlight Sonata First Movement I found to be nice, but there are better versions out there. For those people just looking for a nice collection of Beethoven songs that are well recorded and well performed, I stronly suggest that you purchase this album.

Storms.......2005-03-09

Classical music compilations are extremely difficult to review. You are always fighting with someone else's opinion of what is "Best of" material. And why should we buy selections when we could buy the entire pieces and hear them played as the composers intended?

A quick answer would be simple: we simply cannot afford to purchase every single piece by every single composer we love. And if the buyer is familiar with the music, he or she would perhaps only want the famous selections everyone knows. In my case, I am particularly picky with recordings and don't have the time to meddle with libraries or going to stores that offer listening stations. Recordings vary greatly and so does playing ability. So why did I go with Essential Beethoven?

It is released with Decca, one of the finest classical music companies out there. You are guaranteed no gimmick or inexpensively recorded tracks on this compilation. Essential B. also has a wider selection than other compilations I looked at. For once, there isn't a movement to be found from the Fifth Symphony. If that's all you want to buy, look elsewhere. Essential B. has pieces I was not familiar with, so here I am listening to it.

Regrettably, there are three distinct issues with this recording, and I want to get them out of the way. 1. Für Elise is atrociously boring to listen to. As a pianist, it is fun to play and almost required learning for the beginner. It should've been dropped. 2. Piano Concerto No. 5 is missing the third movement. It is common to drop the first movement here, but the second and third movements are programmatically tied, providing some of the most emotionally charged music ever put down on lined paper. Also, this rendition of the concerto is less than inspiring and I regret that it is the famous Ashkenazy playing this version. There is almost no life in the playing. 3. The remastering could've been better. The listener will enjoy the loud and boisterous pieces, but the quieter parts, and even the soft piano solos, will have him straining his ears to the point of exasperation. Because of this, I recommend listening on headphones or in a place where you can turn the volume up a little more than usual.

That aside, the rest of the tracks are well recorded, extremely well played, and varied enough to quench even the most learned ears. Decca has included pieces conducted by Sir Georg Solti, one of the greatest conducters in my opinion. (Another "collection" solely conducted by Solti is the "Immortal Beloved" soundtrack.) The orchestral pieces are lush and the range is dynamic. (A little too dynamic, like I stated above, in some areas.) The inclusion of movement IV from Symphony no. 8 pleases me, as I feel this is the least appreciated symphony, overshadowed by Symphony no. 9

The piano pieces are some of the best renditions I've heard. I own all of Ashkenazy's sonatas, so it was nice to hear a movement from "The Tempest" played by Stephen Kovacevich, who plays with fierce determination. Selections from B's piano concertos are fantastic and have prompted me to delve further into listening to more concertos from him. The Rondo from Piano Concerto No. 2, played by Radu Lupu, is one of the most upbeat and wonderfully played pieces here.

To round things off nicely is a movement from the Violin Sonata No. 5, played by the one and only Itzhak Perlman! The piano is caressed by Mr. Ashkenazy himself, and he does so lovingly. You will also find pieces from a string quartet, a violin Romance (and orchestra), and one overture: the "Egmont." I'm not a huge fan of this rendition either, but that's probably because I've heard the Egmont a thousand times.

A huge bonus with this collection are the three choral selections at the end, two of which are from "Fidelio," an opera I've yet to hear in its entirety. The Prisoners' Chorus is beautiful. The introduction sounds very much like a major contribution to Charles Ives's 1906 piece "The Unanswered Question." The compilation ends with Symphony No. 9's finale, but unfortunately, it is a horribly edited excerpt, and mixed extremely hot. I have to turn my volume down everytime this comes on.

I would like to make a little note about the art design, however. Credit here is given to Mark Millington, who did a fine job blending black & white photos of storm clouds, an inspiring sculpture, and blackletter-styled fonts. The CDs themselves are a contrasting bright orange. As a sucker for marketing, I would've plunked money down for this compilation just for the art!

Wonderful selections.......2003-11-08

My kids and I have really enjoyed this CD. This is a great collection of music with high quality performances.

Great intro to Beethoven.......2003-04-05

Great intro to beethoven. There are many great performances by Ashkenazy, Academy of Saint Martin in the fields, Concertgetbouw Orchestra and many other exceptional artists. I would recommend this disc as it contains the masterpieces of beethoven, even though not all of them.

Average customer rating:

The final testament of a great classicist
Wilhelm Kempff Plays the Beethoven Piano Sonatas
full of artistry, very nice.
Which One To Get, That Is The Question
essential

Beethoven: The Complete Piano Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Schubert: The Piano Sonatas
Mozart: Piano Sonatas
Beethoven: The Violin Sonatas
Chopin: The Piano Works
Beethoven - The Complete String Quartets / Alban Berg Quartet

ASIN: B000001GCC
Release Date: 1991-07-12

Tracks:

Sonata No. 1, Op. 2 In F Minor: 1. Allegro - Beethoven
Sonata No. 1, Op. 2 In F Minor: 2. Adagio - Beethoven
Sonata No. 1, Op. 2 In F Minor: 3. Menuetto. Allegretto - Beethoven
Sonata No. 1, Op. 2 In F Minor: 4. Prestissimo - Beethoven
Sonata No. 2, Op. 2 In A Major: 1. Allegro vivace - Beethoven
Sonata No. 2, Op. 2 In A Major: 2. Largo appassionato - Beethoven
Sonata No. 2, Op. 2 In A Major: 3. Scherzo. Allegretto - Beethoven
Sonata No. 2, Op. 2 In A Major: 4. Rondo. Grazioso - Beethoven
Sonata No. 3, Op. 2 In C Major: 1. Allegro con brio - Beethoven
Sonata No. 3, Op. 2 In C Major: 2. Adagio - Beethoven
Sonata No. 3, Op. 2 In C Major: 3. Scherzo. Allegro - Beethoven
Sonata No. 3, Op. 2 In C Major: 4. Allegro assai - Beethoven

Tracks:

Sonata No. 5, Op. 10 In C Minor: 1. Allegro molto e con brio - Beethoven
Sonata No. 5, Op. 10 In C Minor: 2. Adagio molto - Beethoven
Sonata No. 5, Op. 10 In C Minor: 3. Finale. Prestissimo - Beethoven
Sonata No. 6, Op. 10 In F Major: 1. Allegro - Beethoven
Sonata No. 6, Op. 10 In F Major: 2. Allegretto - Beethoven
Sonata No. 6, Op. 10 In F Major: 3. Presto - Beethoven
Sonata No. 7, Op. 10 In D Major: 1. Presto - Beethoven
Sonata No. 7, Op. 10 In D Major: 2. Largo e mesto - Beethoven
Sonata No. 7, Op. 10 In D Major: 3. Menuetto. Allegro - Beethoven
Sonata No. 7, Op. 10 In D Major: 4. Rondo. Allegro - Beethoven

Tracks:

Sonata No. 4, Op. 7 In E Flat Major: 1. Allegro molto e con brio
Sonata No. 4, Op. 7 In E Flat Major: 2. Largo, con gran espressione
Sonata No. 4, Op. 7 In E Flat Major: 3. Allegro
Sonata No. 4, Op. 7 In E Flat Major: 4. Rondo. Poco allegretto e grazioso
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 1. Grave - Allegro di molto e con brio
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 2. Adagio cantabile
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 3. Rondo. Allegro
Sonata No. 9, Op. 14 In E Major: 1. Allegro
Sonata No. 9, Op. 14 In E Major: 2. Allegretto
Sonata No. 9, Op. 14 In E Major: 3. Rondo. Allegro comodo
Sonata No. 10, Op. 14 In G Major: 1. Allegro
Sonata No. 10, Op. 14 In G Major: 2. Andante
Sonata No. 10, Op. 14 In G Major: 3. Scherzo. Allegro assai

Tracks:

Sonata No. 11, Op. 22 In B Flat Major: 1. Allegro con brio
Sonata No. 11, Op. 22 In B Flat Major: 2. Adagio con molta espressione
Sonata No. 11, Op. 22 In B Flat Major: 3. Menuetto
Sonata No. 11, Op. 22 In B Flat Major: 4. Rondo. Allegretto
Sonata No. 12, Op. 26 In A Flat Major: 1. Andante con Variazioni
Sonata No. 12, Op. 26 In A Flat Major: 2. Scherzo. Allegro molto
Sonata No. 12, Op. 26 In A Flat Major: 3. Marcia funebre sulla morte d'un Eroe
Sonata No. 12, Op. 26 In A Flat Major: 4. Allegro
Sonata No. 13, Op. 27 In E Flat Major: 1. Andante - Allegro - Tempo I - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 2. Allegro molto e vivace - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 3. Adagio con espressione - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 4. Allegro vivace
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 1. Adagio sostenuto - attaca:
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 2. Allegretto - attaca:
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 3. Presto agitato

Tracks:

Sonata No. 16, Op. 31 In G Major: 1. Allegro vivace - L.V. Beethoven
Sonata No. 16, Op. 31 In G Major: 2. Adagio grazioso - L.V. Beethoven
Sonata No. 16, Op. 31 In G Major: 3. Rondo. Allegretto - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 1. Largo - Allegro - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 2. Adagio - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 3. Allegretto - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 1. Allegro - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 2. Scherzo. Allegretto vivace - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 3. Menuetto. Moderato e grazioso - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 4. Presto con fuoco - L.V. Beethoven

Tracks:

Sonata No.15, Op. 28 'Pastorale' In D Major: 1. Allegro
Sonata No.15, Op. 28 'Pastorale' In D Major: 2. Andante
Sonata No.15, Op. 28 'Pastorale' In D Major: 3. Scherzo. Allegro vivace
Sonata No.15, Op. 28 'Pastorale' In D Major: 4. Rondo. Allegro, ma non troppo
Sonata No. 19, Op. 49 In G Minor: 1. Andante
Sonata No. 19, Op. 49 In G Minor: 2. Rondo. Allegro
Sonata No. 20, Op. 49 In G Major: 1. Allegro, ma non troppo
Sonata No. 20, Op. 49 In G Major: 2. Tempo di Menuetto
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 1. Allegro con brio
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 2. Introduzione. Adagio molto - attaca:
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 3. Rondo. Allegretto moderato
Sonata No. 23, Op. 57 'Apassionata' In F Minor: 1. In tempo d'un Menuetto
Sonata No. 23, Op. 57 'Apassionata' In F Minor: 2. Allegretto

Tracks:

Sonata No. 23, Op. 57 'Appasionata' In F Minor: 1. Allegro assai
Sonata No. 23, Op. 57 'Appasionata' In F Minor: 2. Andante con moto - attaca:
Sonata No. 23, Op. 57 'Appasionata' In F Minor: 3. Allegro, ma non troppo - Presto
Sonata No. 24, Op. 78 In F Sharp Major: 1. Adagio cantabile - Allegro, ma non troppo
Sonata No. 24, Op. 78 In F Sharp Major: 2. Allegro vivace
Sonata No. 25, Op. 79 In G Major: 1. Presto alla tedesca
Sonata No. 25, Op. 79 In G Major: 2. Andante
Sonata No. 25, Op. 79 In G Major: 3. Vivace
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 1. Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 2. Abwesenheit (L'Absence): Andante espressivo
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 3. Das Wiedersehn (Le Retour): Vivacissimamente
Sonata No. 27, Op. 90 In E Minor: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No. 27, Op. 90 In E Minor: 2. Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No. 28, Op. 101 In A Major: 1. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo
Sonata No. 28, Op. 101 In A Major: 2. Lebhaft, marschmassig: Vivace alla Marcia
Sonata No. 28, Op. 101 In A Major: 3. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto - attaca:
Sonata No. 28, Op. 101 In A Major: 4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit: Allegro
Sonata No. 29, Op. 106 In B Flat Major: 1. Allegro
Sonata No. 29, Op. 106 In B Flat Major: 2. Scherzo. Assai vivace
Sonata No. 29, Op. 106 In B Flat Major: 3. Adagio sostenuto. Appasionato e con molto sentimento
Sonata No. 29, Op. 106 In B Flat Major: 4. Largo - Allegro risoluto

Tracks:

Sonata No. 30, Op. 109 In E Major: 1. Vivace, ma non troppo - L.V. Beethoven
Sonata No. 30, Op. 109 In E Major: 2. Prestissimo - L.V. Beethoven
Sonata No. 30, Op. 109 In E Major: 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 1. Moderato cantabile molto espressivo - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 2. Allegro molto - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 3. Adagio, ma non troppo - Fuga. Allegro, ma non troppo - L.V. Beethoven
Sonata No. 32, Op. 111 In C Minor: 1. Maestoso - Allegro con brio ed appassionato - L.V. Beethoven
Sonata No. 32, Op. 111 In C Minor: 2. Arietta. Adagio molto semplice e cantabile - L.V. Beethoven

Amazon.com

Wilhelm Kempff was the premier German pianist of the postwar period, so it's no surprise that he was considered one of the supreme interpreters of Beethoven. He recorded complete sets of the sonatas and concertos twice, and just about all the rest of the chamber music with piano as well. Kempff was a classicist by nature, and his approach to Beethoven was clear and poised rather than impulsive, but it was never lacking in sheer power or virtuosity when necessary. His last cycle of Beethoven sonatas is rightly regarded as his musical testament. Even if the mono recordings offered a few more exciting moments in a couple of works, you can't go wrong here--there isn't a dud in the lot. --David Hurwitz

Customer Reviews:

The final testament of a great classicist.......2005-11-10

I waited a long time before finally buying this. I already had Gilels, Barenboim, Schnabel, Richter(for almost all),Annie fischer(a damn fine set also!) Brendel, and Arrau. I have always held gilels monumental set in the highest regard for its mixture of respect and power, beauty and ferocity. I knew that the Kempff box had ggod things, but after all these former sets, what knew could be said(similar to what i thought about michelangeli before i heard his op 2\3 and debussy preludes) But this set kept popping up in my life. Over and over respectable musicians kept hinting that this was the set to go for, a modern answer to schnabel's initial recording. Finally I bought it and my only regret is that i didnt succumb to it sooner. Kempff is, in my mind, not the most exciting of pianist's, but he everything that our modern school is not, in the best sense of the word. His sound and touch is crystalline, his authority over the notes unequalled. There isnt any of these sonata's i dont turn to when i want to investigate them for myself with score at hand, which in a word, can be described as revelatory. Dont hesitate like I did. Who knows maybe, in this age of classical deprecation, it may disappear before you had the chance. It is the end all of Beethoven interpretation. It lacks the machismo of Gilels, and Richter for that matter, but what it lacks in the thunder it makes up for in the calm of the storm.

Wilhelm Kempff Plays the Beethoven Piano Sonatas.......2005-08-17

Beethoven's "Tagebuch" includes the following famous entry: "The starry heavens above, the moral law within -- Kant!" Beethoven was alluding to Kant's statement in the "Critique of Practical Reason" of the two things that filled him with awe. But, in a simple way, Beethoven's statement could be read to show two related ways of understanding his music: the first as heroic, heaven-storming, and outwardly directed, and the second as inward, reflective, and meditative. Some of Beethoven's music can be seen as occupying on or the other end of the polarity. Much of the music somehow occupies both ends.

The same holds true as a rough approach to the performance of Beethoven's music -- including the 32 piano sonatas. Some artists emphasize the dramatic, rugged and virtuosic characteristics of the sonatas while others focus upon the music's inward and introspective qualities. The great German pianist Wilhelm Kempff's classic recording of the complete piano sonatas is clearly within the latter approach. Kempff (1895 -- 1991) recorded the complete Beethoven sonata-cycle twice, the first time in the 1950s and the second time in the 1960s. I had the original version on LP and purchased the CD set when LPs became obsolete. I recently had the opportunity to relisten to Kempff's renditions of the sonatas in their entirety.

Kempff's readings of the sonatas are highly personal and introspective. His tempos tend to be slow and fluid, the pedal is used a great deal, phrasing is highly legato, and volume is, for the most part, subdued and restrained. He offers a metaphysical, thoughtful reading of Beethoven which probes within. It is a moving and convincing way of rendering the sonatas, and I came away from my experience with the set over the past several days with a renewed devotion to this music. I have attempted about half of the sonatas myself over the years on the piano.

Beethoven's sonatas date from his youthful years in Bonn before his 1792 move to Vienna (the two sonatas of opus 49) to about 1822 (opus 111), five years before the composer's death. Thus, they occupied Beethoven for almost the entirety of his creative life. In listening to this complete set, the listener can follow Beethoven's development essentially chronologically and learn more first-hand about the sonatas and about the changes in Beethoven's styles of composition than can be gained from reading many studies.

Listeners interested in a complete set of the Beethoven sonatas will probably have some familiarity with some of the better-known
named sonatas, such as the "Pathetique", opus 13, the "Moonlight" opus 27 no. 2, the "Waldstein", opus 53, or the "Appassionata", opus 57. After falling in love with some of these works, it will be time for the listener to explore the entire series.

Kempff brings his own personal and introspective readings to each of these familar works. I think he does best with the rondo finale of the "Waldstein," with the "Moonlight" sonata, and with the two final movements of the "Tempest", opus 31 no. 2. His readings of these familiar works on the whole will offer fresh insight into these great sonatas.

But the greatest attraction of this set is the opportunity it provides to explore some of Beethoven's less frequently performed works. Again, Kempff is at his best in works of an introspective character. Thus, those coming to the sonata-cycle for the first time will enjoy his performances of the opus 26 sonata, with the opening variations and the celebrated funeral march, of opus 78, 79, and 81a ("Les Adieux"), of opus 90, and of opus 101, 109, 110, and the great end to the series, opus 111. Opus 90, 101, and 109 are particular favorites of mine, and Kempff plays them beautifully.

There is yet another group of sonatas that also receive excellent readings on the set. This group includes two excellent ambitious early works, opus 2 no. 3 and opus 7 (another favorite), the three sonatas of opus 10, the under-appreciated opus 22, the companion to the more famous "Moonlight" sonata, opus 27 no. 1, opus 31 no. 3 and the enigmatic opus 54, sandwiched between the "Waldstein" and the "Appassionata". The magisterial and heroic "Hammerklavier" sonata, opus 106, is in a class by itself. Each listeners's choices and fovorites among the 32 will vary and change with time and repeated hearings. This collection is an excellent introduction to all of them.

There are many recordings of the set of 32 sonatas and many approaches to the interpretation of Beethoven. His music is broader and deeper than any single reading. I have lived with my set of Kempff for a long time and am still moved and inspired by his playing of this inexhaustible music. Listeners wanting to get to know this great body of work will find much to cherish in these performances by Wilhelm Kempff.

Robin Friedman

full of artistry, very nice........2005-06-06

Among the great pianists who played Beethoven's sonatas, I love Kempff and Gilels most. Kempff's play is colorful(also with cleaness), while Gilels's play is clean. Of course,if you only prefer highly keyboard technique, Pollini is a better choice.

I think, Kempff was born not only as a great pianist, but also as a musical artist. listen to Kempff just like listen to a small orchestra(among instruments, only piano can do this). His left hand accompanied very well and his right hand song nicely. Some one may say Kempff lacks energetics, but I prefer his style---just like a stream flows naturally, accompanied with birds and flowers.

unlike some energetically played pianists, I never get tired in listening to Kempff. Though those CDs was recorded in 60s, the sonic quality is good enough. highly recommended.

Which One To Get, That Is The Question.......2005-02-10

For those who are not too familiar with Kempff, he is generally regarded as one of the most reputed Beethoven interpreter after Schnabel. Gulda was supposed to succeed them and was somehow stopped short. In Kempff, just like most pianists of the older generation, there is a strong element of improvisation, an element in the making of music which make him sound so fresh and spontaneous which left even Brendel way behind. Furthermore, his playing is so inspired that it never fails to remind us of some transcending church music.

Having said that, Kempff even in the 50s, was never quite as dynamic as Gulda; whereas some may instead find Schnabel's Beethoven even more instructive and not at all less inspired. But Schnabel's are all historic recordings. My no.1 choice for these sonatas is always Backhaus (Decca, in wonderful stereo sound), for some may find Arrau's early Beethoven sonatas boring and Gilel's (which is not exactly a whole cycle in any event) not soulful enough, however much conviction he had for them. And to be honest, I have never finished Brendel's and I have never even tried Ashkenazy's Beethoven except his piano trio with Perlman and Harell and somehow I just stopped there...

Roughly speaking, Kempff's 50s cycle is more energetic, fiery and forceful, wheras his 60s is more colourful, more sublime, and with more subtleties. But that doesn't mean he was off his peak or insufficiently fiery (unlike Schnabel whose first cycle is more preferable than his second cycle recorded in the 50s). Being a complete musician as well as a remarkable composer, there was still some obvious development in his music making even between these two cycles which makes him fairly and squarely an authoritative alternative even to Backhaus: another reason that we should try to listen to both.

And as far as the recorded sound is concerned, there is the difference of more than one whole generation, so that the ordinary music lovers may not find the 50s recording delightful or acceptable at all; whereas few could really complain against the sound of the 60s.

So, if you are a pianist, or if you are a fan of Kempff, you probably will get both his 50s and 60s recordings: for like most great pianists or indeed most great musicians, every time they play, it is going to be different and they are all instructive and inspiring in their own way. I myself grapped both. But if your emphasis is on the early sonatas or just for general enjoyment or even for the last sonatas, it is better to get the 60s.

essential.......2004-06-02

what else can you say about kempff that isn't said before? this is the best beethoven ever record, he has a magic touch and this sets clearly shows it off. i have both recordings of his beethoven sonatas (1951 & 1964) as well as his schumann, brahms, schubert, bach, mozart, liszt etc and would recomand them all... enjoy the piano master

Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy

Average customer rating:

Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy
All the essentials on two discs
Pure genius, in composition and in performance
Impeccable - scholarly yet perfected performances
Excellent Double CD

Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Chopin: Favorite Piano Works
Debussy: Piano Works
Mozart: The Great Piano Concertos, Vol. 1
Chopin: The Complete Nocturnes And Impromptus
Mozart: The Great Piano Concertos, Vol. 2

ASIN: B0000041LE
Release Date: 1997-08-26

Tracks:

Piano Sonata No. 14 In C Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto
Piano Sonata No. 14 In C Sharp Minor, Op. 27 No. 2 'Moonlight': II. Allegretto & Trio
Piano Sonata No. 14 In C Sharp Minor, Op. 27 No. 2 'Moonlight': III. Presto agitato
Piano Sonata No. 26 In E Flat Major, Op. 81a 'Les Adieux': I Adagio - Allegro
Piano Sonata No. 26 In E Flat Major, Op. 81a 'Les Adieux': II Andante espressivo
Piano Sonata No. 26 In E Flat Major, Op. 81a 'Les Adieux': III Vivacissimamente
Piano Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': I Largo - Allegro
Piano Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': II Adagio
Piano Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': III Allegretto
Piano Sonata No. 8 In C Minor, Op. 13 'Pathetique': I Grave - Allegro di molto e con brio
Piano Sonata No. 8 In C Minor, Op. 13 'Pathetique': II Adagio cantabile
Piano Sonata No. 8 In C Minor, Op. 13 'Pathetique': III Rondo: Allegro

Tracks:

Piano Sonata No. 23 In F Minor, Op. 57 'Appassionata': I Allegro assai
Piano Sonata No. 23 In F Minor, Op. 57 'Appassionata': II Andante con moto
Piano Sonata No. 23 In F Minor, Op. 57 'Appassionata': III Allegro ma non troppo
Piano Sonata No. 15 In D Major, Op. 28 'Pastoral': I Allegro
Piano Sonata No. 15 In D Major, Op. 28 'Pastoral': II Andante
Piano Sonata No. 15 In D Major, Op. 28 'Pastoral': III Scherzo & Trio: Allegro vivace
Piano Sonata No. 15 In D Major, Op. 28 'Pastoral': IV Rondo: Allegro ma non troppo
Piano Sonata No. 21 In C Major, Op. 53 'Waldstein': I Allegro con brio
Piano Sonata No. 21 In C Major, Op. 53 'Waldstein': II Introduzione: Molto adagio
Piano Sonata No. 21 In C Major, Op. 53 'Waldstein': III Rondo: Allegretto moderato - Prestissimo

Customer Reviews:

Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy.......2007-07-09

Good technique and good sound. The CD contains the most known sonatas and it was a hard task to deliver them in a fresh yet traditional form.

All the essentials on two discs.......2007-05-29

Other reviewers have written sufficiently on the quality of this purchase; I don't need to add to it, only concur with them that this is a fabulous and inexpensive package. My only criticism is of the sound quality...and maybe the performance of the 14th. It's a minor issue though. No other package that I know of gives the buyer all the essential sonatas on two discs of such high quality. A great buy.

Pure genius, in composition and in performance.......2007-05-20

Disclaimer: I'm not an expert on classical music, much less on classical music performances, so my reviews represent a newcomer's take on classical CDs. Take that for what it's worth.

This recording of Beethoven's sonatas was the first classical CD I ever bought, and it remains my favorite. The compositions are heart-rending. The performance is excellent. This is an album equally great both for classically-uninitiated and for longtime veterans.

Ashkenazy's performance makes heavy use of dynamics, from near-inaudible pianissimos to shattering fortissimos. Some people may dislike this--it's not an album to pop into your walkman and ignore--but I found that it gave the sonatas a richer emotional resonance. As the piano goes from a quiet, singing tone to harsh clanging, so one's heart follows. This CD (or rather, CDs) is a must-buy.

Impeccable - scholarly yet perfected performances.......2006-08-08

I've listened to Ashkenazy's renditions of these pieces for quite some time of this disk, and I was extremely impressed with his force. He does not skimp on volume when volume is needed (the brutal chords in the third movement of Moonlight is what I was really looking for). I've also used his rendition of the Pathetique as a guide for my own learning of the piece. The man's technique is absolutely beyond belief, his clarity, his voicing, his touch, it fits so perfectly with these fine works by Beethoven. The Hammerklavier is sadly missing, but that is to be expected because of its length. Overall, these are powerful recordings and I highly recommend them. I hope to reach such a pinnacle of artistry some day in my own playing.

Excellent Double CD .......2006-04-25

This double CD is exquisite. Vladimir Ashkenazy plays Beethoven with sensitivity and dynamic intensity. The quality of the CD is excellent, the playing sublime, and the value outstanding.

This double CD has quickly become one of my favorites. I originally heard it on the local NPR classical stations, bought the CD here, and love it!

I just can't think of a single deficiency in the CD. I think this is just an excellent CD at any price; at the price here, it is a real bargain.

Average customer rating:

Superb music - lousy packaging
AMONG THE BEST
Excellent bargain
So wonderful that these have been re-released
Deep and thoughtful

Beethoven: The Complete Piano Sonatas
Beethoven , and Frank
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Beethoven: The 10 Sonatas for Violin & Piano
Beethoven: Piano Sonatas (Complete) [Box Set]
Schubert: Works for Violin and Piano
Beethoven`s Piano Sonatas: A Short Companion
Beethoven: Piano Sonatas [Germany]

ASIN: B000063DK9
Release Date: 2006-01-01

Tracks:

I. Allegro
II. Adagio
III. Menuetto: Allegretto/Trio
IV. Prestissimo
I. Allegro
II. Adagio Grazioso
III. Rondo: Allegretto
I. Allegro Assai/Piu Allegro
II. Andante Con Moto Allegro, Ma Non Troppo/Presto

Tracks:

I. Allegro
II. Allegretto/Maggiore
III. Rondo: Allegro Comodo
I. Largo/Allegro
II. Adagio
III. Allegretto
I. Vivace, Ma Non Troppo/Adagio Espressivo
II. Prestissimo
III. Gesangvoll, Mit Innigster Empfindung (Variations 1-6)

Tracks:

I. Allegro Molto E Con Brio
II. Adagio Molto
III. Finale. Prestissimo
I. Allegro
II. Andante
III. Scherzo: Allegro Vivace/Trio
IV. Rondo: Allegro, Ma non Troppo/Piu Allegro Quasi Presto
I. Presto Alla Tedesca
II. L'Absence: Andante Espressivo/Le Retour: Vivacissimamente

Tracks:

I. Allegro Con Brio
II. Adagio
III. Scherzo: Allegro/Trio/Coda
IV. Allegro Assai
I. In Tempo D'Un Menuetto
II. Allegretto/Piu Allegro
I. Allegro
II. Allegretto
III. Presto
I. Moderato cantabile, Molto Espressivo
II. Allegro Molto
III. Adagio, Ma Non Troppo/Fugue: Allegro, Ma Non Troppo

Tracks:

I. Grave/Allegro Di Molto E con Brio
II. Adagio Cantabile
III. Rondo: Allegro
I. Presto Alla Tedesca
II. Andante
III. Vivace
I. Adagio Cantabile/Allegro, Ma Non Troppo
II. Allegro Vivace
I. Allegro
II. Scherzo: Allegretto Vivace
III. Menuetto: Moderato E Grazioso/Trio
IV. Presto Con Fuoco

Tracks:

I. Andante
II. Rondo: Allegro
I. Allegro, Ma Non Troppo
II. Tempo Di Menuetto
I. Allegro
II. Scherzo: Assai Vivace
III. Adagio Sostenuto
IV. Largo/Allegro Risoluto

Tracks:

I. Presto
II. Largo E Mesto
III. Menuetto/Allegro/Trip
IV. Rondo: Allegro
I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
II. Nicht Zu Geschwind Und Sehr Singbar
I. Allegro Con Brio
II. Introduzione: Adagio Molto
III. Rondo: Allegretto Moderato

Tracks:

I. Allegro Molto E Con Brio
II. Largo, Con Gran Espressione
III. Allegro/Minore
IV. Rondo: Poco Allegretto E Grazioso
I. Andante Con Variazione
II. Scherzo: Allegro Molto/Trio
III. Marcia Funebre Sulla Morte D'un Eroe
IV. Allegro
I. Etwas Lebhaft Und Mit Der innigsten Empfindung
II. Lebhaft, Marschmassig
III. Langsam Und Sehnsuchtvoll/Geschwinde, Doch Nicht Zu sehr, Und Mit Entschlossenheit

Tracks:

I. Allegro Vivace
II. Largo Appassionato
III. Scherzo: Allegretto
IV. Rondo: Grazioso
I. Allegro Con Brio
II. Adagio Con Molta Espressione
III. Menuetto/Minore
IV. Rondo: Allegretto
I. Adagio Sostenuto
II. Allegretto
III. Presto

Tracks:

I. Allegro
II. Andante
III. Scherzo: Allegro Assai
I. Andante/Allegro/II. Allegro Molto E Vivace/III. Adagio Con Espressione/IV. Allegro Vivace/Presto
I. Maestoso/Allegro Con Brio Ed Appassionato
II. Arietta: Adagio Molto Semplice E Cantabile

Customer Reviews:

Superb music - lousy packaging.......2007-03-30

The playing and sound is superb and the price is right. I have one big complaint, though. My set came with no liner notes whatsover, not even a listing of the pieces and which of the ten CDs they are on. This information is found only printed on the CDs themselves, which means you have to rummage through them to find a particular sonata. And even then the track listings are not given, so unless you have memorized how many movements each sonata has you are out of luck on finding where a particular one begins. Quite an oversight - I would gladly have paid a few dollars more if they had included a brochure with complete track information.

AMONG THE BEST.......2006-11-28

One man's viewpoint:
I have three other sets of the 32, and love them all. I must say that Frank can really cut it - great agility, a bit of rubato, and a sense of true comprehension and mastery of the music. His Hammerklavier surprised me: It's one of the most thoughtfull I own.
*** Frank can--in some pieces--transport us in ways we hadn't expected. When I bought this, I paid an amazing low price. Now, to my ears, it's worth triple that amount. Get this set and the O'Conor set. Fall in love twice.

Excellent bargain.......2006-07-26

I agree with the positive comments of all the reviewers below. A couple of points that that might interest prospective purchasers:
1. Most of the repeats, but not all, are observed.
2. Although I agree that the level of playing and interpretation is VERY high, I found Frank's mannerism of anticipating the right hand with the left occurred often enough to be annoying.
That said, this set will give a great deal of pleasure, but I agree that I wouldn't want it to be the only one in my collection.

So wonderful that these have been re-released.......2006-03-27

I "grew up" with these recordings, bought the set on vinyl in college. I was thrilled to find they'd been re-released on CD; like the Guarneri recordings of the Beethoven string quartets. There is a world of thought and care and joy here.

Deep and thoughtful.......2006-01-12

This is a marvelous set of the piano sonatas. I learned about the set from Professor Greenberg's lecture series on the Beethoven piano sonatas (also worth getting from The Teaching Company). Greenberg uses this set to illustrate his lectures.

Yes, it's true that one can find flashier performances of a few of the pieces elsewhere (I've heard the Waldstein much more fiery), but these performances fit together nicely as a deep reading of the whole set. They are invariably beautiful and thoughtful. A few are, to me, mind-blowing (the Les Adieu, the Pathetique, second movement of the Opus 111, several of the scherzi).

Also, the sound on the CD is terrific. Hightly recommended.

Average customer rating:

Outstanding guitar music.
Soft, tender and rewarding.
Jesse Cook-"Tempest"
Amazing music!
Fantastic

Tempest
Jesse Cook
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Flamenco | Latin Music | Styles | Music

General | Jazz | Styles | Music

Jazz Fusion | Jazz | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music
Similar Items:

Gravity
Vertigo
Free Fall
The Ultimate Jesse Cook (2-CD Set)
Nomad

ASIN: B000005P49
Release Date: 1995-09-26

Tracks:

Tempest
Cascada
Breeze From Saintes Maries
Bagdad
Parasol
Dance Of Spring
Soledad
Orbit
Fate (Parasol Reprise)
Jumpstart

Customer Reviews:

Outstanding guitar music........2007-01-10

I am a guitar music lover, and basically Rumba-Flamenco is my favorit music, so I actually enjoy the whole CD content.

Soft, tender and rewarding. .......2006-08-03

A little less deliberate than you can often find with other spanish guitarists, this is album is a pleasure for those wanting to experience outstanding spanish guitar. Soft, tender and rewarding.

Jesse Cook-"Tempest".......2006-01-18

This is one super-talented young artist! Jesse Cook has an unusual style, combining Spanish Flamenco with Middle Eastern. The band must keep a fire extinguisher close by Mr. Cook as he flashes up and down the fretboard, tracing fire on the strings of his guitar. I like to listen to Jesse Cook as I work in my pottery studio. The energy passes from the recording of Jesse's hands on the guitar, to my hands on the clay. I have bought all the currently avauilable albums Jesse has published.

Amazing music!.......2005-09-03

I can't stop playing this CD. I play it while I give massages to my clients and they all have very good things to say about this CD. Jesse Cook is one of a kind.

Fantastic.......2005-07-19

Excellent value for the money, great cd, arrived in time for father's day- thank you very much

Average customer rating:

Astonishing Clarity
wounderful sonatas, questionable performance
Music to Put You to Sleep
Superb Sonata Survey of Budget Beethoven
Beethoven's Most Popular Piano Works

Beethoven: Favourite Piano Sonatas
Ludwig van Beethoven , and Alfred Brendel
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
Similar Items:

Mozart: Great Piano Concertos
Brahms: Piano Trios Nos. 1 & 2
Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment
Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74
Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

ASIN: B00000417L
Release Date: 1994-01-18

Tracks:

Sonata No. 8 In C Minor, Op. 13 (Pathetique): 1. Grave - Allegro Di Molto E Con Brio
Sonata No. 8 In C Minor, Op. 13 (Pathetique): 2. Adagio Cantabile
Sonata No. 8 In C Minor, Op. 13 (Pathetique): 3. Rondo (Allegro)
Sonata No 14 In C Sharp Minor, Op. 27 No. 2 (Moonlight): 1. Adagio Sostenuto
Sonata No 14 In C Sharp Minor, Op. 27 No. 2 (Moonlight): 2. Allegretto
Sonata No 14 In C Sharp Minor, Op. 27 No. 2 (Moonlight): 3. Presto
Sonata No. 15 In D, Op. 28 (Pastoral): 1. Allegro
Sonata No. 15 In D, Op. 28 (Pastoral): 2. Andante
Sonata No. 15 In D, Op. 28 (Pastoral): 3. Scherzo (Allegro Assai)
Sonata No. 15 In D, Op. 28 (Pastoral): 4. Rondo (Allegro Ma Non Troppo)
Sonata No. 26 In E Flat, Op. 81a (Les Adieux): 1. Das Lebewohl (Adagio - Allegro)
Sonata No. 26 In E Flat, Op. 81a (Les Adieux): 2. Abwesenheit (Andante Espressivo)
Sonata No. 26 In E Flat, Op. 81a (Les Adieux): Das Wiedersehen (Vivacissimamento)

Tracks:

Sonata No. 17 In D Minor, Op. 31 No. 2 (The Tempest): 1. Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 (The Tempest): 2. Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 (The Tempest): 3. Allegretto
Sonata No. 21 In C, Op. 53 (Waldstein): 1. Allegro Con Brio
Sonata No. 21 In C, Op. 53 (Waldstein): 2. Introduzione (Adagio Molto)
Sonata No. 21 In C, Op. 53 (Waldstein): 3. Rondo (Allegretto Moderato - Pretissimo)
Sonata No. 23 In F Minor, Op. 57 (Appassionata): 1. Allegro Assai
Sonata No. 23 In F Minor, Op. 57 (Appassionata): 2. Andante Con Moto
Sonata No. 23 In F Minor, Op. 57 (Appassionata): 3. Allegro Ma Non Troppo

Customer Reviews:

Astonishing Clarity.......2007-04-26

I recently heard Brendel's 70s recordings of the "famous" Beethoven sonatas first time in quite a few years (I heard them before). Initially, I was not moved. It sounded like he was just playing the notes. As I listened more attentively, however, I started to get impressed. Clarity is the key word here - the clarity of playing and intention. No detail is too small to Brendel. Every marking by the composer (staccato, legato, crescendo, decrescendo, diminuendo, etc) is observed with utmost care. He is one of the few musicians who understand the importance of clearly differentiating between forte, mezzo-forte, and fortissimo (and varying levels of piano in that matter). It also appears he painstakingly prepared the voicing of certain chords so they sound in very particular ways. Listening to Brendel is like watching familiar movies through an HDTV. Compared to his playing, Ashkenazy glosses over quite a few details even though I love his romantic view of the works. Brendel's Beethoven is like a house solidly built inside and out, with every nail firmly hammered in. In comparison, Ashkenazy's is like a house that is glamorously painted outside without as much craftsmanship committed inside.

Perhaps the downside of Brendel's approach is that everything sounds too intentional. It's as if Brendel pushes the score into my face, pointing at notes and markings for me. More imagination and spontaneity may have helped. But no one can deny this is a faithful materialization of what Beethoven wrote, astonishingly executed. Of course you can supplement Brendel with the Russian guys such as Gilels, Richter, Horowitz and particularly Kissin, whose rendition of Moonlight sonata defies any comparison. They truly know how to conjure up a perfect storm or squeeze every drop of juice from the score. But it would be misleading to think Brendel delivers no emotion from these sonatas. After all, the emotions are already in the music when played right. And no one knows more how to play the music right than Brendel does.

wounderful sonatas, questionable performance.......2006-02-10

When I found this recording in my library I was sourprised: The most beloved sonatas of Beethoven, played by a pianist I appreciate so much. How could I forget I own it?
I listened again, and understood. The sonatas are wounderful, but the playing is at most OK, and these works deserve much more. Almost every piece here has at least one much better performance: I prefer, for instance Gilels for the Appasionata, Rubinstein for the Pathetique, and Barenboim for the Les Adieux. This recording simply doesn't get to me.

Music to Put You to Sleep.......2005-07-01

I find Brendel's playing style washy, imprecise, sluggish, and completely without fire. In a word, boring! He is the anti-Glenn Gould.

Superb Sonata Survey of Budget Beethoven.......2005-03-22

Earlier recordings by Alfred Brendel hold a top spot in Gramophone's 2005 Classical CD Review, but while not at the top of the listing, this CD receives considerable praise at honorable mention. As always, individual sonatas have their respective, best interpreters (e.g., Rubinestein or Richter for Appassionata; Gilels for Waldstein); however, this is a rarely-found sampling by a recognized "great" pianist. In addition, collecting the pieces represented here would normally require the purchase of 2-3 individual CDs or a packaged cycle. Thus, this is a bargain value. Perhaps not the "first choice" for the musical purist or trained ear, nevertheless these recordings serve as a well-above-average collection of the most familiar Beethoven piano sonatas. Perfect for the classical listener wishing to (a) discover Beethoven piano music; (b) looking to fill in or diversify an existing collection or, (c) looking for a concise B+/A- collection of Brendal interpretations.

Beethoven's Most Popular Piano Works.......2005-01-27

Before Beethoven, the solo piano compositions (piano sonatas) of Haydn and Mozart were more designed for teaching, parlor music or an occasional showing of virtuosity - but within the classical restraint of the Vieneese culture. After mostly following this model for some time, Beethoven threw off these restaints and unleashed an unheard-of level of power and virtuosity - pioneering piano compositions of great drama, emotional expression and wide, dynamic tones. The public loved this new musical expression, especially such early works as the Pathetique and the so-called "Moonlight" sonata. Where piano sonatas before were well-suited for the dilattante and amatuer, these were now reserved only for the most advanced pianist. It was with such piano sonatas that Beethoven first worked out his revolutionary musical concepts that paved the way for his later and greater symphonies, concertos and string quartets - leaving behind the restraints of the "Classical period" and forging the way to the more-emotive "Romantic period."

Beethoven's seven most famous piano sonatas (the so-called "name sonatas") are on these two CD's. They are popular mostly because of the music is superb and changed the way the world looked at music at that time. These works (from Beethoven's "early" and "middle" periods until about 1801) are more popular and appealing to the average or newer listener than Beethoven's "lesser-accessible" and more turbulant later compositions. But, with so many recordings of these sonatas by so many of the great pianists to chose from, how does one decide? While for any individual sonata a certain performer may have recorded a spectacular reading, this 2-CD set by Alfred Brendel is - on a whole - excellent and highly rated. Gramophone Guide concluded of this DUO set, "These can be recommended without any reservations whatsoever." Brendel recorded three complete cycles of Beethoven's 32 sontatas. These are from Brendel's 1970's cycle (compared to the legendary first cycle on Vox or the most recent complete set recorded in the 1990's on Philips).

As one of the legendary pianist of the 20th century, Mr. Brendel is recognized worldwide as one of the finest interpreters of Beethoven (and Schubert) and gives exceptional performances here that are recorded with very good sound. Each reading is compelling, well-conceived and full of suspenseful and dramatic unfolding (Penguin Guide refers to them as "authoritive"). In particular, his "Waldstein" and "Tempest" show an exciting and seamless train-of-thought that resonates in the mind long after. His "Pastoral" and "Les Adieux" are gorgeous and flow like a refreshing stream. Equally attractive are the slower movements of the "Pathetique" and "Moonlight" sontata where Mr. Brendel creates an alluring atmosphere that is quiet, passionate and tender - hardly fitting the description of "overly-intellectual" often used in reference to his style (maybe its the thick glasses?). His readings here are still among my favorite for their depth and masterful sense of direction and unfolding, but many great pianist have recorded these marvels that have their own allure.

All things - sound quality included - this DUO set of Brendel's Beethoven makes an excellent first purchase for those exploring Beethoven's piano sonatas especially with the value of the Philips DUO set. It remains one of my favorite of hundreds of classical CD's. But, in this genre, the choices and quality is staggering and the hunt for the "best" can become a huge task. Last, if you are looking for a first, COMPLETE SET of all Beethoven's 32 sonatas for piano, there are two great, "Super-Budget" choices from Bernard Roberts (Nimbus) or Claude Frank (Music & Arts). Both present Beethoven with balance and artistry and make good reference sets that are highly affordable (only about $25-30 on Amazon marketplace for the 10-CD set).

Average customer rating:

A good reference copy
Lowest-cost complete set
A very good bargain buy for Beethoven Sonatas
YOu get what you pay for...and in this case,,,a pinch more.
Great Bargain - Great Playing - So So Sound Quality

Beethoven: Complete Piano Sonatas

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Bach: The Well-Tempered Clavier, Books I & II
Beethoven: Complete String Quartets
Mozart: Piano Sonatas
Beethoven - The Complete String Quartets / Alban Berg Quartet
Mozart:The Complete Piano Sonatas and Variations

ASIN: B0000037B3
Release Date: 1997-10-07

Tracks:

Sonata No. 1 In F Minor, Op. 2 No. 1: I. Allegro
Sonata No. 1 In F Minor, Op. 2 No. 1: II. Adagio
Sonata No. 1 In F Minor, Op. 2 No. 1: III. Allegretto
Sonata No. 1 In F Minor, Op. 2 No. 1: IV. Prestissimo
Sonata No. 22 In F Major, Op. 54: I. In Tempo dnuetto
Sonata No. 22 In F Major, Op. 54: II. Allegreto
Sonata No. 23 In F Minor, Op. 57 'Appassionata': I. Allegro assai
Sonata No. 23 In F Minor, Op. 57 'Appassionata': II. Andante con moto
Sonata No. 23 In F Minor, Op. 57 'Appassionata': III Allegro ma non troppo

Tracks:

Sonata No. 2 In A Major, Op. 2 No. 2: I. Allegro vivace
Sonata No. 2 In A Major, Op. 2 No. 2: II. Largo appassionata
Sonata No. 2 In A Major, Op. 2 No. 2: III. Scherzo: Allegretto
Sonata No. 2 In A Major, Op. 2 No. 2: IV. Rondo: Grazioso
Sonata No. 24 In F Sharp Major, Op. 78: I. Allegro ma non troppo
Sonata No. 24 In F Sharp Major, Op. 78: II. Allegro vivace
Sonata No. 28 In A Major, Op. 101: I. Allegretto, ma non troppo
Sonata No. 28 In A Major, Op. 101: II. Vivace alla marcia
Sonata No. 28 In A Major, Op. 101: Adagio, ma non troppo, con affetto - Allegro

Tracks:

Sonata No. 3 In C Major, Op. 2 No. 3: I. Allegro con brio
Sonata No. 3 In C Major, Op. 2 No. 3: II. Adagio
Sonata No. 3 In C Major, Op. 2 No. 3: III. Scherzo: Allegro
Sonata No. 3 In C Major, Op. 2 No. 3: IV. Allegro assai
Sonata No. 19 In G Minor, Op. 49 No. 1: I. Andante
Sonata No. 19 In G Minor, Op. 49 No. 1: II. Rondo: Allegro
Sonata No. 21 In C Major, Op. 53 'Waldstein': I. Allegro con brio
Sonata No. 21 In C Major, Op. 53 'Waldstein': II. Introduzione - Rondo

Tracks:

Sonata No. 4 In E Flat Major, Op. 7: I. Allegro molto e con brio
Sonata No. 4 In E Flat Major, Op. 7: II. Largo, con gran espressione
Sonata No. 4 In E Flat Major, Op. 7: III. Allegro
Sonata No. 4 In E Flat Major, Op. 7: IV. Rondo: Poco allegretto e grazioso
Sonata No. 10 In G Major, Op. 14 No. 2: I. Allegro
Sonata No. 10 In G Major, Op. 14 No. 2: II. Andante
Sonata No. 10 In G Major, Op. 14 No. 2: III. Scherzo: Allegro assai
Sonata No. 26 In E Flat major, Op. 81a 'Les adieux, l'absence et le retour': I. Adagio - Allegro
Sonata No. 26 In E Flat major, Op. 81a 'Les adieux, l'absence et le retour': II. Andante espressivo
Sonata No. 26 In E Flat major, Op. 81a 'Les adieux, l'absence et le retour': III. Vivacissimamente

Tracks:

Sonata No. 5 In C Minor, Op. 10 No. 1: I. Allegro molto e con brio
Sonata No. 5 In C Minor, Op. 10 No. 1: II. Adagio molto
Sonata No. 5 In C Minor, Op. 10 No. 1: III. Prestissimo
Sonata No. 6 In F Major, Op. 10 No. 2: I. Allegro
Sonata No. 6 In F Major, Op. 10 No. 2: II. Allegretto
Sonata No. 6 In F Major, Op. 10 No. 2: III. Presto
Sonata No. 7 In D Major, Op. 10 No. 3: I. Presto
Sonata No. 7 In D Major, Op. 10 No. 3: II. Largo e mesto
Sonata No. 7 In D Major, Op. 10 No. 3: III. Menuetto: Allegro
Sonata No. 7 In D Major, Op. 10 No. 3: IV. Rondo: Allegro

Tracks:

Sonata No. 11 In B Flat Major, Op. 22: I. Allegro con brio
Sonata No. 11 In B Flat Major, Op. 22: II. Adagio con molto espressione
Sonata No. 11 In B Flat Major, Op. 22: III. Menuetto
Sonata No. 11 In B Flat Major, Op. 22: IV. Rondo: Allegretto
Sonata No. 20 In G Major, Op. 49 No. 2: I. Allegro, ma non troppo
Sonata No. 20 In G Major, Op. 49 No. 2: II. Tempo di minuetto
Sonata No. 15 In D Major, Op. 28 'Pastoral': I. Allegro
Sonata No. 15 In D Major, Op. 28 'Pastoral': II. Andante
Sonata No. 15 In D Major, Op. 28 'Pastoral': III. Scherzo: Allegro vivace
Sonata No. 15 In D Major, Op. 28 'Pastoral': IV. Rondo: Allegro ma non troppo

Tracks:

Sonata No 25 In G Major, Op. 79: I. Presto alla tedesca
Sonata No 25 In G Major, Op. 79: II. Andante
Sonata No 25 In G Major, Op. 79: III. Vivace
Sonata No 17 In D Minor, Op. 31 No. 2 'Tempest': I. Allegro
Sonata No 17 In D Minor, Op. 31 No. 2 'Tempest': II. Adagio
Sonata No 17 In D Minor, Op. 31 No. 2 'Tempest': III. Allegretto
Sonata No. 15 In E Flat Major, Op. 31 No. 3: I. Allegro
Sonata No. 18 In E Flat Major, Op. 31 No. 3: II. Scherzo: Allegro vivace
Sonata No. 18 In E Flat Major, Op. 31 No. 3: III. Menuett: Moderato e grazioso
Sonata No. 18 In E Flat Major, Op. 31 No. 3: IV. Presto con fuoco

Tracks:

Sonata No. 13 In E Flat Major, Op 27 No. 1: I. Andante
Sonata No. 13 In E Flat Major, Op 27 No. 1: II. Allegro molto e vivace
Sonata No. 13 In E Flat Major, Op 27 No. 1: III. Adagio con espressione
Sonata No. 13 In E Flat Major, Op 27 No. 1: IV. Allegro vivace
Sonata No. 29 In B Flat Major, Op. 106 'Hammerklavier': I. Allegro
Sonata No. 29 In B Flat Major, Op. 106 'Hammerklavier': II. Scherzo: Assai vivace
Sonata No. 29 In B Flat Major, Op. 106 'Hammerklavier': III. Adagio sostenuto
Sonata No. 29 In B Flat Major, Op. 106 'Hammerklavier': IV. Largo - Allegro risoluto

Tracks:

Sonata No 9 In E Major, Op. 14 No. 1: I. Allegro
Sonata No 9 In E Major, Op. 14 No. 1: II. Allegretto
Sonata No 9 In E Major, Op. 14 No. 1: III. Rondo: Allegretto
Sonata No. 16 In G Major, Op. 31 No. 1: I. Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: II. Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: III. Rondo: Allegretto
Sonata No 30 In E Major, Op. 109: I. Vivace ma non troppo - Adagio espressivo
Sonata No 30 In E Major, Op. 109: II. Prestissimo
Sonata No 30 In E Major, Op. 109: III. Gesangvoll mit innigster Empfindung

Tracks:

Sonata No 5 In A Flat Major, Op. 26: I. Andante con variazioni
Sonata No 5 In A Flat Major, Op. 26: II. Scherzo
Sonata No 5 In A Flat Major, Op. 26: III. Marcia funebre
Sonata No 5 In A Flat Major, Op. 26: IV. Allegro
Sonata No 14 In C Sharp Minor, Op 27 No 2 'Moonlight': I. Adagio sostenuto
Sonata No 14 In C Sharp Minor, Op 27 No 2 'Moonlight': II. Allegretto
Sonata No 14 In C Sharp Minor, Op 27 No 2 'Moonlight': III. Presto
Sonata No 31 In A Flat Major, Op 110: I. Moderato cantabile molto espressivo
Sonata No 31 In A Flat Major, Op 110: II. Allegro molto
Sonata No 31 In A Flat Major, Op 110: III. Adagio, ma non troppo
Sonata No 31 In A Flat Major, Op 110: IV. Fuga: Allegro ma non troppo

Tracks:

Sonata No 8 In C Minor, Op 13 'Pathetique': I. Grave - Allegro molto e con brio
Sonata No 8 In C Minor, Op 13 'Pathetique': II. Adagio cantabile
Sonata No 8 In C Minor, Op 13 'Pathetique': III. Rondo: Allegro
Sonata No. 27 In E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfinding und Ausdruck
Sonata No. 27 In E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen
Sonata No. 32 In C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
Sonata No. 32 In C Minor, Op. 111: II. Arietta: Adagio molto semplice e cantabile

Amazon.com

Rather than present the sonatas in chronological order, each disc is refreshingly arranged as a mini-program that juxtaposes contrasting works. While Bernard Roberts doesn't quite command the flexible technique of Sviatoslav Richter or the individual point of view set out in cycles by Schnabel, Arrau, Kempff, or Yves Nat, those wishing a super-bargain Beethoven cycle will not be disappointed. --Jed Distler

Customer Reviews:

A good reference copy.......2006-11-10

Bernard Roberts is what I'd call a "journeyman pianist". That's not a negative, its a recognition that he's a master craftsman who can be relied on to give a good interpretation of the works without taking them over. These recordings may feel a bit 'flat' or colorless as a result but it allows you, the listener, to delve a bit deeper into the music rather than the performance. This will be especially important if you are interested in studying or performing these works. (Indispensable accessory is the score, BTW -- also available from Amazon!)

Lowest-cost complete set .......2006-02-10

If you are looking for your first COMPLETE set of Beethoven's 32 piano sonatas, you've just found the LOWEST COST set available. But is it "the best" or a good one?? Depends on a lot of course. Beethoven's Piano Sonatas are one category in classical music brimming with an abundance of quality choices - both historic and modern - and begs the obvious question, "Which set to chose?" With Kempff we have a "gentleman's Beethoven" ... with Pollini a surgical precision ... Alfred Brendel gives wonderfully conceived masterpieces ... with Goode comes some very poised playing in the classical tradition ... and with Richter, Nikolavia or Kovacavich some fire. (Kovacavich's cycle is my personal favorite). One can spend hours and hours comparing performers and recordings work-by-work and still not really have a solid feel for which one is "the best" - at least for you. And in doing so, the focus can become overly weighted on the finding the elusive "ideal" recording that one can miss the importance of just sitting down with one of the many great recordings available and revelling in the depths of Beethoven's piano music.

All things considered, Bernard Robert's complete cycle here is a solid choice - not overly "poetic" ... nor overly "Romantic" or brash. In addition to Bernard Roberts set here, a similar "super budget" set from Claude Frank was re-released on the Music & Arts label (about $59). Other sets will cost $100 and up typically. Both Frank and Roberts give simimlarly compelling, musically rich and interpretatively balanced readings. Frank's style is more lucid and refined where Roberts brings more intensity. Such complete sets as these form a solid reference point to understand and appreciate the other historic performer's interpretive artistry (as most connoisseurs have several sets eventually). At some point of one's musical journey, it becomes enlightening to listen to historic greats as Schnabel, Kempff, Arrau, Serkin, Goode, Gilels, Kovacavich ... but early on it is probably more important just to hear Beethoven-for-Beethoven and focus less on the performer. And these inexpensive sets allow that for the budget buyer.

But don't let the price or lack of popularity make you think either of these budget sets are sub-standard performances either. Bernard Roberts is well known and much admired in his native England while German-born Claude Frank's Beethoven's recordings were, according to music writer and pianist David Dubal, "highly prized." Both get good reviews (both on Amazon and music press) and both represent Beethoven faithfully and with much artistry. Where Frank's cycle is a more closely-miked sound environemnt, Robert's recordings have a more resonant ambiance. If price is the main consideration, Roberts set is unbeatable and the best way to begin the journey to explore the 32 sonatas.

A very good bargain buy for Beethoven Sonatas.......2005-12-06

Bernard Roberts may not be a name widely known in the USA, but his recordings of the Beethoven Sonatas for Nimbus dating from the mid 1980s are very good. If you are not a diehard fan of Richter, Rubinstein, Horowitz, Kempff, or Backhaus and absolutely MUST have their recordings, Roberts is worth considering. He has fine technique, but never shows off, pounds or distorts anything in the music to bring attention to himself; in short, Beethoven is served, not pianist Bernard Roberts.

I have about 80% of these recordings on separate Nimbus releases, and can only say I am very pleased with both recorded sound and playing. Of course with complete sets of Beethoven Piano Sonatas, there are always some performances superceded by individual ones of other pianists, but these should please most anyone who doesn't require a recording of one of the above listed pianists.

Budget price + fine recorded sound + great playing = a successful recording set which I am pleased to recommend.

YOu get what you pay for...and in this case,,,a pinch more........2005-12-01

I bought this set when i was younger, less knowledgeable about the individual qualities an individual may bring to a performance. I thought, hey, they all play the same notes, right. So to get all Beeth sonata's at such a cheap price, i thought sure.
I already had the named sonata's by Serkin, whom my father recommended as his supreme beethoven player, and to this day I still hear them the way he played them, and Roberts is no serkin.
Again, this being before i realized how much the performer mattered, i was disappointed on the whole with the sonata's, feeling that maybe the serkin disc was enough in that all the "good" named sonata's were there.
Every day i listened to one or too discs in a sitting, making sure i missed nothing.
Disappointment is what i felt.
Now that i am older, and more intelligent in the method of performing, and an accomplished performer my self, one able to provide their own mark to their own performance, one with the ability to understand what one is doing, and how to do it, i have numerous collections of this set. Schnabel was the first "historical set i bought" with much the same reaction in terms of sound as i had to the playng of the roberts set.
I now own Gilels, Barenboim, Schnabel, Richter(in most), Fischer(annie) Roberts, brendel, arrau, and kempff. and have listened to, as i did with roberts to Goode(a very decent account), and Kovavich(though i dont own them.
The top of my list is most suredly Kempff(60's), but it was not always so. as my respect for the performance grew, so did my taste for kempff. Brendel always bored me, as did Barenboim(i found myself passing out-which i never do). Fischer and Gilels are both extremes, that at first hearing are truly exciting and fresh(despiite a repeated claim about Gilels lack of soul). The Backhaus was, for me, a surprisingly excellent set and the Arrau had much going for it in the latter half. I adore richter, but his beethoven is usually hit or miss, but when its a hit it is top of the mountain. So that leads us back to Roberts. There are many things that i actually like here, such as his performance of op 10\3 final mvmt. He plays it with minimal pedal, letting the voices speak for themselves, there is only one version i enjoy more, and that, surprisingly is John o'Connor(or just connor)?-though i hate his cycle-or what i have heard. Overall, for the money, depending on how serious you are, like for instance, if you are not satisfied are you going to go out and spend more money, then i would save it the first time and go for Kempff. But if you are young, as i was, and must hear them, but dont have the money, first go to your library and see if they have an aforementioned copy and burn it, and if you want to own it for cheap, you cant do much better than this for the price. Another thing you could do is buy artur schnabel's account on naxos for 6.99 a disc, but know beforehand that the sound is variable(the recordings are from the 30's) but give it a chance and you will learn to appreciate the playing itslef and not what today's engineers have to say about the music. This ability to listen in spite of the engineers is somehing that will enable you to enjoy so much music that most will not-i.e cortot, rach, moiseiw, hofman, etc.

Great Bargain - Great Playing - So So Sound Quality.......2005-08-10

This is the only complete set of the Beethoven Sonatas that I own, and so far I have been very happy with it. First off, the price is excellent. I know for a fact that I probably NEVER would have purchased my first complete set if I had to pay close to $100 for it! This is a great way to get introduced to the complete set.

I've heard a few sonatas on other CDs by other players, but for the most part, this is the only version I've heard of most of these sonatas, so I can't really compare them to other players. However, as a music collector and pianist, I can recognize good piano playing when I hear it, even without another version for comparison. Robert's playing is clean and accurate and stylistically very appropriate. Every phrase and passage is well thought out and shaped, enhancing the music without distracting from it.

The only complaint that I would have is that sometimes the sound has a little too much reverb for my tastes, which can affect the clarity of some passage (particularly those written in the lower range of the keyboard).

As others have said, this is a great starter set for anyone wanting to get all the sonatas at a great price. My advice would be to get this nicely priced set, then if there are certain sonatas you really love and want other versions, perhaps buy only those. While all the sonatas are well written, I don't love them all enough to warrant purchasing multiple versions. However, this set has allowed me to find those sonatas which really speak to me, so that I can then pursue those further without having to pay an arm and a leg buying all 32 over again. Enjoy!

Average customer rating:

Great Music and Outstanding Voices
Time for a new one
Wonderful music, wonderful voices
Professional on professionals
Tenners for Tenors

Live in Belfast
Irish Traditional , James L. Molloy , Philip Martin , Lynette Johnson , Thomas Moore , Frank Lambert , Raymond Loughborough , Percy French , Richard Farrelly , William Wallace , Tempest Sanderson , and Francis McPeake
Manufacturer: Music Matters
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | International | Styles | Music

General | Celtic | International | Styles | Music

General | Opera & Vocal | Styles | Music

Tenors | Voices | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
Similar Items:

The Irish Tenors / McNamara, McDermott, Kearns, Tynan
Ellis Island
The Very Best of The Irish Tenors
Heritage
Home for Christmas

ASIN: B00004RDSK
Release Date: 2007-01-08

Tracks:

Dublin Medley: Dublin in the Rare Old Times; Molly Malone
Carrickfergus
Bantry Bay
Scorn Not His Simplicity
The Fields of Athenry
Star of the County Down
The Last Rose of Summer
Red is the Rose
Lift the Wings
She is Far from the Land
Ireland, Mother Ireland
Green Isle of Erin
Percy French Medley: Phil the Fluther's Ball/Come Back Paddy Reilly/The Lay of the West Clare Railway (Are Ye Right There Michael?)
Mary from Dungloe
Isle of Inisfree
There is a Flower that Bloometh
As I Sit Here
The Kerry Dance
Will Ye Go Lassie Go?

Product Description

1. Dublin Medley
2. Carrickfergus
3. Bantry Bay
4. Scorn Not His Simplicity
5. Fields Of Athenry
6. Star Of The County Down
7. The Last Rose Of Summer
8. Red Is The Rose
9. Lift The Wings
10. Ireland Mother Ireland
11. She Is Far From The Land
12. Green Isle Of Erin
13. Percy French Medley:
-Phil The Fluther s Ball
-Come Back Paddy Reilly
-The Lay Of The West Clare Railway
14. Mary From Dungloe
15. Isle Of Inisfree
16. There Is A Flower
17. As I Sit Here
18. The Kerry Dance
19. Go Lassie Go

Format: CD

Amazon.com

Just a year after their smash breakthrough debut album--itself still riding high in the charts--the Irish Tenors have added another delightfully varied collection to their discography. Live in Belfast again showcases the group's obvious concert charisma from a performance given in February 2000. It's a generous smorgasbord of medleys, traditional numbers, and songs from popular sources (including "Scorn Not His Simplicity," which Sinead O'Connor has interpreted)--mixing nostalgic sentimentality with selections of bittersweet melancholy. Binding the whole together is the unmistakable stylish charm of the Irish Tenors, whether singing in solos or in ensembles. But the biggest surprise for fans already hooked on the Tenors is the introduction of Finbar Wright as replacement for original member John McDermott. Wright's bright, romantic voice easily wins over a potentially skeptical crowd--especially in the dreamy "Isle of Innisfree"--and blends nicely with his colleagues. (McDermott, who had to bow out of the performance due to the death of his mother, makes a surprise appearance to solo in a memorable and touching "The Last Rose of Summer"--given as a tribute to his parents--and to rejoin the Tenors for "Red Is the Rose.") The arrangements by Tenors producer Frank McNamara are played with zest by the Orchestra Warsaw Sinfonia. --Tom May

Customer Reviews:

Great Music and Outstanding Voices.......2007-03-28

My wife and I saw these tenors live and on stage and we were truly impressed. Their voices blend beautifully and they present a well rounded variety of songs. We so enjoyed the first CD that we bought this current one.

Time for a new one.......2001-10-19

I bought this CD, (plus the video) in July 2000 and listened to it so much I think it must be just about worn out.!!!The video I have seen so often I bet I have seen every idiosyncrasy of each of them. The Tenors are almost my total pastime. About 12 hours a day, listening and viewing. I "met" them July 22/00 and have been to four concerts, and I'm still impressed by the joyous sounds of their voices.
It's been a lomg time since I wrote my last review of this CD, but I hope I have helped to encourage others to enjoy the thrill of the most magnificent voices of their lives.
The Tenor's #1 Fan,,,, Joan Way

Wonderful music, wonderful voices.......2001-05-31

I do not claim to be a musical expert. It has always been my contention that music which makes the listener feel good, which raises the spirits and makes the heart glad, is worthy of being heard. Such is this CD. I don't listen to it to search for flaws, flubs, failings and screw-ups. I listen to it because it makes me happy. I am of Irish ancestry, and this wonderful music stirs a core deep within my soul. I got to hear some traditional Irish folk music I'd never heard before. I would hope that all those who listen to this CD would choose to enumerate its merits based on the fact that this music is meant to lighten the soul. It never was meant to be held up to intense scrutiny, because it is folk music. These are the songs the people sang. They weren't meant to be grand, classical opera, and should not be regarded or critiqued as such. They are beautiful and moving, just as they stand, and I am grateful that God gave these four men such voices to sing these old tunes and to preserve them for the generations to come. God knows we need positive, beautiful music now more than ever.

Professional on professionals.......2001-05-05

I am taking from the best in the world. I have met Pavarotti's teachers (Joan Doanerman and Joan Sutherland) and also take from them. I am very well-known in musical analyzing and teaching. I have read all reviews, and personally, many of you need to learn much more about proper vocal technique to be a critic. The voice must flow, with support (breath), low larynx, etc. All four tenors possess the proper singing qualities. However, stage presence, song interpretation, and musicianship also take into affect. Finbar Wright needs to continue his musicianship. He possesses much more romanticism than he shows. Also, anyone can say words like "texturing, spellbinding and dominance," and sound like a knowledgeable critic. However, these words are thrown into sports review as well. Face it folks, know what you are saying. John McDermott has a beautiful voice, but it is a much different classical style than many people know. John is a Celtic Tenor, which means that his under- and overtones will sound much different than the other three. The symphony is NOT too dominant, David Schierholz. If you have worked with the Met recording studios, than you can talk with me, because I have sat in on them. These are live performances, not takes in a studio. Folks, I am a born and bred Irishman. These men are great, but there needs to be more of there individual literature available. I would love to find Anthony Kearns classical recordings. Then, when you have studied and understand the nature of the voice and theatre, then you can write your reviews.

Tenners for Tenors.......2001-02-16

This cd and video was my introduction to the wonderful "Irish Tenors". Seperately each is spellbinding. Together they are nothing short of magical. Finbar Wright is a dashingly romantic figure while Ronan Tynan is most compelling. Anthony Kearns will be a major star someday in the opera world. His voice is clear and strong. Wright's voice soars in songs such as "Carrickfergus" and "Isle of Innisfree". He seems a bit nervous which is understandable given he had only 10 days to prepare for this concert. He was asked literally days before the performance to step in for John McDermott. Thank goodness he did! The one downer for me was the appearance of John McDermott as his voice is not my cup of tea.

Rock Music:

Rock Music