| 1. Primal |
| 2. Key to the Universe - Michael Kiske, Timo Tolkki |
| 3. Now I Understand |
| 4. Divine |
| 5. Little Boy I Miss You |
| 6. I Believe |
| 7. Are You the One? |
| 8. Father |
| 9. Fresh Blue Waters |
| 10. Dear God |
| 11. It's Xmas Morning |
| 12. Hymn to Life |
Editorial Reviews
Japanese edition of the Stratovarius guitarist's second album. Featuring Michael Kiske (ex-Helloween) on vocals. Includes the Japanese only bonus track 'Key To The Universe' (strings version). 2002.
Hymn to Life,Timo Tolkki,Jvc Japan,Neo-Prog,Pop,Rock,Rock/Pop
Average customer rating:
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American Angels
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ADB4Q Release Date: 2004-02-10 |
Tracks:
- Holy Manna
- Abbeville
- Wondrous Love
- Sweet Hour Of Prayer
- Jewett
- Dunlap's Creek
- New Britain
- The Morning Trumpet
- Resignation
- Poland
- Wayfaring Stranger
- Sweet By And By
- Blooming Vale
- Idumea (I)/Idumea (II)
- Sweet Prospect
- Shall We Gather At The River
- Amanda
- Invitation
- Parting Hand
- Angel Band
Amazon.com
This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert LevineCustomer Reviews:
spiritual americana.......2007-01-06
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!
Rich Heritage.......2006-10-11
Superb .......2006-08-07
Can't walk away from it!.......2006-08-07
These four ladies produce a unique and remarkable sound. I can't recommend it enough.
Mana from Heaven.......2006-05-08
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Summon the Heroes
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004WK4E Release Date: 2000-08-29 |
Tracks:
- Summon The Heroes - John Williams/Boston Pops Orchestra
- Carmina Burana: O Fortuna - Tanglewood Festival Chorus/John Oliver
- Bugler's Dream/Olympic Fanfare And Theme - John Williams/Boston Pops Orchestra
- Canto Olympico: Ode To Zeus - Tanglewood Festival Chorus/John Oliver
- Javelin - John Williams/Boston Pops Orchestra
- Olympic Hymn - Tanglewood Festival Chorus/John Oliver
- Festive Overture, Op.96 - John Williams/Boston Pops Orchestra
- Conquest Of Paradise (Theme) - Tanglewood Festival Chorus/John Oliver
- Ben Hur: Parade Of Charioteers - John Williams/Boston Pops Orchestra
- Toward A New Life - John Williams/Boston Pops Orchestra
- Chariots of Fire (Theme) - John Williams/Boston Pops Orchestra
- The Olympic Spirit - John Williams/Boston Pops Orchestra
Customer Reviews:
Loved "Summon the Heroes".......2007-03-17
Inspirational music during awards.......2007-01-22
Rousing but...........2006-02-24
In an amazing oversight, however, this CD does not include the Olympic Theme.
Enjoyable romp through Olympic Themes.......2005-09-01
On the whole, the music is well done, but I'm more used to the faster pace of the Parade of the Charioteers found on Eric Kunzel and the Cincinnati Pops' Hollywood's Greatest Hits Vol. 1.
One other quibble (minor, really) is that people tend to think of the 1984 Olympic Fanfare as being always merged with the traditional Olympic Fanfare, but you can find it separately on By Request by John Williams and the Boston Pops. You'll also have to hunt around for the full composition of what people consider the traditional Olympic Fanfare on another disc, but that's a minor issue.
One nice item on the disc is The Olympic Spirit, which was composed for the NBC Broadcast of the 1988 Olympics in Seoul, but never used. My children really like that piece a lot, and usually request it to be replayed when it finishes.
One of the most uplifting and motivating albums!!!.......2005-07-19
Track One-Summon the Heroes
Track Three-Bugler's Dream/Olympic Fanfare and Theme
Track Twelve-The Olympic Spirit
Bottom Line: BUY THIS ALBUM!!!!!!!! A TREASURE!!!!!
Average customer rating: |
Land of My Fathers: 100 Great Welsh Choir Favourites
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009SOFXG Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
- Ave Maria
- Pearl Fishers/Divine Brahma
- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
Tracks:
- Y Nefoedd
- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
- Holy City - Treorchy Male Choir
- Mefistofele: Ave Signor, Degli Angeli
- Senzenina (Zulu Chant)
- That's All I Want from You
- Deep Harmony - Treorchy Male Choir
- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
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Hymns Through the Centuries
J. Reilly Lewis , Cathedral Choral Society , William Gardiner , Johannes Cruger , Melchior Teschner , William Henry Monk , Virgil Thomson , George Elvey , Thomas Hastings , and John [composer] Goss Manufacturer: Gothic Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003XB8M Release Date: 2000-02-22 |
Tracks:
- When In Our Music God Is Glorified
- Ye Watchers And Ye Holy Ones
- A Mighty Fortress Is Our God
- Where Cross The Crowded Ways Of Life
- O Sacred Head, Sore Wounded
- All Glory, Laud And Honor
- Abide With Me; Fast Falls The Eventide
- My Shepherd Will Supply My Need
- Come, Ye Thankful People, Come
- Let All Mortal Flesh Keep Silence
- Rock Of Ages, Cleft For Me
- Praise, My Soul, The King Of Heaven
- Come, Risen Lord
- Carillon Hymn: St. Peter
- Eternal Father, Strong To Save
- Amazing Grace! How Sweet The Sound
- Holy, Holy Holy! Lord God Almighty
- Nearer, My God, To Thee
- Dear Lord And Father Of Mankind
- In Christ There Is No East Or West
- Were You There When They Crucified My Lord?
- Crown Him With Many Crowns
- Word Of God, Come Down On Earth
- The Church's One Foundation
- God Of Our Fathers
- Father, In Thy Gracious Keeping
- Peal Bells
Customer Reviews:
How can you call these "Hymns".......2006-08-05
wonderful collection of magnificent music.......2006-01-18
If you like sacred music, or hymns, then you'll thoroughly enjoy this CD. If you're a Christian, you should enjoy this as well, no matter your taste in music (and you might just learn to like hymns as well!). It is a well-chosen set of some of the most magnificent, God-honoring music of all time, done is a mostly very traditional manner, and it was done well.
Flawed but enjoyable.......2005-04-15
Hymns through the Centuries.......2002-03-18
A must own for classic church music lovers.......2002-02-16
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Simple Gifts: Shaker Chants and Spirituals
Ann Lee , Shaker Traditional , Jane Sutton , Paulina Springer , Joseph Brackett , Robert Dobson , Arthur Rawding , Mary Ann Valaitis , Joel Cohen and the Boston Camerata , Schola Cantorum , and Shakers of Sabbathday Lake Manufacturer: Erato ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005EDQ Release Date: 1995-09-05 |
Tracks:
- Come Life, Shaker Life
- In Yonder Valley
- Virgins Clothed In A Clean White Garment
- Mother
- Father James' Song
- Followers Of The Lamb
- Mother Ann's Song
- I Have A Soul To Be Saved Or Lost
- Heavenly Comfort
- A Companion To Stiff
- Pinch'd Up, Nip'd Up
- I Will Fight And Never Slack
- Celestial Choir
- Holy Angel
- The Lark
- Nightingale's Song
- Holy Order Song
- Learned Of Angel
- Laughing John's Interrogatory
- I'll Beat My Drum As I March Along
- Mother's Warning
- The Solemn Bell
- Mother's Cup of Tribulation
- Sad Days
- Encouragement
- Verdant Valley
- In Yonder Valley (Reprise)
- Solemn Song
- Turn To The Right
- O Will You Sing Another Song
- The Spiritual Sailor
- Mother Has Come
- Holy Mother's Protecting Chain
- Simple Gifts
Amazon.com
Joel Cohen spent countless days in the library at the Shaker community at Sabbathday Lake, Maine, transcribing dozens of tunes from among thousands of archived chants and spirituals. Many more of these wonderful tunes were recalled from memory by the community's few resident Shakers--and Cohen and his ensemble, joined by several Shaker singers, made this recording, which deserves to be heard by everyone who loves songs and singing. --David VernierCustomer Reviews:
Shaken *and* stirred.......2007-04-28
Without their music, the Shakers can seem quaint and faintly silly - the odd maiden aunts and uncles with peculiar hobbies (making chairs and living without modern conveniences) and -- nutty bears, indeed! -- living in celibate, and therefore non-regenerative communities.
But their music is something else --earnest, longing, full of commitment and a sense of their own story. And tuneful! You don't have to be a Shaker to appreciate the visual poetry of "Virgins cloth'd in a clean white garment," or hear the deep commitment to resist sin in "I will fight, fight, and never slack until I overcome the enemy," or the desperate longing for eternal life evoked by "In yonder valley there flows sweet union." These are songs written for and performed by people who lived a most austere form of spirituality.
There are those who criticize Joel Cohen for having embellished some pieces by adding, for instance, a drone that is not attested in the literature. By I certainly praise Cohen and the Boston Camarata for having brought these wonderful pieces to my attention. It is icing on the cake that a few of the remaining Shakers of the Sabbathday Lake, Maine community chose to join their voices to this effort. To sing is to pray twice, and this CD certainly delivers on that promise, plus providing insights into an obscure but enduring corner of the American religious landscape.
And then there were four..........2006-10-25
Shakers remain not only celibate, but ascetic. Though not to the level of the Amish or the Luddites. Sabbathday Lake has a website, a car, telephones, and internet connections. They also don't hermit themselves from society. They play an active role in it. So throw away any notions of Puritanical witch hunters. Shakers laugh, socialize, read, dance, and, as this CD aptly demonstrates, they sing their ascetic hearts out.
The music, largely resembling English folk music, rhapsodizes about Shaker values, history, and vows. All songs but one get performed a capella. Some emphasize the lyrics with stomping and clapping. Permeating the set is the figure of "Mother," or Ann Lee. She helped found the Shakers in the eighteenth century and all faithful remain her spiritual heir (after Jesus Christ, of course). Early followers faced persecution, but found faith in Mother's actions and example. The song, titled appropriately, "Mother" retells the story of the "blessed fire" that spread from Manchester, England to America. Believers also reaffirm their faith and actions by singing songs in Meeting. An apt beginning, the CDs first song presents an ecstatic chant that reminds members of their ominous vow: "Come life, Shaker life, Come life eternal, Shake, shake out of me all that is carnal." "Followers of the Lamb" repeats the lines "I'm glad I am a Shaker" three times in celebration. Some songs don't have words and get half hummed half sung with mystical sounds. Shakers also express anger. "A companion stiff" fiercely pounds away individualistic thoughts in favor of community. The beautiful and upbeat "Encouragement" combines non-word singing with strongly contrasting fervent stomping and clapping. Somehow it encapsulates both meditative contemplation and heart-racing ecstasy in only two and a half minutes. Aptly bookending the CD is the most famous Shaker song, "Simple gifts." Instantly recognizable, Aaron Copland popularized this tune in his 1950 ballet "Appalachian Spring." Here it receives a sparse but inspired choral performance. As such, it aptly closes the CD with a message of faith and simplicity.
This CD, recorded at Sabbathday Lake, preserves a sampling of the thousands of Shaker songs known to exist. To this day these songs still fill the Shaker's 1794 Meeting House, the last one still in use. But how much longer? In the end, whether or not the Shakers can survive their current troubles, they will always remain an important piece of American and religious history. Not that that provides much consolation. Either way, this recording helps to preserve an important aspect of the Shaker's cultural contribution: their impressive music.
A beautiful album .......2005-09-17
The issue of the theology is irrelevent unless you believe that differences in the theology expressed--which may be different from yours--will interfere with your pleasure in the music. I can easily imagine topics that, no matter how beautifully expressed, I would be unable to listen to. It wasn't the case with this CD.
(You would also be upset if you believe that (a) listening to others express their beliefs, which are different form yours, is a sin, (b) your faith will be swayed by listening to gorgeous music from people who disagree with you, or (c) it's wrong for people with different beliefs to have their music recorded. I doubt very much that any of the people who have expressed theological concerns about this CD would feel that way but, hey, people who do feel that way should be given appropriate warning).
Shaker Music -- misunderstood?.......2005-01-27
Some new old ideas.......2000-10-14
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Vaughan Williams: Poisoned Kiss
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IYN1 Release Date: 1999-05-18 |
Tracks:
- Overture: The Poisoned Kiss
- Two Hymn - Tune Preludes: Eventide
- Two Hymn-Tune Preludes: Dominus Regeit me
- The Running Set
- Flos campi: I Lento (senza misura)
- Flos campi: II Andante con moto
- Flos campi: III Lento (senza misura) - Allegro moderato - Allargando
- Flos campi: IV Moderato alla marcia
- Flos campi: V Andante quasi lento
- Flos campi: VI Moderato tranqillo
- Suite For Viola And Orchestra: Group 1: Prelude
- Suite For Viola And Orchestra: Group 1: Carol
- Suite For Viola And Orchestra: Group 1: Christmas Dance
- Suite For Viola And Orchestra: Group 2: Ballad
- Suite For Viola And Orchestra: Group 2: Moto perpetuo
- Suite For Viola And Orchestra: Group 3: Musette
- Suite For Viola And Orchestra: Group 3: Polka mncholique
- Suite For Viola And Orchestra: Group 3: Galop
- Sea Songs
Tracks:
- Overture: The Wasps
- The House Of Life: 1 Love-Sight
- The House Of Life: 2 Silent Noon
- The House Of Life: 3 Heart's Heaven
- Six Studies In English Folksong: 1 Adagio
- Six Studies In English Folksong: 2 Andante sostenuto
- Six Studies In English Folksong: 3 Larghetto
- Six Studies In English Folksong: 4 Lento
- Six Studies In English Folksong: 5 Andante tranquillo
- Six Studies In English Folksong: 6 Allegro vivace
- Romance
- Linden Lea
- Fantasia On Greensleeves
- Serenade To Music
Customer Reviews:
A fine collection, well recorded, & a bargain, to boot!.......2005-10-08
Perfect and otherworldly.......2003-10-06
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Sacred Music Complete
Purcell , King , and Kings Consort Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006RHQJ Release Date: 2002-12-10 |
Customer Reviews:
great, great!!!.......2006-12-05
ALL THE MUSIC YOU EVER NEED!!.......2003-05-23
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English Choral Music, 1514-1682
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000064AT Release Date: 1998-02-17 |
Tracks:
- Alleluja, I Heard A Voice - Christ Church Choir
- Give Ear O Lord - Christ Church Choir
- Evening Services For Five Voices: Magnificat - Christ Church Choir
- Evening Services For Five Voices: Nunc Dimittis - Christ Church Choir
- Evening Services For Five Voices: Hosanna To The Son Of David - Christ Church Choir
- Evening Services For Five Voices: When David Heard - Christ Church Choir
- Evening Services For Five Voices: O Lord, Grant The King A Long Life - Christ Church Choir
- Evening Services For Five Voices: Give The King Thy Judgements - Christ Church Choir
- Evening Services For Five Voices: Gloria In Excelsis Deo - Christ Church Choir
- Ninth Service: Magnificat - Christ Church Choir
- Ninth Service: Nunc Dimittis - Christ Church Choir
Tracks:
- Missa Mater Christi: Introitus: Rorate coeli desuper - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Kyrie: Rex splendens - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Gloria - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Oratio: Deus, qui de beatae Mariae - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Epistola: Lectio Esaie prophete - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Alleluya, Ave Maria - Alleluya, Christus resurgens - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Sequentia: Ave mundi spes Maria - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Evangelium: Sequentia sancti evangelii secundum Lucam - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Credo - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Offertorium: Ave Maria - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Oratio Secreta - Praefatio - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Sanctus - Benedictus - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Canon - Pater noster - Pax Domini - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Agnus Dei - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Communio: Ecce virgo concipies - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Post Communio: Gratiam tuum quaesumus Domine - ENGLISH CHORAL MUSIC
- Missa Mater Christi: Ite missa est - ENGLISH CHORAL MUSIC
- Antiphon: O Wilhelme, pastor bone - ENGLISH CHORAL MUSIC
- Antiphon: Mater Christi sanctissima - ENGLISH CHORAL MUSIC
Tracks:
- Mass Propers For All Saints: Introitus: Gaudeamus omnes - Christ Church Choir
- Mass For Five Voices: Kyrie - Christ Church Choir
- Mass For Five Voices: Gloria - Christ Church Choir
- Mass Propers For All Saints: Gradualis: Timete Dominium - Christ Church Choir
- Mass For Five Voices: Credo - Christ Church Choir
- Mass Propers For All Saints: Offertorium: Justorum animae - Christ Church Choir
- Mass For Five Voices: Sanctus; Benedictus - Christ Church Choir
- Mass Propers For All Saints: Communio: Beati mundo corde - Christ Church Choir
- Mass For Five Voices: Agnus Dei - Christ Church Choir
- Motet: Laudibus in Sanctis - Christ Church Choir
- Motet: Laudate pueri Dominum - Christ Church Choir
- Motet: Laudate Dominum - Christ Church Choir
Tracks:
- Mass Propers For The Feast Of Corpus Christi: Introitus: Cibavit eos - Byrd
- Mass for four voices: Kyrie - Byrd
- Mass for four voices: Gloria - Byrd
- Mass Propers For The Feast Of Corpus Christi: Gradualis: Oculi omnium - Byrd
- Mass Propers For the Feast Of Chorpus Christi: Sequentia: Lauda Sion salvatorem (Plainsong) - Byrd
- Mass for four voices: Credo - Byrd
- Mass Propers For The Feast Of Corpus Christi: Offertorium: Sacerdotes Domini - Byrd
- Mass for four voices: Sanctus - Benedictus - Byrd
- Mass Propers For The Feast Of Corpus Christi: Communio: Quotiescunque manducabitis - Byrd
- Mass for four voices: Agnus Dei - Byrd
- Processional Hymn: Pange lingua gloriosi - Byrd
- Hymn To The Blessed Sacrament: Ave verum corpus - Byrd
- Hymn To The Blessed Sacrament: O salutaris hostia - Byrd
Tracks:
- Propers For The Nativity: Introitus: Puer natus est nobis - CHRIST CHURCH CATHEDRAL CHOIR
- Mass For Three Voices: Kyrie - CHRIST CHURCH CATHEDRAL CHOIR
- Mass For Three Voices: Gloria - CHRIST CHURCH CATHEDRAL CHOIR
- Propers For The Nativity: Gradualis: Viderunt omnes fines terrae - Dies sanctificatus - CHRIST CHURCH CATHEDRAL CHOIR
- Mass For Three Voices: Credo - CHRIST CHURCH CATHEDRAL CHOIR
- Propers For The Nativity: Offertorium: Tui sunt coeli - CHRIST CHURCH CATHEDRAL CHOIR
- Mass For Three Voices: Sanctus - Benedictus - CHRIST CHURCH CATHEDRAL CHOIR
- Propers For The Nativity: Communio: Viderunt omnes fines terrae - CHRIST CHURCH CATHEDRAL CHOIR
- Mass For Three Voices: Agnus Dei - CHRIST CHURCH CATHEDRAL CHOIR
- Antiphon: Hodie Christus Natus est - CHRIST CHURCH CATHEDRAL CHOIR
- Hymn: Christe redemptor omnium - CHRIST CHURCH CATHEDRAL CHOIR
- Antiphon: O admirabile Commertium - CHRIST CHURCH CATHEDRAL CHOIR
- Hymn: A solis ortus cardine - CHRIST CHURCH CATHEDRAL CHOIR
- Response: O magnum misterium - CHRIST CHURCH CATHEDRAL CHOIR
Tracks:
- Music For Our Lady And Divine Office: Ex eius tumba: Sospitati dedit aegros - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Dum transisset sabbatum (I) - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Audivi vocem de caelo - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Dum transisset sabbatum (II) - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Kyrie le Roy - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Alleluya V. Veni electa mea - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Magnificat a5 - ENGLISH CHORAL MUSIC
- Music For Our Lady And Divine Office: Ave Dei Patris filia - ENGLISH CHORAL MUSIC
Tracks:
- The Lord Even The Most Mighty - John Taverner
- O Lord, Thou Hast Searched Me - John Taverner
- I Will Love Thee - John Taverner
- O Lord Our Governor - John Taverner
- How Doth The City - John Taverner
- Blessed Is He Whose Righteousness - John Taverner
- Hear, O Heav'ns - John Taverner
- Who Hath Believed - John Taverner
- Out Of The Deep - John Taverner
- Hear Me O Lord - John Taverner
Tracks:
- The Lord's Prayer - Christ Church Choir
- The Second Service: Magnificat - Christ Church Choir
- The Second Service: Nunc Dimittis - Christ Church Choir
- Gaude, gaude, gaude Maria - Christ Church Choir
- Filie Ierusalem - Christ Church Choir
- Reges Tharsis et insule - Christ Church Choir
- Spiritus sanctus procedens - Christ Church Choir
- Laudem dicite Deo nostro - Christ Church Choir
- Hec dies - Christ Church Choir
- Impetum fecerunt unanimes - Christ Church Choir
- Libera nos, salva nos - Christ Church Choir
Amazon.com
It doesn't get much more authentic than this! These eight CDs present music by William Byrd, Thomas Weelkes, Henry Purcell, John Blow, Matthew Locke, the little-known Pelham Humfrey, John Sheppard, and John Taverner--all recorded in Dorchester Abbey, Oxford, England, and sung by the Christ Church Cathedral Choir, Oxford's great all-male choir. Their heritage goes back to Taverner himself. Their sound is both pure and lush, their singing immaculate. This is music in the finest English tradition, beautiful, devotional music for all seasons. --Robert Levine
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Critic's Choice: Leonard Maltin's Best Movie Themes of the '90s
Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD ASIN: B00004SVHW Release Date: 2000-04-25 |
Tracks:
- Critic's Choice Theme
- Titanic Suite: Distant Memories/Southampton/Rose/Take Her To Sea Mr. Murdoch
- Basic Instinct: An Unending Story
- Maverick Suite
- The Firm: Main Title/Ray's Blues
- Ed Wood: Main Title
- Shakespeare In Love Suite: The End/The Beginning Of The Partnership
- Tim Burton's The Nightmare Before Christmas Orchestral Suite
- The Mask Of Zorro Suite: The Plaza Of Execution/Zorro's Theme/Love Theme
- Saving Private Ryan: Hymn To The Fallen
Tracks:
- First Knight Orchestral Suite: Arthur's Fanfare/Main Title/End Credits/Camelot/Arthur's Farewell
- Fast, Cheap & Out Of Control: Eternal Future II
- As Good As It Gets
- The English Patient: Rupert Bear/As Far As Florence
- American Beauty: Dead Already/Any Other Name
- Braveheart: End Credits
- Life Is Beautiful: Buon Giorno Principessa/Abbiano Vinto
- John Grisham's The Rainmaker: Kelly's Theme
- The Lion King Orchestral Suite
- Schindler's List: Theme From Schindler's List/Jewish Town/Remembrances
Customer Reviews:
A great CD for those who appreciate movie themes.......2000-10-06
Martin selects the scores from a variety of film genres (drama, dark comedy, suspense,for example) which translates into a well rounded compilation of musical pieces (classical,spanish-inspired, blues, etc). He also includes liner notes reagrding each selection and composer, which serves as a brief, yet interesting, background regarding each selection.
The only qualm that I have with the CD is the abscence of some of my personal favorites, which are certainly memorable both as films and as scores. Reagarding such statements Martin states that "Lists, of course, are highly arbitrary and designed to provoke argument." Moreover, Martin acknowledges that selections are not the only great scores of the past decade; they are, however, among his favorites. I definitely agree with him on this statement.
Purchase the CD for not only your favorites but for the nice variety that Martin put together. You will be surprised that you will love the scores, even of the movies you may not have seen!
Rock Music:
